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Watch PONIES Season 1 Episode 6 online in HD on Dailymotion (2026).
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Short filmTranscript
00:06You
00:07Previously on ponies. I think what I'm doing is important. Your sister
00:11You know about Galina. He killed her. You think she was a prostitute? Looks that way. Who murdered her?
00:19Soviet government KGB. Same organization who employs a man you want me to date?
00:23Where would an important American man go looking for some company and had some money to spend?
00:27Dr. Maria. This one I don't know. Of course I'm gonna be careful. You can trust me.
00:31Twyla can manage things with your grandmother. The best person to have on the ground is someone who's not emotionally
00:36invested.
00:38How did anybody else find out about this mate? I don't know.
00:40B, I don't know what to tell you. It doesn't fucking matter. All that matters is getting my grandmother.
00:45Caterpillar! He helped us! He gave me this!
00:47Sometimes I wonder if all is pretending. I'm gonna forget what's even real.
00:53What? We have a mole. We have a fucking mole.
01:00What about Niagara Falls?
01:02Well, it's predictable. And what is it really? Some water rolling down a hill? A very large hill?
01:09Chris.
01:10What?
01:12Are you afraid of heights?
01:14No.
01:16You know, I grew up in a high-rise. Looking out my window every day never scared the hell out
01:20of me.
01:20Made me want to vomit. Give me the chills.
01:23Where'd it go?
01:24Oh my god! Chris, how did I not know this? You were a pilot!
01:27Yeah, but in a plane, I'm in control.
01:29Wow.
01:31Wow.
01:33Wow, is that... is that Mania?
01:35Oh, yeah.
01:37God, she looks so much like you.
01:39Mm-hmm.
01:40Where is she?
01:41Presklav, I think.
01:42Yeah, she used to vacation there with her best friend in the summer.
01:46She said those were her most cherished memories of her time in Belarus.
01:50Well, maybe we should honeymoon there.
01:52The Soviet Union? No, you really are joking.
01:54Do we really need a honeymoon?
01:57I mean, I'm...
01:58I love being with you anywhere.
02:00...
02:20I love you.
02:21I love you.
02:22I love you.
02:24I love you.
02:24TUNE
02:28TUNE
02:37TUNE
02:47What the hell, what the hell did you do?
02:49You first ask me to go, then you go away?
02:53Andra, I just gotta go.
02:55TUNE
02:55HANTIT
02:55TUNE
02:56TUNE
02:56TUNE
02:56TUNE
02:59TUNE
02:59TUNE
02:59TUNE
03:00TUNE
03:00TUNE
03:01TUNE
03:01Why did you leave me alone?
03:02Because I heard you.
03:05How can a man talk like a woman?
03:08Just a man like you.
03:11I have to teach me to work.
03:15You don't know what I did and who I protect.
03:19But now I know what you're a person.
03:42I'm a person.
04:00I'm a person.
04:01Oh, my God.
04:32СТУК В ДВЕРЬ
04:34Откройте!
04:45Откройте!
04:57Иди сними.
05:04Вик!
05:05So, right here is where Trent found it.
05:07Yeah, just about.
05:09Great.
05:11We need this today, with the DCI on his way from the airport...
05:14Yeah, it's a bit abnormal, isn't it?
05:16For the director of Central Intelligence
05:17to fly all the way out to Moscow?
05:19He was only confirmed last month.
05:20This is protocol.
05:22But it goes without saying, it doesn't need to know
05:23our fireplace was bugged.
05:25Oh?
05:29Okay.
05:36Oh!
05:47Has this always been here?
05:53Christ almighty.
05:55I know, they put us in a building designed to be surveilled,
05:58but tunnels, that's brazen even for them.
06:01Yep, the Soviets have never been known for their subtlety.
06:07No footsteps.
06:09The Soviets didn't use these tunnels to plant the bug.
06:12Someone must have come from our side.
06:13Holy smokes.
