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Watch American Classic Season 1 Episode 3 online in HD on Dailymotion (2026).
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Short filmTranscript
00:16Previously on American Classic
00:19The Millersburg Festival Theatre used to be a destination
00:21Everything I loved is gone
00:23You are such a pompous ass
00:27We're just trying to make sure this theatre survives
00:30What does the mayor have to say about this?
00:32I'm the mayor
00:33You take my money, and you take it, and you rebuild this town
00:38Ooh, little are they
00:41And now I'm told this theatre might close
00:44But I'm not going to let that happen
00:46We will restore the soul of this town
00:51By producing the greatest production this country has ever seen
00:55Of our town
01:15John? John?
01:18Hey, listen to me
01:19Cover your ears!
01:20No, you have to tell him
01:22You have to tell him that if he goes through with that theatre, it closes forever
01:28John!
01:28You don't want coffee?
01:29No, I am already, I am seeing noises
01:31You have to talk to him
01:33Right?
01:34Now, this morning
01:36Okay, it might work better if we do it together
01:38I have Boyle in half an hour
01:39I have Boyle in half an hour
01:40And then I have the concerned parents book burning summit
01:43And besides, I might kill him
01:44So you have to do it
01:45Okay, okay, okay
01:46But just for the sake of discussion
01:47I mean, it is our town, right?
01:49There's no sets, there's no props
01:51It's the mime, right?
01:53It's the cheapest show in the world
01:54It's the greatest our town
01:57That that's what he said
01:58This is going to be some crazy Richard Bean shit
02:01That's going to just bankrupt all of us
02:03Well, we don't know that
02:04Yes, we do, because I know him
02:06Sir, we do not have the money for original productions of any kind
02:11We don't have any money at all
02:13Look, you have to talk to him
02:14You have to just get him to go away
02:16I made bagels
02:18From scratch?
02:19Uh-huh
02:19Take him for lunch
02:21I'll talk to him, I'll talk to him
02:24You know, he's probably forgotten about it already
02:26You know, he gets swept up in the moment
02:28I mean, does he ever follow through with anything?
02:40What, uh, what are you doing?
02:43Uh, I made a great deal on some new theories
02:47Seats?
02:49221 upholstered flip-up seats
02:51Uh, from an old movie house in New Jersey
02:54And, uh, he said if I bought the whole lot
02:56I could get them for like, uh, $95 per unit
03:00Per u- per seat?
03:01And free delivery
03:02Hold on, wait, hold on
03:04That's-that's more than $20,000
03:06You can't-
03:07Jesus Christ
03:08Richard
03:09We gotta talk
03:10Listen, I made a vow over our mother's cold, dead body
03:15Okay, stop saying that
03:16That I would restore this theater to its former glory
03:20Yes, okay, but this is a working theater
03:22We have another week of nonsense
03:23Don't remind me
03:24You can't just come in here and tear it all apart
03:25I know
03:26I'm not tearing anything apart
03:26Help me move these tables
03:27Help me move these tables
03:28I'm making a plan
03:29I'm helping you
03:30I'm keeping you company
03:30You're not helping me at all
03:31Yeah, I feel weak
03:32Oh, you feel weak
03:34Hey, oh, I know what this is
03:35I-this is your low blood sugar thing, right?
03:38Yes, it's your low blood sugar
03:39Low blood sugar
03:39Low blood sugar, yeah
03:40Okay, I'm gonna make you a sandwich
03:41Thank you
03:42Yeah
03:42I-I love you, brother
03:50Thank you
03:55The matinee special
03:58That's fantastic
03:58I take on a Reuben with a spicy pickle put in there
04:02No, but there's something in the-in the bread
04:04Juniper berries
04:05And I fold them in instead of caraway seeds
04:09You made the bread?
04:10Yes, I made the bread
04:11You could've gone to Subway
04:13On Main Street
04:14Yeah, you're not gonna do that
04:15No, no, you're not
04:17And why?
04:18Because this sandwich
04:19Is a sandwich of a certain standard
04:22This is the Thornton Wilder of sandwiches
04:27People who abide into this sandwich
04:28You're never-never gonna be satisfied with Subway
04:31Again, you see where I'm going with this?
