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00:02What we are about to tell is a story of pure and simple horror. A mystery, of course.
00:08and also a locked room mystery, a detective story, but a terrifying and frightening one. There's blood.
00:14in this story, so much blood, and a blind violence that seems to have nothing human,
00:19even if it takes place in a calm and quiet environment. A quiet apartment in a building
00:25middle-class in Naples. For what happened, for the people, for the atmosphere, a
00:31a story like this could have been written by Beppe Ferrandino in his Pericle the Black
00:35and instead it really happened, and it is the most frightening thing you can imagine. It happened
00:41in Naples, at Via Caravaggio number 78. It is October 29, 1975.
01:02That apartment on Via Caravaggio has been silent for nine days.
01:09Nine days that the phone has been ringing to no avail, on the fourth floor of that middle-class building
01:1460s style. It's not usually like that. Three people live in that apartment,
01:20Domenico Sant'Angelo, known as Mimmo, his wife Gemma and their daughter Angela and there is also
01:25a dog, a little dog named Dick. The Sant'Angelo come and go, participate in the life
01:31of that building, they go to visit relatives, Angela goes out with her boyfriend and instead she doesn't. For nine
01:36For days, silence, total silence in that apartment. Why? What happened?
01:43The first to be seriously concerned was Gemma's nephew, Mario Zarrelli. Saturday, November 8th,
01:49around 8pm, Mario goes to the police, he goes to the flying squad, to report that
01:54strange and very long silence. The police go to Via Caravaggio with him and there they find
02:00The apartment door is closed. So you have to call the fire brigade, and they can come by.
02:05From a terrace, they force a door and enter the apartment. The lights, all the lights are off.
02:11off, as if the electricity had gone out or someone had turned off the meter.
02:16Maybe the Sant'Angelo family left, closed the doors, turned off the lights and if
02:21It's gone. But no, because as soon as the firefighters and the police hang up again
02:27the current, everyone notices that something has happened, and something bad. On the ground there is
02:32blood, a lot of blood. Two streaks, one thinner and wavy, running along the length
02:37the main corridor and from the study ends behind the bathroom door. The other, very
02:43wider and more compact, like a thick brush stroke a meter wide, starting from the kitchen
02:48and she disappears, too, behind the bathroom door.
02:54What's inside that bathroom? What happened in that quiet apartment? Mario, the
03:00grandson of Sant'Angelo, the police and the firefighters realize it as soon as they open
03:04that half-open door and the scene they see is one they will never forget.
03:17Inside the bathtub, immersed in blood, there are the bodies of Gemma and Mimmo and also
03:22of their dog Dick, all three massacred. The girl, Angela, is in the bedroom
03:28of the parents, on the double bed, wrapped in a blanket and a sheet, massacred
03:33her too. A massacre, a massacre that the next day the newspapers called the massacre
03:42on Via Caravaggio. But that massacre is strange, in that apartment there are so many traces
03:49unusual and contradictory that immediately become mysteries. Those two streaks of blood,
03:55the thin one and the thicker one. They were produced by the dragging of the bodies
03:59Gemma and Mimmo in the bathroom, but why are they so different? And then there are other stains.
04:05In that apartment, many and strange. In the living room, for example, there is a large stain
04:10on the floor, between the wall and the desk. And then there's another stain on the switch,
04:17the stain of a gloved hand. And then, still in the living room, there is a completely
04:21soaked in blood. In the kitchen, on the floor near the table, there is another large stain.
04:26and another stain is found in the parents' bedroom, where Angela is.
04:33They were probably produced by the bodies of the three victims and in fact the blood is the
04:37They. But there is another stain, very strange, which is found on a windowsill.
04:42in the living room. Someone grabbed onto that windowsill, and they did it with bloody hands.
04:48Why? The rest of the apartment, however, is in perfect order.
04:56In the kitchen, the table is set with a ready-made macaroni omelette, divided
05:00for two, salami sandwiches, a can of tuna, split in two, is set for
05:05the dinner of two people, Mimmo and Gemma, because Angela is in the room, in her pajamas, writing
05:10a letter to her boyfriend.
05:13She doesn't have dinner because she doesn't feel well, as the doctor who visited her will testify.
05:18That morning. A quiet scene, an ordinary day in the life of a family. Nothing.
05:23which could suggest a massacre.
