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The Beverly Hillbillies (season 1) S01E11 - Elly Races Jethrine
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00:00Come and listen to my story about a man named Jed, a poor mountaineer, barely kept his family fed.
00:06And then one day he was shootin' at some food, and up through the ground come a bubble and crude.
00:12Oil, that is, black gold, Texas tea.
00:17Well, the first thing you know, old Jed's a millionaire.
00:20The kinfolk said, Jed, move away from there.
00:23Said, California is the place you ought to be.
00:25So they loaded up the truck and they moved to Beverly Hills, that is.
00:30Swimmin' poos, movie stars.
00:33The Beverly Hillbillies!
00:53Now come along and visit with the Clampett family.
00:57As they learn the simple pleasures of the hills of Beverly.
01:01That includes the products of your sponsor of the week.
01:05The cereals of Kellogg's, Kellogg's of Battle Creek.
01:09K-E-double-L, O-double-good, Kellogg's best to you.
01:28Oh, hi there, Granny. What you lookin' at?
01:31Oh, I'm lookin' at these pictures that Mr. Guysdale took of Sonny and Ellie.
01:35Oh, yeah. He's right good, ain't he?
01:38Dandy.
01:42Jed, I reckon we'll be having a wedding around here pretty soon.
01:46How'd you know?
01:47Sonny's giving Ellie a ring this morning.
01:50I, uh, I couldn't get to sleep last night and I heard them talkin' down by the door.
01:56All the way from your bedroom?
01:58Well, my window was open.
02:02Well, that's still a powerful long ways to hear.
02:05Not after you climb out into a tree and shinny down a ways.
02:10You heard Sonny askin' Ellie to get engaged?
02:13Clean as day.
02:14Sonny said, Ellie, you gonna be home in the morning?
02:17And Ellie said, yes.
02:19Sonny said, I'll give you a ring at ten o'clock.
02:26Well, it's pretty near straight up for ten right now.
02:31Hello?
02:33Oh, good morning, son.
02:35I mean, uh, Sonny.
02:37Yeah, Ellie's here. Why don't you come on over?
02:40Oh, you wanna talk to her on the telephone?
02:42Well, just a minute.
02:44Can't give a girl no ring on the telephone.
02:47Telephone, Ellie!
02:48Okay, Pop. I'll get it up here.
02:52Now, Granny, you hadn't ought to be listening.
02:56Well, it's a lot easier than shinning down a tree in the dark.
02:59I tore my knife down.
03:01I sent a bunch of these back home to Cousin Pearl.
03:04What for?
03:05Yeah, you know how she was always bragging about her daughter,
03:08Gethreen, going to beat Ellie May to the altar?
03:10Yeah.
03:13I sure would like to see the look on Pearl's face when she sees this.
03:22Gethreen, look at this.
03:24And I always brag that you could beat Ellie May to the altar.
03:29I can, Ma.
03:29I cannot run Ellie May.
03:31My legs is longer.
03:32Oh.
03:34Look, we gotta get busy.
03:36Now, what time's that Jasper fella coming to court you?
03:38Six o'clock.
03:39He's taking me out in his car.
03:41Oh, no, he ain't.
03:44He's courting you right here in my parlor
03:46where I can see to it that he gets to the point.
03:49Well, that's where he's taking me, Ma.
03:51Well, Perkins Point, there's a barn dance thing.
03:55I'm talking about the point of proposing to you.
04:00Don't you want to get yourself a husband?
04:02Yes, ma'am.
04:04Jasperine, why couldn't you have been born with some of my brains
04:06instead of just my beauty?
04:09Of course, I gotta admit that
04:12you ain't quite as pretty as Ellie May.
04:15I ain't even as pretty as your fella.
04:18You are so.
04:35Hi, Sonny.
04:36Hi, Stepdad.
04:37Well, how are you and Ellie May Clappin getting along?
04:40Marvelously.
04:41She's mad about me.
04:42Oh?
04:42How do you feel?
04:43The same, really?
04:45I'm not about me, too.
04:46Oh, how do you feel about her?
04:49Oh, she's fun, Stepdad.
04:51I like her a lot.
04:51I'm going over there now and take her for a drive.
04:53Good, good.
04:54Her father has $25 million in my bank, you know.
04:57Yes, I know.
