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#H⍷artb⍷at S01E06 [Full Movie] [Recommended]Full EP - Full
Transcripción
00:06Let's do a quick recap, shall we?
00:09The new singles entered the love pad and suddenly Kenna became national cake.
00:14Sharon wanted a slice, Jane wanted the whole bakery, but Chidera said, not on my watch.
00:20Meanwhile, Henry said, let me focus and push things with Queen Latifah.
00:24Only for Wahala to enter the chat between Queen Latifah and Ken.
00:29But wait, plot twist.
00:31Sione gave us the revelation of the season.
00:34She's Henry's ex?
00:36What are the odds?
00:38Bosa won the key to the love nest and chose Hilda.
00:41Shekina and Igwe kept taunting us with whatever they have going on.
00:45No explanation, just vibes.
00:48Kenna gave Chidera roses, but Jane laughed and said, relax, the boy will be mine.
00:54Confidence we cannot buy.
00:56And within 24 hours, Alvin and Toria explored their connection and broke it up the same day.
01:03Fast and Furious Romance Edition.
01:33Talk to somebody who just come.
01:36Does that even make any sense?
01:38I go downstairs with Dera.
01:39Why are you following me downstairs?
01:43Why not just mind your business?
01:45Why are you following me downstairs?
01:47They once would have me crazy and angry.
01:51And that was what happened with this happened yesterday.
01:54What do you mean when you want to have other conversations that involve maybe another girl?
02:00You know to call me to the side, to talk.
02:03Then now you're going to tell this guy,
02:04Me llamó Kena, el otro con mi amigo,
02:07le dijo que no le gustó, le reactó a todo.
02:12El problema es que se siente que hay que lidiar con.
02:15Y me fuiste a ver con Alvin.
02:19Aquí, él estaba aquí con Dera.
02:21Me dijo, yo me fui.
02:24No tienes que lidiar conmigo.
02:26No soy un objeto que se siente.
02:30Me llamó Kena.
02:33Me llamó Kena.
02:35Me llamó Kena.
02:38Yo me llamó Kena.
02:40Te llamé Kena.
02:43Yo le dije, ¿no?
02:45Lo que te llamó Kena.
02:46Lo que te llamó Kena.
02:47Lo que te decís, tú.
02:52Lo que yo no quiero.
02:53Te llamas conmigo.
02:55Te llamas conmigo.
02:56Te llamas conmigo.
03:01Alvin y Torea,
03:02Yeah, that chapter is closed, locked, padlocked, thrown inside the lagoon.
03:08I am flipping irritated.
03:10Thank you.
03:12Wow.
03:15I kind of felt like I was losing myself.
03:21The cuts in my hair is more like me saying,
03:25OK, let's bring in some new energy.
03:30You look good, though.
03:31Thank you.
03:33Are you sure you're not sitting there?
03:34He's in through your eye, closed the door.
03:37Seeing him getting the hair cut, I'm really excited.
03:40Like, yeah, I love this for you.
03:42Now we are praying that Harry's new look would at least switch things up in the love pad.
03:47Maybe Queen Latifah and Sione would start seeing him with fresh eyes.
03:58Why are you talking to that Harry guy?
04:01I mean, I know there's no threats there, I know.
04:05Do you know what I'm saying?
04:06He's always talking to you.
04:09But he has made it so evident that you are the one he likes.
04:12Because now, I hear the situation that happened yesterday about what he wrote.
04:20I don't even know what he wrote to you.
04:23I don't know.
04:24I mean, one time you can just mention.
04:26I guess not, of course.
04:27But what he wrote to you, that guy, Ken, made no sense.
04:33So, for him to still write, Ken, that is me.
04:37He's still going and talking.
04:39I wrote to you a letter, oh.
04:41I wrote to you a letter.
04:42One thing I told him in the morning that night, I was like, see, calm down.
04:45He was already spoken to this guy some hours ago.
04:49And I told him to respect you.
04:51So, maybe the letter said to him, maybe that he's writing love letters to tell you that,
04:54okay, bro, sorry about everything.
04:57Don't worry, now I understand better.
04:58Don't worry, I respect you.
05:00That was what was in my mind.
05:01You know, first of all, at that moment, I didn't even give a **** initially.
05:04Because, like, oh, my dad is there.
05:07Hey, if you know, it's in my mind.
05:08I'm like, eh.
05:09I thought that's incident of him.
05:10Yes, now, I'm like, I don't understand.
05:11You know, write me later.
05:13Oh, he didn't write to you?
05:14I swear, he didn't write to me.
05:17Do you know why?
05:19Why?
05:19There's no reason why.
05:20There's no reason.
05:21There is no reason.
05:22He's very unsure.
05:24I don't mean telling you this now.
05:26From my outside perspective, you look so **** and serious.
05:32Like, you look like the way they see me in this house.
05:37Do you know I just dipped?
05:39Oh, what happened?
05:41Tell me.
05:42Do you know I just dipped?
05:44Just dipped?
05:45Oh.
05:49But, uh-uh.
05:50Queen Latifah said a not so fast.
05:52Because the drama in this love card, it needs to be studied.
05:56We're seeing this up with Shekinah and Igwe Biko.
05:59Because this won't be ordinary confusion.
06:02I'm not going to go.
06:11I see what that is.
06:13What happened?
06:15Such a true man, dear.
06:16Would have been very obvious if he was playing a dumb girl, which I'm not.
06:21But if by any chance that's what he's doing, what I told him, like, there's going to be jokes
06:26on you because you're playing yourself.
06:28What's that?
06:29What's that?
06:30It's a stupid letter I got.
06:31I don't know.
06:32That thing you're burning.
06:33Oh.
06:36You're burning a litter.
06:37Yes.
06:38What's that?
06:46What happened?
06:48What's going on?
06:51I'm just trying to think before I- I've not put my feelings into words, so I'm trying to process.
06:58I'm not the only person who wrote to, of course, so what's the point of writing to someone else if
07:05you know
07:06you're checking me on me writing to someone else?
07:08Why did you write to someone else when the thing was so easy for you to have just said it
07:11to the person?