04:33Maybe
04:34I see in our town
04:36It's completely new
04:39It'll have a real soda fountain
04:42It'll have a horse crossing the stage
04:45It'll have rain falling through the sky
04:48That sounds fair
04:49Like the sky is weeping
04:50Sounds very expensive
04:52It's my juniper berries
04:53See?
04:55Okay?
04:57Dad can play the stage manager
04:59He can't do it
05:00Yes he can, he did it for me this morning
05:01Richard, Richard, you haven't been here
05:02He can do it
05:03You know, two weeks ago
05:04We found Dad walking down Third Street
05:07In his slippers
05:08In one of Mom's hats
05:09He had no idea where he was
05:11Doesn't matter
05:11The play is locked in there
05:13Trust me
05:15It will be all of us
05:16As a family
05:17Telling great stories
05:20Yeah, that's what we do
05:24And the people who are lucky enough to be sitting
05:26In our new seats
05:28They're gonna remember it
05:29For a long time
05:36I'm so, so sorry
05:38I'm late
05:38I'm dealing with this small family thing
05:41And it's not really small
05:42It's suffocatingly large
05:45Actually, it's enormous
05:46But you know what?
05:47I'm getting a rash
05:48You wanted to talk about your payment?
05:52Yes
05:54I know we're already behind
05:56But we had to cancel several shows
05:59Because of the funeral
06:00And there's this famous actor in the family
06:02And he has to make everything about a show
06:04So it's...
06:05So you're defaulting on the loan?
06:06No
06:07No, no, no
06:08No, no, no
06:09No, no, no, no
06:11It's just about this month
06:17I'm only pulling your leg
06:20I know you're good for it
06:22Yeah, forget about this month
06:24We'll call it a payment holiday
06:26Oh God
06:29Thank you, thank you
06:30I promise we'll make it up next month
06:34Uh...
06:35Can we keep this between us?
06:37Yeah, dead on
06:38Oh, and in return
06:39Connor
06:40I cannot give you a quid pro quo
06:43I've told you that
06:44I've made it quite clear
06:45No, no, you're signed
06:46It's, um...
06:47It's not about permits
06:47It's, um...
06:49It's about dinner
06:53What?
06:55Yeah, would you mind inviting
06:57Nadia May over for dinner?
07:01Oh, that's it?
07:02She's obsessed with the, uh...
07:04Actor fella
07:04I mean, she said she used to
07:06Watch him back in Russia
07:07You know, I don't know
07:08She said she wants to
07:08Ask him some questions
07:09And, you know, her hearts all
07:10Flutter with his theater shite
07:12So...
07:13A dinner with him
07:14Would make her happy
07:14I mean, if that's not a...
07:16Problem
07:16No, no
07:18Getting Richard Bean
07:19To talk about himself
07:20Is not a problem
07:21Just don't count on an early night
07:24What is your obsession with fog?
07:27Fog? What do you mean?
07:28You wanted it at the funeral too?
07:30No, no, this is gonna be a heavy fog
07:32That will drift off of the stage
07:33Into the audience
07:34Nestle at their feet
07:36And kind of invite them
07:37To be part of the action
07:39Okay, but it's a small space
07:40So you have to be careful, right?
07:42You're worried about the CO2, are you?
07:44Well, yes, it is lethal
07:45But that's only if the audience
07:47Gets down on their hands and knees
07:49And tries to huff it
07:50Well, hi, boys!
07:52Hello!
07:52How's it going?
07:53Three quarters full
07:54Miranda's doing drinks
07:56Hello, Richard
07:57How are you?
07:59Well...
08:00I'm...
08:01I'm fine
08:02Good
08:03Well, what have you...
08:04Beans been up to?
08:05Well, Richard has been walking me through
08:07Production design
08:09It's ambitious
08:10But it's very cool
08:12And I was about to tell him
08:13What you'd said
08:14What did you say?
08:16Well, I...
08:17I...
08:18I was gonna say that I know
08:19Whatever you come up with
08:20Will be...
08:21Uh...
08:22Ambitious
08:24But very cool
08:26Really?
08:27Yeah
08:27High praise coming from you
08:29I'll take that
08:30So...
