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00:20Oh, I see you got a real nice coffee maker in there.
00:23It was a gift.
00:24Oh, that explains it.
00:25You got no coffee filters.
00:27So I was going to have to use a paper towel, but you don't got that either.
00:29So I walked down to that little deli, and I picked up a couple cups.
00:33It's real good coffee.
00:34No, I don't drink coffee.
00:36It gives me terrible breath.
00:37Okay.
00:39More for me, then.
00:44Um, if you don't drink coffee, are you going to need that coffee maker?
00:48No, you can have it.
00:50You can take it back to Fresno with you.
00:53That is so sweet.
00:54When is that, exactly?
00:56When what?
00:57When are you going back home?
00:58I mean, there's nothing left for you here anymore.
01:02Well, I wanted to reconnect with you.
01:05We did that as much as we possibly can.
01:08I was sticking around to help you out with Eddie.
01:11Oh, well.
01:12There's no need for that now.
01:15It's over.
01:16I suppose.
01:17I suppose.
01:19Maybe I should think about leaving.
01:22Maybe you should.
01:26Or you could stay.
01:29Help me get Eddie back.
01:36The label was comfortable with the concept.
01:38We signed off on it.
01:40This is coming right from Eddie.
01:41All right?
01:43He's a lot has changed in his life.
01:45Since we suspended production, he wants the video to reflect that change.
01:47Oh, come on, Jake.
01:49The label does not like change.
01:50We fear it, actually.
01:52I think you'll like what Eddie and Tony came up with.
01:54Take it away, Tony.
01:55It's real simple, okay?
01:56Eddie walks into the club.
01:58He starts singing the song.
01:59Beautiful girl walks up to him.
02:01But he passes her by.
02:02Wait, wait.
02:03Why would he pass by the beautiful girl?
02:04Beautiful girls are good.
02:05The label is all for beautiful girls.
02:07Hang on.
02:08So, anyways, he's moving through the club.
02:10He's singing the song.
02:12Right, and we've also got our songwriting contest winner, Lauren Tate.
02:14She's going to be in this.
02:15I'm way ahead of you.
02:16So, we think he's going to choose her, right?
02:18She's pretty.
02:18She's sweet.
02:19It seems like a natural.
02:20But he doesn't.
02:22Who does he choose?
02:23His guitar.
02:25Yeah, it's kind of fitting right now.
02:27Because of the breakup.
02:29Yes, Daniel.
02:30The label is not for the breakup, by the way.
02:33Well, that's unfortunate for many reasons, but it doesn't matter, all right?
02:36Eddie needs this, and please don't ask him any questions about it.
02:40Yeah, you know what question I'd like to ask Eddie right now?
02:42Where the hell are you?
02:44Mm-hmm.
03:00Hello.
03:01Hey, you on your way here?
03:03Sure.
03:05Where is he here?
03:06The club.
03:07We're shooting the video.
03:09Right.
03:09What time is it?
03:10About 20 minutes past when you were supposed to be here.
03:13Okay, I'm...
03:15I'm on my way.
03:16Give me five minutes to brush my teeth.
03:20I think that's 10.
03:31You didn't know it was me this time.
03:33I was hoping it was someone else.
03:35Anybody else.
03:36What's up?
03:36You called B, Tyler, late last night.
03:38Boarding on early this morning, so the real question is, what do you want?
03:42It doesn't matter, Lily.
03:43The story's been broken.
03:44I read about it 50 different times this morning.
03:46I mean, each one better than the last.
03:49Yes, the story is all over the world by now, and everyone's taking it really badly.
03:53I heard the Pope is calling for a day of mourning.
03:56Well, I'm not mourning this morning.
03:58I'm filled with, um...
03:59What's that feeling?
04:00Joy.
04:01You want some eggs?
04:02All right, look, Tyler, just because the story's out there doesn't mean that I don't need
04:05you, okay?
04:06Even if I'm not the first to a story, I can always look at it from a different angle to
04:10get an audience.
04:11So what's my angle?
04:13How's that?
04:14You promised me gory details.
04:17I don't remember.
04:21I wonder why.
04:23Yeah, I had a bit of a celebration last night.
04:26Oh, was Chloe here?
04:28Was Eddie?
04:29Okay, I might have told you on the phone that I could help you out, but honestly, I don't
04:35know anything.
04:36So why'd you call me?
04:37Maybe I called you in the middle of the night for the oldest reason there is.
04:40I had no idea.
04:42You know I've always had a thing for you.
04:46You want to give me those details now?
04:59I just don't understand why you changed your mind.
05:02Well, in the cold light of day, I didn't think it'd be a good idea to be known as the
05:06guy
05:06who broke up Cloette.
05:07That's better than not being known at all.
05:09Look, I'm not asking for that much.
05:11Yeah, not much.
05:11You just want me to look like a jackass in front of the whole world, and I'm not going
05:14to do that.
05:15Oh, you don't want to look like a jackass.
