05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you going to tell me.
05:51What are you going to say.
05:51What are you going to tell me about that?
05:53I was wondering when you noticed.
05:57It's a cyanide rose finch.
06:00Hmm.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05Oh.
06:05Oh.
06:06Oh.
06:06I see you just thought you'd have it with you forever.
06:07Mm-hmm.
06:09It reminds me of you.
06:11A bird just chirping away.
06:13Loudly.
06:24So, come on, are you holding out or something?
06:28How is Jordan?
06:30Um, well, you know, dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:44Mm-hmm.
06:44Mm-hmm.
06:45Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archeology, Princeton.
07:02Oh, my God.
07:03Alice.
07:04I mean, that's amazing.
07:06Yeah.
07:07That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:15I'm gonna have an apartment, you know, place on campus from which you and I could live together.
07:23Yeah, sir.
07:28I know it's gonna be hard to leave all the dysentery.
07:30I totally understand.
07:32No, no.
07:32Um, no.
07:33No, no, no, no, no.
07:34That, that, that, that is, uh, big, um.
07:41Big?
07:42No, um.
07:43Well, for a man with an English literature degree, you really have a way with words.
07:46I know, I know.
07:47It's, it's, it's, it's a skill.
07:49We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world and that we actually want
07:57to have sex with each other all the time.
07:59Um, but, I want this job.
08:05You know, I want to build a life that's mine.
08:09Not just uncovering other people's.
08:13We have to make a decision.
08:15You and me.
08:16Like, Tom, I, I love you so much.
08:20And I want to keep loving you.
08:22And I'd like to do it while I'm actually looking at you.
08:30And I love you, Alice Monroe.
08:39And, I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
08:49Oh.
09:04Hey, what time is it?
09:11Tom?
09:16Tom?
09:19Hey.
09:21Hey.
09:23Hey.
09:23It's Uncle Brian.
09:24He's in London.
09:25Oh.
09:26Why don't you go downstairs, order some breakfast?
09:28Okay.
09:29Train's at 10.30.
09:34Yes.
09:35Hi.
09:36Hi.
09:36No.
09:53No.
09:55It's okay.
09:56No.
10:08Sorry, Brian talks like it's an Olympic sport.
10:11Oh, it's okay.
10:12So, you know that hotel you wanted to go to in Arles that was so expensive it would have left
10:19us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project, and Brian
10:27has called in a favor.
10:30Oh, my God. Are you kidding?
10:33Can we get massages and lay by the pool?
10:35Yes, yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh, I love you.
10:42Well, I feel it's very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45Completely, yes.
10:58Don't.
10:59Stay there.
11:01It's almost over.
11:11That's a bingo.
11:12Okay, maybe we don't do impressions of fictional SS officers as we're traveling through previously occupied France.
11:20What do you think?
11:22Okay.
11:24True income?
11:25Oh, my God, no.
11:26Nein.
11:27For you?
11:30No.
11:33No.
11:35No.
11:39No.
11:41No.
11:42No.
11:42No.
11:44No.
11:44Hello.
11:46Uh, sorry.
11:49I can't, I can't hear you.
11:50Can you, can you repeat that?
11:51Pas de téléphone.
11:57One sec.
11:58Yeah.
11:59All right, one sec.
12:03Vous êtes en vacances avec votre mari?
12:05Uh, ouais.
12:07N'est s'allon, Aaron.
12:09Oh, yeah.
12:10And, uh, he's not my husband. He's my boyfriend.
12:40He's my boyfriend.
13:31He's my boyfriend.
14:00He's my boyfriend.
14:06And you're in return?
14:06Not in me?
14:08I know.
14:10I know.
14:11It's already in there.
14:13So weird.
14:15Where are you?
14:23Hi, this is Tom Parker.
14:25Watching him unavailable. Leave a message after the time.
14:39Tom?
14:46I'm sorry.
14:54Ladies and gentlemen, our TGV is coming in for a few moments.
14:58Come to make sure to recover all your baggage.
15:14Let's go.
15:15Let's go.
15:17Let's go.
15:21Let's go.
15:23Let's go.
15:24Let's go.
15:25Let's go.
15:51Let's go.
15:56Let's go.
16:05Let's go.
16:07Let's go.
16:10Let's go.
16:12Let's go.
16:15Tom.
16:17Hey.
16:18Very funny.
16:20I have been looking all over this trip.
16:21Oh, my God.
16:23I'm sorry.