08:31How ambitious?
08:32Just...
08:33Out of curiosity
08:34You wanna know the cost?
08:35Well...
08:36Um...
08:37I based my budget
08:38On a typical Broadway budget
08:41And...
08:41Why would you start there?
08:43I mean, this...
08:44That's what I know
08:44This is Millersburg
08:46Yeah?
08:47Polly's going to oversee
08:48The whole design
08:49For free
08:50And she told me
08:51That if we don't use
08:52The union crew
08:53For the load-in
08:54That's $400,000 right there
08:56I beg your pardon?
08:57The $400,000 that we save
08:59Okay
09:00They're all ship-faced
09:01We can start
09:02Good
09:05What's that?
09:06Oh, this is, uh...
09:08My...
09:08Our town
09:09It's drawings
09:10And, uh, sketches
09:12Just...
09:14Okay
09:14Okay, enough
09:15Back to serving
09:16Thank you, I love you
09:17Is this good to go?
09:18Yes
09:18There we go
09:19Bye
09:21Don't you think she'll make a wonderful Emily?
09:24I mean, she could be as good as...
09:25She could be better than you
09:26Cut to the chase
09:28How much?
09:30All in
09:30If we pay the actors
09:33Equity minimum
09:34Uh, ballpark figure
09:36Uh, it'd be $250,000 a week
09:39For our town?
09:41That's our operating budget for the entire year
09:43Yeah, I-I've got some wiggle room
09:45I-I can give up my waterfall
09:47I can just get rid of the cornfield
09:50It's our town!
09:52There-there is no waterfall or cornfield
09:55Okay, up front
09:56It-it's-it's more like $200,000
09:58But, and once we cover the-the nut
10:01Then, uh, the-the production pays for itself
10:03Oh, speaking of which
10:04I bought 212 theater seats
10:09And I thought, uh, since they're a permanent addition to the theater
10:12That maybe you could expense it for me
10:15And get the tax right out
10:16But you-you bought?
10:16You didn't buy the seats?
10:17Yes, I-the guy told me I'd be an idiot not to buy them
10:21Those were his exact words
10:22No, but you didn't buy them
10:24Yes, I did, I told her I did
10:25No, you didn't tell me that
10:26You told me he found them online
10:27I told you not to buy them
10:28I told you to slow down
10:29Oh, my god...
10:30I mean...
10:31No, no, see this-No, I understand
10:33I didn't-I didn't know he bought them
10:35He told me he found them online
10:37What do you think? Your seats are free?
10:38How do you think your seats are free?
10:39I didn't know
10:40I had a great deal
10:41I had a great deal
10:41I don't know what you're talking about
10:42Just do me a favor
10:42Go-go give those nuns their 15-minute call, please
10:46Okay
10:46Okay
10:46You lie
10:47Okay
10:48You have to sit somewhere
10:50So...
10:50It's a problem
10:53Uh, why don't you keep this just in case there's a problem
10:57and you might, you might have to return them.
10:59Well, no, no, this was a kind of final sale sort of deal.
11:03Just in case.
11:04You don't actually think I expect you to pay
11:07for the whole thing yourself, do you?
11:09What?
11:10I mean, my vision of our town, my rain and horses.
11:16Rain? Horse?
11:18Because, you know, I do have access to angels,
11:20super angels, friends.
11:21That is, in fact, very good to hear.
11:25Now, I, I need you to do something for me.
11:33Come to the house Thursday night.
11:35I am, I'm having a dinner for a developer
11:38who is literally the only person in the world
11:41who is putting money back into this town
11:43and, and for his wife or girlfriend or God only knows what she is.
11:50but she is a big fan.
11:54Oh. Oh, a fan.
11:56Yeah. So you'll come?
11:59No. I'm kidding. Of course I'll come.
12:03And you'll, you'll act normal.
12:07I'll give it a shot for you.
12:11For the town.
12:15Anything to help.
12:17I'm gonna make a phone call or two.
12:20Yeah.
12:21Is Richard Bean calling with a proposal I'd like to make to James Davis?
12:27Oh, I'd say it's business and pleasure.
12:30Yeah.
