00:04What's the music?
00:05What's the music, brother?
00:07Look, you have to get to the door
00:09when you get there and you turn the radio
00:12In Escobar el Patrón del Mal
00:14Candonga became one of the men of the trust
00:17of the chief of Medellín
00:19Baby O'Chili
00:21and Don Pablo
00:23I personally told you that I was taking care of that mission
00:26and that mission I was going to fulfill
00:31But do you know where this caleño
00:34that interpreta one of the sicarians
00:36the most temed one of Pablo Escobar
00:38How do you start to do
00:42to act for a love?
00:45Well, it was really not for a love
00:47For a woman
00:48Yes
00:49I was...
00:51my mom had already finished school
00:53my mom didn't want to have in the house
00:56for a year
00:57I was not doing anything
00:57and nothing
00:58I was going to get into a school
01:00I got to go
01:01I was going to go
01:02I was going to go
01:06I was going to go
01:06I was going to go
01:07I was going to go
01:07and I was going to go
01:07and I asked me
01:09how was the
01:11the moment there
01:12in the group
01:12I said, well, that's good
01:13how long
01:14I was going to go
01:14I was going to go
01:17and I was going to go
01:19to the house
01:21where the theater was
01:22and I loved it
01:24and I was going to go
01:24and I was going to go
01:25how long did you go
01:26that relationship?
01:27It took about six months, I think, until one day I met with a friend who told me to go
01:34to the University of Valle,
01:36which was where I studied my career in Dramatical Art.
01:39And I discovered that it was a great art and that it was what, in another way,
01:46was filling my heart and passion in that moment.
01:52My job never was to do television, I watched TV and said it was like,
01:56it was a good day to do it, but when I came to Bogotá,
02:01it was because I was a rubian, one day I called and said,
02:04I have a new project for the American theater called Pinochet Frankenstein,
02:08there is a person there that I want to do that.
02:14They called me Caracol, they wanted to work with the mafia.
02:19You said, why?
02:20Because you are the mayor,
02:21además, deje la abogada,
02:22que no nos va a disparar por el teléfono.
02:24He was a personage,
02:25que se llamaba Uña,
02:26de las muñecas,
02:27y bueno,
02:28sí, era un traqueto estúpido.
02:30Pero actuar no es el único talento que tiene este joven de 32 años.
02:34Yo desde muy pequeño,
02:36digamos,
02:38estudié en el conservatorio en Cali,
02:40hice unos cursos de guitarra,
02:42estudiaba técnica vocal.
02:44Julián es cantante de hardcore metal.
02:46Tenía una banda en Cali que se llamaba El Moan,
02:48nos iba muy bien.
02:50Ahora,
02:50el guitarrista de la banda y yo estamos empezando un nuevo proyecto,
02:54estamos maqueteando nuevas canciones.
02:55Aunque usted se impresione viéndolo cantar así.
03:06O actuar así.
03:07Cuando el ángel esté despegando,
03:09que esté volando,
03:10entonces vos le di los botoncitos que están acá.
03:12Sólo tiene un sistema de grabación y listo,
03:14cuando lo tenemos.
03:15Lo que tiene este artista es que es polifacético.
03:18Y pronto podríamos verlo en un rol totalmente diferente.
03:21Por ahora,
03:22hay proyectos,
03:23hay unos castings que he hecho,
03:24esperemos a ver que salga.
03:26Y son castings para comedia,
03:27entonces,
03:28sobre todo eso me gustaría mucho pues,
03:30para quitarse un poco el peso de lo que vengo haciendo en Pablo,
03:33que es una vaina como tan pesada y como de tanta violencia.
03:39Pensando en lo que me decía mi mejor amiga,
03:41que se llama Carmela Belandia,
03:43yo creo que después de esta entrevista ya
03:44si no van a poder decir,
03:45¿y ese por qué es que es famoso?
03:47Mi cuenta de Twitter es
03:49arroba ilgato,
03:50i ll gato,
03:52y pueden seguir allí,
03:53ahí yo pongo cosas de música,
03:55ahí hay varias cosas mías,
03:56y bueno nada,
03:57un saludo para todos,
03:58sigan viendo la red y sigan conectados con el canal Caracol.
04:07Gracias por ver el video.
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