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  • hace 2 días
Reparto: Alfredo Landa, Esperanza Roy, Paca Gabaldón, Gracita Morales, Mari Carmen Prendes, Florinda Chico, Antonio Ozores, Tomás Zori, Tony Valento, Alfonso del Real, Eva León, Adrián Ortega, Rina Ottolina

Dirección: Mariano Ozores

Sinopsis: Saturnino del Olmo es el "chico para todo" del pueblo. Realiza los trabajos más variopintos, desde poner inyecciones hasta arreglar la campana de la iglesia, y no descansa desde que se levanta hasta que se acuesta. Lógicamente, al llegar a la cama cada noche sólo desea dormir, cosa que no agrada demasiado a su esposa Elvira, la cual, desesperada, intenta sin éxito mil y un trucos para que se fije en ella. Un buen día, Saturnino recibe el encargo de ir a Madrid a comprar un toro, y con dicho motivo se le conceden dos semanas de descanso en dicha ciudad, las cuales podrá aprovechar de la forma que más le apetezca. Lo primero que hace Saturnino al llegar a su apartamento es meterse en la cama a dormir, pero diversas peripecias le sacan de la cama y le llevan al Show de la elección de Miss España '74.
Transcripción
00:00:14The door that gets stuck
00:00:50I've gone too far
00:00:51Saturnino! Fix my tractor!
00:00:53Yeah!
00:00:55Saturnine!
00:00:56That?
00:00:57Fix my leaky roof!
00:01:04Saturnino! The lamppost in the square!
00:01:07Saturnino! The electric iron!
00:01:09I'm coming!
00:01:10When this is over!
00:01:12Saturnino! Help me throw!
00:01:14Saturnino! Fix my fuses!
00:01:17Saturninus! Dig up the hatchet for me!
00:01:20Saturnino! Fix my carts!
00:01:22Saturninus! The cesspool!
00:01:25Saturnino! The bell tower ropes!
00:01:27Saturnino! Skin the dog for me!
00:01:28Saturnino! Lock up the cat!
00:01:34Saturnine!
00:01:36Fulfill your duty as a husband!
00:01:39And a ham!
00:01:58Saturnino! Ah! I'm coming!
00:02:43Thanks for watching the video.
00:03:11Thanks for watching the video.
00:03:41Thanks for watching the video.
00:03:44Thanks for watching the video.
00:04:44Thanks for watching the video.
00:05:10Thanks for watching the video.
00:05:19Thank you.
00:06:27That?
00:06:57That?
00:07:02That?
00:07:03Well, we know you don't care about women.
00:07:06All except mine.
00:07:07Okay, and less talking, I'll wait for work.
00:07:08How am I going to help you with...
00:07:10What are you hooking up with?
00:07:11So, by putting this...
00:07:12Dark.
00:07:15Dark?
00:07:17Close the windows?
00:07:18And the girl isn't coming, Memo.
00:07:20It needs to be made psychedelic.
00:07:50Ah, I see.
00:07:51Then the city council subsidizes us.
00:07:53We need to get up to European standards.
00:07:55Look, look.
00:07:57Look how nice she is, look.
00:07:58But with light, well, there's nothing to be done.
00:08:00There are girls when they take the dark.
00:08:02I'm going to turn purple.
00:08:10Saturnine?
00:08:11Yeah.
00:08:12And this is German?
00:08:14Clear.
00:08:15And do they understand it in Germany?
00:08:17What do you mean, yes?
00:08:18If you want to go work there, you'll have to learn it.
00:08:20But they do seem angry.
00:08:23No, women.
00:08:23This system was invented in the Rhineland.
00:08:26And he must be a Rhenish German.
00:08:29And what does "Rhenish" mean?
00:08:30Renano must be a very small dwarf.
00:08:34Okay, okay, okay.
00:08:35Come on, no jokes, okay?
00:08:37Look.
00:08:39Repeat what I tell you, okay?
00:08:43Eute jibdes gutes peter.
00:08:49Did you understand?
00:08:50Of course not, Saturnino.
00:08:52Well, that's clear.
00:08:54That means, the weather is nice today.
00:08:58Nothing else?
00:08:59Do you think that's not enough?
00:09:00Look, you arrive in Frankfurt by plane.
00:09:03You get out and dump the first person you see.
00:09:05Eute jibdes guten better.
00:09:10And he'll surely tell you,
00:09:14Eute jibdes guten better.
00:09:17Yes.
00:09:17Hey?
00:09:19Ace.
00:09:19Let's see.
00:09:20Gester.
00:09:21Ace.
00:09:22Is.
00:09:23Geregne.
00:09:25It means, today yes, but it rained there.
00:09:28Look, Saturnino, I'll think about it.
00:09:31I was going to go to Germany because I have a cousin there.
00:09:33But since I have another cousin in Jerez de la Frontera, I'm going to study Andalusian, which will be easier for me.
00:09:38Eh, eh, eh.
00:09:39Pink.
00:09:40Bow.
00:09:41With your eight hundred a month I pay the vacuum cleaner bill.
00:09:45We won't tell my mother anything.
00:09:47I come here at night and we'll do whatever you want.
00:09:50Look, Rosa, the thing is, at night all I want to do is sleep.
00:09:57Do you understand?
00:09:58I know, I know, Saturnino.
00:10:00Why do you think my mother lets me come here?
00:10:02Because he says there's no danger with you.
00:10:05See you tomorrow, I'll bring photo novels.
00:10:18Hey, Saturnino.
00:10:22Saturnine.
00:10:26Saturnine.
00:10:27What's going on? What time is it?
00:10:30Around one o'clock.
00:10:31Sorry, kid.
00:10:32I saw a light at the agency and I said to myself, only Saturnino can fix this.
00:10:36Around one o'clock.
00:10:37And I have to get up early tomorrow.
00:10:40And what do I do with the blanket?
00:10:43What's wrong with him?
00:10:46Well, you see, I don't know if it's the electricity, but I can't sleep.
00:10:49I just keep going around in circles.
00:10:51Maybe it's the posture.
00:10:53How do you wrap yourself up in this?
00:10:55You'll see.
00:10:58Well, one thing is certain.
00:11:00I know that a decent tobacconist like me shouldn't be doing this, especially not at this hour.
00:11:05But with you...
00:11:08Yes, of course, with me.
00:11:10Hey, you know this has to be really comfortable?
00:11:13How could my wife not have bought it?
00:11:17Come on, make room for me.
00:11:23Well, it's very warm.
00:11:24Yeah?
00:11:25Yeah.
00:11:27First, plug it in.
00:11:29It is, it is, it is, it is.
00:11:31I'll plug it in.
00:11:32Yeah.
00:11:35But what are you doing?
00:11:37Plugged in.
00:11:39And then, the power is regulated.
00:11:42Regula, Ana.
00:11:43Look, it's done.
00:11:45And now?
00:11:45How do you feel?
00:11:48It's a kind of tickling and head-dropping sensation.
00:11:57Hey Encarna, now that we're all snuggled up together, so nice and cozy, can I give a little nudge?
00:12:13Hey, no, my bed is softer.
00:12:16Encarna.
00:12:17I'll leave you with the blanket.
00:12:18I'm very sleepy.
00:12:19I'll come for it tomorrow.
00:12:20Oh, no, no, no.
00:12:53Don't worry, sir.
00:12:55This one, sir!
00:12:56There it goes, there it goes, there it goes!
00:12:57But Saturnino!
00:12:58Callao!
00:12:59This guy is asleep as usual.
00:13:00One of these days he's going to get ripped apart.
00:13:01Or he'll disembowel one of us.
00:13:04He seems silly.
00:13:05Go on, Pablito, son.
00:13:06Take us to that place.
00:13:07Go on.
00:13:08Yes, Pablito, yes.
00:13:09What do you see?
00:13:10Oops!
00:13:10You can see it all.
00:13:12But are you sure about tonight too?
00:13:13Nightly.
00:13:14Well, the tanker is like a train.
00:13:16Okay, so why is she seen getting out of bed?
00:13:18Because it doesn't have a pear.
00:13:20What is that fool saying?
00:13:22They let the same man through, this poor kid who got caught.
00:13:25Come on, explain it to me.
00:13:26What's that about the pear?
00:13:27That the tobacconist.
00:13:28It doesn't have a light bulb.
00:13:30It's right next to the door.
00:13:32And besides, she sleeps with the window open because she bought a blanket that gives off a lot of heat.
00:13:37And when he goes to bed, he has to go from the bed to the door to turn off the light.
00:13:42Well, look, I had a pear.
00:13:43Just like his mother made him into the world, Paco.
00:13:45No, this guy, instead of being the village idiot, is a real jerk.
00:13:48Let's go, let's come.
00:13:50Don't wake the chickens.
00:13:52Because?
00:13:53Because they cackle.
00:13:54Come on.
00:13:58Throw those stairs away.
00:14:00I plant all the millets myself.
00:14:01So there you have it, the person next to you was an idiot.
00:14:04Pisa.
00:14:20That's the window.
00:14:24Now she'll throw away the little gown.
00:14:28Now, a shoe.
00:14:34Now the other one.
00:14:39Now he's going to turn off the light.
00:14:40Prepared.
00:14:47And nothing else?
00:14:49Well, I didn't see anything because it caught me blinking.
00:14:52It seems like little.
00:14:54And do you think that's quite unfortunate?
00:14:58Of course, because I'll provide the rest from here.
00:15:02Alright, goodbye.
00:15:05And this, is this what we came to see?
00:15:08Is this what you kept me up until this hour for?
00:15:10I didn't know.
00:15:12I didn't know, I didn't know.
00:15:12You can't be as stupid as you are, man.
00:15:14Look at my ears, I mean, my dark circles, man.
00:15:16What do you want?
00:15:17What do you want?
00:15:17What do you want?
00:15:17Was he the fool?
00:15:18And now, with how smelly your feet are when you go downstairs, you'll see.