12:31It's about, it's about a show.
12:34Bean, B-E-A-N.
12:36Like the legume.
12:39Oh, she's not there.
12:41Okay.
12:42Uh.
12:44If you let me speak to him,
12:46I think I can plead my case a little more, um, directly.
12:50You know what I'm saying?
12:51He just went to lunch.
12:53It's extraordinary.
12:53What time is it where you are?
12:55Tell her it's the Beano.
12:56That was her nickname for me, you see?
12:58Yeah.
12:59Oh, she, oh, she did.
13:01I see.
13:02Yeah, I wouldn't really call it a rampage.
13:05I think that's, that's a bit severe.
13:07Yeah, no, my name is Bean.
13:10Yeah, as in has been.
13:15As a thought experiment,
13:17what would it take for me to finance this whole endeavor myself?
13:23Uh, a miracle?
13:25Why?
13:25Could you explain?
13:27Well, there's a lack of incoming funds,
13:29but you've still got your expenses, your mortgage,
13:31your maintenance fees, the alimony.
13:33Yeah, I get all that.
13:35What, what, what can I put my hands on right now?
13:36What's liquid?
13:37I mean, I could, I could mortgage the apartment.
13:39Couldn't I?
13:40Are you familiar with the term upside down?
13:44Upside down?
13:45Of course I am.
13:45Yeah, but I suspect you're using it in some arcane financial context.
13:54I can't do it.
13:55I can't make, I can't make the show happen.
13:58No.
13:58I've let everyone down.
14:00I've let everyone down.
14:01Yeah.
14:05You saw their faces at the funeral.
14:08They were all aglow, their eyes filled with tears.
14:12You know, some of those tears were for Mom.
14:15Well, yeah.
14:16Even the standing ovation was partially for Mom, I'm sure.
14:21What?
14:21Well, are you gonna say something?
14:23It was a good idea.
14:25Maybe this is just not the right time.
14:27You know, maybe we plan this for some time in the future.
14:31The distant future, when you're back at work, or...
14:33It must be someplace I can crawl to.
14:36Hey.
14:37What are you doing tonight?
14:38Well, I'll probably be here drinking myself into a stupor.
14:41No.
14:42We're going to a show.
14:44Oh, please, John.
14:46Not tonight.
14:47I'm not in the mood for nonsense.
14:49No, it's Monday night.
14:50No nonsense.
14:52You're gonna love this.
14:54Trust me.
14:55Can I have one more of these?
14:57Just to get me through the afternoon.
15:00As long as it's with you, you can take the light away.
15:11You can turn the sky to grey.
15:16Give us time to look and find a place where we can feel the light.
15:27Even in the cold.
15:29You can take the light away.
15:32You can take the light away.
15:32You can take the light away.
15:34You can turn the sky to grey.
15:39Give us time to look and find a place where we can feel the light.
15:49Even in the cold.
15:55There's a miracle.
16:08That was one of the new ones.
16:12I'd just like to say a quick word about my favorite uncle, Richard Bean.
16:19He made a crazy promise, which some of you might have heard about.
16:22And it inspired all of us.
16:25And, well, it's not a big surprise because he's been inspiring me for most of my life.
16:31He's here, sitting there in the back.
16:35I swear this wasn't planned, but maybe we could get him to sing something.
16:39Oh, he's going all shy.
16:43No, I couldn't.
16:43I couldn't now.
16:44I haven't prepared any.
16:45Oh, come on.
16:45I'm a laughing voice.
16:47He's actually sung on Broadway.
16:49Come on, you're never here.
16:51Uncle!
16:52Uncle!
16:53Uncle!
16:54Uncle!
16:55Uncle!
16:56Uncle!
16:58Uncle!
16:59Uncle!
16:59Uncle!
17:00Uncle!
17:04Very well.
17:04Uncle!
17:07I haven't warmed up.
17:08I wasn't expecting this, brother.
17:10You know, I think I'm going to be fine.
17:13I think I'm going to be fine.
17:17I am I, Don Quixote, the lord of La Mancha.
17:22My destiny calls and I go onward to glory.
17:30Oh, come on.
17:32I can't.
17:33Don't stop.
17:33You sound brave.
