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00:00:00The End
00:00:36The End
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00:01:13The End
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00:02:17The End
00:02:17I will accordingly remain here until order is received.
00:02:21Send this off to Paris and take this message for my wife on the steamer Himalaya reaching Port Said tonight.
00:02:39The radio message for you, madame Delacour.
00:02:41Merci.
00:02:42Mama, is it from father?
00:02:54Is it from father, mama?
00:02:56Yes, yes, yes, dear.
00:02:57He sends you his love.
00:02:59No bad news, I hope, madame.
00:03:00Oh, no, monsieur Neuvel.
00:03:02Merely disappointing.
00:03:03Oh, mama, aren't you going to sit by there after all?
00:03:05Aren't you, mama?
00:03:06Of course we are, darling.
00:03:08The naval maneuvers have not been called off.
00:03:11Oh, no, just a change of orders.
00:03:12Oh, it must be very interesting to receive important information like that before anyone else.
00:03:18Oh, admiral's wives are always the last to hear of anything of real importance.
00:03:21I admire your discretion, madame.
00:03:23I say, when did we land?
00:03:24I've just been up in the folksal, the front of it, you know, looking at the town.
00:03:28Oh, what a sinister, brooding place.
00:03:30Did you get the sinister, brooding smell of it?
00:03:33Oh, I say, this is so exciting.
00:03:35I've just thought of a marvelous heading for my third chapter.
00:03:38Listen to this.
00:03:40Portside, the glamorous gateway to the mystic east.
00:03:43Aren't you infringing a little bit on Mr. Halliburton?
00:03:47I've never heard of him.
00:03:49You should find plenty of material here for your book, monsieur Venable.
00:03:51Am I in your book, Ronald?
00:03:52I want to be in your book.
00:03:54Oh, of course you're in the book.
00:03:55You're all in it.
00:03:56Listen to this.
00:03:56Just a few notes.
00:03:57Just listen.
00:03:58The adventure begins.
00:03:59Moonlight madness, shipmates and deck companions,
00:04:02and the Oriental Sherlock.
00:04:05Mr. Sherlock, he means Monsieur Moto, darling.
00:04:08Oh, by the way, where is Mr. Moto?
00:04:09I'd like to say goodbye to him.
00:04:11There is no need yet for goodbyes.
00:04:14Business depends me in Portside for several days before I continue my journey.
00:04:19Where are you staying, Mr. Moto?
00:04:22At the home of France.
00:04:24Do you by any chance know a wayside inn?
00:04:27You know, a place with local color, whirling dervishes and so forth.
00:04:31Where tourists find their throats cut?
00:04:34Yes, that's exactly what I mean.
00:04:37I think.
00:04:38First-class passengers will assemble in the lounge for passport inspection.
00:04:41Come along, Marie.
00:04:42We must find Nana and show our passport.
00:04:44Maybe bye.
00:04:44Goodbye.
00:04:45I'll see you there, sir.
00:04:49Oh, now, look here.
00:04:50No, really.
00:04:51Honey must have stolen my passport.
00:04:53Didn't I see you press your passport in your notebook?
00:04:57Oh, yes, there it is.
00:04:59That's very clever, Mr. Mary.
00:05:00Thank you so much.
00:05:01Well, goodbye, old boy.
00:05:01Goodbye.
00:05:02I'll see you at the hotel.
00:05:02All right.
00:05:03Goodbye.
00:05:03Bye-bye.
00:05:04Mr. Norville, this man says he has a visit with you.
00:05:06Ah, the travel agent, eh?
00:05:07Hawkins is my name.
00:05:08Bird Hawkins.
00:05:09We made all your arrangements, sir.
00:05:11Did you get my reservations for hotel?
00:05:12Yes, sir.
00:05:13And I hope that everything is satisfactory.
00:05:15Well, it seems to be so far.
00:05:20Excuse me, please.
00:05:21I, too, must go through the formality of passport examination.
00:05:25Have you got the mesh, Hawkins?
00:05:28I don't think as hell I am, sir.
00:05:30Why don't you look in your left-hand pocket?
00:05:34Oh, yes, here's a packet, sir.
00:05:42That Japanese is the man.
00:05:43Have you got your instructions?
00:05:44Yes, sir.
00:05:44I've got a cab waiting.
00:05:45All right.
00:05:46Help me through the customs, and we'll pick him up there.
00:05:47Very good, sir.
00:06:01Observe my permit and credentials, please.
00:06:06We'll wait for him outside.
00:06:08Hey!
00:06:09Adios, honey, they go.
00:06:19What on earth are you carrying all that for?
00:06:21My dear chap, only tourists will only want to carry their kit.
00:06:53I'm so very excited.
00:06:54I regret it. It was entirely my fault.
00:06:57Excuse me.
00:07:17Find me a convenience, please.
00:07:27Here he comes.
00:07:33Now.
00:07:39I'm terribly sorry. Are you all right, Mr. Moto?
00:07:43Yes, please. My own fault. No harm done.
00:07:46Won't you let me give you a lift?
00:07:48I'll be glad to drive you any place you want to go.
00:07:50You're most kind, Mr. Noble, but I must not trouble you.
00:07:53Oh, nonsense, nonsense, nonsense. No trouble at all.
00:07:57I'm going to the Cadive Hotel. You might just as well drive with us.
00:08:01Come on, Mr. Moto. Come on, jump in, Mr. Moto.
00:08:04Adam.
00:08:29I'm at the Cadive Hotel.
00:08:31I'm at the Cadive Hotel.
00:08:32Come on.
00:08:34You better do what he says, Mr. Walter.
00:08:41Please, I do not understand.
00:08:42Come on, get moving.
00:08:51What do you want with me?
00:08:52Never you mind.
00:08:56None of your monkey tricks.
00:09:00Inside.
00:09:14Well, that's the end of Mr. Murdo.
00:09:22What are you calling your book, Mr. Venable?
00:09:24Roughing it with a rolling stone.
00:09:27Or a peep into the interior.
00:09:29Good.
00:09:29Hi, Norvell.
00:09:30Oh, good evening.
00:09:32Good evening.
00:09:32I see you're all settled and comfortable, eh?
00:09:34Yes, but Marie was tired out.
00:09:35Her nurses put her to bed.
00:09:36Won't you sit down?
00:09:37Oh, thank you.
