- 2 days ago
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00:28BTV
00:30This is normal, isn't it?
00:32I don't have another choice, I have to put them in.
00:34I'm officially starting to think about mistakes,
00:37who are worthy of being upset.
00:41What do you do here?
00:45I'm here...
00:46Where is this guy?
00:51How do you allow me?
00:52You don't want me to do it on interest,
00:54because...
00:54Just please.
00:55What do you like?
00:56That's his mouth!
00:59That is the honor of me.
01:02My brother is not here.
01:08The important lesson is to learn how to listen to me.
01:19Yournak is being okay.
01:24You know what I want?
01:25No!
01:26No!
01:29No!
01:30No!
01:31We'll be at least to him.
01:32He's like this whole night.
01:33All the time, brother.
01:37You promised to be, that you didn't have to cry?
01:39No!
01:44Constantine, let me go again.
01:46Then I'll be at least to my heart!
01:47You don't have to talk to me!
01:49You're all the stupid things you made!
01:51What's the stupid things you made?
01:52You first stole my emotes,
01:54and then put me in a hole in the hole!
01:57Look how he's lying!
01:59He's lying in front of you!
02:00I'm going to put him in a hole in the hole!
02:02You're lying in a hole!
02:04You're lying in a hole in a hole!
02:06You're lying in a hole in a hole!
02:09You're lying in a hole!
02:09Constantine,
02:11I'll repeat again!
02:13You're lying in a hole!
02:15What's going on?
02:16What's going on?
02:17I'm lying in a hole!
02:47Woo, let's go!
02:47.
02:52I'll think about how to do it.
03:39I don't know.
03:48But Dancho, I thought that he will come to bed in the bus, but he doesn't have to go.
03:55Oh, that's what he's going to do!
04:00If he decides, he's going to take care of him.
04:03And he's going to stay in the mirror.
04:05That's what he's going to do!
04:07That's what he's going to do!
04:10But you don't need to go to the door.
04:13He's going to be the most sure.
04:15We don't have to go to the door.
04:17He's going to be the same.
04:18And what?
04:19We have to go to the national side.
04:21The Patsuo said that he died.
04:24What is the national side?
04:27And the Patsuo is going to be like a cat.
04:30Very complicated situation.
04:33And you should be able to go to the news for him.
04:36He's going to be a man, he's gone to the street,
04:39he's gone to the street, he's gone to the street,
04:39he's gone to the street and he's gone to the street.
04:41And I'm going to go to the street.
04:45And I'm going to go to the street.
04:48And I'm going to go to the street.
04:48No, seriously.
04:50Why do you find Constantine,
04:51and then you find the police,
04:52and then you find the Patsuo for national protection?
04:56I don't think it's easy to find the Katsuo.
04:59And I'm right.
05:01The Katsuo is going to go to the police.
05:04Hogan is the Passage.
05:06And I found it.
05:09I found the ticket for the flight.
05:13It's the Soprano.
05:15The Soprano.
05:15The Soprano, you know?
05:16The Soprano, you know?
05:17The Soprano, you know what's the name?
05:18It's theans!
05:19I'll find it.
05:21The Soprano, near the 같 fueron at the end.
05:24It's the phone and the address.
05:27Let's find the address.
05:43Hello?
05:45Hello, Operna Prima Maria Scala, are you?
05:48Yes, please.
05:49It's very nice to me.
05:50I'm calling Maria, but it's Ivanova.
05:54I'm from the newspaper newspaper newspaper.
05:57I wanted to take an interview for the newspaper.
06:01It's very nice, but I don't have the opportunity.
06:03In this case, you'll see you and Lili Ivanova.
06:07You've already made an interview, but now you're both.
06:11So, of course.
06:13But...
06:13I don't know.
06:14I don't know.
06:15But...
06:16I don't know.
06:18I don't know.
06:21I don't know.
06:21I don't know.
06:22I don't know how to say that.
06:23I don't know how to tell you, but I know that.
06:25I don't know what to do.
06:27Well, then we can see the opera in...
06:31No, no, we need to do it.
06:34The interview on Lily took us in the house.
06:36That's how the concept is.
06:38Yes.
06:39Well, then we can see the address then.
06:42The street Sinchets, number 15,
06:45вход A, on the 4th floor.
06:47Wow!