06:14I want eyes and ears on all embassy staff.
06:18Anything suspicious?
06:19I want to know about it.
06:21I'm already doubling my efforts,
06:22but I should let you know,
06:23I think that the cafeteria workers are compromised.
06:25They don't have access to this level.
06:27Okay, never mind.
06:27I think our man is closer to us.
06:29Or woman.
06:32Whoever the moon is, Ray, I want them found.
06:53Wait.
06:55Uh, Maria?
06:56Uh.
06:57No, thank you.
06:58Maria.
06:59Maria.
07:01Wow, uh, you look, uh, different.
07:03I remember me.
07:04I went to your work.
07:06What are you doing here?
07:07I, uh, simply needed a change.
07:09This is work now.
07:11Why?
07:12Uh, did...
07:13Are you okay?
07:14Did something happen?
07:15Nothing.
07:18Everything.
07:19What?
07:21You can...
07:22You can tell me.
07:24I, uh...
07:25I did the job.
07:26I did it well.
07:27I leave.
07:27Uh-huh.
07:28But, uh, next day, uh,
07:30the man who hired wanted to meet.
07:31And when I come, I could feel that he was, um,
07:34preparing himself to...
07:36to make me dead.
07:38Oh, my God.
07:39I was not going to wait and become another bad girl.
07:41So I run.
07:43I'm sorry.
07:45Now, here I am.
07:49Wait.
07:50Do you know who the guy is, or...
07:52No?
08:16Did you know about this Chris and Galena tape?
08:20And-and you didn't think to tell me?
08:22It's not pertinent information.
08:23My husband having an affair with a Soviet,
08:26with my assets, murdered sister,
08:28and that it is all on tape,
08:30that didn't sound like pertinent information to you?
08:35Well, was this compromat?
08:36Was Chris being blackmailed?
08:37He wasn't being blackmailed.
08:38He wasn't even having an affair.
08:40I'm sorry.
08:41Do you need to watch it again?
08:43You see the part where he cups her breast?
08:44He only did this to prove his loyalty.
08:49Mrs. Grant...
08:52Your husband pretended to work for the Soviets,
08:54at my request.
08:56In order to convince the KGB that he was trustworthy
08:59and gain their confidence,
09:00he had to give them something
09:01that could ruin his life.
09:03Your reaction proves why this tape was effective.
09:07It proves that I had absolutely no say in my marriage.
09:11He was an exceptional agent.
09:14But this job demands sacrifice.
09:17Most people are not cut out for it.
09:20But the woman who marches into Langley
09:22after her husband's death
09:23and demands to be sent back to Moscow
09:25is not most people.
09:29But it is past time you decided
09:31whether you're going to dedicate yourself fully to this job.
09:34Because half measures in this life
09:36will only get you killed.
09:39And committing to this life won't.
09:49Here.
09:54Sasha Shevchenko.
10:02No matter where I bring myself
10:04in the past...
10:06You took them to activate cameras.
10:09After that time...
10:10You have involved in this room
10:11in the past time...
10:12last year...
10:12You have done exactly...
10:15You will all do
10:15still...
10:15Without my computational van,
10:20you can show!
10:21Can I show you?
10:38Hello?
10:42What are you doing here?
10:44What are you doing here?
10:45What are you doing here?
10:45Hello?
10:46I know that we haven't talked about you.
10:50Maybe too long.
10:54But today evening
10:56there will be something dangerous.
10:58Listen,
10:59I don't know what to do.
11:00I know what to do.
11:03I know what to do.
11:05We are not kids.
11:07I can myself talk about myself,
11:09as I have already done.
11:11Gala!
11:12Gala!
11:20Gala!
11:24Gala!
11:25Gala!
11:26Gala!
11:31Gala!
11:37Gala!
11:41Gala!
11:42Gala!
11:49Gala!
11:55Gala!
12:01Gala!
12:02Gala!
