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High Potential S02 - Episode 8
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00:01Si le damos Morgan Guillory un puzzle,
00:03ella no va a parar de pensar en eso hasta que se sienta.
00:06Hey, ¿no?
00:07We found Roman.
00:09I'm sending you a photo now.
00:10That's not Roman.
00:11I think someone's been on my tail the past few days.
00:13Maybe you should just hide the bag,
00:15cause whoever Roman's running from
00:16might not want what's inside getting out.
00:19If we could just keep this between us.
00:21We'll keep the circle small.
00:23Let's run this stack of photos through facial recognition.
00:25Who are you?
00:27I want that backpack.
00:29Well, theft of major artwork.
00:31Painted by Rembrandt in 1645.
00:33The thief wanted this painting for a reason.
00:36Reese just flew and helped us find our missing painting.
00:38I'm an art recovery specialist.
00:40If I can recover the Rembrandt safely,
00:42the insurance company can avoid cutting a rather large check.
00:44Do you have any idea who it might be?
00:46Well, the internet seems to think so.
00:47Some call him Jean Baptiste.
00:49If we find the young girl,
00:51we should be returning it to Miriam Weissman, not the Fosters.
00:54So you go back to the crime scene on your own
00:56without a police escort?
00:57But if we didn't, we wouldn't have gotten this.
00:59Detective Karadik and I can handle it from here.
01:01Are you kicking me off the case?
01:03Don't worry, the ransomware will turn up soon enough.
01:07That's our guy, let's go!
01:08He's getting away!
01:09Jean Baptiste might not exist.
01:11He could be a myth.
01:12A guard shot him in the left shoulder,
01:13and he fled empty-handed.
01:14I'm down at the museum, and you're gonna wanna see this.
01:18Our case just got blown wide open.
01:46Our case just got blown wide open.
01:55Oh, my God!
01:57Oh, my God!
01:58Oh, my God!
01:58Damn it!
02:00Mark!
02:01Dear God!
02:03That is not okay!
02:04No, you're big mad!
02:05Yo, what's the problem?
02:07You scared me!
02:08This is where I work!
02:08Are you sorry?
02:09You love this kind of stuff, though.
02:11Not this kind of stuff, okay?
02:13Okay, I'm sorry.
02:14I just couldn't wait to see you.
02:16Been thinking about you all day.
02:18All day?
02:19Oh, most of the day.
02:21Thanks.
02:27Okay, let's go.
02:28Yeah, let's get out of here.
02:29Where are my keys?
02:31Whoa.
02:48And you didn't see anyone leaving the area before you found him?
02:50No one.
02:51Yeah, if she hadn't dropped her keys, we might not have even noticed anything.
02:54I only predict him anything.
02:56Well, does this have something to do with the painting that got stolen?
03:07Morgan.
03:09You called her?
03:10I did.
03:16Such a rich markable day
03:21Awfully thanks to you
03:31You remember the museum director.
03:34Cyrus Caro, 48.
03:35Cause of death, blunt force trauma to the back of the head.
03:38Possibly his own tire iron, which is missing from his trunk.
03:41So, our friend here has a $20 million painting stolen from his museum,
03:46and two days later he winds up dead.
03:48What are the odds those things aren't connected?
03:50Either he knew something about the theft, or he knew who did.
03:53Maybe they got to him before he could get to us.
03:55Any chance we're looking at Jean-Baptiste?
03:57Not likely.
03:58Jean-Baptiste stole opinions from across the world.
04:00Cyrus wasn't a traveler.
04:01Maybe he and Jean-Baptiste were working together.
04:03Hmm.
04:04You think he's the one who called you, set up the ransom?
04:06I didn't recognize the voice, but he did hand me the Polaroid.
04:09So he can't be sure if our Vic was a witness or an accomplice.
04:14When was he killed?
04:15Um, ME established time of death within the last hour.
04:18Oh, thank God.
04:20It's just good that we got here so quickly.
04:23He was wearing this at the museum.
04:25Yeah, so why would our killer leave a watch worth 200 grand on the ground?
04:29Why go through all that trouble to take it off his wrist just to what?
04:32Forget it?
04:32Well, it's fake.
04:34Yeah, if it was real, the second hand would glide and not jump around when it ticks.
04:38Plus, the engraving's too shallow.
