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00:43:36so um how are we feeling on that one pretty pretty good or marco oh yeah how you doing
00:43:44teddy are you okay did you did you actually hit him aj marco i would appreciate if you
00:43:50shared is wrong with you if you shared any critiques via email instead of can we on set
00:43:59we're doing their take wait sorry what teddy do another take would you be able to hit me with
00:44:05the bat again on the next take yeah it was just i was so scared and i felt like for
00:44:12a little bit i
00:44:14lost teddy and found lee okay i'm totally ready to go if you're ready to go like marco are you
00:44:21are
00:44:21you good you are you good to go for another do you need like a little crafty five or um
00:44:25should we
00:44:26keep her going marco marco marco here's your bat
00:45:03hey yeah what's going on uh i uh just about finished
00:45:06finished the first draft so oh that's that's that's totally hey i i'm sorry but you nda's mean
00:45:14nothing i'm sorry i was recording a tiktok give me my phone back please okay then i'm gonna take
00:45:18your face id okay just show me your face i know all right all right okay
00:45:25shut
00:45:28shut up
00:45:30shut up
00:45:35shut up
00:45:38shut up
00:45:41shut up
00:45:44shut up
00:45:46shut up
00:45:56I have a story for you. So you're on Jimmy Fallon, and you're being interviewed, and you are killing it.
00:46:03Jimmy is laughing, he is eating up your anecdotes, he is slapping his knee, and then, what's this? He's slapping
00:46:12your knee. And then he leaves his hand on your knee, and he looks you in the eyes, and he
00:46:19tells you, AJ, you are the greatest director I have ever interviewed.
00:46:24And then wait, here's Jimmy Kimmel. And he says, AJ, do you maybe want to, I don't know, host the
00:46:31Oscars with me? And you say, oh, I mean, it's a big stage, you know, but I would consider it.
00:46:37And the audience, they are loving it, and they are saying, AJ, we love you. And you're like, oh, stop.
00:46:43I mean, if you want to take photos or selfies, that's fine.
00:46:45But the important point is that they love you, AJ. And I love you. And I will never stop loving
00:46:53it.
00:46:54Hey, hey, sorry, sorry, hey, I'm in a session. I'm in a session. Go around.
00:48:42No, you literally said let me know when you get home safe, so I'm going to let you know
00:48:45when you get home safe.
00:48:46No, you said literally let me know when you get home safe.
00:48:50Yeah, no, Margs, Margs.
00:48:53Margs?
00:48:53No, it's not Teddy.
00:48:55It's Lee.
00:48:57Yes!
00:48:57Just tell you.
00:48:58How about that?
00:48:59Yes, yes.
00:49:01Yeah, okay.
00:49:03And I'll let you know.
00:49:04All right, yeah.
00:49:05Okay.
00:49:07Sorry, Margs?
00:49:08Mr. Director, dude, how the hell are you, man?
00:49:11Dude, your tweet, so funny, so good.
00:49:14Yeah.
00:49:16It's just really so meta, but like in this ironic, if Deadpool met like...
00:49:20Yeah, totally.
00:49:21So wait, who were you on with?
00:49:23It was Margs.
00:49:25Margs, that was Margo, Margo, sorry.
00:49:27We were thinking about maybe getting some dinner tonight, maybe hanging out a little bit, and...
00:49:30Wait, so sorry, like you and Margo, is there a little something there?
00:49:35No, no, no.
00:49:36No, um, she's, uh, no, she's, uh, is she gay?
00:49:41She's gay.
00:49:43Well, but Emma is, is a straight character, right?
00:49:49Okay.
00:49:51And did, sorry, did you maybe mention rejoining content, or...
00:49:55We talked a little bit about that, um, honestly, man, I just think it's gonna take her a little bit
00:50:01of time.
00:50:01On that topic, I did want to discuss with you my involvement, just relating to...
00:50:08You know what, don't worry about it right now, uh, will the sun still out?
00:50:11I did want to check out the neighborhood, get a lay of the land.
00:50:14Yeah.
00:50:14Did you want to come along at all, or...?
