- 8 hours ago
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00:00:00THE END
00:01:41All right, men, come aboard.
00:01:43Come on, shake it up, shake it up.
00:01:45Rig up forward hole number one and two and number five aft.
00:01:48The witches are under steam, so get a move on.
00:01:50Let's go.
00:01:52Let's go.
00:02:47Who is it?
00:02:48First, sir, Mr. Abbott.
00:02:52Just a minute, please.
00:03:02Give me that diamonds.
00:03:03What, I?
00:03:04Give me that.
00:03:06Hurry up.
00:03:12Try anything like that again, and I'll have to hurt you.
00:03:15I didn't come here to do that.
00:03:16All I want is a diamond.
00:03:18Give them to me.
00:03:20Help!
00:03:30Police headquarters.
00:03:32Yeah?
00:03:33Mm-hmm.
00:03:36Where?
00:03:39No, Dick Tracy isn't here, but stay on the wire.
00:03:42I'll call his home.
00:03:42What's so important?
00:03:44The harbor detail reporting murder.
00:03:54Say, what goes on?
00:03:55You certainly aren't busy, Junior.
00:03:56I got things to do.
00:03:59Holy smoke!
00:04:00What's the matter?
00:04:01Somebody left the receiver off the hook.
00:04:03I detect Tessa's fine hand in that little maneuver.
00:04:05Probably wanted to make sure that you wouldn't be called out tonight.
00:04:08Yeah, that's about it.
00:04:11Welcome to Beville.
00:04:14Hello?
00:04:16Yes, Tracy speaking.
00:04:19What?
00:04:21Yes.
00:04:22Yes, Pier 30.
00:04:24Got it.
00:04:25We'll be right there.
00:04:26What is it, Dick?
00:04:27They've just reported a murder on the SS Palomar.
00:04:29She talked about an hour ago.
00:04:31Get your hat, Pat.
00:04:32What?
00:04:32Oh, Chief.
00:04:33Please explain to Tess.
00:04:35Tell her I'll see you later.
00:04:36Okay, Dick.
00:04:37A most effective entrance, my dear.
00:04:40I congratulate you on your sense of the dramatic.
00:04:44Friends, if I may have your attention,
00:04:46Skip it, Mr. Flinthart.
00:04:48Dick's gone.
00:04:49Gone?
00:04:50But that's impossible.
00:04:52I haven't seen it.
00:04:52It was a homicide case, Tess.
00:04:54Junior found the receiver off the hook.
00:04:56Oh, Junior.
00:05:03How about it, Mr. Tracy?
00:05:04Anything you want to tell us?
00:05:05Later, boys.
00:05:08Hey, Dick, Mr. Tracy.
00:05:16Is this the way everything was when you entered?
00:05:17Yes, sir.
00:05:21Well, it's quite obviously death by strangulation.
00:05:25Strangulation, huh?
00:05:27What about this?
00:05:29Probably the victims.
00:05:31Have it checked the fingerprints.
00:05:33He was undoubtedly trying to defend himself.
00:05:36Did Mr. Rabbit ever seem worried or afraid of anything?
00:05:39Why, no.
00:05:40He was always in a good mood.
00:05:43I believe he represented a custom jeweler.
00:05:45Oh, I see from these papers.
00:05:49Captain Mason, you mentioned Mr. Rabbit's telling about his search for rare jewels.
00:05:54Yes.
00:05:54Did he ever happen to mention any that he was bringing with him on this trip?
00:05:57Why, no.
00:05:58Excuse me, sir.
00:05:59But Mr. Rabbit did have a package checked in the safe.
00:06:02I gave it to him shortly before we docked.
00:06:04Pat, get Jewel Sparkle's home address and meet me in the car.
00:06:07Okay.
00:06:16Can you get yourself a few pictures now, boys?
00:06:19Thanks very much, sir.
00:06:20Tracy?
00:06:25I called Sparkle's house.
00:06:26Call his house?
00:06:27All I wanted was his address.
00:06:28I wanted to surprise him.
00:06:29But Tracy, the dame who answered the phone, I think it was Mrs. Sparkle.
00:06:32Said he was at his office in the Colburn building.
00:06:34Did you say who you were?
00:06:35No.
00:06:35You think I'm dumb?
00:06:36Well, we won't go into that.
00:06:39Come on.
00:06:40Let's get going.
00:06:55Well, I...
00:06:56Oh.
00:06:57I was expecting someone else.
00:06:59Are you Jewel Sparkle?
00:07:00Yes.
00:07:01I'm Dick Tracy, Homicide Squad.
00:07:03Homicide Squad?
00:07:04Uh-huh.
00:07:06My secretary, Miss Clyde.
00:07:08How do you do?
00:07:09Mr. Patton.
00:07:10Hello, Miss Clyde.
00:07:11How do you do?
00:07:11Mr. Sparkle, I've just come from the SS Palomar.
00:07:14Your representative, Lester Rabbit, was found in his state room and murdered.
00:07:18Abbott murdered?
00:07:19Uh-huh.
00:07:20I can't believe it.
00:07:22I can't believe it.
00:07:22It seems so impossible.
00:07:24Abbott was not only a loyal employee, he was an old friend.
00:07:27How long had he worked for you?
00:07:29About 15 years.
00:07:31But I'd known him long before that.
00:07:34Oh, so sorry.
00:07:35I didn't mean to intrude.
00:07:37I heard voices.
00:07:38I thought Mr. Abbott was here.
00:07:41Another one of your employees?
00:07:42Yes.
00:07:43Our lapidary, Simon Little.
00:07:45Lapidary?
00:07:46A lapidary's a diamond cutter.
00:07:47Sure.
00:07:48What else could he be?
00:07:50You and your staff keep very unusual hours.
00:07:52Well, tonight it was quite necessary.
00:07:54We were all interested in the arrival of some diamonds.
00:07:57And I thought it would be more expedient to meet Mr. Abbott here rather than at the boat.
00:08:01I see.
00:08:02What was the value of the diamonds he was bringing back?
00:08:05The collection was insured for $300,000.
00:08:10I'd like a complete list of your employees.
00:08:12But, Mr. Tracy, all of my people have been with me for years.
00:08:15I trust them implicitly.
00:08:16I realize that.
00:08:18But whoever killed Abbott knew about the diamonds.
00:08:20Knew the boat he was on.
00:08:22Knew his cabin number.
00:08:23Therefore, it is quite possible that someone in your firm may have supplied the necessary information.
00:08:28Very well.
00:08:29Mona, will you prepare a list, please?
00:08:31Certainly.
00:08:32I'll have it ready for you tomorrow, Mr. Tracy.
00:08:33I want it tonight.
00:08:35Well, it'll take quite a while.
00:08:36I can wait.