00:09:38You know, I was just saying to Madame de la Cour, we should see the town.
00:09:41You know, the real port side.
00:09:43Not this stuff the tourists see.
00:09:45Oh, that's an excellent idea.
00:09:47But you must be very careful.
00:09:48He's a venturesome soul, you know.
00:09:51Oh, no, no, no.
00:09:52You're pulling my leg.
00:09:54Oh, you know I wouldn't do that.
00:09:56But seriously, why don't you join us?
00:09:58I'm sorry, but I have a business appointment.
00:09:59And anyway, I'm not a desperate fellow like you.
00:10:01I'm nervous.
00:10:02Mr. Eric Norvell.
00:10:03Yes?
00:10:04I have a message for you.
00:10:05Very urgent.
00:10:06By hand.
00:10:08Oh.
00:10:11Excuse me.
00:10:14Excuse me.
00:10:38There's no answer.
00:10:42Well, that's excellent five point, but it's been cancelled.
00:10:44Oh, good.
00:10:45Now I can come with you, Marco Polo.
00:10:48Marco, shall we show this fire east at the real port side?
00:10:51Or shall I take you to the local music hall?
00:10:58Alfred, don't lie to me.
00:10:59I saw you dabbling about in the gutter.
00:11:01What were you doing?
00:11:02Looking for a novelty for me lady friend.
00:11:05Well, don't you think it's time you married the girl?
00:11:08Blimey, no.
00:11:09Gives me the creeps to see her once a week.
00:11:13Alfred, you shouldn't be little matrimony.
00:11:15Married men live longer than single ones.
00:11:17It only seems longer.
00:11:25I think that you'd better go into your song.
00:11:27All right.
00:11:28I'll sing a song if you drink a glass of water and smoke a cigarette with your left hand.
00:11:32Very well.
00:11:33What are you going to sing?
00:11:35Knocked him in the old Kent Road.
00:11:39Oh, no, you're not.
00:11:40You're going to sing something classical.
00:11:42Opera.
00:11:43What?
00:11:44Carry on.
00:11:45Music, Professor.
00:11:51You carry on.
00:11:53Light your cigarette.
00:11:54What's the matter?
00:11:54Can't you find a match?
00:11:56Look in me left hand pocket, you fool.
00:12:02Bet you don't know how to make a Maltese cross.
00:12:06Well, how would you make a Maltese cross, young man?
00:12:09By pulling its tail.
00:12:11Music, Professor.
00:12:14I do like to be beside the seaside.
00:12:19I do like to be beside the sea.
00:12:23I do like to stroll upon the prom, prom, prom.
00:12:27Where the brass bands play.
00:12:29Tiddly, hum, hum, hum, hum.
00:12:30So just let me be beside the seaside.
00:12:35I'll be beside meself with glee.
00:12:38And there's lots of girls beside.
00:12:40I should like to be beside, beside the seaside.
00:12:44I do like to be beside the seaside.
00:13:02Thank you, ladies and gentlemen, for the way you've received our little offering.
00:13:06Shut up, Fabian.
00:13:06We do our best to entertain you.
00:13:09Hurry up, you big dummy.
00:13:10I got friends coming back here.
00:13:12This is intermission.
00:13:13Get off, you big him.
00:13:48Can you excuse me for the smoke?
00:13:50Certainly.
00:14:02Hello, Markleby.
00:14:03He's marvellous.
00:14:04He juggles things, you know?
00:14:09You, you.
00:14:10Leave me the car.
00:14:11Leave me the car.
00:14:12Come on.
00:14:12Come on.
00:14:13Come on.
00:14:14Come on.
00:14:16Come on.
00:14:16Come on.
00:14:17Come on.
00:14:18Come on.
00:14:18Come on.
00:14:19Come on.
00:14:20You see?
00:14:20Come on.
00:14:21Come on.
00:14:21Come on.
00:14:23Come on.
00:14:25There's nothing left.
00:14:26I've got to do all myself.
00:14:27Come here.
00:14:32Marguerite, this must stop.
00:14:34Always the same story.
00:14:36Night after night after night.
00:14:38And then to catch you in the alley.
00:14:40Your performance suffers.
00:14:42Oh, shame.
00:14:43It's a wave!
00:14:45Navelle!
00:14:46The show must go on!
00:15:16I'm sorry for using melodramatic tricks to get your men out here, but then we can't be too careful.
00:15:20Norvell, he arrived tonight on the Hermania.
00:15:22And by a strange coincidence, Mr. Motto of the International Police was also aboard.
00:15:26Motto?
00:15:27Norvell warned me by cablegram, and I arranged for Mr. Motto to be taken care of.
00:15:31I only mention this to show you there's always a possibility of our being watched.
00:15:35And never forget, there must be nothing to show what government is employing us.
00:15:39The slightest mistake means death.
00:15:41Now, Norvell, did you learn the date?
00:15:43Not yet.
00:15:44But that Delacour woman had a radiogram from her husband tonight.
00:15:47Looks as if the fleet's arrival has been postponed.
00:15:49Oh, that's either very good or very bad.
00:15:52Gives us more time, but it might mean suspicion.
00:15:54Nevertheless, we'll go through with it. Nothing must stop us. Nothing.
00:15:57See, good job Mr. Motto is out of the way. He was dangerous.
00:16:00Yes.
00:16:01I'm just about to cancel him.
00:16:03What have you got there?
00:16:04A little collection of my own has taken me a long time to compile.
00:16:07This is the reverse of what police call a rose gallery.
00:16:09A detective's gallery, huh?
00:16:11Detective, secret servicemen, police of all nationalities.
00:16:14Can I have a look?
00:16:16There he is.
00:16:26Well, so much for Mr. Motto.
00:16:28That's really a magnificent idea. May I?
00:16:31Surely.
00:16:32How much remains to be done, Fabian?
00:16:34A day's work, Norval.
00:16:35You and I will complete the project.
00:16:37It is near completion, then?
00:16:39Oh, that is good.
00:16:40I had no idea you would be so far advanced by this time.
00:16:43Have you taken care of your end, Danforth?
00:16:45I fixed the passports and entry to any Aegean or Adriatic port.
00:16:49Well, it's been a drawback not knowing our exact plans.
00:16:52You'll know in plenty of time.
00:16:53Now all of you go back and watch the rest of the show.
00:16:56Norval.