00:50:16No.
00:50:17Alright, I'll be quick, I'll let you know.
00:50:18Um, be safe, man, okay?
00:50:19Alright, see you again.
00:50:20Alright, bye.
00:50:21Bye.
00:50:58Bye.
00:51:28Bye.
00:51:51Bye.
00:52:25Bye.
00:52:54Bye.
00:53:08Bye.
00:53:09Bye.
00:53:10Bye.
00:53:11Hey.
00:53:11Hey.
00:53:12Hey.
00:53:12Hey.
00:53:15Hey buddy.
00:53:16Hey, JD, stop.
00:53:17Stop.
00:53:18Okay?
00:53:18AJ?
00:53:19You passed the test.
00:53:21Congrats, man.
00:53:22Just, here, give me that, okay?
00:53:24You did great.
00:53:26Alright.
00:53:27Come with me, Teddy.
00:53:28Come on.
00:53:36Hey, Teddy.
00:53:38What are your thoughts on found footage film history?
00:53:41Now, of course we have our early masterpieces, you know, our Main Bites Dog, our McPherson tape,
00:53:47et cetera, et cetera, et cetera.
00:53:49You know, Cannibal Holocaust.
00:53:50I mean, come on.
00:53:51But the first truly modern masterpiece is Blair Witch Project, you know, a bit of a bread
00:53:56and butter.
00:53:57But what people don't often talk about is Heather Donahue's performance.
00:54:01Let's take a look, okay?
00:54:06Okay, so, as you can see, the actors, they were really scared.
00:54:11You know, so what the directors did, they let them out in the woods with no contact with anyone.
00:54:15How long are you watching me?
00:54:17Not like I wasn't literally in the middle of talking.
00:54:20Come on, man, gotta worry.
00:54:21So, as I was saying, the directors, after they finished filming Blair Witch, they had the actors hide out.
00:54:27You know, they had them go missing.
00:54:30So, to the world, at least, the movie was real.
00:54:33You know, people really thought-
00:54:34I gotta go pee, man.
00:54:35I gotta go pee.
00:54:36Teddy, just- I mean, it's for you, okay?
00:54:40Or, not for you, for Lee Dorn.
00:54:43Alright?
00:54:43So, stick with me.
00:54:44Let's- You know what?
00:54:46Let's watch the first major laptop movie, Unfriended, eh?
00:54:49I think you might enjoy it, okay?
00:54:51Come on.
00:54:53So, the cool thing here, like, during the middle of the scenes, the director would poke the actors and, like,
00:54:58he'd been spontaneous and scared and, like, during Silence of the Lambs, you know, Hopkins, he would make fun of
00:55:03Foster's accent and, like, you can authentically feel like shit if you're, like-
00:55:09It's-
00:55:09Sorry, sorry, I'm here.
00:55:11I-
00:55:12It-
00:55:13It-
00:55:15Look, AJ, this methoding thing, it's just-
00:55:18It's not making sense to me, man.
00:55:20I- We've been watching these videos for hours now, and it's just-
00:55:23I thought it was funny accents during interviews, or pranking each other on set, or trying to pull from your
00:55:31own life experiences, and then, I mean, you've manipulated me, you've lied to me, you've hurt me, you've injured me,
00:55:37and-
00:55:37I greatly appreciate all those times, I really do, but I- I just- I'm not getting it, I
00:55:43don't feel like I've been methoding, and I just need some direction.
00:55:48Teddy, I don't know if I've told you this, but, I'm actually an orphan, and, when I was six years
00:55:55young, my mother, she pushed my father downstairs, and then she threw herself down after, and, as the one who
00:56:01found them, that was actually really kind of awkward for me, but-
00:56:04The thing is, I don't let my boring personal life get in the way of my content, if you push
00:56:10Teddy deep, deep down where no one can find him, that's how you can get to Lee, right?
00:56:18All right, man. And now, on to Unfriended 2, Dark Web, here we go. And, like, the thing about Creep
00:56:252, you know, is that it's, like, total inversion.
00:56:28So, I was wondering-
00:56:30Yeah.