05:17No, I don't.
05:18What's wrong with that?
05:19Tyler, that's like the sun not wanting people to think it's hot, all right?
05:22People are going to see what they want to see.
05:24There's not much that can be done about that.
05:26Sure there is.
05:27I could avoid making a spectacle of myself.
05:29You live for the spectacle, okay?
05:32I've seen you on the red carpets.
05:34The camera comes out, and you find your way into the shot.
05:37This is different.
05:38I just want an interview.
05:41Yeah.
05:42Tyler, Eddie, Chloe, the love triangle that captivated the world.
05:46That's the Tyler I know, okay?
05:48The guy who's totally unaware of what else is happening in the world.
05:51You of all people, you can't turn down free publicity.
05:54Okay, here's the thing, Lily.
05:55I've seen situations like this before, and it's never good for the person who broke up the couple.
05:59If this could put you on people's radars, directors, producers, you name it.
06:04It's not the kind of radar I want to be on.
06:05Being a bad boy has hurt your career in the past, but it's all you got going for you right
06:10now.
06:11Embrace it.
06:12Be the motorcycle-riding bad boy that blew up the hottest couple in town.
06:17So you really think this could help me get some work?
06:20You'll be working so much you won't be able to keep up.
06:22Good roles, too.
06:23Award-winning type roles?
06:25Of course.
06:26Look, you'll be able to move out of this place and up into the hills.
06:29You'll have to get an assistant.
06:31An assistant?
06:33I've always wanted an assistant.
06:34Yeah, and all that can be yours.
06:36All you have to do is get in front of my cameras and tell me what happened.
06:42My eggs are getting cold.
06:43Tyler, wait.
06:45Are you going to help me help you?
06:48I can't.
06:50I just, I don't understand.
06:52Some things are bigger than a job or a career or an assistant.
06:56Are you not willing to go on record with me because you're trying to protect Chloe?
07:02You think the two of you are going to end up happily ever after.
07:05Is that, is that right?
07:06Well, you think about this.
07:08If the stiletto heel were on the other foot, would she do the same for you?
07:11Would she stand up and protect you instead of advancing her own career?
07:15I think she might.
07:16Chloe Carter.
07:17Are we talking about the same girl?
07:21All right.
07:23When you change your mind, you give me a call.
07:27And you will change your mind.
07:30You know what?
07:31Better yet.
07:32Have your assistant call me.
07:43Hi.
07:47Hi.
07:48Hey, Beth.
07:49I was hoping we'd see you.
07:50Look at that.
07:50What brings you here?
07:51Oh, well, I was just making sure that this isn't the kind of video where Lauren's wearing
07:55a gold bikini, smoking a cigar in a hot tub.
07:57Mom, you know I wouldn't smoke.
07:59Oh.
07:59Yeah.
08:00Well, I'm sure that she's perfectly safe.
08:02I just, I wanted to touch base with Kelly.
08:04She's been talking to Lauren about her potential in music.
08:06Right.
08:07Well, she's here.
08:07She's around.
08:08I saw her.
08:08I mean, what do you think about her?
08:09Do you trust her?
08:10Oh, yeah, yeah.
08:11She's very sharp.
08:12Yeah.
08:12Plus, she thinks I'm brilliant.
08:14You know, that's a lot of points in her favor.
08:16That said, I don't trust a lot of people in this business.
08:19Right.
08:20Well, I'm late, so I'm going to go check in.
08:22Oh, actually, they haven't even started yet.
08:24Eddie's not here.
08:25He's not?
08:26Yeah.
08:26Oh, see, honey.
08:27She was so worried because we were running ten minutes behind.
08:31They'll start, sir.
08:32I'm sure he had a rough night.
08:34Yeah, he called me around like two.
08:36He did what?
08:37Yeah, he just wanted to talk about the song.
08:39He was inspired and writing some music.
08:42Is that why you didn't sleep at all last night?
08:44It was for like two minutes, Mom.
08:45That's it.
08:46I'm sure he had a lot in his mind.
08:48What happened?
08:51He finally broke it off with Chloe.
08:56How's the video shoot?
08:58So jealous.
09:02Hey.
09:04Hey.
09:05I saw the new wheels.
09:07Pretty sweet, huh?
09:08Want to race later?
09:08For pinks?
09:09Obviously.
09:11No, but I'm surprised you even asked, seeing how Tom's the best driver you know.
09:15If by best, you mean slowest.
09:16Yeah.
09:17I'm cautious, Mel.
09:18Not slow.
09:19I have an exceptional safety record.
09:20So does my grandma.
09:21Maybe you two could get together, talk about it.
09:23You know, talk about stopping at green light.
09:24Stuff like that would be rocking.
09:26Yeah.
09:26Yeah.
09:26Heard anything from Lauren?
09:28No.
09:28I'm not even sure if she knows that Eddie broke up with a stick figure yet.
09:31She knows.
09:32I bet he told her himself.
09:34What?
09:34Why would you say that?