12:04Gala!
12:07Gala!
12:08Gala!
12:14Gala!
12:15Gala!
12:15Gala!
12:15Gala!
12:18Gala!
12:19I can hear you in there, you're not, you're not fine.
12:23What do you need?
12:26How long are you going to keep ignoring me?
12:30Is this, is this still about Manya?
12:35I mean, that wasn't my fault. I did everything I could.
12:38Please, it's just, it's not about you.
12:40Then what is it about?
12:44I saw something here.
12:48A tape.
12:51Chris with, with another woman.
12:56They were together.
13:00What?
13:01It was just for an operation or for this fucking job.
13:07Oh, okay.
13:10So then, so it was sex, you know, for the job.
13:14I mean, you know that doesn't count.
13:18My husband slept with another woman. It counts. It fucking counts.
13:23You know how this job works. I mean, sometimes we gotta be other people. You know?
13:29Do things we wouldn't normally do in our life. And I mean, it's just sex. It doesn't have to be
13:37a big deal.
13:38I loved my husband and he betrayed me.
13:47Um, B?
13:52Chris didn't betray you.
13:57Tom did.
14:00What are you talking about? I barely even met him. What do you mean?
14:04Um, Tom was the mole.
14:09What?
14:10Vera, Vera told me right before she died.
14:13I guess Tom was the one that was, you know, feeding the information to the Soviets.
14:18So, Tom was the one that, he's the one who got Chris killed.
14:26What?
14:26Yeah.
14:27Well, why, why, why, why didn't you tell me this before?
14:31I was worried it would change things between us.
14:34Well, of course it fucking changes things.
14:36You, you had information about my life that you kept from me.
14:39I should be able to decide how I feel about my life.
14:44I know, you should. I just, but see now you're, now you're mad.
14:48And I'm telling you something about Tom and you're blaming me.
14:50Like it's my fault.
14:51It's not my fault.
14:51Well, because it is your fault, okay?
14:53It is.
14:54Because you had this information and you decided to keep it.
14:56Yeah.
14:56And you didn't tell me.
14:57And now you tell me now when I'm dealing with all this stuff.
15:00When I'm dealing with fucking fixing things with Andre.
15:04What, what, what do you, what do you, what do you gotta fix with Andre?
15:06I have to seduce him.
15:06Which of course for you isn't a big deal because sex doesn't matter.
15:08But I still have feelings.
15:14Wow.
15:21I mean, I'm really trying here and you're, what cause I, I fuck guys and I don't let it bother
15:27me.
15:27I don't have feelings.
15:29That's what you think of me.
15:31I thought, I thought you were my friend, but you're just, you're just like every other girl I grew up
15:36with.
15:37You just love feeling superior to someone like me.
15:40Right?
15:57Hey.
15:58Oh, thank God.
16:02I thought I was going to die.
16:03And I kept trying to prepare myself until I realized there is nothing to prepare.
16:08It's, it's the end.
16:11But it turns out I'm more valuable alive.
16:15At least for now.
16:18Oh my God.
16:21I did however think that with all the foreigners in town for the Elton John concert tomorrow and all the
16:26cameras they've gathered, they must be doing an operation at that hotel tonight.
16:29You're probably right.
16:29I thought you might want to send people there, see what's going on.
16:33Well, I don't make those kind of decisions, but that's valuable.
16:44What?
16:45Nothing.
16:45I just...
16:48You had this terrifying encounter and you went out of your way to get me this intel.
16:53When my sister died, I thought there was no way I could ever get answers.
16:56Truth isn't something you have access to here.
17:00For most of my life I accepted it.
17:03Doing this, it has ignited me.
17:05My life may be small, but in my own way I am defiant.
17:12For what if the answers you discover hurt more than not knowing?
17:20It's better than sitting in the dark.
17:31Can I use your apartment tonight?
17:34Yeah.
17:37Dane.
17:38Dane!
