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The Rookie - Season 8 - Episode 03: The Red Place

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00:18What are you doing here?
00:19I just want to see how you're doing.
00:21Never better.
00:24Right.
00:25Now if I come in, maybe we could talk.
00:26I heard you've been skipping physical therapy.
00:28So?
00:30Why do you care all of a sudden?
00:32I've been thinking a lot over the last few months about how I handle things between us.
00:38And I'm ashamed.
00:39My mama, she taught me how to beat a bigger man, and I fell down.
00:43And I heard you've been trying to make amends with people, and, well, this is me doing the same.
00:51With the help of your favorite breakfast burrito from El Plateau.
01:14Hey, do we have any vegan bacon?
01:17Oh, God, I hope not.
01:18What?
01:19I don't think so.
01:24I found the bacon.
01:25Fake bacon.
01:26Great.
01:29You don't have to eat any if you don't want.
01:31After work, I think we need to seriously finish unpacking.
01:35And by finish, I mean start.
01:36Oh, well, I mean, I'm sorry.
01:38Sorry.
01:41I think we're making progress, you know?
01:45Living in takes time.
01:46It only takes as much time as you let it.
01:48I moved constantly when I was in the army.
01:51Here's what I learned.
01:52If it's not unpacked in 48 hours, it will never be unpacked.
01:55If art sits on the floor longer than two days, it lives there now.
01:58Damn, we're well past that.
01:59I'm aware.
02:01This is killing you, isn't it?
02:03I think we should buckle down and get it done.
02:07Okay.
02:12I'm sorry.
02:13It's just, it won't feel like you've fully moved in until all the boxes are gone.
02:20That's nice.
02:22Look, if we rush the process, we're just going to make a mistake that we'll have to go back and
02:26fix later.
02:27So trust me, if we move slowly and carefully, then it will be much more efficient in the long run.
02:34Okay.
02:38Yeah, the shelters were full and I just needed a place to sleep.
02:42I really wasn't hurting anyone.
02:45Well, it is still illegal to break into a rec center, even if it's just to find a place to
02:50sleep.
02:50Yeah.
02:50You don't understand that.
02:52All right.
02:53Over here for your mug shop, please.
02:55Oh, okay.
02:58Face the camera, stand still.
03:01To your right.
03:03I didn't really break in because the door was unlocked, so it's fine, you know?
03:06And I'm sorry, I just got really desperate for...
03:11Am I going to jail or...?
03:14You know, you're probably going to sight out in just a couple of hours.
03:17Okie dokie, thank you.
03:19Is there any food?
03:21Um, just, I haven't eaten in a while.
03:23Uh, not normally, but I can go check the break room for you.
03:26All right, thank you.
03:27I appreciate that.
03:32I'd offer you something to drink, but both glasses are dirty.
03:36Oh, I can't help with that.
03:37No, hey, no, no, no, that's, that's, um, that's okay.
03:40You don't have to do that.
03:40Uh, it's no problem.
03:41You know, a clean space, it, it really helps.
03:44Trust me.
03:44You know, after I blew out my knee in my place, it looked like a tornado tore through a, a
03:49frat house.
03:50I didn't realize how much it was contributing to my depression until, uh, my mama came over and insisted on
03:56cleaning.
03:57That's okay, you're not my mom, you're not my mom.
03:59I can, I do that myself.
04:03What I'm trying to say is, you know, I've been where you, where you are.
04:09After my injury, I couldn't see how anything mattered.
04:11I couldn't play football again, so why bother?
04:14Professionally.
04:15You can never do it again, professionally.
04:17Right.
04:18It's not like I had a fallback career, man.
04:21I, like, I majored in physical aid.
04:22Can you please just shut up?
04:23You hurt your knee.
04:24I lost my leg.
04:26I'm not saying it's, it's the same.
04:28Yes, you are, Miles.
04:29You didn't go to the NFL.
04:32You lost your million-dollar contract.
04:34But you can still run.
04:36What happened to you is nothing like what happened to me.
04:58I think we started off on the wrong foot.
05:03I didn't mean anything by that.
05:05You're right.
05:06I don't know what you're going through.
05:10But I want to.
05:11So how about I stop talking and I start listening?
