- 10 hours ago
Luther - Series 5- Episode 4
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00:02What, Jim?
00:03All I wanted to do was disappear and leave you in peace.
00:07But George Cornelius put pay to that,
00:09and that's why I'm back to wrap his knuckles.
00:12I can handle George Cornelius.
00:14No, you can't, John.
00:15Go home, Lee.
00:18Witness hasn't the clue as to what happened.
00:20The victim's an ex-pupil.
00:21Lee Peck.
00:22A killer chaser from Ballarat Street?
00:24Vivian Lake.
00:25You're being too reckless.
00:27I'm sorry.
00:28Hello, I'm Jeremy.
00:30I think she cleans up for him,
00:32and she hates him for it.
00:34My wife is very jealous
00:35because she finds out she'll strangle him.
00:39So does that mean Vivian doesn't know about Penny Leighton?
00:44Go!
00:45Where is Jeremy?
00:46Where is he?
00:48Now, I don't know what's going on between you and Luther,
00:51but you need to stay away from my office.
00:54Yes.
00:54It's a farmer.
00:56There's convenience, it's all.
01:00Leave him be.
01:01None of this is his fault.
01:02Six-one.
01:04Bright eyes.
01:04Muscular breath.
01:06Here.
01:07Now.
01:07No more chat.
01:08Alright, I'm coming, I'm coming!
01:14I'm going to send you to a series of checkpoints.
01:17You won't know the final destination until you arrive.
01:20Mark isn't a part of this.
01:21I need to know that he's walking away.
01:23Do as I say.
01:24He gets to go home and watch the one show.
01:27And Alice?
01:28Sorry.
01:30You know how it is.
01:33I still need to know he's alright.
01:34I need proof.
01:36You have my word.
01:37I said I need proof.
01:41Stay by your phone.
02:19Alright.
02:29Checkout.
02:30ancients.
02:30I can't remember thinking.
02:55Oh
02:57Yeah
02:58Yes, yes, I did. Organic, yes.
03:01Excuse me.
03:02And the kitchen roll.
03:05No, no, I got Brabens instead.
03:08Sorry, excuse me.
03:09About ten minutes.
03:11Yeah. Love you. Yes. Yeah. Love you.
03:15Sorry, excuse me.
03:20I'm so sorry.
03:23I'm afraid you dropped this.
03:26That's so kind. Thank you.
03:29No, no worries. Happy to help.
04:02Love is like this in my love for the ones that feel it the most.
04:15Look at her with her eyes like a flame.
04:24She will love you like a fly.
04:52Stay away from the door, he said.
04:53He's not here, is he? He's out there. Preparing to kill John. And then you. And then me.
05:04Well, if that's what he wants, why hasn't he done it already?
05:07John wouldn't come here without proof of life.
05:10Well, your life anyway.
05:12Mine, not so much.
05:19You make a good bag, lady.
05:22Thank you. Listen, we need every scrap of insulation we can find.
05:25Or we'll have frozen to death by the time he gets here.
05:38Don't you give me the runaround. Don't you give me the runaround.
05:50Gov, where are you?
05:52So, it turns out Jeremy Lake was keeping, I don't know, I don't know what to call it, a scrapbook.
05:56Look, Catherine, I need some help.
05:58What sort of help?
05:59I just need you to find someone for me, all right?
06:01His name's Ronald Massey. He works for a man I need to find.
06:08I mean, gov, I can't just, I mean, who is he?
06:11Look, Catherine, I'll be there as soon as I can.
06:13I'll bring in Jeremy Lake, but I need you to do this first, okay? Can you just do it?
06:18Boss, I...
06:18Catherine, do it!
06:37Mercy, see...
06:39One on Mercy.
06:52Okay.
06:59Oh, my God.
07:28The masks of Lake's own face, which is new behavior as far as we know.
07:33But it is consistent with some of the images in the diary.
07:38His condition disinhibiting him?
07:41Yeah, or maybe he knows we're breathing down his neck and he's decided to go all carpe diem on us.
07:47Do we have the faintest notion where DCI Lutham is?
07:51Sorry, boss.
07:54Catherine, do you know anything I don't know?
07:59Sorry, boss, no.
08:04Vivian Lake knows her husband's mind.
08:07She's the only one who can help us get ahead in this. Let's bring her in.