00:16:56We must know what's in that radiogram.
00:16:58I'll get it for you tonight. Don't worry.
00:17:00Good. Report to me later at Connie's place.
00:17:02Quiet.
00:17:03What was that?
00:17:04I didn't hear anything.
00:17:06Neither did I.
00:17:06I'm afraid you're overly suspicious, Mr. Fabian.
00:17:09Perhaps.
00:17:09I don't trust anyone.
00:17:11Not even Alfred.
00:17:13I'll walk back with you as far as the passports.
00:17:22Not even Alfred.
00:17:22Wait a minute.
00:17:32Aren't you late, Mr. Markaday? You'd better hurry.
00:17:34Oh, we...
00:17:52I'll get to ask you.
00:17:52Wait a minute.
00:17:56Look!
00:18:01Search all the dressing rooms right away.
00:18:16He's backstage somewhere. Hakeem, watch the stage door.
00:18:19We'll search all the dressing rooms. Mine first.
00:18:25There's no one here. I'll take this for you up to the next level.
00:18:29All right.
00:18:44I shouldn't do that until I were you, Mr. Burke.
00:18:47It isn't worthy of your excellent position with the British Secret Service.
00:18:51Who are you?
00:18:51I'm your friend. You're in a more dangerous position than I am.
00:18:56But who are you?
00:18:57Don't give yourself away by removing your photograph.
00:19:00Continue to search for me. I'm Motto.
00:19:04Meet me at 42 Shari El Sorda tonight.
00:19:07Directly opposite Karni's place. Watch out.
00:19:16Any trace of him?
00:19:17No. Let's go and find Fabian.
00:19:31There's no sign of him in any of the dressing rooms.
00:19:34Never mind. You'd better get back to Madame Delacorte.
00:19:35All right.
00:19:36multiply your clothes.
00:19:45Let's go and find out.
00:19:46You look up.
00:19:50Are you crazy?
00:19:52What is the meaning of this?
00:19:55What's the trouble here?
00:19:57Marguerite, she's a very bad girl.
00:19:58She gives another less performance than comes right in here.
00:20:02I come following her, and with voice tosser, she assassinates me.
00:20:07I'm terribly sorry. I can explain everything.
00:20:09Now, just a minute.
00:20:10Somebody robbed my dressing room, and I saw Mr. Markaday sneaking around here,
00:20:13and I jumped on him.
00:20:43He must have gone from this window.
00:20:44I will have a search, man.
00:20:46And you, please, keep your margarita and prison between performance.
00:20:53Well, it's one good thing, at any rate.
00:20:55Wherever he was, he couldn't have heard much listening in there.
00:20:57If he listened, then that's too much.
00:20:59That's all, Danforth.
00:21:00I'll phone you when I need you.
00:21:02Yes, sir.
00:21:45Say, Alfred, don't you think this gentleman bears a strange resemblance to Mr. Danforth?
00:21:50Say, Alfred, don't you think this gentleman bears a strange resemblance to Mr. Danforth?
00:21:56Say, Alfred, don't you think this gentleman bears a strange resemblance to Mr. Danforth?
00:21:57Now, do you know me, Chankina?
00:21:59Now, do you know me, Chankina?
00:22:00Hmm.
00:22:02Hmm.
00:22:02Hmm.
00:22:03Hmm.
00:22:04Hmm.
00:22:04Hmm.
00:22:05Hmm.
00:22:05Hmm.
00:22:05Hmm.
00:22:15Hmm.
00:22:20Hmm.
00:22:20Hmm.
00:22:39I don't know, Mr. Fabian.
00:22:40Go find her for me.
00:22:42Go find her yourself.
00:22:44What's the matter?
00:22:44Gonna complain about something?
00:22:46Have you got any eye on her, darling?
00:22:47Oh, you've been speaking out of turn again, huh?
00:22:49Okay, I can see you.
00:22:50I'll get some eye on it and bring it up to your room.
00:23:34Let's have a look.
00:23:35Oh, it's nothing.
00:23:36I just wanted to tell you I'm expecting a visitor tonight.
00:23:38A man called Nouvelle.
00:23:39All right, but what did you do to that hand?
00:23:42The dog at the theater nipped me.
00:23:43Oh, I don't want you to go foaming at the mouth around here.
00:23:45Come on and give us that nip.
00:23:46Why don't you let the bloke alone?
00:23:48Take more than a dog bite to hurt him.
00:23:49Oh, be a sick.
00:23:50Don't be as funny as you like, but in this filthy town,
00:23:52it might be serious.
00:23:53A wolf hound once bit Alfred.
00:23:54All he got was splinters.
00:23:55I'm getting a bit fed up on your jokes.
00:23:57Don't listen to her, Alfred.
00:23:58It was funny at first, but now it's getting past a laugh.
00:24:01Why, you actually treat that dummy as though it were a human being.
00:24:06Oh, getting in shot tonight.
00:24:08I'm sick of Alfred.
00:24:10To tell you the truth, I'm sick of the whole dirty business you're in.
00:24:12Whatever it is.
00:24:14Why can't we be together more?
00:24:15Why all this hide and seek?
00:24:17Why do I have to run a dive like this and pretend I hardly know you?
00:24:19Wait a minute.
00:24:19I've always done what you told me to without asking questions,
00:24:21but now I've got to know.
00:24:23Why do you pretend to be a third-rate music all-turn?
00:24:25What's your real game?
00:24:26Why don't you let me in on it so I can help you?
00:24:28You've said enough now.
00:24:29Be quiet.
00:24:33Sorry.
00:24:34I didn't mean to go flying off the handle like that.
00:24:37I guess it's because I love you so much.
00:24:43So you want to know all about my business, huh?
00:24:45Mm-hmm.
00:24:46All right.
00:24:47Take a seat in the office.
00:24:48As you're so curious, I'm going to tell you everything.
00:24:52Wait a minute.
00:24:58Okay.
00:24:59Hold that hand still and not talk.
00:25:18floor�?
00:25:20Any timeмерes shouldamy arites of prayer,
00:25:36or the ones that fire in service is meant to be too late under the sentir?
00:25:42I will let them go here.
00:25:43And then you must go I know.
00:25:44We will let them down.
00:25:48All right.
00:25:49Anyone here?
00:25:51Yes, Mr. Virg.
