Morte no Paraíso - Temporada 15 - Episódio 07
▶ Death in Paradise - Season 15 - Episode 07
Morte no Paraíso - Temporada 15 - Episódio 07. episódios completos em português. #FilmeCompleto #DramaPortuguês #SérieCompleta
#FilmeCompleto #DramaPortugues #SerieCompleta #ShortDrama #ReelShort
▶ Death in Paradise - Season 15 - Episode 07
Morte no Paraíso - Temporada 15 - Episódio 07. episódios completos em português. #FilmeCompleto #DramaPortuguês #SérieCompleta
#FilmeCompleto #DramaPortugues #SerieCompleta #ShortDrama #ReelShort
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00:00Comissão, obrigado por vir.
00:03Catra, o que uma foto, como a jovem Grace Kelly.
00:08Você exagerou, Sr. Buzet.
00:10Mereza aprecio a beleza quando eu vejo.
00:13Eu estava querendo agradecer a você.
00:16Sem o seu jornalismo, a iniciativa comunitária não teria acontecido.
00:22Obrigado, queridos.
00:25Portanto, o Guest-O-Honor.
00:28Simples, stunning, como a jovem Grace Kelly.
00:34É tudo parece maravilhoso, Anton.
00:36Só o que você merece para o seu serviço dedicado a essa isla.
00:41Um último favor, s'il vous plaît.
00:43Eu quero mudar minha última coluna para essa.
00:46É já foi para a pressa, eu tenho certeza.
00:48Oh, não se preocupe, só faça isso acontecer.
00:52Oh, come on, Bernie.
00:55Do 24 anos de marido.
00:57Não há nada.
00:59Não há nada.
01:11Depois de 30 anos de resolver essa isla's problemas,
01:15nossa amida agônica é retira.
01:18E então, por favor, se inscreva-se para mostrar sua gratidão para essa maravilhosa mulher.
01:29Obrigado, senhoras e senhores, todos vocês, meus queridos,
01:35por me interrompendo com essa preciosa tarefa por tantos anos.
01:41Mas agora eu estou ansioso para mais tempo com minha filha Esme.
01:55Vamos ver se, para a primeira vez em sua vida,
02:00essa imbecilia é verdade para sua palavra.
02:18Mãe, Esme, como foi a festa?
02:21Bom item, eu estou ansioso.
02:24É estranho.
02:27Mãe?
02:31Mãe?
02:36Mãe?
03:00Mãe?
03:14Mãe?
03:1715 minutos mais.
03:19Certo.
03:21Vamos falar sobre alguma coisa hoje?
03:30Não.
03:36Obrigado, mas...
03:38Não.
03:48Sim.
03:48Dias, Thomas.
03:51É o trabalho.
03:57Oh!
03:59Então, eu entendi que a gente está indo bem, então?
04:04Um...
04:04Eu mei...
04:05Estar em frente de um total estranho,
04:08falando sobre os sentimentos...
04:09é só não para mim, sabe?
04:11Mas você foi criado...
04:13por seus próprios irmãos, quase mortos.
04:16Olha, eu estou aqui agora, não é?
04:18A melhor coisa para mim é só...
04:20esquecer o que nunca aconteceu.
04:21Isso é saudável.
04:23Olha, eu estou inglês, sim?
04:25É o que fazemos.
04:30A desistada é Hortense Leroux.
04:33Ela escreve uma coluna para a local paper.
04:36A coluna?
04:37É uma coluna do passado.
04:40Mas não, o que...
04:42Senhora...
04:43Agora, eu estou passando para mim.
04:45Bem, o que você acabou?
04:45Bem, o que foi aí?
04:46Ela falou bem.
04:48Bem, oi?
04:48Ela ficou com a minha filação.
04:50Tem, ela foi, você?
04:56Ela ficou no burrito.
04:57Então, ela foi.
04:58Ela foi...
04:59Ela foi.
04:59Ela vai...
04:59Ela foi...
05:00É, eu mesmo.
05:01Ela foi, ela foi.
05:03Ela foi.
05:04Ela foi, ela foi.
05:05Ela foi por uma coisa que ela foi.
05:07Ela foi!
05:08Ela foi.
05:08So, she sat down for breakfast,
05:13boiled egg and toast,
05:15read her column where someone writes in about a friend's betrayal,
05:22and dear Hortense replies with avoiding revenge.
05:27Let sleeping dogs lie.
05:29Sir, she was retiring.
05:31This would be her last column?
05:33Tragic coincidence?
05:35Tragic, certainly.
05:37Coincidence, not so much.
05:40Does this look discoloured to you?
05:47You think the poison is on the paper?
05:49Possibly.
05:50Where did this come from?
05:51We'll check with the housekeeper.
06:02Egg and soldiers.
06:04In the Breakfast Hall of Fame.
06:06That's right up there.
06:07Dipping a piece of buttered toast into a gooey yellow egg.
06:11Heaven.
06:13You're fine, sir.
06:26This egg's harder than Vinnie Jones.
06:28Dipping a soldier into that would be impossible.
06:37Sir, normally when you spot a detail, I think,
06:40no lah man, we will definitely come back to this.
06:42But right now, I'm kind of struggling how this could possibly be relevant.
