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00:05From 30 Rockefeller Plaza in New York,
00:09it's Late Night with Seth Meyers.
00:12Tonight, Rose Byrne,
00:15star of Broadway's Dog Day Afternoon,
00:17actor Evan Moss Bacharach,
00:19and all-new Fools or Look.
00:25And now, Seth Meyers.
00:28Good evening, everybody.
00:29I'm Seth Meyers.
00:30This is Late Night.
00:31We hope you're doing well.
00:32And now, if you don't mind,
00:33we're going to get to the news.
00:34President Trump was evacuated on Saturday night
00:37from the White House Correspondents Association dinner
00:39after an armed man tried to storm the event.
00:42And you know he was furious
00:43because it was just before entrees.
00:49At a press conference after Saturday's incident,
00:52President Trump told reporters,
00:53quote,
00:53I can't be so concerned that I can't function.
00:56Apparently, he gets really concerned in meetings.
01:03At the same press conference,
01:04President Trump doubled down on the need
01:06for his new $400 million ballroom.
01:08What?
01:09What's the connection between those two things?
01:12That's like getting into a car accident
01:14and saying,
01:15I knew I shouldn't have eaten sushi.
01:19That's right.
01:19President Trump doubled down on the need
01:21for his new $400 million ballroom
01:23and said, quote,
01:24this event would never have happened
01:26with the military top-secret ballroom.
01:28Okay, this whole ballroom idea is a lot of things,
01:31but top-secret ain't one of them.
01:34It's been dominating your word cloud for a year now.
01:40In a new interview with 60 Minutes,
01:42CBS reporter Nora O'Donnell asked President Trump
01:45how long his truce with the press will last
01:47after Saturday's White House Correspondents Association
01:49dinner shooting,
01:50and then immediately got her answer.
01:53You shouldn't be reading that on 60 Minutes.
01:55You're a disgrace.
01:56So,
01:58less than 60 Minutes.
02:01During the same interview,
02:03President Trump said that he had been planning
02:04to make a rip-roaring speech and added,
02:06quote,
02:07I was going to hit people really hard with humor.
02:09Oh, now?
02:10You like comedy at the Correspondent Center?
02:13Because back then,
02:14you looked like you were hoping to be evacuated.
02:19During an Oval Office event last week,
02:21President Trump promoted the TrumpRx,
02:23a platform where consumers can purchase prescription drugs
02:26at a reduced cost,
02:27and added, quote,
02:28Now I have my name on medication.
02:30Buddy, you're 79.
02:31You've had your name on medication
02:33for quite a while now.
02:39The burger chain Steak and Shake announced last week
02:43that they've hired a chief
02:44Make America Healthy Again officer.
02:47So now, when you order steak,
02:49make sure to specify the animal.
02:58The world's largest maker of condoms said last week
03:01that it is raising prices by up to 30%
03:03due to the Iran War's impact on raw materials.
03:06But honestly, you won't really feel it.
03:12And finally,
03:14finally, a passenger on a Delta Airlines flight
03:17last week from Atlanta to Portland
03:18went into labor and delivered her baby
03:21about 30 minutes before landing.
03:23The crew congratulated her
03:24and then charged her for having an extra carry-on.
03:29And that was a monologue, everybody.
03:32We're off and running.
03:33We're going to have a great show for you tonight.
03:34She's a fantastic actress.
03:36You know from movies like
03:37If I Had Legs, I'd Kick You
03:38and Bridesmaids,
03:39as well as shows like Damages and Physical.
03:42You can see her on Broadway,
03:44where she's starring in Fallen Angels,
03:46playing at the Todd Haymes Theater
03:47through June 7th.
03:49Rose Byrne is here, everybody.
03:51So happy.
03:53Our friend Rosenbach.
03:55It's a very exciting time on Broadway.
03:58You know him from his work on shows
04:00like The Bear Girls and The Dropout,
04:02as well as The Fantastic Four, First Steps.
04:04He's making his Broadway debut
04:06in Dog Day Afternoon,
04:07now playing at the August Wilson Theater
04:09here in New York.
04:10The talented Evan Moss-Bacharac
04:12will also be joining us
04:15before we get to all that.
04:19After the shooting
04:20at the White House Correspondents' Dinner
04:21on Saturday,
04:22the president and Republicans
04:23are renewing their calls
04:24for a ballroom at the White House.
04:26For more on this,
04:27it's time for a Closer Look.
04:33First of all,
04:33we just want to start by saying
04:35that we're relieved and grateful
04:36that everyone is safe,
04:37and we also want to extend
04:38our thanks to law enforcement on the scene
04:40who reacted swiftly to protect everyone.
04:43CNN's Wolf Blitzer happened to be nearby
04:45when gunfire broke out
04:46and described in detail
04:47how quickly officers reacted.
04:50After they served the appetizers,
04:52I walked out to simply go to the men's room,
04:55but you have to walk up these stairs
04:56and walk out,
04:57and which I was doing,
04:59and as I was walking back towards the door
05:02to get back into the big area
05:04where the event was taking place,
05:06all of a sudden,
05:08I start hearing gunshots
05:09in the hall right near me,
05:11and the next thing I knew,
05:13a police officer threw me to the ground
05:15and was on top of me,
05:17and I was listening and watching
05:18what was going on,
05:21and apparently they got the gunman,
05:23and then they grabbed me,
05:25the police officers,
05:26and they take me back into the men's room
05:30where I was safe,
05:31and there were about 15 other men
05:32who are stuck in there,
05:34and they won't let him out.
05:35Three things.
05:36First, bravo to those officers
05:37for their quick reactions
05:38to make sure everyone was safe.
05:40Two, bravo to Wolf Blitzer
05:42for his invaluable reporting.
05:43And three, can you imagine
05:44being trapped in a men's room
05:46with 15 other dudes?
05:48That is my actual nightmare.
05:51Because you know somebody said,
05:53well, if Wolf is in the room,
05:54there must be a situation.
05:56Then everybody had a fake laugh.
05:59And also, what happens
06:00if you actually have to use the bathroom?
06:04Which I would definitely have to do,
06:05because even when I hear gunshots in a movie,
06:07I almost myself.
06:09Just picture you're in a silent bathroom
06:11with no cell service,
06:12and then you quietly try to slide
06:14into a stall without anyone noticing,
06:16and then you do your business
06:18while 15 other dudes
06:19stand right outside the door.
06:21Plus, you're in a tuxedo,
06:22so you've got to navigate
06:23all the suspenders and everything.