07:12Hmm.
07:12And you liked this person before me, but whether or not you liked us or did not like us, I
07:18don't care.
07:21She's the kind of person that she does not really process things so much before acting.
07:28I knew that telling her directly that, oh, Igwe wrote me a letter and this is what he said,
07:35that might make her spiral.
07:38That will cause more problems, troubles, and honestly, that's not what I want.
07:44You know, I don't want to get to the point where I give a f*** about certain things.
07:49I don't want to have to give a f***.
07:51You guys are that's the way you can put in a cheque.
07:57That's how I feel.
08:01Because I'm not going to lie, like, look here, I feel like...
08:07Yeah, I feel like you guys are getting closer and, like, he's making, making, like, some conscious efforts, adjustments.
08:22I don't know, I'm just avoiding being a fool, being, being, being the actual fool that people think I am
08:28because of who I'm hanging with.
08:29Like, me and this person were talking about it this morning.
08:33She was like...
08:33So, at the end of the day, she was like, oh my...
08:35Good talk.
08:36I really enjoyed this conversation.
08:38Who's that?
08:38Latifah?
08:39Yes.
08:39So, she was saying that she doesn't understand why the ladies are having issues over this guy.
08:47Bam.
08:48Mm-hmm.
08:49And it's surprising to her, even.
08:51Because for the first time, Imad, she was telling me now at this point that in the first week, Igwe
08:58has told about four people.
08:59Like, he loves them.
09:01Not be like...
09:01Not be like, he loves them.
09:04Like, he loves them.
09:35So, it's your tattoo.
09:36Let me see.
09:36Can I see this one behind?
09:38My spine is tattoo.
09:39From behind now, can I see?
09:40It's right already now.
09:41Not in the world now.
09:41You have to, like...
09:42I should get up and I'm like, ah, that's a bit of stress.
09:44Don't get up, just...
09:45That's a bit of stress.
09:46Don't get up, just...
09:48Don't get up, just turn now, fine girl.
09:50You're too lazy.
09:51Just don't let me see.
09:52I'm not lazy.
09:54I'm thinking.
09:55Okay, let me see.
09:55If I should turn or...
09:56I don't want my turn in.
09:58Don't get up, just turn now, fine girl.
09:58You're too lazy.
09:58I'm sick, man.
10:01You're too lazy.
10:02You're too lazy.
10:02You're too lazy.
10:03You do connect on a mental level.
10:05Take it over now, I can't see it.
10:10Take it easy, Ken.
10:12Oh, yeah, yes.
10:12Take it easy.
10:13Take it easy, man.
10:14It's not a vine, it's a flower farm.
10:16It's not a flower, it's a vine.
10:18It's a vine.
10:19I'm sure...
10:19What's the point of flowers is this vine?
10:20And Ken, ah, Ken, Ken, Ken.
10:23This guy is on his serious role.
10:26I have a representation of certain things.
10:29Okay.
10:30And these are things that I have passed through in some ways.
10:34So that's why I have a vine.
10:36Regardless of my name being D-Vine.
10:39M-D-Vine.
10:41Oh, you have D-Vine.
10:42So this is my vine.
10:44Hmm, hmm, hmm, hmm.
10:47That's all right.
10:48See that, see that.
10:50I would say the conversations I've had with her,
10:53I've not had that kind of conversation with anyone else
10:57in the love part so far.
10:59Ah, it's also been beautiful.
11:02Thank you so much.
11:03Just chilling, getting sun-kissed.
11:06I'm chilling.
11:08Yeah.
11:09What's up?
11:10Initially, I picked you.
11:12I don't know if I told you that.
11:12Initially, I picked you on that screen.
11:14Initially.
11:15And I've gotten to know you.
11:16I think you're really amazing and really sweet.
11:18Actually, we have talked a lot and we took a lot.
11:21And I know that she's really into me.
11:23So I just want to get to know her.
11:25See how that goes.
11:26Just explore that.
11:27Let's see where that will lead us.
11:30Can we explore this?
11:31Because I do understand that you're close to...
11:34You and Latifah have gotten really close.
11:36Yeah.
11:37So I understand how that can be somehow for you.
11:40What do you think?
11:41Can we explore that?
11:42This is something that we can explore.
11:44I honestly don't have a problem exploring.
11:48Mm-hmm.
11:51But then, since I've gotten really close to Latifah,
11:57I think it would be nice if you let her know.
11:59Let her know.
12:00I also get to let her know if she's all right with that.
12:02Okay.
12:03Well, just to know.
12:03I told her.
12:04I think I know that.
12:05I want to explore this with her.
12:06I want to get this out to her.
12:08But where is your hair that's really now with you and Latifah?
12:11Latifah is cool.
12:12Of course, it's amazing.
12:13But I stand on the fact that I've...
12:17I think what happened yesterday with her was the fact that I needed my space.
12:22And I didn't even know how to confront her.
12:24I did not know how to express that.
12:26And I latched on her.
12:28Because this is the person that I've spent since I've been here.
12:32I don't know how many days.
12:33But I've spent just two nights away from her.
12:35The rest nights were locked in in the loneliness.
12:38And it's a bit too much for me.
12:39It's like we went from strangers just to marriage.
12:43Like, I want some space.
12:45Like, let me breathe.
12:45Let me even miss you.
12:46Let me...
12:47Yeah, plus, I did not just come here.
12:49I feel like since I've been here, I've just been so close off to her.
12:54I keep here to explore connections with people.
12:55When it comes to Latifah, I have been on my best behaviour.
12:58From what I've gathered, and her actions, they're not very assuring.
13:03So I feel like I should have a seat in it.
13:05Don't just pour your excellent basket.
13:07Yeah.
13:08I feel like I was.
13:10What's up?
13:10Let's just...
13:11Thank you.
13:12Of course.
13:13Sione, Hilda, Queen Latifah.
13:16We are honestly confused, doga.
13:19What exactly is the business plan in this love pad?
13:22Yeah.
13:25Nigerian men.
13:26What do you think of me?