06:48It's time to come to 10.
06:49Yes.
06:50Yes.
06:50Yes?
06:51Yes.
06:53What did you do?
06:54What did you do?
06:55Interview for the Spanish king.
06:57How do I say?
06:59It's a man.
06:59It's an interview.
07:01We'll put it in the basement.
07:23It's a man.
07:23Let's go, my dear!
07:24The competition is over and over with about 20.
07:26And it was like...
07:28This is for you.
07:30This is for you.
07:32This one is for you.
07:34This one is for you.
07:35This one is for you, and this one is for you.
07:36This one is for you.
07:38This one is a lot of stress.
07:41What is it?
07:42What is it?
07:44The young and young?
07:45The professor?
07:47I got a honor.
07:50I told them if I'm going to go home.
07:52I told them.
07:53But after you said that the competition was too long.
07:56They had to go home.
07:59They had to write the competition and said they wanted to write what I wanted.
08:04But she's going to go home.
08:06For example, let's say it's a little bit more than Tashko.
08:09Wait a minute.
08:13You have a very good one.
08:19Let's go to my home. I'm starting now.
08:21Yes, I'm ready.
08:25So.
08:27Mariela, number 10 from Burgas.
08:30I'm Mariela, but I'm from Velengrad.
08:33I'm from Burgas.
08:36How are you?
08:38How are you?
08:40How are you?
08:40Number 1 says that it's a mailbag.
08:42Is it a mailbag?
08:50How are you?
08:53How are you?
08:55I don't know.
08:59Very interesting. Number 5.
09:01How are you?
09:02How are you?
09:03How are you?
09:16How are you?
09:17It's not a mailbag.
09:18I don't know.
09:20It's a mailbag.
09:21It is a mailbag.
09:26I'm not sure how you are the mailbag.
09:30I'm not sure how you are.
09:32Okay.
09:38I'm not sure how you are the mailbag.
09:43We'll be back in a little while.
09:56Now, what kind of you have, Dad and Dad, active fights,
10:03is to raise your hand?
10:05What are those, active fights?
10:11It's a nice job.
10:13You don't have to go to the house,
10:15the partyzans,
10:20the people from the house?
10:25My dad was so like that.
10:28Dad?
10:29My dad was in the Soviet Union.
10:33My dad and my dad.
10:37I thought that.
10:38They stayed at me.
10:41They left you.
10:42They left you.
10:43I'm asking Rangel to come back.
10:45Why will I get her in the hospital?
10:46I'm a judge of the time.
10:48Rangel.
10:49Hey, where are you?
10:51They are from our church.
10:54Hey, let's go, my mother.
10:55Is it on your mother?
10:56What?
10:59I'm a place in Bulgaria.
11:00Hey, tell me something.
11:03Mom, I think I'm thinking about the question.
11:07It's a place in Bulgaria.
11:08I'm a place in Bulgaria.
11:09I'm a place in Bulgaria.
11:12Mom, it's a place in Russia.
11:15I feel like I've been here to make your chicken.
11:18It's all you have to think about and make it through.
11:21Can you hear me?
11:22My father, you're a mother.
11:23I've been here in 20 years.
11:24What are you thinking about?
11:26Can I say you have to tell me about Angel?
11:30Yeah.
11:32Oh!
11:33Um.
11:38Oh, boy.
11:39Oh, boy.
11:40Oh, boy.
11:41What do you want?
11:43How do you do it?
11:44I'm going to go to the campaign.
11:46And she?
11:47You're a minister.
11:51You're a minister.
11:53You're a secretary.
11:55Oh!
11:56Oh!
11:56Oh!
11:56Oh!
12:00Oh!
12:12Oh!
12:14Oh!
12:15Oh!
12:16Oh!
12:16Oh!
12:17Oh!
12:17Oh.
12:18Drop your pants off!
12:22Don't let me get older!
12:23Oh!
12:24Give me a shower!
12:25Give me that shower.
12:28Don't let me get back to another shower!
12:31Oh!
12:32Give me another shower!
12:35I want you to run a river through my territory!
12:41Oh!
12:42Oh!
12:43Oh!
12:43I want to find you like a water board!
12:46I love you, Petcarlova. I love you, Petcarlova.
12:54Mecho.
12:59Rangeli!
13:01Rangeli!