17:39Hi.
17:40I left three messages.
17:41Did your girl not get them to you?
17:42I don't have a girl.
17:43Really?
17:44You should.
17:45I'll get somebody to sign up there.
17:47Listen, I know you might not think much of us on the sixth floor, but I know more than you
17:50think.
17:51As office manager, I have a very valuable vantage point.
17:54I know that we are in trouble.
17:55I know about the...
18:00I'm afraid I don't know what you're referring to.
18:03No.
18:03No, so you don't get to do that actually because that thing was found on my son.
18:07And I don't take my son lightly.
18:08I take my son very serious.
18:10I'm well aware of that.
18:11First on my list, obviously, the toilet has back.
18:12She shows absolutely no interest in being a secretary.
18:15It's almost comical.
18:16At the very least, I think she should be fired.
18:19And investigated.
18:21From what I was told, she had no income after her husband's death.
18:24I'm sorry, I didn't realize the State Department was a charity.
18:29Well, next, obviously, is my nanny, Evie.
18:33Dismiss me all you'd like.
18:34But her looks are a walking distraction.
18:36And she shows up out of the blue.
18:38And I've got her snooping more than once.
18:39And she has the most access to Trent.
18:43And then there's him.
18:46Do you know that Shep sees a shrink once a week?
18:49Mm-hmm.
18:51Answer me this.
18:52Does that look like a man capable of introspection?
18:58Thanks to Redford, we know that tonight, at Hotel in Tourist,
19:02the KGB is running a blackmail operation.
19:05Now, our objective is to infiltrate this blackmail operation
19:08by finding one of the hidden cameras they've planted throughout the hotel rooms
19:11and replacing one of the KGB tapes with a tape of our own.
19:15Hmm.
19:16The technology that Redford has been smuggling out has allowed us
19:19to create an exact duplicate tape.
19:22The only difference is that our tape has a tracking device hidden in it.
19:26Hmm.
19:26Since Caterpillar was unable to provide us with the coordinates,
19:29this is going to be how we figure out the location of the Compromat facility.
19:34Right. Next slide.
19:36Uh, no, that is, that's, that's all. That's it. That's all the slides.
19:40Two slides.
19:42Raymond.
19:43The rest are still being developed by the lab, so...
19:48Okay, so, uh, how many of these blackmail videos have the Soviets collected?
19:53Well, we don't know the exact number, but we suspect thousands, if not more.
20:00There is enough material in this Compromat facility
20:03to have us under the influence of Soviets for decades to come.
20:08So that's probably why Sveta just showed up at George's door,
20:11because she was trying to get Compromat on him.
20:13That is exactly what I was thinking.
20:15Yeah, but then why, why would they kill her?
20:17I mean, they're not gonna kill every call girl that does one of these things.
20:20Whoever is doing this is doing it for a very specific reason.
20:23So how do we help? How do we infiltrate the operation?
20:28Right.
20:28So, the plan, uh, that we came up with is that I will pose as an easy mark,
20:34and you will be, or pretend to be, a, a woman of the night.
20:44What? A prostitute.
20:49I think I have a better idea.
21:28I know, you told my child you won'tי its first,
21:32I decided to get a phone tree in three times.
21:39Just something that effortless.
21:40And only, I don't want to enter!
21:42Give me compassion, it's not fair.
21:43Everything, everything, everything is fine.
21:46All right.
21:47All right.
21:49All right.
21:51All right.
21:56All right.
21:59Yeah, well, you're not a bad artist.
22:03And you're coming home?
22:06Sorry, I went away.
22:10But still, you're here.
22:13I'm not supposed to be talking with you so much.
22:17You just did something that was supposed to be.
22:21But listening to that lady,
22:25I remember my grandmother
22:28in my village.
22:50I am sorry.
23:01I have a Lily.
23:03I have no idea what that is.
23:04I am sorry.
23:05I am sorry,
23:21I don't know if you're coming.