04:58She's, uh,
05:00quite a beautiful girl, don't you think?
05:01Oh, ravishing.
05:03You know, I understand these country girls
05:05make perfectly wonderful wives.
05:07Strong, healthy,
05:09not afraid of a little work.
05:10So I understand.
05:12You know, Sonny,
05:13I have a position opening down at my bank.
05:15Oh, it's not much to start with,
05:17but advancement could be rapid with my help.
05:19Certainly it would be enough to rent a nice apartment,
05:22settle down,
05:24take up housekeeping.
05:25Why don't you think it over and discuss it with Ellie May?
05:28All right.
05:29But with all the money her father has,
05:31I doubt seriously if she'd want to work at your bank.
05:48You got something to show us, Ellie May?
05:50Yeah, hold out your hand.
05:51Let us take a look.
05:52Face clean, Pa.
05:53I washed them with soap.
05:55Oh, Wayne.
05:56No, Granny.
05:57I washed them all the way up to here.
05:59Sonny, Drydell didn't give you no engagement ring?
06:02Shucks, no, Pa.
06:03Why would he want to do that?
06:06He's going to take me driving.
06:12That's bad.
06:13Out driving in broad daylight
06:15ain't no way to get engaged.
06:17What are you talking about?
06:18I propose your daughter out driving.
06:20In a horse and buggy,
06:21that's a heap different.
06:22Besides, that old Mary of yours
06:24knew right where she was going.
06:25That way you could turn your attention on Rose Ellen.
06:28That's the truth.
06:29But out driving in an automobile in city traffic,
06:32with all them cars trying to hit you,
06:34by the time you turn your head to say,
06:36will you,
06:37somebody has.
06:40There's no two ways about it.
06:43That child is going to need help
06:45to trap that sonny Drysdale.
06:47Ellie May don't need a trap
06:49no man to get him.
06:50Every man that ever got get
06:52was get that way.
06:54Not me.
06:55We just happened to stop
06:56under a shady elm tree,
06:57and I proposed your daughter
06:59on the spur of the moment.
07:01That spur of the moment of yours
07:03took us six months
07:04scheming and planning.
07:05Why, we even trained
07:07that old Mary of yours
07:08to stop under that shady old elm tree.
07:13Well,
07:14any trapping
07:15will have to be up to you, Granny.
07:16I wouldn't know what to do
07:17except when I held a shotgun on Sonny.
07:20Well,
07:21I'll study on it.
07:23Them city fellas
07:24might be different.
07:39Jed,
07:40you reckon we'll ever find out
07:42where that music comes from?
07:43I reckon
07:44if we keep a-looking.
07:52You're wasting your time
07:53of looking for that there music.
07:55I've looked for it
07:56a dozen times,
07:56and before you can find it,
07:58somebody will come
07:59a-rapping at the door.
08:03See?
08:03Told you.
08:08Oh, hi, Sonny.
08:09Greetings, all.
08:11Ellie May ready?
08:12He sure is.
08:13She's been ready
08:13since she'd been 14.
08:16I beg your pardon?
08:17Oh, I may,
08:18Sonny's here.
08:19What we want to know is,
08:22are you ready?
08:26Well,
08:27I sure hope
08:28you young folks
08:28have a dandy drive.
08:30Oh, we shall.
08:31I plan to take Ellie
08:32on a socially significant drive
08:34through Brentwood
08:35and Bel Air
08:36to show her
08:36some of our depressed areas.
08:42Howdy, Sonny.
08:43Ellie May.
08:45You look positively divine.
08:47So do you, Sonny.
08:48I know.
08:50Don't you bite me.
08:52Ellie May,
08:53a kiss on the hand
08:54is a very proper greeting.
08:56Oh.
08:57Come on, everybody.
08:59Kiss on the hand.
08:59Please.
09:00Come on.
09:01Come on.
09:02Have a nice drive, y'all.
09:05Yep.
09:05And if you pass
09:06under a shitty old tree,
09:08it won't hurt none
09:09to stop for a spell.
09:12There they go.
09:13Quick, Jeffro,
09:14start up the truck
09:15while I get the rest of you.
09:18Where you going?
09:19To follow them.
09:24Now, hold on, you two.
09:25You can't follow Sonny.
09:26He'll see you.