00:08:38All right.
00:08:38Well.
00:08:39Mr. Little, you may leave now, if you like.
00:08:43Pardon me.
00:08:44Would you rather I'd stay, Mr. Sparkle?
00:08:47It won't be necessary.
00:08:48I can tell Mr. Tracy anything else he might want to know about Mr. Abbott and the diamonds.
00:08:53Yes, sir.
00:08:53All right.
00:08:56Pat.
00:08:57Yeah?
00:08:58Do you mind running down to the cop for those papers?
00:09:00Papers?
00:09:01Yeah, you know.
00:09:02Those sketches I made of Abbott's statement.
00:09:04Oh, those papers.
00:09:06Sure.
00:09:06I'll get them for you right away.
00:09:08Good night, Mr. Sparkle.
00:09:09Good night, Simon.
00:09:10Oh, thank you.
00:09:24Good night.
00:09:25Good night.
00:09:25Good night.
00:09:46Good night.
00:10:11Good evening, sir.
00:10:13Good evening, Rudolph.
00:10:15You're very late, Mr. Little.
00:10:17Yes, much later than I expected.
00:10:19Is Mr. Priceless here?
00:10:21No, he telephoned to say that he was unavoidably detained and couldn't come tonight.
00:10:25Detained?
00:10:26Purposely detained?
00:10:27Leaving me to take the consequences.
00:10:30Mr. Little, Q-ball is here.
00:10:34Here?
00:10:36Where is he?
00:10:37Downstairs, sir.
00:10:39Oh.
00:10:40I see.
00:10:41Very well, Rudolph.
00:10:42I'll have some more work for you next week.
00:10:45Thank you, sir.
00:10:47Good night.
00:10:48Good night, sir.
00:10:51Good night, sir.
00:11:05Q-ball.
00:11:08Q-ball.
00:11:09Hello, Simon.
00:11:11Why, you.
00:11:12You fool.
00:11:13You big, stupid, blundering fool.
00:11:15Shut up.
00:11:16You killed him.
00:11:17You murdered Abbott.
00:11:18Why did you kill him?
00:11:19Why?
00:11:20Why?
00:11:20Because he was going to plug me.
00:11:22Now, look.
00:11:23You and Priceless told me to meet you here to collect my ten grand.
00:11:27Okay.
00:11:28I got the diamonds.
00:11:29Where's my dough?
00:11:30Keep the diamonds.
00:11:31Go to the chair with them.
00:11:32I won't touch them.
00:11:33Oh, yes, you will.
00:11:34There's blood on those stones.
00:11:35Nobody but you and me knows how it got there.
00:11:40Why did I have to get mixed up in a thing like this?
00:11:43The police can't blame me.
00:11:44Priceless came to me.
00:11:45I didn't go to him.
00:11:46He needed me.
00:11:47He needed me to recut the stones so they wouldn't be recognized.
00:11:50That's it.
00:11:51It was just a business deal.
00:11:52I didn't know they'd be stolen diamonds or that they'd be a murder.
00:11:56You rat.
00:11:58You're in this up to your ears just as much as I am.
00:12:00No, I...
00:12:01There must be something I can do.
00:12:04There's something you're going to do.
00:12:05That's pay me off.
00:12:06I'm staying right here till I get my dough.
00:12:10Yeah.
00:12:11Come to think of it, this joint would make a nice little hideout.
00:12:14Oh, no, you can't stay here.
00:12:16Who's going to stop me?
00:12:16Oh, please, Cuba, the police.
00:12:18Dick Tracy.
00:12:19Dick Tracy?
00:12:19What about Tracy?
00:12:20He's on the case, checking every one of Mr. Sparkle's employees.
00:12:23He might even come here.
00:12:25Yeah.
00:12:27Maybe you're right.
00:12:29Okay, I'll blow.
00:12:31But I'll get in touch with you.
00:12:32We're priceless tomorrow for my ten grand.
00:12:34Now get me out of here.
00:12:35Oh, yes, gladly, anything, Oli.
00:12:37Just get out.
00:12:39Careful.
00:12:40This way.
00:12:42This leads to the storage room, to the street.
00:12:45Don't forget, pal, you better get to dough.
00:12:48Because one more killing ain't going to make much difference.
00:12:50Don't forget, pal.
00:12:54Here we go.
00:13:02Sure.
00:13:08Here we go.
00:13:10Thanks.
00:13:21Don't bother.
00:13:24Thanks for bringing me home, Mr. Tracy, and good night.
00:13:27Good night, Miss Clyde.
00:13:46Good night.
00:14:13Good night.
00:14:14Thank you, Frank.
00:14:16Evening, Piper.
00:14:19Evening, Piper.
00:14:19It's your late news here.
00:14:20Piper.
00:14:23Evening, Piper.
00:14:28Evening, Piper.
00:14:29Latest news.
00:14:32Piper here.
00:14:36Evening, Piper.
00:14:37Late news.
00:14:40Paper here.
00:14:45Evening, Piper.
00:14:47Late news.
00:14:48Paper here.
00:14:49Evening, Piper.
00:14:51Paper here.
00:14:52Late news.
00:14:54Lee.
00:14:55Keep it.
00:15:01And closing in, Piper.
00:15:02Ah, États.
00:15:03T.
00:15:03Come on.
00:15:03I don't know.
00:15:20Put down the bathroom.
00:15:25Sorry, the shop's closed.
00:15:26I don't want to see the shop.
00:15:27I want to take a look at that note you picked up.
00:15:29Note?
00:15:30I'm from police headquarters.
00:15:33Oh, yes. Come in.
00:15:38I'm, uh, Percival Priceless, dealer in...
00:15:40A note of it, please.
00:15:42Oh, yes, the note.
00:15:44I, uh, haven't read it myself yet.
00:15:45I'll read it to you.
00:15:49Sorry I wasn't able to keep an appointment.
00:15:50I will drop by tomorrow, M.C.
00:15:53I'm afraid it's not as romantic as it sounds.
00:15:56One of my customers, Miss Mona Clyde,
00:15:58asked me to be on the lookout for some, uh, some candlesticks.
00:16:02I located some this morning and called her.
00:16:04She said she'd be in this evening.
00:16:07Uh, these are the ones. Excuse me.
00:16:09Beautiful, aren't they?
00:16:11At least a hundred years old.
00:16:13If, uh, if you were expecting Miss Clyde, why didn't you let her in?
00:16:17Well, she should have been here at least two hours ago.
00:16:19I'd given her up.
00:16:20But you were still here.
00:16:21Yes, in my office, going over some accounts.
00:16:24I, uh, I thought I heard a noise out here and came out to investigate.
00:16:27That's when I saw the paper under the door.
00:16:29She must have thought it was too late.
00:16:32Oh, I see.