06:49Everything's relevant, Officer Rouse.
07:02And the paper was delivered every day?
07:05By a boy called Clayton Powell.
07:07Can you get a hold of him, please?
07:09Mm-hmm.
07:11Esme.
07:14Terrible, terrible news.
07:16Anton Bozet, editor of the San Marie News and Hortense's ex-husband.
07:21D.I. Wilson.
07:22I've heard a lot about you.
07:25So, what's the latest?
07:27Well, we're working on the theory that Miss Leroux was poisoned.
07:30What?
07:31Deliberately.
07:32How could anyone do that to her?
07:35She was truly adored.
07:37So, how did she seem recently?
07:39Anything out the ordinary?
07:41Well, she had mixed feelings about retiring, naturally.
07:45There was something at the party.
07:48I want to change my final column to this one.
07:52Do you know why?
07:53No.
07:54Can we see the original letter?
07:56They'll be in her study.
07:57OK, so, um, talk me through her morning routine, please.
08:01Um, well, she was up with the lark, made breakfast.
08:05Boiled egg and soldiers, yeah?
08:07Clayton would deliver the paper,
08:08then she would like to read her column over breakfast.
08:12And the egg, how long did she cook it for?
08:15Oh, I'm not sure.
08:18Do you know, love?
08:19Dreaming it, Cecil?
08:21She liked it to be perfect.
08:23Yeah.
08:24That's who she was.
08:25Deep breaths, darling, deep breaths.
08:28Here you are, Esme.
08:29Look here, Inspector.
08:31Why the focus on eggs?
08:33Can I suggest that you concentrate on what is actually important?
08:37Finding the person who did this.
08:39I'm merely trying to establish the facts, Mr. Bousset.
08:42I mean, as a journalist, it surprises me you don't appreciate that.
08:49I'm sorry, the little man doesn't like strangers.
08:53Sensible chap.
09:01She really liked purple.
09:10So what's with the egg thing?
09:14Look, Hortense was the sort of woman who liked everything just so, right?
09:18Even down to how she set out her breakfast.
09:21People are funny, aren't they?
09:23Yes.
09:24People are.
09:25It's still bothering me why the egg was hard-boiled.
09:29Maybe she got distracted, overcooked it.
09:32She had an egg timer, which she clearly used.
09:35And even if she had overcooked it, she could have made another one.
09:40Now you say it, it is a little odd.
09:43You know, I used to think these letters were fake.
09:46But people actually write in with their problems.
09:50And according to the housekeeper, she replied to every single one.
09:54Felt like it was her duty.
09:58Whoa!
10:02Seems she kept every single letter as well.
10:05This is the letter she wanted to publish last minute.
10:08Dear Hortense, I've suffered a great betrayal by a friend.
10:13Well, that's different.
10:14What is?
10:15Well, all these other letters are signed anonymously.
10:18But this one is signed by Sophie Martin.
10:22So Sophie Martin wanted her friend to know she'd written this letter.
10:27Well, why?
10:28To send a message?
10:30Or a warning.
10:36Yes, Vector.
10:38Thank you.
10:40Okay, so that's Clayton and here's the tea.
10:44He picked up the papers from Mr Purdy's newsagent at 7am.
10:48There are various papers in the stack, the St. Marie News only being one of them.
10:53He then cycled straight here, delivered the newspaper to Madame LaRue at 7.15am.
11:00And did he actually see her pick it up?
11:02He did, just like always.
11:05And we know she came inside and sat at the dinner table to read the paper.
11:09Do we know how many St. Marie News were in his stack?
11:12He said six.
11:13And none of the other people who get the paper are ill.
11:17But if so, assuming it was a targeted attack, how did he get the one poison newspaper to Hortense?
11:23Maybe they intercepted Clayton on the way, knowing he'd be coming to Madame LaRue's house first.
11:30Clayton swears he did not meet anyone en route.
11:33The only thing of note, his bike had a bust up with a pats hole and all his papers fell
11:38out his back.
11:39But even if the killer had poisoned the first paper in the stack, they're all jumbled up now, right?
11:45Which means they couldn't guarantee that the poison paper would get to Madame LaRue.
11:53A one in six chance.
11:56Don't like the sound of those odds, do you?
12:07Hortense LaRue, St. Marie's favourite agony aunt, poisoned apparently by her own column.
12:13So, who would want to murder her?
12:16Oh, that meddling in people's lives would make you some enemies.
12:20I read that she moved from Paris to St. Marie 30 years ago with her baby daughter, Esme.
12:27Anton Busset, Esme's stepfather.
12:31They met in 1996 when she started her column at the St. Marie News.
12:35Then there's this.
12:37Now, why would Hortense be so keen to publish it?
12:40It was posted on St. Marie, so likely the author lives here.
12:44So, our priority, find Sophie Martin.
12:52Copy that, sir.
12:54There were letters at the house.
12:55Looks like she kept them all.
12:57Might be worth checking those too?
12:59Yes, where would you put that on the priority list?
13:02I'm thinking maybe three or four.
13:06We've got it, Sarge.
13:08As soon as we check through the victim's form.
13:10Can't help feeling Sophie is key to all of this.
13:13Making progress already?
13:16Oh, Commissioner.
13:16Well, you know, it's early days.
