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16:09You...
16:14I'm not sure they're one of your customers.
16:19Can we do it first?
16:25Oh, let me go.
16:54and away both under influence we had given said to know what to say
17:03mind is a race away to call from hands of above to lean on
17:13wouldn't be good enough
17:23one night of magic rush the stars a simple touch
17:29one night of emotions and empty dreams
17:35ten days of perfect tears the sun will spit in blue
17:40we had promised me we were in love
17:48to call from hands of above to lean on
17:54wouldn't be good enough to lean on
17:59to call from hands of above to lean on
18:05wouldn't be good enough
18:09and you
18:12you knew the hand of the devil
18:19and you
18:23kept us away
18:34you
18:38you
18:41you
18:46you
18:47you
18:48you
18:48you
18:50you
18:50you
18:52you
18:54you
18:54you
18:55you
18:55you
18:56you
18:56you
18:56you
18:56you
18:57you
19:10you
19:11you
19:14you
19:15you
19:27you
19:33you
19:35you
19:46you
19:47you
19:48you
20:01you
20:03you
20:03you
20:14you
20:18you
20:27you
20:28you
20:31you
20:37you
20:47you
20:48you
20:56you
21:06you
21:17you
21:18you
21:34you
21:35you
21:41you
21:45you
21:47you
22:01you
22:01you
22:02you
22:02you
22:02you
22:03you
22:03you
22:03you
22:06you
22:08you
22:08you
22:08you
22:08you
22:12How else can you know what that?
22:16Cast a six, Mona.
22:19See the other game of the album?
22:48Hey.
22:50Hey.
22:51I just want to say thank you for the invitation.
22:55But I will not be with you.
23:01You have stopped drinking?
23:04Yes.
23:08I thought it was because of me and Oleg.
23:16But it's not.
23:19It's because of the death.
23:22It's the only thing people can do.
23:34It's the same thing.
23:38It's the same thing.
23:42Harry.
23:46Harry, hold on to me.
23:51Hey, Beate.
23:52You can draw a picture on a photo of a photo of 72 degrees.
23:56I'll draw a picture of a meter in the end of the day.
24:02How are you doing?
24:03Yeah?
24:03Yeah, give me two seconds.
24:13Harry, I thought you would take him to the other side.
24:16No, I have to.
24:20What do you keep on with?
24:22I tried to make our man like the elders.
24:26Like the elders?
24:34Can I take the project a little bit?
24:36Yeah.
24:39Are you okay?
24:42Kelterne...
24:43Kelterne brukte pentagrammene
24:44to bestemme hvor katedralene skulle ligge.
24:47På kassetten sier han at et femkantet kors
24:49skal vise veien, ikke sant?
24:51Se her.
24:53Camilla Lohen, Lisbeth Barley, Barbara Sensen.
24:57Dette er kartet han bygger etter.
25:05Dette er de andre.
25:10De går opp.
25:14Det er en kode vi burde ha sett for lenge siden.
25:18Fikk det i klartekst.
25:20Han merker alle de han har drept med en diamant.
25:24Hvilken form?
25:25Femtaget.
25:26Han har kuttet en av fem fingre.
25:28Han har vært av offrene.
25:30Drapene og forsvinningen skjedde i tre påfølgende uker.
25:33Henholdsvis fredag, onsdag og mandag.
25:36Hvor mange dager er det mer om her?
25:37Fem.
25:39Klokkeslett.
25:39Rund fem.
25:40Det er det som er koden.
25:41Det er bare et siffer. Fem.
25:42Offrene er tatt ut fra det som virker som helt tilfeldige adresser.
25:45Men det er en likhet.
25:49Og det er ikke husnummer.
25:51Det er...
25:51Femte etasje.
25:53Femte etasje.
25:53Men hvorfor fem?
25:55Er det et ondt tall?
25:58Ja, det er meget brukt.
26:01Heksekunst og satanisme og solmagi.
26:05Vi har fem senser. Det er fem livsalder og akupunktur.
26:12Det viktigste mønstret her er dette.
26:16Han tegnet et pentagram.
26:17La det over byen og lot stjernetagene her peke ut de stedene som han skulle drepe.
26:22Og så ventet han.
26:24Til rett dag, til rett tidspunkt.
26:26Han kledde seg ut som et cykelbud.
26:28Drog til Ullevålsveien.
26:29Ringt på femte etasje.
26:31Og den som svarte var Camilla Loh.
26:33Lisbeth Balli, da.
26:34Om han plokker henne ut på gaten, du vet han ikke at hun bor på femte våningen.