17:35You're very kind.
17:36You're not being kind.
17:37Come on, please.
17:38Keep going.
17:39You sound great.
17:40To dream the impossible dream, to fight the unbeatable foe, to bear with unbearable
17:58sorrow, to run where the brave dare not go, to right the unrightable wrong, to love your
18:13own chase from afar, to try when your arms are too weary, to reach the unreachable star.
18:26Sing it, brother!
18:26This is my quest.
18:28This is my quest.
18:30This is my quest.
18:30This is my quest.
18:30To follow that star.
18:32To follow that star.
18:32To follow that star.
18:34No matter how hopeless.
18:36No matter how far.
18:40And I know if I'll only be true to this glorious quest, that my heart will lie peaceful and calm.
18:55When I'm late to my rest.
19:02And the world will be better for this.
19:07That one man, sworn and covered with scars, still strove with his last ounce of courage, to reach the unreachable
19:31star.
19:44You have got to stay.
19:46Of course I'll stay.
19:48Of course I'll stay.
19:48You mad?
19:49Where'd it go?
20:12You mad?
20:15You mad?
20:15You mad?
20:18You mad?
20:19You mad?
20:19Now that Marie is going to increase the value of the property.
20:21So you see, Jeff, the loan pays for itself.
20:25It's just not possible.
20:27The MFT sits on two and a half acres for the most beautiful land in Millersburg.
20:31It has to be worth a fortune.
20:33It's not about the value of the property.
20:34I know what it's about.
20:35It's about the value that we bring to it.
20:37It's about what the theater can provide to the town.
20:41You simply have to embrace the power of the art form itself.
20:47Show him.
20:49Show him.
20:50All right.
20:51I'll give you an excerpt.
20:54I have of late, but wherefore I know not, lost all my mirth, forgotten all custom of exercises.
21:10Indeed, it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory.
21:20This most excellent canopy, the air.
21:26Look, you, this brave o'erhanging firmament, this majestical roof, fretted with golden fire.
21:35Why, it appears nothing to me but a foul and pestilent congregation of vapors.
21:45What a piece of work as a man.
21:50How noble in reason.
21:53How infinite in faculties.
21:57In form and moving.
21:59How express and admirable.
22:02In action, how like an angel.
22:05In apprehension, how like a god.
22:08The beauty of the world.
22:11The paragon of animals.
22:16And yet, to me.
22:22What is this quintessence of dust?
22:32Man delights not me.
22:37Anyway, that's, that's the gist of it.
22:47That's the sort of thing the theater can provide.
22:50What do you think?
22:52I want to help.
22:53I do.
22:54But we don't control the mortgage on the theater anymore.
22:56Kristen refinanced a few years ago.
22:58You must know this, John.
23:00You do the books.
23:00Well, I, I write the checks every month.
23:03But, you know, sometimes the names on the checks don't always match the payee.
23:08No, I don't know that.
23:10Well, but you know what I'm talking about.
23:12I mean, sometimes it's a numbered corporation.
23:14Or, uh, Bernie who sells us our meat.
23:16He likes the checks made out to cash.
23:18Wow, that is just terrible accounting.
23:20Not knowing who you're paying is just really...
23:22So tell me, who, who, who owns the mortgage now?
23:24I don't know.
23:26Yeah, well, uh, we're artists.
23:29We know nothing.
23:31We're idiots.
23:32It must be Chase.
23:33It must be Chase.
23:34No, I do remember.
23:35Kristen, she was looking for a better rate.
23:38And she's very smart about that stuff.
23:40I'm sorry.
23:41Fine, it's just the way it is.
23:42You can't compete with the megabanks.
23:44No, no, no.
23:45We understand.
23:47For your time.
23:48Thank you for the show.
23:50I don't really know Shakespeare.
23:51That was Shakespeare, right?
23:52It was, yes.
23:54It was very moving.
23:56Well, thank you.
23:58Yes.
23:59I'm so, I'm so glad.
24:00Yeah, good luck.
24:02You just need a theater.
24:04Uh, listen, I'm gonna ask Kristen.
24:10Uh, there's more where that came from, folks.
24:12Just come to the theater.