00:15:20My deodorant has finally abandoned me at this hour.
00:15:23Would you like some dinner?
00:15:24No, no, no, no, no, no, no.
00:15:26I'm exhausted.
00:15:27I'm having a terrible day.
00:15:33At last.
00:15:36It's so nice here.
00:15:41Sato.
00:15:43Sato.
00:15:47Please, Elvira.
00:15:49I'm dying of laughter.
00:15:51The girl.
00:15:53Your wife.
00:15:55She's waiting for you in bed.
00:15:56Yes, I know, I know.
00:15:58But I have to get up at six thirty.
00:16:00And there are more than two.
00:16:02And the bond?
00:16:04Are we husband and wife?
00:16:06Please, Elvira.
00:16:08Not tonight, okay?
00:16:11But we've been like this for more than three months.
00:16:14And one is a young woman in love with her husband.
00:16:16But you don't understand that I'm sleeping about four hours a day.
00:16:20You are selfish.
00:16:21These things are thought about before getting married.
00:16:23You have a duty.
00:16:25And you treat me like a piece of furniture.
00:16:26You think of nothing but sleeping.
00:16:28Saturnine.
00:16:30Saturnine.
00:16:32Can't you hear me?
00:16:33Saturnine.
00:16:35Righteous men.
00:16:37Selfish.
00:16:43Nerves aren't doing well.
00:16:45That's why I'm here, doctor.
00:16:47You're fine, Elvira.
00:16:49And Saturnino?
00:16:51He's a wild beast.
00:16:53He works all day.
00:16:55Eat, sleep, sleep, sleep, sleep, sleep.
00:16:58But he just sleeps.
00:17:00Ah, I see.
00:17:02As a married man with a large family, I would dare to advise you to worry more about your physical appearance.
00:17:10I don't know if I'm making myself clear.
00:17:12I'm not feeling well.
00:17:13Should I gain weight?
00:17:14No, no, you're doing great.
00:17:16But presentation is important.
00:17:19Perfume, low light, a suitable nightgown.
00:17:24Our children have always come here because of those things.
00:17:28I assure you that this way, no matter how sleepy you are, you'll wake up.
00:17:33Already.
00:17:35I think I understand.
00:17:38I don't understand what you're doing.
00:17:40But all of this seems immoral to me.
00:17:42These are the doctor's orders.
00:17:44In my day, pills were prescribed for our vulgarities.
00:17:49With your other husbands you didn't need to resort to all this.
00:17:54The others had more of a calling.
00:17:56When Saturnino sees what I have prepared for him, he'll die.
00:18:00You'll see.
00:18:02The best thing would be to scare him.
00:18:05I can take your first husband's hunting rifle and force him...
00:18:11Oh no, Mom.
00:18:12With this erotic atmosphere, Saturnino won't fall asleep on me.
00:18:16And leave me alone, it's about to fall.
00:18:17No, no, Mom.
00:18:48Is that okay?
00:18:49Hello, Saturnino.
00:18:51Hi, Elvira. Something smells strange.
00:18:54Have you noticed?
00:18:55How could I not notice? No tide.
00:18:59Have you disinfected the room?
00:19:01Perfume. Hawaiian Nights.
00:19:04Look, it smells like the girl.
00:19:06What a stench, Elvira. If you don't open the balcony, I won't be able to sleep tonight.
00:19:11That's what it's all about.
00:19:13Hey, what a short nightgown. Hopefully you'll catch a chill.
00:19:18It's important, you know?
00:19:20A woman should never neglect herself in order to always be attractive in front of her husband.
00:19:24You are always attractive without having to resort to such indecent things.
00:19:28Do you think this is indecent?
00:19:32What I do think is a good idea is that you put up a red light.
00:19:34Thank you so much for thinking about my dreams.
00:19:42How nice it is to be in bed with this relaxing light!
00:19:48How relaxing?
00:19:53Don't you notice how my hair is caressing you?
00:19:56Yes, they tickle me.
00:19:59But it's better for me, because tickling helps me fall asleep.
00:20:04You won't go to sleep.
00:20:06What do you want me to do?
00:20:07Oh, man! Watch your feet!
00:20:09Don't put your feet on my belly, they're too cold!
00:20:12Oh!
00:20:15Saturnine!
00:20:15I've read the Kama Sutra!
00:20:18The Kama Sutra?
00:20:19So what? Is it a new spring mattress?
00:20:22It's a book that says there are a thousand ways to make love.
00:20:25Thousand?
00:20:26And is there anyone who has practiced them and lived to tell the tale?
00:20:30And I've already learned twelve.
00:20:32I'm so smart!
00:20:33Well, you can tell me tomorrow.
00:20:38This is the last straw!
00:20:49Well, see you Saturday, Margarita.
00:20:51Goodbye, man.
00:20:52Hey, and don't bring me any more sugar packets.
00:20:54How could you tell me you didn't mind if I paid you in kind?
00:20:56Yes, son, but I'm going to end up diabetic.
00:20:58Oh, and see if you can bring me a kilo of coffee to mix with the sugar, okay?
00:21:01Alright.
00:21:03Annoying.
00:21:04I'm sorry, but I don't need beauty products.
00:21:06May I come in?
00:21:08Okay, come in.
00:21:15Good.
00:21:16Will you go?
00:21:18Come and tell her about my husband.
00:21:20Good heavens!
00:21:21Her husband must be quite grown up by now.
00:21:22And if he comes here, it's because he wants to.
00:21:24It's not my fault.
00:21:26It's not what you think.
00:21:28Who is her husband?
00:21:31Saturnine.
00:21:31The one from the warehouse in the square.
00:21:33Saturnine!
00:21:34Good boy.
00:21:35Very clever.
00:21:37Serious.
00:21:37Worker.
00:21:38But you're wasting your time.
00:21:40Her husband has never come here.
00:21:42I already figured as much.
00:21:45I'm here for something else.
00:21:47I want to ask for your advice.
00:21:49Advice for me?
00:21:50About what?
00:21:52You're not trying to compete with me, are you?
00:21:54This town is too small for two wayward girls.
00:21:57No, please.
00:21:59It's nothing like that.
00:22:03Anise?
00:22:04No, thanks.
00:22:06Just say whatever it is.
00:22:09My husband falls asleep on me.
00:22:11Already.
00:22:12You see it and it makes you sleepy, doesn't it?
00:22:16Something like that.
00:22:18Always?
00:22:21For about three months now.
00:22:23Nothing.
00:22:25Nothing at all?
00:22:28Dream.
00:22:29I've already told him.
00:22:31And I thought that you, who have experience,
00:22:34Could you tell me what I have to do to stay awake for a little while?
00:22:39Saturnino can have a little friend.
00:22:41Do you think so?
00:22:42He arrives home fed up.
00:22:45Do you understand?
00:22:46I don't buy the idea of ​​someone just sleeping for no reason.
00:22:50You can give everything except sleep.
00:22:54That's what I was saying.
00:22:56But what about the little friend?
00:22:57I find that hard to believe.
00:22:59Isn't he a little effeminate?
00:23:00My Saturnino?
00:23:03Impossible.
00:23:03Oh, don't vouch for anyone.
00:23:07Saturnino from the opposite sidewalk?
00:23:09I don't believe it.
00:23:11But...
00:23:12Do you think there could be another woman?
00:23:13Ah, daughter.
00:23:15I'm not guaranteeing anything.
00:23:16But according to you, things aren't going well, right?
00:23:20So, what do you advise me to do?
00:23:22Keep an eye on him.
00:23:23Look for the reason for their indifference.
00:23:26I can only assure you of one thing.
00:23:28Her husband has never come here.
00:23:30I know Saturnino because one day he fixed my light switches.
00:23:34Alright.
00:23:36I'll keep an eye on him.
00:23:50And there is one.
00:23:51And he just walked in.
00:23:52He's a cynic.
00:23:57Mom, another one.
00:23:59But that man is a beast.
00:24:01That's why he's always dead tired.
00:24:02Clear.
00:24:03He's a scoundrel.
00:24:04And they date them two by two.
00:24:13Don Castro's wife.
00:24:15This is the last straw.
00:24:17That's how she takes the bed.
00:24:19Three, Mom.
00:24:20Three.
00:24:20I never thought Saturnino would have so much stamina with the few breasts he has.
00:24:25Sign here.
00:24:28Here's this Julia donut.
00:24:30Have all the books arrived?
00:24:32Fuchsia colors too.
00:24:33Yes, yes, yes.
00:24:33Here they are.
00:24:34I believe these are the ones you requested.
00:24:35I'll check the color at home.
00:24:37Very good.
00:24:38Thank you, Saturnino.
00:24:39Thanks to you, my house is full of triumphs.
00:24:41But do you read the books?
00:24:42Unclear.
00:24:43But you know that a book helps you succeed.
00:24:47Goodbye, Doña Julia.
00:24:52Lots and lots.
00:24:53Well, look, I'm sorry I'm not a regular customer, you see.
00:24:57Well, excuse me.
00:24:59Maybe the night isn't for them.
00:25:01I didn't leave him alone for a moment.
00:25:04And as soon as you let your guard down, I'll catch you and kill you.
00:25:08Ah.
00:25:10Let him go with her.
00:25:11Everywhere.
00:25:12That's it, that's it.
00:25:13And at the first stop, a scumbag.
00:25:17I'm sorry, but the "zurraspa" thing came out looking really vulgar.
00:25:24I'll hold the blowtorch for you, my love.
00:25:26Ah.
00:25:27Be careful, don't get burned.
00:25:30I think it's silly that you have to accompany me everywhere.
00:25:32Ah.
00:25:33That's how it should be.
00:25:35The wife should accompany her husband in happiness as she does in plumbing.
00:25:39By the way, Saturnino.
00:25:41Why don't you put down the blowtorch?
00:25:43And we lay down for a little while.
00:25:45No, I'm not tired.
