- 12 hours ago
Ponies - Season 1 - Episode 04: Don't Go Breaking My Heart
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02:19The facility has moved
02:21I'll get him the new location
02:32What in the shit?
03:02I'll get him the new location
03:23So she's not KGB, does that mean she works for us?
03:26No, but she is someone useful to know on both sides
03:30There are things an American officer cannot get in the USSR
03:33Someone like Vera can help facilitate these things
03:36Well, things like what?
03:37Like poison?
03:38Forged travel papers, foreign currency, stolen art
03:42Airplanes
03:44What did she offer you?
03:45She wouldn't have sent you back here without offering you something
03:48She didn't offer us anything
03:50She's offering you information
03:52The thing you desperately want and would do anything for
03:54You think she's lying?
03:56People in her line of work do not get returned customers if they lie
03:59But they also know how to tell you things you want to hear
04:01Well, I mean, we want to hear it
04:03So how do we get in touch with her?
04:06Check your pockets
04:13Oh, wow
04:20Okay, Twyla, you're up
04:21Me?
04:22I get to run this up?
04:31What does this even mean?
04:34Well, it's pretty clever, actually
04:36People in Vera's line of work, they use these symbols to communicate
04:39So there's a man they call Caterpillar
04:42He works in the KGB Compromat facility
04:44He's fed us information through various channels
04:47If there's anyone who's going to know where the facility is, it's him
04:50Right, what's the big night for?
04:53That's probably Pavel, the Butcher
04:54He's Vera's contact
04:55See, Caterpillar is so deep in cover in the KGB system
04:59That Vera probably doesn't know who he is
05:01So the Butcher is going to reach out to Caterpillar
05:04Set up the meeting
05:05Who's she?
05:07That's Vera
05:08Really?
05:09Yeah, I mean, maybe 20 years ago
05:1120? Really?
05:13Okay, where am I supposed to meet her?
05:15The Yerevoy Violin Factory, 1pm, Friday
05:18Which symbol means that?
05:19That she wrote on the back
05:20Oh
05:22Hey, um, you should know
05:24Vera knew Tom and Chris
05:26Right
05:27Yeah, you said she could get airplanes
05:29You think maybe she knows something about the crash?
05:32It's pretty likely, yes
05:33Even if she did know something, I mean, would she even tell me?
05:36If you do everything she tells you to, maybe
05:41Okay
05:46Why'd Dane pick me for this mission?
05:48Well, because I told him to
05:50Why'd you do that?
05:51Because I know how much you care about the women in Moscow that no one else cares about
05:55That's Vera
05:57Well, I know how much you care about the men in Moscow that this may be done
06:13It's not a matter of the men off
06:19But I don't know how much you care about the men in Moscow that you have to be done
06:25I...
06:25There's no one here, she's in her house.
06:30I know you.
06:33You were in the bar then, with her.
06:36Yeah.
06:37You know her?
06:39You're in her house.
06:41I'm her friend.
06:44Her friend?
06:48When I asked her who she was, she said no.
06:51You have no one.
06:52Yes, you have no one.
06:55She said it.
06:57Because we were being with her.
06:59As she was being with her?
07:02Because...
07:02Because...
07:03Because of her...
07:04Instead of her
07:08Do you think she is a guy?
07:19Hey, for me, it's just Bukashka.
07:24I'm going to call her to you.
07:31Good night, Bukashka.
07:59Good morning, I am Evie.
08:04I am your nanny.
08:06I took the night train in from Helsinki.
08:09No, no, you are not the woman that I hired.
08:12The woman I hired had experience, you know, heft.
08:18So, the agency sent me all this way.
08:20It was a 13-hour journey.
08:23I assure you, I have years of experience.
08:26I don't see how that's possible,
08:27because you don't have years of anything.
08:30Hello, hey, who are you?
08:32She says she's the nanny.
08:33Evie.
08:33Oh, it's very nice to meet you.
08:36I'm Ray, this is Cheryl.
08:38Here, let me take your bag.
08:39No, no, no, we're going to leave the bag,
08:40because I'm going to call the agency,
08:42because this was a mistake.
08:43Do you want anything to drink?