13:19Madame LaRue was highly regarded.
13:22Only last night Catherine and I attended her retirement party.
13:26As such, the island will be watching our investigation keenly.
13:31Ah.
13:32Excellent.
13:33I'm assuming you've met Anton Busset.
13:37We've had the pleasure he won't miss an opportunity to put pressure on us, or rather, me.
13:45Let me know when you're ready to talk.
13:49So, let's keep things as professional as we can.
13:53Of course.
13:55The I. Wilson Award.
14:04How are the counselling sessions going?
14:07Oh, erm...
14:09Extremely useful.
14:11Yeah, we're really getting to the...
14:12The heart of the matter.
14:14Is that so?
14:15Hmm.
14:16What I've heard is directly to the contrary.
14:20You haven't said a word.
14:22I thought that was confidential.
14:25Inspector.
14:26Take it seriously.
14:28Look, I'm just not into the whole going over the past stuff.
14:33The effects of trauma don't just magically go away.
14:37You've got to work through it.
14:40I know.
14:41Because I did.
14:46You had therapy.
14:48And like you, I had dogs.
14:51Men of my age, we tend to crack on with things, too.
14:58Give in to it, Inspector.
15:00You may be surprised.
15:03Okay.
15:05But I assure you, I am completely, totally, 100% fine.
15:23I am.
15:24We've got a situation.
15:25Oh!
15:28It's on.
15:31It's on.
15:32Shut up!
15:32. . .
15:33. . .
15:51Working overtime, mate. Any leads?
15:55. . .
15:58. . .
16:00. . .
16:00. . .
16:02. . .
16:08. . .
16:14. . .
16:35Morning, campers. Gather round. I have a breakthrough.
16:44Right, so this stamp was conveniently hidden beneath this St. Marie stamp.
16:50The original stamp is from France.
16:54Hmm, so what does that mean?
16:56That it was posted from somewhere else first?
16:59Maybe Sophie meant to post it from somewhere else but didn't for some reason,
17:02then brought it to St. Marie to post. Why? Who knows?
17:05My stamp man in Kentish Town is on the case, and he's going to . . .
17:08And three. You all right, sir?
17:13Yeah, why?
17:14You seem a little energetic.
17:16Oh, that's the coffee. I've had three already. That's my fourth.
17:22Bad night?
17:23Uh, no. I was just up looking into this. Any update on Sophie's whereabouts?
17:30None on the island and no mention in the victim's contacts, either.
17:34Post-mortem's in.
17:36Cortens was poisoned, as we thought. Contact poison.
17:41Cone snail venom, in fact.
17:44Cone snail. That's new.
17:45Yeah, I mean, they live in the shallow waters around here.
17:48I mean, you're warned about them as a kid.
17:50If it's in a cone, leave it alone.
17:52The toxin paralyzes the victim first, then they die a painful death.
17:59Nice.
18:00So whoever did this wanted or tends to suffer.
18:04It says here that the poison was only on page 35 of the newspaper,
18:08which means we're looking at one hell of a gambler.
18:11Somehow poison one page in one paper of a pack of six,
18:15then pray to the gods of vengeance that that paper is delivered to its victim.
18:20Risky as anything.
18:21It's more than risky. It's almost impossible.
18:24Did Hortense touch anything else?
18:25Lab's still testing. They'll get back to us tomorrow.
18:28In the meantime, Officer Rose and I have been working on something.
18:31Yes, uh, the daughter. Esmere?
18:34I mean, totally bankrupt by her mommy.
18:36She's never had a job. She just gets a big juicy allowance every month
18:40and, I mean, she's living her life.
18:42Well, it seems Esmere might have disagreed.
18:45She'd applied for a job at a publisher's in Barbados.
18:48Then, plot twist, we find emails from Hortense
18:54to the managing director saying Esmere was not fit to work
18:58and that she would sue them if her daughter had a breakdown.
19:02They took back the job offer pretty quickly after that.
19:05So, mummy blew her chances of a promising career?
19:11Wow.
19:17Must have been a blow.
19:19She was right. I... I wouldn't have coped.
19:22Real life and me somehow never work, so...
19:25What made you apply for the job, then?
19:27Anton encouraged me.
19:29He helps me with all sorts of things.
19:32Can't help noticing you're wearing the same clothes as yesterday.
19:36Late night, was it?
19:37My mum just died.
19:39I'm allowed to grieve.
19:41Of course you are.
19:44Look, what do you want from me?
19:45You're 31, never been anywhere, everything you own,
19:48all paid for by your mother.
19:50It's unusual.
19:52Some might say a little... controlling.
19:55She wasn't.
19:55She loved me.
19:57People get away with a lot under that label.
20:01Papillon. Papillon.
20:03Come away from there.
20:07Needs to be careful of those cone snails.
20:09I hear they're deadly.
20:11My mum was always paranoid he'd get stoned.
20:14Like to keep him close.
20:16Bit like you, then.
20:17Please, not least.
20:18A bright new future.
20:19Suddenly, snatched.
20:21No, stolen away by your meddling mother.
20:23That'd have made me angry.
20:24But that made you angry, DS Thomas.
20:25Definitely.
20:26Maybe the anger got too much.
20:28Maybe one day you just snapped.