05:41The massacre, however, did take place.
06:10The massacre, however, did take place.
06:26The massacre, however, did take place.
06:54The massacre, however, did take place.
07:17The first Saint Angelo was hit in the forehead with a very heavy object, which
07:22then continued to hit him, smashing his head. Afterwards, when he was still alive, someone
07:28He cut his throat. The same thing happened to Gemma. Someone hit her on the head.
07:33and then he slit his throat. Angela was treated the same way, but she was stabbed.
07:39when she was already dead. The murderer's fury did not even spare Dick, the little dog.
07:45small pet, which was found in the bathtub under the body
07:49of the two masters. Who was it? Who could have committed a massacre like this? And why?
08:30There is testimony. There are some traces and there are some clues. The traces and the
08:36clues. The only fingerprints that do not belong to the Sant'Angelo family are found on a
08:41bottle of whiskey that is found in the living room. The fingerprints are not very legible, however, and they are not
08:47will belong to none of the people who will be suspected later. However, there are
08:52of the most important footprints. They are printed in blood and are shoe prints, heel prints
08:57and a complete one too. They are prints from a size 42 shoe. And then there are some cigarette butts.
09:04of unfiltered cigarettes found in the living room and one found under that window by the keeper
09:10bloody. There are also a pair of rubber gloves, found in the bathroom. The testimony.
09:19The police immediately noticed the absence from the condominium parking lot of Mr. Fulvia Maranto.
09:25Mimmo. That car was found ten days later, on November 10th, spotted by a patrol.
09:31Police car, near Marciapiede, on Via Nuova Marina. The car is locked, and has a dead battery.
09:38discharge and has no traces of blood.
09:49But someone swears they saw that car the night of the crime. Let's talk about it.
09:55with Alessandro Riva and Lorenzo Viganò, who came to Via Caravaggio with us.
09:58Here is Carlo, here we are just over a kilometer from the house on Via Caravaggio
10:05where the triple homicide took place. And right here, on these curves where we now arrive,
10:10in one particular curve, an event occurred that was of great importance
10:14in the investigations.
10:15So, what happened here?
10:17Well, it happened that that night, the night between October 30th and 31st of 75, a man perhaps
10:22saw the killer on the run. We spoke to this man who told us that that
10:27At night, around 2am, he was returning home, taking the same road we are taking
10:32now, with his 500. And more or less at this height he saw a car appear in front of him
10:38that was coming in the opposite direction, from that direction. It was a sports car, red, the color red
10:44amaranth, which seemed to be driven by a madman or a drunk. So much so that he said
10:48This guy must be drunk, he probably went to get drunk in one of the bars around here,
10:53He even had to step on the sidewalk with one wheel to avoid
10:58get hit by this car. And he even turned around to look at the number
11:03of license plate, but he managed to see a number, then he also forgot it.
11:06So, who was in that car?
11:08In that car there was a man, a rather large man, with a big head, above all
11:12He only remembers this, because he saw him only for a moment. Maybe this man was
11:16The killer. Who was aboard that red Fulvia? According to the Flying Squad and the deputy
11:22Prosecutor Italo Ormanni, who is coordinating the investigation, says that man has a name and a face. His name is
11:28Domenico Zarrelli is the nephew of Gemma, the murdered woman. Domenico is a big boy.
11:33tall, big, with a big head of hair. He's a bit of a wild student, he calls himself
11:37The good life, sports cars, and beautiful women. He spends a lot, he spends 100,000 lire.
11:43of that time, and we are in the 70s, only for the rent of an apartment in which
11:47He lives with a beautiful Jamaican girl. According to the prosecutor's office, he is in debt and is
11:53Always on the hunt for money. But is that enough to make him the monster of Via Caravaggio?
11:58Is Domenico involved in the investigation? Lorenzo Viganò went to ask Domenico himself.
12:03Zarrelli, who is now a lawyer at the Naples bar.
12:07Lawyer Zarrelli, for several years you have been considered by the newspapers, by the police, the
12:13Monster of Via Caravaggio. How did he become involved in that murder?