00:25:46Furthermore, this needs to be finished.
00:25:48Ah, ah.
00:25:49Don't bother me.
00:25:50We have to finish this, man.
00:25:51Okay.
00:25:52I warn you that these things don't always have to be done in a specific place.
00:25:55Hey?
00:25:55What things?
00:25:57Well, things like that...
00:25:59Oh, son!
00:26:00Those things that moms and dads do.
00:26:02Hey?
00:26:02Yes of course.
00:26:03And in the meantime, who's driving the van?
00:26:05Ah!
00:26:30Elvira.
00:26:39Elvira.
00:26:40Please, once and for all.
00:26:42Let me work in peace!
00:26:43I don't know why I brought you here.
00:26:45Elvira.
00:26:46Elvira.
00:26:46Elvira, what are you doing?
00:26:49Look at that long cable!
00:26:50No!
00:26:50No, no, no!
00:26:51No, not that one!
00:26:52Cut it out!
00:26:53Ah!
00:26:54Wait, where are you going?
00:26:55Oh!
00:26:56Oh, oh, oh!
00:26:57Wait.
00:26:58Wait, I'm already downstairs.
00:26:59Okay, okay, downstairs.
00:26:59Already downstairs.
00:27:00Wait.
00:27:01Oh!
00:27:02I told you so!
00:27:04I told you so!
00:27:06Oh, oh, oh!
00:27:06Where are you going?
00:27:07Where?
00:27:07The whole body.
00:27:09All?
00:27:09Let's take a little break.
00:27:11But again?
00:27:11What a strange obsession, man.
00:27:12This is Saturnino's doing; he's fixing something.
00:27:15This works with electricity, not candles.
00:27:18Well, we've got nothing to lose by trying.
00:27:19We have nothing to lose.
00:27:21Take.
00:27:21Well, try it, I don't think so.
00:27:23Careful, don't burn the fool.
00:27:25This one doesn't work.
00:27:27Careful.
00:27:27I logged it.
00:27:42Let's go up, come on.
00:27:46Everything will be sorted out tonight.
00:27:47Did you see the look of passion on their faces?
00:27:49He hasn't seen the lady.
00:27:51But the man looked very sickly.
00:28:04See daughter.
00:28:06Already?
00:28:06I'm not going to do it.
00:28:12Oh…
00:28:14Tell her!
00:28:15Say it, say it.
00:28:17Elira, Elira.
00:28:20Hey, do you know you look really beautiful tonight?
00:28:30Saturnino, son.
00:28:31That?
00:28:32If I tell you what I'm thinking, you'll blush.
00:28:35So?
00:28:35I'm broken.
00:28:37Yes, yes.
00:28:37Good night.
00:28:38Yes, yes, yes.
00:28:40Good, Saturnino.
00:28:41Well, after extensive deliberation by the festival committee of this corporation,
00:28:46has decided to delegate an important mission to you.
00:28:51Yeah.
00:28:51The chairman of the board has the floor.
00:28:54Thank you, Mr. Mayor.
00:28:56Young man, on behalf of this town you have been designated to go to Madrid next Friday
00:29:02and arrange for a bull to be fought during the festivities in the plaza.
00:29:05A live bull?
00:29:07Man, he's not going to be dead.
00:29:09No, I don't know.
00:29:10With its horns, its tail, and its ears.
00:29:13The young men here need an animal like that to have fun.
00:29:17It's the custom.
00:29:19This beautiful and unparalleled people has placed its trust in you.
00:29:22You'll be there Friday, Saturday, and Sunday.
00:29:24You'll do the job in a couple of hours.
00:29:27And then you stay there for the weekend to have a fling.
00:29:34Congratulations!
00:29:35Can't Elvira come with me?
00:29:37Well, that wouldn't be well received.
00:29:40And furthermore, budget expenses are increasing.
00:29:43You'll stay in a five-star hotel and have the nights to do whatever you want.
00:29:50Also sleep.
00:29:51Well, if you're into tastes, there's someone for everyone.
00:29:55You can do whatever you want.
00:29:57Sleep, sleep, sleep, sleep, Mr. Mayor.
00:29:59Hey, that's up to you.
00:30:01And you know it, next Friday.
00:30:23Goodbye, dino expenses!
00:30:24Goodbye, dino expenses!
00:30:26Goodbye, dino expenses!
00:30:29Goodbye, dino expenses!
00:30:43Goodbye, dino expenses!
00:30:46Goodbye, dino expenses!
00:30:48Goodbye, dino expenses!
00:31:00Good morning.
00:31:01My name is Saturnino del Olmo and I think I have a room reserved.
00:31:06Yes, sir. The 506.
00:31:09Buttons?
00:31:10Your card.
00:31:11Ah, yes.
00:31:12Please sign here.
00:31:15Listen.
00:31:17The bed will already be made, right?
00:31:19Naturally, sir.
00:31:19Okay, don't wake me up until... until the day after tomorrow, okay?
00:31:25Oh, listen.
00:31:27Where can I buy bulls here in Madrid?
00:31:29Drying heads.
00:31:31Heads and legs and tails and tails and everything.
00:31:33Live bulls to go.
00:31:35I don't know, sir. I'll try to find out.
00:31:38I want it small, but in a biston.
00:31:41I'll keep that in mind.
00:31:42Goes.
00:31:43Please accompany the gentleman. Follow the bellboy.
00:31:46Oh, yes, thank you.
00:31:49Sorry, sorry, aunt.
00:31:55This is life.
00:31:56I'm going to sleep for two days straight.
00:32:01How wonderful, Mother!
00:32:04How wonderful!
00:32:36Go right through.
00:32:38Come in, come in.
00:32:40I haven't told him to come in.
00:32:42That?
00:32:43That?
00:32:46That?
00:32:49That?
00:32:53That?
00:32:54That?
00:32:54Thank you, closing.
00:32:57But, listen.
00:32:59But what does he do?
00:33:00It's out there.
00:33:01Look.
00:33:02That?
00:33:02Look, sir.
00:33:03What do you see?
00:33:04What do you see?
00:33:05Nothing, I'm asleep.
00:33:06What do you want me to see?
00:33:07It's out there.
00:33:08Put Maria in the hallway.
00:33:09Do you understand?
00:33:10Listen, no, but let it be known that I don't care at all.
00:33:12Put Maria in the hallway.
00:33:14Iñaki in the street.
00:33:15Me too?
00:33:15What do I do?
00:33:16Well, go to Pamplona.
00:33:19It's just an idea.
00:33:20This costume is from San Sebastián.
00:33:22Well, give it back to Don Sebastián, yippee.
00:33:24But I'm Miss.
00:33:26And me, mister?
00:33:26I say I've come to the contest.
00:33:28My family wouldn't let me.
00:33:30But I escaped.
00:33:31From a nursing home, of course?
00:33:32No, from my parents' house.
00:33:34And my brothers have followed me.
00:33:35They are the ones out there.
00:33:37Okay, go downstairs and give them a hug from me.
00:33:39They have a few drinks in my honor, and I go back to sleep.
00:33:43Are you calm?
00:33:45And why me?
00:33:46How does he sleep during the day?
00:33:48I don't sleep day or night.
00:33:50I don't understand.
00:33:52But the fact is, my brothers are looking for me.
00:33:55What if they see me leaving a gentleman's room?
00:33:58They are stone lifters.
00:34:00And capable of turning you into a ball.
00:34:03And do 40 lifts per minute with you.
00:34:05If I weren't so sleepy, I might even be worried.
00:34:08But I'm exhausted.
00:34:10Killed.
00:34:11I'm completely exhausted.
00:34:12I entered the Miss Spain competition under a false name.
00:34:15I will only reveal my true identity if I am elected.
00:34:20But if I let them take pictures of me, my brothers will find out and that's it.
00:34:26Goodbye, goodbye.
00:34:27It has been a pleasure.
00:34:28Don't slam the door on your way out, I'll wake up, okay?
00:34:30It wasn't a farewell, it was an exclamation.
00:34:33I just need to be hidden until election time tomorrow night in this same hotel.
00:34:37Do you understand me?
00:34:38Crystal clear!
00:34:39Get into bed and shut up.
00:34:41I need to sleep.
00:34:42Chemari!
00:34:43It's Chemari!
00:34:44If he sees me, he'll kill me.
00:34:45But let it be by strangulation, it will make less noise.
00:34:48He'll break down the door!
00:34:49Oh, what a man!
00:34:57What do you want?
00:34:58Hey, have you seen a girl around here?
00:35:00Uh, I've seen several.
00:35:02Uh, but...
00:35:04But my wife won't let me bring them into the room.
00:35:06Is that all you have to say to me?
00:35:08Well, I can also tell you that a barge used to come down the Nervión River.
00:35:12Rumba, the rumba, the rum.
00:35:13With eleven players, what glory they are for Spain!
00:35:15Rumba, the rumba, the rum.
00:35:17The cannon rumba.
00:35:18Hey?
00:35:19Good morning.
00:35:31What did he say to you?
00:35:33It's because I have very bad hearing and I never remember the songs.
00:35:37Sir, what is your name?
00:35:40Saturnine.
00:35:42I'm sorry.
00:35:43You know, parents' stuff.
00:35:46I, Rita.
00:35:48For many years.
00:35:53Now, I suppose you, being a man at heart, will take advantage, won't you?
00:36:00Yes, Rita, yes.
00:36:02I already knew that.
00:36:03I'm going to take advantage.
00:36:04That's why, since your brother is out there and you can't shout or raise your voice.
00:36:09I'm going to sleep for twelve hours straight.
00:36:12And if she wakes me up, I'll call that Chemarí guy to have her taken to San Sebastián dismembered.
00:36:16Understood?
00:36:17So be careful about making noise, okay?
00:36:19Shhh.
00:36:20Watch out, okay?
00:36:21Shhh.
00:36:22Eye.
00:36:24Eye.