00:56:32What are these?
00:56:35Oh, the-
00:56:36Yeah, um, the pink one, I mean, Cars on the Fable, I use it to hurt people, and the blue
00:56:41one, it- well, it puts you to sleep, so-
00:56:48No, no, no, no.
00:56:50Wait, Teddy, what's- what's up, man?
00:56:54I'm not Teddy.
00:56:56Like.
00:56:57I'm Lee.
00:57:00Wee, right?
00:57:01Lee.
00:57:01I- I- did I not just say Lee.
00:57:04That's what I just said.
00:57:05Totally, man.
00:57:06Totally.
00:57:06What- what-
00:57:07How long have you been watching me?
00:57:10Hey, um, I- I really haven't been listening to me.
00:57:15Do- do- do- do- do-きます?
00:57:17So hey, hey, hey.
00:57:18Who's for the movie?
00:57:19Who's for the movie?
00:57:20OK.
00:57:20Actually, actually, you should be there actually.
00:57:23Thanking you, A.J. Wilby, without what you did to Teddy, you wouldn't have found me.
00:57:31Okay.
00:57:31I know why you used the Shea Goldberg account.
00:57:35God, Teddy was such a dumbass.
00:57:40Okay.
00:57:43Watch this.
00:57:46I don't even have a patient named Jason, so I don't know what you're talking about.
00:57:51You can't lie to me anymore, okay?
00:57:52I know things about you, Sarah.
00:57:54I know where you live.
00:57:56I really think we should move forward with this session and kind of really get...
00:58:00175 Seneca Avenue, 175.
00:58:03I never crossed a line.
00:58:05I'm just doing what you did to me, huh?
00:58:07What happens in my sessions are completely confidential.
00:58:11It's content.
00:58:13I don't really follow him.
00:58:15What we just watched, A.J., it's literally content.
00:58:19I can understand the manipulation and the spying, but Sarah Diaz, Sarah Diaz, agent, I might
00:58:27have to take your tongue for that.
00:58:28Hey, hey, look, Jake Goldberg and I were in film school together.
00:58:31Jake Goldberg and I, we were in film school together, okay?
00:58:34And we were put in a group and we became friends and we kind of became best friends.
00:58:39And, and I shared my idea for her with him.
00:58:41I shared my idea for content and he sold it.
00:58:44And I was really angry too.
00:58:46I was really angry.
00:58:47But then I realized that feeling positive is natural, but getting angry, that's a choice.
00:58:53And you got to choose kindness instead.
00:58:55I, um, I'm just being so silly.
00:58:59I can't be Lee without Emma.
00:59:04Yeah, um.
00:59:06I'm going to help her live the role.
00:59:09Okay.
00:59:09Hang tight.
00:59:10Hang tight, A.J.
00:59:11Wait, wait, wait.
00:59:13Lee?
00:59:21Get out!
00:59:49Hey, Siobhan, how are we doing today?
00:59:54Hi.
00:59:55Yeah, can you hear me okay?
00:59:56It, it is insane how well I can hear you, actually.
01:00:01Great.
01:00:03Well, I thought we'd go down my general rundown, you know, go over characters and...
01:00:10Mr. Wolby, can I ask, why did you hire a diversity consultant?
01:00:16Well, great question.
01:00:18And honestly, for me, you know, cultural authenticity, it's kind of like a big virtue for me.
01:00:24Really, my middle name in some ways.
01:00:27Oh, really?
01:00:28Um, so you didn't hire us as some sort of edgelordy type prank?
01:00:32I'm sorry?
01:00:35You might be confused.
01:00:37I'm actually, I'm strongly left-leaning.
01:00:45Really?
01:00:48Okay, then I, I guess I am confused.
01:00:53You see, our team saw your socials, the whole I'm a villain bit, you know, while we were expecting something
01:01:01else.
01:01:03Gotcha.
01:01:04Um, yeah.
01:01:06Uh, Mr. Wilby, I, I can't consult here.
01:01:11Because the script is perfect already, that's, like, really too kind of you to say.
01:01:17Funny, no.