16:24No, Désolée.
16:24I didn't...
16:25I thought you were so...
16:27Yeah.
16:30Just...
16:38Excuse me.
16:40Excuse me.
16:40Did you see him walking?
16:43No.
16:47Excuse me.
16:48Did you see him walking?
16:50No.
16:52Excuse me.
16:54Is there a problem, madame?
16:55My...
16:55Mon ami?
16:57He's gone.
16:59He's...
16:59He...
17:00I can't find him.
17:01He kinda...
17:02Desperue.
17:03He's...
17:03He's...
17:04He's...
17:04He's...
17:04He's...
17:05He's...
17:12He's asking you if you have tried to call him.
17:16Yes.
17:16I have called.
17:17He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like, um...
17:20But if he was leaning against a door and maybe fell under the track, is that possible,
17:24En fait, elle s'inquiète de savoir s'il aurait pu, éventuellement, s'appuyer contre
17:27la porte et tomber sur les voies.
17:29Non, ça, c'est impossible, ça, madame.
17:30Les portes, elles sont fermées.
17:31Quand le train est en route.
17:33No, no.
17:34Okay, but we...
17:35We made a stop back there.
17:36We stopped.
17:37C'est vrai.
17:37On s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans
17:42une gare.
17:42D'accord?
17:43Okay.
17:43They only open at this place.
17:45Okay, I just wanna...
17:46I just wanna find my boyfriend.
17:47So...
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est...
18:06C'est réservé au personnel.
18:07Okay.
18:08It's...
18:08Yes.
18:09Could you please open it?
18:10Non.
18:11What?
18:11Non.
18:12Les passagers sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire?
18:16Elle a juste un oeil, c'est la rassurance.
18:17C'est le règlement, c'est comme ça, c'est tout, elle a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26I'm...
18:26It's important, I...
18:28C'est contre l'âge de moi, je l'ai dit.
18:32Oh my God.
18:34Tom, I've been looking all over from you.
18:39Where...
18:39Tom, are you there?
18:52Tom...
18:53What?
18:56There...
18:59C'est donc, c'est...
18:59Mil, in-personne, ça peut-êtreruption?
19:03Oh my ne pasmoi...
19:06Alleluia...
19:08ediyor.
19:10C'est parce qu'on m'a pas libre.
19:20DeSL Swissdad ?
19:27Vous m'a reprisez nous.
19:29Do you know Marseille?
19:32No, no, but it's... I'll be fine. I'm okay. Thanks.
19:36What are you going to do?
19:38I don't know. We're supposed to go to Aurel, but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm... You've been so helpful. Thank you. I'm just kind of... I'm...
19:52Where is the police station?
19:54It... You go down the hill. It's on your right. You can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine. I'm... Positive this is all a big misunderstanding, so...
20:12You know...
20:15If you need help... I'm Hélène.
20:19Alice. Thanks.
20:27So...
20:27Good luck, Alice.
20:29And don't worry.
20:31It's going to be okay.
20:33Bye.
20:35Bye.
20:54Bye.
21:08Thanks.
21:15Excuse me.
21:16Can someone help me? My boyfriend's gone missing.
21:20Please.
21:25do you know how many people are reported missing each day in France 600 on a good day okay well
21:34that cannot be an excuse to not help me please it is 48 hours before a person can be described
21:39officially as missing he has only been gone for two hours he left his bag you say what
21:46about his passport yes I have it right here just one second I don't I don't understand
22:12how long have you known your boyfriend um well we've been dating for four years we met in Jordan
22:21that's where he heads the region for SOS Global it's a it's a charity that helps Syrian refugees
22:28I'm currently working in Albania so we meet up when we can and oh glamorous couple huh
22:34and you work in Albania yes I'm an archaeologist do it all you fight
22:40what fights disagreements have you had any lately no
22:48anything else any changes of circumstance I mean I got offered a position at university a job
22:56it would mean relocating to America for both of us and he agreed yes are you sure yes I'm sure
23:07because there are three major reasons people disappear work money and relationships
23:21so perhaps your boyfriend wanted to escape the relationship so he got off the train at Avignon
23:27without telling you and what up he would never do that you don't know Tom I am no man
23:37okay inspector Drax I really need to find him please help me
23:5348 hours miss Monroe 48 hours
24:2549 hours
24:27so
24:29Oh!
25:05Sorry, thank you.
25:35Hey!
25:37Are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture too.