06:25Trust me, ladies, it's no party!
06:28So it was obviously a very chaotic scene.
06:31People dove to the ground,
06:32hid under tables,
06:33except for one man.
06:35See if you can spot him.
06:36J.D. Vance in that room,
06:38naturally the President of the United States.
06:40And as John mentioned,
06:41the White House Correspondents Dinner
06:43is where we are presently broadcasting from.
06:46New meme just dropped.
06:49Remember that dude mowing his lawn
06:51in front of the tornado?
06:52We should add the salad man.
06:55Or we could update everything is fine, dog.
06:57This is incredible.
06:59Everyone's diving under tables.
07:00My man's just going to town
07:02on his burrata salad.
07:03Not just any burrata salad.
07:05A hotel ballroom burrata salad.
07:08The only downside was that
07:09after he finished his burrata,
07:11he couldn't use the bathroom.
07:14You know, because there were already
07:1515 guys in there.
07:17Of course, knowing him,
07:18he'd probably walk in anyway saying,
07:20What's up, losers?
07:22How's the bathroom party?
07:25If you're wondering where your salads are,
07:26I ate them.
07:28That guy who's been dubbed
07:30the salad man online
07:31gave an interview to explain himself.
07:33He told the New York Times,
07:34I'm a New Yorker.
07:35We live with sirens
07:35and activity happening all the time.
07:37I wasn't scared.
07:40There are hundreds of Secret Service agents
07:42hurtling themselves over tables and chairs
07:44that I wanted to watch.
07:46So thankfully, everyone was safe
07:47and some even enjoyed their salad.
07:49Now the question is,
07:50what do we do about the rising tide
07:52of political violence in America?
07:54It's unacceptable and has no place
07:56in a functioning democracy.
07:57Mr. President,
07:58can you give us any guidance,
07:59any leadership?
08:00What's one thing we can do?
08:02Donald Trump is renewing his push
08:04for a White House ballroom
08:05after yesterday's shooting
08:07at the White House Correspondents' Dinner.
08:08Posting on social media,
08:10quote,
08:10This event would never have happened
08:12with the militarily top-secret ballroom
08:15currently under construction
08:16at the White House.
08:17As you know,
08:18we're building a big, beautiful,
08:20very, very secure ballroom
08:22in every way
08:22with massive bulletproof glass
08:25that's almost four inches thick.
08:26It's pretty amazing stuff.
08:28It's actually a larger room
08:29and it's much more secure.
08:31It's got drone-proof,
08:33it's bulletproof glass.
08:34We need the ballroom.
08:35And that ballroom's being built
08:36on the safest piece of property
08:38in this country,
08:38probably one of the safest pieces
08:40of land in the world.
08:42This is the first I'm hearing
08:44that it's a safe ballroom.
08:46All I've ever heard
08:47is how it's going to be big and beautiful,
08:49but now we're shifting to safe,
08:50and man, I get it.
08:51When you want something as badly
08:52as you want your ballroom,
08:53you do what you can.
08:54It's like when I told my wife
08:55I was building a panic room
08:57and then she walked in,
08:58it was like,
08:58is this just a man cave?
08:59And I was like, yeah.
09:00And she was like,
09:01why did you tell me
09:02it was a panic room?
09:03And I told her,
09:04because I was panicked,
09:05you were going to find out.
09:08Also, I have to ask,
09:09what do you mean by this?
09:10This event would never have happened
09:12with the militarily top secret ballroom.
09:15What do you mean it's top secret?
09:17You talk about it all the time.
09:19That's the opposite of top secret.
09:21You've literally held up poster boards
09:24with designs for the ballroom
09:26you claim is top secret.
09:28This is militarily top secret
09:30in the same way a stealth bomber would be
09:32if it was pulling a banner
09:34that read,
09:34invisible plane.
09:37This is how I know aliens aren't real,
09:38because if they were,
09:39Trump would not only talk about it nonstop,
09:41he would have them in his cabinet.
09:43Say hello to Gorlack,
09:45space king of the Republic of Neptune,
09:47and your new secretary of labor.
09:50Also, I have to ask about this part
09:52of the president's post.
09:54I just want to flag a truth social
09:56that just came from President Trump.
09:58He said,
09:59What happened last night
10:00is exactly the reason
10:01that our great military,
10:02secret service,
10:03law enforcement,
10:04and for different reasons
10:05every president for the last 150 years
10:07have been demanding
10:08that a large, safe,
10:09and secure ballroom
10:10be built on the grounds
10:11of the White House.
10:12The ridiculous ballroom lawsuit
10:14brought by a woman
10:15walking her dog
10:16who has absolutely no standing
10:18to bring a suit
10:19must be dropped immediately.
10:21What does he mean
10:21by a woman walking her dog?
10:23Well, they're a non-profit
10:24called the National Trust
10:25for Historic Preservation,
10:27and they sued
10:27because Trump didn't get
10:29congressional approval.
10:30And in all the hubbub
10:31about whether we need a ballroom
10:32or don't need a ballroom,
10:33let's not forget
10:34that if he just followed the law,
10:35he might get the thing.
10:37The guy came from New York real estate,
10:39and he thought he could build a ballroom
10:41without the permits?
10:43I'm on year three
10:44of trying to get my co-op board
10:45to approve my new doormat.
10:46It's a pillow that I can sleep on
10:48when my wife locks me out
10:49after I day drink
10:50with pop stars half my age.
10:58Now, at a time like this,
11:00it would be nice
11:00if we had some stability
11:01in the leadership
11:02of our law enforcement agencies.
11:04Instead, we just got
11:05a new Homeland Security secretary,
11:06and it seems like the FBI director
11:08might be on his way out.
11:09New reporting raised
11:10serious questions
11:11about Kash Patel's future
11:13at the FBI.
11:14According to Politico,
11:15he could be
11:16the next high-level official
11:17fired by President Trump.
11:19Politico is citing
11:20a senior White House official
11:21in its reporting,
11:22and according to that,
11:23White House official
11:24who spoke to Politico,
11:25quote,
11:26Trump is fed up
11:27with the level of distraction,
11:29end quote.
11:29I've never been less shocked
11:31by a potential firing.
11:33I was so not shocked
11:34that when I heard that,
11:35I kept eating my burrata salad.
11:38The chatter about Patel's job
11:40increased after recent allegations
11:43about his erratic behavior.
11:45FBI director Kash Patel
11:46on defense this morning,
11:48denying allegations
11:48laid out in a new report
11:50detailing his alleged
11:51drinking habits
11:51and absences from the Bureau.