00:16:35Mind if I go in here?
00:16:37No, not at all. Please do.
00:17:04Thank you very much, Mr. Priceless.
00:17:05Not at all.
00:17:06Uh, if you don't mind, I'd rather like to know why my place has suddenly become of such interest to
00:17:11the police.
00:17:11Oh, it's just a routine checkup.
00:17:14Sorry to have bothered you.
00:17:16Good night.
00:17:17Good night.
00:17:18Good night.
00:17:19Good night.
00:17:20Good night.
00:17:40Good night.
00:17:41Good night.
00:17:45Good night.
00:17:47Wait a minute, wait a minute, give me another drink.
00:17:49Quiet, you'll get it.
00:17:51Hey, bud.
00:17:52Yeah, where will it be?
00:17:53Filthy Flora's still on this joint.
00:17:56Yeah.
00:17:57I want to see her.
00:18:07Stop pressing that buzzer, I heard you the first time.
00:18:09I ain't deep.
00:18:15Can't even count my money in peace.
00:18:17Ladies have no privacy in this joint.
00:18:20I'm coming, I'm coming, take your time, I'm coming.
00:18:35Shut up, you.
00:18:36You've been playing that same song for an hour.
00:18:38He wants me to.
00:18:39I don't care what he wants.
00:18:41Play it again.
00:18:42Play it again.
00:18:43Play it again?
00:18:45Oh, of course he'll play it again.
00:18:48Lovely number, ain't it, dearie?
00:18:50Well, play it.
00:18:53Hello, Kathy.
00:18:54Hiya, Flora.
00:18:57Why, cue ball.
00:18:59Hiya, Flora.
00:18:59Fine, give me a drink, Max.
00:19:01Okay.
00:19:03I thought they put you away for ten years.
00:19:06They did?
00:19:07Ten years.
00:19:08Time sure flies, don't it?
00:19:09Not where I was at, though.
00:19:13That'll cost you.
00:19:15Same old Flora.
00:19:17What do you want of me?
00:19:19I want a place to live.
00:19:21You ain't the only one, dearie.
00:19:22Things have changed since you went away.
00:19:24Why, I've got a waiting list for everything in the joint, even the closets.
00:19:27I've got to have a place.
00:19:30I've got to have a place.
00:19:32I've got to have a place.
00:19:32I thought you just got out of jail.
00:19:34How'd you get in trouble so soon?
00:19:35Eh, trouble.
00:19:37I just want a place where I can meet somebody.
00:19:40Well, there's a room I reserve for special customers.
00:19:44I'll pay you for it.
00:19:45I'll pay you good.
00:19:46Ha!
00:19:47You're darn right you'll pay me good.
00:19:48Come on.
00:19:52Come on.
00:19:53Come on.
00:19:55Come on.
00:19:56Come on.
00:19:58Come on.
00:20:00Come on.
00:20:02Come on.
00:20:04Come on.
00:20:06Come on.
00:20:07Come on.
00:20:09Come on.
00:20:09Come on.
00:20:11Come on.
00:20:13Come on.
00:20:15Come on.
00:20:17Come on.
00:20:22Get that chair out of the way.
00:20:26Lift it up.
00:20:32Where does that lead to?
00:20:33To a little room.
00:20:34That's where I kept Fangface Martin hidden for weeks,
00:20:36and the cops are looking for him.
00:20:38Thanks, Flora.
00:20:39That looks perfect.
00:20:41And since we're such good friends, dearie,
00:20:43I'm going to make you a special rate for this room.
00:20:45Five hundred bucks a night.
00:20:47Five hundred bucks?
00:20:47I swear your dirty old bag out of...
00:20:49Never mind the compliments.
00:20:50Payable in advance.
00:20:52Flora, you know I can't pay that kind of dough.
00:20:55Not now.
00:20:56I just got out.
00:20:57Yeah, you just got out.
00:20:59You just got off a boat, too, didn't you, dearie?
00:21:02Three hundred grand.
00:21:04What a dirty, cheap double-crossing.
00:21:06I thought you had something to do with it.
00:21:08Yeah, I thought you could afford five hundred bucks.
00:21:11You'll get your dough, Flora.
00:21:14And so will I.
00:21:15I ain't going to collect three hundred grand and pay me off with peanuts.
00:21:29Hi, Doc.
00:21:30Hello, Dick.
00:21:32Happened?
00:21:33Mm-hmm.
00:21:34Find anything that will help us, Doc?
00:21:36Not yet.
00:21:41What happened to you?
00:21:43I, um, I don't know.
00:21:45You don't know?
00:21:46Well, you see, I was standing in front of Simon Little's place and boom, something hit me.
00:21:51And the next thing I know, I'm lying there on the street with a cop standing over me, trying to
00:21:55arrest me for vagrancy.
00:21:57Vagrancy?
00:21:57Yeah, and I argued with the guy for 20 minutes.
00:22:00You sure it wasn't Simon Little who ate you?
00:22:01Oh, no.
00:22:03Not unless he dropped a basket of bricks and that's what it felt like.
00:22:06Say, Dick, let's take a look at this.
00:22:09It might be important to us.
00:22:11I hope so.
00:22:12I, um, found it embedded in Abbott's neck.
00:22:17Right over the parotid gland.
00:22:22There you are.
00:22:26Looks like a piece of leather.
00:22:27That's right.
00:22:28I'd say that Abbott was strangled with a leather belt or a strap of some kind.
00:22:32I think you're right, Doc.
00:22:34At least now we've got something to work on.
00:22:36Yeah.
00:22:38Say, do you need me any more tonight?
00:22:40No, that's all.
00:22:41Thanks.
00:22:41Good.
00:22:42Now I can go home and get to bed early for a change.
00:22:44And, uh, you can put the silent one to bed early, too.
00:22:50Pat?
00:22:51Yeah?
00:22:52Do you know an antique dealer by the name of Percival Priceless?
00:22:56No.
00:22:56Has he something to do with this case?
00:22:57Yes, I think so.
00:22:59Do you know anything about antiques?
00:23:01Well, a little.
00:23:02I know an old gal singer.
00:23:03She works up at Spider's Web.
00:23:04She's about, uh, about five foot six.
00:23:06That's not what I mean.
00:23:08Oh.
00:23:11Well, that's all we can do tonight.
00:23:13Yeah, I guess so.
00:23:14See you in the morning.
00:23:14Right.
00:23:16Say, I wonder if vitamin Clint Hart knows anything about antiques.
00:23:20Well, if he ought to.
00:23:22He's old enough.
00:23:23Have him come in to see me tomorrow.
00:23:24I'll have a little job for him.
00:23:26Okay.
00:23:26Good night, Doc.
00:23:27Good night.
00:23:28Night, Pat.