05:19Oh, no.
05:20What?
05:22Today is my wedding anniversary, and I totally spaced.
05:25Oh, yeah, that's not great.
05:26But Wesley must have forgot, too,
05:28if he didn't say anything this morning, right?
05:30No. Wesley remembers everything about us.
05:33If Wesley remembers everything
05:34and he did not say happy anniversary to you this morning,
05:36that means...
05:37It means it was a test and I failed.
05:40Wow.
05:41What?
05:50Nolan.
05:55Yeah, what's up?
05:56You arrested a guy this morning, Ezra Cain?
05:58Well, that's the name he gave me.
06:00He didn't have any idea, though.
06:02There was a triple homicide in Oregon three years ago.
06:05A husband and wife were brutally murdered in their home.
06:09Their 15-year-old daughter was dragged into the woods.
06:11They found her bloody clothes a week later, but no burial site.
06:14All they had was a fingerprint that didn't match anything in the system.
06:18Until I ran Ezra Cain's.
06:20Yeah.
06:26The victims were the Poston family.
06:28Craig, Ava, and 15-year-old Samantha.
06:30They lived on the edge of a state park outside Portland.
06:33The working theory is the killer broke into their house in the middle of the night,
06:37killed the father immediately, and then brutalized and executed the mother.
06:41Samantha most likely was dragged out into the woods and killed there.
06:44So what do we have on our suspect?
06:46Literally nothing.
06:47He says his name is Ezra Cain.
06:49That could be an alias.
06:50I caught him trespassing at the Willoughby Rec Center in the early morning.
06:53He said he came in to get out of the cold.
06:55Any ID?
06:56No.
06:56He had a little bit of cash on him.
06:58And a bunch of credit cards under various names.
07:01Haven't run them yet.
07:01We can assume they're stolen.
07:03Any in the name of the murdered family?
07:04No.
07:05So how do you want to handle this?
07:08We have a window here.
07:10He doesn't know that we have connected him to the murders.
07:13He still thinks that he is here on trespassing charges.
07:15And it's in our best interest to keep him in the dark.
07:20So you should do the interview.
07:22Mm-hmm.
07:24Right.
07:26Okay.
07:32Any advice?
07:33I mean, you read him his rights.
07:35Yeah, but not for this.
07:36That doesn't matter.
07:37As long as he acknowledged, didn't ask for an attorney, anything you get in your questioning,
07:40it's admissible.
07:41The key is not to push.
07:43Use your famous Nolan empathy to dig without seeming to dig.
07:46Okay?
07:47The second that he suspects that you are onto the murders, he's gonna bail.
07:50Got it?
07:50Got it.
07:53Um, can someone track down a sandwich, give me five or ten, and then bring it in?
07:57Smart.
07:58Can do.
07:59Remember, go easy.
08:00The more comfortable he feels, the better the chance he slips up.
08:03Understood.
08:03Right, but not too easy, because we don't want him to feel like he's being handled with kid gloves.
08:08It's Goldilocks, this thing.
08:10Mm-hmm.
08:10Yeah.
08:30Hey, sorry to keep your weight.
08:33Sorry, I thought you said I was gonna side out, or?
08:35Yeah, um, I know, but I found some credit cards when I was going through your things,
08:41credit cards that do not belong to you.
08:43Yeah, I found them, um, not all at the same time.
08:48You know, like, along the way, people drop them, people throw them out by accident,
08:52and I know, you know, it was wrong to use them.
08:57I just, I get so hungry.
08:59No, I get it, but I'm just gonna need some clarity before I make a recommendation to the TA's office.
09:05Right now, your arrest falls into the wobbler category.
09:09Could be a misdemeanor, could be a felony.
09:11Now, I want to recommend the former, but I can't do that unless you are straight with me.
09:17No, I'm, I'm an open book.
09:19Okay, well, let's get started.
09:23Uh, I'm sorry, I tend to, uh, default towards disorganized,
09:29which is why I'm still in patrol and not a fancy detective.
09:33Well, get me wrong, I actually love working the streets,
09:36but, uh, every day is unique, and I meet some fascinating people.
09:41Like me.
09:42Yes.
09:44We'll see.
09:45Okay.