20:29No.
20:31That's not true.
20:36We'll be in touch.
20:42Never underestimate the quiet ones.
20:49Alright, mate.
20:50What you got?
20:52For real?
21:01Curious and curious, as they say.
21:04Le Cloche de Saint-Azure, pardon my accent,
21:07was printed in Paris 30 years ago.
21:09Does that mean that this letter is also 30 years old?
21:13We can only assume so.
21:14But if that's the case, why would Sophie Martin wait to send this now?
21:19Maybe she knew Hortense was retiring and this was her last chance?
21:23Well, look for any Sophie Martins who lived in Paris 30 years ago.
21:26Yeah, keep me posted.
21:27Any news from the lad?
21:28No poison found on anything else she could have touched.
21:32So this newspaper was definitely the murder weapon?
21:34It looks like it.
21:36Something interesting though.
21:38No fingerprints found on Hortense's glasses.
21:41Wipes clean.
21:42Hmm.
21:43What would that be?
21:46Right, until we know who Sophie Martin is, let's look for anyone with a motive, yeah?
21:50I found something on the victim's phone.
21:52In the trash.
21:54And like my uncle, little Terence always says,
21:56one man's trash is a...
21:58Is another man's treasure, yes we know.
21:59Get on with it, Officer Rose.
22:01Sir!
22:02Sorry.
22:03Hmm.
22:04Go on.
22:05Some anonymous text going back three weeks ago.
22:08You'll get what's coming to you.
22:10You don't deserve to live.
22:12And then just before a retirement party,
22:14wear the amethyst earrings.
22:16They bring out your eyes.
22:18Someone was out for blood.
22:20But who?
22:21A reader with a grudge, maybe?
22:23Maybe.
22:24Clearly whoever it is was watching the house the other night
22:26while Hortense was getting ready for her big bash.
22:29First thing tomorrow, talk to the neighbours.
22:32Maybe they saw someone hanging around.
22:34Mm-hmm.
22:34Oh, God.
22:43Ooh.
22:47Yeah.
22:52Number 3 of people.
22:55Two of lost people.
22:55Um, all the things we've decided
22:55have only been able to bring back together and builders
22:57in our lives.
22:58So, what's the potential of doing?
23:03NoTalk's not doing that.
23:04We don't need to sell people.
23:05We don't beWherever.
23:11Você quer que se descanse, não é?
23:13Eu estou aqui quando você está listo.
23:15Olha, por que não você só me perguntar algo?
23:20Só...
23:21...me perguntar uma pergunta.
23:23Por favor.
23:25O que você acha sobre o irmão?
23:29Ok.
23:32Um...
23:33...o que eu acho que é algo assim, eu diria.
23:38Você sabe, cada vez que eu me vejo com esse cara, algo acontece que não é.
23:43E... e... e...
23:45...o que eu diria, principalmente, o que eu quero dizer.
23:49Eu queria que isso funcionasse.
23:50Eu queria que eu gostasse, eu queria que nós funcionasse.
23:56Mas, você sabe o que?
24:00Nós não somos.
24:01Eu não confio esse cara.
24:04E se você não confia a família, então...
24:06... quem você pode confiar?
24:07Seria mais importante falar com ele sobre o que aconteceu.
24:11Eu não sei onde eu vou começar.
24:14Às vezes, se conversar é difícil, escrever isso pode ajudar.
24:19Certo.
24:23Certo.
24:24Certo.
24:25Certo.
24:26Certo.
24:27Certo.
24:28Certo.
24:29Certo.
24:32A letra.
24:33Seria uma coisa de tempo.
24:35Por que você não diz ele o tipo de brother que você quer?
24:39Porque é uma fantasia.
24:42Ele não pode ser aquele brother.
24:46Então, eu preciso apenas acertar e...
24:49...move on.
24:51E, senhor, como você vai fazer isso, se você é honesto com ele?
24:54E, ainda mais, com você, com você mesmo?
24:58Catherine, você foi à Hortensei's party?
25:02Sim.
25:02Sim.
25:04Sim.
25:04Não, não.
25:05E a família?
25:07Esme.
25:08E Tom Bousset.
25:09Oh.
25:10Anton.
25:11Hum.
25:12Men like him.
25:13Hungry lions.
25:15Looking at you like you're a tasty steak at a buffet.
25:19Oh.
25:19Have you two got history?
25:21He'd like that.
25:23Do you want another drink?
25:25Oh.
25:26No, thank you.
25:27I think I'll have an early night.
25:29Perhaps you should too, sir.
25:31Why is that?
25:33Seeing that you're having trouble sleeping.
25:35Another cold one for me, please, Catherine.
25:54I'll speak to him, and you take the house over there.
25:57Then we'll get to those letters.
25:59Sound good?
25:59Cool.
26:00See you later, Aligheta.
26:18Come on, come on, come on.
26:28What are you doing?
26:29Nothing.
26:30What's behind your back?
26:31Hi, cupboard.
26:32Don't lie to me.
26:33There's a mirror right behind you.
26:36I just promise you won't laugh, all right?
26:39I promise.
26:41Dear Hortense, there's this girl I like.
26:44If she were a chicken wing, she'd be extra hot.
26:47All summer we've chilled, but now she's gone quiet.