11:54This article in The Atlantic
11:55cites more than
11:56two dozen people,
11:57including unnamed current
11:58and former FBI officials,
12:00who allege excessive drinking
12:01and erratic behavior,
12:03described as, quote,
12:04freakouts from Patel.
12:06In Kash Patel's FBI,
12:07the F stands for freakouts,
12:09the B stands for beer,
12:10and the I look shocked.
12:13So now, Patel's desperately
12:15trying to keep his job
12:16by slathering praise
12:18all over Trump
12:18whenever he's on TV.
12:19First and foremost,
12:21I want to remind your audience
12:22of President Trump's leadership,
12:24literally courage under fire
12:26that evening
12:27at the press conference
12:28to announce to the world
12:29and be as transparent as possible.
12:31He's assembled
12:31the greatest law enforcement team
12:32that I've ever seen.
12:34You saw the best resolve
12:35of American law enforcement
12:36because you, Mr. President,
12:37inspire them 24-7, 365.
12:40You give them the resources
12:41that they need,
12:41and you know,
12:42they know that you have their back.
12:44If you're not drinking,
12:45it sounds like you are.
12:46Mr. President, sir,
12:47I love you so much, sir.
12:48Let me, you're the best, sir.
12:50You're the best.
12:51I love the out of you, sir.
12:54Political violence
12:55is unacceptable.
12:56It has no place
12:58in a functioning democracy.
12:59It would be nice
13:00if our politicians
13:00could leave by example
13:02and provide solutions
13:03for keeping all Americans safe.
13:05Instead, the president
13:06and his party
13:07seem focused
13:08on telling the world
13:09about his...
13:10Militarily top-secret ballroom.
13:12This has been
13:13A Closer Look.
13:18We'll be right back
13:19with Rose Byrd, everybody!
13:27For more of Seth's Closer Looks,
13:29be sure to subscribe
13:30to Late Night on YouTube.
13:40Our first guest tonight
13:41is an Academy Award
13:42and Emmy-nominated actress.
13:44You know, from movies like
13:45If I Had Legs, I'd Kick You,
13:47Bridesmaids, and Neighbors,
13:48and the show's
13:49platonic, damages, and physicals.
13:51She's currently starring
13:51on Broadway in Fallen Angels,
13:53which is playing
13:54at the Todd Hames Theater
13:55through June 7th.
13:56Please welcome back to the show
13:57our friend,
13:58the wonderful Rose Byrne, everybody!
14:16Hello!
14:17How are you?
14:18I'm really well.
14:19How are you?
14:19I'm great.
14:20You were on the show
14:21right before
14:21If I Had Legs,
14:23I Would Kick You premiered,
14:25and then congratulations
14:26on your Oscar nomination.
14:28Thank you so much.
14:29I think everybody...
14:31Such an honor.
14:33I think everyone
14:35maybe underestimates
14:36how that begins
14:36a whole new
14:37second exhausting process.
14:39It's extraordinary.
14:40Yeah, you do have
14:41to have stamina.
14:42It's a long season,
14:43they call it,
14:44of these events
14:45and awards and so on.
14:46I mean, it's such an honor,
14:47but yeah, you have to have
14:48a rigorous muscle
14:50getting used to it.
14:52It's quite a thing.
14:53And this seems
14:54very rigorous as well.
14:55I was lucky enough
14:56to see Fallen Angels
14:57last week.
14:58I know, you guys are so sweet.
14:58It's such a fantastic play.
15:01But it is a sort of
15:02rat-a-tat dialogue.
15:03Yes.
15:03There's a lot of physical comedy.
15:05This is an old school,
15:071925 farce.
15:08Yes.
15:08How hard was it
15:09to actually rehearse
15:11and learn every movie?
15:12Because it obviously
15:12looks seamless
15:13from the audience.
15:14Yeah, it was...
15:15It is.
15:16It's a technical feat
15:17every night,
15:17and the language is like
15:18very...
15:19Gymnastics have like
15:20fabulous sort of language
15:21from the time.
15:22Noel Coward,
15:22the brilliant playwright.
15:24But yeah,
15:24we had about four weeks
15:25to rehearse,
15:25and I was chatting
15:26at one point
15:27with Renata Renzle,
15:28who was also
15:29one of the nominees
15:30this year
15:30for Sentimental Value,
15:31and she does a lot
15:32of theatre,
15:33and I said,
15:33oh, we only have
15:34four weeks to rehearse,
15:35and I missed a few days
15:36because of the Oscars,
15:37and she was like,
15:39oh, in Norway,
15:39we get eight weeks.
15:40Four weeks is a crisis.
15:42I was like,
15:43it's a crisis.
15:44It's a crisis, guys.
15:46She was being really funny,
15:47but I was like,
15:47I brought it back
15:49to the rehearsal room.
15:49But yeah,
15:51the previews
15:52were really key for me.
15:52I got to have like
15:53two, three weeks
15:54of previews,
15:54obviously,
15:55the whole company,
15:55so that was key.
15:57I was terrified.
15:58We were talking about,
15:58I mean,
15:59there's like couch comedy.
16:00There are people
16:01falling over couches
16:02in a way I've never
16:02seen before.
16:03People sliding downstairs.
16:05And we're not mic'd,
16:06either.
16:07There's mics on the stage,
16:08but most Broadway shows
16:09you have a mic,
16:09and we don't have a mic,
16:10so I'm really like
16:11projecting the whole new,
16:13Jane, Julia,
16:14darling,
16:14like it's the whole night,
16:15champagne.
16:16Yeah.
16:16It is a,
16:17I don't want to give
16:18much away,
16:19but it is really
16:20the light of watching
16:21you and Kelly
16:22just sort of slowly
16:23getting drunker
16:25over the course
16:25of one evening.
16:27And it really is
16:28the highs and lows
16:29of drunkenness.
16:30I remember every part
16:32of specific nights
16:33where I felt those ways.
16:34I know, I know.
16:35And there's a point
16:36in the play
16:36where I start stealing
16:37things from her apartment.
16:39Because that thing,
16:39you know,
16:39when you wake up
16:40in the morning
16:40after you've had a few drinks
16:41and you don't know
16:42what's in your bag?
16:42You're like,
16:43why have I got
16:43this person's sunglasses
16:44or this person's thing?
16:45And so,
16:46but no,
16:47we've been pushing
16:47the physical comedy.
16:48It's a very fun escape
16:50for 90 minutes.