13:27You come up as though you want to...
13:30I mean, you clearly said you want to have a piece of me.
13:34I don't want to have a piece of you.
13:36That's very disrespectful.
13:37It's not very disrespectful.
13:39It's just very honest.
13:40It being disrespectful is personal to you.
13:42It would be nice to channel the same energy to someone who is looking for someone.
13:48Mm-hmm.
13:49Look how I'm saying.
13:51Relax.
13:52So far...
13:52So far...
13:53It's amazing.
13:55It's...
13:56It's loving to even see the book of us together.
13:58Kenna, I didn't even ask you.
13:59Okay?
14:00Like, you say these things like the words of affirmation.
14:03Like, you have to say them so that you don't forget them.
14:05I didn't ask you.
14:06I'm just trying to reinstate the obvious.
14:08I'm trying to put it in your head.
14:09Why are you reinstate the obvious?
14:11You don't need to put it in my head.
14:12You need to put it in yours.
14:13Because I didn't ask you.
14:14I don't care for those details.
14:15If...
14:15If...
14:15That's up to you.
14:16Kuzma, why am I here?
14:18We're having a conversation.
14:19It would be nice for us to be very good friends because I mean...
14:23I don't think so.
14:24I don't want to be your friend.
14:26Here we go again.
14:26I don't want to be your friend because I don't think you're even friendly to me.
14:29The one time...
14:31The one time I tried to be friendly, you asked for something that's more than friendship.
14:36You've never tried to be friendly before.
14:38The first time we talked, I initiated the conversation.
14:41Which is fair.
14:42It's not fair.
14:43I shouldn't initiate.
14:43Because I don't think that this is how you're doing for everyone else in the house.
14:46Are you sure?
14:47Yeah, I think that you're giving me a separate treatment.
14:50And it's weird because...
14:51How about the other girls?
14:52I'm going to ask them something.
14:52I don't care for their opinions.
14:54They don't feel my impact here.
14:56They all f*** my presence.
14:57I don't give a f*** enough.
14:59I don't.
15:00Jane will always be Jane and find a way to divert to her personal needs.
15:06Which is me, obviously.
15:08You had a little conversation with my girl.
15:11I didn't have a little conversation with her.
15:12It was between you and...
15:14I mean, it was like a group thing.
15:15But it didn't come off nice to her.
15:18And the next thing she's saying, you and I talk.
15:22And...
15:23Why are you speaking for her?
15:24Why is she not speaking to me?
15:25You don't want her to speak to you.
15:27In the past, I've referred to Jane as a monitoring spirit.
15:31But, you know, as time progresses, what I think of Jane is that she reminds me of women I've come
15:41across in my life who...
15:42They're still finding themselves and they know how to wear a very elaborate mask of performed confidence.
15:52Have I actually tried to speak to me and I'd ignored her?
15:55I didn't want that to happen.
15:56Why?
15:57No.
15:58It won't be nice for you.
15:59It won't be nice for anybody.
16:01So let's avoid it.
16:02Why do you hate me?
16:03I don't hate you.
16:04So what are we talking about?
16:05If I hate you, I wouldn't be with you right now.
16:07Exactly.
16:07So what are we talking about?
16:08What do you mean by we can't love everybody and you just said that we could be friends?
16:13What boundaries have I disrespected so far?
16:18What?
16:18You should just go deep into details.
16:20What boundaries have I disrespected so far?
16:21I don't want to.
16:22I've only spoken to you so far.
16:24And we've only had larger conversation.
16:25What's the point of this conversation now though?
16:26We're still talking because you don't allow me to talk to you in there.
16:32Relax, Kenna.
16:34Just breathe.
16:35I didn't come to destroy anything you have going on.
16:39There's nothing that...
16:40This is all science.
16:42Relax, you're interrupting me.
16:44It's all science.
16:45You're interrupting me.
16:47It's giving...
16:47It's giving what?
16:49Quit.
16:50Destroy this.
16:51Destroy this.
16:52Destroy this.
16:52Why do you think...
16:53Okay, so if I destroy it, what does that do for me?
16:55Don't you love what's going on?
16:55Do you not do it?
16:56Everybody's respecting what they do.
16:59I don't give a f*** about everybody.
17:00So...
17:01I'm Jane.
17:02I'm not everybody.
17:03I don't care.
17:03I really enjoy talking to you, by the way.
17:07And it really hurts that you just don't allow us to talk.
17:11We don't even talk, so I don't know what you enjoy talking about.
17:13You mean?
17:13No, I enjoy the few times that we do talk.
17:16We don't talk, but we have to talk.
17:17We argue most of the time.
17:19There's no argument.
17:20We're having conversation.
17:21I don't enjoy a way about it.
17:21We're having conversation.
17:22There's no argument.
17:24You might be arguing with me, but I'm not arguing with you.
17:25And if I don't participate, it's not an argument.
17:28No.
17:29Why did you ask me to kiss me?
17:30Why did I ask you to kiss me?
17:32I can ask you to do...
17:33I can ask you a question.
17:34You have the right to say no.
17:36Yeah, I did, obviously.
17:37I did.
17:37Exactly.
17:38So if you did, then what's the problem?
17:40I wasn't hell-bent on it.
17:42I just asked you and you said no.
17:44And that's fine.
17:46Does your girl know that you pecked me though?
17:47Who wouldn't?
17:49Who wouldn't?
17:49Who wouldn't know that you pecked me?
17:51Huh?
17:51Did you tell her?
17:52I didn't need to tell her.
17:53Do you want me to tell her?
17:55She knows already.
17:56You don't need to tell her.
17:57She knows already.
17:58How does she know?
17:59The walls have ears.
18:01The windows here are closed.
18:03So I don't know anything about any walls having no ears.
18:07It's obvious she did not tell her.
18:09It's obvious she didn't tell her that you also complimented the colours of my panties on two days.
18:14Is that by the way?
18:15If you say so.
18:16If you insist.
18:18Why are you holding on to that though?
18:20I'm not holding on to anything.
18:21Don't say that again.
18:22That doesn't make sense.