23:23What do you ask me to?
23:25And I don't want to stick to my work.
23:29Right.
23:31So...
23:32Yeah, okay.
23:34Okay.
23:34Okay.
23:35Okay.
23:35Okay.
23:40So, is this kind of music allowed?
23:44It's not popular enough to be a problem.
23:52You really think that what is happening in the hotel is connected to the death of my friends?
23:59I think it might.
24:01Yeah.
24:02That's why, um, you know, I could use your help tonight.
24:05You know, if I'm there posing as a prostitute, then that could attract unwanted attention.
24:08But you, you're known in those circles, so...
24:12But I...
24:12I run for a reason.
24:14You want me to put myself in danger again?
24:17I know.
24:18But I'll be there.
24:19Every step of the way.
24:20I won't let anything bad happen.
24:22I swear.
24:23You're not just an embassy secretary, are you, Twyla?
24:29You don't actually want me to answer that, do you?
24:38What the hell were you just doing?
24:40Listen.
24:42Answer me.
24:44I was only buying hash.
24:46Here.
24:55Hash.
24:56So this is your therapy?
24:58My marriage is falling apart, aren't you?
25:01It's the only thing that keeps my mind calm.
25:06.
25:16.
25:16.
25:16.
25:18.
25:18.
25:45All right.
25:47Okay.
25:52Do you see her?
25:56She'll be here.
25:58I promise.
26:00Next.
26:01Good evening.
26:02I'm Mr. Howard's secretary.
26:04We have two rooms booked for the night.
26:06Of course.
26:07Here you go.
26:07Now, I'll tell you what, Audrey.
26:08You cancel my 8.30.
26:10After that shitstorm in D.C., I'm going to need a stiff drink.
26:13Then another one after that.
26:14Of course, sir.
26:15Yes.
26:16Just one moment.
26:18Just to make...
26:20Okay.
26:24Oh, shit.
26:25It's her.
26:27Yeah.
26:29Her.
26:34Did you know about this?
26:38Not exactly.
26:39No.
26:45You think it's going to work still?
26:48As long as he's buying it.
26:51Go to the girls.
26:55Here you are, sir.
26:57You are in our suite.
26:58Floor 4, room 12.
26:5912?
27:00Floor 4, room 13.
27:0213.
27:03Okay.
27:04Oh, yes.
27:04But first, please, allow me to show you to the bar.
27:07We have a new American drink on the menu.
27:10Right.
27:11Harvey Wallbanger.
27:12Made with the finest Russian vodka.
27:14Oh.
27:15Galiana liquor.
27:16And fresh orange juice.
27:18I think you will enjoy it.
27:19A small taste of home.
27:20Just so long as it's got alcohol, it's good with me.
27:24Well, we have everything you could want in Russia, including the most beautiful women.
27:30Uh-huh.
27:31Oh.
27:31Oh.
27:33Well, thank you.
27:35But not really my style.
27:41You know, you might have better luck with her over there.
27:44He prefers a twiggy type, you know.
27:46Just anything to get him out of my hair for the night.
27:49All right.
27:50I've got to get myself to bed.
27:52Don't wake me up before nine.
27:54Of course not.
27:56I've got to lose you.
28:05Bonsoir.
28:07Are you not a sight for sore eyes?
28:11And she's trying to buy you a drink.
28:15How about we go to your room?
28:17More private?
28:19To my room?
28:26This way.
28:27Where are you from?
28:29Paris.
28:30Do you know?
28:30We're going to the sky.
28:32Wait, wait.
28:33Oh!
28:35Can I join the party?
28:38Eh...
28:38It's Noël!
28:40Yes!
28:41You want to go to Paris as well?
28:42Sure, yeah.
28:43Yeah?
28:43She can come, huh?
28:44Yeah, you're okay.
28:55Hi, may I come in?
29:01No, no, no, no, I love my wife.