08:43The coffee's bad, tea's even worse.
08:45Why don't I introduce you to Trent?
08:46Trent, buddy, come in here.
08:48I've got someone for you to meet.
08:49Sir, we're going to get this sorted out soon,
08:50so stay close, please.
08:51Don't unpack, and we're not going to unpack, okay?
08:53Just one second.
08:56Down a tiny bit?
08:57Is that...
08:58I think that, that let go?
08:59That's perfect.
09:00I knew it was a little off.
09:04It's Amalievich.
09:05Are you familiar?
09:06Actually, I am, yeah.
09:08Art history minor.
09:10You sure that's okay?
09:11Yeah, that's great.
09:12Yeah?
09:14Hmm.
09:15Yeah.
09:17One of the perks of this job?
09:19Access to the desperate and formerly rich.
09:22I got this for a song from a high-level Politburo member
09:26with a gambling addiction.
09:27Someday it'll be worth millions.
09:30He'll be pretty sour he made that deal.
09:33I have an eye for these things.
09:34When I served in Berlin in the 50s, I bought a Degas.
09:38Really?
09:40Was it...
09:41stolen Nazi art?
09:43Well, not when I got my hands on it.
09:46I paid for it, which makes it no longer stolen.
09:59I saw the signal in your window.
10:02Andres showed up?
10:03What did you say?
10:05I said that I was your boyfriend.
10:08Oh.
10:09I know.
10:10It was the first idea I thought of.
10:12I said I knew about your infidelity.
10:14I'm so sorry I'm putting you in this position, this risk.
10:17Well, it's already risky.
10:20Giving secrets to the Americans if they catch me.
10:23I know.
10:23I know.
10:23I know it's scary and risky.
10:26But you have to know that the intelligence that you're bringing us...
10:30What intelligence am I bringing?
10:32The photos.
10:34And the technology.
10:37You don't know, do you?
10:39If what I do matters.
10:40They don't tell you what I'm bringing them today.
10:48I think what I'm doing is important.
10:51But you don't have to lie to me for me to help you.
10:53I have to lie to everyone.
10:55I'm Nadia Melnikova, the school teacher.
10:57And you are my boyfriend, apparently.
11:03Though you're cheating on me.
11:05Oh, small hiccup in an otherwise very strong relationship.
11:09Okay, so what's our story, hmm?
11:10How did we meet?
11:11You don't remember?
11:13Well, I...
11:14My umbrella broke and I asked if I could walk under yours.
11:17Of course.
11:18I walked seven blocks out of my way to stay near you.
11:20And I thought I'd never see you again.
11:22And then one day at the market, there you were.
11:25It was fate.
11:30I really am sorry.
11:33No, I did.
11:36Love...
11:38Love means never having to say you're sorry.
11:42Oh, my God!
11:45You got a copy of Love Story in Moscow?
11:49Yeah, movie and book.
11:51How did you get a copy of the movie?
11:52My work is with video technology.
11:55It's the technology the Americans want me to steal.
11:58Did...
11:58Did you know it?
12:04What do I do if it comes back?
12:06What you're doing...
12:10Believes a lie.
12:17I mean, he never had a wife, so...
12:18That must be his sister.
12:20I mean, she kind of looks like him.
12:21If you say so.
12:23Well, no, but you know so.
12:24You know everything.
12:25You know about Twilight's high school track career.
12:26You know I don't take cream in my coffee.
12:28And you know that our Soviet acid sister was murdered.
12:31I didn't know about the cream.
12:33We were just out of cream.
12:35Why do you want to know more about your agent?
12:37You've already almost gotten him blown by the KGB.
12:39Well, I don't know.
12:40He's putting his life on the line.
12:42I just want to understand why.
12:43I need him to trust me.
12:45He already trusts you.
12:46And you trust him.
12:48Which, by the way, you shouldn't.
12:49Wait, why are we doing this if we don't trust him?
12:51In many ways, you were extremely ill-suited for this job.
12:55But you have your reasons for being here.
12:57As does Redford.
12:58And his reason is his sister.
13:00You think she was a prostitute?
13:02Looks that way.
13:03Who murdered her?