13:03Rangeli!
13:05Rangeli, why are you closing?
13:07I'm not closing.
13:09I'm not closing.
13:10I'm closing.
13:12I'm closing.
13:14I'm closing.
13:15I'm closing.
13:16How are you closing?
13:19Rangeli!
13:20Is it Petcarlova?
13:23No!
13:24I don't have any Petcarlova.
13:26I want to concentrate and close.
13:31You know what?
13:32Here are you?
13:33Yes!
13:34You're listening?
13:35Yes!
13:36You're listening to the first floor to ask the sportier for Dharvodeles
13:39to go home.
13:40Yes, yes, I'll be right here.
13:41Yes, yes, you're listening.
13:47Let's go.
13:49Let's go.
13:51Let's go.
13:53Let's go.
13:54Let's go.
13:59Let's go.
14:00Let's go.
14:02Let's go!
14:08Opa!
14:13General Lanhev,
14:16we have the last few days
14:17about how to do sex with the minister.
14:20Good!
14:23He will be in the morning
14:24and on all the media.
14:27Peshev!
14:29Let's go!
14:37What i mean?
14:41No!
14:45Yes!
14:49How is she opening?
14:51I'm going to go.
14:52And she's leaving.
14:52Who has been leaving?
14:55Who's leaving?
14:56The doors open!
15:00We should talk about.
15:01We should talk about it. You are free!
15:10What is between you, Petkanova?
15:12Petkanova?
15:17There is no one here, Petkanova.
15:35What is it?
15:37What is it?
15:38What is it?
15:42It's a good one.
15:44It's a good one.
15:45What do you want to do?
15:46It's a good one.
15:47It's a good one.
15:48I love you.
15:48If you want to get a friend of mine,
15:49you want to get a friend of mine.
15:54Profesional dancers, you want to get a friend of mine.
15:56Okay, I'm going to do it.
15:57I'm going to get a friend of mine.
15:59If you ask me,
16:01I'm going to get a friend of mine.
16:04Okay.
16:05If you're a friend of mine,
16:06why don't you get a friend of mine?
16:08Why don't you get a friend of mine?
16:10But when you hit a friend of mine,
16:12do you think that someone will get a friend of mine?
16:18I'm sure I'm going to do it.
16:19What do you do?
16:20What do you do?
16:23Not yet.
16:24What do you do?
16:37I'm going to do it.
16:38We're going to do it.
16:40We're going to do it.
16:45We're going to do it.
16:48We're going to do it.
16:51How can I film a documentary film?
16:56Let me go!
16:58That's why young people go outside.
17:02If things don't change,
17:08if I don't give me the opportunity to realize,
17:12I will fly!
17:15Where is the fire?
17:16Where is the fire?
17:18I can't wait!
17:20Come on now, a documentary film.
17:22Help me!
17:26Oh, oh!
17:28Oh, Camero!
17:28I'm going to get an infarction to get you into your own stupidity!
17:31You can see how to prepare you to watch the report!
17:39That's the drama.
17:42We're going to do an anons.
17:44And then we're going to do it.
17:56We're going to do it!
18:05We're going to do it.
18:06What is your review?
18:07You're going to jump the next door!
18:07Did you ask someone to fill you?
18:10Okay.
18:10Can you ask somebody to fill me in the chat?
18:11You're going to fill me in the chat?
18:11No, please!
18:12No, no...
18:12I'm working now.
18:15Okay.
18:16I'm working…
18:18And I'm going to find out about the name of Japan.
18:22What is that?
18:24My mother has to take care of it.
18:26Who is it?
18:27Who is it?
18:28I'm going to take care of it.
18:29Don't worry about it.
18:34My mother has to take care of it.
18:37Now I'm in the hospital.
18:40I want to say hello and say,
18:43that I'm going to take care of it.
18:47Let's take care of it.
18:48Let's take care of it.
18:49Let's take care of it.
18:51I'm going to take care of it.
18:52Where is the hospital?
18:54I'm going to tell you.
18:55Just two minutes.
18:57I'm going to talk to you.
19:00How do you know where the hospital is?
19:04She told me not to tell you.
19:06Because you don't want to see it in this situation.
19:11What did you do, Begoranov?
19:13You gave your son's house.
19:16Yes.
19:17You have any food for the hospital?
