The Brokenwood Mysteries S12E04 (2026)

InfiniteJoy

9 hours ago

Transcript

00:00:05Excuse me! Excuse me! You're on!

00:00:14Welcome, everyone, to this inaugural excursion of the Brokenwood Flyer.

00:00:21The culmination of years of hard work and planning by the many dedicated pharaoh equinologists of Brokenwood.

00:00:31That's a fancy talk for Iron Horse enthusiasts, and I'm sure you all know that already.

00:00:38I'm sure you also know that we wouldn't be here today without the sheer grit, determination and fundraising stamina of

00:00:46two of the Brokenwood Vintage Railway Society's leading lights, Rosalie Barnes and Shane Griffin.

00:00:54They have committed years to this exciting project, and today is the day when it all comes to fruition.

00:01:01Oh, my God!

00:01:04What'd you do that for?

00:01:05You know what blooms like, he'll prattle on all day if you let him.

00:01:08Mrs. Baker's already in a flap about getting away on schedule.

00:01:12Always thought there was a touch of Mussolini about that woman.

00:01:14Eh?

00:01:15Makes the trains run on time.

00:01:17No, I think Rosalie's the one who's putting the strings.

00:01:19As usual.

00:01:20Sound bitter?

00:01:21I'm not bitter.

00:01:22No, you've spent three years pretending to have an all-consuming interest in vintage trains, hoping to catch Rosalie's glad

00:01:30eye, only to find out that the woman of your dreams has taken up with a sap of a man

00:01:36half your age.

00:01:37Shane's not half.

00:01:38Anyway, you can talk.

00:01:39You French...

00:01:40All aboard!

00:01:42When this day is a rover in the hills of smoke

00:01:50Meet me right back here

00:01:56I had a dream last night

00:02:00We were riding on a silver train

00:02:05Suck it

00:02:08Oh!

00:02:11Well, congratulations, you did it.

00:02:13With a lot of help.

00:02:15If Regan's father hadn't come to the party, when he did, he'd still be back at the cake stall and

00:02:20raffle stage.

00:02:24How are we doing for time?

00:02:25Oh, relax.

00:02:26We're all on track.

00:02:27Oh, on track!

00:02:34Oh, right, so it should be me driving, you know that, don't you?

00:02:36How did you work that out?

00:02:37It's in the blood.

00:02:39Dad was a rail woman for 50 years.

00:02:41Candy with a shovel, was he?

00:02:42The only reason it's you and not me...

00:02:46You haven't got the upper body strength, not for any hard yet.

00:02:51Hey.

00:02:57There's nothing quite like it, is there?

00:02:59Hmm?

00:02:59The romance of train travel.

00:03:01You're not in a hurry.

00:03:03It's only 20 minutes to Little Lake by car.

00:03:06This will take twice as long.

00:03:08Wait, yeah, but that's not really the point though, is it?

00:03:10It's why they closed the line in the first place.

00:03:13It wasn't needed.

00:03:15Devil on horseback?

00:03:16No, thanks.

00:03:18Oh, no, thank you.

00:03:21Oh, no, thank you.

00:03:33What the hell's that?

00:03:35Huh?

00:03:35There's something on the track.

00:03:36Just look.

00:03:39Oh, jeez!

00:03:40That's not some thing.

00:03:41That's some body.

00:03:42Stop the bloody train!

00:03:52What?

00:03:54Why have we stopped?

00:04:06What the hell do you think you're doing?

00:04:08You could've got yourself killed.

00:04:10Oh, like you care.

00:04:11Just go ahead and kill the planet instead.

00:04:13Give me strength.

00:04:14Unbelievable.

00:04:15Billy McKelvey!

00:04:17What silly game are you playing now?

00:04:19It's not a game.

00:04:20This is a wake-up call.

00:04:21What's wrong?

00:04:22It's the middle of the afternoon.

00:04:23We're already awake.

00:04:24Cole is killing the planet.

00:04:27Cole is killing the planet!

00:04:29What's all this?

00:04:29Cole is killing the planet!

00:04:31Somebody call the cops!

00:04:32Cole is killing the planet!

00:04:34I will not have her ruin Rosalie and Shane's.

00:04:36I mean, everyone's big day.

00:04:38I'll deal with you up at the lake.

00:04:40I'll deal with you up at the lake.

00:04:40Come on!

00:04:41On the train!

00:04:41No!

00:04:42You can't make me!

00:04:43You'll do as you're told,

00:04:44or you'll make things worse for yourself.

00:04:46Come on!

00:04:47Come on!

00:04:48Don't touch me!

00:04:52Poor thing!

00:04:53Are you okay to keep going?

00:04:55We can swap places if you're feeling a bit fragile.

00:04:57Joe?

00:04:57No!

00:04:58No!

00:04:58I'm fine!

00:05:01Come on!

00:05:02Pick up the train!

00:05:30It's just a hobby for you lot!

00:05:32You're not thinking!

00:05:33Oh, you don't want to know what I'm thinking, young lady.

00:05:35Cole is killing the planet!

00:05:38Cole is killing the planet!

00:05:40If you think the biggest threat to the planet is a quaint little train in Broken Wood,

00:05:44your head's on wrong.

00:05:45Now you just don't care, because you'll be dead soon.

00:05:47No, no, no.

00:05:47All right, Chatty Cathy, wrap it up.

00:05:50We're almost at the stop for a little late.

00:06:01Everyone else and follow the path, you can't miss it!

00:06:05It's going really well, I think.

00:06:09Where's Rosalie?

00:06:09Oh!

00:06:10She'll be somewhere tattooing with your frog.

00:06:11I'm gonna sneak a cigarette in my life.

00:06:13No, no, no.

00:06:13You go with the others.

00:06:15She wants to make a big entrance.

00:06:16I'll find her!

00:06:22Rosalie?

00:06:23You there?

00:06:25Rosalie?

00:06:33Rosalie?

00:06:48Mrs Baker?

00:06:57Oh.

00:06:59Mike?

00:07:00I don't want to be rude, but now's not a good time.

00:07:02I'm trying to find a runaway bride.

00:07:04Uh, I might be able to help you with that.

00:07:07Okay.

00:07:15What's all this carry on with someone getting married?

00:07:18That was the plan, yes.

00:07:21did you know anything about this all i know is i was supposed to get fed

00:07:25it's hungry business shoveling cold don't touch you reckon the bride's done a runner

00:07:30i sure wish i'd done a runner on my wedding day

00:07:35i don't know she's a fine figure of a woman it's truly

00:07:45thanks for keeping everybody here it wasn't hard they were expecting a picnic

00:07:50i haven't said anything about rosalie i wouldn't know how uh we'll handle that uh next of kin

00:07:57oh um oh regan rosalie's daughter and shame the groom

00:08:10thank you mrs spakey good job what's her story uh we just need to interview everyone about a

00:08:17recent incident all right that jumped up little madam on the tracks you think she'll be old

00:08:22enough to know better all right hold that thought

00:08:31we're treating your mother's death as suspicious she may have simply just fallen from the train but

00:08:37we need to be sure about it okay and we need someone to give us a formal id

00:08:43that should be me if you don't feel up to it we can ask rosalie's fiancee

00:08:49the what the wedding was going to be a surprise rosalie's idea i feel i would have been happy with

00:08:54her

00:08:55registry office when was the last time you saw rosalie when the train had stopped she'd she'd gone up the

00:09:01front to get changed into her wedding dress i thought she might need a hand with the fiddly bits

00:09:06everything all right in there go away you're not supposed to see me it's bad luck so you didn't

00:09:12actually see rosalie you just spoke with her through the door yeah did anyone witness the

00:09:18exchange no i doubted everyone else had left the carriage by then trying to work out why the train

00:09:23had stopped we must have stopped just in time and then everyone got off to see what was happening

00:09:28including rosalie i really can't remember there's a lot going on more than you realized

00:09:38what the surprise wedding you had no idea none but you knew that your mother and shane

00:09:45griffin were in a relationship everybody knew mum had been raving about it for months

00:09:51but shane made her happy for the first time in her life i think

00:09:58so neither regan barnes nor shane griffin remember seeing the victim after the train stopped

00:10:03well shane said he talked to rosalie through the toilet door and then got off the train with the

00:10:08others and doug and ron were busy letting ruff at lilly i talked to doug pinko greenie when she was

00:10:16lying on the tracks like some sort of damsel in distress and she gets up with a placard and starts

00:10:21waving it around going on about coal and the planet god knows what she was trying to achieve

00:10:26so what did the pinko greenie have to say for herself huh not much lilly mckelvie 145 old creek

00:10:35road date of birth 27 march 2008 and that's all you're getting she seems very well trained for

00:10:42an 18 year old are we sure she was acting alone uh afraid mrs bake is in a bit of

00:10:48a state any idea

00:10:50when we might get the all clear as long as they've given their initial statement everyone's free to go

00:10:54oh lovely uh just not on the brokenwood flyer we still need to unspeak the carriages

00:10:59ah i see i see i'll see what i can do um what's the point in being mayor if i

00:11:03can't rustle up a

00:11:04council coach when we need one and uh lilly mckelvie don't worry about her she's coming with us

00:11:09okay

00:11:14oh here let me give you a hand with that oh thank you ron got it yeah

00:11:23see jack that's what a gentleman looks like

00:11:31hello there

00:11:33you sound relaxed

00:11:34not at all slogging it out you know how it is

00:11:36wow i need you to find what you can on a lilly mckelvie

00:11:41you want to know if she has any kind of regular involvement in climate process that sort of thing

00:11:46well you i will clear my desk give the board a wipe while you're at it we're gonna need it

00:11:58so doug and ron are in the engine cab with no access to the carriage

00:12:04and everyone else is in here

00:12:07black roses

00:12:08old choice

00:12:10and then at a certain point rosalie moves to the front of the carriage

00:12:16to change

00:12:19but ended up down there

00:12:27before falling or being pushed onto the tracks while everyone else was preoccupied by

00:12:32lilly's protest

00:12:33or so they want us to believe

00:12:43what if the offender wasn't one of our travelers

00:12:47someone else got on board the train before it left brokenwood and waited for their chance to attack

00:12:53risky

00:12:54with nowhere to hide

00:12:55there's only this one cubicle

00:12:58yeah

00:12:59and a black rose for a corsage

00:13:01slightly weird

00:13:11or r

00:13:14you know what this means

00:13:20next step

00:13:21and writing samples from everyone on the train

00:13:25what did you find on lilly mckelby

00:13:27yeah brokerwood's answer to greta thunberg

00:13:31her socials are dedicated to protest content

00:13:34nothing about today's protest

00:13:36if you're going to go to all that trouble to stop a train you'd want the world to know about

00:13:40it right

00:13:40you'd be live streaming or at least making sure someone was there to record it

00:13:45well perhaps somebody did

00:13:46well maybe the protest was just a diversion

00:13:49well whatever happened

00:13:50it went down fast

00:13:53the crimestoppers report about the body on the tracks came through at 2.47

00:13:58not long after the train moved off again

00:14:00who did that report come from?

00:14:02well someone who saw something but didn't want to get involved

00:14:05called it in anonymously

00:14:06well lilly might be more forthcoming now that she knows that somebody has died

00:14:12oh um gina's gonna be expecting one of us soon so fight amongst yourselves

00:14:17heartbreaker

00:14:18uh what was that you're volunteering?

00:14:21nice one

00:14:25thank you

00:14:29i'm assuming you weren't actually tied to the tracks

00:14:33i'm not an idiot

00:14:34did you have any help getting into position?

00:14:37lying down isn't hard

00:14:39at my age anyway

00:14:40hmm

00:14:41uh no one to cheer you on?

00:14:44no

00:14:47thanks for your phone

00:14:48hi milly

00:14:50who's noah?

00:14:53at 2.45pm you got a text

00:14:56just two words

00:14:57you okay

00:14:58from someone called noah

00:15:01he's my boyfriend

00:15:03did he know about your protest?

00:15:06no

00:15:06then why the text?

00:15:08why those words

00:15:09you okay?

00:15:10he was just tricking in

00:15:11i guess

00:15:13just

00:15:13it's the kind of guy he is

00:15:15tell me a bit more about him

00:15:19i cannot be precise about the time of death

00:15:21no i get it gina

00:15:22usual terms and conditions apply

00:15:24but when i arrived at the scene

00:15:25what we call the tracking of the eyes had not begun

00:15:28impalo mortis was not complete

00:15:29it can only have been a matter of minutes

00:15:3115 or 20

00:15:33that's pretty precise

00:15:35what do you mean?