24:13The Millersburg Festival Theater.
24:15Eight times a week.
24:16I hope we'll be there.
24:17Oh, for a muse of fire.
24:19What?
24:20I know, I know.
24:22I'm late.
24:22Well, as long as you have time to work your magic.
24:26Alakazam.
24:28Hey, so, uh, I saw Jeff today.
24:31Jeff?
24:32Yeah, Jeff at the bank.
24:34Bank Jeff.
24:35Oh, Jeff.
24:36Yeah.
24:37Yeah, I haven't seen him in forever.
24:39You know, that's what he said.
24:41He said they're not servicing the mortgage anymore.
24:44You know, they're here in an hour, and I have to shower, so can we just talk about this later?
24:48Well, I was talking to Richard and Jeff, and, uh...
24:50Why were you at the bank with Richard?
24:54You know, you're right.
24:55Let's talk after dinner.
24:56I gotta get...
24:58I love you.
24:58Yeah, I love you, too.
24:59Let's talk after dinner.
25:03Let's talk after dinner.
25:05Let's talk after dinner.
25:06Mmm.
25:08Oh.
25:09Cucumber and crab vichyssoise with roasted chili oil and radish.
25:14That's just the start.
25:15Tell them what's coming.
25:16Oh, it's just my take on Flounder Meuniere.
25:19I dusted an almond flour, and I finished it off with a brown butter thyme reduction,
25:23and some boiled new potatoes with parsley and chive butter,
25:26and then some asparagus with a lemon parmesan sauce,
25:29and a simple little endive and, uh, tomato salad.
25:33Bon appétit.
25:35Oh, my God.
25:37That is what they must eat in heaven.
25:43What's it like kissing a man?
25:47I'm sorry?
25:47What's it like kissing a man in a play when you are not gay?
25:52Because I see you in the normal heart,
25:55and I know you are not a gay man, because I read everything.
25:58I read everything.
25:59But then I see him kissing Richard Thomas.
26:01I think, he is being gay so well.
26:05How is he doing that?
26:07How do you do that?
26:09It's not that hard, really.
26:10You know, kissing a man, it's like kissing a woman,
26:13only she's a man.
26:16Isn't to our honoured chef, uh, enough of you slaving away in the bowels of that jerk joint.
26:23A man of your gifts deserves his own restaurant and a chance at his Michelin star.
26:29Sláinte.
26:29Uh, excuse me, uh, uh, jerk joint, the MFT.
26:36Look, your brother is a wonderful cook.
26:38Well, he is, and the food at the theatre is wonderful.
26:42It's, we can't afford to do this every night, obviously.
26:45Do you do your own wigs?
26:48Uh, no, no, someone else does my wigs.
26:51They have a mould of my head.
26:55So, Mr. Boyle.
26:56Connor.
26:57Connor.
26:58Kristen tells me that you're the saviour of the town.
27:01No saviour, Richard.
27:03Just a businessman.
27:05Well, honestly, there's an opportunity here for redevelopment.
27:09I can make a wee bit of money as we go along, and, uh, you know, the town gets jobs
27:12in return.
27:13You know, capitalism.
27:15Have you heard of capitalism?
27:17Rings a bell.
27:17Of course, Richard, be no sceptalism.
27:20Did you once, not on Broadway, do Willy Loman?
27:23I did?
27:24Yes, you see, I am doing the homework.
27:27In Russia, we love this Willy play because we see the truth of this country,
27:34Great America, to throw out worker like Olshu.
27:37Yeah.
27:37You know?
27:39My Nadia, uh, she has a heart like an artist.
27:43She's a dreamer.
27:44You must be a dreamer, too.
27:45I mean, you must have a plan, a vision for this whole town.
27:49Let's just all enjoy this wonderful soup, hmm?
27:51Shall we?
27:52Here is one thing.
27:54To build a casino.
27:56A casino?
27:57I wasn't ready to talk about it.
27:59Yes, but you are these days.
28:00You are talking of nothing else.
28:01This is casino, this is casino.
28:03Well, that is pretty much the truth.
28:05Yes.
28:05Well, Connor, tell us about it.
28:07Well, it's more of an, uh, an entertainment complex.