00:36:40Hello.
00:36:41Ah, it's you.
00:36:43I hadn't recognized him.
00:36:44What's wrong with him?
00:36:45Does he always limp?
00:36:46Whenever I wear shoes with a different heel height.
00:36:49It's to mislead.
00:36:50Already.
00:36:51Where are we going?
00:36:51To buy a bull.
00:36:53I've already been told where they sell them.
00:36:55I'll give them to you.
00:36:55Thank you.
00:36:57What's wrong with him?
00:37:14What's wrong with him?
00:37:42Thanks for watching the video.
00:38:12Thanks for watching the video.
00:38:42Thanks for watching the video.
00:39:13Thanks for watching the video.
00:39:27Thanks for watching the video.
00:39:45Thanks for watching the video.
00:40:14Thanks for watching the video.
00:41:10Thanks for watching the video.
00:41:14But do you know how much we've spent?
00:41:17A lot?
00:41:19Half bull.
00:41:20The partygoers will have to put up with a goat.
00:41:24If I win tomorrow I'll buy you a Pablo Romero.
00:41:27Rita, it's about eight in the morning.
00:41:32You're right.
00:41:33We don't have much time left to sleep.
00:41:35Take a rest.
00:41:39I'm going to find this hard to believe.
00:41:45Saturnine.
00:41:46What's happening?
00:41:48What's happening?
00:41:49Thank you.
00:41:51Why would someone else in your situation have tried to collect on the favor?
00:41:55Well, it's just that I...
00:41:56Sometimes it's because I'm asleep.
00:41:59And others because I'm drunk.
00:42:01Do I miss every plan?
00:42:08Thank you so much.
00:42:10Thank you.
00:42:10Good evening, ladies and gentlemen.
00:42:13We are about to begin the final elimination round of the beauty contest to find Miss Spain 1974.
00:42:20Which one will be the winner?
00:42:21Which one will be the most beautiful?
00:42:22We'll know in a few minutes.
00:42:24Because 25 beautiful girls representing as many Spanish provinces are going to parade here before you.
00:42:30I can imagine the jury members will have a very difficult task tonight here.
00:42:34Of course, there are worse ones too.
00:42:36We'll begin in a few moments.
00:42:38But first, I want to introduce each member of the jury individually.
00:42:45With your permission, Paco, I think it would be best if we started with the ladies, wouldn't you say?
00:42:48OK.
00:42:48Well, two stars of film, theater and television.
00:42:53Conchita Velasco.
00:42:55You look great in your latest film.
00:42:58Carmen Sevilla.
00:43:02I just saw your show.
00:43:03Marvelous.
00:43:05Although tonight their mission will be different.
00:43:07It will be to help us choose the most beautiful one from a group of beautiful women.
00:43:10His goal is to make us enjoy ourselves and laugh always.
00:43:13Lina Morgan.
00:43:18Tonight we could have a magnificent orchestration of legs, arms, faces, and smiles
00:43:23with Augusto Algueró.
00:43:27The most prolific of our playwrights,
00:43:30Tonight he's going to change the letters for numbers, for measurements.
00:43:33And I think he's very good at it.
00:43:34Alfonso Paso.
00:43:35And the last shall be first.
00:43:37And now the first are the last.
00:43:40Sometimes it's Goya.
00:43:41Sometimes it's Caesar.
00:43:43But always a gentleman of the stage.
00:43:46Paco Rabal.
00:43:49Well, be amazed at such beauty and give your opinion.
00:43:53Thank you.
00:43:58Come on, girls, we're ready to get started.
00:44:00No extra clothes, but still wearing that.
00:44:02Oh, you still look cute with the stucco, with so much paint.
00:44:06If he doesn't put on a bikini, I'll disqualify him, okay?
00:44:08But what are you doing, man, being so heavy?
00:44:10Oh my God.
00:44:10Come on, smiles, smiles.
00:44:12Come on, come here.
00:44:14Oh, they're still here, they won't go away.
00:44:16They're sinking me, Saturnino, they're sinking me, because if I run I'll win, for sure.
00:44:19I'm the prettiest of them all, aren't I?
00:44:20You're a real piece of work, aren't you?
00:44:22Help me, Saturnino.
00:44:23Yes, yes, yes.
00:44:24If I miss this opportunity, I'll die.
00:44:26I'm going to shoot myself.
00:44:27Not here, you'd fill this place with sawdust.
00:44:29Don't make fun of him.
00:44:30Do something.
00:44:31Let's see, let's see.
00:44:32Wait a minute, I think I've got it.
00:44:33Don't move from here.
00:44:34Not you, no, not you.
00:44:35What number are you wearing?
00:44:35The seven, well you're behind.
00:44:36It's you, can't you see?
00:44:37It broke my heart.
00:44:38Oh, come on, just leave it alone.
00:44:40Just leave them alone and touch them up.
00:44:42Come on, do it.
00:44:43Oh, my number.
00:44:45Come on, in line, I said.
00:44:46In a row.
00:44:48Not you, not here, not here.
00:44:50You, in the eight.
00:44:52Where is the eight?
00:44:52Well, it's right there behind.
00:44:53Well, behind, well, behind.
00:44:54And it's behind, behind.
00:44:55He won't be there.
00:44:56Oh, come on, come on, come on.
00:44:58We're going to start any minute now.
00:45:00Look, push them towards each other.
00:45:02So much so that...
00:45:02Be careful, Iñaki.
00:45:04Come on, come on, it's all laughs, it's all laughs.
00:45:06Make sure your number is clearly visible, okay?
00:45:07The competition is about to begin.
00:45:09The parade begins.
00:45:10Jury members, please be ready to take notes.
00:45:13Very good.
00:45:16You're already in line, good luck.
00:45:18Come on, don't leave me alone.
00:45:19Laughter comes loudly, and the other fish is born with others.
00:45:21Make sure your number is clearly visible.
00:45:25With number one, my Canary Islands.
00:45:29With number two, my Cáceres.
00:45:33My Catalonia does it with the number three.
00:45:37With number four, my Salaman.
00:45:40Number five, my Galicia.
00:45:42Number six, my Almería.
00:45:44With the number seven, my Cordoba.
00:45:46Number eight, my Balearic Islands.
00:45:47And with number nine, my Malaga.
00:45:50With the number ten, my Valencia.
00:45:55With the number eleven, my...
00:45:57This is a bit strange, don't you think?
00:46:02Jury members are requested not to score for the gentleman.
00:46:06Thank you so much.
00:46:09Okay, let's go next time, but let's keep our distance.
00:46:11Hey, no.
00:46:12The organization doesn't suit me.
00:46:14But what did he want?
00:46:15To show off.
00:46:16Leave me alone, man.
00:46:17Listen.
00:46:18Listen.
00:46:19I see him again here.
00:46:21Okay, okay, okay.
00:46:21To the guards.
00:46:23Ah!
00:46:23I've surprised them, I've surprised them, Saturnino.
00:46:26I'm the best.
00:46:27Don't be so modest, Rita.
00:46:28Come on, come on, put on your evening dress, miss, for fate...
00:46:30My brother!
00:46:32Come here, Saturnino, he's killing me!
00:46:33But I said peace to his brother.
00:46:34Rita.
00:46:35I said, Rita!
00:46:38Who tripped me up?
00:46:39It wasn't funny, they could have taken this man down.
00:46:42What are you talking about, magician?
00:46:43Look, I can take a joke as well as anyone, but tripping a cow like that...
00:46:46this.
00:46:47I'm talking to a gentleman like this.
00:46:48Can I break his teeth?
00:46:49Don't worry, they're fake, you have others at home in a glass of water.
00:46:51Haven't you seen it before?
00:46:53I think so.
00:46:54Weren't you at the zoo yesterday, inside the hippopotamus enclosure?
00:46:57And what was I going to do there?
00:46:58Ah, you know, I...
00:47:00He's roaring at me, let me go!
00:47:02Shut up and let me think, he called me a hippopotamus!
00:47:04Listen!
00:47:06Clumsy hands!
00:47:06Listen!
00:47:07Listen!
00:47:08But what makes it impossible to go in there?
00:47:09Well, that one's there.
00:47:10To get in there, he'll have to go over my dead body.
00:47:13Inside are the naked beauty queens.
00:47:17Oh, oh!
00:47:18Oh, mother!
00:47:19And they catch me after I've slept twelve hours.
00:47:21No, no, no, no!
00:47:24No, no, no, no, no!
00:47:24Out!
00:47:28What's the matter?
00:47:29Wait a minute, girls.
00:47:31He's... he's my boyfriend.
00:47:33Turn back, Saturnino.
00:47:35Go on, turn around.
00:47:36Yes, yes, yes.
00:47:36What's happening?
00:47:37Nothing, your brother is out there and wants to kill me.
00:47:40If it's out there, I can't get out.
00:47:42Yes, yes.
00:47:42Think about what we do.
00:47:43Yes, yes.
00:47:44Well, he went in there, I saw him.
00:47:46Impossible.
00:47:47Is it not allowed?
00:47:48Don't tell me anything.
00:47:49That one slipped in.
00:47:50Alright.
00:47:51I'm going in to convince him to leave me alone.
00:47:52Per strip.
00:47:55Don't let him look!
00:47:57Oh, how rude!
00:47:59Come on, girls, we're going to be late!
00:48:01By the way, have you seen a guy around here who...
00:48:03Oh, let him haunt me!
00:48:14Come on, hurry up, we're going to be late!
00:48:17Thank you.
00:48:17What are you doing?
00:48:18I can't see!
00:48:19That?
00:48:20Was that guy there?
00:48:21Oh, I haven't seen it myself, but come and see for yourself.
00:48:23I'm going to make a fool of him.
00:48:28Yes, listen.
00:48:29Hey, listen, sir.
00:48:30Listen.
00:48:31Oh, oh, oh, don't touch me, you'll ruin my ironing.