12:18I heard about this crime by reading the newspapers, because although one of the victims
12:24if it was my aunt, at that time I had a particular life, I wasn't with my family, I was
12:30As for me, it was Sunday, reading the newspaper at lunchtime, I read this fact,
12:36I immediately rushed home, only because of my mother's reactions, which I knew were
12:41very attached to her sister, she was the only one who hung out with her sister, you get it
12:45aware. Then after that, we were called to the police station, like all the relatives, to return
12:50the statements, and I realized that something was wrong, for the simple reason that I
12:55he made us wait for 4-5 hours in a room, in which there were three beautiful mirrors.
13:02Well, I don't like these mirrors, I don't even like the fact that I'm here, and then
13:08you find out, in fact, that they had made me see from one of their pseudo-witnesses that
13:14he would have come across the car that had belonged to the owner of the house on the evening of the crime and I
13:20they showed this gentleman who from that moment remained perhaps in front, it may be
13:25that the person he quickly crossed paths with could have been Zarrelli, which then turned out to be a thing
13:29dismantled, only in the second degree, that is in the first trial before the appeal court,
13:35because an experiment was actually done in Via Caravaggio, in which it was calculated that
13:39in the Fulvia, which is a car with a rather high seat, I would crash
13:45with the head under the sky and with the glass being in consideration one began to see the
13:49my person only from the nose and chin down. After that, they also took fingerprints
13:56digital, because I had, let's say, the hand that I had hurt falling while pushing the car
14:04broken down and thinking that the dots that were visible could be the dog's bite,
14:10because there was also a dog, they had me do an assessment and the three professors in charge,
14:18Professor Giancani was the head, let's say, of these teams, he said that the wounds matched
14:24with the, let's say, version provided by me, that is with the fall on a particular type of
14:31glass and small pieces found in the cavities of the porphyry cubes and therefore
14:37I thought it was over. Why, in your opinion, did he become the prime suspect?
14:43They reviled him, given the transport of the corpses, other things that only a person of strength could do.
14:48remarkable, and since in the family the only me, and also for another thing, they said,
14:55another absurd hypothesis, he made it very clear in the acquittal sentence, that since I did
15:03a wasteful life and therefore I needed money and therefore I might have needed
15:07of money, I had given it to my aunt, I had asked her for a loan, my aunt had not given me
15:11I wanted to take out the loan, I got angry and in a fit of rage I hit my husband,
15:15but my aunt was in the kitchen. Imagine where the assumption was, because if anything,
15:19if it had been, as they said, the first to be hit, the person I would have
15:24It was my aunt who had to argue, certainly not her husband, whom I didn't know.
15:27The Naples prosecutor's office, however, is convinced. There's a need for Domenico Zarrelli.
15:32of money, there is his build, his physical strength, his character, even those wounds
15:37that he has on his hands and the testimony of that man who says he saw him on board that
15:42Fulvia Maranto. These are shaky clues, however.
15:45The wounds on your hands, says Domenico, are caused by pushing the broken down car
15:50and then falling on the asphalt. His need for money, his debts, his requests for money
15:55The aunt has no proof. And then she has an alibi. That evening she was at the cinema, at the Gadir cinema,
16:02to see my friends. All the cinema ushers recognize him, except one who says
16:07I saw him, yes, but the next day. Then there's another little mystery that complicates matters.
16:13An anonymous phone call reports that on the evening of November 8th, before going to the police station,
16:19Mario Zarrelli had gone with his wife to his aunt's midwife's office, from where
16:23He had been seen leaving with a small chest. To a lady, who was looking out of the window
16:29to ask what's going on, they say not to worry, that they went to get
16:33of the papers. Because since the aunt hasn't answered the phone for a week, in the event
16:38that something bad might have happened to her, there are some family affairs that they would prefer
16:43did not come to light. The prosecutor, however, is increasingly convinced and on March 26 arrests
16:49Domenico for the Via Caravaggio massacre. There's just one detail that doesn't add up: that footprint.
16:54number 42.
16:58Domenico, as we said, is a tall, big boy and wears size 46. And as for what
17:03the experts try hard, they can't make his foot fit in size 42.
17:09At this point there's a twist. There's a witness, a traffic policeman, who remembers
17:14of having seen a light in that apartment on the fourth floor of Via Caravaggio. He says he has
17:19seen on October 31st, the evening after the massacre, around half past three in the morning. That light,
17:25The prosecution states that it was lit by a person who entered the apartment for
17:29to mislead the investigation. A person who wanted to imprint that number in the blood
17:3442. That person, says the Naples prosecutor's office, is the monster of Via Caravaggio, it is Domenico
17:40Zarrelli was indicted on May 30th. On May 9th, 1978, he was sentenced to life imprisonment.