00:25:52I'm sorry to welcome you so inhospitably,
00:25:55but darkness is necessary
00:25:56if we are to observe the movements of the enemy.
00:26:00Please sit down.
00:26:03You really are Moshe, then?
00:26:05That is my one permanent characteristic.
00:26:08But I thought Moshe was dead.
00:26:10Fabian doesn't usually make mistakes.
00:26:13He made a grave mistake tonight
00:26:14when he murdered a countryman of mine,
00:26:16and he will regret it.
00:26:18Was this man deliberately posing as you?
00:26:21He was my colleague, keeping Mr. Norvell under observation.
00:26:25Incidentally, he diverted suspicion from myself.
00:26:28You see, at present, I'm Kuroki,
00:26:30dealer in Oriental Art,
00:26:32and I'm in Port Said now for quite some time.
00:26:34How did you know me?
00:26:36You were, I believe, in Nepal about two years ago,
00:26:39posing there as a Buddhist priest.
00:26:41But I thought only our Secret Service knew about that.
00:26:44You may remember that extremely dirty mule driver
00:26:47who accompanied you to the border.
00:26:50What's that?
00:26:51Oh, yes.
00:26:53Motu, I'm beginning to believe all the stories I've heard about you.
00:26:57Please do not. I do not.
00:27:00But should we not return to our present assignment,
00:27:02I'm interested in the extent of your information.
00:27:06It isn't nearly enough.
00:27:07Fabian doesn't confide in his men. He merely uses them.
00:27:09But you sent a report to London only last week.
00:27:13It was more warning than report.
00:27:16All I was able to tell them was that there's a plot to cause trouble
00:27:19between England and France,
00:27:20which has some connection with the visit of the French fleet.
00:27:22That undoubtedly explains their postponed arrival.
00:27:25But they can't hold them long unless we discover Fabian's exact plans.
00:27:30Observe.
00:27:31Mr. Norvell is arriving.
00:27:32at a night in these days...
00:27:33I was that girl for the mainland...
00:27:39How are they saying?now
00:27:41go back, they're
00:27:43missing an eye. I'll
00:27:53give my Gelds...
00:28:04Why, hello, Mr. Norville.
00:28:06You remember me, don't you, Captain Hawkins of the Vulcan?
00:28:09Oh, yes. How are you, Captain?
00:28:11Fine, thanks.
00:28:13What's Phoebe?
00:28:14Upstairs, room number 10.
00:28:15And tell him I'm down here, will you?
00:28:17Well, glad to have seen you, Captain.
00:28:18Right.
00:28:21Oh, bring back my body to me.
00:28:26When do you get down and see if the fellas come?
00:28:28All right, see you, I.
00:28:29Oh, here he is now.
00:28:31Connie, this is Mr. Norville.
00:28:32He's just arrived from Europe.
00:28:34This is Miss Porter, the proprietor's here.
00:28:36Pleased to meet you.
00:28:37I'm honored.
00:28:38See you later, maybe, Mr. Fabian, and take care of that hand.
00:28:42Come in.
00:28:46Very attractive, the proprietor.
00:28:48Don't do any talking in front of her,
00:28:50but if you have to, we're in a smuggling racket.
00:28:51I had to tell her that because she was getting too curious.
00:28:53Oh, I see. An intimate friend.
00:28:55I've known her for six years.
00:28:56I helped the Dodge at the English police,
00:28:58and I got her out of the country.
00:28:59She's all right, but I'm not taking any chances.
00:29:01Did you get that radiogram?
00:29:03Yes, I copied it and put it back in her bag
00:29:05so that Madame Delacour shouldn't become suspicious.
00:29:07But it doesn't help us at all.
00:29:08Here's all it says.
00:29:09Changed orders.
00:29:10We'll not see you until three days later than expected.
00:29:12My love to you and Marie.
00:29:15Well, who's Marie?
00:29:16Oh, a child about five years old.
00:29:18Can't you get the woman to talk?
00:29:20She's the very essence of discretion.
00:29:21It's vital that we find out that date.
00:29:23But can't we just make our preparations
00:29:25and then wait until the French ships are sighted?
00:29:27Oh, use your head, man.
00:29:29We've got to get everything ready for a definite time and then lie low.
00:29:31We're being watched, and we don't know who's watching us.
00:29:33Well, at least we got rid of Mr. Motto.
00:29:35But who was the man in the theater?
00:29:37And here, have a look at this.
00:29:40You ever seen this face before?
00:29:42The beard's my own idea.
00:29:44Somebody who was in my dressing room tonight
00:29:45started to tear this thing out and then stopped.
00:29:48Who is it?
00:29:52Danforth.
00:29:53Of course.
00:29:53But he couldn't possibly be a British agent.
00:29:55It was he who fixed our fake passports to get out of here.
00:29:57Those passports were forged in Cairo
00:29:59by a man called Danforth, who I've never seen.
00:30:01This man's Burke.
00:30:02Somehow he intercepted the real Danforth coming up here.
00:30:05Well, what are we going to do?
00:30:07Do you recall Mr. Burke suggesting
00:30:08he'd like to know our exact plans?
00:30:10Yes.
00:30:11Well, I'm going to show him what it's all about.
00:30:13Ah.
00:30:13I think he'll be interested and very useful.
00:30:16Ah.
00:30:16Well, in the meantime,
00:30:18I'm going to work on a new plan to get that day.
00:30:20See that you do.
00:30:20And phone Mr. Burke Danforth at the Marina Hotel tonight.
00:30:23Be very pleasant.
00:30:25Tell him I want him here just before dawn, say, 4.30.
00:30:27Whichever way I turn, I come up against a stone wall.
00:30:30I've never known so little at this stage of a case.
00:30:33I, too, must confess to a feeling of futility.
00:30:36Mr. Fabian's methods display a certain genius.
00:30:39We don't even know the name of the ship
00:30:41they got those clearance papers for.
00:30:42And that ship, perhaps, is the key.
00:30:44You'd better go now, Mr. Burke.
00:30:46We'll meet again tomorrow afternoon.
00:30:48Where?
00:30:49I'll phone you.
00:30:49What is your address?
00:30:50A small hotel called the Marina.
00:30:55You must not be seen here.
00:30:57You'll find another door in the back room.
00:31:06Good evening, please.
00:31:08Oh, uh, are you open?
00:31:09Closing now for hours, but always open for number one customer.