29:05Well, let's keep this between us.
29:07No, really, really, no.
29:15Please, we don't have to do anything.
29:20But if I go back downstairs, please.
29:32Okay.
29:39I'm surprised you never tried it.
29:42It's much more popular in America, right?
29:44No, it is, it is.
29:45I was just always too nervous.
29:49I didn't want to get in trouble.
29:51Oh.
29:53It must be the old you.
29:55The one who cared about getting in trouble.
29:57Mm-hmm.
30:03I never used to break any rules.
30:06Just waste this voice in my head telling me I shouldn't.
30:12Yeah.
30:14Could you ever foresee smoking hash with your foreign asset in Moscow
30:19while waiting for the KGB agent you're seeing?
30:25No.
30:26No.
30:29No.
30:32No.
30:41I'm...
30:46I also have voices in my head.
30:51This quiets it down a bit.
30:55Sometimes it's like I'm having five conversations in my head at once.
31:01Who I should be.
31:03Who I shouldn't be.
31:06What I should say.
31:08What...
31:09What I should not say.
31:15What language I should be speaking.
31:21Hmm.
31:24It would be nice to quiet that chatter.
31:27Just hear the voice you're speaking.
31:35You okay?
31:38I see, I see.
31:40Okay.
31:40It's all right.
31:43It's fine.
31:44I know...
31:45I know what to do.
31:46If you're willing.
32:07Just try to focus on music.
32:09Nothing else.
32:10That's how you'll escape.
32:13Trust me.
32:14Yeah.
32:29You'll do just what you choose to do.
32:34And I will be alone again tonight, my dear.
32:41Music, cigarettes and drinks.
32:44Bienvenue.
32:45Bienvenue chez moi, dans mon royaume.
32:49We must celebrate.
32:51We must celebrate.
32:53Here I am with no wife to report to.
32:56No.
32:57Prime Minister to be reprimanded, Ben.
33:03And half a bottle of vodka to share.
33:06Yeah.
33:07Qu'est-ce qu'il y a?
33:11Is there a problem or something?
33:13No, no problem.
33:15Salut.
33:16Salut.
33:18Un autre.
33:22Ah, merci.
33:24Oh, putain.
33:27Putain.
33:28Votre music.
33:28Your music.
33:29Your music is shit.
33:30Your music is shit.
33:31The food is...
33:33Your music is shit and your food, but your girls...
33:39Right, right.
33:40Aren't they just...
33:43Delicious.
33:44Something, yeah.
33:47Yeah, right?
33:51The bathroom, yeah.
33:55Why don't we get a little comfortable?
33:59Yes?
34:02Okay.
34:04Where do you go?
34:06We will follow.
34:10Why do you still wear clothes?
34:12Mmm!
34:13I don't know.
34:15Okay.
34:15I don't know.
34:16Why do you still wear clothes?
34:19Too many chic.
34:23Too many chic.
34:24Whoa!
34:26Yeah, Alan.
34:29Look in the U.S.
34:33Oh, it's a bitch.
34:38Foreigners can never hold Russian vodka.
34:40It was only a matter of time.
34:44So.
34:45So.
34:48What is next?
34:56Well, I mean, we're supposed to look for that camera.
35:04Oh, да нет!
35:07Юрий меня ждет.
35:09Пропусти его.
35:11Ну, дверь открой.
35:19Я принес ваше вино.
35:21Да я понял уже, Андрюш.
35:23Водителя не видел моего?
35:30Есть ли какая информация о том, где находится та старуха?
35:35Ну, чего ты встал-то? Иди сюда.
35:37Чего ты мемлишь?
35:38Та старуха, информация есть?
35:40Может, я могу как-то помочь?
35:55Помочь.
36:00Сначала упустил.
36:02А теперь помочь хочешь.
36:07Ну, чего ты, Андрюш?
36:12Чего ты, а?
36:14Малыш, чего ты?