04:39Our text will take a look.
04:41Sounds good.
04:42I'm gonna skip out for a little bit.
04:45Everything all right?
04:45Yeah, just kid stuff.
04:47You need a ride?
04:49No, I wanna walk.
05:19And a bin that needs to be emptied less often.
05:22Sorry, just grabbed a nice towel.
05:23Made a mess, so.
05:24That's okay.
05:25I got it.
05:26Sure.
05:32Morgan.
05:33Morgan.
05:33What?
05:34You followed me?
05:35You showed up to a crime scene and left two minutes later.
05:37Yes, I followed you.
05:39What the hell's going on?
05:42I think Reese is Jean-Baptiste.
05:45Reese, the art consultant.
05:46No, the peanut butter cup.
05:48Yes, same guy.
05:49Only I don't think he recovers art.
05:50I think he steals it.
05:51Or both.
05:52I don't know.
05:52I just know that there is a crate in his room, and I think our young girl is inside.
05:57It's settled down.
05:58It's a painting.
06:00Um, okay, that's it?
06:01You heard he's got an art crate, and now you think he's an international art thief?
06:04No, I saw it.
06:05And I also saw a scar on his left shoulder from a bullet wound, just like Jean-Baptiste, in the
06:10same spot.
06:11Okay, well, how did you see a scar?
06:13Huh?
06:14The scar.
06:15You said you saw it.
06:20Um...
06:20I can tell you're making a face.
06:22Could you translate that face for me?
06:24Yeah.
06:25Yeah.
06:26You know, he and I, we...
06:31Oh.
06:32Oh.
06:32You know what?
06:33It shocked me too.
06:34I don't know.
06:34Can we move past that part?
06:35We have to rethink this entire investigation.
06:37Okay, well, I think you're being a little dramatic.
06:39No.
06:39Rhys has been with us every step from the heist to the murder.
06:41I understand that.
06:42That's why I need to peek inside that crate.
06:44Morgan, you can't break into someone's room without a warrant.
06:46You know that.
06:47Obviously, if I find something important, I'm gonna say that I saw it when he invited me in.
06:51That doesn't make it better.
06:52Morgan, now you're just adding perjury to an unlawful search.
06:55Good point.
06:56I'll jot that down.
06:57Morgan!
06:57Morgan!
06:57What?
06:59Oh!
06:59Whoa!
07:05Oh!
07:06Oh!
07:09Oh!
07:09Oh!
07:24Yes, hello, okay.
07:26Oh!
07:26Oh!
07:26Oh, oh!
07:27Oh, no.
07:29Hey.
07:30Bueno, hola.
07:31¿Dónde estáis disparado?
07:34Um, tenÃa que...
07:36ir a trabajar en otro caso.
07:38Oh.
07:39Ya, sé, es como...
07:41me gustarÃa que la gente se despedida a la otra vez.
07:44Ya sabes?
07:45Es suficiente ya.
07:47Bueno, voy a volver a mi hotel room.
07:51¿Por qué?
07:53Um...
07:53Hay mucho trabajo que se ha hecho ahÃ.
07:55¿No?
07:56¿Verdad?
07:59SÃ.
08:03Porque nos hemos interrumpido.
08:06SÃ.
08:06SÃ.
08:08¿Verdad?
08:10¿Verdad?
08:12¿Verdad?
08:15¿Verdad?
08:23¿Verdad?
08:24¿Verdad?
08:25SÃ.
08:28¿Verdad?
08:29¿Verdad?
08:39¿Verdad?
08:42¿Verdad?
09:13¿Verdad?
09:13¿Verdad?
09:20¿Verdad?
09:21¡Verdad?
09:27¿Verdad?
09:28So now we need to catch a thief...
09:29and a murderer.
09:31Inés quelegantenbre
09:32Happy Desenoldo Amgrini&
09:35Guilleri...
09:35I'm sure you'll find another case in need of your unique talents.
09:43They're going to have questions about the victim at the press conference.
09:46What do we know about Cyrus Caro?
09:47No priors, no kids, unmarried.
09:49Was born in the Philippines and got a master's in sculpture here in L.A.
09:52Cyrus was the museum director for five years.
09:55We looked into all the staff after the heist.
09:57Nothing flagged.
09:58What about his social media?
09:59This was his last post, taken two hours before he was murdered.