00:48:33Have you seen a tall, strong man around here?
00:48:35Oh, some kind of gorilla wearing a beret?
00:48:36Yes sir.
00:48:37Oh, he's a brute, a savage.
00:48:39He just forcibly took one of the beauty queens away.
00:48:41He hoisted her onto his shoulder like a sack of potatoes.
00:48:42He went that way.
00:48:51Well, my tourism, photogenic, elegant and friendly contestants have already been chosen.
00:48:58Now we only need a few seconds to find out who has been chosen as Miss Spain in 1974.
00:49:04Here we have the jury's decision.
00:49:06Thank you so much.
00:49:12Attention all of Spain.
00:49:14This year's winner, Miss Spain 1974, is the representative of the Basque Country.
00:49:48This year's winner.
00:49:55Congratulations!
00:49:55Thank you.
00:49:56But now I would like to ask you a few questions.
00:49:59There's something we're all curious to know.
00:50:02Did you enter the contest under a pseudonym?
00:50:05Yeah.
00:50:06Let's see.
00:50:06My real name is Rita.
00:50:08Rita Solanes León.
00:50:09At home they didn't want me to perform, but I think it was in case I failed.
00:50:13That's why I've hidden my true identity.
00:50:16Now I think they'll forgive me at home.
00:50:18I have no doubt about that.
00:50:19Thank you.
00:50:21I want to thank a very special person who has been very good to me.
00:50:26and whom I cannot silence at this time.
00:50:29He knows very well why.
00:50:30He is in the room and I would like to ask for a big round of applause for him.
00:50:33Clear.
00:50:34Call him.
00:50:34Saturnine!
00:50:35Where is?
00:50:36Who am I?
00:50:36Saturn, come!
00:50:38Saturnine!
00:50:39Saturnine!
00:50:40Undo!
00:50:42Come on, Saturnino!
00:50:43No, no, no, no!
00:50:45No, no, no!
00:50:46For you!
00:50:46For you!
00:50:49Very good.
00:50:50Is he Saturnino?
00:50:51Yeah.
00:50:54He's a wonderful man.
00:50:56Without their help I would never have won.
00:50:58That's why I want to dedicate my victory to him.
00:51:01Very good.
00:51:03Tell us, tell us.
00:51:04Yeah.
00:51:04Are you Miss Spain's fiancé?
00:51:07No, no, no, no, no, not me, no way, none of that.
00:51:09No.
00:51:10No, no, no.
00:51:10No, there is nothing more than a good friendship between Saturnino and me.
00:51:13Ah, that's what they always say.
00:51:15No, no, no, you see, I'm from Aranda de Lerma and I've come to Madrid to buy a
00:51:18bull.
00:51:20Yes it's true.
00:51:21It's the most original excuse I've ever heard.
00:51:23No, no, it's true.
00:51:24Yes, yes.
00:51:25Yeah.
00:51:25Yeah.
00:51:25A bull.
00:51:26Very well, good.
00:51:27I have nothing left to do but congratulate you both.
00:51:30And to the bull, of course.
00:51:31Thank you.
00:51:32In my name and in the name of the bull.
00:51:35And now you see it everywhere here, huh?
00:51:37In all of them, in all of them.
00:51:38Oh, wow.
00:51:43Man, me.
00:51:46But how lucky, huh?
00:51:53When will this report be shown on TV?
00:51:55Tomorrow at noon, on the news.
00:51:56Ah, thank you.
00:52:03Ma'am, can I turn on the television?
00:52:05They only show the news at this time of day.
00:52:07That's why we need to acquire culture, right?
00:52:09Put it on, put it on, so you don't leave.
00:52:14And why can't I drink wine?
00:52:16Because you might get sick.
00:52:17Come on, don't be a nuisance and start telling me about the famous people who appear on television.
00:52:21There, there.
00:52:25Why are you doing that?
00:52:26Because while he's watching TV, he doesn't bother us.
00:52:28You go.
00:52:29I'll eat your tower with my horse.
00:52:33Talking.
00:52:34Let's see.
00:52:35Hey, but the horse can't go in a straight line seven squares.
00:52:38It was just in case it happened.
00:52:39Has this happened to me?
00:52:40Well, I'm not eating it, that's all.
00:52:41No problem.
00:52:42I am very noble.
00:52:45Salah and Billy Brandt have already left.
00:52:47And Kissinger.
00:52:48Six times.
00:52:49Go on, play the drum, but gently.
00:52:51Andelante.
00:52:58Goes!
00:52:59What a girl!
00:53:03Look!
00:53:04What a colleague!
00:53:06With the number eleven.
00:53:07He's a friend of mine!
00:53:08This?
00:53:09A rather strange shirt, don't you think?
00:53:11Here it goes!
00:53:12Jury members are requested not to score for the gentleman.
00:53:16Thank you so much.
00:53:18I saw Saturninus!
00:53:19Where?
00:53:21On TV.
00:53:22With all those girls!
00:53:24Well, if he comes out again, give him a kiss from us.
00:53:27And who told you that a horse can't move seven squares?
00:53:31Seven and seven billion if necessary.
00:53:33My book says...
00:53:34But which book?
00:53:35Now is the time.
00:53:35One that I have at home.
00:53:36Have you read the fine print?
00:53:38No, I'll do it.
00:53:38Well, you have to read the fine print, that's the first thing...
00:53:40Well, that's the only reason I'm going to eat another one of you cold.
00:53:42Ah!
00:53:42For my Aunt Rosa, may she rest in her glory, and I say in her own because she's not in everyone's.
00:53:48They let her in.
00:53:49That the one I saw there is the gentleman.
00:53:52But what was the man going to do in that contest?
00:53:54If he has gone to buy a bull.
00:53:56No, I haven't seen the bull.
00:53:58But did the gentleman?
00:54:00Turn up the volume.
00:54:01To a very special person who has been very good to me and whom I cannot silence
00:54:06at this time.
00:54:08He knows very well why.
00:54:09He is in the room and I would like to ask for a big round of applause for him.
00:54:12Clear!
00:54:13Call him!
00:54:13Saturnine!
00:54:15Did Saturnino say that?
00:54:16In no uncertain terms.
00:54:19But there are more Saturninos than longanitas.
00:54:21No, no, no!
00:54:24Please!
00:54:26But what a character he is!
00:54:29It's him!
00:54:31Saturnine!
00:54:32A kiss from them!
00:54:36He's a wonderful man.
00:54:38Without their help I would never have won.
00:54:40It's Saturnino!
00:54:43He's giving that woman a really big kiss!
00:54:45He kissed her!
00:54:47And in a way that squeezes a little more and sucks it up!
00:54:52Where is your late Elias's shotgun?
00:54:55There's no doubt about that Saturnino.
00:54:58But why would he dress up as a beach ladybug?
00:55:01Man, me!
00:55:04How many!
00:55:06How lucky!
00:55:12Cumor!
00:55:13By the dozens!
00:55:14The leagues, dozens!
00:55:16Elvira, could it be a Madrid playboy who looks like her?
00:55:18Oh, Mom!
00:55:20It's him, I'm sure of it.
00:55:22The thing is, the young man has a lot of charm.
00:55:25And here we are taking it for the churrete.
00:55:28Oh!
00:55:30And thank goodness it's in the village.
00:55:32Nobody watches the news.
00:55:33Hey!
00:55:34Have you seen Saturnino?
00:55:36You've seen Saturnino on TV!
00:55:38Yes, yes!
00:55:38I just saw it myself!
00:55:39What have you seen, duck?
00:55:40Masco, I saw him, man!
00:55:41Hey, what did I see, man!
00:55:43No, what have I seen, man!
00:55:44No, no, no!
00:55:46Unfortunate!
00:55:46But why am I touching the antenna?
00:55:47Can't you see that I haven't been able to see the antenna?
00:55:49Don't you see that I couldn't see that the cheese swallows the cheese swallows the cheese!
00:55:55Of course it's Saturnino!
00:55:56Wow, that really turned me on!
00:55:57I'll put it on, I'll put it on, I'll put it on, yes, I'll put it on ... yes, I'll put it on, I'
00:56:02I put it on, I put it on, I put it on!
00:56:03I'll kill him! I'll kill him!
00:56:06That scoundrel!
00:56:08What he's done to me is not right!
00:56:11Calm down! Calm down!
00:56:11Don't have that attack again, you'll break everything!
00:56:15Miserable!
00:56:16Dolfo!
00:56:17Adulterer!
00:56:17Yes, daughter, yes, but don't drink this cup of chamomile tea, which is very good for these cases, because you'll waste it.
00:56:22Everything, daughter.
00:56:24Ma'am, the phone calls keep coming in, what do I say?
00:56:27Nothing, we're just sleeping and haven't watched TV.
00:56:31They just don't believe it and they make fun of it.
00:56:34Well, what can I say...
00:56:35Mother!
00:56:35Well, what do I know, a beauty queen's secret love, take from the jar.
00:56:39Well, look here, caught when they were trying to hide their love.
00:56:44What a beast Saturnino is!
00:56:46No, Don Saturnino, I'm sorry.
00:56:47And here on a trip through the countryside.
00:56:49He's a genius!
00:56:50He's not coming back!
00:56:51But what's coming back?
00:56:52The town is too small for him.
00:56:53He is made an honorary citizen of Paris.
00:56:56Tobre!
00:56:57I have an uncle who's great!
00:56:58And tell me, what have they said at your house?
00:56:59Doña Aguera has been given the last rites.
00:57:02And is it any wonder?
00:57:03He had a heart attack that almost killed him, but he's out of danger now.
00:57:07And Mrs. Elvira?
00:57:08That must have been something to see, right?
00:57:10It is the most complete.
00:57:11He has not made any comment.
00:57:14She simply takes the shotgun that apparently belonged to her previous husband, the ammunition load,
00:57:18She cleans it, she cleans it again.
00:57:20I don't know why he'll do that.