09:46Your name is Ezra Kane, but you declined to give me a date of birth,
09:51or social security number, or basically anything I could use to confirm your identity.
09:55And if you want the DA's office to play nice, that is not gonna fly.
10:00Would you believe I don't know the first and I don't have the second?
10:04No.
10:05Yeah.
10:05I didn't get the best start in life.
10:08Didn't know Dad.
10:09Mom OD'd when I was like a baby.
10:11If I had a birth certificate, she probably used it to roll the blunts.
10:17Uh, I ricocheted through the foster system for a decade,
10:21and at some point somebody just picked a birthday for me,
10:26and, uh, I, it, whatever it is, it can't be right.
10:29What, what was it?
10:30I think it's like January 6th of 82 or maybe 83, and...
10:35Okay.
10:36Yeah.
10:37And were you born in Los Angeles?
10:39Yeah.
10:40Were you?
10:41You know, I don't get a California vibe.
10:43Oh.
10:44East Coast.
10:45Pennsylvania.
10:46Right.
10:47That makes more sense.
10:48I'm from Idaho.
10:49I got to say growing up in Idaho was pretty hard.
10:53Hi, this is Detective Angela Lopez, Los Angeles Police Department.
10:56I need to run an Idaho record search.
10:59Last name, Kane with a K.
11:01First name, Ezra.
11:02Possible birth date of 1-6-82 or 83, but to be safe, search birth dates from 88 to 78.
11:08Thanks.
11:09The cold helped the swelling go down when I caught a beating.
11:13Well, I guess then that's why you moved to Southern California, if not so that you could just warm up
11:18a little bit.
11:19When was that?
11:21I'm sorry.
11:22I thought we were talking about credit cards.
11:25Yeah.
11:25No, listen.
11:26We're getting there.
11:28Establishing hardship can go a long way to swaying the DA, but if you are in a hurry, I can
11:34just recommend a felony and you can wait on yourself.
11:36No, no need to be like that.
11:38I-I...
11:40Yeah.
11:41Um...
11:42I just...
11:43I'm not used to people taking an interest and I guess, uh, it's just not easy stuff to talk about.
11:50All right.
11:52Excuse me?
11:57Ah, Jen.
11:58Thank you very much.
11:59Got you something more substantive to eat?
12:01Great.
12:03Okay.
12:04Let's get to the credit cards.
12:06Yeah?
12:08Great.
12:09Thanks.
12:10We have the credit card records.
12:16All right.
12:17Only two cards have recent activity on them.
12:19One was used two nights ago at the Hollywood Premiere Motel.
12:23And a dollar amount suggests that he still has the room.
12:26Hot damn.
12:30It's everyone's worst nightmare.
12:32Waking up in the middle of the night to find a psychopath in your house?
12:35Yeah.
12:36And yet, it's statistically the least likely way to get murdered by a psychopath.
12:40I guess we both have some painful experience there.
12:43Is there a problem?
12:45Hi.
12:46Have you seen this man?
12:50Room 216.
12:51So, you know, we've never really talked about what happened to you.
12:55Not that we should've.
12:56But, you know, just, uh, with my sister's case and everything.
13:00I mean, you've been all up in my trauma and...
13:04You know what? I'm sorry. I shouldn't have brought it up.
13:06All right. Listen, it's fine. It's natural to be curious.
13:09I just have no interest in revisiting that particular trauma, so...
13:12Copy.
13:17Police!
13:21Come out with your hands empty and keep them where I can see them.
13:27Clear.
13:39There's nowhere for you to go. Come out.
13:45All right. Step out.
13:47No. You need to go.
13:49Yeah, we're not gonna do that. Come out of the tub, please.
13:52I'm fine.
13:55He's gonna come back.
13:57You have to go.
13:59He's going to come back.
14:01You...
14:02You have to go.
14:04You have to go.
14:06Please.
14:07Is your name Samantha?
14:11Please, just...
14:12Samantha.
14:14Samantha, the man who took you, he's in custody.
14:17He can't hurt you anymore, okay? I promise.
14:27It is not fair. I came clean to everyone. I've confessed every lie, every sin.
14:33And nobody's forgiven me for anything that I've done.
14:37Half the people that I called, they hang up on me.