10:03Find out where.
10:04What about our Ransomer with the tinted windows?
10:06We ran the plates.
10:07The car is registered to a Lou Fowler.
10:09We put a bolo out on the car.
10:11Any connections with Jean Baptiste?
10:12Nothing yet.
10:13We still don't know who he is or if he even exists.
10:15I'm a skeptic, but I'd love to be proven wrong.
10:18And the Ransomer hasn't called you again to make any demands?
10:20No, none of my contacts have seen or heard a whisper about the stolen painting on the dark web or
10:25anywhere else.
10:26Maybe it just hasn't surfaced or whoever took it is being real careful.
10:32Great.
10:33So we're looking for an art thief and a car thief who could be the same guy, but the only
10:37suspect we've been able to identify is still Miriam Weissman's grandson.
10:42So will someone find out what he was doing while Detective Karek and I were running every red in the
10:47sand?
10:47My father bought that painting in 1932.
10:50We lived in Krakow.
10:52I was the only one in our family that survived.
10:55When the Nazis came, they took everything.
10:59Morgan and I could go by Cyrus' place and see if we could find anything.
11:02Just you, Detective.
11:04Morgan's benched.
11:05Forrester and Osdell, if there's a connection between Cyrus and Jean Baptiste, I want to know.
11:10Let's hope we have a hell of a lot more to say the next time I talk to the press.
11:13Let's hope we have a lot more to say the next time I talk to the press.
11:21So what's good around here?
11:23Uh, you can have some of my carrots or somebody else's pretzels.
11:29So this is the consultant's corner, huh?
11:31Where we wait to be called on?
11:34You maybe.
11:34Not me.
11:35I'm out.
11:37Look, about earlier, I truly had no plans.
11:41It's honestly, it's fine.
11:45We got a little carried away.
11:47It's all good.
11:49Okay.
11:51So how's that other case coming along?
11:53You know, the one you had to check on.
11:55Yeah, good.
11:55Really good.
11:56Solved it.
11:57Already?
11:57Yep.
11:58I know.
11:59Some of these cases are tough, you know?
12:01And then some are just kind of open and shut.
12:04Real grab bag here at Major Crimes.
12:08Well, congratulations.
12:10Mm-hmm.
12:11Um, I've given it some thought.
12:20I'm going to go with somebody else's pretzels.
12:38Captain, you got a second?
12:39Later, Detective.
12:40You know how the press gets if we keep them waiting.
12:43I'd like Morgan back on the Jean Baptiste case with me, sir.
12:46Huh?
12:46Would you?
12:47You would, too, if you'd worked as many cases with her as I have.
12:53Where'd you go?
12:55I'm not sure I understand.
12:56Back at the crime scene.
12:57You took off.
12:58Both of you.
13:00I'm finding it hard to keep track of you two.
13:02So I think you worked this one solo.
13:05Captain.
13:07I work with Morgan.
13:09On every case.
13:11And I know what I signed up for.
13:12If she messes up again, it's on me.
13:28You don't care he's around a briefcase and never looks inside.
13:31Morgan, can we focus, please?
13:33Fine.
13:33What did you say to Wagner to get me back on the case?
13:35I spoke to him cop to cop, and he agreed.
13:37Simple as that.
13:39You're not going to let this go, are you?
13:41What do you think?
13:41Look, Wagner knows that you're a wild card, okay?
13:46But he wants to know everything that's going on with you.
13:48Same goes for me.
13:49If we do that, then we stay on his good side.
13:50But if we keep hiding things from him, it's my ass.
13:53But we are hiding things from him.
13:55I am well aware.
13:56Then you need to watch your ass.
13:58Here's Cyrus' apartment.
14:03Whoa, whoa, whoa, whoa, whoa.
14:07Cyrus lived alone.
14:09Someone's in there.
14:11We didn't expect anyone to be here.
14:13We're very sorry for your loss, Emilio.
14:16How long did you know, Cyrus?
14:17Cyrus and I started dating a few months ago.
14:20A friend introduced us right when I arrived from Colombia,
14:23and we just clicked.
14:25He asked me to move in with him almost right away.
14:29When he stopped answering my texts,
14:30I started to worry and came home.
14:33That's when I saw the news.
14:37I'm so sorry.
14:39You know, my partner and I met Cyrus.