00:31:14Oh, dear.
00:31:15That sign there says you speak English.
00:31:17Oh, speaking English, very fluent.
00:31:20Only selling E1 articles.
00:31:23Oh, me savvy.
00:31:24Uh, me, look-see in window.
00:31:27Me, uh, want-a buy number one PC.
00:31:32Oh, entering, please.
00:31:33Thank you very much.
00:31:35Entering, please, my humble shop.
00:31:37Oh, it's all tonight.
00:31:38Oh, come on.
00:31:39Oh.
00:31:42Oh, oh, what wonderful antiques.
00:31:45Oh, yes, oh, yes.
00:31:46Supreme collection.
00:31:48Buddhas, all dynasties.
00:31:50Scrolls, all assortments.
00:31:52Weapons, all murderers.
00:31:54Suiting you?
00:31:55No, not tonight, thanks.
00:31:56Um, me see ring in window.
00:31:59Yes, sir.
00:31:59How much in?
00:32:00This one?
00:32:01No, no, not that one, no.
00:32:02No, the scarab ring.
00:32:04Oh, so?
00:32:05Gentleman having first class knowledge.
00:32:08This ring being very ancient.
00:32:11Observe.
00:32:12Being said to come from tomb of Creopatra.
00:32:16No.
00:32:16Yes, sir.
00:32:17Oh, I say.
00:32:18Oh, plenty too much money, maybe.
00:32:20Oh, no, no.
00:32:20Being new customer, I selling cheap.
00:32:23Sixty piastres, maybe.
00:32:24Oh, I say that's jolly decent of you, but I really-
00:32:27Oh, no, no, no, but making small reduction.
00:32:29Forty piastres suiting you, but promising, always handled with great care.
00:32:35Oh, yes, rather.
00:32:35Oh, I-I thank you.
00:32:36I'm very much obliged to you.
00:32:38Crazy.
00:32:39I have to give you five-punners.
00:32:42Oh, yes, sir.
00:32:43Being very large.
00:32:44Hoping to make change.
00:32:56A poor old chancing, please, but being correct amount.
00:32:59Will all this piastres me?
00:33:01Yes, sir.
00:33:02Oh, all for five pounds.
00:33:04Oh, thank you very much.
00:33:06It's a lot, isn't it?
00:33:10Here he comes.
00:33:12I shall certainly be back tomorrow.
00:33:15Thank you very much.
00:33:17Well, uh, nighty-nighty, Mr. Kuroki.
00:33:23Oh, yes.
00:33:27Hey, buddy.
00:33:28Huh?
00:33:29Shoes untyed.
00:33:30Oh, is it really?
00:33:30Oh, thanks very much, old boy.
00:33:33Help!
00:33:35This is obviously a case of mistaken identity.
00:33:37Oh, help!
00:33:45Fight!
00:33:46Fight!
00:33:48Fight!
00:33:49Fight!
00:33:50Oh, yes.
00:33:50Save your help!
00:33:52Oh, yes.
00:33:54Ah!
00:33:55Oh, yes.
00:34:01Fight!
00:34:04Get them!
00:34:05Come on!
00:34:08Come on, I'm a child!
00:34:10Get out!
00:34:23Feeling okay, please?
00:34:24Yes, I think so. Thank you.
00:34:26Oh, dear. Thank you very much.
00:34:29Hey, no catchy money.
00:34:30Oh, better hiding it, please.
00:34:32And speak English, I understand.
00:34:34Well, thank you very much, Mr. Couricier.
00:34:36I'm deeply grateful.
00:34:37It was wonderful being very simple.
00:34:40Judo, often miscarred by foreigners.
00:34:43Jiu-jitsu.
00:34:44Of ADAC.
00:34:45You're hiding home in Arabiya.
00:34:47Certainly.
00:34:52No, no, no, please.
00:34:54In here.
00:34:55Oh, I'm so sorry.
00:34:57You staying at Kedi Hotel?
00:34:59Yes, I am, yes.
00:35:00To Kedi Hotel, please.
00:35:01Well, now, Mr. Couricier, I'll see you tomorrow.
00:35:03Yes, sir.
00:35:04But Humble is suggesting change of costume, then.
00:35:06Oh, I see what you mean, yes.
00:35:08Wear something as if I looked I wasn't worth loving.
00:35:10Yes, sir.
00:35:10Yes, sir.
00:35:11That's a jolly good singing.
00:35:12Good night, sir.
00:35:19Thanks, Bill.
00:35:20Yes, sir.
00:35:21The dingy's our passport, the weird house war.
00:35:23You boys knew something just now.
00:35:25Yeah, I was.
00:35:26Nice rough arts outside.
00:35:27Nothing new in this aristocratic neighborhood.
00:35:28All this was.
00:35:30A little bit of a Japanese playing ping pong with a couple of bruises.
00:35:33The Japanese?
00:35:34Yes, Kuroki, the shopkeeper from over the way.
00:35:38Why, there he is, sitting right behind you.
00:35:40Good evening, please.
00:35:41Nice work, Mr. Kuroki.
00:35:43You boys better keep civil or Mr. Kuroki might get rough for you.
00:35:47I know who you are.
00:35:49Yeah?
00:35:49So, yes.
00:35:51Very interesting.
00:35:52You funny pharaoh at the theater of his dummy.
00:35:55Talking in stomach.
00:35:56Very clever.
00:35:59So, you've been to the show, have you?
00:36:01Oh, yes.
00:36:02I like everything, but you best.
00:36:05Very funny.
00:36:06Were you at the show tonight?
00:36:07Oh, yes.
00:36:08Seeing show every Friday.
00:36:10Being greeted by a row of artists.
00:36:12Have a drink with me, please?
00:36:14No, thanks.
00:36:15Tony, I think this dressing ought to be changed.
00:36:17Okay, I'll do it.
00:36:18Will you hurt him yet, please?
00:36:20Being very sorry.
00:36:21Good evening, Mr. Kuroki.
00:36:21The dog at the theater bit me.
00:36:23Oh, yes, seeing him in show.
00:36:25Very clever dog.
00:36:27Mm-hmm.
00:36:29See you later.
00:36:29Good night, Mr. Kuroki.
00:36:31Good night, sir.
00:36:32Good night, Mr. Kuroki.
00:36:34Have you any drink with me, please?
00:36:36No.