16:51It's a really fun escape.
16:52I also gave you
16:53a compliment just backstage
16:54because you are offstage
16:56for a bit.
16:56You come back.
16:57Your hair is funnier
16:59than I've ever seen
17:00hair in a play.
17:01And coming from you,
17:02you've done a lot of hair work.
17:03A lot of hair work
17:03at SNL.
17:04A lot of hair,
17:05a lot of wig work.
17:05And I assumed
17:06it was a wig,
17:07not a wig.
17:08No, that's me backstage.
17:09So you're actually,
17:10you're doing your own.
17:12No, pardon me.
17:12It is a wig,
17:13but I'm styling the wig.
17:15Yes.
17:15I'm backstage doing this.
17:16Yeah.
17:16And it's very,
17:17I mean,
17:18when it comes up.
17:18It's nothing like a hair gag.
17:19Come on.
17:19Oh, it's a good old-fashioned
17:20hair gag.
17:22It's really,
17:23really good.
17:23It's crazy,
17:24though,
17:24when you do it.
17:25I mean,
17:25you know,
17:25it's funny what lands
17:26one night,
17:27doesn't land another.
17:28You just don't know.
17:29I've never done
17:30a true comedic
17:31two-hander,
17:31which it really is
17:32for Kelly O'Hara
17:33and I,
17:34the wonderful
17:35national treasure,
17:37where it's really
17:38a two-hander
17:38with the two of us.
17:39And anyway,
17:40it's quite,
17:41quite nerve-wracking
17:42when you think
17:43something's going to land
17:44and it doesn't.
17:45What do you do?
17:45Well,
17:45I'm going to tell you
17:46something.
17:47You had a real,
17:48you were like a stand-up
17:49comedian after the show
17:50because I came back
17:51and again,
17:52it crushed the night
17:53we saw it
17:53and we were like,
17:54oh my God,
17:54it's so funny.
17:55And you immediately
17:55were like,
17:56yeah,
17:56some stuff goes better.
17:57And it's like that thing.
17:58When you're a comedian,
17:59you always remember
18:00the best it goes.
18:01So any night it goes down
18:03one,
18:03you're like,
18:03what's wrong with you?
18:04It was exactly
18:05what happened.
18:06When did you get so picky?
18:07You know,
18:07I did the breath too early
18:09or you know what I mean?
18:10I did that,
18:10I took,
18:10that was too long,
18:11that was too short
18:12and you start to,
18:12it's fascinating.
18:13But each audience
18:14is kind of a rollercoaster,
18:15I suppose.
18:16It's also,
18:17I mean,
18:17it's amazing
18:18that this is plays,
18:19you know,
18:19a hundred years old.
18:20Yes,
18:20I know,
18:21it's extraordinary.
18:21And some of the dialogue,
18:22I mean,
18:22a lot of the dialogue,
18:23all the dialogue,
18:24it is like so timeless
18:25and funny.
18:26Yes,
18:26I know.
18:27And so there must be,
18:33no like,
18:33oh,
18:33I can just also like,
18:34just lay back on like,
18:35no color.
18:36on the language,
18:37it is extraordinary
18:37that you read it
18:38and you go like,
18:40this is still funny.
18:41Yeah.
18:41And he was 23
18:43when he wrote it.
18:43And it was banned
18:44at the time
18:45because it was
18:46considered scandalous
18:47that women would
18:48have a relationship
18:49before marriage,
18:50guys.
18:51It's considered scandalous.
18:53And the only reason
18:54the Lord Chamberlain
18:55at the time
18:56in England
18:56allowed it on
18:57was because it was like,
18:58it could never
18:58possibly happen.
18:59So it was considered,
19:00it's a joke,
19:01it's all a joke,
19:02guys.
19:03These ladies
19:03wouldn't do that.
19:04He was like,
19:05this is like,
19:05this is like Game of Thrones.
19:06This isn't real.
19:08This is a fantasy novel.
19:09This is a fantasy novel.
19:10I will say,
19:11I was a little surprised
19:12when that is revealed,
19:14like,
19:14not explicitly,
19:15right?
19:15It's like,
19:16I was even surprised
19:17because I was like,
19:18oh.
19:18You know what I mean?
19:19I thought I was watching
19:20a play from a different era
19:21where they would never
19:22sort of admit
19:22to this premarital adventure.
19:25He was so ahead
19:25of his time.
19:26I mean,
19:26a lot of his plays
19:27were like that,
19:27but this one,
19:28yeah,
19:28it was, you know,
19:29they nearly banded
19:29and just considered a farce
19:31is why they got put on,
19:32but it is,
19:32it's funny.
19:33He was extraordinary
19:34with his,
19:35yeah.
19:36I always,
19:36you know,
19:37after a show,
19:38when I know somebody
19:39in a play.
19:39Do you want to know
19:40if they're there?
19:41Well,
19:41I don't know
19:42if you want to know
19:42I'm there.
19:43I don't want to know.
19:44Anyone's coming,
19:45don't tell me.
19:46That's very interesting
19:47because like,
19:48you know.
19:48Bobby likes to know.
19:49Everyone's different.
19:50It's very personal.
19:51And when did you come
19:52to the conclusion
19:53that you don't want to know?
19:54Did you always know
19:55that about yourself?
19:55I think I did.
19:57Yeah.
19:57I think I did.
19:57I get too,
19:58I need to,
19:58I just have to,
19:59like if I'm too distracted,
20:01some people find it encouraging,
20:02like my friends are here
20:03or there's,
20:03you know,
20:04some fancy person here
20:05and I don't want to know
20:05about it.
20:06I just have to focus
20:06on the thing
20:07because otherwise
20:07I'll be thinking
20:08about you.
20:09For me,
20:10it's family.
20:11I'm alright with like,
20:12if I know my parents
20:14are there,
20:14everything changes.
20:15Really?
20:16Yeah.
20:17Like the air
20:17in the room changes.
20:19Also,
20:20I feel like based
20:21on how much
20:21my dad talks,
20:22by the time
20:22I go on stage,
20:23half the people
20:24know he's there.
20:26So like,
20:27not only am I
20:27seeing it through his eyes,
20:28so is like everybody
20:29in his section.
20:30That's hilarious.
20:31That's amazing to me
20:32after all the extraordinary
20:34things you've done
20:35of people you've had
20:36to perform for
20:36and write for.
20:37it's still parents.
20:38Parents, yeah.
20:38It's still,
20:38it's your parents.
20:39It's not like,
20:40you know,
20:41Madonna or Beyonce
20:42or someone.