28:11You know, with a shopping center and a four-star hotel and, uh, three swimming pools.
28:18Oh, I hope it's gonna have one of those, uh, spouting fountains where the lights and the music are all
28:25synchronized to the spurts.
28:27Why not?
28:27And a five-star restaurant for John to do his cricket.
28:30Really?
28:31Right here in Millersburg.
28:32You know that came to me when I tasted this fucking soup.
28:34So we're going to become a casino town.
28:36With a restaurant for me.
28:37It's the perfect location.
28:39It will have a theater.
28:41It will have a big theater for you.
28:42But also, celebrity acts, right?
28:45Big draws, you know, like, uh, Barry Manilow.
28:50You know, someone people will actually pay money to see.
28:53Did you know about this dream of commerce?
28:56I did not.
28:57But it's still, it's, it's intriguing.
28:59Why not make Millersburg a destination for thousands of tourists to spend money and, uh, have a good time?
29:05I mean, everyone wins.
29:07Except most people.
29:08Most people lose.
29:09Miranda.
29:10What?
29:10She's right.
29:11I mean, that is how we make money.
29:12I'm not gonna lie to you.
29:14I fucking love craps.
29:15Hey!
29:16Who wants more wine?
29:17Hmm.
29:17Where are you thinking about Millersburg?
29:18Where are you building it?
29:19Well, I've looked at several, you know, possible locations.
29:23Oh, yeah, and I just bought that old hotel up in, uh, Berryhill.
29:27The more I saw.
29:28Yeah.
29:28That has a big enough footprint for the main building.
29:31The Morrison is a heritage building.
29:33It's a landmark.
29:34Mom.
29:36Do you have a name for this in mind?
29:38No.
29:39Not yet.
29:39Might I suggest the Golden Boyle?
29:44Okay.
29:45That's, that is very funny.
29:46Yeah.
29:47You know, I could build it right in the heart of things.
29:50I mean, the MFT site might just be big enough.
29:53I got some surveying done when I took over the loan.
29:55Oh!
29:56Wait, what?
29:57Wait a minute.
29:58What the fuck, Miranda?
29:59What?
30:00What?
30:00You controlled the loan?
30:02We refinanced around two, two years ago.
30:05And Mr. Boyle was kind enough to give us a...
30:08This theater is our family's legacy and you sold it to a developer.
30:12I did not sell it.
30:14I renegotiated for a very good rate.
30:18I mean, we, we have to make payments, but it's...
30:21Listen, forget about the payments.
30:22Just forget about them.
30:23Let them go.
30:25Listen, why, why are you all killing yourselves?
30:27You know?
30:28I mean, why don't you let me build us a complex for the, a theater for you and a restaurant
30:34for John?
30:34Let me make this as clear as I possibly can.
30:38We're not letting anything go.
30:40The theater is not for sale.
30:43It is not Kristen's theater to sell.
30:47It's our family's theater.
30:51We own it.
30:52Okay?
30:53Kristen is an employee.
30:54I am not an employee.
30:56Richard, you can't say that.
30:57How dare you?
30:58He didn't, he didn't mean that, but tell, why didn't you tell me this?
31:00What?
31:01Why did I...
31:03It was when we were putting in the kitchen.
31:05Did you not think I could handle this?
31:06No, it weren't.
31:06Is that what you thought?
31:07No, it was when we needed, we were putting in the kitchen.
31:10Our family's theater.
31:10Our family's theater.
31:11Oh my God!
31:12What?
31:12I have been killing myself.
31:14I know you have.
31:15That's not what I'm saying.
31:16I'm really sorry.
31:17Listen to me.
31:18Come talk to me for a second.
31:19No, I'm not going to talk.
31:20You talk, listen.
31:21No, you cannot talk to me for a second.
31:23I'm very sorry.
31:23I don't want to talk.
31:24Serve the fucking flounder!
31:26Tell me, Richard, how are you remembering all those lines?
31:33Great question.
31:35Great question.
31:37Where's the flounder?
32:09And I love you.
32:10We'll be safe.
32:13Whatever that but the flounders save us away.
32:13I can beat the round of your eyes.
32:13Look...
32:23...they're still getting
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