13:05Soviet government, KGB.
13:07Same organization who employs a man you want me to date.
13:10It's a sensitive undercover operation
13:12to infiltrate a high-level KGB agent.
13:14Oh, you know what I mean.
13:15Of course he's dangerous.
13:16Otherwise, we wouldn't want you to spy on him.
13:18How dangerous is he, Andre?
13:22Has he killed...
13:25a lot of people?
13:27You've looked him through his eyes.
13:29What do you think?
13:42Oh, sorry.
13:51Well, first off, it's Carl, not Curl.
13:54Why don't you go ahead and work off of that one?
13:59Oh, Cheryl.
14:00You did such a great job with that.
14:02Why don't you just take over?
14:03Oh, I did not do that.
14:04Bea did.
14:05So...
14:05No.
14:06Right?
14:07Paint!
14:08You paint?
14:09Uh, yeah.
14:10Wow.
14:10A woman of many talents.
14:12That involves sitting down.
14:13Sure.
14:16It's time.
14:24Okay.
14:29I thought they would send the other girl.
14:32Why?
14:35Well, uh, you're speaking English, and they sent me.
14:39So...
14:40What do you need me to do?
14:42Pavel, the butcher, took a great risk contacting Caterpillar.
14:47For that, he needs money.
14:50One hundred thousand dollars in American currency.
14:53By tomorrow night.
14:54That's a lot of money.
14:55To the American government.
14:57It shouldn't be too difficult.
14:59Okay. I'll try.
15:00Yeah.
15:01I'll work on it.
15:02I just, you know, we don't keep that kind of cash lying around at the embassy.
15:05And I need a passport.
15:06For who? Pavel?
15:07Passport is for me.
15:11This is the cost of my help to you.
15:13I can't hide in this country forever.
15:16I want to die free.
15:19Okay.
15:21I'll, uh...
15:22I'll get you the passport.
15:23But when I do, you're gonna get your guide, the butcher, to contact Caterpillar,
15:28and get the location of this facility for Dane.
15:30Yes.
15:31That's our deal.
15:51You can take me the passport.
15:55I'll take you the passport.
15:57You can take me the passport.
16:07I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry.
16:15What are you doing?
16:27Good morning.
16:32Градок, найдется двушка позвонить по телефону?
16:36А, да, да, конечно.
16:39Сейчас я...
16:39УДАР
16:40УДАР
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17:24But she's negotiating, I think, which is a good thing.
17:27We just have to keep her hungry.
17:29Tell her that we can get her a visa to a friendly nation
17:33where the KGB won't kill her.
17:35Get me a visa to America, then.
17:37Get her a visa to America, then.
17:39We can get Turkey.
17:40How about Greece?
17:41She'll still need an American passport, though.
17:43What about a Greek passport?
17:45American. I can only do with an American.
17:49Fine. Is that it?
17:51Is that it?
17:53I will still want the money.
17:54I can get you something extremely valuable
17:57that you can sell for a large amount of cash.
18:00More than a hundred grand, even.
18:01What is that?
18:03I'll tell you tonight.
18:04If you're not satisfied, we'll call the whole operation off.
18:07You'll call the whole operation off?
18:09What were you planning on giving her?
18:10I don't know. I was just trying to buy us time, okay?
18:12Think with me. You need this, I need this.
18:14What about your car? I'm sure she'd love a car.
18:16I don't own a car.
18:17I drive a West German sedan owned by the embassy.
18:19Right.
18:20What about watches? You got a Rolex or something?
18:22No.
18:23Okay.
18:25Okay.
18:25Just, uh...
18:27Just let me think.
18:28Let me, uh...
18:30Let me think.
18:33He's trying to screw with your head.
18:36Yeah, that's working.
18:37My head is screwed.
18:39He must have sent the man who robbed me.
18:43Whoever robbed me didn't find this.
18:51Although he could have, and that would have been the end for me.
18:54So this is the last thing I'll steal. I'm sorry I can't do this anymore.
18:58They're gonna torture me.
19:00They're gonna make me wish I was dead.
19:02They're going to let me live just enough so I feel pain every hour of my life.