14:41He seemed like a very sweet man.
14:44I thought we'd be together forever.
14:47Can you think of anybody who might have wanted to hurt him?
14:50Cyrus?
14:50No.
14:51And what do you do for work?
14:52I'm a language instructor for IFLA,
14:56International Foreign Language Assistance Program.
14:58Well, these sure are beautiful.
15:01Oh, yes, thank you.
15:03They're 18th century Italian Baroque.
15:05Oh, I know.
15:06I love the floral motif.
15:09Was Cyrus the collector, or were you?
15:11I started getting Cyrus into antiquing.
15:14We picked those up last weekend at the Rose Bowl Flea Market.
15:17What a find.
15:19This one is so shiny.
15:20What do you use to polish yours?
15:22Ferric oxide?
15:27Uh, I, uh, don't remember what we used.
15:31Uh, some kind of cleaning product.
15:33Why?
15:34Oh, you can use ferric oxide to polish metals.
15:37But if you add a little bit of powdered aluminum to it,
15:41you get thermite,
15:42which is a pyrotechnic composition
15:44that can burn up to 4,500 degrees Fahrenheit.
15:48So people use it for things like welding
15:50or making fireworks or grenades.
16:02Yeah, it can even melt glass.
16:04Like the skylight at the museum.
16:07Wait, you think that I had something to do
16:09with the stolen painting?
16:10You know, a byproduct of thermite is aluminum oxide.
16:14It's this very fine powder.
16:21Yep, that's it.
16:22You know, I think we should dig this conversation
16:24down to the precinct, Emilio.
16:26Emilio!
16:27Hey!
16:28Hey!
16:35Move!
16:55You know, the thing about stolen vehicles
16:57is they aren't always so reliable.
16:59Out of the car, sir.
17:00Nice and slow.
17:14Hey, it's Arthur.
17:15I gotta take this.
17:16Okay.
17:17I'll go brief Wagner.
17:24Arthur, you okay?
17:25I don't know.
17:26Things could be better.
17:27What are you talking about?
17:28Some guy, he ambushed me.
17:30He was looking for Roman's backpack.
17:33Who's doing?
17:34I got away, but not before he got a few hits in on me, you know.
17:37Oh, my God.
17:38How bad is it?
17:39Yeah, I got a hard head.
17:41I live.
17:42All right, where are you?
17:43I'm getting patched up right now.
17:45Which hospital?
17:46Hospital's asking me questions.
17:47I got my own cup, man.
17:49Hey, hold on.
17:49Hey, Harold, give me a second, all right?
17:51Give me one minute.
17:52Thank you, brother.
17:55Morgan, listen to me very carefully, all right?
17:58These people are not playing games.
18:01Whatever's in that backpack that Roman gave me to pick up, they want it, and they want
18:04it real bad.
18:07Do they know I have it?
18:08I don't know.
18:09If they do, I damn sure didn't tell them about it.
18:13Okay, this guy, do you think you could identify him and describe him to a sketch artist?
18:18We talked about this before.
18:20I am not going to the police.
18:21Arthur, you just got attacked.
18:23Who knows when they'll find out I have Roman stuff.
18:25Just tell us where you are, we can come to you.
18:33Please.
18:37Mr. and Mrs. Foster.
18:38What the hell was that?
18:39Greg and I saw your captain's press conference.
18:41Then you know we're doing everything we can to find your stolen painting.
18:44Are you?
18:44Because we were beginning to wonder if you were only interested in getting your face on
18:47the news.
18:48If me standing in front of a camera can help catch a murderer and a thief...
18:51What happened with the ransom note?
18:52We have a suspect in custody, and I assure you we are working to answer those questions.
18:57Well, it doesn't seem like you have much to show for it.
18:59Mr. and Mrs. Foster, we know how much the young girl means to you.
19:02Now, I can assure you that Captain Wagner, as well as our entire team in major crimes,
19:06is doing everything possible to bring her home.
19:07Now, please, let us do our job.
19:09Don't bother.
19:09It's time we hired our own private detective.
19:11I think you've kept us waiting long enough.
19:19You're not listening to me.
19:21You got the wrong guy.
19:22No, we want to believe you, Emilio, but you did try to get away from us in a stolen vehicle.
19:26Twice.
19:27And then, there's what we found in your apartment.