19:19She doesn't eat it.
19:20She drinks it.
19:21She drinks it.
19:22Oh, boy, boy, boy.
19:24I tried to drink it and then...
19:26You don't want to drink it.
19:28You're not going to drink it.
19:28My mother is.
19:32She's asking me to tell you,
19:34that she started business with bounties.
19:38And if you can help me...
19:41What's going on, Begorov?
19:42Every day she's got a little bit.
19:44And the water...
19:45And the car out of the outside.
19:47And the water...
19:48And the bounties.
19:49And the bounties.
19:50And I have a little bit.
19:53And the car to eat it,
19:54I see a quarrel of my��.
19:58A little bit.
20:16That was a joke,
20:24Transcription by CastingWords
20:47For me, the best kid is number 10.
20:52He's smiling, he's smiling, and he knows how to do it.
20:57I'm going to eat more salt in the manger. I love salt.
21:01I'm not going to buy a boulion, but he has everything.
21:04He has no need for salt.
21:09But I like more number one.
21:12But...
21:14It's so cruel.
21:15It's so hard to understand.
21:18Mom...
21:18They are a lot of ugly. They are not my type.
21:22I'm not my type.
21:23Most of them are my type.
21:26Where did you find a boulion?
21:28On the first tour.
21:30I took four.
21:31I took two.
21:33But two left.
21:38Father...
21:38Mom...
21:39I have to tell you something.
21:42I have a girl from the Ministry of the Ministry.
21:46Just tell me, it's Ptkanova.
21:50Ptkanova?
21:52What?
21:54If you love Ptkanova, why do you mean you?
21:57I don't know you.
21:58I'm going to know Ptkanova.
22:00I know Ptkanova, I know you're a friend, but I know Ptkanova.
22:01I know it's something that others don't care.
22:04It's only you're the most important.
22:06I'm the most important.
22:07But who do you do today in the cabinet?
22:08You're the most important.
22:21You're the most important.
22:26I have a friend of Ptkanova.
22:27How is the secretary of the Ministry of the Ministry of the Ministry of the Ministry of the Ministry of
22:32the Ministry of the Ministry?
22:56...
23:04Hummm...
23:06Thshhthhthhthhththhththhththhththhthththhththhththhththhththhthththhththht !
23:08Iskam водa, iskam водa !
23:10Okay, but t hıy.
23:14Brat mi lъže !
23:15I'll see everything lъže !
23:19I know !
23:21He took it !
23:30I'm not mistaken. He's going to manipulate you.
23:33He's a scary one.
23:35He's not a scary one. He's a scary one.
23:37I know. I'm telling you. I'm on your side. You know.
23:42He's using you.
23:45You're sure you're saying you're going to leave you together, right?
23:48Yes, but I don't believe.
23:49Right?
23:50Правда.
23:51Right.
23:51Только брата да прецапа и тебе ще те прецапа.
23:56Искаш ли още вода?
23:57Не.
23:59Хайде да ме развържаш.
24:00А, не. Абсурд!
24:01Коса спим много леко.
24:03Обаче утре ще му даме на хапче
24:06и директно тя ме в полицията с тебе да го предадем.
24:10Това.
24:11Да, давай, давай. Спокойно.
24:28In the end of the video, we'll see you next time!
24:45What is my bag?
24:45Everything is dying as it should be.
24:47The premiere is as it should be, and the end...
24:49Is Natalio Volani?
24:50No.
24:52Is it sure?
24:53Yes, but you know what the drama is.
24:55The whole Ministry of Service looked at me today.
24:58When I was talking to you on the phone,
25:00they were in churches.
25:00Angel and Gullavina were in the Ministry of Service.
25:04Yes, I was looking for a good job.
25:06I told him that he was in charge of the car,
25:08because he was in charge of the car,
25:09and that time he was in charge of the minister Petkanova
25:12to reach the door with one of them.
25:14You can't work in the Ministry of Service
25:16or in a lot of series?
25:18I was looking for a TV.
25:23How is the meeting with Krstev?
25:25I talked to him before,
25:27but he was very entusiasmated.
25:29I don't know everything.
25:30But the meeting is a little strange.
25:34I'm waiting for Krstev to react.
25:43What do you do with the news?
25:46What do you do with the media?