20:43This is very,
20:44very,
20:45reminds me of a lot
20:46of conversations
20:47I've had with my therapist,
20:48what we're doing right now.
20:49I like that.
20:50I like that.
20:50With all these people,
20:52it just is back to them.
20:54What happened to you?
20:55What happened?
20:56Tell me your story.
20:57I have a lot more
20:58to ask you.
21:00With more from Rose Byrne.
21:19Welcome back.
21:19We're here with Rose Byrne.
21:20This is not
21:22your first
21:24Noel Coward production.
21:25Dallas Doll.
21:28This is,
21:28we found this.
21:29This was the first show
21:30you were in?
21:30First movie?
21:31You really got to zoom in
21:32to see me, guys.
21:33You got to get right.
21:34Are you the little?
21:34Let's just see this
21:35tiny little face.
21:37So this is,
21:38this is an Australian production.
21:42With the extraordinary
21:43Sandra Bernhardt.
21:44Sandra Bernhardt.
21:45So this is,
21:47you're 13 years old.
21:48You get cast in a movie.
21:49From an acting little,
21:51acting for the camera class.
21:52And they, yeah.
21:53Okay, so fantastic.
21:54And this was,
21:55Sandra Bernhardt plays
21:56an American who comes
21:57to your small Australian town.
21:58Yes, yes.
21:59And she slowly sort of
22:00seduces my family.
22:02Right.
22:03Except for me.
22:04But no,
22:04my mother.
22:06And it's,
22:06I play the daughter
22:08who's very, very suspicious
22:09of her and her motives.
22:10And I believe in aliens.
22:12And I'm,
22:12she's very into conspiracy theories.
22:14She's ahead of her time.
22:15She is.
22:16She really knew
22:16what was coming.
22:17Yeah, that girl
22:18and Noel Coward
22:19were ahead of their time.
22:21Did you,
22:22this is a New York,
22:23you know, icon.
22:25I know.
22:25Have you run into her since?
22:27I have.
22:27That's great.
22:27And she's,
22:28couldn't be cooler.
22:29Does she remember?
22:30I mean,
22:30I would imagine
22:31the first time
22:31you had to tell her.
22:32She, she does remember.
22:34It's, I was so,
22:35when I ran into her,
22:36I was like,
22:36do you remember
22:37we did this movie together
22:38when I was 12 years old?
22:39And she was like,
22:40I know, I remember.
22:41She was so cool.
22:42But she's,
22:42she's iconic.
22:43She's like,
22:44an absolute legend.
22:45No, she's,
22:45she's fantastic.
22:46She's everything
22:47that's great about this.
22:49Revisiting that.
22:50Did you,
22:50you were also
22:51in an Australian soap opera?
22:52Oh, yes.
22:53Oh, yes, I was.
22:54But I would imagine
22:55that's an incredible
22:55teaching tool, right?
22:56It is an incredible
22:57training ground,
22:58soap operas.
22:58I,
22:58it was called Echo Point.
22:59It was extremely short-lived.
23:01It was only six months.
23:02But I learned
23:03the technical,
23:05you just learned camera,
23:06timing,
23:06you learn,
23:07you know,
23:07a thousand lines every day.
23:09It's such great training.
23:10It is such great training.
23:11And incredible actors
23:12have obviously come
23:13from soap operas.
23:14Of course.
23:14This is,
23:15this is your Echo,
23:16Echo Park.
23:17Zoom in again.
23:18Here we go.
23:18There we go.
23:19Come on.
23:19There we go.
23:20We got to zoom on in.
23:21Yeah.
23:22Did you,
23:24you said it only,
23:25it only lasted for six months.
23:28It only lasted for six months.
23:29Was there a sense
23:30amongst the Echo Park cast
23:31this was not working?
23:32Echo, Echo Point.
23:33Echo Point.
23:34I'm sorry.
23:35Echo Park still on TV.
23:36Echo Point, exactly.
23:37Echo, Echo Park in year 20.
23:39Just a gentle reminder.
23:41Echo Point.
23:42No, I thought it was
23:43going to change my life.
23:44Yeah.
23:45I thought it was
23:46extremely important
23:47and I totally,
23:47I loved it.
23:49I got to like have a tutor
23:50and didn't have to go
23:51to school as much
23:52and it was like,
23:52but we did like mall appearances
23:54and things like that.
23:55Oh, wow.
23:55How were the mall appearances?
23:57They were pretty weird.
23:58Yeah.
23:58Yeah, pretty weird.
23:59Pretty weird.
23:59Did you go all,
24:00I mean, I know it's not.
24:01Mall appearance
24:01to really sort you out.
24:04I know it's not easy
24:05to go all around Australia.
24:06Would you go,
24:07would you go to malls
24:08all around Australia?
24:09We never reached
24:09the heights of that success.
24:11Gotcha.
24:11To fill a national mall.
24:13It was more local.
24:14Small local malls.
24:15That's good.
24:16That's good.
24:16Very humbling.
24:17The whole experience
24:18was very humbling.
24:18You're like,
24:18oh my God,
24:19are we going to go
24:19to malls everywhere?
24:20They're like, no.
24:22But you were going to go
24:23to malls that you can see
24:24from this mall.
24:26Exactly.
24:27By the way,
24:27there's not that many malls
24:29in Australia in the 90s.
24:30That's like a very American thing.
24:31There are more now,
24:32but growing up a mall
24:33was very glamorous.
24:34Well, you should go back
24:34and do another soap opera.
24:36I mean, listen.
24:37Now that Australia
24:38is full of malls.
24:39Absolutely.
24:39I mean, I agree.
24:41You are now kind of
24:43a New York icon.
24:44I mean, you've lived here
24:44for a long time.
24:45New York icon.
24:45You are.
24:46I mean, you're one of my...
24:47Take it easy.
24:48I will say.
24:49I like my guests
24:51that I know
24:52when they come on the show.
24:53They just didn't have
24:54to fly here.
24:55That's true.
24:56That's true.
24:57I mean, how long
24:58do they say?
24:5820 years?
24:59I think 20 years.
25:00So I'm nearly 20 years.
25:01You're nearly here?
25:02Oh my God.
25:02That's crazy 20 years.
25:04Your partner, Bobby.
25:05Bobby Cannavale.
25:06You and he live in Brooklyn.
25:08You walk around town.
25:09Yes, yes, yes.
25:09Who's more recognizable?
25:11Oh, Bobby.
25:11Really?
25:12Oh my God.