17:47for the murder of his uncles and cousin. Case closed.
17:54What did he feel when he was sentenced to life in prison?
17:57When he was sentenced to life in prison I didn't feel much at the time, for the simple
18:01reason that I had already convinced myself that I would never have a saying of absolution.
18:07So I just said this, my brother told me, going out, I told you, so much
18:12I'll see you on appeal. I was convinced that on appeal he would never have been able to read something like that.
18:17condemnation. And that was my strength. And there was never a moment when I thought that
18:21wouldn't we have done it? I've never lost faith, never.
18:23Never.
18:24Have I ever lost, let's say, my inner peace, because obviously being deprived
18:30freedom is already hard, but many times there is a prison, let's say, of the soul
18:36which is even worse. From this point of view, I have never felt like a prisoner.
18:41nor deprived of freedom.
18:42During the trial, and also in those that follow, Domenico will be defended by his brother
18:47Mario, who in addition to being the person who first entered the apartment
18:51on Via Caravaggio, is also a criminal lawyer. Mario defends his brother with determination and passion.
18:57and manages to get him acquitted. The evidence, in fact, doesn't hold up. That man's testimony
19:03who says he saw Domenico aboard the Fulvia Maranto, for example, is not certain.
19:07By the way, Domenico barely fits inside a Fulvia and he drives with his torso upright.
19:12His face is only half visible. And then, the ability to print fingerprints.
19:18in the blood already coagulated the next day, even that is not certain. The alibi holds up, the
19:23motive, is not convincing. On March 6, 1981, Domenico was acquitted due to insufficient evidence. In
19:34In July 1983, he was fully acquitted. On March 18, 1985, the Supreme Court of Cassation confirmed the verdict.
19:42Domenico is not the monster of Via Caravaggio.
20:22Domenico is not the monster of Via Caravaggio.
20:24The sentence leaves all mysteries open. Is it possible for one man to kill three?
20:30like that? And then, how do you explain those blood stains, those two streaks like that?
20:34different and those stains on the windowsill? How did Mimmo's bodies
20:39and Gemma's ending up in the bathtub and Angela's in the bedroom? Who has
20:44committed that massacre in that silent apartment?
20:55Were there any leads, in your opinion, that were overlooked in the investigation?
21:00In my opinion, not all the incriminating elements that could have been gathered were collected.
21:06to bring through true knowledge of people's lives and in particular of life
21:12even my aunt's husband, because they wanted to investigate having had this only
21:16about my aunt's life and my aunt's family. It is true that almost nothing is known about
21:22that
21:22which was the life of the Saint Angelo, of her husband, nor was it investigated so much that they found
21:27some samples of tones that he was a representative of and they didn't even know which company it was
21:32why he did this job. So it's a sign that no investigation was conducted.
21:36Despite this, there were other leads followed at the beginning, including one lead that I believe
21:42absurd like mine, which would be the lead of a doctor, I won't mention his name, who frequented
21:47the family who were said to have been the girl's lover, who had found him a girlfriend
21:54to this girl, just to take communion, that perhaps would have made her pregnant, she aborts, and that
21:59so in a moment of anger, at the moment when the girl's father would have done, that is
22:04a crime hypothesis, that is, of the same type as the one that ended up in my life, and why
22:09I think it's absurd, it's impossible that the crime could have been committed in that
22:14way there, for technical reasons, for practical reasons, which is easily conceivable,
22:17so I think this path was also wrong.
22:21Domenico Zarrelli is right, we don't know enough about this case either, we have to
22:26to examine the other leads and to do that we need to know everything about this strange, mysterious and
22:31horrible crime, the city where it takes place meanwhile, Naples.
22:58Thank you all.
22:59Thank you all.
23:18Where does a horrendous crime like this originate? Where does such a massacre have its roots?
23:23frightening.
23:31Underground perhaps, certainly not on the surface, not in a city as beautiful as this one.
23:36Certain crimes must be like certain evil plants, which sink their roots deep down,
23:41where the light of day doesn't reach, like certain thoughts that arise in the darkest part of the heart.