25:54I'm going to ask you some more.
25:59Thank you, dear.
26:00What are you doing with Krstev?
26:04What are you doing with Krstev?
26:04I'm going to ask you some more.
26:08What's the movie?
26:09What do you do with Krstev?
26:11On stage 1, Vini, Vini, I'm not the one.
26:15I'm not the one.
26:17I'm not the one.
26:20I'm not the one.
26:21I'm not the one.
26:23Hey!
26:24How are you?
26:29Look at me.
26:31Look at me in the central episode!
26:32Look at how good I've been here without Grim.
26:35Come on, you're scared.
26:36How are you doing it?
26:39Oh, no, no, no, no, no, no, no, no, no, no, no, no.
26:45No.
26:52This is just a little bit,
27:11Let's go.
27:12Let's go, let's leave the morning blocks.
27:14They will give us our TV, right?
27:17Orlincho has left all the mass media.
27:19Yes.
27:22Scandalism on the premier Rangel Chekanov
27:25will be in Bulgaria this morning.
27:27He's heard that the premier has a conversation
27:30with an erotic representation of a woman.
27:32He says that the female voice is on the minister of the Tourism
27:36of Lili Petkanov.
27:37Hey!
27:39If he was Rangel in the truth,
27:42then he was Rangel in the path.
27:44He's on the first time.
27:47Let's go and tell B Mengele,
27:48what is not a situation.
27:50It's a mandate there!
27:52If you want...
27:53Hold on, wait, wait, wait, wait!
27:55He's in the premier cabinet.
27:59No, this is the same!
28:01Let's go!
28:02And in the暑ays of the town.
28:05The other one said that it was a new arrangement.
28:07It's above.
28:09But how do we have such a new arrangement?
28:13No, no, no. We're in another restaurant.
28:16But I'm buying a grigat, but then I'll have a look.
28:19No.
28:20No.
28:20You sell a shop and buy something to the Russian government.
28:26Oh, my friend, my friend.
28:29Check it, check it.
28:30Let me go.
28:31Let me go.
28:32Let me go.
28:35Let me go.
28:35Let me go.
28:35Let me go.
28:36Let me go.
28:36I want to go like a river through my territory.
28:43I want to go like a mountain port.
28:47I'm going to go.
28:50Oh...
28:50I hope you just want to go.
28:53Oh, stop it.
28:54Stop it.
28:55Stop it with my pantalon.
28:55Stop it.
28:57I am gonna get a girl.
28:59Try it.
29:00In the movie, I'm going to go.
29:02I'm going to go.
29:03The most out of you.
29:10No, I just...
29:15The only one...
29:16Let's not get rid of any of them.
29:20It's terrible.
29:23We're looking for a woman for Radko,
29:26and he himself found this way.
29:28It's been a year ago.
29:30But it's been a whole of Bulgaria.
29:33Wait a minute, I don't have said that.
29:36What did you say? It was your voice.
29:40I said to Petkanova that I love Bulgaria.
29:44I love Petkanova.
29:47You see, it's a manipulative thing.
29:49You see?
29:51You're like a South Stream.
29:54I'm in my territory.
29:58I've been talking about the future of Bulgaria.
30:02Why did she say that she wants to kiss my mother?
30:07I've been talking about my mother.
30:10I've been talking about my mother.
30:12I've been talking about her mother.
30:15I'm a manipulative thing.
30:17It's a little bit of a picture.
30:20Maybe we didn't do it.
30:23He's a big pig.
30:28I'm standing outside.
30:29I'm talking about an idiot.
30:32I'm talking about an idiot,
30:32while he's in front of me.
30:34Hey, look, Gullabino.
30:35Do you see my eyes?
30:36My eyes were mounted.
30:38Hey, now.
30:39I'm talking about a relationship
30:39with Petkanova.
30:40I've been talking about two days.
30:45I've been talking about two days.
30:47I've been talking about two days.
30:58I've been talking about two days.
30:59You don't have anything to see with Petkanova
31:00and the end is a problem.
31:02I'm talking about two days,
31:13.
31:13.
31:13.
31:13.
31:13.
31:16.
31:16.
31:16.
31:16.
31:16.
31:29Goodbye Maria!
31:30Goodbye Maria!
31:32The wonderful food!
31:34We love a lot.
31:36Me much thanks!