00:23:28Night.
00:23:33Higbee, bring that Victorian vase, please.
00:23:38Do you mean this one, sir?
00:23:39Yes.
00:23:40Oh, very good.
00:23:41This is a very rare piece.
00:23:44I believe Mr. Price has found it in an old New England farmhouse.
00:23:47Perhaps this is the one you had in mind, sir.
00:23:49No, no, no.
00:23:51I'm afraid not.
00:23:53Not only is its authenticity questionable, but it lacks that purity of line which is so essential
00:23:58to my requirements.
00:24:00Just precisely what are your requirements, sir?
00:24:02I've shown you several examples.
00:24:03I am furnishing my mausoleum.
00:24:07It is essential that every line be in the purest Grecian harmony.
00:24:12I could not enjoy my perennial solitude in the knowledge that there was something imperfect
00:24:16in my surroundings.
00:24:19Excuse me.
00:24:21Ah, good afternoon, Miss Clyde.
00:24:23Good afternoon.
00:24:24We have your, uh, candlesticks in the office.
00:24:27Will you step this way, please?
00:24:29Surely.
00:24:31Higbee, take care of the gentleman, will you, please?
00:24:32Oh, yes, Mr. Priceless.
00:24:34Now that...
00:24:37Perhaps we have something else you'll find...
00:24:42You are saying?
00:24:44Perhaps we have something else you'll find appealing.
00:24:47Oh, yes, yes, sir.
00:24:49Oh, uh...
00:24:50By George!
00:24:51Now, now, that's interesting.
00:24:53What is?
00:24:54That vase up there.
00:24:55Unless my eyes are playing me tricks, it's a rare and beautiful example of early Grecian workmanship.
00:25:01I say, that's a good-looking suit you have.
00:25:05Who's your tailor?
00:25:06My tailor?
00:25:07Oh, he has a little shop that's just around the corner.
00:25:10It's little, but it's often...
00:25:11Who has?
00:25:13My tailor.
00:25:13That has nothing to do with antiques, has it?
00:25:16No.
00:25:17Oh, how your mind wanders.
00:25:19Here, fetch down the vase, man.
00:25:21Fetch it down.
00:25:22There's only one other like it in existence.
00:25:25It belongs to my old friend, Lady Casserole.
00:25:28Upper Norton-on-Tyne, Woodsley's Hollow Oakfield by sea in southeastern Nottinghamshire.
00:25:33In merry old England.
00:25:36Fetch it down, fella.
00:25:37Fetch it down.
00:25:37Yes, sir.
00:25:38Yes, sir.
00:25:40You don't seem very pleased to see me.
00:25:42Oh, of course I am.
00:25:43But why?
00:25:44Why did you have to come here last night?
00:25:47Dick Tracy was at Sparkle's office and I wanted to warn you.
00:25:50Fine warning you gave me.
00:25:51You led Tracy right to my door.
00:25:53He came here?
00:25:54Yes, he followed you.
00:25:56You should have known he would.
00:25:57Did he find out anything?
00:25:59I'm not sure.
00:26:00I don't think so.
00:26:01Well, then stop worrying.
00:26:03We've got other troubles.
00:26:04Cuball won't give up the diamonds until he gets his 10,000.
00:26:07And Simon Little wants to pull out of the deal.
00:26:10Simon wants to pull out?
00:26:12Excellent, excellent.
00:26:13Well, that's hardly something to worry about, my dear.
00:26:16We've split only two ways now.
00:26:18But who'll cut the stones for us?
00:26:20Why have other contacts?
00:26:22How life continually disappoints us.
00:26:25This is not the invaluable object I presumed, but a mediocre copy.
00:26:28Are you sure, sir?
00:26:30Quite positive?
00:26:31I'll return it to the obscurity it deserves.
00:26:34Yes.
00:26:34I am a recognized antiquary, fully capable of differentiating between the inspired original and a clumsy part of it.
00:26:43Good afternoon, Miss Clyde.
00:26:45Good afternoon.
00:26:45And I'll have the candlesticks delivered.
00:26:47Oh, thank you very much.
00:26:52Then suddenly a very, very exciting thing happened.
00:26:55Just as I was trying to overhear what they were saying in there, the door opened and Miss Clyde came
00:27:01out.
00:27:01With the candlesticks?
00:27:02No.
00:27:03No.
00:27:04Priceless said he would send them to her.
00:27:05And then the wench left.
00:27:10Yes, sir?
00:27:11Steve, get hold of Patton and tell him I want to see him right away.
00:27:13Right, Chief.
00:27:15Thanks, Spider-Man.
00:27:16You've been a big help.
00:27:17Oh, it was nothing, old boy.
00:27:18Nothing.
00:27:18Ah, I made a little purchase while there.
00:27:22A garter.
00:27:23A garter?
00:27:23Mm-hmm.
00:27:24It has quite a history, old boy.
00:27:27Quite a history.
00:27:30Ah, what a pity.
00:27:34Why do the young have all the youth?
00:27:52Shoe laces, pencil, chewing gum.
00:27:55Shoe laces, pencil, chewing gum.
00:27:57Shoe laces, mister.
00:27:59No, thank you.
00:28:00But listen, I got to.
00:28:01I told you, I know one thing.
00:28:02Will you please get out of my way?
00:28:02Well, I got razor blades, too.
00:28:04Needles, cue ball, chewing gum.
00:28:07What did you say?
00:28:08Cue ball.
00:28:09He'll be waiting for you tonight at the roofing dagger.
00:28:11What time?
00:28:11When?
00:28:12Now.
00:28:12Right away in Flora's private office.
00:28:15Bless you, sir.
00:28:19A dollar.
00:28:27Come on, Patton, let's go.
00:28:54I'm going in, Patton.
00:28:55You cover the back way.
00:28:56Stop anyone who tries to get out.
00:29:09I'm going in.
00:29:27Right in that office up there.
00:29:29Thanks.
00:29:59All right, quit stalling, let's have the dough.
00:30:02Well, you see, Cube Wall, we...
00:30:04Don't try to hold out on me.
00:30:05The price has gone up.
00:30:06But Cube Wall, we...
00:30:08It's double.
00:30:09I want 20 grand.
00:30:10It's little enough for getting 300,000 bucks worth of ice.
00:30:14I got you dirty chiselers where I want you.
00:30:17Now you're gonna pay.
00:30:23Hello, Flora.
00:30:25Hi, Mr. Tracy.
00:30:26I ain't seen you for a long time.
00:30:28That's because you've been such a good girl.
00:30:30Sit down, Flora.
00:30:32I ain't done nothing wrong, dearie.
00:30:34Honest, I ain't.
00:30:35Relax.
00:30:36This is purely your social call.
00:30:38Oh.