00:15:36i am very precise

00:15:37yeah of course

00:15:38but you just

00:15:39do you think

00:15:40my job is easy?

00:15:42no but you just

00:15:43you want me to hand you the bone saw?

00:15:45knock yourself out

00:15:47no

00:15:47i'm good

00:15:49good

00:15:50now

00:15:50cause of death

00:15:52see here?

00:15:54one significant impact wound

00:15:56and the number of small scrapes

00:15:58and bruises

00:15:59along her right side

00:16:01she died when she hit the rail track?

00:16:03not necessarily

00:16:05what does this

00:16:07tell us?

00:16:09she bounced

00:16:13mike would understand

00:16:14well mike's not here

00:16:16so

00:16:16perhaps she was fatally hit on one side of the head

00:16:19and then

00:16:19thrown from the train

00:16:22and landed on the other side

00:16:23very good

00:16:25now

00:16:25oh

00:16:26we have a guest

00:16:32come through

00:16:42that's her

00:16:44ask me memorously

00:16:46thank you

00:16:48was it quick?

00:16:49very

00:16:50if you'd like

00:16:51we can give you a

00:16:52has anyone told dad?

00:16:55Hayden Barnes

00:16:56as in Barnes Farming Supplies

00:16:59Regan's father

00:17:00and Rosalie's ex-husband

00:17:02Simms is with him now

00:17:04excuse me

00:17:05I'm here for my daughter

00:17:07you must be

00:17:08Mr. McKulvey

00:17:09Troy

00:17:10could you get

00:17:12Miss McKulvey please?

00:17:13of course

00:17:16come on through

00:17:20I'm Bridget

00:17:21Lily's grandmother

00:17:21where is she?

00:17:23she'll be here soon

00:17:24you do realise she's only 18?

00:17:26old enough to be charged with breach of the police

00:17:29not today however

00:17:30we're letting her off with a warning

00:17:32you just thought you'd scare her by keeping her here all afternoon

00:17:35hey kiddo

00:17:36you alright love?

00:17:37can we go please?

00:17:41your granddaughter has been helping us with our inquiries into a suspicious death

00:17:46a woman died on the train that was stopped by her protest

00:17:49she didn't say anything about that when she rang?

00:17:52does the name Rosalie Barnes mean anything to you?

00:17:58you were close?

00:18:00used to be

00:18:00old school friends

00:18:02we travelled overseas together

00:18:03it was a long time ago

00:18:06how did it?

00:18:07what happened?

00:18:07we'll be releasing a statement in due course

00:18:10right

00:18:11I should go

00:18:13Lily told us that

00:18:15she was in a relationship with

00:18:17one of your farmhands

00:18:18Noah?

00:18:19Noah Dunphy?

00:18:20if you see him

00:18:21could you tell him to get in touch?

00:18:23why do you want to talk to Noah?

00:18:24we'll explain that when we see him

00:18:26alright

00:18:27I'll pass that on

00:18:29thanks love

00:18:32it's hard to believe

00:18:34she had a big train launch this afternoon

00:18:36I thought

00:18:36I thought she'd be swilling champagne all day

00:18:38I have to ask you this

00:18:41where were you around 2.45pm?

00:18:44quarter to three

00:18:45I was here

00:18:47yeah

00:18:48you can ask Dan

00:18:49and when was the last time you saw Rosalie?

00:18:52a few weeks ago

00:18:53we met to sign the divorce papers

00:18:54it was all very amicable if you're wondering

00:18:58my daughter does she know?

00:18:59yeah she identified the body

00:19:00so she may need some support

00:19:02alright Bob

00:19:03okay I'm here

00:19:04I'm here

00:19:04it's going to be okay

00:19:12I did some research on the McAlvys

00:19:15found this

00:19:16Bridget and her best friend Rosalie

00:19:18protesting the closure of the Brokewood Railway Line

00:19:21way back in the 80s

00:19:22the line was closed anyway

00:19:24but the track was never pulled up

00:19:25and then 40 years later

00:19:28Rosalie's the driving force behind the Brokewood Flyer

00:19:30which was bitterly opposed by Bridget's son Troy

00:19:33he was pushing his own plan

00:19:35to turn the track into a cycle trail

00:19:43well it was either restore the rails

00:19:45or pull them up

00:19:46council had been shunting that decision

00:19:48down the track for about 30 years

00:19:50excuse the pun

00:19:51I would have done the same

00:19:52if I'd known what a kerfuffle it would turn into

00:19:55what swung it in favour of the vintage railway

00:19:57well no word

00:19:59Rosalie

00:20:00she was a bit of a steam engine herself

00:20:01if you get my drift

00:20:02a hard woman to say no to

00:20:03helped that she had Hayden Barnes's money behind her

00:20:06before the divorce I mean

00:20:08though I imagine she took a good chunk of it with her

00:20:10when they split

00:20:12he bought the engine and carriages

00:20:13paid for the restoration

00:20:15Troy McKelvey must have found it hard to compete

00:20:17he just couldn't promise the investment we were looking for

00:20:20whatever he had himself

00:20:21he sank into buying up land along the tracks

00:20:23it's a grand scheme for accommodation and a cafe

00:20:27actually I've got it here somewhere

00:20:28um

00:20:32yeah

00:20:33how are you expected to pay for it?

00:20:35I have no idea

00:20:38this is the McKelvey farm here eh?

00:20:41yeah what's left of it

00:20:41Troy's been selling bits off

00:20:43trying to claw back his investment

00:20:46do you mind if I get a copy of this?

00:20:48would be a pleasure

00:20:51follow me young man

00:20:54brand new photocopier

00:20:57very flanch

00:20:59voice activated

00:21:02and copy

00:21:07got it

00:21:07yeah you have to say it right

00:21:09and copy

00:21:14annoying

00:21:14might just uh

00:21:16use the old

00:21:17digit there

00:21:27Trudy

00:21:28there's a Noah Dunphy drink here

00:21:30friend of yours is he?

00:21:32it's a professional inquiry

00:21:34thought so

00:21:35don't make me say it

00:21:37it's not knocking

00:21:38if he hasn't done anything wrong

00:21:40sure

00:21:42Lena

00:21:45on my tab

00:21:47what was that you just did?

00:21:48well you know what a tab is don't you?

00:21:50no the nose tab you think

00:21:51what's that all about?

00:21:53Trudy nose

00:21:55that's all that matters

00:21:57okay so

00:21:58Noah comes in with his mates

00:22:00every now and then

00:22:00and

00:22:01you know

00:22:02well he's always hitting on me

00:22:04I mean I got there

00:22:05and it was just

00:22:06nothing

00:22:07nothing more

00:22:07pails

00:22:08and

00:22:09a hazy

00:22:10thanks very much

00:22:11appreciate it

00:22:16thanks again

00:22:17do you like cats?

00:22:20yeah

00:22:20cats are

00:22:21cats are cool

00:22:22cool

00:22:23I have a cat suit at home

00:22:24you know I mean

00:22:25like for

00:22:26special

00:22:27occasions

00:22:29okay

00:22:32that's

00:22:33that's interesting

00:22:34yeah

00:22:35thanks

00:22:36Lena

00:22:44I thought you said

00:22:46he

00:22:47hit on you

00:22:48he did

00:22:49he said I was interesting

00:22:51and he's cute

00:22:52I mean not

00:22:53not as cute as Chad

00:22:54oh

00:22:54you think so too

00:22:55no I just

00:22:57but then

00:22:57no one is

00:22:58but he is a little bit

00:22:59bad boy

00:23:00which is nice sometimes

00:23:01right?

00:23:03thanks Lena

00:23:03yeah

00:23:05oh

00:23:07hello

00:23:07you're here for that pizza

00:23:09for Shane

00:23:09well normally I would have

00:23:10cooked him something

00:23:11but

00:23:11I don't know

00:23:12I can't seem to settle

00:23:13I'm all a quiver

00:23:14it's all good

00:23:16Mrs Baker

00:23:17how's Mr Griffin

00:23:18holding up?

00:23:19do you really need to ask?

00:23:21oh I'm sorry

00:23:22I know you're only

00:23:24doing your job

00:23:25and

00:23:25that's how the police

00:23:26mind works

00:23:27isn't it?

00:23:28the nearest and dearest

00:23:29are the biggest suspects

00:23:30but I am telling you

00:23:31Shane

00:23:32is one of nature's

00:23:33gentlemen

00:23:34he wouldn't hurt

00:23:35a fly

00:23:35and

00:23:36Hayden Barnes

00:23:37would you say the same

00:23:39about him?

00:23:41well

00:23:42that's a different story

00:23:52thanks

00:23:54so

00:23:54it's hard to say

00:23:55if it's intel

00:23:56or just gossip

00:23:57but

00:23:58according to

00:23:58Mrs Baker

00:23:59Hayden and Rosalie's

00:24:01split

00:24:01wasn't

00:24:02as amicable

00:24:03as he tried to make out

00:24:08I am not a bloody ATM

00:24:10for your pet project

00:24:11oh

00:24:12grow up

00:24:13this is bigger than us

00:24:15us?

00:24:16what us?

00:24:16you've already got yourself

00:24:17a new toy boy?

00:24:18is everything alright?

00:24:18you're welcome to the

00:24:19gold digging cow

00:24:21good luck to you

00:24:24obviously

00:24:25Rosalie liked her men

00:24:26younger

00:24:27she had 10 years

00:24:28on Hayden as well

00:24:30did Hayden know

00:24:31about Rosalie

00:24:32and Shane's

00:24:33wedding yesterday?

00:24:34he didn't say

00:24:35but

00:24:35Mrs Baker

00:24:35insisted that

00:24:36no one knew about it

00:24:37not even her own

00:24:38daughter Regan

00:24:38check in with Shane

00:24:40find out if

00:24:41he or Rosalie

00:24:42got any more

00:24:43aggro from Hayden

00:24:44or the McKelvies

00:24:46for that matter

00:24:46oh?

00:24:48well

00:24:48Lily clearly

00:24:49isn't a fan

00:24:50and Rosalie

00:24:51and Troy

00:24:52were practically

00:24:53feuding

00:24:53over rival schemes

00:24:58this is the

00:24:59McKelvey farm

00:25:00and

00:25:00this is the

00:25:01additional land

00:25:02that Troy

00:25:03bought for

00:25:04the tourist

00:25:04development

00:25:06right next to

00:25:07where Lily

00:25:08stopped the train

00:25:08and Bridget's

00:25:09old friend

00:25:10Rosalie

00:25:10was killed

00:25:19what do you got?

00:25:20Noah Dunphy

00:25:21is still not

00:25:22responding to my

00:25:22cause

00:25:23but that could be

00:25:24because he has

00:25:24a history of

00:25:25prior arrests

00:25:26disorderly behaviour

00:25:27assault

00:25:28assault on who?