25:12No, he can't walk a block
25:14who it's like,
25:15bro, what's up?
25:15Yeah.
25:16Whatever.
25:16I'm like under...
25:18I have a funny accent
25:19and people don't know.
25:20You know, like,
25:21he's very...
25:22Well, that's...
25:22I have a theory
25:23where like,
25:24if you're in Brooklyn
25:24and you see someone
25:25who looks like Rose Byrne,
25:27you're like,
25:27that can't possibly be Rose Byrne.
25:29But if you're in Brooklyn
25:30and you see somebody
25:31who looks like Bobby Cannavale,
25:32you're like,
25:32that's definitely Bobby Cannavale.
25:34Well, I walked into the studio
25:36and my lovely hairdresser,
25:38Jacob, was on the phone
25:39and I walked past
25:40and he was like,
25:40he said to me,
25:41he was like,
25:41I thought I recognized you.
25:43And I was like,
25:44I was like,
25:45yeah, that's me.
25:47That's me.
25:47I know I was in like
25:48an old gray sweater
25:49and a disgusting hat,
25:51but that's me.
25:52I think that's what
25:53I look like most of the time.
25:54I bet, like,
25:55not only do people
25:55not think it's you,
25:56I bet people who aren't Bobby
25:57get recognized as Bobby
25:59all the time in Brooklyn.
26:00Yeah, maybe.
26:00But these people
26:01are a little bit scared of him too.
26:03So they're not quite sure
26:03what he is.
26:04I will say,
26:05there's a real divergence
26:06to how the intimidating characters
26:07he's played
26:08and how nice he is in real life.
26:09I know.
26:10Whereas you don't have
26:11to work through that gap.
26:12That's true.
26:12It's the same,
26:12I'm very friendly
26:14with Glenn Close.
26:15I did damages with her
26:16for years.
26:16And she has such an aura
26:18of her characters,
26:21what do you call it?
26:22People identify
26:22with the characters before her
26:24and Glenn is like
26:24a sweet, lovely,
26:25but her characters
26:27are so intimidating.
26:28It's the same kind of thing
26:28where you identify
26:29more with that.
26:30We used to live
26:30in the same building.
26:31That's right, we did.
26:32And every time
26:33she got on the elevator,
26:34I would scream.
26:35I would scream.
26:38And she did not deserve that.
26:39She didn't deserve that.
26:40She'd be like,
26:41calm down.
26:41Who are you?
26:42And calm down,
26:43by the way.
26:44I also want to,
26:45one of the nice things
26:46about Oscar night
26:47was the Bridesmaids cast
26:49got to come out
26:50on stage together.
26:50That was so amazing.
26:54Minus Wendy.
26:55Minus Wendy.
26:57That was honestly,
26:58we never get to see each other.
27:00You know what it's like.
27:01It's so special.
27:02And it just was so magical
27:04to have them on stage.
27:04On a night with,
27:05obviously, as we talked about it,
27:07like there's so many stresses
27:09on those award nights.
27:10Was it nice to know
27:11you had this built into the evening?
27:12It really was.
27:13And Kristen's
27:14the funniest person in the world
27:15and she had, you know,
27:17pitched all these incredible jokes.
27:18So it was like,
27:18it was the highlight.
27:19It was honestly the highlight.
27:20It was so, so magical.
27:22It was a highlight
27:22for us as well.
27:23It is so lovely to see you.
27:24I cannot recommend this play enough.
27:26Fallen Angels, you guys.
27:28It's playing at the Todd Williams Theater
27:30on Broadway through June 7th.
27:32That's Rose Byrne.
27:33We'll be right back
27:34with Evan Moss Backup.
27:52Our next guest is an Emmy-winning actor.
27:54You know from his work on shows
27:56like The Bear, Girls, and The Dropout,
27:58as well as the Fantastic Four.
28:00First Steps,
28:01he's currently making his Broadway debut
28:03and Dog Day Afternoon
28:04at the August Wilson Theater
28:05here in New York.
28:06Please welcome back to the show
28:07our friend Evan Moss Backrack, everybody.
28:24Congratulations.
28:24Broadway debut.
28:25Yeah, Broadway debut.
28:26Broadway debut.
28:28Cross that off the list.
28:29You did a lot in New York Theater,
28:31but the not-Broadway stuff.
28:33Yeah, the off-Broadway.
28:34Not like the...
28:35Not too far from Broadway,
28:38but, you know, a little further.
28:39Yeah.
28:40West.
28:40Yeah, yeah, yeah.
28:41A little bit less tourists around,
28:43just like the real hardcore theater people.
28:45Yeah, yeah.
28:47Subscribers.
28:47It felt like everyone
28:48just had like a New Yorker subscription
28:51or like had a tote bag in New York.
28:53You know, that kind of thing.
28:54That's actually one of the nice things
28:57about doing this play
28:58is that our audiences are really great
29:00and lovely, lovely.
29:02Like, young and from all over the world,
29:04all over New York.
29:05That's like kind of a nice surprise.
29:07Yeah, it's fantastic.
29:09We have a rowdy crowd.
29:10It's good.
29:11Did you love those?
29:13Do you romanticize those early days
29:14of theater in New York?
29:15Like, when you look back on them
29:16and you're like,
29:17oh, that was really cool.
29:18Yeah, well, I don't see them as like,
29:20I don't see them as like,
29:23I'm still doing, you know what I mean?
29:25Like, I can't wait to like,
29:26do another play at the public or whatever.
29:28You know, like, I love those.
29:29Right, they're not in your rear view.
29:30Yeah, it wasn't like a path to something else.
29:34It's just part of all of that.
29:35I had like, for a while,
29:37I had like this great ratio
29:38and I had a few years where I would do like,
29:40two plays, one like studio movie
29:42that would kind of like pay their rent
29:43and then like some like,
29:44a couple independent movies
29:45and that was like always like my perfect equation.
29:48That's a very nice mix.
29:49So if you can do all that stuff in one year
29:50as an actor, that seems really cool.
29:52I know, I think I could do that maybe once
29:53or something, but that was always,
29:54that's always like the ideal.
29:56All you have to do is do something once
29:57and you're like, oh, that's,
29:58that's what I got to aim for moving forward.
30:00Yeah, yeah.
30:01Is it Jon Bernthal, who also from The Bear,
30:03is his Broadway debut as well?
30:05It's Jon's debut as well.
30:06Okay, that's great.
30:07And has it been helpful to be doing this
30:09with someone that you had
30:10a previous relationship with?