00:30:39That's nice.
00:30:41Yes, yes.
00:30:42I know you've asked for more money, but all I could raise was $5,000.
00:30:46Before I give it to you, I want to see the diamonds.
00:30:49You're not getting those stones.
00:30:50Not for a measly five grand you...
00:31:02Who's out there?
00:31:03Shut up.
00:31:13So, you dirty stupid.
00:31:15You called the cops, huh?
00:31:16No.
00:31:17What do you mean?
00:31:18Don't play dumb.
00:31:18You know Tracy's here.
00:31:20Tracy?
00:31:20No, I didn't call them.
00:31:21He ain't gonna help you.
00:31:24No.
00:31:25No, wait a minute, Cube Wall.
00:31:26Cube Wall.
00:31:26I'll give you the money.
00:31:28Cube Wall.
00:31:28Here.
00:31:29I'll give you the money.
00:31:30Take the money.
00:31:31Cube Wall.
00:31:32Ah!
00:31:41Open up in there.
00:31:53You all right, Pat?
00:31:54Yeah.
00:31:55That's a lucky thing for me.
00:31:56I got hit on the head.
00:31:57Come on.
00:31:58Let's go.
00:32:01What are you trying to do?
00:32:24Leave it apart.
00:32:25You get it?
00:32:31Leave it apart, you get it?
00:32:34It's a good thing those socks on the head will make you dizzy.
00:32:37Well, I can see this is going out.
00:32:44Are you okay?
00:32:45Certainly, just another bump on the head.
00:32:47No use chasing them now.
00:32:49I'd better put on a general alarm.
00:32:52That's fine. Radio's broken.
00:32:53Stay here. I'll have the phone headquarters.
00:32:55Okay. All right, stand aside. Stand aside. Let me hear.
00:32:58Are you hurt?
00:32:59No, no.
00:33:01Oh, you're new on the force, aren't you?
00:33:02Yeah. You sure you're all right?
00:33:04Just a little dizzy.
00:33:05Dizzy, eh? So that's it. You're drunk.
00:33:09Drunk? No, I'm not drunk.
00:33:10And stealing a police car, too.
00:33:12No, no, you don't understand.
00:33:13Have you got your driver's license?
00:33:14No, I don't have a driver's license.
00:33:15No driver's license.
00:33:16No, no driver's license. You, you...
00:33:18Oh, I'm getting tough with an officer, too.
00:33:20No, look, this is Dick Tracy's car.
00:33:22Oh, it is, is it?
00:33:23And I suppose you're going to tell me you're Pat Patton.
00:33:25No, of course not.
00:33:26Then who are you?
00:33:27Pat Patton.
00:33:28Get out of the car.
00:33:29No.
00:33:30Are you going to get out of the car, or do I have to use...
00:33:33Oh, no, no, not again.
00:33:36Say, you haven't seen Pat Patton, have you?
00:33:38He was supposed to.
00:33:39Never mind, he just came in.
00:33:41Bye.
00:33:43Where have you been?
00:33:44If I told you, you wouldn't believe me.
00:33:45Then don't tell me.
00:33:46I'll tell you anyhow.
00:33:47I was over at the...
00:33:49Tracy?
00:33:50Yes?
00:33:50I've got that report from the coroner.
00:33:52The markings on Price's throat are identical to those found on Abbott.
00:33:55Same markings, eh?
00:33:56Yes.
00:33:56Good, thanks.
00:33:57That's the best lead we've had so far.
00:33:59You mean the same guy's responsible for both murders?
00:34:01Mm-hmm.
00:34:02Price was had $2,000 in his clothes when we found him.
00:34:06He was probably at the dripping dagger dickering for those diamonds.
00:34:09Sure adds up.
00:34:10Most likely, Filthy Flora was hiding her.
00:34:12It must be men since the Abbott killing.
00:34:14Which means she ought to know a thing or two.
00:34:16Come on, we're going to have a little talk with Filthy Flora at the dripping dagger.
00:34:19Oh, every time I get near that joint, I feel like I need a bottle of DDT.
00:34:25Not down there.
00:34:27They've got to be up here someplace.
00:34:30Find those diamonds if I have to tear this race apart.
00:34:42I'm going to have to tear this race apart.
00:35:30I'm going to have to be up here.
00:35:31Oh, Filthy Flora.
00:35:33Oh, hello.
00:35:34I didn't expect you to back so soon.
00:35:35No, I guess you didn't.
00:35:38Did you figure on going out, Flora?
00:35:39Yeah, just going out for a walk.
00:35:41I wanted a breath of fresh air.
00:35:44Maybe you better put off that walk until a little bit later.
00:35:46I got something I want to talk over with you.
00:35:48You mean about the rent, Q-ball?
00:35:50Oh, that can wait till next week.
00:35:52No, it ain't the rent.
00:35:54Oh, just a social call, eh?
00:35:57Paying your old sidekick, Flora, a friendly visit.
00:36:00Sure, sure, that's it.
00:36:02Just a friendly visit.
00:36:03Well, that's nice of you, dearie.
00:36:06Let's sit down and have a drink for old time's sake.
00:36:09This one will be on the house.
00:36:10Okay, Flora.
00:36:15Looks like he was trying to find something here.
00:36:18Yeah, yeah, I couldn't find my scarf.
00:36:20I wanted to wear it and I went out for a walk.
00:36:23You didn't happen to look under the wash basin for it, did you?
00:36:27Wash basin?
00:36:28Why, what are my scarfing doing under there?
00:36:31I ain't talking about your scarf.
00:36:33I'm talking about my diamonds.
00:36:35They were under there until you got your hooks on them.
00:36:37Now, hand them over.
00:36:39I haven't got your diamonds, Q-ball.
00:36:41Honest, I ain't.
00:36:42Oh, you lying old fang.
00:36:44Now, you gonna give me them diamonds?
00:36:46You don't have to take them.
00:36:50Just try and take them.
00:36:51Just try and take them.
00:36:53Now, wait a minute, Flora.
00:36:54Maybe we could talk this over.
00:36:56There's enough there for both of us.
00:36:58We could split 50-50.
00:37:00No! No!
00:37:02No! No!
00:37:06No!
00:37:25She must be around. She lives here.
00:37:28I'll go around to the back. You wait here.
00:37:30Right.
00:38:19I'll go around to the back.
00:38:24Indy.
00:38:25Indicates?
00:38:26Thanks.
00:38:27You're welcome.
00:38:28Indicates that the...
00:38:31That the same criminal is responsible for each of the murders.
00:38:36Aw, gee. Just when it's getting good.
00:38:39Yeah. See what it is.
00:38:41Okay.
00:38:42But don't read any more till I get back.
00:38:44Right.
00:38:50Well, good morning, Butch.