00:25:29it was related

00:25:30to a protest action

00:25:31bit of pushing

00:25:32and shoving

00:25:33on the front line

00:25:34of a march

00:25:35climate protest

00:25:36coal

00:25:37mining oil

00:25:37anything that

00:25:38messes with

00:25:39the environment

00:25:39he's against it

00:25:40so his text

00:25:41to Lily

00:25:42moments after

00:25:43his stunt

00:25:43was in no way

00:25:44a coincidence

00:25:44gotta go

00:25:47Lily

00:25:48I was hoping

00:25:48you could help us

00:25:50I've already

00:25:50told you everything

00:25:51we've been trying

00:25:52to track down

00:25:52Noah but we can't

00:25:53yeah me too

00:25:54so if you see him

00:25:54first let him know

00:25:55from me that we're

00:25:56done

00:25:56okay

00:26:03I think the kids

00:26:05call it ghosting

00:26:07oh

00:26:08was there something

00:26:09else you wanted

00:26:10yes actually

00:26:14why are you so

00:26:14interested in Noah

00:26:17well he's Lily's

00:26:18boyfriend

00:26:19for now

00:26:20it's reasonable to

00:26:21assume that he knew

00:26:22about a protest

00:26:24maybe he filmed it

00:26:26I mean after all

00:26:27you know

00:26:28what's a protest

00:26:29these days of it

00:26:29isn't all over the

00:26:30internet

00:26:30well it's a bit of

00:26:32a stretch to go

00:26:32from being a

00:26:33protester to a

00:26:34murderer

00:26:35isn't it

00:26:36we had an

00:26:38anonymous tip-off

00:26:39about Rosalie's

00:26:40body

00:26:41whoever made that

00:26:42report may have

00:26:43seen more than

00:26:43they initially

00:26:44shared

00:26:45right

00:26:46the incident

00:26:47happened very

00:26:47close to your

00:26:48land

00:26:49did either of you

00:26:50see anything

00:26:51out of the

00:26:51ordinary

00:26:51I was here

00:26:53making jam

00:26:54head down over

00:26:54the kitchen bench

00:26:55I was up in

00:26:56old creek paddock

00:26:58fixing some

00:26:59fences

00:27:00nowhere near

00:27:01meanwhile your

00:27:02daughter was

00:27:03tying herself to

00:27:03railway tracks

00:27:05did you know

00:27:06about that

00:27:08she's always up

00:27:09to something

00:27:10thought she was

00:27:11just going to

00:27:12wave a sign

00:27:12we've always

00:27:14encouraged Lily

00:27:14to think for

00:27:15herself

00:27:16she's so

00:27:17compassionate

00:27:17and engaged

00:27:18and that's

00:27:19something to be

00:27:19admired isn't it

00:27:20chip off the

00:27:22old block

00:27:22perhaps

00:27:24do you think

00:27:26Lily's protest

00:27:28was

00:27:29inspired by

00:27:30this

00:27:32well you'd

00:27:33have to ask

00:27:34her

00:27:34you had your

00:27:35own reasons

00:27:36to oppose

00:27:36the vintage

00:27:37railway

00:27:38your failed

00:27:39development plans

00:27:40oh come on

00:27:41must have been

00:27:42very frustrating

00:27:43well not to

00:27:44mention expensive

00:27:45we lost that

00:27:47fight ages ago

00:27:48and accepted it

00:27:49ages ago

00:27:50why are you

00:27:50giving me and

00:27:51my mum the

00:27:51third degree

00:27:52we weren't even

00:27:53on the train

00:27:55shouldn't you be

00:27:55chasing the people

00:27:56who were

00:27:57all lines of

00:27:58inquiry are being

00:27:59explored

00:28:00which is why

00:28:01I'm going to need

00:28:02a handwriting

00:28:03sample from

00:28:04each of you

00:28:10here you go

00:28:13I'm not going to

00:28:13win any awards

00:28:14for calligraphy

00:28:14with that

00:28:15thank you

00:28:16sorry to disturb

00:28:17you

00:28:17it's fine

00:28:19anything to

00:28:20help find

00:28:20whoever hurt

00:28:20Rosie

00:28:22can you think

00:28:23of anyone

00:28:23who might

00:28:23want to do

00:28:24that

00:28:24no

00:28:25no she was

00:28:26wonderful

00:28:26she was very

00:28:27caring

00:28:27very passionate

00:28:29although her

00:28:30passion could

00:28:30rub some

00:28:31people up

00:28:31the wrong

00:28:31way

00:28:32like

00:28:32Hayden

00:28:33if Rosie

00:28:34had done

00:28:34me

00:28:35I'd be

00:28:35devastated

00:28:35too

00:28:37how did

00:28:37you and

00:28:37Rosie

00:28:38get together

00:28:39well there was

00:28:40no overlap

00:28:40if that's

00:28:40what you're

00:28:41getting at

00:28:41understood

00:28:42we were both

00:28:43on the committee

00:28:43for the train

00:28:44project

00:28:45lots of

00:28:46long nights

00:28:47and

00:28:48weekends

00:28:49and

00:28:51I keep

00:28:51thinking she's

00:28:52going to

00:28:52come out

00:28:52of the

00:28:52bedroom

00:28:53or

00:28:54bring me

00:28:54a glass

00:28:54of wine

00:28:57you and

00:28:57Rosie

00:28:58weren't the

00:28:58only ones

00:28:59who gave

00:28:59a lot

00:28:59to the

00:29:00rail project

00:29:01Hayden Barnes

00:29:02made a huge

00:29:02commitment

00:29:03too didn't

00:29:03he

00:29:04it was his

00:29:04money

00:29:05that

00:29:05it was

00:29:05Rosalie's

00:29:06money as

00:29:06well

00:29:06that's

00:29:07what

00:29:07marriage

00:29:07means

00:29:07sharing

00:29:08everything

00:29:12I wonder

00:29:12how much

00:29:13Hayden

00:29:13shared with

00:29:14Rosalie

00:29:14in the

00:29:14divorce

00:29:15hmm

00:29:16and who's

00:29:16in line

00:29:17for it

00:29:17now

00:29:18yeah

00:29:18I'll chase

00:29:19out the

00:29:19will

00:29:19but

00:29:20Regan

00:29:21you'd

00:29:21think

00:29:21and

00:29:22probably

00:29:23Shane

00:29:23and they

00:29:24were both

00:29:24on the

00:29:24train

00:29:25Shane

00:29:25may have

00:29:26been

00:29:26the last

00:29:26person

00:29:27to talk

00:29:27to

00:29:27Rosalie

00:29:28hmm

00:29:28the romantic

00:29:29political

00:29:29door

00:29:29exchange

00:29:30but

00:29:31what

00:29:31did

00:29:31he

00:29:31do

00:29:31after

00:29:32that

00:29:35Mrs. Baker

00:29:38I was wondering

00:29:39if I could get

00:29:39my things

00:29:40from the train

00:29:41my clipboard

00:29:41and whatnot

00:29:42I've got another

00:29:43wedding this

00:29:44weekend

00:29:44I can only hope

00:29:45that that couple

00:29:45hasn't caught

00:29:46wind of my

00:29:47involvement

00:29:47with this

00:29:48debacle

00:29:50RIP

00:29:51Rosalie

00:29:51obviously

00:29:52your timing

00:29:53is immaculate

00:29:54Mrs. Baker

00:29:55we're

00:29:56in need

00:29:56of your

00:29:57insight

00:29:59please

00:30:00come on

00:30:00through

00:30:01oh

00:30:01hmm

00:30:04sort of a

00:30:05thing

00:30:06isn't it

00:30:08actually being

00:30:08part of a

00:30:09murder

00:30:09investigation

00:30:11could you

00:30:12talk us

00:30:12through what

00:30:13happened

00:30:13starting at

00:30:14the beginning

00:30:16well

00:30:17um

00:30:18Ron and Doug

00:30:19we're at the

00:30:20front

00:30:20anyway

00:30:20I should

00:30:21drive

00:30:21I've

00:30:22seniority

00:30:23seniority

00:30:23what you

00:30:25have is

00:30:25being

00:30:25scared

00:30:26of hard

00:30:26work

00:30:28um

00:30:28we're not

00:30:29so worried

00:30:30about them

00:30:31uh

00:30:32can you

00:30:32remember

00:30:33where

00:30:33everyone

00:30:33was

00:30:34on the

00:30:34train

00:30:34um

00:30:36well

00:30:36the catering

00:30:37was in

00:30:37this one

00:30:38and then

00:30:39we were

00:30:40all in

00:30:40the back

00:30:40there was

00:30:41um

00:30:43general

00:30:43mingling

00:30:48do you

00:30:48recall

00:30:48where

00:30:49Shane

00:30:49Griffin

00:30:49was

00:30:50oh

00:30:50um

00:30:51he was

00:30:52mainly

00:30:53talking

00:30:53to a

00:30:54friend

00:30:55fellow

00:30:55train

00:30:56geek

00:30:56they're

00:30:57a special

00:30:57breed

00:30:58to those

00:30:58pharynx

00:30:59minquinologists

00:31:00uh

00:31:01Shane

00:31:01told us

00:31:02he went

00:31:02to speak

00:31:02to Rosalie

00:31:03through the

00:31:03cubicle door

00:31:04when the

00:31:05train

00:31:05stopped

00:31:05oh

00:31:06yeah

00:31:06that

00:31:06sounds

00:31:07about

00:31:07right

00:31:07he

00:31:08was

00:31:08the

00:31:08only

00:31:09other

00:31:09person

00:31:09on

00:31:09the

00:31:09train

00:31:10who

00:31:10knew

00:31:10what

00:31:10she

00:31:10was

00:31:10really

00:31:11doing

00:31:11i tell

00:31:11you

00:31:11what

00:31:12it

00:31:12wasn't

00:31:12easy

00:31:13keeping

00:31:13that

00:31:13a

00:31:13secret

00:31:14sorry

00:31:15so

00:31:16was

00:31:16Shane

00:31:17with

00:31:17you

00:31:17when

00:31:17you

00:31:17got

00:31:17off

00:31:18the

00:31:18train

00:31:18or

00:31:18was

00:31:19he

00:31:19still

00:31:19back

00:31:19with

00:31:20Rosalie

00:31:21i remember

00:31:22him turning

00:31:22up at

00:31:22the

00:31:22tracks

00:31:23it's not

00:31:24a game

00:31:24this is

00:31:25a wake

00:31:25up

00:31:25call

00:31:26it's

00:31:27the middle

00:31:27of the

00:31:27afternoon

00:31:28we're

00:31:28already

00:31:28awake

00:31:28Cole

00:31:29is

00:31:30killing

00:31:30the

00:31:30planet

00:31:31Cole

00:31:32is

00:31:32killing

00:31:32the

00:31:33planet

00:31:33what's

00:31:34all

00:31:34this

00:31:34i can't

00:31:35be

00:31:35certain

00:31:36how

00:31:36long

00:31:36he

00:31:36was

00:31:36on

00:31:43no

00:31:44no

00:31:45not

00:31:45Shane

00:31:45Griffin

00:31:45he

00:31:46would

00:31:46never

00:31:46he

00:31:47was

00:31:47such

00:31:47an

00:31:47integral

00:31:48part

00:31:48of

00:31:48the

00:31:48planning

00:31:50there

00:31:50was

00:31:50a

00:31:50theme

00:31:51i had it

00:31:52all

00:31:52worked

00:31:52out

00:31:52champagne

00:31:53flutes

00:31:54tick

00:31:55doilies

00:31:56tick

00:31:57flower

00:31:57oh what in the blazes are those

00:31:59i was very clear with that florist what i wanted

00:32:01i'll be having strong words with jenny monroe

00:32:03i quite like them actually

00:32:04really

00:32:09no

00:32:09they were not from me

00:32:10definitely not part of my catalogue

00:32:13besides

00:32:14black roses are a terrible omen for a wedding

00:32:18they symbolize death

00:32:20would rosalie have known that

00:32:28that note could have been attached to the flowers

00:32:31and i know where else i've seen black roses recently

00:32:40i'm not much of a flowers man but i imagine these are pretty rare

00:32:44yeah i suppose

00:32:46so if a bunch of black roses were to show up in the vicinity

00:32:50chances are they would have come from your garden

00:32:52there are florists in town you know

00:32:53sure

00:32:54but i'm talking about a handpicked bunch

00:32:56tied with a ribbon

00:32:57delivered with a note

00:33:00is this your writing

00:33:03yes

00:33:03it's an interesting message

00:33:05given that black flowers symbolize death

00:33:08is there anything you want to share hayden

00:33:10look

00:33:11black roses don't just symbolize death

00:33:13okay

00:33:14they're transformation

00:33:16new beginnings

00:33:17endings

00:33:17farewells

00:33:20yeah i know i'm not exactly the type

00:33:22but rosalie planted this bush

00:33:24she told me all about it

00:33:25she would have known what i was saying

00:33:27mum was wearing one of the roses on her dress

00:33:29she wouldn't have done that if she thought dad was being threatening

00:33:32you told us you weren't at the launch

00:33:33and that you haven't seen rosalie for weeks

00:33:35dad couldn't handle actually being there

00:33:37and seeing her with shame

00:33:39can you blame him

00:33:41so i said i'll drop the flowers off

00:33:44right

00:33:46excuse me

00:33:48gina

00:33:50you'll be okay

00:33:51i've got to take my car to the garage

00:33:52see you soon

00:33:53yeah just a service

00:33:55should only take a few hours

00:34:01for me nothing can beat the appeal of a steam train

00:34:04the trans-siberian railway

00:34:06it's on my bugger list

00:34:08your what

00:34:09my bugger list

00:34:11you know when you say

00:34:12bugger it let's just do it

00:34:14it's a very common expression mike

00:34:16i'm surprised you don't know it

00:34:18i think you mean bucket list