36:15Ну?
36:17Чего ты хвост-то поджал, а?
36:20Там ему и место.
36:23Ну, водителя моему отдашь.
36:28Пиздить, мне дрова рубить.
36:31Ну, бля, тебе душа нужна.
36:33Пиздить, мне дрова отдашься.
36:39Пиздить, дрова-бля.
36:44Ага.
36:46Ага.
36:51На юрку.
36:52На юрку.
36:53На юрку.
36:54На юрку.
36:55На юрку.
36:58На юрку.
37:01На юрку.
37:02On the table? Yeah.
37:06Okay, no, not there.
37:08Inside the drawer.
37:13Good.
37:13Yeah. Okay.
37:30Am I funny to you?
37:39Oh, my God.
37:39Oh, my God.
37:46Oh, my God.
38:20Oh, my God.
38:42I can't remember the last time.
38:46You know exactly what I needed.
38:48It's not so hard if you see someone.
38:52You see me.
39:02You have to go.
39:07Will it be okay here with him?
39:10I'll be okay.
39:15I'll imagine someone else.
39:20Just listen to your own voice.
39:24Idu!
39:56What do you really have to hear?
40:09I missed you.
40:11Did you miss me?
40:24Did you miss me?
41:03I'll take the pork chops.
41:06Yes.
41:07Unfortunately, we do not have the pork chops.
41:12Uh, then I'll have the French meat.
41:15Whatever the hell that is.
41:16Yes.
41:17We are out of that too.
41:19You can't possibly be out of the fish with gelatin, can you?
41:24In fact, the whole third page we do not have.
41:29Why don't you just bring us two of whatever it is you do have.
41:38God, I hate Moscow.
41:40It's a shell of a city.
41:42And to think it's my own men bringing me here.
41:45So, uh, how's the new job, sir?
41:47You want to do small talk?
41:50You know I am here.
41:52And it's because you-
41:53Sir, um, before you continue, I should make you aware of some plain clothed friends.
41:59Behind me, at the bar, over there by the front door.
42:02And of course, right beside us.
42:07Hmm.
42:09I thought living with my mother-in-law was oppressive.
42:12Sorry, sir, it's just the way they do things here.
42:14They're not subtle of it.
42:23Well, it's a miracle anything gets done here.
42:25It's your choice of agents.
42:26Um, sir-
42:27I mean, it would make sense if they were eye candy,
42:28but you shop at a totally different candy store, so that-
42:31Sir, I'm sorry, uh, you shouldn't.
42:38That's like that every day.
42:39Yes.
42:41Sir, I promise you, although our tactics may seem unconventional,
42:46we're on the verge of a major breakthrough-
42:47Unconventional's not gonna cover for you, Mr. Walter.
42:50I mean, what were you thinking?
42:51You hired two unqualified women, and then you let a grandma wander off.
42:57That was-
42:57It's a goddamn embarrassment.
42:59So one more thing winds up out of place,
43:01and I'm talking a hairnet on a cafeteria worker,
43:04in the embassy.
43:05You can kiss, not just Moscow, but the entire company could buy.
43:10Yes, sir.
43:33Relax, Andre.
43:36Just let me take care of you.
43:40Relax, Andre.
43:50Who did this to you?
43:56I look better this way.
44:00Better with scars.
44:05We're the same you and Mina did.
44:10When you're born in the provinces like us,
44:12you know how easy it is for life to go to waste.
44:16But there's also an advantage of once being very small.
44:21We're underestimated.
44:24That is our power.
44:27When my husband died, it would have been so easy for me to go home.
44:32I didn't want it.
44:34It felt small.
44:37I wanted a life full of surprises.
44:47And are you surprised to be here right now with me?
44:54Yes.
44:57What's your dream, Andre?
45:08I dream of more.
45:12What are you willing to do, Andre?
45:22The elites.
45:26I have what I need to fuck them.
45:29Leverage.