00:57:25He's been here, and more than once.
00:57:28Don't think I'm naive.
00:57:30But how did you expect me to buy the books?
00:57:32Shut up!
00:57:33Shut up, Julia!
00:57:34Be quiet!
00:57:35I know everything.
00:57:37Ah!
00:57:37What do you know?
00:57:38What everyone knows.
00:57:40That you were going to his warehouse.
00:57:42Ah, for books, Castro!
00:57:43Don't be a donkey!
00:57:44I was a respected man in the town hall.
00:57:47And now, when I bump into a council member, they look at my forehead and laugh.
00:57:54And this helpless guy, destroying the little butt one day and then the next.
00:57:58You said it was harmless.
00:58:00Oh, if only he hadn't known that!
00:58:01You've been on the verge of a premarital experience!
00:58:03But I only got the injection.
00:58:05What a silly excuse!
00:58:07How do you think seducers act?
00:58:09That injection thing is a very old trick.
00:58:11I still have half a box of vitamin C left.
00:58:13Who's going to put it on me?
00:58:14The vet!
00:58:37Saturnine!
00:58:38Hello, Fulgencio.
00:58:39Don Saturnino, Your Excellency.
00:58:41What are you saying? What are you saying? Is the mayor there?
00:58:44Yes, yes, yes, it is. I believe it. It's always there for you.
00:58:47Please, would you like to sign here?
00:58:49So that?
00:58:50It's an autograph for the kids.
00:58:52I think at school they give two Kissinger books for every one of you.
00:58:56I don't understand anything. Okay, bring it.
00:58:57Spy on me, spy on me.
00:58:58I have just arrived from Madrid and I am going to report to the mayor on the arrangements for the purchase of
00:59:02She does her makeup.
00:59:03Good, my son.
00:59:04Very good.
00:59:06Aranda de Lerma will never forget what you have done for her.
00:59:09During the upcoming festivities, you will be awarded the town's medal.
00:59:13Well, I've done what I could.
00:59:15Further!
00:59:16I would say more. Much more.
00:59:19If it was very simple, all you had to do was go, choose, and set aside a piece.
00:59:23But what a piece! What a piece!
00:59:28Maybe a little older, right?
00:59:31At the right age.
00:59:33And very noble, huh? I think it will be a very good game.
00:59:37You'll know that.
00:59:38Hey?
00:59:39And what legs!
00:59:41Legs?
00:59:44Yes, that's right, yes, yes. By hand. It was fine.
00:59:47And it's a shame because they told me I would be a wonderful mother.
00:59:51She has udders.
00:59:54And tell me, where did you meet her?
00:59:57There, in the meadow.
00:59:58And there will have been their ups and downs between the two.
01:00:01No, no, no.
01:00:03I was in the countryside. There was more.
01:00:05But I said, is that mine?
01:00:08Did they take it away from me?
01:00:09And off they went in the boat.
01:00:17Oh, you're feeling much better now.
01:00:20You barely have a fever.
01:00:21That scoundrel, how he's got me.
01:00:25And be thankful that you can tell the tale.
01:00:28Something is known about him.
01:00:34There it is!
01:00:35Here it goes!
01:00:38But it's him.
01:00:40Sure. Hello, Paulita. Is the lady there?
01:00:43I'll do whatever the gentleman says.
01:00:46What's wrong with you? Are you stupid?
01:00:48Elvira! I'm here!
01:00:50Past.
01:00:52When Mrs. Adela found out about her, she almost died.
01:00:57About my own stuff?
01:00:58Hey?
01:01:00Good, sir.
01:01:02Very good.
01:01:04And know that those of us from this town have nothing to envy from those from San Sebastián.
01:01:12At noon...
01:01:13Exactly, I understand myself now.
01:01:19But...
01:01:19Elvira!
01:01:21Elvira!
01:01:22Elvira!
01:01:23Elvira!
01:01:24Hi, Mom. It's me, Saturnino.
01:01:26I'm back.
01:01:27I can see you now, son.
01:01:30Son.
01:01:31Hey?
01:01:31Son.
01:01:32That?
01:01:32Do you want to give me a ride?
01:01:34The shotgun.
01:01:35The shotgun?
01:01:35Yes, son.
01:01:36There, there.
01:01:37Hey?
01:01:38Oh, of course. Here you go, Mom. But be careful, they're dangerous.
01:01:44Son, I carried this one myself.
01:01:48Elvira!
01:01:50Elvira!
01:01:50You'll see, as soon as it reloads.
01:01:52Paulita!
01:01:53Bring me the cartridges, wolf hunters!
01:01:55Don't bring them!
01:01:56Bring them to me!
01:01:56No!
01:01:57Your mother is not right in the head. She tried to kill me.
01:02:00It's a shame I didn't give it to you.
01:02:01But Elvira, what's wrong with you? I'm your husband, don't you recognize me?
01:02:04Elvira! It's Saturnino!
01:02:07But...
01:02:08Here!
01:02:09Hey?
01:02:09Until my lawyer decides which of us has to leave, you will sleep here.
01:02:13But why all this, Elvira?
01:02:15Dirty!
01:02:15Do not touch me.
01:02:17I never thought you were capable.
01:02:19Look at how poor Mom is doing because of you.
01:02:20Has she become mean because of me?
01:02:23Dare to justify yourself. All of Spain already knows about your situation.
01:02:26Look, Elvira, be thankful I'm dead tired, but we'll clear this up tomorrow.
01:02:30You won't be sleepy.
01:02:31You haven't stopped in Madrid, have you, Rico?
01:02:33Oh! I'll tell you later.
01:02:35Degenerate?
01:02:36Hey?
01:02:37That's for the judge. I'm not interested in your nonsense at all.
01:03:09Satur!
01:03:09Satur!
01:03:11Do you recognize the little girl?
01:03:16There you go, but girl, you're going to catch a cold!
01:03:19Oh, I really need it because I'm burning up inside!
01:03:22And is that the new uniform you're wearing?
01:03:24No, it's a new trend. Ever since you cut your hair, things have gone wild here.
01:03:30What are you saying, is he so upset about a bull?
01:03:33Becerra, I'd say!
01:03:34Okay, whatever, come on, let me sleep, I'm dying of sleep, man.
01:03:38Do you take my clothes off quickly or more slowly?
01:03:42Do whatever you want, but turn off the light!
01:03:43Oh, you say yes!
01:03:47The more "chinchual" the atmosphere, the better!
01:03:52Because one isn't exactly Raquel or that person, but has the same qualities as her.
01:04:02He has fallen asleep.
01:04:06What this man knows, he wants to give me a run for my money.
01:04:11Oh, how much respect I still had for the gentleman!
01:04:15And now, since he's become a playboy...
01:04:21I'm going crazy, I'm going crazy!
01:04:33What's happening?
01:04:34It's already eight o'clock.
01:04:35Take.
01:04:36Read here.
01:04:36Now, woman?
01:04:37Yes, right now.
01:04:39But I can't handle it.
01:04:40That's why!
01:04:40Come on, read.
01:04:43Leo, Leo.
01:04:46Huh?
01:04:46But, but, but, but this one looks exactly like me, exactly, exactly like me.
01:04:51No joke, Turmino!
01:04:52And those are just the photographs.
01:04:54What they have written is much more interesting.
01:04:58Now I understand your mother's shot, but everything has an explanation.
01:05:01TRUE?
01:05:02Well, you're going to give it to someone else.
01:05:03Get out of this house!
01:05:05You're very excited now, but tomorrow...
01:05:07Nothing tomorrow.
01:05:08I have to sleep, Elvida, I have to sleep.
01:05:11I'll tell you everything tomorrow; I can't think of any good lies right now.
01:05:13I say, no, no, no, no.
01:05:14Out!
01:05:15Listen to me!
01:05:15Get out of this house!
01:05:16That's not what I meant!
01:05:17And don't come back!
01:05:17Elvida!
01:05:18Don't come back!
01:05:18Please listen to me!
01:05:19Never!
01:05:19Just a quick nap!
01:05:21Get out, you shameless person!
01:05:22Where to!
01:05:22Yes, I'm leaving, I'm leaving!
01:05:34Look, the gene.
01:05:36Saturnino in pajamas?
01:05:38Of course, the man doesn't even have time to get dressed.
01:05:40He comes from his house.
01:05:42He's arrived, kissed his wife, and is going out for more.
01:05:45What a beast!
01:05:46This Saturnino deserves to be honored.
01:05:48Ah, I see!
01:05:49I've forgotten the loyal ones.
01:05:52She's going for the tobacconist!
01:05:53Well, if you grab her when she's about to turn off the light.
01:05:57Come on, come on!
01:05:58Yes, let's go!
01:05:58Come on, come on!
01:06:09The tobacco shop is closed.
01:06:11It's not the right time.
01:06:12Encarnas, soy yo.
01:06:13Saturnine!
01:06:14Is it possible?
01:06:15Wait, I'll come down right now.
01:06:16Thank you.
01:06:18What did you think?
01:06:20Sailor fabric.
01:06:21He says it's me and they fall off the balconies.
01:06:23It's a lot of Saturnino.
01:06:25A lot.
01:06:31Come in, come in.
01:06:32Thank you, incarnate one.
01:06:34What do we do?
01:06:36We'll wait.
01:06:37I'm sure that when I'm done with the tobacconist, we'll have to take it out in a wheelbarrow.
01:06:40I've left my keys at home and since your patio overlooks my storage room window...
01:06:43And why are you going to the warehouse at this hour?
01:06:45You won't believe it.
01:06:46Time for bed!
01:06:48Nothing of the sort.
01:06:49You sleep in my bed.
01:06:53Saturnino, what pajamas.
01:06:55If it's nothing, it's just a regular piece of poplin.
01:06:57I already know what you did in Madrid.
01:07:00Everyone knows it.
01:07:01I'll tell you tomorrow.
01:07:02Now I want to sleep.