00:36:37I don't drink with no strangers, see?
00:36:40What's more, I don't know with no foreigners, neither, see?
00:36:42Yes, sir.
00:36:43Yes, sir.
00:36:44Nice thinking, gentlemen not liking me.
00:36:46Don't pay any blimmin' attention to that blighter, Mr. Kuroki.
00:36:49He always gets like that when he's had a couple of months.
00:36:51Oh, yes.
00:36:52Who else you please?
00:36:53See the man?
00:36:54Yes, he's the captain of the Plummin' Vulcan.
00:36:57Thank you very much, sir.
00:37:04What's all this with the little Kuroki?
00:37:07Nothing, maybe.
00:37:08But I've got a hunch he might be more than he seems.
00:37:10You mean a revenue man?
00:37:12Hmm, something of the sort.
00:37:14Now, look.
00:37:14I'm going to be away most of tomorrow, and I want you to do something for me.
00:37:17Does that mean I'm really in with you?
00:37:19I told you, didn't I?
00:37:21Oh, perhaps I didn't think you meant it.
00:37:22Certainly I meant it.
00:37:23Now, listen.
00:37:25Tomorrow, all the time that I'm gone, I want you to watch Kuroki.
00:37:29Kuroki?
00:37:45Where are we going?
00:37:46The top of the salvage vault, the Vulcan.
00:37:48The Vulcan, eh?
00:37:50That must be the ship the Port Ferenczes were for.
00:37:53Yes, I think you'll find it very interesting.
00:38:02Is this the car?
00:38:02No, no, no.
00:38:03No, no.
00:38:03No, no.
00:38:04No, no.
00:38:05No, no.
00:38:07No, no.
00:38:08No, no.
00:38:09No, no.
00:38:09No, no.
00:38:10Yes.
00:38:11Go away.
00:38:11Go away.
00:38:13Empty!
00:38:14Yes, yes, Rallot.
00:38:15Norm will arrange everything.
00:38:16He's got to get the picnic baskets now.
00:38:18I say, I'm dying to see that ancient tomb he was talking about, aren't you?
00:38:21What's a tomb, Rallo?
00:38:24Well, it's...
00:38:25Well, I can't...
00:38:26Monsieur Novelle told me nothing about a tomb.
00:38:28He just invited us to a desert breakfast.
00:38:30Oh, I say, I had left the cat out of the bag, haven't I?
00:38:34What, Cat, Rallo?
00:38:35What bag was it in?
00:38:36Oh, just a little tight.
00:38:37No, don't, I...
00:38:38Good morning. I'm sorry I'm late.
00:38:40I say, this is ripping, very, is it?
00:38:42What's ripping, Marlowe?
00:38:43Well, shall we start?
00:38:44You know where to go, driver.
00:38:46And I'm up and down.
00:39:16Take this and show Mr. Kuroki in.
00:39:18Yes, sir.
00:39:22This way, Mr. Kuroki.
00:39:24How do you do, Mr. Little?
00:39:25It is good of you to receive me so promptly, General.
00:39:28Not at all, not at all.
00:39:29Dig it down.
00:39:31Well, how is that mare's nest they sent you to fed it out, Ron?
00:39:37The nest is here beyond doubt, but I'm afraid we shall find it to be that of a tiger.
00:39:42Oh, then you know more.
00:39:45But the last time you were doubtful.
00:39:47Oh, yes, General, but now I have more than a suspicion.
00:39:51Well, what do you want us to do?
00:39:53Make some arrests, couple of platoons, anything you like, you know?
00:39:57Later, perhaps.
00:39:58At present, I merely wish information concerning a vessel named the Vulcan.
00:40:04Vulcan?
00:40:05Oh, which is just a salvage ship working on a wreck couple of miles offshore.
00:40:11Also?
00:40:12A legitimate enterprise?
00:40:14Oh, definitely.
00:40:15Some silly cargo boat went and got herself rammed and sunk a few weeks ago,
00:40:20and the owners commissioned the Vulcan to salvage of them.
00:40:24May I be permitted to investigate the ship, General?
00:40:26Oh, certainly.
00:40:27But if you're barking up that tree, Mr. Moto, you certainly will find a mare's nest.
00:40:37I'll arrange for a cutter to take you out tomorrow.
00:40:40Thank you, General.
00:40:40Would you please tell me the location of this wreck?
00:40:44Oh, certainly.
00:40:45Certainly.
00:40:45Here she is.
00:40:46Up here.
00:40:49There she is.
00:40:50That little red fellow, do you see?
00:40:52Laying in 15 fathoms of water, huh?
00:40:56And that is where the Vulcan is anchored today?
00:40:58Yes.
00:41:27Neat, isn't it?
00:41:29We do enough salvage work to satisfy the port authorities or any investigators.
00:41:33Then we get on with our job, like the three divers below now.
00:41:37It was amazing luck to find a wreck just where you wanted it.
00:41:39Not luck.
00:41:40The ship belonged to our employers.
00:41:43And we arranged to sink it here at the mouth of the canal.
00:41:46You still haven't told me what the divers were actually doing.
00:41:49Don't tell me you can't figure that out, Mr. Danforth.
00:41:55Founding explosives?
00:41:56The entrance of the canal.
00:41:58In a few more hours, we'll have the whole area mined.
00:42:01With depth charges controlled from shore.
00:42:03What an idea.
00:42:04Destroy the French fleet as it starts through.
00:42:07The leading ships at any rate.
00:42:09They'll block the entrance.
00:42:10You're so interested in the work you ought to see for yourself, Mr. Danforth.
00:42:14Come over here.
00:42:23Never been down in a diving, Bell?
00:42:24You'll find it quite an experience.
00:42:26It's a bit cringe for two.
00:42:29Yes, I should imagine it is.
00:42:31Well, I'm going to stand aside and let you go alone.
00:42:35Help him in.
00:42:36Just a minute.
00:42:39I'd, uh, I'd like to understand a little more, Fabian.
00:42:43Isn't it clear to you yet?
00:42:45Anyway, there's a phone in there.
00:42:46We'll be in touch.
00:42:48All right.
00:43:02Well, hurry with them wing-boats.
00:43:09Go on, run out of the way!
00:43:19Go on, run out of the way!
00:43:33Directly, it's on the bottom.
00:43:34Connect me.
00:43:46Hello.