19:05I feel fear I've never felt before. Do you understand what is at stake for me?
19:08I'm sorry.
19:09I'm sorry. I don't think I can still do this for you.
19:16You and I both know you're not doing this for me.
19:21Your sister.
19:24They killed her.
19:26You know about Galina.
19:29You know they killed her.
19:31The KGB.
19:33I do know they killed a lot of women.
19:39A man.
19:41KGB, he came to me one night after she died.
19:45He said that there were some KGB agents who were murdering prostitutes.
19:52And Galina was one of them.
19:56I didn't know.
19:59We came from Kiev to Moscow when we were 13.
20:02She was my only friend.
20:05She was so excited to be here.
20:08But then they killed her.
20:11This country.
20:14Our country.
20:17Police believe me when I say I understand.
20:23If you walk away.
20:27No one in this world will ever fight for her again.
20:41I need something.
20:42Anything.
20:45I need to know that if they're going to torture me there is another option.
20:50We thought about this.
20:51I need an L pill.
20:52I don't know what that is.
20:53A lethal pill?
20:54A cyanide pill?
20:55I don't understand.
20:56Why do you want a cyanide pill?
20:57So I could bite down on it if they come from me?
21:01I'm not going to give you a pill so you can kill yourself.
21:05I don't want you to die.
21:08I don't want to die either.
21:13I will only take it if there is no other option.
21:17I will continue helping you with please.
21:21Understand there are some things worse than death.
21:30You can't do it.
21:40I cannot do it.
21:42I do it.
21:44I can't do it.
21:51I am.
21:54I have to ask for a question.
21:54the KGB sent a goon to beat him up well is he okay no he's not okay he wants me
21:59to get him an L pill and there is no way the Dane is gonna give me a pill that's
22:03gonna kill our asset I think I can get you one of those really well from who
22:07how Vera poison it's one of the things she can procure so she would just give
22:13it to you or maybe if I can sweeten the deal we're in the middle of a negotiation
22:18actually you know when you were making fun of Alan for a stupid painting
22:21earlier yeah could I borrow it what do you mean borrow it steal it what yeah
22:28would you mind just uh break it into his office really quick and just stealing
22:32it from me what the fuck please
22:51go back Jack do it again
22:58I just can't help I think about this every single day
23:03I think about this every single day
23:04I think about this every single day
23:06I'm okay
23:08oh yeah
23:09oh yeah
23:10oh yeah
23:11oh yeah
23:14oh yeah
23:15oh yeah
23:15I'm sorry
23:17you okay
23:21oh yeah
23:24she's so good
23:31She's perfect
23:33Really, amazing job, truly
23:37Oh, it's so not, it's awful
23:45It's fine, nobody's gonna notice these things
23:47Alan will notice
23:48He looks at this painting all the time
23:51Well, he didn't notice when you stole it in the first place
23:53Yeah, that's because he was busy
23:54Having sex with Lily
23:57Shep's wife?
23:58Yeah
24:00Wow, mm-hmm
24:01I mean, I get it
24:02I mean, if you had to fuck Shep, you know, but
24:05Alan, I know
24:07Why did you do the head just like
24:08I don't know
24:09No, no, no, don't think about it
24:10Don't think about it
24:11I tried
24:11Okay
24:46There's a blog
24:51There's a newspaper.
25:17That's a lie.
25:18You're over your skis, Vasilyev.
25:21You act like you run things,
25:23but we both know you're just mid-level KGB.
25:27I don't negotiate down.
25:29Come back when we can talk like equals.
25:31I may not run an embassy, but you won't either.
25:35I will send an anonymous dispatch to CIA,
25:38the head of Moscow Station.
25:41Oh.
25:42As a ferry.
25:44Tell whoever you like.
25:46My mother's dead.
25:47I don't have a priest.
25:49I don't have a wife anymore.
25:52Washington already knows.
25:53I mean, how'd you think I ended up in Moscow?
25:57The worst assignment in the whole of the fucking CIA.
26:00If this item you claim to have is a tape of me fucking other men,
26:05then you really don't have it.
26:08I'll see you around.
26:13Wait, wait, wait, wait. You stole this?
26:16No, no, of course not, no.