00:34:19well the things you want to do before you kick the bucket

00:34:22but what has the bucket done to you

00:34:24well it's a saying

00:34:25well anyway

00:34:26the broken root flyer

00:34:27it's not of the same league of course

00:34:29but one day

00:34:30i hope for a ride

00:34:32now i have something

00:34:33i think you'll like

00:34:34fire away

00:34:35when i looked closer

00:34:37there are the two head wounds

00:34:40i found something interesting

00:34:42metallic fragments in both of them

00:34:44so the murder weapon was metal

00:34:46same as the railway tracks

00:34:48same age

00:34:49same wear

00:34:51same rust pattern

00:34:52rosalie was hit with the length of rail line

00:34:55a small length

00:34:57unless the offender was very strong

00:35:03mrs baker can vouch

00:35:05that everyone got off the train

00:35:06at the same time as she did

00:35:07except for shane griffin

00:35:10oi

00:35:11you lot

00:35:11anyone home

00:35:17hello

00:35:18oh

00:35:19you want to talk to this guy

00:35:22noah

00:35:22you are a hard man to find

00:35:24not really

00:35:34get in

00:35:34not for me you idiot

00:35:37you have to talk to the police

00:35:39or they'll think you killed her

00:35:41look he knows his rights

00:35:43so don't try anything dodgy

00:35:44okay

00:35:44wouldn't dream of it

00:35:45just because he has priors

00:35:47doesn't mean he's done anything wrong

00:35:49ghosting your girlfriend

00:35:50isn't technically a crime

00:35:55it was one text

00:35:56the timing was freaky

00:35:57it doesn't mean anything

00:35:58you weren't exactly in a hurry

00:35:59to talk to us though

00:36:01so you're saying

00:36:02despite your prior history

00:36:03of protest action

00:36:05you had no idea

00:36:06what your girlfriend

00:36:07was planning to do

00:36:08look the real target

00:36:08should be the freight trains

00:36:09carrying the coal from the mines

00:36:10and she's out here

00:36:12trying to shut down

00:36:13a vintage train

00:36:14it was pathetic

00:36:14it was almost embarrassed

00:36:15to be involved

00:36:16so you were involved

00:36:19no comment

00:36:20it is weird

00:36:21that there's nothing

00:36:22on the socials about it

00:36:23so if we checked your phone

00:36:25there wouldn't be any footage

00:36:26of Lily's protest

00:36:29lo and behold

00:36:32he obviously was in one of the trees

00:36:34by the line

00:36:35there's Doug and Ron

00:36:37exiting the engine cab first

00:36:39everyone else piling out of the carriage

00:36:41Mrs Baker

00:36:43Mayor Bloom

00:36:44all the others

00:36:45alibis confirmed

00:36:47that's something

00:36:47there's Regan

00:36:49but where's Shane

00:36:51he said he was checking in

00:36:53with Rosalie

00:36:53yep

00:36:54wait for it

00:36:56so

00:36:57Regan

00:36:57gets back on briefly

00:36:59presumably to

00:37:00alert her mum

00:37:02and there she is

00:37:03stepping back off

00:37:04followed by Shane

00:37:06which means

00:37:07he's getting off the train

00:37:08a good minute

00:37:09after everyone else

00:37:10enough time?

00:37:12if he worked fast

00:37:13you can't see the back of the train

00:37:15from this angle

00:37:15why would he want to kill someone

00:37:17he's supposed to be marrying?

00:37:19well I followed up with

00:37:20Rosalie's lawyer

00:37:22Shane is a main beneficiary

00:37:24in the will

00:37:24as is Regan

00:37:26is this all the footage?

00:37:28according to Noah

00:37:29I stopped recording

00:37:30when Lily got

00:37:31taken onto the train

00:37:32and did you see

00:37:33anything else

00:37:33or anyone else?

00:37:35no

00:37:35we'll need your phone

00:37:36and there was nothing unusual

00:37:38in his call log

00:37:39ditto his search history

00:37:40so if Noah

00:37:42is to be believed

00:37:43he wasn't the person

00:37:44who called

00:37:45Crimestoppers

00:37:45well he said he took off

00:37:47once Lily was on board

00:37:48the train

00:37:48where did you go?

00:37:50back home

00:37:52well Lily told us

00:37:53you were ghosting her

00:37:54so presumably

00:37:55she couldn't find you there

00:37:56I didn't stick around

00:37:57for long

00:37:57I went to a mate's place

00:37:59well we will need

00:38:00to speak to that mate

00:38:01oh you can't

00:38:02he's in Sydney

00:38:03I needed some space

00:38:04to myself

00:38:05so I crashed out there

00:38:06instead

00:38:06why did you need

00:38:07some space?

00:38:09to work out

00:38:10what I was gonna do

00:38:11dump Lily

00:38:12and leave town

00:38:14to make it sound

00:38:15worse than it was

00:38:17look I was

00:38:17I was over it

00:38:18this train thing

00:38:19was the last straw

00:38:20I just wanted to bail

00:38:21without more

00:38:23of Lily's drama

00:38:24yeah

00:38:25I'm not sure

00:38:26I'm buying that

00:38:26agreed

00:38:27where is he now?

00:38:28at the McAlvey's

00:38:29but we told him

00:38:30to stick around

00:38:31good

00:38:42coming true

00:38:43it's out here

00:38:44you reckon?

00:38:45yep

00:38:46clear line of sight

00:38:47to the tracks

00:38:51the train

00:38:51would have obscured

00:38:52whatever was happening

00:38:53to Rosalie

00:38:54at the back of it

00:38:55once it moves off

00:38:56though

00:38:58thanks guys

00:39:00hi

00:39:01what am I not

00:39:02allowed to turn

00:39:03not on my train

00:39:04protocol

00:39:05hardly the worst

00:39:06thing has happened

00:39:06on your train

00:39:07is it?

00:39:10if Noah was still

00:39:11close by

00:39:12after the train

00:39:13moved off

00:39:14he would have been

00:39:14able to see

00:39:15Rosalie's body

00:39:16but he claims

00:39:17he didn't make

00:39:18the crime stopper's

00:39:18report

00:39:19but he might have

00:39:20seen who did

00:39:21or he committed

00:39:22the crime himself

00:39:24could the phone

00:39:26have been on

00:39:26a tripod

00:39:27he left it here

00:39:29while he boarded

00:39:29the train

00:39:30the footage

00:39:31was pretty shaky

00:39:32had to be handheld

00:39:33or he was working

00:39:34with someone else

00:39:35he gave them the

00:39:36camera while he

00:39:37went to the train

00:39:37if he is hiding

00:39:39something

00:39:40what's his motive?

00:39:47sorry I don't know

00:39:48what else I can tell you

00:39:49well what I can tell you

00:39:50is that we've got

00:39:51footage that confirms

00:39:52your story about

00:39:53being last off the train

00:39:54okay

00:39:55good

00:39:56what I'm interested in

00:39:57is what you were

00:39:58doing before that point

00:39:59I told you I was

00:40:01talking to Rosalie

00:40:01she was changing

00:40:03and I thought after

00:40:04that she'd probably

00:40:04have a cigarette

00:40:05so I left her to it

00:40:08here you are

00:40:08you have to help

00:40:09with what?

00:40:10Mrs Baker's yelling

00:40:10at someone

00:40:11I don't know

00:40:11what's going on

00:40:12okay

00:40:13everything on

00:40:14Mrs Baker's schedule

00:40:14was timed to the minute

00:40:15so I knew she'd be

00:40:16in a flat

00:40:17had a delay

00:40:17so what schedule?

00:40:20yeah

00:40:20nothing left to chance

00:40:24it's like holding on

00:40:25to a little piece of her

00:40:26which is

00:40:27silly

00:40:27I know

00:40:30but I can tell you

00:40:30that

00:40:31when I spoke to Rosalie

00:40:32it was around

00:40:332.35pm

00:40:35changing time

00:40:36can I

00:40:37take that?

00:40:38you'll get it back

00:40:41sure

00:40:43I can email you

00:40:43a copy of that too

00:40:44if you like

00:40:44thanks

00:40:46why is it so important

00:40:47to know

00:40:47when I got off the train

00:40:52Mrs Baker said

00:40:53you might go down

00:40:54that route

00:40:55we're following

00:40:55all lines of inquiry

00:40:57you've got this

00:40:58so wrong

00:41:01that's another branch

00:41:02of the old rail line

00:41:03that's right

00:41:04it was never part

00:41:05of the restoration plan

00:41:06though

00:41:06so most of the tracks

00:41:07were pulled up

00:41:07years ago

00:41:08how were they

00:41:09disposed of?

00:41:10I've got no idea

00:41:11I suppose they would

00:41:12have been taken off

00:41:12for scrap

00:41:14thank you

00:41:18what's that

00:41:19Regan Barnes

00:41:20yes

00:41:20on bereavement leave

00:41:21of course

00:41:22poor thing

00:41:22just popped in

00:41:23to get a few things

00:41:57hello

00:41:58hi there

00:41:59you alright?

00:42:00yeah

00:42:00just

00:42:01taking a walk

00:42:03helps me think

00:42:05am I right

00:42:06in thinking

00:42:06that this used

00:42:07to be the old

00:42:08Johnson sawmill line?

00:42:09it's going back

00:42:10a bit

00:42:11but yeah

00:42:12is Troy around

00:42:13by any chance?

00:42:14well he's out

00:42:15just now

00:42:16but he shouldn't

00:42:17be too long

00:42:18I'm happy to wait

00:42:30you better come up

00:42:31to the house then

00:42:31oh

00:42:32well

00:42:32if you insist

00:42:38and this is where

00:42:39you tell me

00:42:39I haven't changed

00:42:40a bit

00:42:41apologies

00:42:41they caught my eye

00:42:43that's okay

00:42:43I took a long stroll

00:42:45down memory lane

00:42:45last night

00:42:46this is you and Rosalie?

00:42:48hmm

00:42:50you uh

00:42:50obviously had

00:42:51some adventures

00:42:52oh

00:42:53Rosalie

00:42:53she was the adventurous one

00:42:55she taught me

00:42:56into all sorts of things

00:42:56there's one of us

00:42:57on a roller coaster

00:42:58somewhere

00:42:58the look on my face

00:42:59is this Troy?

00:43:01hmm

00:43:03he was born overseas

00:43:04Poland

00:43:06and I hope

00:43:07you're not going to

00:43:08ask me about the father

00:43:08no

00:43:09well that

00:43:10it's the end

00:43:12of the adventures

00:43:12well

00:43:13it started a new one

00:43:14I suppose

00:43:15parenthood

00:43:16hmm

00:43:17solo parenthood

00:43:19I moved home

00:43:21when Troy was

00:43:22a few months old

00:43:23we'd be back in here

00:43:24with mum and dad

00:43:24and they were

00:43:25remarkably

00:43:27non-judgmental

00:43:29given the circumstances

00:43:31and Rosalie?

00:43:34three years

00:43:35in

00:43:36New York

00:43:37two in Paris

00:43:39and god knows

00:43:39we were after that

00:43:40we lost touch

00:43:41our lives were

00:43:44so different

00:43:51Shane mentioned

00:43:52he went up to the cubicle

00:43:53just after the train stop

00:43:56I guess so

00:43:58what you didn't see him go

00:44:00I saw him come back

00:44:01if that helps

00:44:02everyone else had got off

00:44:03by then

00:44:04so I got back on

00:44:05to find him

00:44:06I told him Mrs Baker

00:44:07was stressing out

00:44:07and he should go

00:44:08and see what was up

00:44:09and did he?

00:44:10yes

00:44:11but I got off

00:44:12before him

00:44:14so there was a time

00:44:15when she and Shane

00:44:16may have been the only

00:44:17two people in the carriage

00:44:23you don't think

00:44:24no we're just trying

00:44:25to establish a timeline

00:44:26that's all

00:44:27but if you do have

00:44:29reason to believe

00:44:30that Shane wanted

00:44:30to harm your mother

00:44:31then you should tell us

00:44:35Regan

00:44:37mum was super rich

00:44:38and Shane is super broke

00:44:41the only thing he has

00:44:42is thousands of dollars

00:44:43of debt

00:44:46I don't know

00:44:47where Troy's got to

00:44:47he should be back

00:44:48by now

00:44:49sorry

00:44:52Sims

00:44:53Regan Barnes is suggesting

00:44:54Shane Griffin

00:44:55has money issues

00:44:56I see

00:44:57bring her in

00:44:58copy that

00:45:00I'm just calling Troy

00:45:02tell him I'll catch up

00:45:04with him another time

00:45:13it's a big call

00:45:15you've made

00:45:15suggesting that

00:45:16Shane Griffin

00:45:17killed Rosalie

00:45:17for her money

00:45:19I didn't say that

00:45:20no

00:45:21you stopped

00:45:22just short

00:45:22I don't want to believe it

00:45:23but the facts

00:45:24are the facts

00:45:25I thought you should know

00:45:26this debt of Shane's

00:45:28how do you know about it?