00:43:47Hello, Danforth.
00:43:48Are you on the bottom yet?
00:43:50All right, hold on a minute.
00:43:56Hello, Danforth.
00:43:57How's the view?
00:43:58Not bad at all, Fabian.
00:44:04Thank you, Danforth.
00:44:09Congratulations.
00:44:10Very nice work, indeed.
00:44:13Well, you'll never make France believe England did it.
00:44:15Oh, I think I can handle that all right.
00:44:17Suppose there's evidence to show that the whole thing was managed by a British Secret Service agent.
00:44:22How would that do?
00:44:23And suppose we call the agent S-14?
00:44:27You'd better hurry if you want to say anything.
00:44:29And to pity we forgot to put oxygen tanks in the bell.
00:44:40All right, Fabian, you've got me.
00:44:43But you'll never succeed.
00:44:47A thousand to one I do.
00:44:48Cut that cable.
00:44:50So long, Mr. Park.
00:44:53Turn him loose.
00:44:56I'll let you stop, Arnold.
00:45:27I'll let you stop.
00:45:33You're being very certain, please, that Mr. Danforth's not there?
00:45:38Also, please tell him when seeing him that Mr. Kuroki calling.
00:45:42How do you spell the name, please?
00:45:44K-racking kimono.
00:45:46Oh, oh, sure.
00:45:48Kuroki, ja, mein Herr, I have a message for you.
00:45:51Would you like me to read it out loud for your own information?
00:45:54Yeah, yeah.
00:45:55Here is it.
00:45:56Boss has sent for me.
00:45:58Period.
00:45:59May learn enough to make full report tonight.
00:46:03End of message, mein Herr.
00:46:06Thanking you very much.
00:46:07And please being certain to tell Mr. Danforth when returning that Mr. Kuroki expecting him.
00:46:13Very important, please.
00:46:43Please.
00:46:59Hello, dear. I was getting worried about you.
00:47:04I thought I'd told you not to fool with Elf. Now leave him alone.
00:47:07Oh, I didn't hurt your pet.
00:47:10Have Elk called? I've been here?
00:47:11Hasn't called? Hasn't been.
00:47:12I wonder what's keeping him.
00:47:14I don't know what's keeping him.
00:47:14What about Kuroki?
00:47:15This morning he went to the Port Commandant's office.
00:47:18Came out in about 15 minutes.
00:47:19Then he gave me the slip.
00:47:20But he's back at his shop now.
00:47:23Went to the Commandant, did he?
00:47:25I didn't think it was so good myself.
00:47:27What's it mean? That he is a revenue man?
00:47:30Don't you worry your hat, honey.
00:47:32If you're coming to the show, you'd better get changed.
00:47:34And on your way down, send Hawkins up, will you?
00:47:36But you are.
00:47:41Five of you in your laundry's back.
00:47:43What, already?
00:47:45Yeah, they refused it.
00:47:47Oh, you're dippy.
00:48:05Fabian will see you right away in his room.
00:48:07All right.
00:48:08Hey, wake up! Hey!
00:48:34Come here.
00:48:36Come here.
00:48:36Come here.
00:48:37Miss Connie said, is there you wanted to see me?
00:48:39That's right. I've got a job for you.
00:48:40Well, anything you say, Governor.
00:48:42I want a look.
00:48:42I want you to make one of those packages of yours
00:48:44and have it ready for tonight.
00:48:45Blimey, who are we going to do in this time?
00:48:47Mr. Kuroki.
00:48:53Meanwhile, in the Mediterranean,
00:48:55French squadrons proceed full speed ahead
00:48:57to the gigantic naval maneuvers
00:48:59to be held with Great Britain in the Red Sea.
00:49:01With all Europe engaged in a costly armament race,
00:49:04the tension grows daily.
00:49:05Only a spark is needed to touch off the tinderbox of the world.
00:49:09But as long as England and France remain close friends,
00:49:11more clouds in Europe are unlikely.
00:49:21Hello, Fabian.
00:49:23Sorry I couldn't get back any sooner.
00:49:25Did you land the date?
00:49:26Yes.
00:49:27The trick with the child worked.
00:49:29When we went on that picnic to the desert this afternoon,
00:49:32I managed to get the child away from her mother.
00:49:35And she told me she was going to see her father tomorrow morning.
00:49:38Good.
00:49:38That won't give anybody time to stop us.
00:49:40But you and I will have to work most of the night.
00:49:42Starting when?
00:49:43As soon as I've taken Connie home, she's out front.
00:49:45Meanwhile, here's some news for you.
00:49:47Yes?
00:49:48The man who was listening next door was Kuroki,
00:49:50a Japanese who keeps a junk shop opposite Connie's place.
00:49:52Japanese, eh?
00:49:53What's more, Kuroki is really Mr. Moto.
00:49:56He's...
00:49:57But that isn't possible.
00:49:59Everything fits too well.
00:50:01Have you got rid of him?
00:50:02Hakim's on the job now.
00:50:03But I want you to check on it.
00:50:11Could you tell me where Mr. Fabian's dressing or miss?
00:50:13It's the third door down on your left.
00:50:15Thanks.
00:50:18What did I tell you?
00:50:20He is human after all.
00:50:26Don't you expect any trouble about getting away?
00:50:28Our minds will blow the French flagship to bits.
00:50:31During the commotion nobody will notice the Vulcan slip away.
00:50:34Our papers are all in order.
00:50:35Sailing permit, everything.
00:50:36Even visas for the passengers.
00:50:38Well, that's fine.
00:50:39See you later.
00:50:40Right.
00:50:42Ah, good evening.
00:50:44I thought I'd come back and see you.
00:50:46Didn't you enjoy the show, Miss Portford?
00:50:48Well, I...
00:50:48You'd better take care of that right away, Norville.
00:50:50Come in, Connie, come in.
00:50:56Who told you to come backstage?
00:50:57And who told you to lie to me?
00:50:58What's the matter with you?
00:50:59So you didn't want me to know what you were really up to?
00:51:00Oh, wait a minute.
00:51:01Oh, I think he was trying to deny it.
00:51:02I heard you just now.
00:51:04Smuggling.
00:51:04That's a fine word he used to blow hundreds of men to bits
00:51:07and start another war.
00:51:08That's enough.
00:51:08And don't think you can get away with it.
00:51:09Now listen to me.