09:35I saw the way you looked at her over the foosball table.
09:37He likes her.
09:38He's a charismatic worldwide star.
09:41That's their trick.
09:42They do that to everyone to make them feel great.
09:43That's how they become stars.
09:45You sound a lot like Lauren.
09:46Yeah, that's because that's exactly what she told me when I said I think Eddie likes you.
09:50So, we both have the same thought about Eddie.
09:52Seems we both have a special talent for spotting romantic attraction.
09:57Have you had any progress on tracking down Beth?
10:00Actually, she's proven pretty hard to find.
10:03Well, that's good news.
10:04I thought you wanted to find her.
10:06No, I do.
10:07But if she was dead, you'd be able to find her just like that.
10:09This means she's alive.
10:11She's just hiding.
10:16What's that smell?
10:18I thought I should make you some comfort food.
10:21Well, I don't find comfort in bacon.
10:23Well, maybe you should.
10:31Still nothing?
10:33He'll call.
10:35I hope so.
10:37You don't think he's going to call me, do you?
10:39I think that no matter what happens, the most important thing is that you feel happy about yourself.
10:45So, that's what you're going to say to try and cheer me up.
10:49I'm not good at this, but I'm trying.
10:51Yeah, I'll agree with the first part.
10:53No, I'm going to get Eddie back.
10:55I just need to talk to him.
10:57Oh, no.
10:58That's not a good idea.
11:00Today, he's shooting a video at Max's club.
11:02I'm going to go down there and I'm going to make him talk to me.
11:05Or maybe you give him a little space and then you get back in touch.
11:09See, those are words of a quitter.
11:11And I am not a quitter, Mom.
11:14Honey, I...
11:16Are you expecting someone?
11:18Are you?
11:19No, maybe it's Eddie.
11:23How do I look?
11:24A little touch-up wouldn't hurt.
11:26Tell him to hold on.
11:28Okay.
11:34Oh, no.
11:36I get that a lot.
11:37Is Chloe here?
11:39She'll be out in a sec.
11:40Can I help you with anything?
11:41Well, yeah, I'd love to get your story, too, but that's not why I'm here.
11:44Tyler called me.
11:45He told me everything.
11:46I don't know what you mean.
11:48It means it's time for Chloe to tell her side of the story.
11:51The entire story.
12:01Look, this story is happening with you or without you.
12:04And I want you to have control over what happens next.
12:07I need to know exactly what Tyler had to say.
12:09And I want to share that information with you as a friend.
12:11But, you know, Tyler talked to me as a source.
12:14So I'm unfortunately unable to repeat what he said.
12:17So now, all of a sudden, you have an ethical code?
12:20Chloe, I've done nothing but tried to help you.
12:22Okay?
12:22I think of you as a real friend.
12:24And I appreciate everything that you've done for me.
12:27Okay.
12:27I'm just a wreck right now.
12:29I need as much help as I can get.
12:31All right.
12:32Tyler didn't tell me anything.
12:34I think he's trying to protect you.
12:36Seriously?
12:37Yeah.
12:38I think he's genuinely in love with you.
12:41That is very sweet.
12:42But, I mean, Eddie and I, we're not done.
12:45We're going to get back together probably by the end of the week.
12:47You really think so?
12:48I know so.
12:49That's why I'm going to Max's club today for the video shoot.
12:52I'll be there too.
12:54Why?
12:54I got to interview that contest winner, Lauren Tate.
12:58Oh, you don't like her.
13:00Uh, Lily, I think it's time for you to go.
13:03Chloe's been through enough, and I don't think she should be talking to anyone.
13:06Especially reporter types.
13:17It's all over the news.
13:18Even the gossip rags have it.
13:20I know.
13:20Why do you think I'm sketchy?
13:21I'm trying to stay calm.
13:24Will you talk to Eddie?
13:25No, he won't return my calls now.
13:27Well, that's not good.
13:28Why did this have to happen before we signed?
13:32Damn it.
13:33What?
13:34You used too much Burt Umber.
13:36Ivana, this isn't working.
13:39Sorry, I've lost inspiration, and it's only partially your fault.
13:45You talked to Chloe.
13:46What's she saying?
13:47Maybe the media's blowing this out of proportion.
13:49I haven't called Chloe.
13:50I thought you were just interested in Eddie.
13:52I am, but he said he'd only do this movie if she was in it, so obviously she's this weak
13:56point.
13:57Well, apparently not anymore.
13:59She's quite ravishing, isn't she?
14:01No, let's be careful.
14:04Hey, never hold back when you're commenting on beauty, Connor.
14:09Can we get back to the Eddie problem, please?
14:11Don't call it a problem.
14:12Call it a situation.
14:14I told you to work on that negativity.
14:15Sorry, I'm sorry.
14:16What would you like me to do about the Eddie situation?
14:22Bring Chloe in.
14:24Tell her I'd like to speak to her.
14:25Are you seriously going to get involved with their personal problems?