30:11I don't think I would have done it without Jon.
30:13I think he's, he's such a fearless leader.
30:17You know, he's, he's, he's a beautiful actor,
30:20beautiful person, like so brave and, and tireless.
30:25It's a really, he's got a really hard part.
30:28And I just think that his, his, his tenacity
30:31and he's just a strong, he's built for it.
30:33You wouldn't have done it without him.
30:34Do you think he would have done it without you?
30:36100%.
30:36Yeah.
30:38He was, he was doing it.
30:40We did call him ahead of time.
30:41That was his answer.
30:42He was doing it.
30:42He was doing it without me.
30:43And I was like, wait a second.
30:45When did you meet him?
30:46How long have you known him?
30:48Okay, so this is, you know,
30:50he loves to tell people that, you know,
30:51he was my understudy about like 23 years ago.
30:54I was doing a play at the Signature Theater,
30:56Lanford Wilson play called The Fifth of July.
30:59And Jon was understudying me
31:02and David Harbour and Robert Sean Leonard.
31:04He was coming.
31:04And he never went on.
31:06And I have no memory of him.
31:07Right.
31:08Actually being there, but he claims he was there.
31:10That's a very, that's a real power move to be like,
31:12I just wish I remembered you.
31:13No, yeah.
31:14But I think it's kind of a power move of his to be like,
31:16yeah, I was, I was your understudy.
31:18And, you know, I think he's,
31:20I think he's kind of like uses it to mess with me a little bit,
31:23you know?
31:23A lot of people talk about the bad behavior
31:25of Broadway audiences.
31:27Not like malicious behavior,
31:29but like people, you know, opening,
31:31you know, bags very loudly.
31:33Obviously phones are an issue.
31:34Yeah.
31:34But you, you may be,
31:36I haven't heard about the bad behavior of people on stage.
31:38Oh, oh, yes.
31:39Oh, so this happened the other evening,
31:42Saturday night.
31:43Yeah, two nights ago,
31:45or I don't know.
31:46When does this air here?
31:47Who knows?
31:48Will it even,
31:49this probably,
31:50at this rate,
31:50it's not going,
31:51we're not going to be on TV.
31:52Yeah, we probably won't air it.
31:55I think that's probably for the best.
31:56We didn't realize,
31:57we didn't realize,
31:58yeah,
31:58John was your understudy.
32:02Saturday night,
32:03the Knicks game was on.
32:04We got a little TV set up in our green room,
32:08and, you know,
32:09I think we've done 50-something shows
32:11and I've been lulled
32:12into sort of a false sense of security.
32:14Right, you might feel like I've got this now.
32:16And there's a big,
32:17I've got about 15, 20 minutes in the second act
32:19where I'm not on stage,
32:20and I went up to check the game.
32:22Yeah.
32:23Check on the score,
32:24and since it was Saturday night,
32:26my daughter was out,
32:27and I just checked to see that she was all good,
32:29and then I got back,
32:31like, into the wings with plenty of time
32:34before I had to go back on,
32:36go back on and do a scene with John,
32:37and then it's like the final scene of the play,
32:39which is very quiet
32:41and sort of a scene that I really love,
32:44but it's different,
32:46tonally it's different than the rest of the play.
32:47A lot of the play is like really bright lights
32:49and loud and everything.
32:50This is this one quiet little gem of a scene.
32:53And our stage,
32:54our set rotates,
32:56so I'm sort of waiting.
32:57There's a scene going on outside of the bank,
32:59and the bank rotates like this,
33:01and as we start to rotate,
33:03I see that my phone is in my front pocket,
33:06like my tight suit pants,
33:10and I started,
33:12like, the first time I prayed,
33:13you know, and all this,
33:14and I didn't know if it was on.
33:19I didn't know if it was on silent,
33:20and I turned my phone off.
33:21I turned it, when I go to the movies,
33:22like, that's my worst nightmare,
33:24having, you know,
33:27and then this sensitive scene,
33:28all I could think about
33:30was just this thing here,
33:31and the fact that I had already done a scene already
33:33and didn't even realize that it was on me.
33:35Yeah.
33:36I think, um...
33:37Because, like, even, like, you know,
33:39in a modern play,
33:40if a phone goes off, it's bad,
33:41but, like, this takes place in the 70s.
33:43This takes place in the 70s.
33:45There's no world where I would have...
33:46And I have an unusual ringtone, too.
33:49I have, like, the theme from the third man,
33:52you know, the Zither music.
33:53So it's like...
33:54But at least that movie had been out
33:56when this happened.
33:57So that would have been better.
33:58That would have been better.
33:59Yeah, yeah.
33:59Yeah.
34:01But it was...
34:01Yeah, my prayers are answered.
34:03It didn't go off,
34:04but it was a horrible, horrible, horrible,
34:05horrible feeling,
34:06so I would just encourage all actors out there
34:09just to double check.
34:11Not to, like, just...
34:13Let that be a cautionary tale.
34:15I cannot believe it.
34:16I'm so embarrassed that I did this.
34:17I'm glad it did not go off.
34:19Did you, when it was over,
34:20you're like,
34:20God, nobody calls me.
34:21Did you have that moment?
34:22Yeah, yeah, yeah.
34:24Did you?
34:26So this is based on the film
34:28Dog Day Afternoon,
34:29which was based on a true-life event
34:32in New York City, a bank robbery.
34:33Yes.
34:34So this is this interesting thing,
34:35which is a play that is written
34:37about something that happened,
34:38but also it's this iconic film.
34:41How do you, as an actor,
34:42go into it, you know,
34:43while you're trying to make it
34:45obviously unique to this production,
34:46but you have these other things to pull from?
34:50I mean, I think I just try to take
34:52from wherever as much as I can.
34:57I...
34:57Jonx has always, like,
34:59performances, obviously.
35:00He's so iconic and incredible,
35:02and it's just his...
35:03The forehead and the hair
35:04and the sweat and everything.
35:05So it's just gonna be different.
35:08I'm not trying to play him.
35:10And he was, you know,
35:11there's very little information
35:12about the guy,
35:14Salvatore Naturali,
35:15who, like, who I'm portraying,
35:16who died that day, you know,
35:17on whatever,
35:18on August 22nd, 1972.
35:19That guy...
35:20So he was much younger than me.
35:22So I don't know.
35:22He just tried...
35:23We're just trying to tell a good story,
35:24which is based on that stuff.
35:25But we're...
35:26Steven Adler-Gerges, who wrote it,
35:28is taken from a lot of different sources.