26:50I'm confused.
26:51She keeps watching my stories once she commented with a tomato emoji.
26:56What does that mean?
26:58I just want to know where I stand.
27:01You're Sebastian Rose.
27:05You know this is supposed to be a meaningless.
27:07I know that.
27:08Well, did Hortense write back?
27:09She did.
27:10She said something about allowing space for roots to grow or something.
27:15And happy?
27:17No.
27:18Because she might be waiting for you, you know.
27:21That tomato emoji couldn't mean this girl's interested.
27:24You can't sit back, you've got to lean in.
27:26Yeah.
27:27It may be alright.
27:29Deneva did tell me something pretty darn spicy.
27:32Yeah?
27:40What are you doing?
27:42A game of probability.
27:44A killer somehow gets a poisoned copy of the St. Marie News
27:48into Clayton's stack of newspapers in which there happens to be
27:51five other copies of the St. Marie News.
27:53And from which he pulls one copy of the St. Marie News at random
27:57and delivers it to Hortense.
27:58A one in six charts.
28:02Our only clue is the egg.
28:05Why was it hard boiled when Hortense likes it to be perfectly dippable?
28:10Sophie Martin is a very popular name.
28:13There were about a hundred Sophie Martins in Paris around that time.
28:18Look, for any connections with St. Marie, yeah?
28:21We have to find this woman.
28:23Will do.
28:27Sorry, it's not you, it's me.
28:30So the beers didn't help then?
28:33Surprisingly, no.
28:37And...
28:39the little?
28:41No, it's not a good idea.
28:43And that's an end of it.
28:44Okay?
28:48Sergeant Fletcher?
28:50We know who's been sending those messages.
28:52The neighbour was taking out the bins on the day of the party
28:55when he overheard an argument between Kim and Hortense.
29:00Did he hear what was said?
29:02Certainly did.
29:03It's you, isn't it?
29:05You have been sending these foul messages.
29:07Who else would know those things?
29:09And guess what?
29:11Hortense said she'd report her to the police the next day.
29:20I would never do anything so stupid.
29:23So why would Hortense think it was you?
29:25No clue.
29:26Those texts contain personal details
29:28that only someone close to her would know.
29:30So how long have you worked with Miss LaRue?
29:32Oh, about six months or so.
29:34Was she a good boss?
29:36Madame was a diamond.
29:37It's a tragedy that she's gone.
29:39From what we've heard, she was more dragon than diamond.
29:42She certainly gave her daughter a hard time, didn't she?
29:44Well, she was a mite overprotective.
29:46But she cared, which is more than most.
29:48But if she was like that with her own flesh and blood,
29:51it's not a stretch to imagine she'd do the same to you.
29:53Perhaps you decided to get your own back.
29:57Frighten her.
29:58But then she found you out, didn't she?
30:00You'd have faced criminal charges.
30:02You'd have lost everything.
30:04So I killed her?
30:07You've got this all wrong, officers.
30:09I've been around the block more times than I care for.
30:12Life's good here.
30:13Better than I hoped.
30:14Why would I risk losing that?
30:19You know what I said to her?
30:21Go ahead.
30:22Report me.
30:23Any decent investigation team would discover
30:25that I didn't send those texts.
30:27Convenient.
30:28What is?
30:29Well, she never got the chance, did she?
30:31And now here you are, free as a bird.
30:41She does have a point.
30:43I don't see what she gains from scaring Hortense.
30:46Well, who else?
30:49Well, I'm not overly thrilled about talking to Anton Busset,
30:52but if it was an angry reader who sent those texts,
30:54then you're going to have to.
30:57Sir, you're sure you can keep cool?
31:03As a cucumber.
31:14So, Hall 10s of LaRue didn't mention anything to you
31:17about these text messages?
31:19Ever since the divorce, we didn't have the same intimacy,
31:22you understand.
31:24Please, sit down.
31:25No, I'm all right standing, thank you.
31:27Any hate mail sent to the office?
31:29Complaints?
31:30People calling in to talk to her?
31:32You don't give up, do you?
31:33What?
31:34Is she deceptively heavy?
31:35Is this real gold?
31:36Can you put that down?
31:39I've already said I don't know who was sending these messages.
31:42And whoever she is won't be easily found.
31:45She?
31:46What?
31:47You just said whoever she is.
31:49I misspoke.
31:50They.
31:51Unusual for a man in your line of work to misspeak.
31:54Unusual for a man in your line of work to behave like an amateur.
31:58Excuse me?
31:59Let me be crystal clear.
32:00Stop wasting time asking obtuse questions.
32:04And go about doing your actual job.
32:08Let me be crystal clear.
32:09These obtuse questions are to find out who murdered your ex-wife.
32:13Sir?
32:13But the fact that you can't see that is because your head is so far up your own-
32:19Well that escalated.
32:22Look.
32:23I get it.
32:24Sir, what you went through was something no one should ever have to.
32:29But you can't keep pretending like-
32:32Pretending?
32:32Yes.
32:32Pretending like you're okay.
32:34Your judgement is clearly off because you're not sleeping.
32:38My judgement-
32:38And you're not sleeping because you have this thing with Solomon hanging over your head.
32:42What do you suggest?
32:42I don't know.