14:29This isn't personal.
14:31This is business.
14:33Whatever she did, she's going to have to make right so Eddie's happy again.
14:36No Eddie, no movie.
14:38If there's no movie, I'm going to be very upset.
14:41Do you have any idea what happens when I'm upset?
14:44You used too much burnt umber?
14:48That's right.
14:51Are you sure you want to do this?
14:57Yeah, I'm here.
15:00Just checking in on your condition, that's all.
15:02My condition is ready to work.
15:04Just say the word and I'll tell all these people to hit the brakes.
15:09Hey, there's our star.
15:11This is going to be a simple, undramatic, fun day.
15:15Everyone understand?
15:18Tony!
15:19Yep.
15:20You ready to do this?
15:21I am.
15:21You like the new concept?
15:23I do.
15:23Jake sent it over to me, did a good job with it.
15:26I'm just trying to take your ideas, make a little magic happen.
15:28Thank you for understanding and being flexible.
15:31I just don't see myself doing the whole dance party 2012 at this moment.
15:36This is kind of more where I'm at.
15:38Understood.
15:39And hey, I get paid the same either way, right?
15:42That's true.
15:43Hey, did Lauren show up?
15:44Yeah.
15:48All right, well, this is going to be great.
15:50Get these cameras fired up and let me splash some water on my face and I'll be ready before
15:53you know it.
15:54Tony.
15:57Tony.
16:11Hey, Den.
16:13Can you do me a favor?
16:15A favor for you or for the girl?
16:16What do you mean, the girl?
16:17You know, Melissa, who I guess is not your girlfriend, but you're constantly doing favors for her anyway.
16:22I'm not constantly doing favors for her.
16:24Dude, yes you are.
16:25I mean, you even got me and Ben helping out.
16:26We can't even pretend she's our girlfriend.
16:28Are you saying I pretend she's my girlfriend?
16:30Yes.
16:31I mean, that's exactly what I just said.
16:33Weren't you listening?
16:34You're wrong.
16:35Oh, about which part?
16:36Most of it.
16:37But I do need a favor.
16:39I'm looking for someone.
16:40Can you help me find them using your connections?
16:43Please?
16:43Please, this is for the girl, isn't it?
16:47No.
16:49All right.
16:50I'll help you.
16:52If you just tell me that this is for Melissa, your pretend girlfriend.
16:57You need to leave right now.
16:58It's a close set.
16:59I just need to talk to Eddie.
17:01It's not going to happen.
17:01It's important.
17:02It'll just take a second.
17:03Now's not the time.
17:05Eddie, wait.
17:07I'm not going to just disappear.
17:08I deserve a conversation.
17:10No, you don't.
17:11Let's go.
17:12Let's make a video.
17:13Let's go, people!
17:15I didn't mean to be rough.
17:17And I'm sure you think I'm the enemy, but I'm not.
17:21All right, Chloe, listen.
17:22I want you to be happy.
17:23And the best way you can do that is to leave Eddie alone for good.
17:26No, Eddie will come around.
17:28No, he won't.
17:29Not this time.
17:30You betrayed him.
17:32Have you ever been betrayed?
17:33More than you.
17:35Well, then you understand.
17:37Just convince him to talk to me.
17:39Please.
17:39I've already talked to him.
17:41He doesn't want to see you.
17:43Not today, not tomorrow, not ever again.
17:47He's moved on.
17:48He will never trust you again.
18:02Yeah.
18:04Hey, Jackie.
18:06Tyler, what do you want?
18:08I want to see Chloe.
18:09She's not here.
18:10Where is she?
18:11I don't see how that's any of your business.
18:14Fine.
18:14I'll call her myself.
18:15No, I just...
18:16She went to see Eddie.
18:18Come on.
18:20She's obsessed with him.
18:21She's not obsessed with him.
18:22She doesn't love him.
18:23She never has.
18:24She told me her plan from the beginning.
18:26It was never about love.
18:27Tyler, I have never seen her like this.
18:29Not even with you.
18:30Because she wants his money.
18:32I don't know that it's that simple.
18:34It is.
18:35Fame, money.
18:36It makes people act like monsters.
18:39Well, it doesn't matter.
18:40I mean, if what you're saying is true,
18:42and she never really cared about him,
18:44then do you really want to be with a person like that?
18:47She's...
18:48She's a good person deep down.
18:51How deep are you willing to go to find that?
18:53We're in love, Jackie.
18:56If that's what you call love,
18:57it doesn't sound so great to me.
18:59Well, what am I supposed to do?
19:00What do you think I should do, huh?
19:03It doesn't matter.
19:05I tell her to leave Eddie alone,
19:06and off she goes.
19:07I tell you to leave her alone,
19:09you're not going to listen to me.
19:10So what's the point?
19:12The two of you are so bound and determined
19:15to destroy everything around you.
19:18Is that what you think love is, Tyler?
19:25All right, everybody, listen up.
19:27We're going to do a run-through.