26:18Me stole it.
26:19Are you kidding?
26:20Look, how else was I supposed to find someone worth a hundred grand, okay?
26:23Your life's not even worth that.
26:24Oh, you're too kind.
26:26Look, you're the one that said to give Vera everything she wants if I want answers,
26:29so that's what I'm doing.
26:30Come on.
26:30You're assuming that Pavel is going to accept this as payment?
26:33Yeah, he will.
26:35I can convince anyone anything.
26:41He wants to know what the painting means.
26:45I don't know what it means, but I do know that it is worth a lot of money.
26:51You know, it's one of the big main guy at the embassies, it's his,
26:54and he's a big art collector, so tell him that.
26:56It's a very expensive movie.
27:00It's a very expensive movie.
27:01It's a collection of one of the important people from the embassy.
27:03Yeah.
27:05My art is not bullshit.
27:08What is it all about?
27:09Tell him a little something.
27:11Sell it a little more.
27:13What do you mean?
27:15What do you think it's about?
27:31I think it's about feeling like you're part of the world and other times like you're not.
27:37You feel like you're part of the universe, but on the other side, on the other side,
27:43on the other side.
27:46There's something there.
27:49Actually, you know what?
27:50Never mind.
27:51I think I'm going to find another buyer.
27:53Yeah, this is a very significant work, and it's wasted on a moron like yourself.
28:02No, don't take it.
28:10He will accept this.
28:14Then he will set the meat with caterpillar.
28:22You owe me a passport.
28:25I know.
28:25Yeah.
28:26Wait, wait.
28:27Actually, I hate to ask you for another favor, but do you have a suicide pill?
28:33You know, one of the L pills, the thing you bite down on and you die in two seconds?
28:37Why?
28:38It's not for me, but I'm in the middle of another negotiation.
28:41I don't have any more paintings to steal, but I do need one.
28:45I have one of those.
28:47Really?
28:48Wow.
28:49Just get me a passport.
29:09Here it is.
29:12So, that's me now, Pamela Wilson.
29:19Yep.
29:20That's you.
29:21From Illinois.
29:23Close enough.
29:25Yeah.
29:26And here is the pill.
29:28Oh.
29:29What are you doing?
29:30Oh, my God.
29:34Okay.
29:35Wow.
29:36Uh, you don't need it?
29:39I did once.
29:40Now I've since learned it's only a fool who thinks they can control death.
29:45Death takes you whenever it wants.
29:47I kind of want to bite it.
29:49You ever just want to bite it?
29:50No.
29:54I got you everything you wanted.
29:57Could you, uh, could you tell me what really happened to them, to Tom and Chris?
30:01It was the Compromote facility.
30:06They were looking for it when they were killed.
30:11Caterpillar is giving us the new coordinates.
30:14But was there ever really a crash?
30:18There was a plane, not a crash.
30:23Fucking hell, Tom.
30:25Give me a break.
30:25I'm landing blind.
30:36You think anyone was close enough to Hera's command?
30:39We are still ten kilometers from the coordinates you broadcast to me.
30:44Well, then we better start walking.
30:46If Caterpillar even gave you the right fucking coordinates.
30:50Stay here.
30:51We'll be fast.
30:52It's Christmas Eve.
30:54Your wives are expecting us.
31:04They were soldiers waiting for us when we landed.
31:09I watched them die.
31:11I escaped before the soldiers got to the plane.
31:15Wow, so there were soldiers, though?
31:17They were waiting for you?
31:18They knew you were coming?
31:19Somebody told them.
31:21Who?
31:22Who would tell the Russians?
31:23Your husband.
31:25Your husband.
31:25He was feeding the information to the Soviets.
31:27What?
31:28Your husband was a mole.
31:31I mean, are you sure?
31:34He was a lot of things, but, I mean, working with the Soviets?
31:38I mean, how do you know?
31:39How do you know this?
31:41For this information, I need something else.
31:46What?
31:48No.
31:50No, no.
31:51You're gonna tell me.
31:51Look, I gave...
31:52Oh!
31:57Oh!
31:59Oh!
32:00Oh!
32:01Oh!
32:04Oh!