00:38:52Morning, Miss Trueheart.
00:38:53Are you ready to go to the Rodeo?
00:38:54Remember, we have to leave early if we want to get good seats.
00:38:57I remember, all right.
00:38:58I'll go home and get ready and be right back.
00:39:00That's a good boy.
00:39:04Hello, Junior.
00:39:05Hiya, Tess.
00:39:07Boy, what a story they got on Filthy Flora's murder.
00:39:09Having Mr. Tracy in the business is enough crime for one family without you reading about it in newspapers.
00:39:15Aw, gee, Tess.
00:39:16Well, good morning, Tess.
00:39:18How are you?
00:39:19Fine, thank you, darling.
00:39:20I was just having a little discussion with Junior over his reading matter.
00:39:23It was about the murders, Dick.
00:39:25I see what you mean.
00:39:26Better have this before you leave for the Rodeo.
00:39:28But I gotta keep up with what's going on.
00:39:30You'd do a lot better to keep up with your schoolwork.
00:39:33Aw.
00:39:33Tess is right, Junior.
00:39:35Say, how would you like a lifetime job showing Junior what to read?
00:39:39Why, Dick Tracy proposing so early in the morning.
00:39:41Why don't you marry him so he can stop proposing?
00:39:44Just a minute, young fella.
00:39:45I can speak for myself.
00:39:48Bang, bang, bang, bang, bang!
00:39:50All right, everybody.
00:39:51Reach for the field.
00:39:53Put him up.
00:39:53What?
00:39:54You heard what the man said.
00:39:55Put him up.
00:39:56Nobody move.
00:39:58Don't try any of your tricks.
00:40:00What is this?
00:40:01Oh, I think she's Jesse James.
00:40:02No, sir.
00:40:04Today I'm Buffalo Bill.
00:40:07You don't have to put your hands up, Junior, because you're drinking a glass of milk.
00:40:11Thanks.
00:40:12You're welcome.
00:40:13And now I'm gonna shoot you, Dick Tracy, because you're an Indian.
00:40:20Butch, let me see that hat.
00:40:22Save your breath, partner.
00:40:23You can't talk your way out of this one.
00:40:26Butch.
00:40:27Don't move, red skin, or you'll bite at us.
00:40:30Butch, will you please let me see that hat?
00:40:31You just want me to take off my hat so you can scalp me.
00:40:34Butch, will you please?
00:40:35Kids are you, as men.
00:40:36The orbits are gonna attack.
00:40:38Bam, bam!
00:40:40Bang, bang, bang!
00:40:41Bang, bang!
00:40:43Bang, bang!
00:40:43Bang, bang, bang!
00:40:45Butch, I'm not an Indian.
00:40:47For goodness sakes, Dick.
00:40:48Why is Butch's hat so important all of a sudden?
00:40:50I don't want the hat.
00:40:51It's that hat band I've got to see.
00:40:52Hat band?
00:40:53Why didn't you say so?
00:40:54A lot of the kids got those bands.
00:40:55They have.
00:40:56Where'd they get them?
00:40:57Send away for them.
00:40:58Here, I'll show you.
00:41:01It's advertised in this magazine.
00:41:04Here it is.
00:41:05There.
00:41:14Desert.
00:41:16City.
00:41:17Operator.
00:41:19To Dick Tracy.
00:41:23Box.
00:41:245.
00:41:252.
00:41:260.
00:41:27Desert City.
00:41:28Is.
00:41:30Post Office.
00:41:32Address.
00:41:34Rocky.
00:41:35Mountain.
00:41:38Penitentiary.
00:41:38Rocky Mountain Prison.
00:41:40Know anybody up there, Chief?
00:41:41Why the warden is an old friend of mine.
00:41:43Take a wire.
00:41:44Yes, sir.
00:41:47Listen to this.
00:41:48Prisoner you referred to was released six weeks ago after serving ten years.
00:41:51He is Harry Lake, alias Bernie Burns, alias Frisco Joe, alias Cubo.
00:41:56Description is as follows.
00:41:58Hey, I didn't read the description.
00:41:59I'll take care of the description.
00:42:01Broadcast room.
00:42:02You look them up in the files.
00:42:03Right.
00:42:04Tracy speaking.
00:42:06The killer in the diamond case has just been identified.
00:42:09Broadcast this description immediately.
00:42:41What are you so happy about?
00:42:42Why not?
00:42:43I think it's very funny.
00:42:44You should be able to take it, Chief.
00:42:46We've been kidded by the press before.
00:42:47But they're giving the public the impression that Cubo is in plain sight and we can't even see him.
00:42:52Why don't they draw a picture showing how we scour the city?
00:42:55How we took the dripping dagger apart board by board.
00:42:57How we've kept a constant watch on that antique shop and Mona Clyde's apartment.
00:43:02No, we don't want that publicized.
00:43:04Well, I can't say that I enjoy this kind of publicity.
00:43:06Why haven't you picked up Mona Clyde?
00:43:08Because I believe she'll lead us to the diamonds and the diamonds will lead us to Cubo.
00:43:11Dick, I don't care what you do or how you do it.
00:43:13But we've got to get some action.
00:43:14I've got a plan that may work.
00:43:16If I can find the right police woman.
00:43:17Okay, find her.
00:43:18But let's have some action.
00:43:20Bye, Chief.
00:43:22Yes, sir.
00:43:23You can send in those ladies now.
00:43:25Okay, girls.
00:43:26You may go in now.
00:43:26Thanks.
00:43:34It appears that the great Tracy is about to become inundated by an avalanche of feminine pulchritude.
00:43:40Oh, I'd hardly say they were his type.
00:43:41It's official business, I'm sure.
00:43:43Miss Roberts, you've been with the police force for six months, right?
00:43:46Yes, sir.
00:43:46Well, this job calls for a veteran.
00:43:49Miss Leeds, will you stay?
00:43:50You other ladies may leave.
00:43:51And thanks very much for your trouble.
00:43:53No trouble at all, Mr. Tracy.
00:44:02Four went in.
00:44:03Three came out.
00:44:05It is a situation which I am compelled to remark is replete with the most devastating possibilities
00:44:11and open to the most provocative of interpretations.
00:44:14Now, don't let your imagination run away with your vitamin.
00:44:17I...
00:44:17I still say I can always trust Dick.
00:44:20Most fortunate of creatures.
00:44:21The hand that made you fair hath made you good.
00:44:27If we're to be successful, you must give the impression of being a real blue blood.
00:44:31High society.
00:44:33Think you could handle it?
00:44:34I doubt it.
00:44:36This Brooklyn accent might be a tip-off.
00:44:38Don't you think you could disguise it?
00:44:40I don't think so.
00:44:42That sort of puts me in a spot.