19:28Somebody cue Eddie in five,
19:30four, three, two, action!
19:34Breathe it in.
19:36Cue girl one.
19:38Can you feel it in your soul?
19:42Under your skin.
19:44And cue girl two.
19:46Just let it take control.
19:50Tonight is going to be our night.
19:53The beating rhythm.
19:54Cue the contest, girl.
19:56Feel the energy inside.
19:57I know your body wants to explode.
20:00Your feet just want to blow.
20:02We're going to feel alive.
20:05There's something in the air.
20:07Cue.
20:08Cue.
20:10It's a rehearsal.
20:11We're not rolling cameras.
20:13Did I just let me know?
20:14No, it has nothing to do with you.
20:16Okay?
20:17Look, I just don't feel the concept anymore.
20:19It feels weak.
20:21We wanted something simple that showcased you.
20:23This is what you wanted.
20:24Why don't we all take a moment and reflect on this?
20:27I mean, there's no reason this video needs to be shot today, right?
20:30The star needs to be happy.
20:31I agree.
20:32It actually does need to be done now.
20:34The video debut's in a week.
20:35Hey, well, what do you want from me?
20:37Okay?
20:38Because I don't like it.
20:39It doesn't make me happy.
20:40I'm not going to pretend like it does.
20:41Just Eddie, listen to me for a second.
20:43No.
20:43Listen to me.
20:45Okay?
20:45Okay?
20:46It's not working for me.
20:47Fix it.
20:48Make it better.
20:49Eddie, I'm actually with Max on this.
20:50Jake, no one cares.
21:07Well, it was a disaster.
21:09Oh, sweetie.
21:11No, great.
21:12Now I'm going to have you pitting me.
21:13That's the last thing I need.
21:16I just, I need a plan.
21:19I need a plan.
21:20And, I mean, it can't be over.
21:23It's not over.
21:24Tyler came by.
21:27Why?
21:28Why do you think?
21:30Oh, because now that Eddie and I are on a break, he thinks I'll come running back to him.
21:35Honey, you are not on a break.
21:38Sounds to me like he doesn't want to even see you.
21:40I will die before I give up on this, Mom.
21:43I do not like hearing you talk like that.
21:46Well, deal with it.
21:48Honey, I know Eddie was a special guy, but do you really want to spend your time chasing
21:54after some boy who doesn't want nothing to do with you?
21:57You wouldn't understand.
21:59No, I wouldn't.
22:00When people tell me they don't want nothing to do with me, I'll leave him alone.
22:04Yet you're still here.
22:10I think it's great.
22:11I love it.
22:12Yeah, I like it too.
22:13It's a small change, but it's better.
22:15Do it.
22:17Where's Lauren?
22:18Uh, she's, uh, back taking a break.
22:20I think this is all a little stressful for her.
22:22And for you?
22:23I'm okay.
22:25And I'm proud, but I'm also just worried about her.
22:27No, Lauren's great.
22:28You don't have to worry about her.
22:30And I really appreciate you taking an interest in her career.
22:33Well, along those lines, I spoke to the video director, and I suggested that Lauren, instead
22:38of being a cameo, is the main girl in the video.
22:40So Eddie is rushing to her, not the guitar, and that's why he's pushing all the other girls
22:44away.
22:44Because Eddie loves Lauren!
22:47Wow, I mean, if she's comfortable with it, that's amazing.
22:50There's nothing sexual, no kisses, nothing.
22:51Okay, good.
22:52I'm on the word.
22:53But you know what?
22:54I actually, I need to go.
22:55I have a lunch that I have to be to in five minutes.
22:57Can you look after her?
22:59Always.
22:59Great.
23:00You know, I have really big plans for your daughter.
23:03Yeah, you know, I do want to talk more about that with you.
23:06All right, well, I'm not thinking of taking her out of school or anything like that.
23:09Well, good, because that's not an option.
23:10No, Lauren's appeal is how genuine she is.
23:12I don't want to mess with that, but it will take time.
23:15There's going to be a lot of voice lessons, meetings, demos, everything that I think Lauren's
23:19going to love and excel at.
23:20She's a great kid.
23:22No, you don't have to tell me.
23:23Although I do love hearing it.
23:24Although I don't think she's really a kid anymore.
23:27No, you're right.
23:28I still think of anybody under 25 as a kid.
23:31No, for me, 30 is the cutoff.
23:33But I do, I do have to run, so.
23:34Okay.
23:35All right.
23:35Well, then can we, can we do drinks sometime?
23:37Yeah.
23:37Or lunch?
23:38Can we do lunch?
23:38Never done lunch before, but.
23:40Hey, okay.
23:41All right, thank you.
23:42All right.
23:44Hey.
23:45Oh, hi.
23:47You taking off?
23:48Yeah, yeah, I have lunch.
23:50Oh, that's too bad.
23:51Yeah.
23:52I mean, not that you haven't lunch.
23:53It is one of the three most important meals of the day.