14:40My dad, my dad won't even take my calls.
14:44You really haven't changed, though.
14:46Excuse me?
14:46You're doing the same thing you always have.
14:48You're not considering anyone else's experience.
14:51You lied to everyone about almost everything, over and over again.
14:57Now you don't get to set the bar on how people react when you finally tell them the truth.
15:01What you did hurt the people who cared about you.
15:04It's gonna take a lot more than an apology tour to fix that.
15:07I suck.
15:10I get it.
15:12Thanks for coming over to clear that up.
15:15I see you never. Thanks for breakfast. Get out of here.
15:23My parents. You have to call my parents. You have to tell them that I'm okay.
15:28Yeah, of course. The doctors will take good care of you.
15:36She doesn't know they're dead.
15:38I mean, he kept her isolated. She only knows what he told her.
15:41Well, I shouldn't have said yes. I-I-I wasn't thinking.
15:44Hey, look. It was instinct, all right?
15:46Try not to beat yourself up. She's in shock.
15:47It wasn't the moment to add more trauma. It'll be fine.
15:57You haven't eaten much. Problem with the sandwich?
15:59No, no. This is great. I'm just-you know what it is? I'm a little claustrophobic.
16:03Spent a lot of nights as a kid locked up in small spaces.
16:07Sorry to interrupt. Uh, can I steal you for a sec?
16:10Of course. Excuse me.
16:12Lucy and Selena just found Samantha Poston inside Ezra's motel room.
16:18Is she-
16:19She's alive and in no immediate medical danger.
16:22But beyond that-
16:24Okay, so are you taking over the interview?
16:26Not yet. There's still room for you to squeeze in before everything comes out into the open.
16:29Go back in there and turn up the heat.
16:31Tell them we found a few recent charges on the various cards.
16:34Mention the motel, but not like we've gone there or even that we will.
16:38And let's just see what happens.
16:41Right.
16:44This changes the profile, doesn't it?
16:46He kept that girl for three years. That- he's not just a murderer.
16:52No. He's worse.
17:02Sorry about that.
17:03Yeah, everything okay?
17:06I'm gonna be straight with you, Ezra.
17:08We ran those credit cards and we found some recent charges.
17:12One of them being to a motel in Tytown.
17:16Whoa, whoa, whoa, hold on.
17:18When was the motel, uh, booked?
17:20Because-
17:21That wasn't me.
17:22Yeah, I mean-
17:22Why would I take refuge in a rec center if I had a place to sleep?
17:28So you're telling me if I went to this motel with your photograph you would not be recognized?
17:33Absolutely not. No.
17:35I don't know why you would waste your time doing that.
17:38I mean, surely the LAPD has better things to do than spend resources on a wobbler that's 100% gonna
17:46plead out.
17:48Call him my bluff.
17:49Look, I know- got a job to do.
17:52I'm just a- a- a guy trying to make his way in an unfair world without hurting anyone.
18:02Can you explain something for me?
18:04Why didn't she leave?
18:05Yeah.
18:06I mean, I know what they taught us in the academy, but, I mean, he left her alone for at
18:10least 12 hours.
18:11It's the opposite of fight or flight.
18:13You know, it's freeze and appease.
18:15You saw how scared she was of him.
18:17That level of fear, it's her primary motivator.
18:20It'll be her only one.
18:24Hey.
18:25I'm sorry.
18:26I wish I could let you rest, but I- I need to ask you some questions before the detectives
18:30conduct a more formal interview.
18:33Okay.
18:34Okay.
18:42I- I can't imagine how overwhelming the last hour has been,
18:46so I'm not gonna assume that you remember anything.
18:48All right?
18:49The man who took you, we have him in custody.
18:52Ezra Kane is the name that he's using.
18:54Is- is that how you know him?
18:54I'm not supposed to talk about him.
18:56Who said that?
18:57Him?
18:59Yeah.
18:59I get- I get it.
19:00Samantha.
19:02You're safe now.
19:04You are.
19:09And did you talk to my parents?
19:11Are they coming?
19:15Samantha, I'm very sorry, but, um, your parents are deceased.
19:20No.
19:22No.
19:23I'm so sorry.
19:23No.