09:27They won't know who he is.
09:28I'm going to be
09:28wearing dark glasses.
09:34He'll think
09:34there are a couple
09:35of Beverly Hills
09:36movie stars
09:36out for a drive.
09:39Come on off that truck.
09:41Come on.
09:52Jeffrey,
09:52did you pour
09:53the fudge out to cool?
09:54Yeah, Ma,
09:55but I'm afraid
09:56it ain't going to get hard.
09:57Well,
09:59if it don't,
10:00you and Jasper
10:00can eat it with spoons
10:01and I'll tell him
10:02I made it.
10:03You done dressing?
10:04Yeah, Ma.
10:05Well,
10:06come on in here
10:07and let me see
10:07how you look.
10:15Turn around,
10:16let me see your sash.
10:17Here,
10:17do get the bow straight.
10:19Now,
10:19I want you to bring out
10:20them pillowcases
10:21you've been embroidering
10:22for your hope test.
10:23The ones with his
10:24and hers
10:25working French knots
10:26never hurt none
10:27to let a bow see
10:28or handy with a needle.
10:30But I ain't.
10:30I always stick myself.
10:32Well,
10:32if you do,
10:33don't bleed
10:34on the pillowcase
10:35where he'll see it.
10:36Now,
10:37when you show him
10:38the sterile optic
10:39in pictures,
10:40these is the ones
10:41I've picked out for you.
10:42They'll put him
10:43in the right mood.
10:44Niagara Falls
10:45by moonlight,
10:47wedding under the bower,
10:50the stolen kiss,
10:55Lillian Russell in tight.
10:59Oh,
10:59never mind.
11:01What are you going
11:02to play on the pump organ
11:03for him
11:04to show off
11:04your music talent?
11:05How about
11:06Russell O' Spring?
11:07That's a dandy?
11:10That's a dandy
11:11full of runs
11:11and trills.
11:13And then there's
11:13the part where
11:14you cross your hands.
11:15Oh,
11:16I tell you,
11:17Jeffrey,
11:18that's one place
11:19you got it over
11:20your cousin Ellie Mae
11:21playing the pump organ.
11:25Them hands
11:26can stretch
11:27pert near two octaves.
11:30And them beat
11:31is made
11:32for pumping.
11:34Well,
11:35it's almost time
11:35for Jasper to get here.
11:37How do you feel, darling?
11:39I feel like
11:39I'm going to throw up.
11:45Now, Jim,
11:46Ellie and Sonny
11:47will be here
11:48on the settee.
11:49And when he gets
11:50on his knees
11:51and proposes to her
11:52and Ellie says yes,
11:53you come a-running
11:54from that door
11:55and I'll come a-running
11:56from that door
11:57so as we'll have him
11:58be trickstess
11:59and he can't back out.
12:01Honey,
12:01I don't want to be
12:02listening to that
12:03no door
12:03and I don't think
12:04you would order neither.
12:06Jed Clampett,
12:08no wonder
12:08your daughter's
12:09crowding 18
12:09and still an old maid.
12:11If we don't get busy,
12:13her cousin Jethreen
12:13will beat her
12:14to the order
12:15by a mile.
12:16She won't neither.
12:17Ellie Mae's a lot
12:18prettier than Jethreen.
12:19Looks ain't everything.
12:21Besides,
12:21Jethreen has
12:22Pearl Helpener
12:23and Pearl's parlor
12:24and that's the styliest
12:26and best courtin' parlor
12:27in the whole county.
12:28I don't see nothing
12:29wrong with this parlor.
12:30Oh, that's because
12:31you're a man.
12:32This ain't got
12:33no style to it.
12:34Ain't got no
12:35lace curtains
12:36and ain't got
12:37no portiers.
12:38Ain't got no
12:39tidies or doilies.
12:41Ain't even got
12:42a pump organ.
12:43Got a piani?
12:45A piani ain't in it
12:47with a pump organ
12:48when it comes
12:48to courtin'.
12:50He's got a quiver
12:51to it.
12:52Just drives
12:53a man wild.
12:55And there ain't
12:56nothing that stirs
12:57a man like
12:58seeing a woman
12:59pumping a pump organ.
13:03I wish Sonny
13:04and Ellie Mae
13:05would get back.
13:06What's keeping them?