01:07:03Well, there's room in my room.
01:07:05The electric blanket keeps malfunctioning.
01:07:07And since my husband works nights...
01:07:10You have until the Cáceres express train passes by to fix it for me.
01:07:17A bed.
01:07:18I can't even believe it.
01:07:25Saturnine.
01:07:30Cuchi Cuchi.
01:07:30No, no, no, no, I'm about to burst out laughing, I can't take it anymore.
01:07:33I want to sleep, be alone, not talk.
01:07:35I can't take it anymore.
01:07:37Are you serious?
01:07:38Yes, yes, yes, it's the truth, I swear.
01:07:40I just want to sleep.
01:07:41Will two hours be enough for you?
01:07:43Ah, yes, yes, yes, yes, yes, two hours, yes.
01:07:47I sleep very cramped.
01:07:48Alright.
01:07:49Two hours.
01:07:58The husband.
01:07:59And Saturninus is with his wife.
01:08:01He kills her.
01:08:01No, Saturnino is in such good shape that Marcelino ends up thanking him.
01:08:05The Saturnino!
01:08:05My husband!
01:08:06What's happening?
01:08:07Runs!
01:08:08Come on!
01:08:08But what's going on?
01:08:09What are you doing?
01:08:10My husband!
01:08:11Your husband?
01:08:12From the balcony!
01:08:14I'll kill myself by jumping off the balcony.
01:08:15But it's very low and if it catches us here it will kill us both.
01:08:18Well, well, that's up to you.
01:08:21Toló!
01:08:22Have you seen how easily she leaves a house?
01:08:24It's amazing, isn't it?
01:08:25He left all his teeth in the taping.
01:08:35Marcelino!
01:08:35How so soon?
01:08:36Surprise!
01:08:37The express train has changed its schedule.
01:08:38From tonight you'll have your hubby by your side for longer.
01:08:41Oh!
01:08:42Oh!
01:08:44Oh!
01:08:45Oh!
01:08:51But what is Saturnino doing?
01:08:53Hello, Rosa, daughter.
01:08:54Nothing, he's going to sleep here in the warehouse, but I've forgotten the keys and I can't get in.
01:08:57Go up.
01:08:58I know of a place.
01:08:59Some things are happening to me.
01:09:02Oh!
01:09:03Oh!
01:09:03What a mess!
01:09:05Look, maybe you should just leave me at the roadside motel and bet things as they are.
01:09:09Why is it okay for someone else and not for me?
01:09:12I don't understand you.
01:09:13Yes, man.
01:09:14I do what you do out of self-respect.
01:09:16But what?
01:09:18The whole sleep thing is a very old trick.
01:09:20And we've spent nights and nights together and not even a little kiss.
01:09:24And I don't take kindly to such contempt.
01:09:29Being handsome is awful.
01:09:36Rosa takes him to her mother's hair salon.
01:09:38Sure.
01:09:39Since there's nobody there now.
01:09:40No, I think that when Saturnino dies he will take it to the Americans to study it.
01:09:44And will they take it all?
01:09:45No, just the most important pieces, the essentials.
01:09:47Come on, kids!
01:09:53Wow!
01:09:54And he doesn't get tired.
01:09:55And it's been more than an hour.
01:09:57There's nothing quite like Don Juan Tenorio and Casanova, one of them is a complete idiot.
01:10:00And what about me?
01:10:01How can you compare yourself to such famous writers, you idiot?
01:10:08Alright.
01:10:10I'm giving up self-love.
01:10:12Nothing to be done.
01:10:14I give up.
01:10:16Go on, son, snore.
01:10:18Snore, snore, snore, snore, snore!
01:10:37And finally, I ask that an extraordinary grant be voted on so that Saturnino can go and study in Copedad.
01:10:44Good!
01:10:46Good!
01:10:47Good!
01:10:58Julia!
01:11:01Julia!
01:11:02I think you're there!
01:11:04Come on, get out there!
01:11:05Where?
01:11:06Where is my wife?
01:11:07What are you saying? Leave me alone.
01:11:09I know she's there. My Julia is very brave, but she doesn't know me.
01:11:13If I find her here, woe betide you!
01:11:17Seducers! Seducers to me! To me! To Castro!
01:11:21Julia! Julia!
01:11:24Hello, Paulita. I am the gentleman.
01:11:27But don't shout!
01:11:29Last night? What happened last night?
01:11:33Are you going to a convent?
01:11:35You're not right in the head. Tell my wife to get on the phone.
01:11:39She's gone. Where to?
01:11:41We've lost you, Margarita.
01:11:42I already saw him on television. He's a phenomenon.
01:11:45Yes, but I don't want to lose him. Even though he's my husband, I love him.
01:11:50Tell me what I should do.
01:11:51Oh, I don't know. Because I'd do some planks with you. Something must work out.
01:11:56He is about to touch on the world of jealousy.
01:11:59Haven't you tried making him jealous?
01:12:02With who?
01:12:03With a man? Isn't it going to be with a chicken?
01:12:06Yes, of course. But...
01:12:07I just don't feel like it.
01:12:10You don't have to do anything either.
01:12:11Find a waiter from here.
01:12:12A sturdy young man.
01:12:15It pretends to be something it's not.
01:12:16So that Saturnino believes that...
01:12:18Oh, dear. Any woman can do that.
01:12:21Ah, it continued.
01:12:24But the hard part is finding the man.
01:12:29There you go. What are you waiting for?
01:12:31That idiot even gives out spankings.
01:12:34Well, don't let them get away with it.
01:12:35Come on, girl. You're being silly.
01:12:44You stay still or I'll throw a rock at you, huh?
01:12:46Oh, girl.
01:12:47Look, if I go there, I'll let you know.
01:12:51From my wife.
01:12:52If you'd like to come over for a snack this afternoon at my house.
01:12:55AND...
01:12:56And they're going to give me chocolate.
01:12:58And croutons.
01:13:00Oh!
01:13:00Oh!
01:13:01At six o'clock.
01:13:02You know where it is. Don't miss it, okay?
01:13:08What an honest game of being the village idiot.
01:13:11I catch each sandpaper.
01:13:18Hmm!
01:13:33There you go, Mrs. Elvira!
01:13:34You look delicious! With your permission!
01:13:37Yes, I know, but stay still.
01:13:40Come here!
01:13:41Chocolate or does he shoot you?
01:13:44That's fine, but you're so rich.
01:13:47Chocolate is delicious too, isn't it?
01:13:49Okay then.
01:13:50You can see me, but you can't touch me.
01:13:52There's the man!
01:13:54Okay, you go to your room.
01:13:56And whatever happens, don't show your face around here.
01:13:58Understood?
01:13:59Yes, ma'am.
01:14:00But what does this do?
01:14:01Unless it's because of a promise?
01:14:03Ugh, how disgusting!
01:14:05Good.
01:14:06So it turns out you like me, huh?
01:14:08Oh, my mother!
01:14:09Juanísimo!
01:14:10Yes, ma'am!
01:14:11Well, give me a kiss here.
01:14:13Absolutely!
01:14:14Yes, ma'am!
01:14:15You're in charge!
01:14:21Hey?
01:14:23Elvira!
01:14:25It's you, Saturnino.
01:14:27What a surprise!
01:14:29I wasn't expecting you so soon.
01:14:31Do you want chocolate?
01:14:32Chocolate?
01:14:33I...
01:14:35But...
01:14:36But...
01:14:36But...
01:14:36What's this idiot doing here, huh?
01:14:38Your wife invited me.
01:14:40And she dresses up as a cabaret dancer to invite you over?
01:14:42Now do you realize how I looked?
01:14:44Now I realize how you undress.
01:14:45Well, it doesn't bother me, you see.
01:14:48Pablito, may he give you a slap like he's given you, eh.
01:14:50You shut up.
01:14:51And what's it to you what I do?
01:14:53But how can I not care if people in my village are going to ask me why I even went there?
01:14:55Why are you going to Madrid to buy a bull, while I'm here?
01:14:58Can I go and have some hot chocolate?
01:15:01Oh, I have to kiss a mother!
01:15:02Oh, don't worry, you idiot, I don't know about kisses, but I know about chocolate!
01:15:06You're going to get bloated!
01:15:08And now the milk in case the chocolate was too thick.
01:15:11Stay there, adulteress.
01:15:12And be thankful I'm dead tired because if you catch me awake...
01:15:16That?
01:15:17I'll strangle you both.
01:15:19Bye bye!
01:15:22Oh!
01:15:22He's angry!
01:15:24You shut up.
01:15:25And you're already leaving.
01:15:26Oh my God, what a slap!
01:15:27Paulita!
01:15:29Throw the fool out onto the street!
01:15:35Bye bye!
01:15:56The workday is about to begin.
01:15:58Where will he go tonight?
01:16:00Anyone can see this guy is capable of anything.
01:16:04It's admirable.
01:16:23Hi there.
01:16:24Two brown ones and one sky blue one have been received.
01:16:27Saturnine?
01:16:27Hey?
01:16:30Furthermore, they don't care if they are young, mature, spoiled, nelo, bebo...
01:16:33Castro is at the casino.
01:16:34But, Doña Julia, what are you going to do with me?
01:16:35The whole town knows about your escapades.
01:16:38I thought you didn't like it.
01:16:40But, Doña Julia...
01:16:41But...
01:16:42Nothing, nothing.
01:16:42It's happening tonight.
01:16:44But, my darling!
01:16:45They're crazy!
01:16:46What's wrong with all of you?
01:16:48Come on!
01:17:03Now her husband is killing her.
01:17:05No, you don't know Saturnino.
01:17:07Don Castro gives him a hug and gives him a cigar.
01:17:10Yeah?
01:17:10That guy must have a way with words.
01:17:13Please, please, want to.
01:17:15Want it!
01:17:16Want it!
01:17:17Want it!
01:17:18Please, please, want to.
01:17:21My husband.