32:05Oh!
32:25Oh!
32:28Oh my God, you almost gave me a heart attack!
32:31Oh yeah.
32:32Let's get out, let's get out, let's get out.
32:33Let's get out.
32:34Uh, something, um...
32:36Yeah.
32:36Uh, what?
32:37Wait, wait, wait, why are you wet?
32:41Vera fell into the river.
32:43Oh, Jesus Christ.
32:44Well, you gotta be careful.
32:45She's an old woman.
32:46No, no, no.
32:46She fell in the river and she died.
32:49What?
32:49Yeah, I don't know.
32:50I don't know.
32:51The bridge, she was standing in just a bridge, crumbled, and then she fell.
32:54Well, you just left her there.
32:55Yes.
32:56What was I supposed to do?
32:57Drag her body through the streets of Moscow?
32:59What are you supposed to do?
33:00Shit, this is bad.
33:02Yeah, it's bad.
33:02Yeah.
33:03But, um, but, you know, it's not all that bad because I already got the, uh, the painting
33:07to the butcher, so he's gonna set the meeting and, you know, we're gonna get that location
33:10for Dane still, so...
33:11Oh, God, that's good.
33:12Yeah, that's good.
33:13Before Vera died, did she...
33:16Did she say anything?
33:18You know, that might be relevant for us.
33:23Actually, uh...
33:25Yeah.
33:27She, uh...
33:28She said she was there when Tom and Chris died.
33:32She said that.
33:35Yeah.
33:37She saw them die?
33:40That's what she said.
33:42And he believed her?
33:48Okay.
33:54Oh, God.
33:55Oh.
33:58Oh, I'm sorry.
33:59This is so stupid.
34:00No.
34:02I don't know.
34:03I thought maybe there was a chance...
34:04Maybe they were still alive?
34:05I don't know.
34:06That doesn't make any sense.
34:09It's just...
34:10I don't know it.
34:12I got it.
34:14Because there were no witnesses that maybe...
34:17Maybe this wasn't real, but...
34:19Oh, God, it is.
34:33I don't know if this is helping.
34:35Just, uh...
34:36Let me know if you want me to stop, okay?
34:54Sorry.
34:54Sorry.
34:55I just...
34:56I just miss him.
34:58Yeah.
35:00Okay, um...
35:02Did she...
35:04Did she say anything else?
35:08No.
35:09No, nothing else.
35:12Okay?
35:14Yeah.
35:17We should probably let someone know that our asset is...
35:20Dead.
35:20Dead, yeah.
35:21Okay.
35:23Okay.
35:30Yeah.
35:35I didn't push her, if that's what you were thinking.
35:38No, I wasn't thinking that.
35:39Yeah, because it was an accident.
35:40So if anyone, you know, were to find her, it would, uh...
35:43It would look like one.
35:44Right.
35:46Right.
35:47If the Russians find the body, they can come to whatever conclusions they want.
35:50Jesus.
35:51Okay.
35:52I gotta get ready for the show.
35:53But could I get the passport that we made, Vera, so I can destroy it?
35:58The passport?
36:00Yes, please.
36:01I don't have it.
36:03Where is it?
36:06She has it, because I gave it to her.
36:08If an American passport is found on the body, that ties us into all of this.
36:12Okay, this is a big fucking problem, and we have very little time.
36:15I'm gonna need you to act quickly.
36:17Yeah.
36:19Doing what?
36:21What?
36:29Okay, so, uh, so how are we gonna do this?
36:32Uh, I guess we just, uh, walk out there and, uh, and reach in her pockets and get the passport?
36:38Yeah?
36:39Okay.
36:39Okay, so, so, so do that.
36:42What, what about you?
36:43What are you gonna do?
36:44Well, I'm gonna, I'm gonna look out.
36:46This is your operation, so, you know, I should probably just...
36:48Right.
36:49Yeah.
36:49Okay.
36:50Yeah.
36:51Okay.
36:52Yeah.
36:57Okay.
37:01Oh.
37:03Okay.
37:05Just checking in her coat.
37:10Okay.
37:12Okay.
37:13Do we take this with us, or, uh...
37:15I, I, I think so.