00:45:30I work for the council

00:45:30in the rates department

00:45:32Shane's house

00:45:33is owned by his dad

00:45:34who's in a dementia key unit

00:45:35but he hasn't paid his rates

00:45:37for the last 20 years

00:45:38and Shane is responsible

00:45:40for that?

00:45:41he's power of attorney

00:45:41but no way of paying?

00:45:43well it's nearly

00:45:44200,000

00:45:46the council's been talking

00:45:47about forcing the sale

00:45:48of the house

00:45:49well if Shane wanted

00:45:50access to Rosalie's money

00:45:51surely marrying her

00:45:53would get him that

00:45:53it was still her decision

00:45:54what to do with it

00:45:55maybe she didn't know

00:45:56about the debt

00:45:57she never mentioned it

00:45:58why didn't you tell her?

00:46:00and lose my job

00:46:02for breaking confidentiality

00:46:03did Rosalie ever mention

00:46:05changing her will

00:46:06to include Shane?

00:46:07not to me

00:46:10she did though

00:46:11didn't she?

00:46:13but

00:46:13whether Shane knew that

00:46:15is another question

00:46:22this way

00:46:25how'd you get on

00:46:25with the council?

00:46:26I'm still on hold

00:46:28what they said

00:46:29my call

00:46:29was very important

00:46:30to them

00:46:30be quick at a walk

00:46:33hmm

00:46:34uh

00:46:34talk to Shane

00:46:36see what he has

00:46:36to say for himself

00:46:38yes

00:46:39I'm afraid

00:46:40dad did let things

00:46:41get out of hand

00:46:41but I don't know

00:46:43if it was his dementia

00:46:43or just sheer

00:46:44bloody mindedness

00:46:45how's that?

00:46:46well

00:46:46there was a dispute

00:46:47with the council

00:46:48over a boundary line

00:46:49years ago

00:46:50dad used to get

00:46:51pretty worked up

00:46:51about it

00:46:52so he stopped

00:46:53paying his rates?

00:46:55did Rosalie know

00:46:56about the debt?

00:46:57yeah of course

00:46:58we didn't have

00:46:58any secrets

00:47:00good news

00:47:00I think

00:47:02case closed

00:47:03our case

00:47:04not yours

00:47:05or is it

00:47:06closed I mean

00:47:07I mean I wouldn't

00:47:08know would I

00:47:08how could I

00:47:09I mean could I?