35:29There's a weird book
35:30that was written
35:32after the success of the movie
35:34that was kind of like a cash grab
35:35that somebody wrote,
35:36but just like a kind of a pulpy,
35:38softcore porn sort of book,
35:40which is great.
35:40So we took from that.
35:42Yeah, yeah.
35:42Yeah.
35:44I don't know.
35:45I don't know.
35:49This is...
35:49You mentioned, you know,
35:51the person you're playing dies.
35:53So this is obviously not a spoiler alert.
35:55Oh, yeah.
35:56Shoot, I shouldn't have said that.
35:57Yeah, yeah.
35:59But you've played people
36:00who've died on stage
36:02and in films and in movies.
36:03But on stage, it's weird
36:04because you have to die every night.
36:07It's so cool when you die on stage.
36:10It's amazing because, you know,
36:13the lights come down
36:14and then you're resurrected.
36:15I find it really magic.
36:17Yeah.
36:17This really sort of beautiful,
36:18poetic thing happens.
36:21And, yeah, I get like...
36:23You know, I'm reincarnated.
36:25I think I've died probably hundreds of times
36:27on the stages.
36:28Do you say to your agent now,
36:30give me one of the die parts,
36:31give me one of the dying ones?
36:32Yeah.
36:32Well, yeah, it's a shortcut
36:34to audience sympathy.
36:36We actually,
36:37because you've had, you know,
36:39sort of a long
36:40and diverse career roles,
36:43but these are on-screen deaths.
36:44Oh, okay.
36:45Do you want me to tell you...
36:47Do you want me to give you
36:48the name of the movie
36:49and you tell me how you died
36:49or how you died
36:50and you tell me the name of the movie?
36:53Maybe you say how I died.
36:55Yeah, okay.
36:55Sounds like I could do less talking.
36:57All right.
36:58You were shot to death
36:59by a Coast Guard officer
37:01while defending yourself
37:02against malevolent children.
37:08Is that a Mexican horror movie?
37:11Come out and play?
37:13Come out and play.
37:13That's correct.
37:14Yeah.
37:14Wow.
37:15Juegos de Ninos is the original title.
37:17Juegos de Ninos?
37:18Juegos de Ninos.
37:19Was it originally?
37:20Was it an adaptation
37:21or were you in the Mexican version?
37:23It was a remake
37:24of a Spanish horror movie,
37:25but I was in the Mexican one.
37:26Yeah, that's a Mexican film.
37:27That's fantastic.
37:29You were stabbed in the neck
37:30with a harpoon.
37:33Blow the Man Down.
37:34Yep.
37:35Yeah, there you go.
37:36Harpoon.
37:36Harpoon.
37:38That was very local death.
37:41Oh, yeah, local death.
37:42It was like, yeah.
37:43Yeah, ship death.
37:44Ship death.
37:45Typical, right.
37:47All right.
37:47You were shot in the back
37:48by Mike Starr
37:51when you lunged at Gene Wilder.
37:54That was the first time I died.
37:55Was that your first death?
37:56Yeah, yeah.
37:57Yeah, first death.
37:57What was the name of it?
37:58Murder in a Small Town.
37:59Murder in a Small Town, 1999.
38:01Died in Gene Wilder's arms.
38:03Wow.
38:04That was, I mean, pretty good.
38:06It's as good as it gets.
38:07For first deaths
38:08to die in Gene Wilder's arms,
38:10I can't believe you still enjoy it.
38:11It feels like it's all downhill.
38:12I know, I know.
38:13I'm just chasing that.
38:17Shot in the head with a laser gun.
38:21That sounds Star Wars-y.
38:24But, so that's Andor.
38:25You're not allowed to say gun.
38:26It's a blaster.
38:27Oh.
38:29You should know that.
38:30I should know that.
38:30You should know that.
38:31Kind of embarrassed.
38:37Obviously, Andor is, you know,
38:39at Sci-Fi University,
38:40obviously you've done some comic book,
38:41Fantastic Four now.
38:43Read some comic books back in the day.
38:45And I want to tell you,
38:46I also got my hands on some of this back in the day.
38:49You were a fan of ElfQuest.
38:50Yeah, you were a fan of ElfQuest?
38:51I liked ElfQuest.
38:53And I think it turns out,
38:54maybe for the same reason.
38:56Yeah, I imagine.
38:57Yeah.
38:57Okay.
38:58There were some pretty good-looking elves.
38:59Yeah, the elves were really, really hot.
39:01Yeah.
39:02Curvaceous elves.
39:02And it was like curvaceous elves.
39:04And, like, it didn't look like,
39:05when you bought it,
39:06I don't think your parents thought
39:07that was what you were after.
39:09No, for, like, a nerd in the 80s,
39:12like the Venn diagram,
39:13like, it threaded the needle perfectly
39:14of, like, genre and...
39:16Yeah.
39:17It's weird, because I feel like
39:18some guys would hide a Playboy
39:19in an ElfQuest,
39:20and I'm like, ElfQuest is fine.
39:22Yeah, yeah.
39:23I don't need to hide anything.
39:25Yeah, these are some...
39:26And you mentioned recently
39:27that you were an ElfQuest fan,
39:28and they reached out.
39:29Well, they just, yeah,
39:30they just sent over the Omnibus.
39:32Which is, like, the collection
39:33of all the ElfQuests.
39:34Yeah, yeah.
39:34Fantastic.
39:35So great.
39:35Does your wife know,
39:37like, when she sees it,
39:38it's like,
39:39Eh, man, what's this?
39:40Yeah, I have it, yeah.
39:42What's this?
39:43Omnibus.
39:45Hey, man.
39:46Congrats on your Broadway debut.
39:47It's so, so nice to see you,
39:49as always.
39:50And we'll have a wrap-up
39:51for the Dog Day Afternoon
39:52is playing
39:52at the August 14th
39:54which is a live show.
40:07Come join the audience
40:08at Late Night Live
40:09in Studio 8G.
40:11For tickets,
40:11head over to
40:12LateNightSethTickets.com
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40:17Late Night Seth
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40:22And subscribe
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40:24featuring a closer look,
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40:26and more.
40:27Available wherever
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40:30.
40:30.
40:31.
40:31.
40:31.
40:41I want to thank my guests,
40:42Rose Merritt,
40:43Evan Mons-Bakrack.
40:44Thank you all for watching.
40:45We love you.
40:46.
40:47.
40:49.
40:49.
40:50.
40:50.
40:50.
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40:57.
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