32:44Write the letter.
32:45Whatever.
32:46Get it off your chest.
32:47We have a murder to solve.
32:49Right.
32:50Fine.
32:52I'll do it.
32:53Thank you.
32:58So what are we going to do about Mr. Busset?
33:01He obviously suspects who's sending those texts.
33:06Well, we need a tactical rethink.
33:12I have an idea.
33:23Who knew St. Marie was so high-tech?
33:26Found it in the back of the evidence store.
33:29Don't think it's been used for a while.
33:31You surprise me.
33:33It's from 1986.
33:35Can't beat quality.
33:37Thanks for doing this, Miss Baudet.
33:39A pleasure.
33:40I feel like one of Charlie's Angels.
33:43Now, remember, you're there to find out who Anton thinks is behind the text messages.
33:48But don't go straight in for the kill.
33:50Act natural.
33:50Re-in-check is your code word if anything goes wrong.
33:54You taught.
33:55Trust me.
34:04We good?
34:11The golden goose has landed.
34:18Anton.
34:19How lovely to see you.
34:21Likewise.
34:22I was surprised when you called me.
34:25Pleasantly surprised, of course.
34:28Thought a drink would help.
34:29Take your mind off things.
34:31Much appreciated.
34:36That clown inspector was at the office today.
34:39Poking his nose in where it's not wanted.
34:42Oh.
34:43Like a dog without a bow.
34:45What is she after saying?
34:46Shh.
34:46Wait.
34:47She knows what she's doing.
34:49Did the police have a theory today?
34:51All they were bothered about were these nasty messages Hortense was receiving.
34:57Thank you.
35:00You seem like a woman of good sense and judgment.
35:03I like to think so.
35:05This stays between us.
35:07A few years ago, Hortense told me something.
35:11Esme isn't her child.
35:13She took her from Paris when she was a baby.
35:15This is big!
35:16Sadly, the mother wasn't able to take care of her.
35:19A drug addict.
35:21I'm assuming she agreed to this.
35:24The way Hortense told it sounded like she was too out of it to notice.
35:28Hortense couldn't have children.
35:31But the authorities, did they not realize?
35:34She came here, forged her papers.
35:37She was Esme's mother in all but flesh and blood.
35:41And Esme has no idea?
35:43No.
35:43And I wanted to stay that way.
35:45This would break her.
35:47So, you suspect it's Esme's birth mother sending those messages?
35:54Who else?
35:58Enough doom and gloom.
36:00Would you do me the honor of a dance?
36:02Oh, well, um...
36:04It might be better.
36:05If I rain check.
36:07No reason.
36:09I doubt that very much.
36:10Come on.
36:11Sorry, Anton.
36:12I must rain check.
36:17We've lost her.
36:18Sergeant Fletcher.
36:23Why do you keep saying rain check?
36:37Sorry, Mathieu.
36:38I tried.
36:40This won't be the last to hear of me.
36:42I'll be calling your commissioner.
36:45Qu'est-ce qu'il s'est passé?
36:46I was saying the cold well.
36:48It was a technical hitch.
36:49I am so sorry.
36:53We can now assume that the friend's betrayal written about in Sophie Martin's letter is referring to Hortense stealing Sophie's
37:00baby 30 years ago.
37:01Which means Sophie is Esme's real mother and finally explains why Hortense was so desperate to publish the letter.
37:09She knew it was Sophie coming for her. Her response? Back off. Esme's mine.
37:15But why wait 30 years to send this?
37:18Don't know yet.
37:19But we will.
37:20And if Miss Martin is also behind the text messages, as Anton suspects...
37:25You'll get what's coming to you. You don't deserve to live.
37:28She's here on this island with one hell of a motive. But where?
37:44I hope you don't mind Angel.
37:46Oh no, not at all.
37:48Such a great loss. If you ever need someone to talk to, I'm here.
37:56You're kind.
37:59I'm here.
38:15Solomon.
38:17I've been thinking about what to say for a while, but I haven't managed to find the right words.
38:28Just like a mirror, it seems to show. Heaven, I'm afraid.
38:38Yes, I see beaucoup.
38:42Morning.
38:43Morning, sir. That was the Paris police. My thinking was addicts are more likely to have criminal charges. And there
38:52are three Sophie Martons on file. Two for possession, one for aggravated robbery. I've asked them to send over the
38:59records.
39:00Good work.
39:01Good work.
39:01What's that, sir?
39:03Oh, erm, this is it. My letter to Solomon. I've got it off my chest.
39:10Did it help?
39:13Er, yeah, it did actually. You know what I realised? I want... No. I need my space from it.
39:26I'm so sorry, sir.
39:27No, no, no. It's all good. It's for the best. I just needed a little time to accept it. That's
39:32all.
39:35Where is everyone?
39:37Following a lead. If Sophie Martin was outside Madame Rourou's house that night, it's possible she followed her to the
39:44party. So we went through the photos online and look at this one.
39:55Yes, she does look about the right age that Sophie will be. An uninvited guest. The waiter said she got
40:02into a green VW camper van and luckily, Matty knows the one garage that fixes them.
40:08PHONE RINGS
40:11Yeah. Talk with the devil.
40:13We think we found Sophie. So someone matching her description came into the garage last week. Goes by the name
40:20of Calypso.