37:17Can I toss it to you?
37:18Nope.
37:18Nope, don't, don't throw a gun at me.
37:20Even if it's been underwater?
37:21You can just come over, hand it to me.
37:23Yeah.
37:24Yeah.
37:27All right, good job.
37:28Okay.
37:28Don't touch the...
37:29Nope, no, I'm not gonna touch it at all.
37:32Okay.
37:33Okay.
37:34Heavy.
37:34Yeah.
37:35I think I feel it.
37:36Oh, thank God.
37:37Yeah.
37:37Okay, let's go.
37:39Yeah, God.
37:39I found a, I found a knife, too.
37:43Okay.
37:44Yeah.
37:47I hate to say this, because I, uh...
37:51I really do want to get out of here, but...
37:55She's kind of just exposed, you know?
37:58I mean...
37:59Maybe we should just...
38:02Ray kind of said, you know, if the passport wasn't on her, then it sort of doesn't matter.
38:08That's fucked up.
38:11It matters.
38:13Yeah.
38:13I mean, maybe not to the Russians, but it should...
38:15It should still matter.
38:18I mean, look at her.
38:20She's...
38:21She's just gonna rot here.
38:22I mean...
38:23No one's gonna move her.
38:24No one's gonna...
38:25No one cares about her.
38:27She's just...
38:28She was completely alone.
38:32She just lived this life and, uh...
38:36Did all this wild shit, and now...
38:41Now she's dead, and...
38:44No one's gonna even remember she existed.
38:51That's really sad.
39:00Tell me if you want me to stop.
39:04No.
39:14You have to promise me.
39:16Only if it's absolutely necessary.
39:19I know.
39:21There's this Russian saying, you may know it.
39:31There are instructions inside for something that we need, if you're still willing to do that.
39:43Thank you for trusting me.
39:45You know how I'm doing this for my sister.
39:49Why are you doing this?
39:52My husband.
39:54I don't know if he knew I was married.
39:56You almost said you had a husband.
39:58I...
40:00Don't anymore.
40:03He was killed.
40:06Does that make me not married now?
40:09He feels so far away.
40:12You know, my sister, we...
40:14We were twins.
40:16Am I still a twin if there's no other twin?
40:21Maybe it would boast something in between of...
40:24Who we were with them and who we are without them.
40:28Hmm.
40:35Yeah.
40:36I should...
40:36Good night.
40:38Take care.
40:49Good night.
41:30You may call me Mrs. Zemanski.
41:33Oh, Mrs.
41:34She's...
41:35She's a...
41:36Mon...
41:36Monkey.
41:36I was wondering if it would be okay if I came to the performance tonight.
41:43Absolutely not.
41:46Who would look after Trent?
41:48Oh, I would bring him.
41:50He's been talking all day about watching his father sing.
41:54He has to go to bed.
41:57Where have you been?
42:00I just, I need the...
42:02Of course.
42:47No, it turned out.
42:49Wow.
42:50Yeah.
42:51Well, then, Cheryl, huh?
42:55Twyla.
42:56If you don't cheer really, really loud when I sing my song, you are fired.
43:01Well, in that case...
43:02I really should be singing more songs, though.
43:04You know, people say that I really, I own the stage.
43:07Do you ever think maybe the problem isn't your voice?
43:11B.
43:12Yeah, yeah, yeah.
43:14Hi, Alan.
43:14Uh, you mind coming up to my office?
43:15I need to talk to you.
43:18Of course.
43:19Uh, but, you know, the show's about to start.
43:21I'll have you back in time.
43:26I was wrong about you, B.
43:34When I first met you, I thought you were just another secretary.
43:39But it turns out you're a compassionate person.
43:44That's why I'm letting you in on a secret.
43:46Gretchen and I are having some problems.
43:49Oh, Alan.
43:49Uh, I'm gonna be sleeping in the office for a while.
43:52I'm letting you in on that so that you can help me keep that, you know, discreet.
43:56Of course.
43:58On the bright side, the, uh, couch in here is very comfortable.
44:02Yeah.
44:03And, and, and, and...
44:05There's nothing like sleeping in front of truly fine art.