31:36But first I thought I'd guard you a little?
31:39All right.
31:40So I only be more obvious and more real.
31:44Wow, wow, wow, wow, wow, wow, wow, wow.
31:48Super, wow.
31:50So, coffee, coffee, coffee?
31:53No, thank you.
32:03You have a cat?
32:05KOTKA LI IMATE?
32:07Не, не. Съседите имат котка и я бият.
32:11Сега за Испания интервюто горе-долу, кога ще излезе?
32:14Утре излиза в нашия ученически вестник.
32:17Аз го превеждам и веднай го опращам в нашите колеги в Испания.
32:20Чудесно!
32:21А те дали го опращат после до други гимназии,
32:23в Латинска Америка, Карибския басейн?
32:26Ами... Сигурно ще го пратят.
32:29Всъщност да, сега се сещам.
32:30Сигурно ще го пратят на целият изпановязичен свят.
32:32That's so scary, because I'm going to concert in the region and you know that the advertising is no longer.
32:38Absolutely.
32:40Do you have one cup of water?
32:42So that you let it go and get more of it.
32:44Yes, of course.
32:59What are you doing there?
33:02What are you doing here?
33:03I'm going to find the toilet.
33:04Here is the toilet, but in the moment it's in the repair.
33:08Yes.
33:09And then I can't go to the toilet.
33:16These are the lights from the Maestro?
33:18No.
33:19This is a lot of heat in the ventilation system.
33:26Yes.
33:26I'm going to figure it out.
33:27You know how difficult it is.
33:29You know how difficult it is.
33:30Yes.
33:31Yes.
33:33Yes.
33:35Yes.
33:35Let's start the interview, if you want.
33:37What is your first question?
33:41What are your future plans?
34:08What is your future plans?
34:11Yes.
34:11Yes.
34:12Yes.
34:12Yes.
34:12Yes.
34:13Yes.
34:15Yes.
34:17Yes.
34:17Yes.
34:18Yes.
34:25Yes.
34:32Yes.
34:34Yes.
34:35Yes.
34:37Yes.
34:38No.
34:39I wanted to find their enemies in England alone.
34:41No, no, no.
34:43I don't know what to do, but I don't know what to do.
34:51The generals are in the middle.
34:54It's ideal.
34:55Let's go.
35:01Tell me what it looks like.
35:03It's a little bit of a doubt.
35:05In the middle of the state, they had some kind of male clothes.
35:07But they were on their own clothes.
35:09Yes, they were on their own clothes.
35:10I don't know about the clothes.
35:13I don't know about the clothes.
35:15Besides the clothes, something else?
35:17Did you have a impression?
35:18There was a lot of clothes.
35:20But they didn't say anything.
35:22But who is it?
35:24That's the question.
35:28And how did it go?
35:32It's a little bit.
35:34It's a little bit.
35:37Who?
35:38Who?
35:39Onesel bufkite.
35:41Søbulse, boss is azil.
35:42I'm in the bar.
35:43I'm so proud to be.
35:45How do you like to make these things, Hercule?
35:48The other thing, Maria Scala,
35:50go to Africa and London,
35:53and come to the Caribbean,
35:55but I was hoping to go!
35:58But what do I think?
35:59In the gastro?
36:00In the gastro, okay?
36:03She was just a student. I checked it in the internet.
36:08It's funny.
36:09It's not that Kote-to was there somewhere in the Caribbean?
36:12It's now a national passport.
36:15So, she wants to go to the Caribbean.
36:17With the girls.
36:20I don't know.
36:35I don't know if you want to stop this conversation.
36:38It's very nice to meet you, very nice to meet you.
36:41No, no.
36:42After that, it was yesterday on Przorica.
36:44Hey, let's sign up for that.
36:47I don't know.
36:48You can't do it.
36:49You know exactly what it is.
36:52You can't do it.
36:53What is it?
36:55It's a psychotic.
36:59It's been a post-it-it.
37:00It's a post-it-it.
37:03She thought it was a post-it-it.
37:06She thought it was a PR.
37:08She said, it was a post-it-it.
37:10It's a post-it-it-it.
37:11It's a post-it-it-it, it's a post-it-it-it.
37:13And all of the Bvlgarians know it is the Przorica.
37:15People who are in the street are the people who know their lives.