23:57I kind of want to spend some time with you.
24:00Oh, my God.
24:01When you say that, the my little girl part of me is like freaking out with excitement.
24:06What about the not-so-little girl?
24:09Don't answer that.
24:10I got you something.
24:11What?
24:12You got, was it for me?
24:14Yeah.
24:14Oh, my God.
24:15It seems like yesterday I was in here begging you to listen to my daughter's song.
24:18Weird.
24:19It seems like 20 years to me.
24:20Here.
24:25Oh, my God.
24:26No way.
24:28Yeah.
24:31Unpublished.
24:31There's some really cool stuff on the deep side.
24:33I'm going to listen to these night and day.
24:36Absolutely.
24:36My pleasure.
24:38Yeah.
24:43Well, um, okay.
24:46Okay, well, bye.
24:49See you soon.
24:52Okay.
25:01Good riddance.
25:16Can we talk?
25:21Tonight is going to be our night.
25:24The beat and rhythm.
25:25Feel the energy inside.
25:28I know your body won't switch.
25:31What is Lily doing here?
25:32Please get her out of here.
25:34Cut.
25:35That's rehearsal number six.
25:37This is a private video shoot.
25:38Takes a lot of nerve for you to show up coming here digging for a story.
25:42No, Eddie, Eddie, Eddie.
25:43Look, look, look.
25:43She arranged for an interview with Lauren through the label.
25:45Did I sign off on it?
25:46You did.
25:47But I asked her not to come.
25:48She didn't listen.
25:49Great.
25:50Well, then I guess I'm the problem.
25:51So what are we doing?
25:52Let's run this again and we'll shoot the rehearsal.
25:53Yeah, we're not quite ready to shoot yet.
25:55Then what are we just wasting time?
25:58You want to call me when you actually want to shoot a video?
26:00We're rehearsing, okay?
26:01Mainly for marks.
26:02We can use a stand-in if you want.
26:04Okay.
26:04I don't care.
26:05All right.
26:06Let's just do this.
26:07Let's run it.
26:07And you, you want to stay here?
26:09That's fine.
26:10But the only story that you're getting is the interview with Lauren.
26:12Everything else here is off the record.
26:14Got it?
26:27Hey.
26:28Hey.
26:30So, I think I found something.
26:32About Beth?
26:33Yeah.
26:34Or more accurately, Din found something.
26:36Wait, why was Din involved in this?
26:38His dad's a cop.
26:39He has access to databases.
26:41This information was not cheap.
26:42What did it cost us?
26:43I had to promise them that if we ever got married and had kids,
26:46our firstborn would be named Prometheus Starbucks Jones.
26:49Seems like a small price to pay.
26:51What did he say?
26:52He has a lead.
26:54He knows where she is?
26:55He knows where she was.
26:56A rehab facility.
26:58Drugs?
26:58I don't know.
26:59Probably.
27:00Well, we have to call there and see if she's still there.
27:02I did.
27:03But they can't just release patient information.
27:04And we can't just go there asking for her.
27:07Are we living in a totalitarian state?
27:09I mean, why won't they tell us what we want to know?
27:11It's to protect patient privacy.
27:13It's a good thing.
27:14Okay, fine.
27:15But then, I mean, how are we going to find her?
27:18I don't know.
27:19But this is a good start.
27:20Now that we have something to go on, we'll track her down.
27:25Adam, I can't tell you how grateful I am for everything you've done.
27:29Don't thank me.
27:29Thank Din.
27:30He's the real hero.
27:31You're an amazing friend.
27:33Just a friend?
27:35I gotta get to class.
27:57We're going to have a good time.
28:00We're going to have a good time.
28:25It's all around.
28:33All right, everybody, this is a wrap.
28:36Great job.
28:37Give yourself a hand.
28:42Great job.
28:44Oh, it was fun.
28:46Sorry, I'm my usual self today.
28:49I think you're excused.
28:51Part of it.
28:53The other part, I'll be apologizing to a long list of people.
28:56That was a jerk.
28:58Jerks don't keep a list of people to apologize to.
29:01Maybe.
29:02I just think I need to sleep it off, you know?
29:06I don't remember everything that happened last night,
29:08but I'm pretty sure a truck ran over my head.
29:12Well, did any good songs come of it?
29:14I don't know.
29:15It's a good question.
29:16I'll have to check the tape, but I don't have much hope.
29:19Mm-hmm.
29:21Well, do you remember calling me last night?
29:24Is that still in your memory book?
29:25Mm-hmm.
29:25I don't remember everything we talked about,
29:27but I remember I really wanted to call you.
29:30So you don't remember promising to give the commencement speech at my graduation?
29:36I, uh...
29:36No, I'm just kidding.
29:38You didn't see that.
29:39Oh.
29:40I mean, I can sing in front of a bunch of people in a stadium,
29:43but giving a speech in front of a bunch of teachers and parents.
29:49Mm-hmm.
29:52All right, so I will call soon.