44:11That I would give everything I own.
44:16I'd give up my life, my heart, my home.
44:23Yeah, I would give everything I own.
44:28Everything okay?
44:31For now.
44:32Just to have you once again.
44:36Yeah, just to touch you once again.
44:40It's pretty good.
44:46Wow.
44:47Woo!
44:48Okay.
44:48Woo!
44:49Wow.
44:53Wow.
44:59Um, for this song, I would like to invite up the newest member of our Embassy family,
45:04straight from Helsinki, with a great set of pipes.
45:06It's Evie! Come on up, Evie! Everybody give a round of applause. Come on, Evie.
45:12It's okay.
45:14It'll be okay.
45:14No.
45:15Okay, ready? Five, six, five, six, seven, eight.
45:30We can dance. I thought you'd never ask.
45:37And nobody knows it.
45:42But when I was down, I was your pound.
45:46And nobody knows it. Nobody knows it.
45:53You're right from the start. I gave you my heart.
46:05Oh!
46:07Sorry.
46:10Why didn't you ask me to do a duet?
46:14Because I didn't know you wanted to sing.
46:18Every time I put on music in the apartment, you tell me it gives you a headache.
46:21I don't like music, per se, but I might if you asked.
46:26Hey, hey.
46:29Next time, I will ask.
46:32Yeah.
46:33Yeah.
46:34Trent?
46:34Okay, okay.
46:36Trent!
46:37Trent?
46:38Okay.
46:46There are you.
46:50Come on, Trent.
46:55Trent!
46:56Oh, come here.
46:59Careful.
47:00You wait.
47:00You wait.
47:04When were you planning on telling me that Vera is dead?
47:10Now?
47:14Well, fuck.
47:21Where are you going?
47:23To bed.
47:25We tried.
47:26Not every mission is a success.
47:28No.
47:29No.
47:30No.
47:31I mean, this was a successful mission, though.
47:36I mean, come on.
47:37I did all the stuff I was supposed to do, you know?
47:39Vera wanted to pay the butcher.
47:41He's paid.
47:42Okay?
47:43And so he's setting the meeting with Caterpillar.
47:45And he's gonna get you the coordinates for the facility you want.
47:48The facility that Tom and Chris were looking for when they died.
47:50And he's their contact, by the way, so he's gonna know what happened to him.
47:54Caterpillar is key to finding out what happened.
47:56We're really close here.
47:57And yet the person he was expecting to meet is dead.
48:01Wait.
48:01No.
48:03Caterpillar's never met Vera.
48:05Ray, right?
48:06That's what you said?
48:07He's never seen her.
48:08He doesn't know what she looks like.
48:09He just knows her based off her reputation.
48:11So let's just find a different old Russian woman and throw her into this meeting.
48:14I mean, he would never know the difference.
48:16I could do it.
48:16I could...
48:17You don't speak Russian.
48:19She does?
48:21Just...
48:21Just put up a bushconer and...
48:23I could get the wig master.
48:24You got a wig master?
48:25This is a life and death situation, not a high school production of Bye Bye Birdie.
48:31Caterpillar will see this woman up close.
48:33So she has to be Vera's age, Vera's profile.
48:36Russian, but on our side.
48:38Which means we have to already know her and she has to already know us.
48:41So unless any of you have another elderly Russian woman who you'd trust with your life...
48:46Jane?
48:51I do.
48:55All over the world, little guys are standing up to tyrants, but not me.
48:59Well, I hate violence.
49:01In fact, my father always told us in his sermon,
49:03Let's see who lives by the storm.
49:05You are the woman that I've always dreamed of.
49:09I knew it from the start.
49:12I saw your face and that's the last I've seen of my heart.
49:21It's not so much the things you say to me.
49:24It's not the things you do.
49:28It's how I feel each time you're close to me.
49:33That keeps me close to you.
49:37Oh, you are the woman that I've always dreamed of.
49:43I knew it from the start.
49:46I saw your face and that's the last I've seen of my heart.
49:51You saw you face and that's the last I've seen of my heart.
49:55You saw you face and that's the last I've seen.
49:57Of my heart...
50:00Ooh, of my heart...
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