24:06Underground, in the dark, in silence, or maybe not. Maybe even underground a city can be
24:12beautiful and suggestive as above, it can be like a large cellar that does not hide nightmares
24:17and demons, but retains thoughts, memories and recollections.
24:41So where does a crime like this originate? Perhaps it originates where cities forget.
24:47of themselves, where they stop thinking about themselves and thus stop existing, they leave themselves
24:52to rust, until, like weeds, bad thoughts also spring up.
25:05But maybe not, even that's not enough. Some cities, cities like this one, remain beautiful.
25:13even when they are abandoned, even when they are in the dark, even when you light them up
25:17There's only a reflection on the sea, at night. So where does a crime like this come from?
25:23It is born in the hearts of people, only there. Cities, cities like this, have nothing to do with it.
25:38What can you tell me about the murder house?
25:41We entered, we also entered some apartments, we saw some
25:47apartments as they were in the old days, that is, they have remained the same, others instead are
25:51have been split up, because the apartments are all quite large originally, they are
25:56about 180 square meters, like the one where the crime was committed.
25:59Yes, among other things the thing is those who remember it and they remember it exactly as
26:05a real trauma, like a shock on a person who has been truly traumatized,
26:10who remember the thing about the bodies, etc. As far as the family is concerned, it was a
26:15private family, so you don't know, you can't find out, in short, they lived their life
26:21in a fairly contained manner, in short. Even the same daughter, the same Angela who
26:29She was 19 at the time, she was a little different from people her age, she had matured
26:35first. Because his mother had died, he had started working, so some people also
26:40that they had, some girls of that time who were more or less Angela's age, with whom
26:44we talked, they told us that maybe they were going to his birthday party, but
26:47then they didn't have a real relationship with her, precisely because of this...
26:51And let's not forget another fact, that she worked, unlike her other
26:55friends, for whom everything made one believe that she was more mature, already more grown up
27:02of the others.
27:03It is there, in that anonymous 1960s-style apartment building, that the Sant'Angelo family lives.
27:09He, Mimmo, is a former sea captain and a former administrator of the Lauro villages.
27:14After retiring from the navy, he became a salesman for an oil company.
27:19and detergents, the names of which, however, the prosecutor's office cannot find. There is a ruling
27:24of the court on Mimmo's past life, which defines it as 50 years of obscure life. Mimmo
27:30he got married, then divorced and remarried Gemma, Gemma Cennamo, who is a midwife.
27:36From his first wife, Mimmo had a daughter, Angela, who was 19 years old at the time of the murder.
27:41Angela works at the Inam, like her mother who died. Perhaps we know something about Angela.
27:49more than his mysterious and somewhat strange family. Perhaps we can imagine
27:54Something more. Angela is engaged, she's about to get married and she's about to do it with a boy.
28:00named Nicola. When she is killed, Angela is in her parents' room, in her pajamas, because
28:08She's not feeling well and just wrote a letter to her boyfriend in her diary. I'm closing because
28:14It's 10:30 PM and I hope I can sleep. I'll start again tomorrow.
28:24This is who Angela was. A girl in love who was waiting for the next day to start over.
28:29to write to her boyfriend. A few hours later, however, she will be massacred. By whom? Some
28:35witness reports of a strange climate of tension in that house. Gemma, for example,
28:41she was restless, she was waiting and perplexed about her husband, about his unidentified earnings,
28:47of the people she frequented and received at home and who she didn't like. Together with a
28:52friend, he had gone to the bank to get a safety deposit box, in which he had put the jewels
28:57and in which she would also have liked to put the silverware and valuable linen. Gemma, then, had
29:04She confided in someone that she was afraid of a bad outcome. She wasn't the only one worried.
29:11It seems Angela was too.
29:13We must share this with the testimony of an employee of Ina, where the
29:18daughter of this boy, a certain Dr. Madonna, who says that having seen his girlfriend worried,
29:24she asked him why she was worried, she says, but is it your boyfriend's fault? She says,
29:27No, that's a poor idiot, a good boy. It's your family's fault and whoever sees them.
29:32never? He says, then why are you so worried? You might be getting married soon, there's an engineer,
29:38There's an engineer, you see, I died slaughtered. This is the process. So, since this
29:43he had qualified as an engineer, he had frequented the family, he had rented this farmhouse
29:47in the countryside which are located on the main junction of the Capua motorway. Since the
29:51My elder hadn't heard from me again, she and her husband had gone to open the door and had
29:55we only found some camp beds and some tools, let's say, glass, stills, others, as we have them.