08:10Well, she's being treated at the hospital.
08:11I don't care. Wheel her in in a gurney if needs be.
08:24Hey, Gov. I don't know what your other thing is, but the big boss, he's on his last nerve and
08:29I don't feel comfortable lying for you.
08:33Things are really kicking off here. We need you.
08:41Hello. I'm inquiring about the availability of Ileana this evening.
08:47Overnight for preference.
08:52Oh, good. Thank you.
09:00Yes, hello, king of plumbers. I have a dreadful smell coming from my drains.
09:26Dr. Lake, if you would follow me, please.
09:49Boss, we should probably go.
09:50Nah, soddy. It's just a drill.
09:53Well, they usually say when it's a drill.
09:55It will go when the hair on your bollocks starts to sizzle.
09:59I'll just... Let me go and check.
10:00Okay.
10:04Okay.
10:04What a hell.
10:27Let me go.
10:29Dude.
10:30Oh, God...
10:31Oh, God.
10:32Oh, God.
10:32Oh, God.
10:34Call him off.
10:44We're on schedule.
10:46My fish will be here soon.
10:47Yeah, I actually need you to hold off on that for a bit.
10:50Why?
10:51Because that's what I want.
10:54We entered into a contract.
10:56You'll get your money, just tell me where they are,
10:59and then take the rest of the day off.
11:00Go to the pictures or something.
11:03It's not that easy.
11:05A police officer is dead.
11:07I can't have that coming back on me.
11:09It won't come back on you.
11:10Just text me the address, and then pack your sandwiches,
11:13and go home.
11:14I'll make sure everything's tied off.
11:24He says a cop is dead.
11:27Yeah.
11:29That'll be your mate?
11:30Yes.
11:32Well, for what it's worth, I didn't ask for that.
11:34Didn't you?
11:36Your mate chucked it in for free, didn't he?
11:39So where does that leave us?
11:50I came to offer you for Benny.
11:56I'm gonna end this.
12:17All this eye for an eye bullshit.
12:19It's all just a game, isn't it, George?
12:22You don't want this.
12:24You don't want any of it, do you?
12:28You lost your discipline, George.
12:31You robbed Alice.
12:32She robbed you back.
12:32Now Alice is dead.
12:33That's not her fault.
12:34That's your fault.
12:35Benny's dead.
12:36That's not your fault.
12:37That's my fault.
12:38I couldn't shoot you in the head because I made a mistake,
12:40but if you can shoot me, then go ahead and do that.
12:42It doesn't change anything, does it, George?
12:44What I lost was my son.
12:54Eye for an eye.
13:00You think I won't do this and piss on your body after?
13:04Go on, George.
13:07Just do it.
13:10That's it.
13:12Go on.
13:40Stop there.
13:44You have a gun?
13:46Oh.
13:56So where's Luther?
13:58He's in the boot.
14:01Dead?
14:04There's a dodo's granddad.
14:08How did you find him?
14:10He came to me, as it happens.
14:13And how did he find you?
14:15Not entirely sure, to be frank.
14:17But there you are.
14:18It was a clever old sausage, but not bulletproof, as it turns out.
14:25Open the boot.
14:26Oh, come on.
14:27Now, if you would.
14:33Open the boot.
14:38All right, all right.
14:39As you speak, so shall it be.
15:08I don't get it.
15:10He's in our time.
15:11I'm Adolph.
15:12He's Neville.
15:13You're the Sudeten land.
15:14You're gonna go down.
15:15You're gonna go to prison for killing my friend.
15:16Do you understand that?
15:18And if I don't agree?
15:19I'll shoot you dead right now and tell a story to my boss.
15:34No!
15:38What did I tell you?
15:40You're going to jail.
15:43And you're not gonna hate me.
15:44Shh!
15:46Sorry, old bean.
15:48Couldn't take the risk.
15:54Here we are.
15:56You, smoking gun, dumbing evidence and whatnot.
16:00All in the cloud.
16:02Whatever that actually is.
16:05I'd have the gun.
16:07I think it's one of mine anyway.
16:09You're a clever one, aren't you, George?
16:13You would have been a good copper.
16:15No.
16:16Too honest to have been a copper.
16:20Schenk came to me, John.
16:22He knows something's not right between me and you.
16:25I'll sell this to Schenk.
16:28You trust me.
16:30And so do I.