00:47:11no

00:47:11sorry

00:47:13I've been talking

00:47:14to the council

00:47:14about it

00:47:15paying it off

00:47:16in instalments

00:47:16but it's just

00:47:17it's all the interest

00:47:18and the penalties

00:47:20that's the real

00:47:20cooker

00:47:21I bet

00:47:24that was DSS

00:47:26shepherd calling

00:47:27from the council

00:47:27office

00:47:28your father's

00:47:30rates debt

00:47:30was paid

00:47:31in full

00:47:32today

00:47:33a scheduled

00:47:34payment

00:47:34from the account

00:47:35of Rosalie Barnes

00:47:36with the reference

00:47:37wedding gift

00:47:51thanks

00:47:51it was Regan

00:47:54wasn't it

00:47:56who told you

00:47:56about the debt

00:47:58I knew she didn't

00:47:58think much of me

00:47:59but I didn't think

00:48:00she'd think to that

00:48:00well she's just

00:48:01lost her mother

00:48:02she's looking

00:48:03for answers

00:48:04I feel sorry

00:48:05for her

00:48:05they never really

00:48:06got along

00:48:07Rosie was a

00:48:08wonderful woman

00:48:09but motherhood

00:48:10was not her forte

00:48:11she was always

00:48:12fighting fault

00:48:13with Regan

00:48:13with her hair

00:48:14and with her

00:48:15clothes

00:48:15and with her

00:48:16attitude

00:48:17mothers and

00:48:18daughters eh

00:48:20last big blow up

00:48:21was a few weeks

00:48:21ago

00:48:22we'd asked Regan

00:48:23to meet us

00:48:24for a drink

00:48:25while I was

00:48:26running late

00:48:26I don't believe

00:48:27this

00:48:29you're a sad

00:48:30old

00:48:31miserable joke

00:48:32darling

00:48:33I'm trying to

00:48:33help

00:48:34no

00:48:34you're just

00:48:34trying to

00:48:35control me

00:48:35what's new

00:48:38Regan

00:48:39Regan

00:48:39get back here

00:48:43what was that

00:48:44about

00:48:46a man

00:48:48did she say

00:48:49who the man

00:48:49was

00:48:49oh I didn't

00:48:50think it was

00:48:51my business

00:48:52not her father

00:48:58I wouldn't

00:48:59like it

00:48:59if my mother

00:49:00tried to

00:49:00dictate

00:49:01my love life

00:49:02you don't

00:49:02have a love

00:49:03life

00:49:04you don't

00:49:05know that

00:49:06no I think

00:49:07I do

00:49:07anyway

00:49:08that's not

00:49:09the point

00:49:09I'm just

00:49:09saying

00:49:10I wouldn't

00:49:10like it

00:49:11but I

00:49:11wouldn't

00:49:11bash her

00:49:12over the

00:49:12head

00:49:12with a

00:49:12piece

00:49:13of

00:49:13railway

00:49:13line

00:49:13I don't

00:49:14think

00:49:14Regan

00:49:14went

00:49:15that

00:49:15far

00:49:15either

00:49:16Noah's

00:49:16video

00:49:16and

00:49:17all

00:49:17the

00:49:17other

00:49:17evidence

00:49:18suggest

00:49:18that

00:49:18she

00:49:18didn't

00:49:18get

00:49:19the

00:49:19opportunity

00:49:20Shane

00:49:21on

00:49:21the

00:49:21other

00:49:21hand

00:49:22Senior

00:49:29yeah

00:49:30yeah

00:49:30mum

00:49:30said

00:49:31you

00:49:31wanted

00:49:31to

00:49:31see

00:49:31me

00:49:32I

00:49:32was

00:49:32out

00:49:33your

00:49:33way

00:49:33I

00:49:33thought

00:49:34a

00:49:34chat

00:49:34might

00:49:34be

00:49:35useful

00:49:35you

00:49:35have

00:49:36probably

00:49:36seen

00:49:37our

00:49:37search

00:49:37team

00:49:37working

00:49:38along

00:49:38the

00:49:38railway

00:49:38tracks

00:49:39yeah

00:49:40we need

00:49:40to

00:49:41extend

00:49:41the

00:49:42search

00:49:42into

00:49:42the

00:49:43surrounding

00:49:43properties

00:49:44there's

00:49:44a chance

00:49:45the

00:49:45offender

00:49:46has

00:49:46disposed

00:49:46of

00:49:47the

00:49:47murder

00:49:47weapon

00:49:47somewhere

00:49:48in

00:49:48the

00:49:48area

00:49:48right

00:49:51what was

00:49:51the

00:49:51weapon

00:49:52we're

00:49:53still

00:49:53ascertaining

00:49:54that

00:49:55if you

00:49:55have

00:49:55no

00:49:56objections

00:49:56I

00:49:56could

00:49:57come

00:49:57out

00:49:57with

00:49:57a

00:49:57team

00:49:57this

00:49:58afternoon

00:49:58take

00:49:59a

00:49:59look

00:49:59around

00:50:00yeah

00:50:00go

00:50:01for

00:50:01it

00:50:01you're

00:50:02wasting

00:50:02your

00:50:02time

00:50:02very

00:50:03likely

00:50:03it's

00:50:04all part

00:50:05of the

00:50:05job

00:50:06though

00:50:06that's

00:50:06it

00:50:06then

00:50:06one

00:50:07more

00:50:07thing

00:50:07you said

00:50:08you were

00:50:09working

00:50:09on a

00:50:09fence

00:50:10that

00:50:10afternoon

00:50:11yeah

00:50:11did

00:50:12anyone

00:50:12see

00:50:12you

00:50:14yeah

00:50:14jock

00:50:15wilson

00:50:15he's

00:50:16got

00:50:16the

00:50:16neighbouring

00:50:17farm

00:50:17laid

00:50:18up

00:50:18with

00:50:18a

00:50:18broken

00:50:19ankle

00:50:19but

00:50:20gave

00:50:21me

00:50:21a

00:50:21wave

00:50:21around

00:50:22three

00:50:23o'clock

00:50:23oh

00:50:25good

00:50:25to

00:50:26know

00:50:54they look

00:50:55like

00:50:55railway

00:50:55tracks

00:50:56them

00:50:56yeah

00:50:56they

00:50:57were

00:50:57lying

00:50:58around

00:50:58out

00:50:58by

00:50:58the

00:50:59road

00:50:59years

00:51:01nobody

00:51:04wanted

00:51:05them

00:51:05so

00:51:06so

00:51:06you

00:51:07decided

00:51:07to

00:51:07help

00:51:07yourself

00:51:08well

00:51:08they

00:51:08might

00:51:08come

00:51:09in

00:51:09handy

00:51:09one

00:51:09day

00:51:11i

00:51:11had

00:51:11a

00:51:11mother-in-law

00:51:12that was

00:51:12like that

00:51:13with ice

00:51:13cream

00:51:13containers

00:51:18so i

00:51:19had a

00:51:19word

00:51:19to

00:51:19jock

00:51:20and

00:51:20yes

00:51:21he

00:51:22does

00:51:22remember

00:51:22seeing

00:51:23troy

00:51:23working

00:51:23on

00:51:23the

00:51:23fence

00:51:24at

00:51:24exactly

00:51:25three

00:51:25o'clock

00:51:25he

00:51:26knows

00:51:26it

00:51:26was

00:51:26three

00:51:26o'clock

00:51:27because

00:51:27he

00:51:27just

00:51:27turned

00:51:28on

00:51:28the

00:51:28wireless

00:51:29to

00:51:29listen

00:51:29to

00:51:29the

00:51:30news

00:51:31yes

00:51:31jock

00:51:32old

00:51:32school

00:51:32then i

00:51:32got a

00:51:33full

00:51:33rundown

00:51:33of the

00:51:34day's

00:51:34activities

00:51:34starting

00:51:35with

00:51:35wordle

00:51:36first thing

00:51:37in the

00:51:37morning

00:51:37he

00:51:37got it

00:51:38in

00:51:38three

00:51:38through

00:51:39till

00:51:39five

00:51:39o'clock

00:51:39when he

00:51:40sat

00:51:40down

00:51:40to

00:51:40watch

00:51:41the

00:51:41chase

00:51:41which

00:51:42is

00:51:42when

00:51:42he

00:51:42happened

00:51:42to

00:51:43glance

00:51:43out

00:51:43the

00:51:43window

00:51:43and see

00:51:44Troy

00:51:44still

00:51:45at

00:51:45it

00:51:45hard

00:51:46worker

00:51:46that

00:51:46boy

00:51:46needs

00:51:47feeding

00:51:47up

00:51:48chicken

00:51:49soup

00:51:49from

00:51:49jock's

00:51:49freezer

00:51:50yeah

00:51:50ta

00:51:51thanks

00:51:52again

00:51:52for

00:51:52your time

00:51:52i'm so

00:51:53full

00:51:53of

00:51:53shit

00:51:54piss

00:51:55off

00:51:55and

00:51:55leave

00:51:55me

00:51:55alone

00:51:59any

00:52:00idea

00:52:00what

00:52:00that

00:52:00was

00:52:00about

00:52:02young

00:52:02love

00:52:09they were

00:52:10just

00:52:10lying

00:52:10there

00:52:13undisturbed

00:52:13by the

00:52:13look of

00:52:14the weeds

00:52:15then again

00:52:16someone could

00:52:17have just

00:52:17slid one

00:52:18out

00:52:18from the

00:52:18back

00:52:19those

00:52:19things

00:52:20weigh

00:52:20a ton

00:52:20if

00:52:21you're

00:52:21going

00:52:21to

00:52:21use

00:52:21it

00:52:21as

00:52:21a

00:52:21weapon

00:52:22you'd

00:52:22want

00:52:22to

00:52:22cut

00:52:22it

00:52:23down

00:52:23right

00:52:23there

00:52:23were

00:52:24tools

00:52:24in

00:52:24the

00:52:25shed

00:52:25that

00:52:25could

00:52:25have

00:52:25done

00:52:25that

00:52:25who had

00:52:26access

00:52:27to

00:52:27the

00:52:27rails

00:52:29Troy

00:52:30Bridges

00:52:30Lily

00:52:31Noah

00:52:31or

00:52:32anyone

00:52:33who

00:52:33knew

00:52:33where

00:52:33they

00:52:33work

00:52:34and

00:52:34wanted

00:52:34to

00:52:34point

00:52:34the

00:52:34finger

00:52:35at

00:52:35the

00:52:35McElvies

00:52:35yeah

00:52:36maybe

00:52:37I'm

00:52:38wondering

00:52:38how

00:52:38quickly

00:52:39I

00:52:39could

00:52:39get

00:52:39from

00:52:39the

00:52:40crime

00:52:40scene

00:52:40to

00:52:41the

00:52:492.40

00:52:49it

00:52:50moved

00:52:50off

00:52:51again

00:52:51five

00:52:51minutes

00:52:51later

00:52:52and

00:52:52Rosalie's

00:52:53body

00:52:53was

00:52:54reported

00:52:54on the

00:52:54tracks

00:52:55at

00:52:552.47

00:52:56so

00:52:56if

00:52:57Troy's

00:52:58our

00:52:58man

00:52:58he

00:52:58had

00:52:59less

00:52:59than

00:52:5920

00:53:00minutes

00:53:00to

00:53:00get

00:53:01from

00:53:01point

00:53:02A

00:53:02to

00:53:03point

00:53:03B

00:53:04is that

00:53:05even

00:53:05doable

00:53:06there's

00:53:06only one

00:53:07way to

00:53:07find

00:53:07out

00:53:13okay

00:53:13here we

00:53:14go

00:53:16ready

00:53:18set

00:53:20go

00:53:32come on man

00:53:33we don't

00:53:33have all

00:53:34dry

00:53:5422 minutes

00:53:5643

00:53:56seconds

00:53:57too slow

00:54:00so

00:54:02unless

00:54:03Troy

00:54:03McKelvey

00:54:04can run

00:54:04like

00:54:04Usain Bolt

00:54:05he probably

00:54:07didn't kill

00:54:07Rosalie

00:54:11you know

00:54:12I gotta say

00:54:12I thought

00:54:13you'd be

00:54:13faster

00:54:13it was

00:54:14soft

00:54:14underfoot

00:54:15challenging

00:54:16conditions

00:54:16Usain Bolt

00:54:17couldn't run

00:54:18like Usain Bolt

00:54:19in that terrain

00:54:19hang on

00:54:22hang on

00:54:23is that

00:54:34going

00:54:34somewhere

00:54:35Niall

00:54:36we thought

00:54:36you were

00:54:37told not

00:54:37to leave

00:54:37town

00:54:37I had to

00:54:38get away

00:54:38from

00:54:38Lily

00:54:39she's

00:54:39doing

00:54:39my head

00:54:40in

00:54:40not having

00:54:41much

00:54:41luck

00:54:41with

00:54:41this

00:54:42hitchhiking

00:54:42thing

00:54:42are you

00:54:43no

00:54:43this

00:54:44is

00:54:45perfect

00:54:46you guys

00:54:46are going

00:54:47to be

00:54:47my first

00:54:47stop

00:54:47good

00:54:48idea

00:54:54tip out

00:54:55on me

00:55:00alright

00:55:00Noah

00:55:02what have

00:55:02you got

00:55:02for us

00:55:03oh well

00:55:04I may have

00:55:05not given

00:55:05you the

00:55:06full picture

00:55:06earlier

00:55:07come on

00:55:08back on

00:55:08the train

00:55:22on the train

00:55:23left

00:55:23I didn't

00:55:23know

00:55:23what to

00:55:24do

00:55:24so I

00:55:24started

00:55:24heading

00:55:25back

00:55:25to the

00:55:25house

00:55:25you know

00:55:26she's

00:55:26Lily's

00:55:27Nana

00:55:27they gave

00:55:27me a place

00:55:28to stay

00:55:28I felt

00:55:29like I owed

00:55:30them some

00:55:30loyalty

00:55:30so that's

00:55:31why you

00:55:31didn't

00:55:31tell us

00:55:32but

00:55:33did you

00:55:33tell Lily

00:55:34what

00:55:35that her

00:55:35Nan's

00:55:35a murderer

00:55:37yeah

00:55:38yeah

00:55:39I did

00:55:40eventually

00:55:41well you

00:55:42saw how

00:55:42that went

00:55:43you are

00:55:43so full

00:55:43of shit

00:55:44Lily

00:55:44what

00:55:45piss off

00:55:45and leave

00:55:45me alone

00:55:46she didn't

00:55:47want to

00:55:47believe me

00:55:48there's no

00:55:49coming back

00:55:49from that

00:55:49it's better

00:55:50you just

00:55:51hit the

00:55:51road

00:55:56so she

00:55:57was protesting

00:55:57about coal

00:55:58trains

00:55:58then got run

00:55:59over by a

00:56:00coal train

00:56:01karma can

00:56:01be cruel

00:56:02at times

00:56:02well that's

00:56:03not quite

00:56:05Frodo you

00:56:05know I

00:56:06can't comment

00:56:06on an

00:56:07ongoing

00:56:07investigation

00:56:07yeah

00:56:08no

00:56:08of course

00:56:11excuse me

00:56:13Regan

00:56:14I

00:56:14want to

00:56:15thank you

00:56:16for bringing

00:56:17Shane's rates

00:56:17issue to

00:56:18our attention

00:56:19no worries

00:56:20you might not

00:56:21be up with

00:56:21the latest

00:56:21but the

00:56:22debt has

00:56:22been paid

00:56:23off

00:56:25what

00:56:25by your

00:56:26mother

00:56:26um

00:56:27scheduled

00:56:28payment

00:56:28a wedding

00:56:29gift

00:56:30that must

00:56:31be a relief

00:56:31for Shane

00:56:33excuse me

00:56:34I have to

00:56:34go

00:56:42sims

00:56:42a witness

00:56:43has

00:56:43Bridget McKelvey

00:56:43at the scene

00:56:44yeah

00:56:44I'll be there

00:56:50we have a witness

00:56:51that puts you

00:56:52with Rosalie's body

00:56:53after the train

00:56:53left

00:56:54what witness

00:56:55are you denying

00:56:56that you were there

00:56:58okay all right

00:57:01despite everything

00:57:02I wanted to see

00:57:03the line in action

00:57:04again

00:57:08and the train

00:57:09moved off

00:57:09while I was watching

00:57:10and that's when

00:57:12I saw her

00:57:13did you see anyone

00:57:14else there

00:57:15no

00:57:15a report was made

00:57:17to Crimestoppers

00:57:17around that time

00:57:19was that by you

00:57:19one last act

00:57:21of kindness

00:57:22for your former

00:57:23friend perhaps

00:57:24if we checked

00:57:25your phone

00:57:25would we find

00:57:26evidence

00:57:26of their call

00:57:33yes

00:57:35it was me

00:57:43well I couldn't

00:57:44just leave her there

00:57:47after what you'd done

00:57:48what

00:57:49where you had motive

00:57:51your conflict

00:57:52over the railway line

00:57:53access to the likely

00:57:54murder weapon

00:57:55on your property

00:57:55and opportunity

00:57:57you were there

00:57:58when the train stopped

00:58:00did you climb aboard

00:58:01and murder

00:58:02Rosalie Barnes

00:58:05you might want

00:58:06to call a lawyer

00:58:07Ms. McKelvey