30:03They had turned to my brother Mario, so we know this fact. Brother Mario said,
30:07listen, do the best thing, change the bolt, regain possession, throw everything out there
30:12This stuff you found, don't worry. After not even 4 or 5 days my aunt called,
30:16Mario says, no, don't worry, everything's fine, if you saw Mimì, if Mimì is seeing it.
30:21What would be the situation at the moment? Nothing, it's more likely that they learned about sreddi
30:25that could not be known. Since he was not very well, because it is true,
30:29he needed to turn to his daughter for loans, because it came out in the diary
30:33of the daughter, 10,000 to dad, 20,000 to dad and others, there, but it's nice. They believed
30:40of being able to, of having taken the three numbers of eight, of being able to make money, without knowing that that
30:44It's a bit of a dangerous thing. They asked for something and went to bring it to him. Instead
30:51of money they received death. Who is the monster of Via Caravaggio? How can a person
30:56alone kill three like that? What really happened in that apartment on the fourth floor?
31:01plan? And how do you explain all those mysteries? Those two streaks of blood, so different,
31:06those bodies in the bathroom, that girl on the bed and even those stains on the windowsill
31:10of the window. Let's go to the Bologna forensics department and ask the commissioner
31:16Silvio Bozzi, some explanations on all that horror.
31:33Carlo, for me this is one of the most monstrous murders I've ever seen.
31:37Of course, this is a real massacre. I'll ask you one thing right away: how many people were there doing it?
31:41a massacre of this kind? The first thing that came to mind was this, so
31:46more people who attacked and were therefore able to surprise the victims who were
31:50located in fairly distant places within the apartment. However, if you look carefully,
31:56the modus operandi and the uniqueness of the means of aggression, of attack, that's what I'm convinced of
32:04that there was only one attacker. Only one? Only one, who acted in this apartment.
32:10As you can see, it is very large, with an almost labyrinthine structure and distribution of rooms.
32:16Let's analyze this apartment well, big apartment, this is the place where he was killed
32:22the father. Father, mother, daughter. We repeat obsessively, incredible, look how far apart they are.
32:32the place where the father was killed and the place where the mother was killed. For
32:37the daughter no,
32:38I'm closer, look. It was the father who let the murderer in. Why do you say that? Why the father?
32:45I say this for a very simple reason, because he examined the clothing of the victims,
32:49the mother was kept strictly as a housewife, with a water bottle, hot water and in the kitchen.
32:58The daughter was even in her pajamas. The daughter was in her pajamas and was in the room.
33:00from the double bed, perhaps he wouldn't even have heard, you know, who was knocking. So the only
33:05The only one who could take it was the father. The father opens the door to the murderer. At a certain point they drink, then
33:11they return to the study and to this point of the study, in this narrow area, therefore between the
33:18this noticeboard, the armchair, then the desk, there was the first attack, sudden.
33:25Sudden. The attack occurs in a brutal, almost archaic way, that is, by grabbing
33:29and probably choosing an object and hitting and surprising the father on the head. The father
33:37which falls almost immediately. Immediately, in my opinion, he attacks and takes the dog and
33:44He puts it down. The dog is immediately eliminated along with its owner. I really think so,
33:49I really think so. The killer still has it in his hands, so he brandishes the object with
33:55which knocked out his father, then he goes out, goes through the entrance, goes through this other door and slips into
34:05The hallway. At this point, the apartment is perfectly quiet. The mother is here.
34:12in the kitchen, in the master bedroom the daughter, sick. The murderer goes immediately,
34:18silently, looking for the next victims because he can't leave any witnesses.
34:22The massacre has begun and must end. Corridor, corridor, which has a structure
34:31elbow. In my opinion he goes to the kitchen. The second victim is the mother, who is hit
34:39Likewise, surprise in the central area of ​​the kitchen, here near the table. Surprise
34:43from these very violent blows to the head. And the mother remains here, collapsed, then stretched out
34:49in the kitchen. Third victim, the daughter. Why the daughter? Why the daughter? I say the daughter.
34:57because if it is true that the daughter could not hear anything of the first attack, that is
35:01the one that happened to the father, he must certainly have felt something, the thud, the fall
35:08of the mother's body found in the kitchen. Could he have heard something? Yes. Indeed, certainly.