16:30But only because I've got this.
16:40Alice?
16:41I'm gonna have to cut this.
16:42I'm gonna have to for a chance.
16:43Okay, let's go.
16:51Take your shot, let's go outside.
16:57Go outside.
17:01Step your shot.
17:01Go outside.
17:02Step four.
17:03Put your aura up.
17:06There you are.
17:07You're out.
17:09You're out.
17:11And now you're out.
17:14That is.
17:42He's your friend in there?
17:44Yeah.
17:45Aren't you going to call someone?
17:47I'll find him.
17:49We can't just leave him, yeah?
17:51We have to.
17:53For God's sake, he's your friend.
17:56He got himself killed trying to protect us.
18:01Do you think I want to be doing this, Mark?
18:03Do you think I want to be doing this?
18:11Yeah.
18:18And he's dead.
18:20The man that killed him is dead.
18:21And all I'm trying to do is handle it so that your name is clear.
18:33What time does your wife get back?
18:348.07, quarter past.
18:37I think we need to get back and clean the scene.
18:42What's happened to you, John?
19:13What about the George Cornelius problem?
19:16Have you dealt with it?
19:19Yeah.
19:20Let's not be coy.
19:21Is he dead, John?
19:22Yeah.
19:23Because it's the only way.
19:26He'll kill us both.
19:27You do know that.
19:27An assistant.
19:28It's done.
19:30You wouldn't lie to me, would you, John?
19:33Not about something this important.
19:41No.
19:43But because you're the only person I ever knew
19:45who always told me the truth,
19:49come what may, you never lied to me.
19:55It's done.
20:05It's done.
20:21birthright?ivable.
20:21Answer That'll
20:21be your fancy-lady calling you in for tea. Oh,
20:24why don't you just give her a rest. I've
20:25got to deal with this thing.
20:26Deal with it then just go home and we'll talk later
20:57Hello? Who's this?
21:33I hope you're not too uncomfortable.
21:36A young woman just stabbed me. Of course I'm uncomfortable.
21:41I'm afraid that a number of doctors have certified you fit to be questioned.
21:46And if there's one thing we can all agree on is, well, you can always trust a doctor, mate.
21:57We know your husband is gravely ill, Vivian. Jeremy doesn't have long.
22:03One more Christmas, perhaps. But he'll never see another summer.
22:09Now if we can find and detain him, his case will never get to court.
22:15He'll never go to prison. The worst he can expect is a few months in a secure hospital.
22:23But he will stop. This will stop. This will stop.
22:45What happens to this?
22:53It will stop.
22:56...
22:58...
23:02...
23:07...
23:26I have no idea about Jeremy's activities.
23:30I'm as horrified as you are.
23:33Oh, I doubt if you have the capacity.
23:35And to be fair, we did catch you in a plastic-lined room getting ready to disarticulate Penny Layton with
23:42surgical tools.
23:43I'm afraid you misinterpreted that situation.
23:46Actually, I was there to rescue her.
23:49Get her out of there. Poor thing.
23:52But you were wearing surgical scrubs and were attacking her with a hammer.
23:58I was defending myself from a very confused and frightened young woman
24:03who understandably, given her state of delirium, misread the situation and believed incorrectly
24:09that I was there to do her ill.
24:18I have to make a call.
24:21We've had some urgent news.
24:25Let's hope it's the news we all want.
24:28Eh?
24:32T.S. Halliday, if you would hold the fort, please.
24:48Where have you been?
24:52I got called away to something that didn't pan out, boss.
24:57And he knew St. Benny.
25:00No.
25:01No, he called in sick.
25:06I've been called away.
25:08I want you in there with Vivian Lake.
25:10I'm on my way.
25:27What do I need to know?
25:29Sir, we were investigating reported gunshots.
25:32You might want to get somewhere private.
25:35I am somewhere private. You can go ahead.
25:53We found a disposable phone in the glove box.
25:56Call reports.
25:58Most likely any calls were made to another burner.
26:02Fine.
26:04So, I will need you to determine where that phone was last year.
26:10See if you can find any CCTV footage corresponding with the time and place of that usage.
26:16Absolutely.
26:17You have all the resources you need, but none of the time.
26:20I want this now.
26:21No.
26:22And this stays still.
26:27Are we clear?
26:29Nobody says a word.
26:32Okay.