01:01:19It's actually pretty empty.
01:01:21Hollow, even.
01:01:23Well, look, if you have nothing to say about society or sexuality, politics, that's fine.
01:01:29Siobhan, I hear you, but I might add that there is diversity behind the camera.
01:01:38You're clearly using a progressive exterior to mask some sort of ironic self-promotion.
01:01:45Now, now, well, well, now, allegory.
01:01:52Allegory.
01:01:52So, some people, not, not me, some people have said that content, allegorically, is a queer story.
01:02:01And, and, and, and then that's other people's words?
01:02:04Really?
01:02:05I, no, that's other people's words, that's not.
01:02:10Well, Siobhan, you know, funny you ask that, um, because I think that.
01:02:15Fuck.
01:02:17Fuck.
01:02:28Miss, Mr. Wilby.
01:02:29For the, for the movie.
01:02:34This is for the movie.
01:02:36Bye.
01:02:42Oh my god, what's wrong?
01:02:44What's wrong?
01:02:44Oh my god.
01:02:45We gotta close up.
01:02:46Oh my god.
01:02:47What happened?
01:02:47Cut.
01:02:48What happened?
01:02:48Um, yeah, can we get, like, one more, maybe just a little bit more scared on that one?
01:02:53Yeah.
01:02:53Is this a movie?
01:02:53Uh, yeah, yeah, it's a little kind of horror social commentary thing.
01:02:58Go on it, go on it.
01:02:58Come on.
01:02:59Oh, sorry about that, guys.
01:03:01Um, Florence, um, do you maybe want to come back with me and we can kind of talk about...
01:03:11Florence, Florence, Florence, Florence, hey, hey, um, Florence, hey, hey, hey, hey, hey.
01:03:18Fucking...
01:03:19Um, Florence, uh, you wanna maybe let me in?
01:03:24Um, look, I know every creative partnership has its difficulties, but I think we can really
01:03:31work through this and, I mean, you'll still get credit on the movie, you know, I mean,
01:03:37in memoriam credit, but I think IMDb has a space for that.
01:03:41You know, maybe a special thanks, too.
01:03:45Okay.
01:03:55Oh my god, I'm sorry.
01:03:57Oh my god.
01:03:58Oh, I'm so sorry.
01:03:59I mean, sorry.
01:04:15Oh my god.
01:04:17Oh my god.
01:04:19Oh my god.
01:04:22Oh my god.
01:04:32AJ, dude, you gotta pay my reps tomorrow or they'll-
01:04:35Hey, AJ, it's Javon.
01:04:36Law enforcement will be contacted if you don't pay our invoice immediately.
01:04:40Thanks.
01:04:42No, no, Papa.
01:04:43No, it's for rent, Papa.
01:04:47And so what for my movie?
01:04:49So what for-
01:04:49No, I know.
01:04:51No, you have.
01:04:53No, I appreciate it.
01:04:55You know, I love you, but don't put mother on.
01:04:57Don't put mother on.
01:05:00Hey, hope you're enjoying making content.
01:05:03Be sure to rate, review, letterboxd, IMDB.
01:05:07You know, as long as you're positive.
01:05:09Right?
01:05:09No one's really nice anymore.
01:05:11What's, um, you know, what's that about?
01:05:13I know things look a bit iffy.
01:05:14This isn't about me or Teddy or Margo.
01:05:18It's about Emma and Lee, and they are right where they need to be.
01:05:21Day in the life of a serial unaliver.
01:05:25Stock in the neighborhood.
01:05:27Pointy.
01:05:27More stocking.
01:05:29Shopping time.
01:05:30Bleach.
01:05:31Party supplies.
01:05:32Quality time with my girlfriend.
01:05:34Mmm.
01:05:35Coffee.
01:05:36Making her happy is so important to me.
01:05:39I will do anything to protect her, no matter the cost.
01:05:45Living my best life.
01:05:48So, in a way, you sort of have to let the actor direct himself.
01:05:57End scene.
01:05:58Um, yeah, Lee, we were actually just filming something here.
01:06:02Lee?