35:14she heard something. So it's easy to think that she got up, well, she went straight to the
35:18towards the door, opened the door and found himself facing the murderer. In fact
35:23That's where she gets hit, near the door. She gets hit. Here's another detail that I...
35:28significant warning is this, that even though he came from the kitchen, the murderer has not yet
35:34the knife. He doesn't have the knife yet. And I deduce this from a very simple thing,
35:39that if he hadn't used it. Of course. Instead he continues to use the blunt instrument.
35:45She keeps using that mysterious object and smashes the poor girl's head,
35:50which in fact fell at this point. In fact, it almost widens the pool of blood.
35:54Of course. What happened next? Well, at this point all three victims, so they are...
36:03stunned and silence falls back into the apartment, absolute silence. At this point
36:09What does the killer do? This will be a constant in his actions. He always returns to where he left off.
36:13started. Of course, so started again from the father. No, before starting again from the father you rega
36:20in the kitchen, so he goes to the kitchen to look for the knife, because he always follows a method
36:26chilling, lucid, determined, crazy. So he goes into the kitchen and from that moment on, yes
36:33that starts from where he started. So he has the knife in his hands, he probably has
36:37placed the other object that was used to carry out the first phase of the attack and
36:43the knife. With the knife he starts again from where he began. So corridor, entrance, again
36:49in the study. And here he cuts his father's throat, using precaution, thus covering himself,
36:56so to protect himself from the blood splash, then covering himself with a pillow he found
37:00on this chair, on one of these two chairs. Cut the father's throat. At this point
37:05maniacally, obsessively, he goes back. So entrance, corridor, hallway, kitchen,
37:12he cuts the mother's throat, goes back down the corridor, goes to where the girl's body lies,
37:18then he slits the girl's throat. At this point all three victims are dead. What
37:28does? So he returns to this order, to this monstrous method. He retraces his steps down the corridor,
37:36entrance, back into the studio, back into the studio for the umpteenth time. The dragging action begins.
37:43of the corpses. Like this. He drags them, entrance, corridor, etc. Let's see.
37:50What characteristics does this dragging have? That is, what streak of blood causes this?
37:56dragging. We have faithfully reproduced the consequences of this dragging.
38:05Here, it's a blood trail, so a fairly modest blood streak as far as
38:12the blood spilled. There is some dripping here, a sign that something, like a body part
38:17it was elevated. So, it was dragged. I think that the ones being dragged were the
38:23legs. I think so because in his hyperrationality the murderer necessarily had to keep
38:30the bloody part, therefore bleeding from which the blood was coming out, further away
38:34possible. Sure. This way. So drag with great
38:37Slowly, probably going backwards. Here, like this. But halfway down the corridor
38:44There's a hitch, something's happening. Let's go and see. Here, too, we have
38:51The morphology of this strip has been reproduced with absolute fidelity. Here, halfway down the corridor
38:58Something happens. He probably slips his grip. In short, there's a break. Or something happens.
39:03So the murderer must stop. Naturally, he also stops the victim's body.
39:09And here we see this stain widening. There, there. Re-adjust your grip and start again.
39:16This tragic dragging. The dragging continues until the bathroom. So where then the body,
39:25the remains of the puppy and the father's body are placed in the bathtub, as
39:31We know. Let's see what he does next. Here, let's go back to the initial scheme. Here, this is the scheme.
39:42which reproduces the traces of dragging. Here, we saw the corridor, pause, pause.
39:50Now he has to drag the other body too. Lifeless. The mother's. Here, he comes back.
39:57In the kitchen. He returns to the kitchen. And here something very strange, something enigmatic, happens.
40:04Which is difficult to explain instinctively. Here. He drags the mother's body. And yet...
40:13We don't have a trail similar to that caused by the dragging of the husband's body. That is,
40:19We have a very strange, enigmatic situation. That is, we have two bodies that present the same
40:24lesions, in the same places. However, the dragging of a body, that of the father, in particular,
40:29It causes a thin, uncertain trail, like a pause, as we have seen. The mother's one causes
40:34a wide trail, more than a metre wide, compact, uniform, which slides and describes this curve,
40:39Here, and it goes out. Then it ends up at the foot of the bathtub. How is that possible?
40:45Exactly. Why is that trail wider than the other one?