13:12My baby's yours.
13:14Aren't they
13:14cunning?
13:17Awfully stiff.
13:18I don't see
13:19how you ever
13:19walked in.
13:20The mother
13:20had them bronzed.
13:22It didn't help
13:23much.
13:23They're still stiff.
13:29What's this thing?
13:30Aw, that's my
13:31teddy bear.
13:32His name is Pooh.
13:33Would you like to
13:34kiss him?
13:34Well, not especially.
13:36I guess you'd rather
13:36kiss me.
13:37I'll kiss the bear.
13:39Aw, I guess you're not
13:40in a very romantic mood.
13:42A little music
13:43will remedy that.
13:47You like to dance?
13:49I ain't never try.
13:50Well, you're in
13:51for a divine experience.
13:53I'll teach you.
13:54Now watch.
14:21How do I look?
14:23Like something's
14:24hurting you.
14:25Maybe some rose thorns
14:26are sticking your gums.
14:33Come here, my dear.
14:39Are you frightened?
14:41No, it ought to be.
14:42Yes, you're in
14:44great danger.
14:45How come?
14:47You're in a man's
14:48room alone.
14:50No, I ain't.
14:51You're here.
14:53You are not
14:53playing big game.
14:58Still feeling
14:59sick to your stomach,
15:00darling?
15:00Yeah, Mom.
15:01Well, I was out
15:02the cellar and I
15:03drawed off some
15:04homemade elderberry
15:05wine.
15:06Ain't nothing in
15:07the world better
15:08for settling a
15:08queasy stomach.
15:10Of course, according
15:10to the rules, you
15:11shouldn't touch spirits
15:12till your wedding.
15:12day, but I guess
15:13in case of an
15:14emergency, a little
15:15swallow won't hurt.
15:21I know it's a
15:21might bitter taste in,
15:22but try and force a
15:23little down.
15:24It'll make you feel
15:25better.
15:29just a little more,
15:30Jeffy, and do it for
15:31you, Mom.
15:31Jasper will be here
15:32any minute now.
15:42Feeling better?
15:46I've got it figured how
15:48we get you to play the
15:49pump organ for him.
15:50I know just what he'll
15:52say when he walks in,
15:53because everybody does.
15:54He'll say,
15:55why, I declare,
15:58that's a mighty fancy
15:59pump organ you got
16:01there, and I'll say,
16:02why, thank you.
16:03I'm mighty partial to
16:04pump organ music, and
16:05then you say, why, I'll
16:07play something, and then
16:08you sit down and you play
16:10like you never played
16:11before.
16:11You understand?
16:12Yes, ma'am.
16:14There he is.
16:17There you go, throw
16:17off, Harry.
16:18I'll try now.
16:34Evening, Miss Bodie.
16:35Why, Jasper, if you,
16:37what a surprise.
16:39Jasper, honey, look
16:41who's here.
16:42Evening, Jasper,
16:43Jasper.
16:45Jasper, he's had a
16:46little nervous upset.
16:47I reckon it's the
16:48strain of all those
16:49bows that come
16:50with carton.
16:51I swear I've got to
16:52sweep them out of this
16:53bottle every day.
16:54Hey, that's a mighty
16:55fancy pump organ you
16:56got there, ma'am.
16:58Why, thank you.
17:00I'm mighty partial to
17:02pump organ music.
17:06In fact, I'd just
17:07love to hear some
17:09pump organ music
17:10right now.
17:12I'll play you
17:13some, ma'am.
17:18Yes, sir.
17:23Oh, my goodness.
17:29Yes.
17:34Yes, sir.
17:36How, my goodness.
17:40Oh, my goodness.
17:44Yeah.
17:44Yeah, my goodness.
18:04Jed, it's clump past dark, and Sonny and Ellie ain't home yet.
18:08Where could they be?
18:10What are they doing?
18:12Are they engaged?
18:14Why don't we hear something?
18:17Oh, that poor sweet, innocent Ellie Mae out there in the dark with a man.
18:23Jed, maybe something happened.
18:24Now maybe something happened.
18:26Granny, calm down.
18:28Ellie can take care of herself.
18:30I reckon you ain't nervous, huh?
18:33I ain't nervous, sitting here whittling.
18:35Well, what you're whittling on used to be the arm of that chair.