26:33Anyone else in the area?
26:54Sorry I'm late.
26:58I've had a very busy day.
27:08So.
27:11Where did you meet?
27:14You and Jeremy.
27:17Is that relevant?
27:19I don't know.
27:24We struck up a conversation at a dinner party talking about Tony Blair over baked brie and raspberry jam.
27:31That's not true.
27:33You met at a play party, basically a fetish club.
27:40You really are bourgeois little prudes, aren't you?
27:45Thought police.
27:47Sex police.
27:49You're erecting an edifice of speculation on a foundation of puritanical distaste.
27:55No.
27:56That's not what I'm doing.
27:57I'm basically trying to establish whether you would like to protect your privacy.
28:00And the answer turns out to be yes, which I find very interesting.
28:05Did you know that Jeremy kept a diary?
28:12Bit of a leap to conclude that's a diary, isn't it?
28:15Looks more like a sketchbook to me.
28:20Okay.
28:21What about these?
28:22These are actual drawings of murder things.
28:26Which makes me think about these other sketches too, which are...
28:30Well, I don't know.
28:31I mean, are these real too?
28:33Clearly not.
28:35It's an explication of Jeremy's fantasy life.
28:38An outlet.
28:39Masturbatory aid.
28:40Nothing more.
28:42Yeah, possibly.
28:43Could be.
28:44But it's not just the drawings, is it?
28:46I mean, it's the...
28:47The text.
28:51Well, that'll be a decipher text of Jeremy's own construction.
28:56Well, God knows what it says.
28:57Do you think you could decipher it for us?
28:59Oh, I'd love to.
29:00But, uh, very much dealt I'd be able.
29:10You have to get rid of this stuff properly.
29:13No throwing it away in your own bin.
29:15Oh, thank heavens I'm here with a criminal mastermind.
29:18Otherwise, whatever would I have done?
29:20I have to go, Mark.
29:22I promise you won't see me again.
29:24Well, that'll be a shame.
29:30Some valedictory advice.
29:33Don't let John Luther back through your door.
29:37Not under any circumstance or for any reason.
29:42He's not what you think he is.
29:49Alice.
29:52You have to stop.
29:56Oh, God knows you are what you are.
29:57You're not a psychopath.
29:59You're not...
30:01Without conscience.
30:02You cannot live like this.
30:05I know.
30:07Do you need help?
30:08Is there something I...
30:12Hello?
30:23I had a boss once.
30:26Her name was Rose Teller.
30:28Really good cop.
30:30She used to say, um, an assumption is something you don't know you're making.
30:38Do you know the assumption you're making, Vivian?
30:45Oh, I might be able to help answer that.
30:51You're assuming that Jeremy doesn't want people to read what he's written.
30:56Then why employ a cipher text in the first place?
31:00Because he doesn't want you to know what he's written.
31:04He doesn't want you to know that he's written it all down.
31:09Everything that you've done.
31:11Together.
31:13Dates.
31:14Times.
31:16Places.
31:18Because that's the difference between you and him, isn't it?
31:21I mean, you are very private.
31:23Don't want anyone to know the truth about you.
31:25Not ever.
31:26And he is very proud of what he's done.
31:29He's done with being anonymous.
31:31He's done with someone else taking the credit.
31:35This isn't a diary, it's a confession, isn't it?
31:41And why does that leave you?
31:44I don't know.
31:44Yes, you do!
31:46You do, Vivian, don't you?
31:49You know exactly where that leaves you.
31:53If Jeremy has implicated you as an accessory to murder,
31:56you know exactly what that means.
31:58Well, obviously you wouldn't do that.
32:00But are you willing to bet the rest of your life on that?
32:03No, of course you're not.
32:05Because he has been letting you down recently, hasn't he?
32:10Come on, Vivian.
32:11Help us and we can help you.
32:15You are going to prison, Vivian.
32:19But for how long is really up to you?
32:30May I have a glass of water, please?
32:32No, you may not.
32:43Jeremy's most outré fantasy, and I have to stress to the best of my knowledge it was just a fantasy,
32:51was to play a game of what he called happy families.
32:56To sit in a house and summon people to him.
33:00Let them turn up the door.
33:04Lambs to the slaughter.
33:05Let them turn up the door...
33:15T.
33:23Add one, two, one.
33:25Chugmire.