40:48For a very simple reason. Do I remind you of that difficulty? Yes.
40:51The fall of the body, that recovery, that pause. There. The murderer had this
40:56difficulties and wanted to overcome them, using everything he found inside
41:01of the apartment. He did something very simple, hyper-rational. Even in this case
41:06He returns to the same character, hyperrationality. Then he takes the woman's body and arranges it.
41:11on a blanket. A blanket that the hot water bottle found in the kitchen, as we saw.
41:17hot water is evidence, the woman was cold. Of course.
41:22It was 12.30, it was cold, it was November, so he was wearing a blanket. He sees it,
41:26he exploits it, uses it, stretches it out and places his body on top of it to drag it.
41:32Of course. And so the plaid causes that streak, the plaid in terms of blood.
41:35It's completely soaked in blood, so it's blood-soaked. Try this wide trail,
41:39uniform, and thus carrying it. The murderer must not even run the risk of stepping on
41:45the trail. Now, what happens next? What happens next is that the killer continues to respect his
41:51order, his method. Yes.
41:57He drags the girl's body, puts it on the bed and then wraps it in covered sheets
42:03in order to create this terrible spectacle.
42:07Sure. Here, take the mother and father's bodies into the bathroom. Why?
42:12Well, this is the biggest puzzle, look. I have an idea, because what is the reason?
42:19what can push this murderer who made a mess inside this apartment
42:25to waste more time, to risk running over objects, to make yourself heard by the people who
42:30it is above, on the side, below, still there, soaked, wet with blood, therefore at risk
42:37to trample blood and leave footprints that will be fatal for him. The only thing I can think of is that
42:48having intended to do, therefore putting these two bodies inside the bathtub, is
42:53was to place them there to depezarli, that is, to break them into pieces.
42:58Make them disappear and take them away. Make them disappear. Repeating the same method, so clearly
43:05There were no more than two people involved, plus, we said, the poor remains of the little dog
43:09inside the bathtub. So he was ready, that's the ideal place.
43:14to carry out this monstrous activity of de-slicing. Cut them into pieces, put them in suitcases,
43:21in bags and then work all night, clean everything up, but, but, but, some
43:28what interrupted it, someone or something interrupted it, blocked it, inhibited it
43:33and this is demonstrated by another photograph.
43:44What is this? Here, this is the living room window sill. These are the
43:52imprints made by the murderer's bloody fingers. I think a little, he looks out,
43:56that is, something is bothering him or he feels the urge to communicate something else to another person,
44:03probably an accomplice, or he wants to see what is happening, what he caused
44:07noise, a call, something that has disturbed him and he leans out very far, if
44:11He wouldn't have had this need to grab the entire windowsill. And then he closes the window again.
44:21And this seems to me to be evidence of an interruption, of something that disturbed,
44:29which distracted the murderer from his action.
44:32The murderer, that person who has just killed with cold and lucid ferocity, carrying out
44:37three times the same gestures, she leans out of that window, covered in blood. No one
44:42he sees it, like in a horror movie.
44:53Maybe he heard a noise. That window opens onto a parking lot and maybe he heard
44:59some people coming home, or there's a police car. Or maybe not, it's more
45:04easy, he's waiting for an accomplice, someone who called on the phone. A person who
45:09must come to solve the problems. A person who is more lucid and cold and less
45:13ferocious of him. And he believes that there is no need to finish that job, to tear Mimmo to pieces,
45:18Gemma and Angela and take them away. All that's left to do is cover up the most incriminating traces.
45:23And they do. But they forget some. The footprints of their shoes, the cigarette butts,
45:29for example. After that, just leave, with Mimmo's car. Or not, that car on Via Nuova.
45:36Marina brought it to Mimmo that day and left it there. The witness who saw it
45:41Fulvia may have been mistaken, he saw something else. So the killer just needs to get off
45:46together with his accomplice, get into this man's car and disappear. And from that moment on
45:51becomes a shadow man.
46:10In that apartment on Via Caravaggio, silence returns, but it is a black silence, charged
46:15of horror for an unpunished massacre. A massacre that began on a quiet evening, while
46:21a family is waiting to go to dinner and a girl, in pajamas, on the bed, writes to her
46:45sedate.
46:53See you soon!
46:54See you soon!
46:54See you soon!
46:55Thank you all.
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