40:21Says she normally parks up by Coral Beach.
40:24We need to get there pronto.
40:25You already here, sir?
40:27You got an eyeball.
40:32I hearing you good? You think that I'm that shy girl's mother? You mad.
40:38I don't even know this woman you're talking about.
40:42Then why did you sneak into the party that night?
40:45Just passing. Felt thirsty. It's not a crime.
40:50No. The stalking is.
40:52See, our theory is you are Sophie Martin. You assumed a new identity to come to Saint Maria and enact
40:58revenge on Hortense Leroux. Starting with those threatening text messages.
41:03Uh-uh. I just like to stay off-grid. That's all. We should be free to roam, as the birds
41:10do.
41:11You know we can trace the SIM to the shop you bought it in. Check their CCTV.
41:17Okay. Here's the truth. That woman you're talking about. Sophie Martin. That ain't me. But those texts? I sent them.
41:31Not for the reason you think though.
41:33Why then?
41:35Two months ago, I sent dear Hortense a letter. Hortense told me to cut my mother out of my life.
41:44Toxic mothers shouldn't be allowed to act that way, she said.
41:48A bit hypocritical coming from her.
41:50I did what she said. Know what? My mother died. Alone in her bed. If I hadn't listened to that
41:59loud-mouthed woman, I would have been there.
42:02That must have made you angry.
42:03Not enough to kill her. I wanted to scare her. Make her suffer. The same way I've been suffering.
42:11Walking about this earth with a perfect life. Little care for the people whose life she ruins.
42:24Miss Jones. With no disrespect, but...
42:28It kind of seems like you're more angry at yourself.
42:33Look, I'm no expert, but...
42:36It doesn't help to...
42:38Hold on to things.
42:53So we're still having a scooby how the killer pulled off this murder.
42:57A stack of six papers, and he managed to poison one, and have it delivered practically straight into Hortense LaRue's
43:03hands.
43:03And let's not forget about the egg.
43:06What happened that morning to make her ruin a perfectly good breakfast?
43:10Sir...
43:10Hold that thought. I'm late.
43:15I'll be back.
43:23How do you feel?
43:26Better.
43:29Definitely better.
43:30I mean, everything here is just, um...
43:35You know? Gone.
43:36All I need to do now is post it.
43:39Well done.
43:40Thank you.
43:41Now, can we talk a little more about your life here?
43:45How long have you got?
43:47About half an hour.
43:49No, I meant...
43:57She timed it.
43:59Why didn't she take it out?
44:02And the egg, how long did she cook it for?
44:04Dreaming it, social.
44:06He then cycled straight here, delivered the newspaper to Madame LaRue at 7.15 a.m.
44:11Sorry, the little man doesn't like strangers.
44:14There were no fingerprints found on Hortense's glasses.
44:17I wanted to scare her.
44:19I wanted her to suffer the same way I've been suffering.
44:22Of course.
44:23Well, that's the reason why.
44:25Why what?
44:26The egg was hard boiled.
44:27I can see everything clearly now.
44:33Thanks for your patience.
44:36I know who the killer is.
44:37I know how they did it.
44:39Those photos from the Paris police, have they come through?
44:41Just in.
44:42Right, we need a search warrant.
44:44And then we can have a little family reunion.
44:53Agony Arts are known for giving advice to help solve difficult problems.
44:58However, I doubt they've ever been asked to advise on a problem as difficult as this one.
45:04Hortense LaRue was poisoned, effectively by her own column.
45:08But we had no idea how the killer managed to poison the newspaper and get it delivered straight to her.
45:15When the paper boy took one at random from his stack.
45:20But, with the help of a hard boiled egg...
45:23Not this again.
45:25We finally cracked it.
45:29You, Kim.
45:30It was you who murdered Hortense.
45:33Me?
45:34No.
45:35I told you.
45:36I was telling the truth.
45:38As Miss LaRue's housekeeper, you knew her morning routine.
45:41That she liked to read her column whilst having her breakfast.
45:45You also knew that Clayton drops the paper on the porch at 7.15am.
45:51And Papillon barks to alert Hortense, as he always does when someone's at the door.
45:56So, earlier that morning, you went to another newsagent and bought a copy of the St. Marie News.
46:04Let's call this Paper A.
46:07You then laced the problem page with cone snail poison.
46:11Something you knew about from Hortense's fear of her dog getting stung by one.
46:14My mum was always paranoid he gets stung.
46:17Then you dropped Paper A onto the porch sometime before Clayton usually arrived.
46:24Hortense must have been in the middle of preparing her breakfast.
46:28Papillon barked as normal, so she went outside to collect the newspaper she thought had just been delivered.
46:39She went back into the kitchen, eager to see if her request to change her final column had been carried
46:44out.
46:45In doing so, she came into contact with the poison and subsequently died.
46:51A painful death by all accounts.
46:56You then came into the house, through the back, and put on Hortense's purple gown, a wig matching her hair
47:04with a purple headband.
47:06And finally, the item that was unmistakably Hortense, her statement, purple glasses.
47:14As usual, at 7.15, Clayton delivered the newspaper, Paper B, and Papillon barked.
47:23Kim, now dressed as Hortense, opened the door and waved to him.