18:23I mean, I believe you're matured enough to do that.
18:25I'm matured enough, but did you do that or did you not do that?
18:28Don't.
18:29Did you do that or did you not do that?
18:30I don't like that statement.
18:31Don't do that again.
18:32Okay.
18:32No problem.
18:34Wait.
18:34You can't walk out on me, can I?
18:37Can I?
18:44I don't know why you're running if you say that I have no power.
18:52This guy insists that I can't burn him.
18:56But at the same time it's running from the fire.
18:58So which one is it?
19:00Jane.
19:01Jane is the real definition of relentless.
19:04Auntie said, we die here.
19:06No retreats.
19:07No surrender.
19:08I walked out on her, man.
19:13Is she trying to pressure you to talk about the notes that she wrote?
19:17No, no, no.
19:17Not even the notes.
19:18She didn't even talk about the notes.
19:19She said she doesn't care about the notes.
19:20I find that putting yourself in that position as a woman is a very sad way to devalue yourself.
19:28And I do think for Jane maybe this will be an experience for her to look back on and recognise
19:35that no man is worth chasing, especially when he's already told you he doesn't want you.
19:41Why didn't you recover me?
19:43This is so embarrassing.
19:44He walked out on me.
19:46Please.
19:48Please.
19:54So, because what I asked him was the truth, I asked him if his babe knows that he complimented me
20:05on the colour of my underwear twice in two days.
20:09Mm-hmm.
20:10And I asked him if his babe knows that he, like, me outside.
20:14Mm-hmm.
20:15And he just got so defensive and so angry.
20:18And he was like, he doesn't like me saying that and I should never say that again.
20:21And I was talking to him and just walked away.
20:23So it was already, you know, so I don't know what it is, right?
20:31Mm-hmm.
20:32From the first day I entered, like, I keep saying that I feel like he's not working me.
20:36Honestly, I don't want to do this whole snatching pee because I don't even want to snatch you.
20:41I'm your wife.
20:42Mm-hmm.
20:42I just need you to pick my girl when I need you.
20:45Mm-hmm.
20:45So, I forgot what you've been doing now after this first hot thing.
20:48Well, I'm just...
20:48Do you feel like breath of fresh air in your head?
20:51Like...
20:52There's this air that's coming here.
20:55I'm not doing anything well.
20:57Mm-hmm.
20:58So, yeah.
20:59I feel good, though.
21:01I know I was quoting.
21:02I know I was quoting in my head, sorry.
21:07Mm-hmm.
21:13You're not allowed to talk to me.
21:15If you talk now and when I...
21:17You go, they're quoting the comments.
21:18Oh, you bitch, eh.
21:19We just conquer your bitches.
21:22It hurts now.
21:23God, no deal.
21:49I'm sorry, it's nice.
21:50Harry, should you give us more space, I beg?
21:52Sorry, please.
21:56I'm choosing the swing where Harry is to speak with Siyunix.
21:59It's not like I'm trying to be cocky.
22:01Jealousy wants to kill me.
22:07My brain is about to explode.
22:10It's not okay, it's not about to explode.
22:12I'm trying to be dramatic, but...
22:13You're good.
22:16There we go.
22:17It's so bright out everywhere, like...
22:20It's crazy.
22:21I'm outside now, supposed to be bright.
22:24Hmm?
22:25Hmm?
22:25Hmm?
22:26Hmm?
22:26Hmm?
22:27Hmm?
22:30Hmm?
22:30Hmm?
22:45Hmm?
22:47¿Qué es lo que se ha hecho?
22:51¿Qué es lo que se ha hecho?
22:51¿Y si se ha hecho, como...
22:53...trae a meter los eggs en el vasco?
22:56¿Y si se ha hecho más receptivo?
23:03¿Qué es lo que se ha hecho?
23:04¿No hay nada?
23:07¿O, ya?
23:09¿Y si es lo que se ha hecho?
23:10¿Y si es lo que se ha hecho?
23:12¿No se ha hecho lo que se ha hecho?
23:13¿No?
23:13No, no, no, no, no, no, no, no.
23:43No, no, no, no, no, no, no, no.
24:15No?
24:17No.
24:17It's a brick.
24:19So apparently, in my excitement of you coming to the house, right?
24:25Um, it was speculation as a .
24:30...especulación.
24:32¿Qué?
24:33Like, I mean...
24:35...I'm not even going to tell you.
24:37Yeah.
24:40Yeah, so...
24:43...apparently, like...
24:45...I think I already saw John.
24:47Like, when...
24:49...when I was asked and I was like, yeah, we had the past at some point in time of our
24:53lives and stuff.
24:55They were like, oh, okay, that's great, she's beautiful.
24:57ah ah vos y habas normal ya vives ya vives like you didn't see fans stuff post that things and
25:07later hey hey i was to say it also doesn't notice be she said she don't know you
25:14people now yeah basically it's they gave it they were like you didn't give the energy of someone
25:22that knows you and knows me like it's not their business it's not their business it's not giving
25:29like i'm trying to find you or i'm trying to create stories or some which like that's not what
25:36which exactly and i would say that was one of the things that has been messing with me like what
25:44cool like like there's nothing there i still hate you very much that's fair yeah so thank you
25:54i mean it's you know it's a very strong word and you hate me okay i don't like you very
26:01much
26:03let's not say hate yeah sorry relax i'm relaxed hear me hear me hear me hear me
26:13what was your reaction when you saw my little um i would say that it felt
26:23warm and like welcoming no really even if we are trying to even explore ourselves again
26:34i'm not even like i trapped it to this person to this version of this person that i'm seeing here
26:40so it's just like what the hell is it
26:45i never got over you sean
26:50i can't even get it for myself yeah
26:55it's feeling it got a bit he's giving please take me back
27:05it's just keeping in circles like going back here like what is the guarantee that
27:10this time something else will be different like you're saying it but like i'm not seeing like
27:16any action like i mean what
27:20and i don't want to be the one to tell you what to do it's something that
27:27you would see i'll see you would feel okay okay
27:39i don't want to go there
27:41i don't want to go there
27:47i don't want to go there
27:48i don't want to go there
27:49i don't want to go there
27:49jones i don't want to go there
27:50one of my friends is johnny is really the it girl of the moment
27:52Si relevancia era dinero, ella estaría en el dólar, dólar, dólar, dólar.