19:24What- what happened to them?
19:25Did he kill them?
19:26No.
19:26No, they're alive.
19:28He said they- they have to be alive.
19:31He said that-
19:32Did he say he would hurt them if you didn't cooperate?
19:35Is-is that the threat he used to keep you with him?
19:45Yeah.
19:46Eamon.
19:47Like, he made me call him Eamon.
19:50The Seventh Spirit.
19:52Marquis of Hell.
19:56Who commands forty legions.
20:01Including...
20:02the police.
20:05And...
20:06he said...
20:07that I was his soulmate.
20:10None of that is true.
20:11Especially the police part, but it doesn't make any of that less terrifying.
20:18Do you remember the night that he took you?
20:25The screams woke me up.
20:28I thought it was the TV, so I went out into the hall.
20:32Just to ask my parents if they could turn it down.
20:39And there...
20:41There was this...
20:45smell...
20:45in the air.
20:46And it just made the hair on the back of my neck stand up.
20:52So I called out, and that's when he stepped into the hall.
21:00I couldn't really see him.
21:04But I just...
21:06I knew...
21:08in my body...
21:10that he was evil.
21:14Does that sound crazy?
21:17No.
21:18No.
21:23Where did he take you?
21:25A cabin in the woods.
21:27Or at least it used to be.
21:29I mean, I don't think anyone had lived there for years, but...
21:35that was my home...
21:38for the next eight months.
21:40Do you remember why you guys moved?
21:43Winter came.
21:44He has this thing...
21:46about being cold.
21:48And by then...
21:49By then he knew I wasn't gonna run.
21:53Okay.
21:55I think I have what I need for now.
21:58I'm gonna let you get some rest, okay?
22:00I...
22:02He bought a car.
22:05After we got to LA.
22:07I don't know if that matters.
22:09Yeah, no.
22:10It sure does.
22:11Do you remember what kind of car it was?
22:13It was old.
22:16Four doors.
22:17Black.
22:18So he would have taken that car when he left the motel then?
22:21Yeah.
22:22Did he tell you where he was going?
22:23No.
22:24He just said that he may be a while.
22:27And, uh...
22:30That he would punish me if I wasn't a good girl.
22:38Did he say something else, Samantha?
22:44He said he was getting ready for after.
22:47After? After what?
22:49I thought he meant...
22:53I thought he meant after me.
22:55You felt like he was getting ready to kill you?
23:02Part of me was really relieved.
23:05Because...
23:07Because at least it would finally be over.
23:44I thought he had to go with him.
23:45Scott to the motel.
23:46Lucy called, she interviewed Samantha. Our guy has got a car.
23:49Make and model?
23:50Black four-door sedan. Old.
23:52That is not particularly helpful.
23:54Find any trophies in the room?
23:55Uh, not yet. I'm waiting for TID to land before I started digging through Ezra's stuff.
23:59But, you know, I did find some drawings that have me freaked out a little.
24:02Freaked you out? This I gotta see.
24:04Yeah, hold on.
24:12Yeah, that's not okay.
24:15Look what Tim found in Ezra's stuff.
24:17Oh, yeah. No, that's not okay.
24:20No, but according to Lucy, it tracks.
24:22Ezra believes he's a demon named Amon, one of the Marquis of Hell.
24:30Everything okay?
24:33Hell.
24:36I was wrong. This is taking...
24:40too long, which means you did send somebody to the motel.
24:44Why would you waste your time with a transient who stole a bunch of credit cards?
24:50Well, this started long before we found out about the motel, Ezra.
24:55Fingerprints.
25:04Credit where credit's due.
25:08You've got that, aw, shucks, every man cop thing down, Pat, and I bought it for too long.
25:13That's on me.
25:14But I bet that there are cops way up higher on the food chain behind that mirror
25:19that are just dying to get in here, little pigs.
25:26Little pigs.
25:28Get your asses in here.
25:31I've enjoyed my time with Officer Appetizer.
25:34I'm ready for the main course.
25:37There they are.
25:40You must be the prosecutor.
25:42Wesley Evers.
25:43I'm Detective Lopez. This is Detective Harper.
25:45Is it okay if we call you Ezra, or do you prefer Amon?