29:53We'll work on another song.
29:55But I also want to hear more of yours, okay?
29:59Okay.
30:00Get some sleep.
30:02Okay.
30:02Take care.
30:03Okay.
30:11Hey.
30:12Ready for your interview?
30:16Sure.
30:20Do you have the answer to 5C?
30:23I think it's James Madison, but it may be Monroe.
30:28Possibly Van Buren?
30:29Ugh.
30:30I can't concentrate.
30:31No, that's someone like you.
30:33Normally, you just plow through history assignments.
30:35I just can't stop thinking about Beth.
30:38Where is she?
30:39I mean, what's she like?
30:40How are we going to find her?
30:42We'll go to the rehab facility if we have to.
30:44Stand around until we encounter someone who knows her
30:46or knew her when she was there.
30:48That's not going to work.
30:50What about the Internet?
30:51I thought the Internet's supposed to have the answers to everything.
30:53Hey, don't disparage the Internet.
30:54These are our own limitations.
30:57Fine.
30:58Okay.
30:58Back to Millard Fillmore.
31:02Are you going to kiss me again?
31:05You kissed me?
31:07The first time.
31:08The second and third time, you totally kissed me.
31:10I think someone pushed me into you.
31:12There was no one around.
31:13Then it was obviously some sort of gravitational force.
31:16Explain that.
31:17You know I don't do physics.
31:18You kissed me.
31:20Why won't you admit it?
31:22Okay, Adam.
31:23I kissed you.
31:23It was warm and passionate and sexy,
31:26and it made my ears tingle.
31:28Is that what you want to hear?
31:31Are you going to do it again?
31:35Ooh, look.
31:36The answer to 5C is James K. Polk.
31:44In a matter of weeks, you went from a regular high school girl
31:48taking tests, thinking about the prom,
31:50to the apple of Eddie Duran's eye.
31:52Tell me, how does that feel?
31:55Oh, I don't know if I'm...
31:58Yes, it must all be very overwhelming.
32:01Now, this music video wasn't part of the songwriting contest
32:04that you won.
32:05Why do you think that they asked you to be a part of it?
32:09I don't know.
32:11I'm just glad they did.
32:13And do you think you're going to pursue a career in music?
32:16I do.
32:17I love writing music and singing it.
32:20I mean, I still am terrified at the idea of performing in front of people,
32:26but I'm working on it.
32:27Oh, you are so charming and beautiful.
32:31You must have all the high school boys after you.
32:34Oh, no?
32:35There's no high school boy in your life right now?
32:39Not really.
32:41Well, you and Eddie seem to have really good chemistry.
32:44Any reaction to that?
32:46We have chemistry?
32:49Well, yeah.
32:49He seems to really like you.
32:51I mean, he chose you from all those girls today.
32:54Well, that was just the video.
32:55That was the story.
32:57Well, you know what happened between Eddie and Chloe, right?
33:00Now that he's back in the market,
33:01are there any plans that you two will get together or go on a date?
33:04All right, that's enough.
33:05Out.
33:05Out.
33:06What?
33:07I was in the middle of an interview.
33:09Unprofessional.
33:10I know exactly what you were doing.
33:11You guys need to get out now and do not come back.
33:15Guess we lost your interview, kid.
33:18Nice.
33:18Huh?
33:19She's just flustered.
33:20We'll reschedule.
33:21She needs to get out there.
33:29Eddie.
33:30I'm sorry about that.
33:31I didn't know she was going to ask that stuff.
33:33I'm just glad I caught it before I left.
33:35You shouldn't have to deal with that.
33:36It's my problem.
33:37It's going to be okay.
33:39Yeah.
33:40You ever been in love?
33:43No.
33:45You hoping to be?
33:47Sunday.
33:48Yeah.
33:50Well, Lauren, do whatever you can not to.
33:54It hurts.
34:00Great job on the video.
34:03Thanks.
34:04But we need to do some damage control with Lily.
34:08I don't really care about this.
34:09It's a great first step.
34:11We need to get you out there, and she can get you out there.
34:14So we have to repair it.
34:14And we need to talk about the next steps for your career.
34:21I'm ready whenever you are.
34:22Good.
34:33What are you doing with my computer?
34:35Nothing.
34:36I'm just checking my emails.
34:37Who emails you?
34:39Sometimes Rita sends me funny videos.
34:42That's an excellent use of technology.
34:45Why are you being so mean?
34:47I'm sorry.
34:48I just, I thought today would go differently.
34:50I thought I would at least talk to Eddie.
34:52I need to see him.
34:53Well, and so you take it out on me.
34:55Well, you're within reach.
34:56If you don't like it, then you should leave.
34:58You want me to leave?
35:01Maybe, just for a few hours.
35:04You got company coming?
35:05It's a business thing.
35:08Oh, so you're embarrassed of me.
35:10You don't want me to meet your business people.
35:12No, it's not that.
35:13I just get distracted with all these meetings,
35:15and it's really boring.