28:02Hoy, la amor pad tiene todos sus piensas, las piensas, los piensas, los piensas, los piensas.
28:20Ah, Kien, intencional man.
28:24He says he's sticking to his old love.
28:26Maybe one or two grand gestures can still save his matter with Queen Latifah.
28:30Maybe.
28:33I got you breakfast.
28:36I got you, Fufu, for breakfast, finally.
28:43Wake up, Jo.
28:47Kien is waking me up to breakfast.
28:54Fufu and Ego Sisu, my favourite.
28:58Kien, what are you doing?
29:01Yeah, she's really mad at me.
29:03She's really pissed at me because I've done some, some not so good things.
29:09I guess I think on my dick sometimes.
29:11See, this is even real.
29:13I feel like, please don't remove Wakefield's pose.
29:17Because I've been, what's going on here?
29:19Yeah, it's good.
29:21Kien, what are you doing?
29:25Kien, I want to break your head so bad with this glass.
29:29Yeah, yeah.
29:30Kien, drink the water, drink the water, use the glass to break my head after eating and drinking the water.
29:35From the first day we came, she has been saying she wants to eat Fufu for breakfast.
29:39So, I'm super glad I was able to get that done for her.
29:46Oh, Fufu's.
29:47I saw the Fufu's.
29:49Fufu's.
29:49You're about to be able to reach this one.
29:52This is me really saying sorry.
29:53It's me actually showing that I actually care.
29:55It's not just about words.
29:57I actually do care.
29:59Which part start for which of the things you did?
30:08I always come off as a tough person, but I see if you ask, I feel like I'm the most
30:12emotional person in this house.
30:14Yeah, of course.
30:14That's what I say.
30:15I see you as someone who has a lot of passion.
30:16I do.
30:17Because even with my, you know, us in that corner, we're very, very tight.
30:22Yeah, I notice.
30:23And I like that for you guys.
30:24Yeah.
30:24You say you don't have much people to buy it up, so you can always come to us.
30:27I mean, I think I will.
30:28I mean, you see, if you notice, even on the table these days, I'm sitting with your people.
30:31Yeah.
30:32Did you notice?
30:33Yes.
30:34Me, I see anybody that's sitting in front of the mirror.
30:37Like, we spoke at length, and I did enjoy the conversation.
30:39And I found out we have a lot of things in common that the outside would still be very cool.
30:44Mm-hmm.
30:44Jena and I had the conversation.
30:46Like, right outside here, while we were talking, like, as we were talking like this, Jena just came to pull
30:51him out of the...
30:52Jena?
30:53Yeah.
30:54Like, go.
30:55That's the same thing that happened with Jena yesterday.
31:00You were talking with her?
31:01Mm-hmm.
31:01Jena was talking with Jena.
31:02Mm-hmm.
31:04He came out.
31:05They were having a conversation.
31:07Jena, can you pull him out?
31:08Yeah.
31:09I think they always sent her.
31:10Doesn't he not have the mind of his phone?
31:12Hey, chill.
31:13May I finish this talk?
31:14I'm home with you.
31:15No, no, no.
31:16He doesn't.
31:16That one knew they were.
31:18Oh.
31:19But again...
31:19But again...
31:20But again, I feel like...
31:22I feel like she calls the shots.
31:25Do you want me to come and announce to you that this guy gave me lashes from a multi-pack
31:28of lash?
31:29The lashes are pointless lashes.
31:31But what other guys knew about it?
31:33I don't know if they knew about it or not.
31:34They knew about it from whoever they knew about it from.
31:36That's who they knew about it from.
31:37It's pointless lashes.
31:38They knew about it from their heels.
31:40Oh, my gosh.
31:41I'm very surprised by Kenna's reaction to the eyelashes that I've received from Timmy.
31:48But wait, Timmy is now serving eyelashes.
31:51My reaction and it felt like I rejected.
31:54But his lashes is not a start.
31:56That's not the point.
31:58I collected it and threw it inside the bag.
31:59I said thank you and left it there.
32:01Did you want me to be like, I don't like these lashes taped?
32:03That's rude.
32:04But that was just the same reaction.
32:05But it was a joke the way I did it.
32:07The way that I...
32:09Yeah, the way I was like, that's not my thing.
32:10Carry that to you.
32:12That was not a joke.
32:13So how did you take it?
32:15It was...
32:16If it was a joke, I wouldn't bring it up to you the next time.
32:19Yeah, but you obviously felt impacted by how I responded.
32:22And we discussed it and I said that I was sorry.
32:24It was embarrassing because I wasn't just the only person that...
32:27I heard anything.
32:32I think at this point I'm feeling very irritated and annoyed that he's dragging out this lashes thing.
32:59What was the intent of bringing?
33:00I saw it.
33:04And he's still resting.
33:07I loved it.
33:08And me, I saw it.
33:08I didn't know what I said.
33:09I saw it now.
33:09I saw it now.
33:09And I saw it now.
33:09¡Vamos!
33:12¿Quieres que pueda comprar?
33:14¡No, no, no, no!
33:19La Latifa finalmente encontró peace.
33:23Slippin' de todo ese peso fufu y eguzzi.
33:26¡Oh! Oh, my God.
33:28¿Qué es?
33:30¡Es muy bueno!
33:33¡Oh, es tan lindo!
33:34¡Oh! Esto es tan bonito.
33:35Estoy caminando el tonel y estoy viendo un set-up
33:38y en mi cabeza me pregunté,
33:42¿Qué está pasando aquí?
33:43¡Mira!
33:44Mi ojos debe dejeerse.
33:45¡Con y Sione!
33:49¡Gorda, bebe, deliver out de Ken!
33:52No me fallece,
33:53¡Ah, no me fallece,
33:53¡Ah, no me fallece!