01:17:23Saturnino, to the closet.
01:17:24Well, not in the closet, he's too ready.
01:17:26Hurry up!
01:17:28Now, into the closet as if it were a truss.
01:17:35And in the hallway?
01:17:36High!
01:17:37I'm old enough to go out at night and come home whenever I want.
01:17:40If you then have to give explanations of what I have done or failed to do.
01:17:44I didn't ask you for explanations.
01:17:45Hands up!
01:17:48What kind of way is that to get in?
01:17:49No, no, it's just that I heard noises and I thought...
01:17:53Oh!
01:17:55Hey, radio!
01:17:57How stupid of me!
01:18:00Okay, let's go to sleep, I'm exhausted.
01:18:04And besides, I've quit the game of chamelo because we lost the six doubles, you know?
01:18:18Nothing has happened.
01:18:19Like I said, I'm sure the three of them are playing Brisca.
01:18:21No, no, no, no, no, no, no, no, no, no...
01:18:42Oh!
01:18:43Oh!
01:18:44Oh!
01:18:44Oh!
01:18:45What's happening?
01:18:46My little hand...
01:18:46Where am I?
01:18:47What am I doing here?
01:18:48Sleep.
01:18:49What more could I want?
01:18:51You have to leave. My husband is very jealous.
01:18:54And now what had happened? Did he fall asleep?
01:18:56Come, and without making a sound.
01:19:00And I couldn't spend the night here, on that sofa.
01:19:03And what do we tell my husband tomorrow?
01:19:05I happened to be passing through and I thought, I'll stop for a bit.
01:19:09I can't go to my house.
01:19:12Because?
01:19:13My wife is an adulteress.
01:19:15He who lives by the sword.
01:19:16Please, her.
01:19:17Run, here it comes.
01:19:19Go on.
01:19:20Bye bye.
01:19:23Here it comes.
01:19:24Come on, look.
01:19:34The guy's collapsed.
01:19:36I don't know how it can be.
01:19:38And where to go now?
01:19:39Yes, because that's not the way to his house.
01:19:43Perhaps he still has the energy to waste elsewhere.
01:20:11Well, this is already the col.
01:20:13I'll see if he wants to give me lessons, I'll pay him whatever it takes.
01:20:16And me, and me.
01:20:17Maybe he's sick.
01:20:20How envious.
01:20:21This is the only place I can sleep, even though it seems the least suitable.
01:20:24And your house?
01:20:26I will never go back there again.
01:20:28My wife is cheating on me, and with the village idiot, which is what makes me angriest.
01:20:31Go on, lie down and don't worry.
01:20:34The idea was mine.
01:20:37Yours, Margarita.
01:20:37Yes, man.
01:20:39Although it may seem strange to you, your wife came to see.
01:20:41He asked me for advice and I told him that the best thing he could do was make you jealous.
01:20:46Is that true?
01:20:47Sure, man.
01:20:48Sleep.
01:20:49Talk to your wife tomorrow and sort everything out.
01:20:52Oh no, no, no, no.
01:20:53If what Pablito said was a lie, I'm going to see my wife right now.
01:20:57Okay, son, okay.
01:20:59See you tomorrow and have a good rest.
01:21:02It's coming out now.
01:21:03No, I see it now.
01:21:07And on top of everything, Pepe is fast.
01:21:10Arrive, lele, lele.
01:21:11Hello.
01:21:19Ah, it's you.
01:21:21And what do you want now?
01:21:22What gut has broken?
01:21:23Elvira, get off.
01:21:24I need to talk to you.
01:21:25Now?
01:21:25Yes, and I'm not going up there because your mother is capable of killing me.
01:21:29Okay, I'll come down now.
01:21:33And I'll never see that girl again in my life.
01:21:37And that's it?
01:21:38What did you want me to do?
01:21:41I don't know if I believe myself.
01:21:43Come on, Elvira, you know me well.
01:21:45And you know that in terms of erotic force, there's very little.
01:21:48Because of work, of course.
01:21:51But you, you've been pulling my leg.
01:21:55Did I have something to do?
01:21:57But with Pablito.
01:22:00You wouldn't have forgiven me for it with anyone else.
01:22:04So, is everything settled?
01:22:06I don't know.
01:22:07I'm not sure you love me.
01:22:10I know what we're going to do.
01:22:11No going home.
01:22:12This is going to be like a second honeymoon for us.
01:22:16Come on.
01:22:17Where are you taking me?
01:22:18Well, let's give you a treat, you've earned it.
01:22:21And where do they go now?
01:22:23It will be something new as we go along.
01:22:27Here.
01:22:28And we're not leaving no matter what.
01:22:29Say yes, Saturnino.
01:22:37I can't take it anymore.
01:22:39I give up.
01:22:40Hey, if you want we can make a statue of him.
01:22:43More, much more.
01:22:44We should ask that he be given the reforestation medal.
01:22:47No, when one of us here says, 'I'm going there'...
01:22:49Well, there he goes, otherwise he'd stay, son of God.
01:22:51Let's look further.
01:22:57Well, here's your man, a real beast.
01:23:01Here I come, Elvira.
01:23:02Ah, finally alone.
01:23:06Is this it?
01:23:08Ignore it.
01:23:09We're not opening to anyone, at least not while the champagne lasts.
01:23:12Open up, Saturnino!
01:23:14We know you're there.
01:23:15Come on, open it.
01:23:17We are the active force.
01:23:18Don't open it, don't open it, Saturnino.
01:23:19Wait, I'll be right back.
01:23:22What's happening?
01:23:23Bravo!
01:23:24Saturnine!
01:23:25It's a very good thing.
01:23:27What is this?
01:23:28Look who's come to see you.
01:23:30Miss Universe!
01:23:31Saturnine.
01:23:32Rita.
01:23:33Hello.
01:23:34You look very pretty.
01:23:35I've come to find you.
01:23:36I already told you that I was grateful.
01:23:38From now on you will be my manager.
01:23:39Fame, cinema, Hollywood await us.
01:23:41Isn't it wonderful?
01:23:42The truth is that I don't feel strong.
01:23:45By Saturnino!
01:23:46Glory and honor to this our dear and beloved people.
01:23:51Life!
01:23:53Life!
01:23:54Life!
01:24:09What an idiot!
01:24:15I'm sorry, Rita
01:24:17Nothing to be done
01:24:20You must love her a lot, right?
01:24:23She's my wife
01:24:24And since I have no other option
01:24:26Clear
01:24:28I, on the other hand, am no good at this.
01:24:30I go further
01:24:32No, to Hollywood no less
01:24:34I needed you
01:24:35A friend
01:24:36I have no aspirations
01:24:38I was born to work
01:24:39To lead a dark existence
01:24:40Here in this town
01:24:41Clear
01:24:43I understand you very well.
01:24:45It takes a long time
01:24:47Well, she usually gets them done in ten minutes
01:24:49They bore him even more
01:24:50You see it now
01:24:51They even come from outside.
01:24:52This is well-oriented
01:24:54It could serve as a tourist attraction
01:24:55Ten like Saturninus
01:24:57And we ruined the Costa del Sol.
01:24:58Well
01:24:59Good luck!
01:25:02I'll send you a card.
01:25:03I will consult you about everything I do.
01:25:05You are my pet
01:25:07You've brought me luck.
01:25:10Well
01:25:12It's getting late.
01:25:15Goodbye Saturnino
01:25:16And thank you so much for everything.
01:25:17Okay, it doesn't matter.
01:25:24Bye
01:25:27Bye
01:25:29Much more than the Costa del Sol
01:25:30What else is there for you?
01:25:31Very few people have seen my beard.
01:25:32If you were in charge of public relations
01:25:35He used to run a disco
01:25:36My wife wants to open a fashion store
01:25:37I think it's called Boutique
01:25:39Just by entering your name
01:25:40And some of your posts
01:25:41We sell to the entire region
01:25:42Saturnino, man
01:25:43Listen to us!
01:25:45You're in a good place
01:25:45And we must take advantage of it.
01:25:46That erotic force of yours
01:25:47It's not normal
01:25:48Will you all shut up already?
01:25:50I'm not interested
01:25:51Not even public relations
01:25:52Not even the Costa del Sol
01:25:53Not even if they put my name on a store
01:25:55Not even to the street where my father lives.
01:25:56May he rest in peace.
01:25:57I'm not even interested in that young lady.
01:25:59However much I may be
01:26:01I love my wife
01:26:02And I'm going to see it
01:26:03And to make peace
01:26:04And to work less.
01:26:05So I can be with her from time to time
01:26:08So, Mr. Mayor
01:26:09I am submitting my resignation
01:26:10Of all my official positions
01:26:11From now on
01:26:12I will dedicate myself to my own tasks
01:26:14Of my sex
01:26:16Which is quite a lot.
01:26:17I say
01:26:18So goodbye
01:26:20Well, but what if it turns out now?
01:26:21That guy's decent.
01:26:33I can't take it anymore, Saturnino
01:26:34I'm dying of sleepiness
01:26:36Well, we've just begun.
01:26:37You don't know what I'm like.
01:26:38When I'm caught resting
01:26:41It's too much.
01:26:42Really
01:26:43That's enough.
01:26:45We can't catch up in one night
01:26:48It's been two years
01:26:50Good
01:26:51Good
01:26:53Let's go
01:26:54Not Saturnino for real
01:26:56I can't take it anymore.
01:26:56Come on
01:26:57Look
01:27:18It's started again.
01:27:19This will destroy the people
01:27:21Next year
01:27:22Go for the bull
01:27:23Let's go, the three of us.
01:27:24That Real Madrid team is something else, for real.
01:27:27You have to see how it's come about
01:27:28Saturnine
01:27:29You said you weren't doing any more
01:27:30To work like a black person
01:27:31Well, isn't that work?
01:27:32Because look at everything
01:27:33How the people are moving
01:28:00All this is not
01:28:06Thanks for watching the video.
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