00:51:10You're in this as deep as any of us,
00:51:11and you're gonna come along with me
00:51:12and not say a word to anybody.
00:51:22Alf, what do you think of her?
00:51:24Tells a man she's been in love with him for six years
00:51:26and then wants to see him hanged.
00:51:27And why?
00:51:28Because he's working against a cubby
00:51:30that wanted to send her to jail.
00:51:32And if it hadn't been for me,
00:51:33she'd be rotting right now in Dartmoor Prison.
00:51:36That's gratitude for you, isn't it?
00:51:39Oh, what's the matter, darling?
00:51:42Listen.
00:51:43You've nothing to thank England for.
00:51:44Well, you can't even go back there ever.
00:51:47Come on now, be sane.
00:51:48Stick with me.
00:51:50Hm?
00:51:50No.
00:52:02Seriously?
00:52:05I'm a liar.
00:52:07I'm a liar.
00:52:08I'm a liar.
00:52:08And I'm a liar.
00:52:09Oh!
00:52:39Oh!
00:53:13Good evening, please.
00:53:54Thank you very much.
00:54:24Thank you very much.
00:54:59Thank you very much.
00:55:33Thank you very much.
00:55:54Thank you very much.
00:56:21Thank you very much.
00:56:24Thank you very much.
00:56:48Thank you very much.
00:57:02Thank you very much.
00:57:11Thank you very much.
00:57:27Thank you very much.
00:58:00Thank you very much.
00:58:32Thank you very much.
00:58:46Thank you very much.
00:59:31Thank you very much.
00:59:45Thank you very much.
01:00:35Thank you very much.
01:00:38Thank you very much.
01:00:40Thank you very much.
01:00:56Thank you very much.
01:01:07Thank you very much.
01:01:27Thank you very much.
01:01:46Thank you very much.
01:01:54Thank you very much.
01:02:24Thank you very much.
01:02:47Thank you very much.
01:02:54Thank you very much.
01:02:54Thank you very much.
01:02:59Blimey, there ain't nothing in it at all.
01:03:03Go on, go on.
01:03:04It's all right to talk in front of her.
01:03:05She's going to be with me all the time.
01:03:06Well, the explosion didn't kill Morton.
01:03:08What?
01:03:08He was in the warehouse, but we got them both.
01:03:10I told Hawkins to, uh...
01:03:12Right, but we'll make sure.
01:03:13There's been too many mistakes.
01:03:14Come on, Connie.
01:03:15Me?
01:03:17Yes, honey.
01:03:18You're going to be with us on everything.
01:03:19Come on.
01:03:20Come on.
01:03:28Try and fool me, would you?
01:03:36What have you been so long about?
01:03:37Well, this hoarding angel told me some yarn about a ring with a spike in it.
01:03:40And there wasn't no spike at all.
01:03:42Stop chattering and get rid of these.
01:03:43Now while I watch you.
01:03:44Hurry up.
01:04:09Now we can get out without work.
01:04:13Connie!
01:04:14She's gone.
01:04:16Connie!
01:04:38Hello?
01:04:39Hello?
01:04:39Give me the poor company, Anne, quickly.
01:04:41Quickly!
01:04:42You'll try to double cross me after all.
01:04:44I'll try to stop you and I will stop you.
01:04:45You!
01:04:47Oh, stop!
01:04:47I don't think so.
01:05:23Well, uh, how do we get here?
01:05:27Talk softly.
01:05:28We are supposed to be dead.
01:05:30Well, dead?
01:05:31Dead?
01:05:32Extremely dead.
01:05:33They tied us in sacks and dropped us off this wharf.
01:05:37Well, how did we get here?
01:05:40I was fortunate enough to obtain a piece of steel, which enabled me to cut myself loose,
01:05:45and then to save you, the literature, of course.
01:05:48Oh, I say that pegs off.
01:05:51Now, Mr. Venables, listen carefully to what I see.
01:05:56Everything's ready now.
01:05:57Now, look here, Fabian.
01:05:58Why must I do this?
01:05:59You know I've had no experience with this sort of thing.
01:06:02Because I'm not trusting anyone but myself to give the signal when the flagship passed
01:06:05to the buoy.
01:06:05So that leaves you.
01:06:07Come on.
01:06:07There's nothing to it.
01:06:07Give me a hand with the skier.
01:06:09Take it outside.
01:06:12Don't worry, Mr. Venables.
01:06:13I'll get through.
01:06:26There they come.
01:06:27Down you go.
01:06:40You'll find a plunger box out here in some wreckage.
01:06:42Look for the anchor.
01:06:43You can't miss it.
01:06:44No.
01:06:44Remember, don't make the contact until you get the signal from me.
01:06:47Three jerks on the line.
01:06:48Got it?
01:06:49All right.
01:06:49guys.
01:06:51That's what a long line.
01:06:53Oh, first.
01:06:58First.
01:07:01Next time it's falling.
01:07:03All right.
01:07:04All right.
01:07:13Blacklark.
01:07:14In fact, Herr La convoyciate a
01:09:15What is all this?
01:09:16Oh, there you are, Mr. Mojo.
01:09:18Who is this woman?
01:09:19A very gallant lady who saved my life.
01:09:22Will you please see that she's looked after, General?
01:09:25Certainly, Sergeant. Take this lady inside, sir.
01:09:28I suppose those explosions were part of your mare's nest, one.
01:09:32It was the other nest, General.
01:09:34It was the other nest, General.
01:09:34What?
01:09:35The Tigers.
01:09:36Fortunately, I was able to avert disaster.
01:09:39Well, it's vitally important that we should know what country is behind this.
01:09:42Vitally important.
01:09:43Oh, yes, brother, it is.
01:09:45Oh, yes, brother, it is.
01:09:46Absolutely, it is.
01:09:46What the...
01:09:47What is all this tom-poo-leray?
01:09:51What the deuce?
01:09:53Wait a minute.
01:09:58This may be the answer to our questions.
01:10:07Yes, indeed.
01:10:10See for yourself, General.
01:10:18Well, what country is it?
01:10:19Tell me the name of the country.
01:10:20It will make a wonderful ending to my last chapter.
01:10:22Don't talk, Mr. Motto, or you might lose your chance.
01:10:25Look at that.
01:10:43The End
01:10:44The End
01:10:47The End
01:10:55¶¶
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