25:51Someone's been talking out of school.
25:52I'm gonna re-advise you of your rights, including the right to have an attorney present.
25:57Not necessary yet. I'll let you know.
25:59Can I have a moment?
26:00Yeah.
26:03What? No goodbye?
26:09I'm gonna go check out the rec center where I found him.
26:12Something isn't adding up.
26:13Agreed.
26:14But before you go, any insights that you might have from sitting two feet from him
26:18that might not have translated to us through the window?
26:21Yeah. When he was talking about the cold of his childhood, that was real.
26:25You want to get him unsettled? Crank the A.C.
26:27Love it. Thank you.
26:34My janitor locked up just after ten last night.
26:36The place was empty after that.
26:37Well, this place is huge.
26:39There's no chance anybody saw or heard anything from the road.
26:44All right. This is about where I saw him. He heard me coming, and then he took off that way
26:49through those doors.
27:02Got it.
27:05Car key.
27:07I must have ditched it when he heard me coming.
27:09So what hit?
27:10One reason I ditched the key is so you didn't find the car.
27:12Well, why?
27:14I don't know.
27:14Like I said, there were no cars here when I got here this morning.
27:17I scrubbed body cam.
27:18I scrubbed dash cam.
27:19No black sedan.
27:21Whoa.
27:22I got blood.
27:23There were no visible cuts on Ezra when I processed him.
27:28Right there.
27:30Have you always known you were one of the devil's minions?
27:33Or was that a later in life revelation?
27:36Yes.
27:38Oh, your disbelief in my truth, it makes no difference as long as Samantha believes that's all that matters.
27:47Yeah, that won't last.
27:48You don't control her anymore.
27:50Hmm, how little you know.
27:51I'm going to be with her until the day she dies, which was going to be today.
27:57You know why?
27:59It's the real reason I was trespassing this morning.
28:13I have found a new soulmate.
28:17He's got another girl.
28:22All right, Julie Reed was reported missing at 4 a.m. after she failed to come home from a friend's
28:27house.
28:27According to her parents, she was back and forth between the two homes all the time, and her route took
28:32her right past the rec center.
28:33Sounds like he'd been watching her for a while, planning the perfect time and place to make his move.
28:37If the suspect's car was gone when Officer Nolan arrived this morning, Ezra must have left and came back.
28:42Why would he do that?
28:43My best guess is that he left something at the scene, most likely his makeshift wallet.
28:47He only realized it after he'd left, but went back for it because he knew it would connect him to
28:51the abduction.
28:52But with a wounded girl in the trunk, he was faced with a problem.
28:55It would have been quicker to run back to the center and run inside.
28:59But that would have put him at a greater risk, because if Julie was conscious and screaming her head off,
29:03it would draw a lot of attention.
29:04So he parked the car somewhere else, somewhere no one could hear her screaming, went back on foot.
29:09Right, but how far would he be comfortable walking?
29:12Ten minutes, twenty?
29:13The average walking pace of a healthy male is probably two and a half, three miles an hour.
29:18Any faster might draw unwanted attention.
29:20Okay, so to be safe, let's say three and a half miles per hour or a 20-minute walk.
29:25Which means we are looking at almost a square mile search radius.
29:29It's clear from the volume of blood at the scene that she was badly wounded.
29:32She was left on her own somewhere over eight hours ago.
29:35Every further minute that passes reduces the likelihood we will find her alive.
29:42Where is Julie Reed?
29:44Oh, is that her name?
29:45No, because we were never properly introduced.
29:47Can you please turn the A.C. off?
29:50It's like a freezer in here.
29:52No problem, just as soon as you tell us where she is.
29:55Hmm.
29:56You'd think I would trade my comfort for her.
29:59After all you've seen of my sacrifice.
30:01No, no, I guess not.
30:02But what would you trade for her?
30:04Now that's an interesting question.
30:07Let's see.
30:08I would say a reduced sentence, but we all know that would be a hollow promise.
30:13After all that I've done.
30:16Hmm.
30:17I would love to say a proper goodbye to fair Samantha.
30:21Not a chance in hell.
30:22That is a non-starter.
30:23There is no way we would ever let you re-traumatize that girl.
30:27I don't think you have a choice.