18:44I reckon I am a mite nervous at that.
18:47Now, Jed, when they do get home, you and me have got to see that Sonny don't get away without
18:52being proper engaged.
18:54Granny, maybe we's rushing things.
18:56Maybe Sonny ain't ready to get married.
18:58Jed, no man is ready to get married.
19:01You gotta get them ready.
19:02Like you get a steer ready for slaughter.
19:06You find something else to compare it to?
19:10Well, here we are.
19:12I reckon it's time to say goodnight.
19:14I sure do thank you for the nice ride, Sonny.
19:17My pleasure, Ellie Mae.
19:19I'll give you a ring in the morning.
19:21Promises, promises.
19:23Would you like to take another drive tomorrow?
19:26I sure would.
19:27Where shall we go?
19:28To the preacher.
19:30Your precious thanks, Sonny.
19:32Well, see you tomorrow, then.
19:34Oh, here comes the bride.
19:38Here comes the bride.
19:40Howdy, Granny.
19:43Well, ma'am.
19:44Thanks, look who's here.
19:48Jed, come say hello to Sonny.
19:50Don't bother, Mr. Clampett.
19:52I'm leaving.
19:53I'll show you a shortcut.
20:01Howdy, Sonny.
20:03Good evening, Mr. Clampett.
20:04Jed, now's your time to have that talk with Sonny.
20:08What talk?
20:09About Ellie Mae.
20:10Hey, I got nothing to talk to Sonny about, Ellie.
20:12Oh, that's right.
20:14I'm the one that's going to talk to Sonny.
20:16You talk to Ellie Mae.
20:25Did you have something to tell me, Pa?
20:27Well, I hadn't planned on it, but maybe now's a good time.
20:33Sit down.
20:36Ellie?
20:37Yeah, Pa?
20:39Well, women folks, like your granny and your aunt Pearl, seem to set great store by matchmaking.
20:46They just can't rest easy till everybody's paired up, and the sooner the better.
20:51Now, your granny wants you to marry up with Sonny Drysdale.
20:56Well, do you want me to marry up with him, Pa?
20:59Ellie Mae, there's only one thing in the world I want for you, and that's to be happy.
21:02Well, do you reckon I'd be happy married up to Sonny?
21:05Only if you love him.
21:07Well, how do you know if you love somebody?
21:10Well, I can't exactly explain how you know, but when it happens, you know.
21:15You don't need nobody to shove you.
21:17You just can't wait to get married.
21:20How do you feel that way about Sonny?
21:22Well, I ain't sure.
21:23Do you reckon he feels that way about me?
21:27Now, tell me, how do you feel about getting married and settling down and raising a family?
21:32I find the notion completely repudnant.
21:36That's good.
21:38One man who simply cannot be monogamous.
21:42Fine and dandy.
21:43Tell me, how do you feel about Ellie?
21:45I find her beautiful, charming, refreshingly different, but somewhat lacking in the social graces.
21:52What's that mean?
21:53Well, for example, she can't dance.
21:56Ellie Mae Clampett?
21:58Why, she's got dancing in her soul.
22:00I'm a grandma, and I want you to know I was the best dog-gone dancer that ever came out
22:05of the Tennessee hills.
22:06And her paw can outstomp a riled-up mule.
22:09Come on, city boy.
22:11Us Clampetts is going to set your shoes to smoking.
22:15By the way, you young people can dance if you like.
22:20Not me.
22:20I'll go for some of that fudge.
22:30Come on, honey.
22:31Let's dance.
22:33I'll turn on the big toilet for you.
22:36Come on, sweetie.
22:37Let's dance.
22:53Let's dance.
23:23Right on her feet, ain't she?
23:25You'd never know she was moving.
23:47Go, Mr. Clampett!
24:05Go, go, go!
24:19Hey, what are you all dancing for?
24:21We're celebrating your cousin Ellie May getting married.
24:24Is Ellie getting married?
24:25She sure is.
24:27Really?
24:27Who is she marrying?
24:28You!
24:29Me?
24:30That's right.
24:46Mother!
24:53Mother!
24:54Mother!
24:55Mother!
24:59Mother!
25:00The End
25:30Set a spell, take your shoes off.
25:33You all come back now, hear?
25:36This has been a Filmways presentation.
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