26:37Han plokker henne ut på gaten.
26:38Han stod inn i gangen, så at så kom heisen fra femte.
26:42Så han følger efter henne ut på gaten, og...
26:44Uansett, da.
26:46Offrene er tilfellige.
26:47Nøkkelen her er åstedene.
26:48Om det var Willy Barli som hadde tatt heisen ned fra femte etasje den dagen og ikke kona,
26:53så er det han som ville vært offeret.
26:54Nå som vi har koden, så vet vi ikke bare hvor de neste to drapene vil skje.
27:00Vi vet... når.
27:01Og fem dager mellom hvert drap, det blir...
27:03På lørdag.
27:04Imorgon.
27:05Og han jobber med klokka.
27:07Så det neste åstedet er etter all sannsynlighet her.
27:10Det er studenthjem på kampen.
27:12Jeg informerer etterforskningsgruppa.
27:14Nei.
27:15Vi har ikke råd til enda en lokkasje.
27:17Så Tom og Delta sjekker studenthjemmet HB Alta, og jeg tar den femte adressen.
27:21Snakker med?
27:22Ja, vi er her.
27:23Det er en masse enrymslegenheter, men studentene er på sommerlov.
27:26Det finnes ingen femte våning.
27:27Ja, det er jo hus inne på selve situasjon som bra der.
27:30Det er ikke noe femte etasje. Her er vi.
27:33Ok.
27:33Vi går inn og ser hvor vi kan rygge til.
27:40God dag!
27:42Hei!
27:43Hei.
27:44Kommer fra politiet.
27:45Vi stiller en spørsmål.
27:46Følgelig byplanskontoret ble det bygget i 1934 som tuberkulosehjem.
27:50Senere gjort ham til studenthjem.
28:02Ja.
28:03Det er sønnen min, da.
28:05Ja.
28:07Du...
28:08Ja.
28:09Du har kanskje lest om de drapene på de unge jentene de siste ukene.
28:14Ja.
28:15Jeg har jo hørt at det har skjedd, men jeg leser sjelden om den slags.
28:19Nei, vi mistenker at du dreier seg om en selimorder.
28:21Og at et av hans to neste mål får en synlig lys.
28:29Ja, altså...
28:30Kan sønnen din bo her hos deg i morgen?
28:34Eller om du kan bo sånn.
28:37Han bor i utlandet.
28:40Det blir vanskelig, da.
28:43Men...
28:44Skulle det gå bra med noen av oss her i morgen?
28:46Ja.
28:47Det er hyggelig.
28:48Hva er det som skal skje i morgen?
28:51Sannsynligvis egentlig.
29:00Takk.
29:02Hade du verkligen tenkt å sige til henne at hun var nästa som skulle dø?
29:14Det er bra å gå litt rundt grøten ibland.
29:17Elvenbregå som sier det.
29:18Mm.
29:18Så du har hørt om det. Det er bra iallafall.
29:21Jeg har vel aldri vært så god på å prate med folk.
29:27Kona de ble skutt på Kloss Hall.
29:29Det var ingen mening i det.
29:30Men ladningen gikk tvers gjennom hjernen, så den...
29:59Den...
30:02Eh...
30:02Men hva?
30:05Nei, det er...
30:08Det er som når jeg kan lese teksten, men ikke helt skjønner hva det betyr.
30:11Sånn?
30:12Som at han har gjemt etter offrene.
30:17Eh...
30:17Ja, og så kutter han av fingeren etter offrene på venstre hånda i rekkefølge.
30:21Start med pekefingeren, så langefinger, så ringefingeren.
30:25Liten systematiker der.
30:27Ja, men nå forstarte han ikke med tommefingeren.
30:37Sånn.
30:42Sånn.
30:43Sånn.
30:43Jeg sa det ganske bra første gang jeg har øvrigt.
30:45Sånn.
30:45Sånn.
30:55Sånn.
30:55Jeg har noget til å telle deg.
30:57Ok.
31:01Prøvind dig at du ikke ser fred.
31:04Prøvind dig.
31:05Prøvind dig.
31:05Jeg kan ikke prøvind dig.
31:09Jeg er gønner.
31:17Jeg er gønner.
31:18Jeg er gønner.
31:25Por favor, sag en gønner.
31:37Her har du mødde fremmer jer.
31:40Jeg vil gønne hør på meg.
31:46I
31:46Got to visit my mother
31:49You have a matter in the city
31:59But since you are carrying our child now, I need you to know exactly what I do
32:09What I really am
32:12I
32:39What are you doing
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