01:06:03Lee?
01:06:04Wait, wait, we were filming something.
01:06:06We were filming something, Lee.
01:06:08It's, um, Teddy.
01:06:10Lee?
01:06:18Hey, baby.
01:06:22No, come on, don't cry.
01:06:23We, we can, we can recast.
01:06:26We can find new actors, you know?
01:06:30Exactly, because if you believe in yourself, you can do anything.
01:06:37Alright, love you.
01:06:38I'm sorry, I'm sorry, I'm sorry, I'm sorry.
01:07:10I'm sorry, I'm sorry.
01:07:11I'm sorry, I betrayed your trust.
01:07:12I know it was for the movie, but that's not more important than our friendship.
01:07:17I've sent you a Zoom link for tonight to discuss the terms of me buying you out of your contract
01:07:22for content.
01:07:23I just really want to see you tonight and tell you I'm sorry.
01:07:30Alright, talk to you then, I hope.
01:07:48I'm sorry.
01:07:49I'm sorry.
01:07:52I'm sorry.
01:07:53All right.
01:08:10I'm sorry.
01:08:11I'm sorry.
01:08:11I think that's all right.
01:08:12Oh, there you go.
01:08:23you did and aj told me the scene went well right it doesn't oh i'm sorry no um you're doing
01:08:29the
01:08:29whole method acting thing aren't you it's uh it's lee lee right no no that doesn't that doesn't make
01:08:34any sense hey hi hey wait you guys all you guys all work for the cinemidiots sorry cinemidiots
01:08:41sorry cinemidiots did i stutter the podcast i'm just being the podcast you're shay goldberg right
01:08:46i know you you're shay goldberg yeah you stole aj's idea you stole content what the fuck who is
01:08:51aj huh wait are you guys the cinemidiots podcast no you know aj the publicist told me this is a
01:08:57cinemidiots podcast who am i talking to right aj will be you went to school with aj and then you
01:09:01stole his idea that's now you're here i aj aj oh like aj will be aj will be yeah i
01:09:12had one class
01:09:13with that kid when i was a freshman he just like talked to himself the whole time didn't help at
01:09:17all wait you know that guy and he told you i was his friend what is this a setup or
01:09:22are you
01:09:22playing game with us right now aj who are you mr director hey y'all who wants to make a
01:09:29movie
01:09:32okay um peace it is good to meet you guys uh mr goldberg um you might want to check your
01:09:37cloud
01:09:38folder the one where you've been storing your feature c words no um any of y'all watching
01:09:47anything lately or aj why are all these people in this call aj oh where is my movie where the
01:09:53fuck did you put my movie what happened okay where did it go stick with me and we're gonna make
01:09:59our
01:09:59own movie tonight a horror movie starring all of you if you could please look outside your doors
01:10:05you'll find a box you found my address what is this how do you know where i live this is
01:10:10an
01:10:10unpaid internship i'm not i don't have the time for any of this come on
01:10:19now please everyone open up the lid and scan the code underneath
01:10:32here's how i'm blackmailing margo shulnick into making content i just had to find margo's ex
01:10:38nomi and give margo a chance to reconnect with her so you'll see that right now nomi is actually
01:10:46and a bit of a pic margo if you don't wrap your scenes in time then what nobody won't do
01:10:53too well
01:10:53good luck aj here's how i'm blackmailing teddy nielsen into making content teddy was the only
01:11:02actor to really understand the aj method and find his character your job is simple stay in character
01:11:10and that footage is performance video of lee instead of evidence against teddy good luck
01:11:20here's how i'm blackmailing shay goldberg into making content you stole my movie idea i hacked
01:11:25your icloud and i'll delete your movie if you don't play along good luck here's how i'm blackmailing
01:11:31don't fuck with my movie please i could give you fucking producer credit or ep whatever you need
01:11:35i need to resign as an intern please oh my god all righty team please take the glass dropper out