30:27I think you kind of have to ask her.
30:29No, we don't.
30:30Oh, yeah, no.
30:30I think Samantha would disagree.
30:32Think about it.
30:34How is Samantha going to feel when Julie dies before you tell her and Samantha realizes she could have saved
30:41that poor girl?
30:43Huh.
30:44How about this?
30:45Let's give this a shot.
30:46Tell Samantha that Julie is near the red place.
30:49And if she just talks to me for one more minute, I will tell you where that is.
31:02Sorry to interrupt.
31:03I just need to borrow Sergeant Jen.
31:05Wait.
31:05Did something happen?
31:06No.
31:07No, no.
31:07I just need it for a second.
31:08I'll be just outside, okay?
31:10I'm right here.
31:14Ezra took another girl before he was arrested.
31:17He says he'll tell us where she is if we let him talk to Samantha.
31:20No.
31:21Forget that.
31:22He doesn't want to help us.
31:23He just wants to keep traumatizing her.
31:25I agree.
31:25So do Lopez and Harper.
31:27But he says that the girl's being held near the red place.
31:30And if we told that to Samantha, then she'd agree to help.
31:33No, we're not saying that to her, okay?
31:34It's a trick.
31:38Samantha, open the door.
31:40What happened?
31:41The red place?
31:42I mean, it's got to be some sort of trigger phrase.
31:44He's spent three years convincing her that the police were in league with him,
31:47and she just heard us using his language.
31:51No!
32:01Let me kill her!
32:03We need medical attention!
32:05We don't kill her!
32:06Please, please, I can't do it!
32:08I need a death!
32:10I need a death!
32:10Get her up!
32:11No, I need a death!
32:13I need a death!
32:16I need a death!
32:207-A-M-20, no sign of suspect vehicle at 1900 to Hawthorne.
32:237-A-M-4, instruction sighted 801 Mercury is empty of vehicles.
32:277-Lincoln-15, first five levels of Wilshire Office Complex Garage are clear.
32:32Moving to lower level.
32:407-A-M-4,ари.
32:428-C-RON Owen.
32:436-A-M-4,
32:489-A-M-5,
32:519-A-M-5.
32:5210-A-M-4,
32:529-A-M-4,
32:539-A-M-5,
33:19Julie, you in there?
33:247-15, I have her, lower level of the garage, set an ambulance now.
33:32Hey. Hey, Julie. I'm Officer Nolan. I'm here to help you.
33:37Now, I'm gonna have to put some pressure on that wound to stop the bleeding, okay?
33:40But it is going to hurt. I am so sorry.
33:44Easy.
33:46I'm sorry. I'm sorry. I know. I know. You're doing great.
33:50You're doing great.
33:54She's right here. She just passed out. She's lost a lot of blood.
34:00Pulse is weak.
34:01She's in hypoblemic shock. We gotta get her out of here.
34:13Nolan.
34:18Hey.
34:18Are you all right?
34:21Yeah. Um, Julie just got out of surgery. They lost her on the table for a minute, but she pulled
34:26through and she's recovering in the ICU.
34:28Thank God.
34:28Can I talk to her? When she's ready?
34:32Uh, I'll ask. You know, we wouldn't have found her without you. You gave us the car.
34:38I said it had wheels.
34:40And that it was black and old. I meant it. She is alive because of you.
34:45Samantha's been incredibly brave today.
34:51I'll, uh, I'll come talk to you guys later.
34:53Yeah.
34:59Do you mind if I sit with you for a bit?
35:02Okay.
35:16What was the, um, the red place?
35:21There was this house that we stayed at early on. They had painted the bathroom red.
35:29So when I was bad, he would take me in there to punish me.
35:39I know you're not ready to hear this. Um, but when it's time, the first step of your recovery will
35:46be to stop blaming yourself.
35:50Sure. On it.
35:52I know. I know. It's easier said than done, but I know what I'm talking about, you know.
35:59I want to share something with you, something that happened to me, if that's okay.
36:05Yeah.
36:06Um, so my rookie year as a cop, I met this guy, and he loved dogs, and he was cute,
36:12and he seemed great.
36:14Um, uh, we went on a date, and he, he kidnapped me.