33:32Get through the doors!
33:34Help us.
33:34Don't worry.
33:36Sir?
33:43The phone was used here. He arrives alone.
33:52George Cornelius.
34:04All right, George.
34:08You wanted it old school.
34:21Thanks for coming so quickly.
34:22Yeah, no worries. Sorry what you're looking at.
34:25Oh, through there.
34:36So Jeremy Lake's gone to ground.
34:39He's holed up somewhere getting people to come to him.
34:42How are we supposed to find him?
34:43There were like 60,000 streets in London.
34:46And previous murders, they don't tell us anything.
34:48There's no pattern. They're random.
34:50They're not disorganised, are they?
34:54I mean, everything he's doing, he's doing to tell himself
34:57how clever he is.
34:58And oh, the audacity of that.
35:00I mean...
35:03He can take care of whoever he wants, whenever he wants.
35:07He can have the police run around in circles.
35:10He can make the police blame the wrong man.
35:13Then he's come to an end.
35:16Which means he's gone somewhere, significant, with meaning.
35:20To who?
35:20To us.
35:23To him. I mean, if you were him, like,
35:25where's the most audacious place you could go?
35:29Uh, if I were him, I would go home.
35:33No. Too big a police presence.
35:36Where's the next best equivalent?
35:41Well, if I couldn't go to where the police are,
35:45I'd go to where they just left.
35:47Left. Right. Yes.
35:48Battle Extreme. The school teacher.
35:51Yeah.
35:53Should we tell someone?
35:55No.
35:57Not until we've checked it out.
35:59Are you sure?
36:00I am sure. Come on.
36:27Eleana.
36:30Wow.
36:31You need a coffee.
36:33Mm-hmm.
36:36Please.
36:43I've been in you
36:48In all the old familiar places
36:59In the dark world
37:03No.
37:09Awaita...
37:11... there is no no way
37:11No no way
37:13Walk through track...
37:17Wonder right there,וסle,
37:22it's so
37:22hard to try. Okay.
37:38Move to the counter!
37:44Do not move!
37:56Martin, I think it's time maybe we discuss getting me some legal protection.
38:03I can't put it together, George.
38:06I've tried, but I can't work out what happened.
38:13I need a show of goodwill.
38:15An upfront payment.
38:19Right now.
38:48No, I told you, Martin.
38:50Your lads are runging.
39:03Hey, boss.
39:05Dears Halliday.
39:06Are you with DCI Luther?
39:10Yes, I am.
39:11Now I need you to listen to me very carefully.
39:16Without alerting DCI Luther to this order, I need you to bring him back to the station
39:22as soon as possible.
39:25Okay, yeah.
39:27If you allow him to do this, there is every chance that he will run.
39:31Do you understand me?
39:34Yeah, got it.
39:35Good.
39:37Now get him back to the station.
39:41Tell him I have some interesting news that I want to give him face to face.
39:51Yes.
39:55Schenker's asked you to bring me back in, hasn't he?
39:58Er, yeah.
39:59Yeah, he said that he's got some news, something he wants to tell you.
40:05I've had years.
40:20I'm not going anywhere into this.
40:23He's dealt with.
40:26You think he's in there?
40:28I know he is.
40:29How?
40:32Plumber's van, pest control, food delivery, all people that would come to you.
40:38We can get back up in nine, ten minutes?
40:42No, I've got no evidence.
40:45If we call it in, we'll have to go for due process.
40:48Get a warrant, it'll go on and on and on.
40:50And what does that mean for anyone that's alive in there now?
40:58If you found out tomorrow that if we weren't in there today, you could have saved someone's
41:02life, would you be okay with that?
41:03Boss, that's not fair.
41:09Right, do what you have to do.
41:31That would have been his personal life.
41:35Stratos can beorts.
41:35So now I'm going back to us in my practice where we're stuck before.
41:36We're just waiting for you to have some respect when you're on ouriper.
41:37I'll never get back to us in our Katy 수 at the party.
41:37Oh,ler could use Director?
41:41Hey!
41:41My mum has problem with that.
41:41I'm going around.
41:42Ah, yes?
41:43I'm not going from abajoé–“!
41:56I don't know.
42:23I don't know.
42:53I don't know.
43:22I don't know.
43:54I don't know.
44:15I don't know.
44:43I don't know.
44:48I don't know.