01:11:41of
01:11:42your box and use it to glue your phone to your hand or we'll kill you off oh god so
01:11:47sorry so like
01:11:47if you die that means i do have to go forward with your blackmail which is kind of not ideal
01:11:52so you
01:11:53might wanna great and i'm just joined via let's send a link and yep all right there's one come on
01:12:02all right guys but yeah there we go thank you okay okay game plan for y'all i'm gonna give
01:12:09you a
01:12:09series of saw-esque challenges you know you're gonna get hurt or killed off one by one and then the
01:12:15final
01:12:15two survivors will you know fight to the death um any questions emma lee understood so for your
01:12:23first challenge i'm going to send you an address if you look inside the box you'll find a mask and
01:12:29a
01:12:29weapon and now you actually have to go to my older roommate's place and kill their cat and you might
01:12:35want to hurry just because if you get there last well um we do have to kill you off
01:12:42yeah sorry core fans they love that body count
01:12:46all right um all right let's come on great perfect come on emma okay you are looking good so psyched
01:12:57so emma mallory
01:13:01hello emma mallory seriously
01:13:03teddy shut the fuck up no no shut the fuck up
01:13:07lee lee live the role emma hey mr goldberg yeah i just wanted to say i'm a huge fan of
01:13:14your work
01:13:15thanks man hey yeah this is arthur with your home security systems yeah it's looking like we're
01:13:21seeing a break in through your doorbell camera uh-huh yeah you'll want to do whatever you can to
01:13:27protect yourselves before the police get there all right bye
01:13:32where the fuck am i fuck
01:13:39all right you got you got this goldberg you got this man fucking pull through goldberg
01:13:46get your shit together where the fuck is this place
01:13:49guys i'm i'm looking for a cat
01:13:54wait
01:13:59wait
01:14:00wait
01:14:01wait
01:14:01wait
01:14:04wait
01:14:05wait
01:14:05wait
01:14:08wait
01:14:08wait
01:14:13wait
01:14:14wait
01:14:15wait
01:14:17wait
01:14:17we should call the cops we should definitely call the cops
01:14:19here take the back i don't want the back
01:14:21Sam
01:14:21you want the back
01:14:31oh
01:14:46hey
01:14:49emma mallory how nice to finally meet in person
01:14:53dude the fuck let's go
01:14:58the fuck did you do teddy
01:15:00teddy
01:15:00who is teddy
01:15:02emma
01:15:02what happened to those people
01:15:04teddy
01:15:05never would have done that
01:15:07only lee
01:15:07right
01:15:09emma
01:15:10fuck am i late
01:15:12hey y'all
01:15:13great work and so sorry about shay but
01:15:16now it's time for our second game
01:15:21emma
01:15:24emma
01:15:24could you please turn your mic back off
01:15:26sorry
01:15:27muted on accident
01:15:30i'm so mad at everything
01:15:32i'm here and i'm a therapal
01:15:34oh
01:15:34oh yeah
01:15:35oh yeah
01:15:36oh yeah therapal
01:15:37stop it stop
01:15:38you're acting
01:15:39you are both acting
01:15:40right now
01:15:41you are not living the role
01:15:43but you are not living the role
01:15:44no
01:15:45no no no
01:15:47wait
01:15:49therapal
01:15:49come on
01:15:50ignore him
01:15:51find aj's laptop
01:15:57uh
01:15:57margo i think i'm here now
01:16:10what the shit
01:16:12shit
01:16:14shit man
01:16:14shit man
01:16:26it should be in his bedroom
01:16:28it should be in his bedroom
01:16:32of course that's locked
01:16:33All right.
01:17:19Look for Nomi.
01:17:21Look for Nomi.
01:17:24Who's there?
01:17:27Hey, Teddy.
01:17:29Pat.
01:17:30Lee.
01:17:32Dude, is AJ still here?
01:17:35Come on, buddy.
01:17:37I gotta give you something.
01:17:40Okay.
01:17:41Alright.
01:17:42Pat.
01:17:44Pat.
01:17:46We're sorry, Pat.
01:17:49We really loved working with you.
01:17:52But you lost the last challenge.
01:17:56Yeah, but I think that's a prop, right?
01:17:59Pat.
01:18:05What the fuck is that?