36:21The details are a lot, but the short version is that I thought I was going to die.
36:28In another five minutes, and I probably would have.
36:32For months afterwards, I just obsessed about every second with him before he drugged me.
36:37How I should have seen through him, how I should have been faster, smarter.
36:45I wanted to believe that I was in control, but I wasn't.
36:51So eventually, I stopped focusing on the things that I didn't do, and I focused on the thing that I
36:56did.
36:58I survived. You survived. Samantha, you're here.
37:08I know that you don't see how brave and powerful you are, okay?
37:14But I do. I really, really do.
37:19Hey, uh, sorry to interrupt. Um, I spoke to your aunt, Sarah.
37:24She is rushing back from her vacation in London, but her plane won't get here until tomorrow afternoon.
37:31Hey, it's okay. Don't worry, all right? You're not gonna be alone.
37:34Every female cop at Mid-Wilshire has volunteered to keep you company in the coming days and weeks.
37:39Yeah. We have your back, Samantha.
37:41For however long you need, until you feel safe.
37:49Hey.
37:50Seth's here. I'll be in my room.
37:54It's good to see you, too.
37:59Just another fan.
38:00Poor you.
38:06Um...
38:07Look, you're right, man. The self-pity's gotta stop. I wanna do better.
38:12But clearly, I don't know how to, and you are the best guy I know, so...
38:20Will you help me?
38:21I would need radical honesty. One tiny white lie, I'm out.
38:28In that case, you are one of the best guys I know.
38:32Still has a sense of humor. You might make it through this after all.
38:37All right. No lies, no woe with me. Just head down, do the work, be grateful. Deal?
38:44Deal.
38:50Come here, brother.
38:56Surprise!
38:58Hey. Thanks. Uh, you do know it's not my birthday, right?
39:04You did forget.
39:05Uh, no. It's definitely not my birthday.
39:08No. It's a different special day.
39:14Uh, wait. No, it's...
39:17Oh, my God.
39:21It's our anniversary.
39:22It is. You forgot. And I remember.
39:28Did you?
39:30Totally.
39:34Congrats, grad.
39:36Fine. I forgot. But I had to pull this together fast.
39:41But I remember it before you did, and that's what's important.
39:45Winning.
39:46Yeah. And you know what else is super important?
39:50No. What?
39:51The kids are with my mom.
39:53Oh.
39:54Mmm.
39:54Mmm.
40:01Hi.
40:02Hey, honey.
40:02How's it going?
40:03Oh, I missed you.
40:05Oh, God. What a day.
40:08How'd I go with the hospital?
40:09It's fine. Samantha's asleep right now, so I'll go in and check in with her tomorrow. Thank you.
40:16Do I smell dinner?
40:18Don't get too excited. I ordered Italian. It's in the oven. Keep them warm.
40:21Hmm.
40:22A hero.
40:23Hmm.
40:25Oh, God.
40:26Okay, so I need to say something, and I need you to respond with kindness, okay?
40:32Okay.
40:32Um, after the day that I've had, I really need this place to feel like a refuge and not a
40:39UPS sorting facility.
40:41We need to get these damn boxes out of here.
40:45I...
40:47I agree.
40:49No time like the present. Let's do it.
40:51Wait, hold on. I'm tired.
40:54I'm... I'm very tired.
40:56I thought maybe we could have dinner, and then I would...
40:58I could... I could sit here and...
41:02and supervise.
41:04I mean, how could I refuse that offer?
41:07You can't.
41:08All right, I'll get dinner.
41:14Yep.
41:29Good work today, Officer Nolan.
41:32Thanks.
41:34How come I don't feel better about it?
41:36I think you know the answer.
41:38Yeah.
41:41Listen.
41:43We can't change what already happened.
41:45All we can do is stop it from happening again.
41:49And you did that today.
41:51In a big way.
41:54Which means...
41:55someone ought to buy you a drink.
41:59You volunteering?
42:00I am.
42:30Wow.
42:30Yes.じゃあ...rock
42:43of here.
42:48Tuv makes it
42:49running alive. Let's go up.
42:51Creep. You...
42:52Its turn off
42:53We're on the left.
42:54We're on the left.
42:55We're on the left.ass
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