47:27As Clayton cycled away, he wouldn't have known that it was in fact you waving at him and not Hortense.
47:34You then came back into the kitchen and returned Miss LaRue's glasses, wiping away any prints first.
47:42Now, we come to the egg, and your ultimate downfall.
47:46You see, in your haste to stage the scene before Esme arrived, you almost forgot Miss LaRue's egg was still
47:53boiling away on the stove.
47:54You needed everything to look exactly as it should, to fit the timeline of Hortense making breakfast, then reading her
48:02column.
48:03So, you hurriedly took the now hard-boiled egg out of the pan and clumsily put it in the egg
48:10cup.
48:11Then you left the house through the back, the same way you came, got into your car that was parked
48:17around the corner, and drove around the front to time perfectly with Esme's arrival.
48:24You later disposed of paper B and the wig at your home.
48:31We found these in the bin on your street.
48:34An audacious, yet brilliant plan.
48:38But, why go to such lengths?
48:43Kim Woods isn't your real name, is it?
48:47You are, in fact, Sophie Martin.
48:52Thirty years ago, Sophie Martin moved to Paris from the UK with her boyfriend who was escaping some trouble back
49:01home.
49:01She was living in a commune in Montmartre, and it's there she met Hortense, an ambitious writer.
49:12Sophie was a drug addict with a newborn baby.
49:18You were doing your best, no doubt, but from what we now know about Miss LaRue, she had a saviour
49:25complex.
49:25Through our undercover investigation, we discovered her secret.
49:31Hortense stole your baby in the night, and went as far away as she could.
49:38To Saint Marie.
49:41That baby was you, Esme.
49:45You're my mother.
49:49Hortense was my friend.
49:52And she offered to look after you.
49:55And yes, I was struggling, but I loved you.
49:59So much.
50:01And then one morning I woke up and you was gone, and I didn't sleep today searching for you.
50:08But then you found out Hortense was here, didn't you?
50:12Through her column.
50:14So all those years ago, you wrote this letter to Dear Hortense.
50:20The same letter Hortense wanted to publish at the very last minute for her final issue.
50:28I wanted her to know I was coming for her.
50:31Then you were arrested?
50:33The guy I was going out with at the time, he told the police that I was involved in an
50:38armed robbery and someone got really badly hurt.
50:41And it was all lies.
50:43I had nothing to do with it.
50:45He was not a good man.
50:47And I didn't get a chance to send the letter.
50:50It put me away for years.
50:53Time after time, my parole was refused.
50:56And I lost all hope.
50:58Until one day, I finally got myself together.
51:01Got myself clean.
51:03That day came.
51:05And I knew what I had to do.
51:08I had to find you.
51:10No hurt Hortense for what she'd done.
51:13I came to St. Marie.
51:16First place I went was the newsagent and I saw the ad for her housekeeper.
51:20It felt like fate.
51:22Come in.
51:24You bided your time.
51:26Working out the perfect murder plan.
51:29And when Hortense received your letter, she must have known you were gunning for her.
51:35You read her response.
51:37She didn't regret it.
51:40Nor one bit.
51:44Esme, I don't expect you to forgive me.
51:46But I would really like you to understand that what she did destroyed me.
51:54Killing her was the only way I could ever have a relationship with you.
51:59Officer Rose?
52:03Officer Martin.
52:05Officer Martin.
52:06I'm arresting you for the murder of Hortense Leroux.
52:08You don't need to say anything.
52:10But it may harm your defense if you do not mention one question.
52:13Something which you later rely on in cause.
52:15You think you do say it may be given in evidence.
52:17I saw my whole life been alive.
52:23Hortense's love for you?
52:26That was real.
52:27A Fulgur.
52:51I saw a kid a little.
52:57I was a son in a little bit.
53:01Amém.
53:28Ei!
53:33Can I help you?
53:36Mervyn, yeah?
53:39Yeah?
53:40Didn't you hear me knack?
53:42No, I was sleeping, actually. Deeply.
53:46You're older than I imagined.
53:48Er, sorry, who are you?
53:50Just one second.
53:52Come on! Just give it talk, man!
53:57Finally!
53:59Stupid boy's been holding out,
54:01and all he's got is a pair of sixes.
54:05Amateur.
54:06Is that a gambling app?
54:08I don't think you should be playing, then.
54:10Don't sweat it. It's cool.
54:13Dad said you were a goody-goody,
54:15but I guess that come to the job, right?
54:17OK, stop, yeah?
54:19Now, you tell me right now who you are,
54:21who your dad is, and what you're doing on my property,
54:24or I'm arresting you for trespass.
54:26And you being the detective?
54:28It's me, Eloise, Yanis.
54:33Sorry, what?
54:34Yanis, Eloise,
54:37did Dad not mention me to you?
54:40No, he... no one mentioned you.
54:46Well, I'm sure he was going to.
54:49He's a busy guy, you know.
54:51Lot on his plate.
54:55So...
54:56What would you prefer when I call you?
54:59Uncle Marvin?
55:01Uncle Merv?
55:03Just Merv?
55:09What's for breakfast?
55:16What's for breakfast?
55:17Hey, don't touch anything!
55:20This is the closest I've come to actually seeing it.
55:23The last...
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