45:33Every man has secrets.
45:36There's something.
45:38Some piece of knowledge that could ruin every life.
45:43I was never going through it.
45:47Everyone has got a weak spark.
45:52Their secrets, Nadia.
45:57I find it.
46:00And they will give me the world.
46:03They'll never see you come are.
46:11Come.
46:14Come.
46:24Come.
46:27Come.
46:28Come.
46:29Come.
46:30Come.
46:31Come.
46:36Oh, my God.
47:10Do I scare you?
47:13Because I should.
47:23Was I good?
47:24Oh, yeah, Frenchie, you were great.
47:29C'est bien.
47:33So, the next time that he comes to you and he's apologetic, you're going to look at him in the
47:38eyes and you're going to say...
47:41I will say, no, you have had your chance.
47:45From here on out, you're only thinking of...
47:50Yourself.
47:51Oh, look at you. See, that's a weight. That's a weight off.
47:56Oh...
48:00I'm sorry.
48:00Oh, no, shh, shh, shh. It's okay. It's okay.
48:03Here, why don't I just...
48:04I'm sorry.
48:06I just...
48:08I don't know how to thank you.
48:10Yulia, you have already done more than enough.
48:14Come here.
48:15No.
48:17It's hard to find someone who listens.
48:20Nobody listens to me.
48:22I am listening to you right here, right now.
48:25Thank you so much.
48:26Oh, shh, shh, shh.
48:27Get it all out. There you go.
48:30Yeah. Oh, my goodness.
48:32Here.
48:34There you go.
48:47Well...
48:53Well...
48:58I'm sorry.
49:00We couldn't get more answers from Maria.
49:03Yeah, yeah.
49:04You know, Ray said, uh, we can track the tapes now, so I'm confident maybe that'll help us get more
49:09information.
49:10Or it will lead to nowhere.
49:12Or that, yeah.
49:14Did she say anything about the guy that hired her? Anything that could, you know, help us find him?
49:21Oh, it did not use his real name.
49:23But she said what he looks like.
49:26High cheeks, blonde hair, deep blue eyes.
49:31That look right for you.
49:36Oh, my God.
49:39Oh, my God.
50:01Oh, my God.
50:26Oh, fuck you, Chris.
50:33Oh, fuck you, Chris.
51:03Uh, I, I need an, I need an outside line.
51:14I, I, I need to see you.
51:16Oh, fuck you.
51:27Oh, fuck you.
51:28Mr. Ray?
51:29Oh.
51:29Oh, wow.
51:31You scared me.
51:32I was worried.
51:34You were out so late.
51:35Oh, sorry.
51:37I, uh, I, I get through heating dinner, but...
51:39You did?
51:40I'm so sorry.
51:41Uh, no.
51:42Oh, okay.
51:43Well, thank you.
51:49Okay.
51:50Oh, I'm sorry.
51:51Do you want to, do you want a plate?
51:54We can eat together if you want.
51:55Oh, don't worry.
51:56It's fine.
51:58Yeah?
52:00Okay.
52:01Okay.
52:04Okay.
52:07How was your night?
52:11Uh, it was good.
52:13It was really, um, you know, busy.
52:21Hello?
52:31Hey.
52:32Hey.
52:34Hey.
52:34I have so much to tell you.
52:37Well then, come the fuck in.
52:40Yeah?
52:40She'll leave you crying in the night.
52:44She will leave you crying in the night.
52:49Oh, she's gonna leave you crying in the night.
52:54She's back in town.
52:59And she's looking around.
53:06Say you needed someone to depend on.
53:12You're all alone.
53:15She's the only one who will take you far away.
53:22Take your breath away.
53:26But she'll leave you crying in the night.
53:31She will leave you crying in the night.
53:36Oh, she's gonna leave you crying in the night.
53:41And she's back.
53:42Yeah.
53:48You're in the night.
53:51No matter where, I think.
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