00:44:44I don't wish to stir the green-eyed monster of devouring jealousy.
00:44:48But don't you think it sounds suspiciously quiet in there?
00:44:52Oh, you.
00:45:00Thank you, Miss Means.
00:45:01It was a pleasure.
00:45:02Hello, you two.
00:45:03Have you been waiting long?
00:45:05Quite.
00:45:05May we go in now?
00:45:07By all means.
00:45:08I can see that police work might be very interesting.
00:45:13Now, Tess, those were police women.
00:45:15Police women?
00:45:15A man is confronted by jeopardy on all sides.
00:45:18I was looking for one capable of impersonating a society girl.
00:45:22Did you find her?
00:45:23Well, no.
00:45:24She's got to be just right or my whole plan will blow sky high.
00:45:27You're not being very flattering, Mr. Tracy.
00:45:29Huh?
00:45:29A gentleman would at least say that I look the part.
00:45:32Of course you do.
00:45:34You're not getting any ideas, are you?
00:45:36Oh, but I'm sure that I could play the part for you, Dick.
00:45:38No, absolutely no.
00:45:39It's too dangerous.
00:45:40Pardon the intrusion, old fellow.
00:45:42But I must say that Miss Trueheart embodies the quintessence of social grace.
00:45:47Oh, Dick, you've got to let me do it.
00:45:48But I'm afraid the whole thing...
00:45:50Tut.
00:45:51I will school the little lady in social deportment.
00:45:55First, the correct walk.
00:46:00But of all the vital graces, that of making a good first impression is the most important.
00:46:08Ah, how do you do?
00:46:10How do you do?
00:46:11I am so happy to see you.
00:46:12Oh, I'm happy to see you, too.
00:46:14I've heard so much about you.
00:46:15Oh, you have?
00:46:16I'm sure you're one of the most charming and scintillating men I've ever met.
00:46:19Oh, that's nice.
00:46:20I wish I could say the same.
00:46:21Say, is Vinderman going to play your society gal?
00:46:25None of your ribaldry, sir.
00:46:26You are speaking of the man I love.
00:46:29No, Pat.
00:46:30Vitamin isn't.
00:46:31I am.
00:46:32Right, Dick?
00:46:33Right.
00:46:35Now, these pieces are rather unusual.
00:46:37No, I'm...
00:46:38I'm sorry, Mr. Sparkle.
00:46:40I'm afraid these won't do either.
00:46:42I hope you haven't found me too hard to please, but I do want something individual.
00:46:47I flew in from Bermuda to have this necklace made up and...
00:46:50Well, I want it for a special occasion.
00:46:53Oh, I see.
00:46:53Perhaps this is what you have in mind.
00:46:56No, I'm...
00:46:57I'm afraid not.
00:46:58Well, Miss Belmont, you can't find diamonds such as you want overnight.
00:47:01And even if I could locate them, they would be very expensive.
00:47:05Well, what good is Father's money if I can't spend it?
00:47:07Very well, Miss Belmont.
00:47:09We'll try to help you spend it.
00:47:11I'll contact the other dealers immediately.
00:47:13Possibly they may have something you like.
00:47:15I'd appreciate it very much, Mr. Sparkle.
00:47:17Glad to do it.
00:47:18Would you mind giving your address to Miss Clyde so that I can get in touch with you later?
00:47:22Of course not.
00:47:24Suite 412, Carlton Arms.
00:47:26Thank you, Miss Belmont.
00:47:28You'll hear from me.
00:47:29You've been very kind, Mr. Sparkle.
00:47:31Oh, and you too, Miss Clyde.
00:47:33Thanks so very much, both of you.
00:47:34Goodbye.
00:47:35Good day.
00:47:37Chosy, isn't she?
00:47:38She can afford to be.
00:47:40I think I'll run upstairs and see what Emil Camber has in his private collection.
00:47:44And you might ask Simon a little if he has any ideas.
00:47:48Yes, sir.
00:48:05What time have you two got here?
00:48:06Did you bring the dough?
00:48:07Cue ball.
00:48:08Let me handle this.
00:48:09Simon tells me you expect $20,000 now.
00:48:12He told you right.
00:48:13$20,000.
00:48:14You haven't got a brain in your head, you big ox.
00:48:17I don't like that kind of talk.
00:48:18Don't make him angry.
00:48:19Oh, he'll listen and like it.
00:48:22If you wanted the $20,000 so much, why did you kill Priceless?
00:48:26He was the only one who could pay it to you.
00:48:28I had to kill him.
00:48:30I'd kill anybody that gets in my way.
00:48:32You get in your own way.
00:48:34Now, every cop in the country is looking for you.
00:48:37You've not only messed up everything for yourself, but for us, too.
00:48:41I told you I don't like that kind of talk.
00:48:42Oh, shut up.
00:48:43Go ahead.
00:48:43Kill me.
00:48:44Kill Simon.
00:48:45Then you won't get a dime.
00:48:46Nothing.
00:48:46Nothing but the chair, perhaps.
00:48:48Don't talk like that or else.
00:48:49Oh, getting scared, huh?
00:48:50The police are closing in and you're getting scared.
00:48:53I won't catch me.
00:48:54I'll get away.
00:48:56They ain't caught me yet, have they?
00:48:57I'll take that $20,000 and blow.
00:48:59Get it through your skull.
00:49:00There is no $20,000.
00:49:01Nothing like it.
00:49:01There isn't even $10,000 now.
00:49:03Nothing but what Simon and I can dig up for you.
00:49:05I've got $1,700 in the bank.
00:49:08And I've got $2,400.
00:49:10That's $4,100 you can have for the diamonds, Cubo.
00:49:13$4,100, that's all.
00:49:15$4,100 bucks for these rocks?
00:49:17Yes.
00:49:18I've got a chance to get them off our hands for about $7,000.
00:49:21Then we'll all be clear.
00:49:21There'll be no evidence.
00:49:22There's a rich heiress.
00:49:23She'll buy them.
00:49:24But she knows they're stolen and that's all she'll pay.
00:49:26Nobody else will touch them.
00:49:28You two are double-crossing me.
00:49:30Double-crossing you after you kill priceless.
00:49:34Keep your diamonds.
00:49:35You can go to your grave with them.
00:49:37Come on, let's get out of here.
00:49:38I've heard enough.
00:49:38Oh, wait a minute.
00:49:40I ain't gonna be left holding the bag.
00:49:42Give me the dough.
00:49:43Give me the $4,100 bucks.
00:49:44Well, you have got some brains after all.
00:49:46Come on, it cracks.
00:49:47Give me the dough.
00:49:48You'll get it tonight, later.
00:49:49Yeah.
00:49:50Well, you ain't getting these rocks until I do.
00:49:53Okay.