00:58:12that feels like

00:58:13the closest

00:58:14we're going to get

00:58:14to a confession

00:58:16what we have

00:58:16is only circumstantial

00:58:18and I think

00:58:18Bridget knows that

00:58:20how did she know

00:58:21that the train

00:58:21would stop

00:58:22or that Rosalie

00:58:23would be at the

00:58:23front of the carriage

00:58:25maybe the details

00:58:27of Lily's protest

00:58:27are in the family

00:58:28group chat

00:58:30let's find out

00:58:31how chatty they were

00:58:45I've just called

00:58:46I've just called dad

00:58:47he'll be here soon

00:58:49that's fine

00:58:51Lily how much

00:58:52did your nan know

00:58:53about your protest

00:58:54what do you mean

00:58:55did she know

00:58:56exactly when

00:58:57you'd be stopping

00:58:58the train

00:59:00I doubt it

00:59:01why would you

00:59:02want to know that

00:59:06what

00:59:06so she could

00:59:08get on board

00:59:08and attack

00:59:09Rosalie or something

00:59:10no

00:59:11no wait

00:59:12she would never

00:59:13do something

00:59:13like that

00:59:14it was just

00:59:15me and Noah

00:59:16okay

00:59:16nan had nothing

00:59:17to do with it

00:59:18nothing to do

00:59:19with what

00:59:19I was about

00:59:20to inform Lily

00:59:22we've arrested

00:59:23Bridget for Rosalie's

00:59:24murder

00:59:25what

00:59:27wanting to talk

00:59:28to her

00:59:28well you can't

00:59:29just yet

00:59:29you got it wrong

00:59:31have we

00:59:33Bridget was seen

00:59:34on the tracks

00:59:34next to Rosalie's

00:59:35body

00:59:35your mother

00:59:36has found herself

00:59:37in a serious

00:59:38situation

00:59:38as will Lily

00:59:39if we find out

00:59:40that she's been

00:59:40lying to us

00:59:46do you think

00:59:46we got to Troy

00:59:48without a metal

00:59:49weapon it's hard

00:59:49to make those

00:59:50charges stick

00:59:53hey

00:59:53what have you got

00:59:54Mrs Baker's

00:59:56run sheet

00:59:56everyone who

00:59:58had it would

00:59:58have known

00:59:59that Rosalie

00:59:59was scheduled

01:00:00to be at the

01:00:00front of the

01:00:01carriage

01:00:01to change

01:00:02outfits

01:00:03so Mrs Baker

01:00:04Rosalie

01:00:05Shane

01:00:06yeah but

01:00:07there was

01:00:07someone else

01:00:08Shane emailed

01:00:09me a copy

01:00:10of the run

01:00:10sheet

01:00:11and as I

01:00:12scrolled back

01:00:12through the

01:00:13chain

01:00:13I saw all

01:00:14the recipients

01:00:14including

01:00:15someone who

01:00:16received it

01:00:16in error

01:00:19hi it's

01:00:20Becky

01:00:20I'm mortified

01:00:22when DC

01:00:23Chalmers called

01:00:24I could have

01:00:24kicked myself

01:00:25in my defence

01:00:26it was an easy

01:00:26mistake to make

01:00:27her address was

01:00:28very similar to

01:00:29Rosalie's

01:00:31Regan Barnes

01:00:32well she said

01:00:33she didn't know

01:00:34about the wedding

01:00:35I guess it is

01:00:36possible she never

01:00:37read the email

01:00:38or

01:00:39she's lying to us

01:00:42hey I've got a

01:00:43little job for you

01:00:48hi Regan

01:00:49it's Detective Simms

01:00:50I was hoping

01:00:51we could have a

01:00:52chat

01:00:58sorry to intrude

01:00:59well you

01:01:00actually shut up

01:01:01we were just

01:01:02going through

01:01:02some photos

01:01:03for the

01:01:03remembrance board

01:01:04thought we'd do

01:01:05it over a

01:01:05Pimms

01:01:06so much to

01:01:06choose from

01:01:07such an

01:01:08amazing life

01:01:08she had

01:01:09could we have

01:01:09a private

01:01:10word

01:01:10sure

01:01:11what about

01:01:12this one of

01:01:12you and your

01:01:12mum

01:01:12yeah your

01:01:13name

01:01:13no

01:01:15some people

01:01:16find their

01:01:16baby photos

01:01:17embarrassing

01:01:17I suppose

01:01:19did not rock

01:01:20the boat

01:01:23Regan

01:01:24some of the

01:01:24things you

01:01:25told us

01:01:26don't match

01:01:26up to what

01:01:27we've discovered

01:01:27elsewhere

01:01:29would you

01:01:29like me to

01:01:30spell them

01:01:31out for you

01:01:31or would you

01:01:32like to tell

01:01:32me yourself

01:01:33god um

01:01:33I was afraid

01:01:35this would

01:01:35come up

01:01:36I did tell

01:01:37a white lie

01:01:38but it was

01:01:38only because

01:01:38I wanted to

01:01:39protect him

01:01:39who

01:01:41dad

01:01:43keep talking

01:01:44when the

01:01:45other guy

01:01:45was asking

01:01:46dad about

01:01:47the bunch

01:01:47of roses

01:01:47I told him

01:01:48that I'd

01:01:49been the

01:01:49one to

01:01:49deliver them

01:01:50to mum

01:01:51but that

01:01:51wasn't

01:01:51true

01:01:52dad was

01:01:53there that

01:01:53day

01:01:54he was

01:01:55on the

01:01:55train

01:01:59I need

01:01:59to see

01:02:00my nana

01:02:00which

01:02:01person

01:02:01is

01:02:02you

01:02:02how

01:02:02many

01:02:02old

01:02:03women

01:02:03do

01:02:03you

01:02:03have

01:02:03in

01:02:04custody

01:02:04you

01:02:04factious

01:02:05pig

01:02:05alright

01:02:06take it

01:02:07down a

01:02:07notch

01:02:07no

01:02:07where

01:02:08is

01:02:08she

01:02:09if

01:02:09you

01:02:10calm

01:02:10down

01:02:10you

01:02:10can

01:02:10come

01:02:11on

01:02:11through

01:02:14you

01:02:14good

01:02:19where's

01:02:20your dad

01:02:20shouldn't

01:02:21be alone

01:02:21when you're

01:02:21this upset

01:02:22I don't

01:02:22know

01:02:23he took

01:02:23off

01:02:23after

01:02:23those

01:02:24other

01:02:24cops

01:02:24came

01:02:24around

01:02:26I'll

01:02:26make

01:02:26you

01:02:26a

01:02:26cup

01:02:27of

01:02:27tea

01:02:27try

01:02:28calling

01:02:28him

01:02:28again

01:02:42okay

01:02:43okay

01:02:43I put

01:02:44the

01:02:44roses

01:02:44on

01:02:45the

01:02:45train

01:02:45I

01:02:45promise

01:02:46you

01:02:46I

01:02:46took

01:02:46off

01:02:46before

01:02:47I

01:02:47saw

01:02:47Rosalie

01:02:47why

01:02:48give her

01:02:48flowers

01:02:49at all

01:02:49I wanted

01:02:50her to know

01:02:50I wish

01:02:50too well

01:02:51it was her

01:02:51big day

01:02:51you knew

01:02:52about the

01:02:53wedding

01:02:54how

01:02:54she told me

01:02:56after we

01:02:56signed the

01:02:57papers

01:02:57two

01:02:57champagnes

01:02:59first date

01:03:00right

01:03:00last actually

01:03:01we just

01:03:02got divorced

01:03:03oh

01:03:03slave

01:03:04sorry

01:03:05no

01:03:05not at

01:03:06all

01:03:07we are

01:03:07celebrating

01:03:08closure

01:03:10to the

01:03:11end

01:03:12of our

01:03:12journey

01:03:18thank

01:03:19you

01:03:20happy

01:03:21ex-wife

01:03:21happy

01:03:21life

01:03:22right

01:03:22do you

01:03:23really mean

01:03:23that

01:03:23don't tell

01:03:24me you

01:03:24want

01:03:24half

01:03:24the

01:03:25house

01:03:25after

01:03:25all

01:03:25I

01:03:26want

01:03:26something

01:03:27from

01:03:27you

01:03:28but

01:03:28not

01:03:28that

01:03:29what

01:03:30Shane

01:03:31and I

01:03:31are

01:03:31going

01:03:31to

01:03:31get

01:03:31married

01:03:32quite

01:03:33soon

01:03:35I'd

01:03:35love

01:03:35it

01:03:36if

01:03:36you

01:03:36would

01:03:36give

01:03:37us

01:03:37your

01:03:37blessing

01:03:38yeah

01:03:38she'd

01:03:38ask

01:03:39for

01:03:39the

01:03:39moon

01:03:39that

01:03:39one

01:03:39and

01:03:40not

01:03:40for

01:03:40a

01:03:40second

01:03:40think

01:03:41why

01:03:41you

01:03:41might

01:03:41not

01:03:41be

01:03:41able

01:03:42to

01:03:42give

01:03:42it

01:03:42to

01:03:42her

01:03:43but

01:04:03I

01:04:04but

01:04:04that

01:04:04was

01:04:04early

01:04:05on

01:04:05I

01:04:05got

01:04:06over

01:04:06it

01:04:06what

01:04:07about

01:04:07Regan

01:04:08not

01:04:08so

01:04:08forgiving

01:04:10I

01:04:10blamed

01:04:10her

01:04:10mum

01:04:10for

01:04:10the

01:04:11breakup

01:04:11she

01:04:11always

01:04:12took

01:04:12my

01:04:12side

01:04:12even

01:04:13though

01:04:13I

01:04:13was

01:04:13no

01:04:13angel

01:04:14I

01:04:15never

01:04:15asked

01:04:15her

01:04:15to

01:04:15lie

01:04:16anyhow

01:04:17I

01:04:17didn't

01:04:17think

01:04:17it

01:04:17would

01:04:17matter

01:04:17since

01:04:18I

01:04:18had

01:04:18an

01:04:18alibi

01:04:21you're

01:04:22gardener

01:04:23so

01:04:23why

01:04:24do

01:04:24you

01:04:24think

01:04:24Regan

01:04:25decided

01:04:25to

01:04:25tell

01:04:25the

01:04:26truth

01:04:26now

01:04:26no

01:04:27clue

01:04:28I

01:04:28love

01:04:28that

01:04:28girl

01:04:29to

01:04:41the

01:04:41techies

01:04:42have

01:04:42Regan's

01:04:42laptop

01:04:43they

01:04:44should

01:04:44be

01:04:44able

01:04:44to

01:04:44find

01:04:45out

01:04:45if

01:04:45she

01:04:45opened

01:04:46that

01:04:46run

01:04:46sheet

01:04:47attachment

01:04:47or

01:04:47if

01:04:47it

01:04:48went

01:04:48straight

01:04:48to

01:04:48spam

01:04:49like

01:04:49she

01:04:49claimed

01:04:49since

01:04:50she's

01:04:51been

01:04:51erratic

01:04:52with

01:04:52the

01:04:52truth

01:04:52I

01:04:53want

01:04:53to

01:04:53check

01:04:53on

01:04:53her

01:04:53movements

01:04:54I

01:04:55saw

01:04:55her

01:04:55get

01:04:55picked

01:04:56up

01:04:56by

01:04:56someone

01:04:57at

01:04:57the

01:04:57council

01:04:58offices

01:04:58while

01:04:58her

01:04:59car

01:04:59was

01:04:59in

01:04:59for

01:04:59a

01:04:59service

01:05:00I

01:05:01got

01:05:01the

01:05:01council

01:05:02CCTV

01:05:02footage

01:05:09okay

01:05:10that

01:05:11ute

01:05:12that's

01:05:12Troy

01:05:12McKelvey's

01:05:13so

01:05:13he

01:05:13was

01:05:14playing

01:05:14taxi

01:05:14well

01:05:15that

01:05:15makes

01:05:15sense

01:05:16helping

01:05:16her

01:05:16out

01:05:17as

01:05:17she

01:05:17grieves

01:05:17her

01:05:17mother

01:05:18and

01:05:18olive

01:05:18branch

01:05:19perhaps

01:05:19well

01:05:19I

01:05:19saw

01:05:20him

01:05:20parked

01:05:20outside

01:05:20Hayden's

01:05:21place

01:05:21today

01:05:22he

01:05:22took

01:05:22off

01:05:22when

01:05:22you

01:05:22saw

01:05:22me

01:05:23and

01:05:23they

01:05:23were

01:05:23both

01:05:24at

01:05:24the

01:05:24coffee

01:05:24cart

01:05:24today

01:05:25together

01:05:26no

01:05:27Regan

01:05:28took

01:05:28off

01:05:28when

01:05:28she

01:05:28saw

01:05:29her

01:05:29it

01:05:29it's

01:05:29almost

01:05:29like

01:05:30she

01:05:30didn't

01:05:30want

01:05:30to be

01:05:30seen

01:05:33or

01:05:34an

01:05:35illicit

01:05:35love

01:05:35affair

01:05:36well

01:05:36Shane

01:05:37did

01:05:37say

01:05:37that

01:05:37Rosalie

01:05:38and

01:05:38Regan

01:05:38had

01:05:38been

01:05:38arguing

01:05:39about

01:05:39a

01:05:39guy

01:05:40she

01:05:40was

01:05:40seeing

01:05:40well

01:05:41there

01:05:41you

01:05:41go

01:05:41Romeo

01:05:42and

01:05:42Juliet

01:05:42and

01:05:43Troy

01:05:43kills

01:05:44Rosalie

01:05:44so

01:05:44that

01:05:44he

01:05:45and

01:05:45Regan

01:05:45can

01:05:45be

01:05:45together

01:05:45well

01:05:47they

01:05:47are

01:05:48both

01:05:48grown

01:05:49adults

01:05:49that

01:05:49don't

01:05:49need

01:05:50parental

01:05:50permission

01:05:51to

01:05:51be

01:05:51in

01:05:51a

01:05:51relationship

01:05:52and

01:05:52killing

01:05:53your

01:05:53partner's

01:05:54mother

01:05:54is

01:05:55hardly

01:05:55a

01:05:55romantic

01:05:56gesture

01:05:58can

01:05:58you

01:05:59tell

01:05:59me

01:05:59when Troy

01:06:00shows

01:06:00up

01:06:00to

01:06:00pick

01:06:00up

01:06:00Lily

01:06:09Troy

01:06:09and

01:06:10Regan

01:06:11what do you know about their relationship?

01:06:13There isn't one

01:06:13they hardly know each other

01:06:15yes

01:06:16given the hostility between your families

01:06:18how far back does that go?

01:06:21what do you mean?

01:06:22Troy and Regan

01:06:22did they know each other when they were young?

01:06:24I told you

01:06:25after Rosalie came back here

01:06:27we didn't have much to do with each other

01:06:29well I was busy with Troy

01:06:31trying to make a go of the farm

01:06:32and Rosalie was busy

01:06:34snagging herself a rich young husband

01:06:37different worlds

01:06:39and then there was the conflict over the rail

01:06:41oh Rosalie always had to get away

01:06:43no matter who she hurt

01:06:45I guess that almost counts as a motive

01:06:48what?

01:06:49you seem determined to prove that you have one

01:06:53Troy McKelvey's here

01:06:54he wants to talk

01:06:58but whatever mum might be saying

01:07:00she didn't kill Rosalie

01:07:02how can you be so sure?

01:07:04well

01:07:05she's pretty fit for her age

01:07:06but it's still a big ask isn't it?

01:07:08to think that she could climb onto a train

01:07:11attack Rosalie

01:07:11throw her off the back

01:07:12and then

01:07:13jump off

01:07:15all in a matter of minutes

01:07:16well you seem to have a very clear idea

01:07:19of what happened

01:07:20do you want to tell us about the murder weapon too?

01:07:23well how about I tell you that we believe

01:07:25it was a length of sawn off rail line

01:07:28the likes of which were lying around on your farm

01:07:31that Bridget would have had access to

01:07:32she also had a motive

01:07:34so did I

01:07:36doesn't prove anything

01:07:37well it could be either of you

01:07:39could be both

01:07:41were you working together?

01:07:43no

01:07:45I was in the paddock

01:07:48Jock saw me

01:07:49you remember?

01:07:50I do

01:07:51so unless you want to change your story

01:07:54Bridget will remain in custody

01:07:57why don't you tell us about your relationship with Regan Barnes?

01:08:01there is no relationship

01:08:03well you've been seen near each other

01:08:05multiple times recently

01:08:07today for example

01:08:09when I saw you waiting outside her house

01:08:11picking her up from the council offices yesterday

01:08:13we hung out a few times that's all

01:08:15you dated?