25:46Oh, I don't have a spare spare, I'm afraid. Sorry.
25:50Right.
25:51What's in there?
25:53Uh, uh, vaccines.
25:55Yeah, without refrigeration they'll be useless within a couple of hours.
26:00So you're screwed?
26:03Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:10It's, um...
26:12That way.
26:16Okay, so if I don't help you, children might die and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then I guess you better hop in.
26:33Oh, thank you!
26:36All right.
26:46Hey.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:09Yes, it is.
27:12It's shoes off at your house then, is it?
27:14What?
27:16Want to know what gives you away?
27:18Oh, it's shirt.
27:19The AC unit.
27:21No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No.
27:31No, I like it.
27:32I like hygiene.
27:33Good.
27:33It's just that sometimes...
27:36Oh, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
28:24I know how to get dirty.
28:39Let's do it.
28:39I'm gonna show you some bushes.
28:40Okay, can you stop already up here?
28:44Okay.
28:44Let's see if you play.
29:10Let's go.
30:03Let's go.
30:35Let's go.
30:41Let's go.
30:42Let's go.
31:11Let's go.
31:12Let's go.
31:15Let's go.
31:37Let's go.
31:43Let's go.
32:06Let's go.
32:08Let's go.
32:10Let's go.
32:13Let's go.
32:16Let's go.
32:17Let's go.
32:28Let's go.
32:29Let's go.
32:30Let's go.
32:31Let's go.
32:37Let's go.
32:38Let's go.
32:38Let's go.
32:41Let's go.
32:49Let's go.
32:52Let's go.
33:00Let's go.
33:07Let's go.
33:11Let's go.
33:33Let's go.
33:40Let's go.
34:09Let's go.
34:23Let's go.
34:27Let's go.
34:35Let's go.
34:37Let's go.
34:38Let's go.
34:38Let's go.
35:04Let's go.
35:06Let's go.
35:10Let's go.
35:13Let's go.
35:17Let's go.
35:20Let's go.
35:21Let's go.
35:24Let's go.
35:30Let's go.
36:26Mr. Tom.
36:28Mr. Tom, I want you to hear.
36:30All right.
36:31Selma, Selma, one sec.
36:33Can you take these in the air?
36:34Just tell me, or they need to be in the fridge right away.
36:38Okay.
36:41Okay.
36:4336-2.
36:46Hi.
36:47Who are you?
36:49I, uh, just gave Tom a lift.
36:51You broke down?
36:52Yes, he did.
36:53It's the second time this week.
36:55The man couldn't change a tire.
36:57His life depended on it.
36:58He said these need to be refrigerated.
37:01I know.
37:04He's coming!
37:08Wait, what's happening?
37:09Stay back.
37:12What's he doing?
37:17What's he doing?
37:22Hey, hey, hey!
37:23You're not taking him.
37:24You're not taking him!
37:25You're not taking him!
37:28Oh, Eddie.
37:37You have to pass with me.
37:49Yana!
37:51Who are they?
37:53Local bandits.
37:55I think no one will notice missing refugees from Syria.
37:57Take them down to Tripoli, sell them to traffickers for a king's ransom.
38:04He stopped them before?
38:07He may be useless with cars, but he could talk a dog off a meat truck.
38:48You look like you need a drink.
38:53Something must have happened to Tom before it happened, Yana.
38:56I just feel like the conductor had something to do with it.
38:58I mean, you saw him yourself, the way he was acting all shifty.
39:02What do you think happened?
39:04Okay, this is gonna sound insane, but...
39:07I think Tom was kidnapped.
39:10Is he rich?
39:12No.
39:13Oh, you're rich?
39:14No.
39:14So, why would someone kidnap him?
39:18Maybe it's not about money.
39:20It's always about money.
39:26What is...
39:30Oh.
39:30Diabetes.
39:32Wow.
39:36Okay, so what do I do?
39:38The police are either useless or corrupt.
39:42And if you're really lucky, they're both.
39:45Great.
39:46What then?
39:47What am I?
39:50I'm an investigative journalist.
39:53Who are you?
39:54An archeologist.
39:56Yes.
39:56You're like me.
39:58You look for clues in the past to tell you about the future.
40:02You know Tom better than anyone, so you probably know more than you realize.
40:12Did he mention anyone or anything?
40:16Who has he been in touch with lately?
40:26Has he said anything strange?
40:30I don't...
40:34Find something more than a piece of Twingo man?
40:37Maybe...
40:38I can help...
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