45:12I don't know.
45:26I don't know.
45:56I don't know.
45:58I don't know.
45:58Are you asking me to let you go?
46:02Catherine, I have to go.
46:04Okay?
46:05It's a mess.
46:07But it's not what it looks like.
46:09But it's not what it looks like, I promise you that.
46:11Can I stop you from leaving?
46:15No.
46:15I don't know.
46:15I don't know.
46:19I don't know.
46:46I think you did.
46:50I think you did.
46:51I think you dragged me here and threw me in front of him so that you could be the man
46:54to stop him.
46:57That is not what happened.
47:00That is not what happened.
47:04So what did happen?
47:11Well, why are you making such a fuss?
47:14I mean, this is what happens, isn't it, to those of us who are no longer useful?
47:22Who's next, hmm?
47:25Could it be me, I wonder?
47:26Well, no, I...
47:28I won't let that happen, John.
47:30I can't allow it.
47:34She did nothing to you, Alice.
47:38Neither did my parents, really, or Henry Madsen, or Ian Reid.
47:42It never seemed to...
47:43You never seemed to mind, really, though, did you?
47:46Well, what are you going to do this time, DC? I lose, sir.
47:50Arrest me.
47:50Well, yes, you should.
47:52But you won't, will you?
47:53You'll let me go.
47:55Because think of the tales I could tell.
48:00How?
48:02How are you going to cover this up?
48:04I wonder.
48:05What lies can you tell?
48:09Quick, John, think of a lie.
48:12Come on, come on.
48:13Think of a lie.
48:14Put it down.
48:15Make me liar.
48:17Liar.
48:17Liar!
48:20Next one's in your mouth.
48:22Put it down, Alice.
48:24In a minute, liar.
48:25Stop.
48:26Oh, oops.
48:44What?
48:55Could be...
49:02Oh, sorry.
49:04Stay there.
49:13behind me.
49:24Alright, let's go.
49:49Mama!
49:50Mama!
49:52Mama!
50:20Mama!
50:44Mama!
51:15Mama!
51:29How many more bullets Alice?
51:31Come and see John.
51:37Honestly I'm embarrassed.
51:41I can't believe it took me so long to see that Zoe was right about you.
51:47I don't care about anyone John.
51:50Not unless they can feed your compulsions.
51:53Friends.
51:55Enemies, it's all the same to you, it doesn't matter.
51:58Even Zoe, you loved her so much more when she was dead.
52:00You need to stop!
52:01It gave you an excuse to behave exactly how you wanted.
52:04You need help!
52:06It's just words isn't it Alice?
52:09It's just words.
52:11Trying to justify what you really came here to do.
52:13And what's that please do tell me?
52:15Well free yourself.
52:17From this.
52:19From me and you.
52:23You keep coming back.
52:25And coming back.
52:26And coming back.
52:27But you're never gonna get what you want Alice.
52:30Never.
52:32Cause what I want doesn't exist.
52:33No.
52:34So how many more bullets Alice?
52:36Yeah, well I've got enough.
52:37Enough.
52:39How many more?
52:51How many more?
53:08What now John?
53:15Alice Morgan.
53:17I'm arresting you for the murder of.
53:22For the murder.
53:24Sergeant Catherine Halliday.
53:29Of course you are.
53:33You have the right to remain.
53:37The thing is John, you don't understand love.
53:40You can mimic it.
53:42You can recognise it another but you can never understand it.
53:47Is this it?
53:49Is this it?
53:51Is this it?
53:51Love is it?
53:53Yes.
53:55Guess what?
53:57I lied to you.
53:58There's one bullet left.
54:04They just needed us to be really close.
54:14Good night John.
54:18Good night John.
54:30Alice.
54:31You need to help me!
54:35No, I just...
55:10You need to help me!
55:15Help me!
55:17Help me!
55:19Help me!
55:23Show me a hand!
55:25Shoot!
55:32Not like that.
56:00Oh!
56:07Oh!
56:11Oh!
56:14Oh!
56:17Oh!
56:18Oh!
56:26Oh!
56:32Oh!
56:34Oh!
56:42Oh!
56:53Oh!
57:00Oh!
57:01Oh!
57:02Oh!
57:04Oh!
57:10Don't let me be misunderstood
57:13I try so hard
57:16So please don't let me be misunderstood
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