35:17Well, where should I go?
35:19What should I do?
35:20This is one of the largest, most exciting cities in the world.
35:23I'm sure you'll find something to do.
35:27Look, I don't want you doing anything rash, anything else.
35:29Where do you think I'm going to go, Jake?
35:31What do you think I'm going to do?
35:31I don't know.
35:32That's why I'm telling you, don't do anything,
35:34and especially don't go see her.
35:35Okay, well, it's the last thing you have to worry about,
35:37because I don't want to see her.
35:40I think we should all hang out for a while,
35:42have a little drink, let off some steam.
35:44Yeah, yeah, let's go have a drink.
35:46It's always helped everything.
35:55There's no place like home.
35:58There's no place like home.
36:00No place like home.
36:03There's no place like home.
36:05There's no place like home.
36:08Damn it.
36:12Yeah.
36:15No, I don't have Chloe Carter's number.
36:17I assumed you did.
36:20Well, then you're just going to have to go and get it, aren't you?
36:23Connor, do not bother me if you haven't accomplished something.
36:27Only bother me if you have.
36:46Come in.
36:49Okay, Chloe just called,
36:51and she's understandably upset,
36:52but she's going to make it in tomorrow.
36:54That's great.
36:56I'm happy again.
36:58What are you watching?
37:00I don't know, but it's mesmerizing.
37:04So human-like, it's uncanny.
37:09Hey.
37:12Did anyone see you?
37:13I don't think so.
37:15Does it still matter?
37:15Yes, it still matters.
37:17Why?
37:18You and Eddie are over.
37:19Are we?
37:20I think I read it somewhere this morning.
37:23Well, don't believe everything that you read.
37:25Okay, I saw it then, because it happened in my apartment.
37:28Why didn't you give Lily that story?
37:31She didn't offer me enough.
37:32Well, she seems to think that it's because you're trying to protect me.
37:36Isn't that sweet?
37:38That's hilarious that she thinks that you would need to be protected.
37:42Well, it's good to know that you have my back.
37:44Why'd you summon me, Chloe?
37:46Did you think that while Eddie and I are on this break that you and I would get back together?
37:51I did.
37:52At first, I celebrated.
37:55But I realized that that's not what you want.
37:59You want him.
38:00And I know you're going to try to get back with him.
38:04What's that supposed to mean?
38:07I've known you longer than 15 seconds.
38:09I know.
38:10That's the only thing that matters.
38:12That's not true.
38:13You know what I realized today?
38:14I've been sitting back and laughing about how you've been playing Eddie and how he's your toy.
38:19You know, you spin him up and turn him around and he does exactly as you please, but...
38:25You just realized that?
38:26No.
38:27What I realized is that I'm the one being played.
38:30I'm more of a toy than Eddie is.
38:32No, that's not true.
38:34Why'd you call me, Chloe?
38:36Because I needed someone to hold me.
38:39And you're the only one that...
38:43Why can't this just be easy?
38:46You know, you don't deserve this, but I...
38:51I'm sorry.
38:55Maybe we deserve each other.
39:00Yeah.
39:09I think he held it together pretty well, given everything he found out yesterday.
39:14You know, after Katie died, I spiraled hard.
39:17And I see the same look on Eddie's face, you know?
39:20A guy that could throw away everything after losing a girl.
39:23It's over.
39:24I'll make sure he doesn't chase her.
39:26I'm right there with you.
39:28Did you know I, uh, put a P.I. on Chloe?
39:32No.
39:33I'd have freaked out if I found out.
39:34That's why I didn't tell you.
39:36No, you don't tell me anything.
39:38Guys like that, you never know what they can uncover.
39:41And you don't know what they're gonna do with the infant when they get it.
39:43No, not this guy.
39:44I completely trust him.
39:46So you and your detective set the wheels in motion on this?
39:49Maybe a little.
39:50Eddie was gonna find out about Chloe no matter what.
39:52I just had to make sure that he did it before they got married.
39:56Yeah, speaking of marriage, I should probably, uh...
39:59That's my work wife.
40:00I'm gonna take this.
40:01You mind?
40:02No, go right ahead.
40:04And we should work together.
40:05Make sure Eddie stays strong.
40:06Yeah.
40:07And, uh, he'll find someone else.
40:09You know, you will too.
40:11Hmm.
40:26Hi, this is Nora.
40:27Leave a message.
40:51Hey, it's me.
40:52I, um...
40:55I don't really know what to say, but...
40:56I just wanted to tell you that, uh...
40:59Listen, don't try and come to the club.
41:01Don't try and see me.
41:02Don't try and talk to me.
41:04I don't want to see you.
41:05I don't want to have a conversation.
41:07But at the same time, I can't just let this go, okay?
41:10I have so much I want to say to you, and...
41:12I want to look into your eyes.
41:13Not like this.
41:16Face to face.
41:17Oh, baby, let me eat.
41:19Yeah.
41:51I don't want to see you.