37:17They're shooting, they're shooting.
37:19It's a post-it-it.
37:21It's a post-it-it, you said?
37:23Go, go, go.
37:24I don't know, Pepe.
37:27But, Jore, I'm glad for new faces.
37:29I'm ready for a product.
37:31She's young, energetic, ready for everything.
37:34Yes, yes.
37:35But you don't have to be good at the window,
37:39but she's...
37:41...gola.
37:43And then she's going to be the real big star, huh?
37:47You're big, Jore.
37:49How do you think?
37:50I don't know.
37:51But...
37:52...but...
37:53...but...
37:53...but...
37:54...but...
37:55...we don't have to change the name of the presentation.
37:58No such love and math and so on.
38:01The presentation is called...
38:02...Gore na Przorica,
38:04...sus Camelia.
38:05Aha.
38:06...
38:07...Cato gore na Chereshita,
38:09...n'li se sesthaš?
38:10Aha.
38:10Seda, super.
38:11Chesito.
38:14I'm sorry, ma.
38:16...And she'll be the interview with me.
38:19... IN PRZOR Nowadays,
38:30the session is called off the stage...
38:31l takkas,
38:47... again.
38:47And she goes at the end of the stage...
38:53Now we have to go to the police, and go to the police, and go to the police, and go
39:01to the police.
39:07How is it going?
39:10Are you going to go to the police?
39:12I'm going to go a little bit.
39:141-2 часа, and go to the police.
39:17If you go to the police, I'll go to the police, and go to the police.
39:20Yes, yes, the police.
39:22The police are going to go to the police, and they'll go to the police.
39:30D'Ancho, what is it?
39:33Cekov, it's ready.
39:35It's my signal.
39:36It's the police.
39:38It's the police.
39:39Yes, it's the police.
39:41It's the police too, and it's the police.
39:42Cekov, go out!
39:44How is it?
39:45What is it?
39:59It's the police.
40:02It's the police.
40:04What is it?
40:07It's the police.
40:09Yannche, how are you with my neck?
40:11What?
40:11You're going to get a little bit.
40:13Hey!
40:15Dancho, you're going to hit me!
40:17Dancho!
40:18Ridiculous!
40:56Good morning, Mrs. Severoon.
40:59Have you gone to your home for a search for Mr. Lutuf?
41:03Mr. Severoon is working for a job, so your chances are good.
41:07Mr. Severoon is working for Mr. Penelope?
41:17Oh, Radko. Oh, Lutov.
41:20I'm going to go.
41:22I'm going to go to the gadget. Why?
41:25She lives around here.
41:28She's in the yellow town. Why?
41:31Are you sure?
41:32How is your gadget?
41:33How is your gadget?
41:34Eleonora.
41:35I'm going to the minister.
41:37What are you doing here?
41:39I'm going to the gadget.
41:41Eleonora. I'm going to the minister.
41:44You're going to go.
41:46You're going to go.
41:46Who's going to go?
41:47Who's going to go?
41:49Andrei, don't you go.
41:50This is the premier.
41:56Rosie.
42:03I'm going to go.
42:20I'm going to go.
42:22I'm going to tie it in the deep desert.
42:22Yes.
42:24I'll have to go.
42:25You'll look at your estadounid.
42:27I'll go.
42:27The new book is better than the Lutuf and the new one.
42:30Yes, Radko, it's better than the new one.
42:32Let's see what he's doing here!
42:34If he was a star, my sister would not be able to go.
42:39Hey, listen to a man, don't say anything,
42:41nobody said anything.
42:42My sister left in France for this one.
42:45Is that right?
42:48Radko, let's say what you have to say and get to you.
42:53So, let's see.
42:56First, I know how to make a happy woman.
43:00Why do you do it?
43:03Because I have everything.
43:05I have Russian hair, green eyes, white hair.
43:09It's a photo model.
43:11And then, look at what it looks like.
43:13Let's do it. It's all good for you.
43:15Andrei, let's go.
43:16I'm sorry to tell you something.
43:18I'm sorry, but I'm going to get back to work.
43:19I'm going to get back to Tata.
43:20No, I don't have to.
43:23Andrei, let me get back.
43:24Andrei, let me know.
43:25Pizza ones would come to work for us.
43:35I'm a little bit of a chat.