00:49:54Wait here.
00:49:55I'll wait.
00:49:57Come on.
00:50:09I never thought you'd get away with it.
00:50:11I didn't either, but that's what makes life interesting, Simon, taking chances.
00:50:23Hello, Carlton Arms.
00:50:24I'd like to talk to Miss Belmont, please.
00:50:30If that's Mona, Tess, don't be nervous.
00:50:32Who's nervous?
00:50:35Hello?
00:50:37Uh, this is Blythe Belmont speaking.
00:50:39This is Mona Clyde.
00:50:42I've, uh, come across some very unusual diamonds, Miss Belmont.
00:50:46The owner is a very prominent man who is financially embarrassed.
00:50:50He insists the sale be as secretive as possible, so I...
00:50:53I took the liberty of making an appointment with him at my apartment tonight.
00:50:58In an hour.
00:51:00Uh, in an hour?
00:51:01Uh, very well.
00:51:02What's the address, please?
00:51:05Second floor, apartment 12.
00:51:08I've got it.
00:51:09Yes.
00:51:10I'll see you in an hour.
00:51:12Come on, Pat.
00:51:13We'll go right over there.
00:51:14Hey, wait a minute.
00:51:16Don't you want to know where you're going?
00:51:17That's Mona's address.
00:51:18We know it by heart.
00:51:19Oh, you do?
00:51:20Don't leave until the last minute, Tess, just in case she calls again.
00:51:23If there are any changes in plans, call headquarters immediately.
00:51:26Right.
00:51:27See you in an hour.
00:51:28Yes, dear.
00:51:29This is one date I know that you'll keep.
00:51:32But I tell you, Miss Clyde, I don't like it.
00:51:34What if something should go wrong?
00:51:36What can go wrong?
00:51:37Now go ahead.
00:51:38Get your $1,700.
00:51:38Here's my $2,400.
00:51:40Yes, but that $1,700 is all the money I have in the world.
00:51:43You're the weakest, most sniveling excuse for a human being I've ever seen.
00:51:46You've no right.
00:51:47You're right.
00:51:47We pay $4,100 for diamonds we can sell for over $100,000.
00:51:51And you say I've no right.
00:51:52Now get your money and stop crying.
00:51:54All right.
00:51:57But I've always been so careful of my money.
00:52:03I didn't even trust the banks.
00:52:06No.
00:52:07And now you're going to be a rich man.
00:52:09I hope you're right.
00:52:13I'll go over to my apartment and meet the Belmont woman.
00:52:16Here.
00:52:17Take the money downstairs and get the diamonds from Cubold.
00:52:20Now don't forget you're the financially embarrassed gentleman who owns the diamonds.
00:52:23Try to act like one when you get up to my place.
00:52:42Cubold.
00:52:48Cubold.
00:53:03Good evening.
00:53:03Would you get me a cab, please?
00:53:05Yes, Miss Belmont.
00:53:06Taxi.
00:53:11What to?
00:53:12319 East 4th Street.
00:53:15319 East 4th Street, driver.
00:53:36Come in.
00:53:47But how could I have the diamonds?
00:53:49When I got to my workshop, Cubold wasn't there.
00:53:51He's gone.
00:53:52You're lying.
00:53:54I'm not.
00:53:55I looked everywhere.
00:53:56I waited.
00:53:57And what about Miss Belmont?
00:53:59Where's she?
00:54:00She isn't here yet.
00:54:02Oh, you're the one who's lying.
00:54:04There never was such a person.
00:54:06You've tried to trick me so you can get the diamonds for yourself.
00:54:09You're insane.
00:54:10What about my call to Miss Belmont?
00:54:12How do I really know who you're talking to?
00:54:14Oh, no.
00:54:14You can't fool me.
00:54:16I'm going.
00:54:18Mr. Tracy.
00:54:19Hello, Mr. Little.
00:54:22Well, where's Miss Belmont?
00:54:24I don't know who you're talking about.
00:54:26Miss Clyde, I was at Miss Belmont's suite this afternoon when you made the appointment with her.
00:54:30Now, where is she?
00:54:32I don't know.
00:54:33She left her hotel more than 10 minutes ago.
00:54:35Did you give her instructions to meet you somewhere else?
00:54:38No, I didn't.
00:54:38I haven't spoken to her since this afternoon.
00:54:42Pat.
00:54:43Yeah?
00:54:44Check with headquarters and see if they've heard from Tess.
00:54:46Right.
00:55:03This isn't where I told you to take me.
00:55:05You want the diamonds, don't you?
00:55:06Where's Mama Clyde?
00:55:08The plans have been changed.
00:55:09She's meeting you here.
00:55:10Come on.
00:55:21Upstairs.
00:55:44But you know what the instructions were.
00:55:46Miss Belmont was supposed to meet us here.
00:55:50Just a minute.
00:55:51Do you have an extension?
00:55:53Why, yes.
00:55:53In the bedroom.
00:55:54All right.
00:55:55Answer that.
00:55:55Play it straight.
00:55:56No tricks.
00:56:00Hello?
00:56:02Yes.
00:56:03Simon Little.
00:56:05Just a moment.
00:56:09Hello?
00:56:09Mr. Little.
00:56:10Oh, yes, Rudolph.
00:56:12He has a girl with him.
00:56:15He's back there.
00:56:16There seems to be something wrong.
00:56:19Not his cue ball.
00:56:20He's got Tess.
00:56:21Come on.
00:56:21Right.
00:56:22Get those two down to headquarters.
00:56:24Right, Mr. Tracy.
00:56:26All right.
00:56:26Get your coat on, lady.
00:56:28I tell you, I refuse to discuss the diamonds unless Miss Clyde is here.
00:56:31Too bad, sister.
00:56:32Double-crossing Clyde damn ain't gonna be here.
00:56:36Then I'm leaving.
00:56:37What's the matter?
00:56:38Ain't I good enough for you to do business with?
00:56:40I got the diamonds.
00:56:42Mona Clyde hasn't.
00:56:43Now, give me the dough.
00:56:44Don't be silly.
00:56:45I wouldn't carry that much money around with me.
00:56:46Stop stalling.
00:56:47You want the diamonds, don't you?
00:56:48Well, there they are.
00:56:49I told you I haven't.
00:56:50Don't give me that.
00:56:51You was ready to give Mona Clyde cash.
00:56:53No.
00:56:53I was just gonna look at the diamonds.
00:56:55You're a liar.
00:56:56You got the dough right here in your purse.
00:56:58No, you're wrong.
00:56:58I tell you.
00:57:03Dick Tracy.
00:57:06So that's it.
00:57:08This is a plant.
00:57:21Who are you?
00:57:34Pat, take care of Tess.
00:57:35Okay.
00:58:05Let's go.
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