33:55¡Ah, no me fallece!
33:55¿Qué es lo que pasa?
34:01No me fallece.
34:03No me fallece.
34:04¡Ah, no me fallece!
34:06No me fallece.
34:09No me fallece.
34:10Así que estoy en el día y...
34:13así como...
34:14¡No, esto es bastante lucho!
34:16¿Lo de esto, ¿ah?
34:19¿Verdad?
34:19¿Lo de esto?
34:20Con el tema.
34:22Con el tema.
34:22¿Qué fue la razón?
34:24Muy curiosidad.
34:25Alcá Haya нее interesado.
34:26Pensaba que la primera conversación que hice,
34:28yo pensábía que se escuchaba.
34:29Así que me entiendas curiosidad.
34:31Se agresó tal vez.
34:33y de todo el mundo
34:40para ser honesto, estoy muy sorprendido
34:43¿Qué es lo que?
34:45sobre todo esto
34:47porque no esperamos
34:49cuando ya sabes, ya sabes
34:50no, no, no
34:52no, no
34:55has estado presionando todo en esta casa
34:57¿por qué es presionando en esta casa?
34:58no, no
34:59no, no
35:03no, no
35:03no, no
35:04AIs inside the house with those nice
35:09AIs are getting really good this days
35:10they are getting really really good
35:12I think the best thing you can do
35:13is just admit it
35:14like I'm not gonna kill you
35:15what am I doing that
35:21no, no I'm not denying it
35:22what am I pressing
35:25is presionando a yes or no
35:27or the war
35:28obviously we are really close now
35:30No, no, no, no.
36:00But for me, I'm not interested, to be honest.
36:30Being in a very cute way, like it shines in a very cute way.
36:32Okay, okay, okay, whatever.
36:34I hear you, Kenneth.
36:37Kenneth, that's good.
36:40What was your first name?
36:42Come guess, I understand.
36:42Try and guess now.
36:43To make it fun, try and guess.
36:47Shekinah.
36:49Clothes.
36:51Victoria.
36:53You said I should guess, I'm guessing.
36:55Last guess, last guess.
36:56If you feel this one, you are.
37:01Nobody's happy with me, obviously.
37:03Nobody's happy.
37:04There are a couple of the guys that I know are into her.
37:07So they are not happy.
37:08Then, of course, it's Latifa.
37:10A lot of girls in your pad love Latifa.
37:14So, right now, nobody's on my side.
37:16I feel the tension, I feel the elephant.
37:18But I will ease into it.
37:19I won't just jump right into it just yet.
37:23I'll wait, calm down.
37:25You know, just ease into it.
37:29How are you looking?
37:32Guilty.
37:35You look so guilty.
37:36You look like one minute.
37:38Really?
37:39Yeah, but now.
37:40What?
37:41I don't know.
37:41I just feel the energy.
37:42Just somehow, I just shifted.
37:44Why?
37:45What do you do?
37:46What do I do?
37:47What do you do?
37:47What do I do?
37:48What do I do?
37:51What do you do?
37:53What do I do?
37:54Why are you looking guilty?
37:57Feel fine.
37:57I'm here, party.
37:58It's a D5, I'm here, party.
38:00Why are you two parties that will make you guilty?
38:02This party could be better.
38:05You know why I was laughing at you when you were standing there?
38:07You're looking like, what am I?
38:09Now, mommy will beat me.
38:11Ken has been playing a game that I feel is bad.
38:17Did you set it up yourself?
38:18English?
38:19I don't know how to speak English.
38:21Can you set it up yourself?
38:22I don't know.
38:24Okay, let me see.
38:25I'm not feeling the party yet.
38:27I'm not here.
38:27Because I'm lying.
38:28I don't know.
38:29You don't know what I'm saying.
38:31I'm not here.
38:32I'm not here.
38:33I'm not here.
38:33Like your life depends on it.
38:34I was hungry.
38:35I guess I was hungry.
38:41Let her not find out that you set it up yourself, because if she does, it won't come from me.
38:52Okay.
38:54Hey!
38:55I'm not there.
38:55Don't tell you she is.
38:58Hey!
38:58Hey!
38:58Why he is here?
39:01You want to be a playboy?
39:03Okay.
39:04Or you really like him?
39:07It's just a dinner.
39:08Hopefully I'm not in too much trouble.
39:11No hay necesidad de ver el día, porque...
39:16...me puedo ver que no se veía bien.
39:20Bueno, entonces...
39:21No sé, yo sé, yo tengo tu intención.
39:22No intención.
39:23De no...
39:24No se veía allá, ya no.
39:26No intención, pero no.
39:27No, no, que sí, no.
39:28Ando, y no, no, no.
39:31Vex y...
39:32Vex y...
39:32No lo sé.
39:32No sé, un buen rzukí propietario.
39:40Muy muy rukí propietario.
39:42¿Puedo quieres no?
39:44¿Puídalo?
39:45No, no, no.
39:45Sí, sí.
39:47No, dunno.
39:48¿Qué pasa?
39:49¿Qué pasa?
39:52¿Dónde?
39:53No creo que hay ningún necesidad de…
39:56…y acabar de en ese tipo de situación.
39:58No, no, no, yo no.
40:02Te pregunto a mi producción, a mi casa.
40:05¡No puedo ver si no me hace nada!
40:07¡No, yo estoy creciendo!
40:08¡No!
40:11¡No puedo ver si no me hace nada!
40:13¡No puedo ver!
40:14No puedo ver si no me hace nada.
40:18¡No, no, no!
40:20¡No, no, no!
40:22¡No, no, no!
40:22No, no, no, no!
40:23No, no, no, no!
40:24¡No, no!
40:29No, no, no!
40:34Heartbreak is flying left and right tonight.
40:37At this point, it's easy to blame our mischief on production.
40:41And yes, Kenna, the godfather, has spoken.
40:44Blame it on production, he says.
40:46Men supporting men.
40:47Loud and proud.
40:50I mean, he wants to explore his options.
40:52So no one, like it's fine.
40:54At the end of the day,
40:56worry something.