01:08:18Regan pulled a pin long before it got close to that

01:08:20because her mother disapproved?

01:08:24Rosalie interfered?

01:08:26Regan called time?

01:08:28and how did that make you feel?

01:08:30angry?

01:08:33no

01:08:34it wasn't like that

01:08:35so why have you been trying to see her?

01:08:37the woman just lost her mother

01:08:39I was offering her condolences

01:08:42that's all

01:08:44nothing concrete to charge him with?

01:08:47hopefully his concern for Bridget will keep him close by

01:08:49Mike?

01:08:51Gina

01:08:55I brought you this

01:08:56oh

01:08:57the love train

01:08:58a trans-siberian journey into the heart of Russia

01:09:01you were so interested yesterday

01:09:03the translation is poor

01:09:04but the story

01:09:05oh well

01:09:06thank you

01:09:09actually

01:09:11are you free tomorrow morning?

01:09:13for you?

01:09:14yes of course

01:09:14work or pleasure?

01:09:16well it's a bit of both

01:09:17let's call it field work

01:09:19I look forward to it

01:09:25what?

01:09:26I said it was work didn't I?

01:09:39I say that

01:09:41well you better get it in there

01:09:42quicker this

01:09:50so romantic

01:09:52steam travel

01:09:53thank you for this Mike

01:09:55I'm taking you off my bucket list

01:09:58I'm taking you off my bucket list

01:09:59I'm taking you off my bucket list

01:10:41Right, this is where the work part of the trip begins.

01:10:47Okay, start the train up again, same speed as the other day.

01:10:51I'll tell you when to stop.

01:10:52Roger that.

01:10:53Yeah, I'll roger that too.

01:10:55Yes, I'll roger that too.

01:11:10Yes, I'll roger that too.

01:11:18Yes, I'll roger that too.

01:11:19Regan's not at home and she's not answering her phone.

01:11:21Could she be ashamed of Griffin's more funeral plan?

01:11:24Chalmers checked, they were supposed to have a meeting but she never showed.

01:11:27Still no answer.

01:11:29Is this like her?

01:11:30Not the first time she's taken off to get her head together.

01:11:33Stop here please.

01:11:33What?

01:11:35No, no, not you.

01:11:35Keep looking.

01:11:36I've got to go.

01:11:44There are better spots for a picnic further back.

01:11:48Eight minutes.

01:11:49Mike, if this is all you needed to calculate, I could have done it with simple mathematics.

01:11:54If a train leaves point A traveling at X kilometers per hour.

01:11:59Ah yes, but what would happen if a person jumped from a moving train traveling at X kilometers per hour.

01:12:05I think this is not a hypothetical question.

01:12:08If they were fit and strong in their role on landing, they could survive jumping from a moving train with

01:12:15no injuries.

01:12:16Still need to clear the fence and make it to the paddock though, to be seen from Jock's house.

01:12:22You'd better do it then, for scientific accuracy.

01:12:32Oh, move a bit slower. Imagine you're carrying a heavy murder weapon.

01:12:36I often imagine this for my job.

01:12:41Mike, some of these fence posts are made of iron.

01:12:45A very particular iron.

01:12:49Yeah, and a person of interest was seen here on the day, mending the fence.

01:13:07Oppa!

01:13:09Gotcha.

01:13:10Gotcha.

01:13:29Just listen to me, Regan.

01:13:31I can't.

01:13:32I can't.

01:13:33Call Simms.

01:13:34Get back up here now.

01:13:39Put the knife down, Regan.

01:13:42That's a good idea, Regan.

01:13:44You have to help me.

01:13:45He killed my mother.

01:13:46Yeah, that's the conclusion I came to.

01:13:48You have to arrest him.

01:13:49Take him away.

01:13:50He's dangerous.

01:13:51I can certainly take care of things from here.

01:13:54Regan, put the knife down, please.

01:13:55You have to arrest him.

01:13:57I will, but I can't do that until you put the knife down.

01:13:59You won't let him get away.

01:14:01Backup's on the way.

01:14:02You're not going anywhere, are you, Troy?

01:14:05Except jail.

01:14:06Regan.

01:14:10Regan.

01:14:11Regan.

01:14:13Regan.

01:14:16Regan.

01:14:17Regan.

01:14:18What are you doing?

01:14:19No.

01:14:19No, it was him.

01:14:20He killed her.

01:14:21But he didn't do it alone.

01:14:23Regan Barnes, I'm arresting you as an accomplice in the murder of Rosalie Barnes.

01:14:27So you have the right to remain silent.

01:14:28You do not have the right.

01:14:29No.

01:14:30I didn't do it.

01:14:31Give it up, Regan.

01:14:33Give it up.

01:14:35This ain't no point lying anymore.

01:14:45I'm going to take your handcuffs off of you now.

01:14:56I don't have to say anything, remember?

01:15:06It was always about her.

01:15:08Everything was always about her.

01:15:10She never put me first.

01:15:12That's what mothers are supposed to do.

01:15:13They're supposed to put their daughters first, but she never did.

01:15:16She was selfish.

01:15:18And she used people.

01:15:20Everyone.

01:15:21Me.

01:15:22And...

01:15:23And Dad.

01:15:24And Bridget.

01:15:26And...

01:15:26And everyone.

01:15:29Why?

01:15:34The psych team are on their way.

01:15:36What color were your love design?

01:15:41What songs did she sing to you in the night?

01:15:46Did she comb your hair and tie it up?

01:15:50When she looked at you, did she see herself?

01:16:05Take me to the place where you grew your home.

01:16:19It took me a while to figure out how you did it.

01:16:23For starters, how did you know that Rosalie would be in the cubicle when the train stopped?

01:16:27And then I realized...

01:16:29Regan knew.

01:16:31She got sent to run sheet by mistake.

01:16:36The only place to change is at the front of the carriage.

01:16:39There's a cubicle.

01:16:39That's where she'll be.

01:16:41You knew enough about Lily's protest to know where she would stop the train.

01:16:46So you lay in wait.

01:16:51You wanted Rosalie's death to look like an accident.

01:16:54So your weapon matched the rails that Rosalie would fall on.

01:17:09Lean, with everyone preoccupied by the protests, you made your move.

01:17:16Oh, fortune tell them, don't tell me too much.

01:17:48What you didn't know is that Bridget saw you.

01:17:53What?

01:17:53She was there.

01:17:55She saw it all.

01:18:08You then hid in the cubicle, quicker to train to Old Creek Paddock than to run.

01:18:22Making it in time to be seen by Jock at 3pm.

01:18:25You returned later to conceal the murder weapon, having welded it back to the rail.

01:18:44Buried, it became part of the fence line.

01:18:55Smart guy, aren't you?

01:18:56To be fair, I didn't have it all figured out.

01:19:00I mean, I could see what your motive would be.

01:19:03But Regan, why would she have wanted her mother dead?

01:19:09Look, I've never seen you like that before.

01:19:14Completely out of her mind.

01:19:20You shouldn't be here.

01:19:21The police think I had something to do with her.

01:19:23Yeah?

01:19:24Well, showing up here is not going to make you look more innocent.

01:19:26Well, what do I do?

01:19:29Regan, listen to me.

01:19:31The cops think it was mum.

01:19:33I've arrested her.

01:19:34What?

01:19:35She's letting them think it was her.

01:19:39I tried to talk to her.

01:19:42Talk some sense and she wouldn't listen.

01:19:44What the hell is the matter with you?

01:19:45But that's good.

01:19:46If she's prepared to take the blame, that's good.

01:19:48Look, I can't do that to mum, I can't.

01:19:50But if Bridget's already convinced...

01:19:51Look, it doesn't matter.

01:19:54I'll leave you out of it, I promise.

01:19:56What?

01:19:56The cops don't need to know you had anything to do with it.

01:19:59It's just me.

01:20:00No, they'll know.

01:20:01They'll work it out.

01:20:02You'll say the wrong thing.

01:20:03Please, don't...

01:20:04Look, they will believe me.

01:20:06For mum's sake.

01:20:15Make them believe you.

01:20:17Show them how desperate you are.

01:20:22I'll help you.

01:20:23Put the knife down, Regan.

01:20:24Put the knife down.

01:20:25Come on, put the knife away, Regan.

01:20:27She wanted you to look guilty by taking your own life.

01:20:31That's a rather extreme suggestion.

01:20:34It's the only way she could trust me not to drop her in it.

01:20:37Rosalie disapproved of your relationship.

01:20:40You see, that's the bit I couldn't understand.

01:20:44Until I spoke to Bridget again.

01:20:47The photo of Troy as a baby, it was taken at a maternity hospital.

01:20:52In Poland, I told you.

01:20:54I saw a similar photo yesterday.

01:20:56Same curtain, same pictures on the wall.

01:20:58Same baby.

01:21:00Only the woman holding him was Rosalie.

01:21:03So?

01:21:04She was there on the day?

01:21:06Of course she was.

01:21:08She was wearing a hospital gown.

01:21:10And a patient bracelet.

01:21:12The last letters of your name were clearly visible.

01:21:15It was Rosalie who gave birth, but to the hospital was Bridget McKelvey.

01:21:19It was your name on the birth certificate.

01:21:23Who were we hurting?

01:21:26I wanted a child.

01:21:29And Rosalie wasn't ready to be a mother.

01:21:32Never really was.

01:21:34Ask Regan.

01:21:35Did Troy know all this?

01:21:37Oh, Aunt Regan must have told him.

01:21:40She came to me in a state a few weeks back.

01:21:43Is it true?

01:21:44What?

01:21:45Well, my selfish cowardly mother said, is it true?

01:21:47I finally find a decent man.

01:21:49And Mom has to ruin it.

01:21:51She can't stand to send anyone else happy.

01:21:53Least of all me.

01:21:54She just has to hold it all for herself.

01:21:56All the attention, all the love.

01:21:58She's just sick.

01:21:59Regan, listen.

01:22:00No, just tell me.

01:22:01Is it true?

01:22:03Is Troy my brother?

01:22:16If it were up to me, Troy would never have known.

01:22:21He's mine.

01:22:23And that's all that matters.

01:22:27Regan obviously told you.

01:22:30And you didn't say anything to Bridget.

01:22:34It didn't change anything between us.

01:22:37But it changed everything with Regan.

01:22:40She told me at the pub, and yeah, she was a little dark on it.

01:22:44Hey.

01:22:47If Rosalie had been a better mother to her, she might have been able to let it go.

01:22:54But now something snapped.

01:22:59She was obsessed with getting back at her.

01:23:02And then at a point, she shared her plan with you.

01:23:11Don't bail on me now.

01:23:15We deserve some happiness.

01:23:16So does Bridget.

01:23:19Since we can't be together, we can at least get us all some money.

01:23:22You went along with her plan to frame Shane.

01:23:30Proof of his debt.

01:23:31This will do it.

01:23:32I bloody hope so.

01:23:33You believed that Regan would inherit a large chunk of money from Rosalie.

01:23:39Regan offered to share it with you.

01:23:41Maybe it was enough to clear your debts.

01:23:44Keep Bridget in her old age.

01:23:47What you didn't know was that Rosalie had already committed most of her funds to clearing Shane's rates bill.

01:23:54You killed her for money that was never coming your way.

01:24:16Thank you for her lovely service.

01:24:18May she rest in peace now.

01:24:20Time for a Pimms, I feel.

01:24:23Trains keep on rolling

01:24:31Throughout the little town

01:24:46Lovely, isn't it?

01:24:48How a funeral can bring people together.

01:24:51Funerals and free beer.

01:24:53Excuse me?

01:24:55Put it on my tab.

01:24:57No doubt you're matching what kind of tab you're running.

01:24:59Tell him.

01:25:01Now.

01:25:03Trudy offered me a year of free tab beer

01:25:06because I did a favour for her.

01:25:09Shifting some stolen goods.

01:25:12It wasn't as dodgy as it sounds.

01:25:15And don't think I haven't been keeping track either.

01:25:18Your year's up as of yesterday.

01:25:19Shut up.

01:25:20Excuse me, I don't want to come between you two lovebirds.

01:25:23What the hell is that supposed to mean?

01:25:25Just try to keep it seemly, eh?

01:25:26This is a wake, after all.

01:25:29Another beer?

01:25:30Yeah, I reckon.

01:25:32On your tab?

01:25:33I haven't got a bloody tab.

01:25:34What's that one?

The Brokenwood Mysteries S12E04 (2026)

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