01:18:07Sorry, man.
01:18:08I'm sorry.
01:18:09Teddy.
01:18:10Teddy, you know this is fucked.
01:18:11Do something.
01:18:12Teddy.
01:18:13Emma, Valerie.
01:18:15You're still my therapelle.
01:18:18You understand me better than anyone.
01:18:22Lee is a killer.
01:18:25Hey, uh, Lee, would you mind?
01:18:27Would you mind just helping me out here?
01:18:30Come on, come on, come on, come on.
01:18:32Alright, just help me out with him, okay?
01:18:34No.
01:18:35Alright, three, two, one.
01:18:38Lift!
01:18:39Okay.
01:18:40Okay, come on.
01:18:44Motherfucker.
01:18:44Oh, my God.
01:18:45What the fuck?
01:18:47Oh, shit.
01:18:48Sorry!
01:18:49Sorry!
01:18:50Sorry!
01:18:50Sorry!
01:18:51Oh, my God.
01:18:52We're all right.
01:18:52Oh, my God.
01:18:53Hey, poor.
01:19:11Yeah, come on, Henry.
01:19:12Hi, hi, yeah, I'm Emma.
01:19:16Alright, so, act one, of course, I moved to Los Angeles with nothing.
01:19:42That's right, Lee, once I dispose the pants body, you need a...
01:19:48Wait, hold on, who posted this?
01:19:55What's going on?
01:19:57No, no, no, no, no.
01:20:01Hey, Teddy, hey, I need to tell you something.
01:20:05I'm done listening to you.
01:20:09Lee, let me be real with you, for once.
01:20:13Can I tell you a story about my ex, no me?
01:20:16I made a short film, and I put them in.
01:20:19We had this one real artsy shot where their character vapes.
01:20:23They don't vape, so...
01:20:25So I got the fake one.
01:20:28The shot looked like shit, obviously, fake.
01:20:31She wasn't playing it right.
01:20:34So between shots, I replaced her vape with my real one.
01:20:39She coughed so hard, it looked perfect.
01:20:42But later on, on set, I got her a coffee, and she looked at it from me.
01:20:49She smiled, but she didn't drink it.
01:20:52And when we got home, I tried to hug her, and she pulled back, just staying.
01:20:57And three weeks later, we split up.
01:21:04She never will trust in me again.
01:21:07See what I mean?
01:21:09You're in a movie, man.
01:21:11This shit's just not worth it.
01:21:14Hey, Emma, so sorry for the overnight shoot.
01:21:18She said, who posed?
01:21:20Lee, for your final challenge, I need you to go to Emma's and make her live the role for good.
01:21:26Okay?
01:21:28Lee, come on.
01:21:32Dude.
01:21:33Oh!
01:21:35Good Teddy!
01:21:36What the fuck was that?
01:21:37Sorry.
01:21:39Teddy!
01:21:41I'm going to lift the raw man!
01:21:51Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, Teddy, Teddy, Teddy, Teddy, Teddy, Teddy,
01:22:01Teddy.
01:22:01Oh, God.
01:22:03Listen to your reaction, okay?
01:22:08Fuck, man.
01:22:09I don't even know.
01:22:12Baby!
01:22:13Baby!
01:22:15Baby!
01:22:22Daddy?
01:22:23Daddy?
01:22:24Just stop it!
01:22:25Okay?
01:22:28Baby!
01:22:29Baby!
01:22:30Baby!
01:22:30Baby!
01:22:49Holy heck!
01:22:51That was intense, huh?
01:22:52My heart's racing.
01:22:55You okay?
01:22:57I think so.
01:22:58Can you get Nomi?
01:23:00Please?
01:23:01Yeah.
01:23:02Okay.
01:23:06She's okay.
01:23:08She's okay.
01:23:09What do we do with him?
01:23:12Hold on.
01:23:14Hold still.
01:23:17Hold still.
01:23:20Hold still.
01:23:21Wait.
01:23:22Hold still.
01:23:24Wait, Teddy?
01:23:28Wait.
01:23:28Wait.