40:57For now, yeah.
40:59Me too, I'm exploring.
41:00I'm never gonna lie.
41:01I'm exploring Alvin for now.
41:04I'm exploring Alvin for now.
41:06So let's see whether I want to leave it.
41:08What is doing for?
41:10Like I'm just chill.
41:11This is me in real life.
41:13Bro, you're just a liar.
41:15And you lie for a living.
41:17But Hilda has unleashed.
41:19Oh, shit.
41:21Women supporting women.
41:22Expose the man.
41:24Don't try me.
41:25Did you get?
41:28All you do is lie for a living.
41:31This give you breakfast
41:33and set up a whole dinner.
41:35It's not post-production, whatever.
41:38Like this one, you needed to know
41:40what is going on.
41:41Because I had a conversation with her
41:42and she was like,
41:43oh, it's not Ken that did it.
41:44It is production that set it up
41:46so that they get a reaction.
41:47Da-da-da-da-da.
41:48I feel distraught.
41:50I hate liars.
41:51Give me enough information.
41:52Hold on, hold on.
41:52No, no, no, no.
41:53Let's go.
41:54Let me say everything in my future.
41:56You want to eat noodles.
41:57You said this with your future,
41:58so I'm going to say that in my future.
42:00I told you.
42:00That's what he said.
42:01He said he wants to couple with me.
42:02Let's be sure.
42:03Let's find out.
42:03He literally wrote a letter to me
42:05that I can go bring to you
42:06to read right now.
42:07The letter I told you was friendly,
42:09but it's not friendly.
42:10He wants to literally know me
42:12to ask you what.
42:13That's what he did.
42:14What's that?
42:15He pulled me outside.
42:17What's that?
42:17He pulled me outside.
42:19I'm telling you all this.
42:20I just want to speak to the girl.
42:21Stop.
42:22See, I just want to speak to the girl.
42:23I'm shocked the way Ilda is lashing out.
42:28I don't play with two girls in the house.
42:30What the f*** are you like?
42:34I'm going to get you the letter.
42:35I'm going to bring it.
42:36This is not friendly, right?
42:39Who wrote this?
42:40Ken.
42:42The way she burst into the scene,
42:45bringing out the notes,
42:47exposing me,
42:48I didn't expect that.
42:50Read it.
42:53But this is supposed to be confidential
42:54and we shouldn't be doing it.
42:56How about?
42:56I want to see.
42:57Why are we doing this?
42:58I'm on charge of the scene.
42:59Ah.
43:00Why are we doing this?
43:02To have fun.
43:06Ken request for something to happen.
43:07Is that what I'm hearing?
43:08Yeah, do production.
43:10No, no, no.
43:10Do you request for it to happen?
43:12Wow.
43:12Can we get something to do with that?
43:13No, truly.
43:15My boy was already down,
43:17so I had to do what I had to do,
43:18maturely.
43:20I feel like at this point,
43:25I'm done with every day of you.
43:27Be done.
43:28I am.
43:30I'm like...
43:31I am.
43:31Has he seen you?
43:33What else?
43:34So how are you trying to get locked in with me
43:38and you're moving to not just anyone,
43:41my girl,
43:42in that manner,
43:45Ken?
43:51I'm done.
43:53I'm done.
43:54I'm so done with this.
43:58And I can just keep guessing through everything.
44:00I can just keep guessing through everything.
44:02I'm trying to...
44:03No.
44:04I see.
44:05What is the next thing I'm going to do?
44:07I don't know.
44:08I don't know.
44:08Ah, that football is nice.
44:09Ah, f***.
44:10You tested it?
44:12No, no.
44:12Like the...
44:13Like something...
44:14The way they brought it.
44:15Suggestion.
44:15Oh, okay.
44:16It's perfect.
44:17You brought your cake.
44:18Yeah, she likes cake and chocolate.
44:20So chocolate cake.
44:25What happened to all shit?
44:26What happened to all shit?
44:27Me and you.
44:28I just did not take you seriously
44:29because all of this has happened.
44:31Bro, you're literally in hot mess
44:34and you think...
44:36You obviously think it's the best time to...
44:38No, like it's just...
44:40It just means you're not a serious person generally
44:42and why would I want to take somebody like that seriously?
44:45Like you are in between three...
44:48Is it three or two ladies
44:49and you think you want to bring that up
44:51like right now?
44:52Nah, man.
44:54Nah, you have to be a joke.
44:56You just have to be a joke.
44:57I feel like I was the only person
44:59that saw through you
45:00on the first day.
45:00Do you know?
45:01That's crazy.
45:01When I kept telling you that
45:02you're a heavy flipper.
45:03Guys like you are just...
45:05That's true.
45:06Exactly.
45:06Just the same way you thought about me.
45:08That's how I'm like,
45:08bruh, this boy would just waste my time.
45:10So let me not even bother.
45:11Now, Ken has entered possessed mode
45:14adding Toria to his long list of connections.
45:17No redemption arc for this boy.
45:19A woman rapper to his core.
45:23I face there and say,
45:24ah, this boy, you're mad sweet.
45:27I'm like, nah,
45:28I don't want to be caught up in this.
45:30I swear.
45:31That was what happened to us.
45:34We still have time now.
45:35There's no time for you again.
45:37You're indeed f***ed.
45:38You're still looking for time to do.
45:40Ken, are you okay?
45:41I'm still fine.
45:42I'm still fine.
45:43Still fine.
45:44Like, this whole thing was actually...
45:45So I know you're just a victim.
45:47Yeah.
45:48I should evict you.
45:48But I am now.
45:50Come on.
45:50But you're enjoying the...
45:51You're enjoying the dinner.
45:52I was confused.
45:54Did you eat one or you're not?
45:55I didn't eat one.
45:56You did not eat one?
45:56No.
45:56You drink the wine?
45:57I drink the wine.
45:59I drink the wine.
46:01I have to drink the wine to make I cool my temper.
46:03You're enjoying the wine?
46:05Yes.
46:05No.
46:06Did you blush?
46:08I don't know.
