00:00I was coming up close to the 10-year mark in the SEAL teams.
00:04I decided to transition out and start something new
00:07and move into something else, and haven't stopped since.
00:15A lot of veterans struggle with that transition out of the military.
00:19At least speaking for myself, I think that is portrayed well
00:23within this story for Casey.
00:26Everybody's got a hand in it, which is so cool.
00:29I mean, every department is involved on stunts,
00:31from props to costumes to special effects.
00:34It never gets old.
00:36It's a matter of working with art department
00:38to design what's going to be where
00:40so that these different close-quarters combat sequences
00:43or fights can flow in the way that the script says.
00:49Whenever you get to shoot guns and blow things up, it's always great.
00:52They don't have to be big explosions or anything like that.
00:55When something looks cool, it's cool.
00:58In gunfighting, it's using terrain features.
01:01It's using angles and the ways to shoot it,
01:03so it crosses directly over into the same realm.
01:07Being able to work with Matt and some of the amazing stunt performers,
01:10I really appreciate and enjoy that because it stretches me in a different way
01:14and it allows me to learn more about all-encompassing action design,
01:19not just weapons work.
01:24It's nice to get recognition because we do work hard and we do risk a lot.
01:28I just want to go out and keep it safe and elevate the action.
01:31Yeah, I got the greatest job in the world.
01:34Yeah, I got the greatest job in the world.
01:39Yeah.
Comments