01:23:29Sorry, Teddy.
01:23:29I don't think that...
01:23:31Wait.
01:23:32Fuck.
01:23:32Teddy, stop.
01:23:36Okay.
01:23:36He's an actor.
01:23:37He's an actor.
01:23:37Don't hurt him, Teddy.
01:23:38Stop.
01:23:39Fuck.
01:23:40It's a...
01:23:40Teddy, stop!
01:23:41Stop!
01:23:42Teddy, stop!
01:23:44ahhhhh!!!
01:23:47taka
01:23:50Oh, oh, oh, oh, oh, oh.
01:24:22Oh, fuck, AJ's an actor.
01:24:24He's an actor.
01:24:24Don't hurt him, Teddy, stop.
01:24:26Fuck, it's a movie, Teddy.
01:24:28Stop, Teddy, stop.
01:24:40If you want to keep the script on screen, don't, you know, don't keep looking in the corner.
01:24:46Like, it just gives everything away.
01:24:50If you want to keep the script on screen, don't, you know, don't keep looking in the corner.
01:24:56Like, it just gives everything away.
01:25:00The scene went well, right?
01:25:02Oh, I'm sorry.
01:25:04No, the scene went well, right?
01:25:07Sorry, did I stutter at the podcast?
01:25:10What were we talking about?
01:25:12What is it?
01:25:13Oh, that's super cool.
01:25:15Why?
01:25:16Yeah, yeah.
01:25:21I get it, I get it.
01:25:22And let me stop you right there.
01:25:24You were doing excellent.
01:25:26Just stick to the script, get out of your head, and somebody will be okay.
01:25:31The whole method thing, it's just really not for me.
01:25:35Eventually, I wanted to leave you.
01:25:38I know that you, for once.
01:25:52Can everyone hear me all right?
01:25:54Hmm?
01:25:55Awesome.
01:25:55All right.
01:25:56AJ, I wanted to ask you something.
01:25:59Are you content with content?
01:26:03You had to ask.
01:26:05We did.
01:26:06We had to ask.
01:26:07Great question.
01:26:08Absolutely.
01:26:10It wasn't easy.
01:26:14But I'd say we're happy with it.
01:26:17Yeah.
01:26:18Hey, Teddy.
01:26:19Hi.
01:26:20Margot again.
01:26:27But seriously, AJ, what you did with your tongue, you went so method.
01:26:33You gave up everything for this role, even your own body.
01:26:36I mean, that's some serious acting, man.
01:26:40Hey, it's Margot again, again.
01:26:43Look, totally take your time.
01:26:45Like, really, AJ's not mad.
01:26:48And all the other actors, I mean, you've never met the real them.
01:26:51And they'd love to get to know you.
01:26:53So think about it, please.
01:26:59Alistair Stone, 6'2", Los Angeles.
01:27:02Hey, so I was emailing my professors the other day.
01:27:04Hi, my name is Vaughn Suit.
01:27:06I'm currently located in Los Angeles.
01:27:08I actually have a surgery coming up to have my lip sealed.
01:27:11Baby, I just feel like it's all my fault.
01:27:14We don't do faults, do we?
01:27:15You're right.
01:27:17What's that?
01:27:18I'm auditioning for the role of director.
01:27:20I want to give you an uncut look at the process of directing.
01:27:24We'll blur out what we don't have the rights to, but besides that,
01:27:27this is all absolutely real.
01:27:31Witherspoon's people are looking at us to adapt the brunch killers
01:27:35for Apple.
01:27:37Can't wait for that.
01:27:38Wow.
01:27:39Can we talk about Teddy Nielsen for a sec?
01:27:42So the question that everyone's asking is,
01:27:45did you go too far to get that performance?
01:27:48And where is Teddy now?
01:27:50Don't get me wrong, he was fantastic.
01:27:53We might not have known how involved he'd get,
01:27:57but at the end of the day,
01:27:59it was all about helping him live the role,
01:28:02and we couldn't be happier.
01:28:04The whole content team.
01:28:07We can't wait to see what held you next.
01:28:09We'll see you next time.
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