46:08I'm smiling.
46:09I don't know.
46:10Is it on?
46:11Oh, wait.
46:11Do you want to be back?
46:12Oh, I'm contributing to this thing.
46:13I'm not sure you don't cause problems.
46:15You got the shaky ass from Pat.
46:16You got the...
46:17You see?
46:18Ah, you guys.
46:19I'm the best artist.
46:27Stop now.
46:28Stop now.
46:29Why is it not close now?
46:31Ah.
46:36You just want to have fun.
46:42Oh, my God.
46:44You see that baby?
46:44I tried for the girl.
46:46I thought you were my person.
46:47I thought you had something going.
46:48Baby, you just come scattered everywhere.
46:50I tell you, you have to stick with Hilda.
46:53Oh, my God.
46:54You have to stick with Hilda.
46:54You have to blow up on my face.
46:55No.
46:55You have to blow up worse.
46:56So, if you had done...
46:58See, if you had stuck with Hilda,
47:02you know what it's going to mean?
47:02It's going to mean that
47:03you now use Hilda and make them understand
47:07that this is who you found a connection with.
47:10Do you understand?
47:11Because for her to have...
47:12I don't have connection with a big word.
47:14You know what she said?
47:15Like me, I just see my memory.
47:16I'm going to be...
47:18I'm going to be...
47:19I'm going to be on the same page.
47:20If you just go...
47:22Post the book, come and bring it to me.
47:24You don't say I play my own game.
47:26Ah, damn.
47:28If you see, if you won't move for this house,
47:30you have to move and make sure that you have safe landing.
47:35You cannot move.
47:36I didn't have my safe landing before.
47:38I don't know.
47:39I don't know.
47:40I give you a spoo.
47:41Hmm?
47:42About Alvina.
47:43I give you a spoo about my one letter.
47:45No.
47:46You don't mind...
47:47You don't listen, bro.
47:49You think he won't do bad guys.
47:51You think he's a dick.
47:53No.
47:53Don't worry, don't worry.
47:54You don't cast on so many fronts, bro.
47:56No.
47:56Everybody's too good.
47:58Everybody's too good.
47:58Everybody's too good.
47:59Like this and just...
48:01Normally, the babes say,
48:02babe, not the best pass.
48:03Bombi.
48:04Bro, for now, let me go and say anything.
48:06I can just leave out.
48:07I told you I don't like drama.
48:08Right.
48:10Tonight was the worst of it because it's like...
48:13It's mockery.
48:14It was so...
48:16Let me finish.
48:16It was so embarrassing that...
48:19You know, people have seen me trying to like...
48:22I don't want to say seen us.
48:24Because I'm the man here.
48:25I don't know how to feel about that, really,
48:29because if you say that, oh, you want to connect with me.
48:34Like, I don't see a reason why you should sit through a date
48:36with somebody who obviously has an interest in you.
48:40Even if you don't feel the same way.
48:42I wouldn't sit on that date.
48:44That's just me.
48:45People have seen me move on you.
48:48You know, they've seen us together.
48:49They've seen...
48:50Literally, they've gathered all the information they want to get.
48:53They've regards to.
48:56And it's just not the problem.
49:00With regards to...
49:03Who I'm trying to get to know.
49:07So tonight was...
49:09Very unexpected.
49:10Even if you didn't expect a date.
49:12Even if you had no idea that the date was going to happen.
49:15As long as you didn't see me at the other end of the chair.
49:18I don't see a reason why you should sit.
49:20And then you sat through it.
49:22It's not like...
49:24It was just...
49:25Too many red flags on me and Alvin.
49:27So now...
49:28We wait.
49:29Where will this one land with Alvin and Sione?
49:32What's happening here?
49:33And then at the end of the day...
49:35I mean, only to come out and even find another.
49:40Maybe he told you that the same thing.
49:44I didn't even know that.
49:45I probably would have asked him in there like you.
49:47What exactly are you doing?
49:49Like you...
49:51Or like you are...
49:52You are with someone.
49:53Like you are grabbing both and stuff.
49:55Like...
49:56What are you doing here?
49:57Doing this type of ground gesture.
49:59After doing one ground gesture in the room.
50:01I am born.
50:05One thing is sure.
50:08Everybody in the love pad is stressed.
50:17And the chaos has only one sponsor.
50:20Ken.
50:23And no way.
50:24No way Ken is getting away with blaming production for this lie.
50:28Because me, I didn't come to play.
50:30I came to add fuel to the fire.
50:35Okay.
50:36Hello, singles.
50:37How are you doing?
50:39You all right?
50:40I'm chilling.
50:41Seeing me in the garden today is a sign that something big is going down today.
50:48Okay.
50:48Let's have it.
50:49Let's have it.
50:50Bang, bang.
50:50Yeah?
50:51Okay.
50:51Okay.
50:52Okay.
50:52But before I tell you what to say, let's play catch up.
50:55Let's play catch up.
50:55I want to start with Ken.
50:57Yeah.
50:58You asked production to put together a special date for you and Sione.
51:04Yeah.
51:04Yeah.
51:05Did it go according to plan?
51:08Was it all you dreamed of and more?
51:10Let it all burn.
51:14Everything I did in this place, I didn't in front of you.
51:18I didn't have to hide it.
51:19Because I'm a woman and I know what I wanted and I still chose you.
51:22Chose your stupid ass.
51:25The truth still remains.
51:27I told you I love you still.
51:28Henry, Henry, Henry, Henry.
51:32Apologize for throwing everybody under the balls, for lying, for everything you said.
51:35Don't explain, bro.
51:37Don't explain, man.
51:40You spent the last couple of hours voting for the house guests that you want to remain in the love
51:48pad.
51:48And the results are in.
51:53How are you doing?
52:04How are you supporting?
52:09How are you...
52:10When you are going through this place.
52:11Not to what you want to do.
52:13You need to get the money moreboo???
52:15How are you?
52:18We're all not paying this to your FTW.
52:20How may you be uncomfortable when you start thinking your concerns?
52:26¡Suscríbete al canal!
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