19:30Items consistent with the burglary.
19:31That's not mine.
19:32Never seen this before.
19:34Then why run?
19:34You see, I think you started dating Cyrus to get access to his museum.
19:40And then, you did that whole Mission Impossible act.
19:43A theft, a murder, a ransom.
19:46You had the whole thing planned out.
19:49My relationship with Cyrus wasn't perfect, but I would never hurt him.
19:53Not even for $20 million.
19:55Where did you hide the painting?
19:57I'm not hiding anything.
19:58But you showed up to the ransom.
20:00What, did you get nervous you weren't going to be able to find a buyer?
20:02Because I think you found out about Rees through Cyrus.
20:05And Cyrus found out what you were doing, and you couldn't have that.
20:08Or maybe he discovered this wasn't the first painting you stole.
20:14I don't understand.
20:15Oh, I think you do, Emilio.
20:16Or would you prefer the name Jean Baptiste?
20:20I only heard about this stolen painting because Cyrus told me.
20:24Like, I'm not answering any more questions.
20:29Fine.
20:30Don't say another word.
20:32But this court order says that you need to let us check for any identifying marks on your left shoulder.
20:38About this one.
20:39Cutting an avocado like a jerk.
20:41I'm glad you survived.
20:47What about you?
20:49Scars?
20:50Mm-hmm.
20:51I only have the one.
20:52Pretty sure you've seen it, too.
20:55I don't...
20:55I don't think I have.
20:57Oh, that's hard to believe, given your powers of observation.
21:03Summer 2010, Florence Art Festival.
21:07Things took a very unpleasant turn.
21:09I mean, I didn't see the gun, but I heard the shot.
21:11Luckily for me, it missed my artery.
21:22Oh.
21:24He's got a whole collection of them, doesn't he?
21:27That he does.
21:32I served two years in the Colombian Army.
21:3527th Jungle Battalion in Pucumbaya.
21:37Will you look at the side of his hand?
21:40It's all red.
21:41Why?
21:41You think he banged it up?
21:42No, I think it's ink.
21:44Emilio said he was a language instructor.
21:45He probably graded papers with red ink, but I didn't see any papers in the apartments.
21:50And what do you do for work?
21:51I'm a language instructor.
21:54Maybe he was doing it in an office.
21:56And maybe that office is used for something other than just grading papers.
22:00Guys!
22:01Let's go!
22:06She left.
22:17Okay, so we're thinking Emilio might have had another reason to be here.
22:20Like hiding the painting or the murder weapon?
22:23It's a lot of boxes.
22:24I'll take this room.
22:25All right, let's get started.
22:33Teaching languages could have kept Emilio hopping from one country to another.
22:36That would be a good cover for an international art thief.
22:39Okay, there's nothing in here except the student paperwork.
22:41Same.
22:42What do we have here?
22:45Oh, wow.
22:47I'll call a team to crack it open.
22:56Uh, guys?
23:04Looks like we found Sean Baptiste.
23:18Good afternoon.
23:20I'm Captain Nick Wagner from the LAPD's Major Crimes Division.
23:24Earlier today, our detectives arrested an individual we believe is responsible for the murder of Cyrus Caro.
23:32While our investigation is not complete, we will soon be returning the stolen Rembrandt to its rightful owners.
23:39Are there any questions?
23:42Did you inform the Fosters?
23:43Yep.
23:44We left word for them.
23:45Well, they'll be glad.
23:46There doesn't seem to be any noticeable damage.
23:49Look who's here.
23:52Detectives.
23:53Ari, Miriam, what are you doing here?
23:55We came to see the painting.
23:57Morgan invited us.
24:23You Arthur?
24:25You a cop trying to blend in?
24:28I'm a friend of Morgan's.
24:30All right, well, let me just say what I got to say so we can get this thing over with.
24:34I'm listening.
24:35There was a dude hiding in the back of my truck.
24:39I didn't give him what he wanted.
24:40He reached for a blade.
24:41Then we got into it.
24:43You get a look at the gun?
24:44Just a couple of glimpses.
24:46Then we spilled out into the street.
24:47It all happened pretty fast.
24:49Any information helps.
24:52All right.
24:53White dude.
24:5550s.
24:55Lean.
24:56Salt-and-pepper hair.
24:58He had, uh, this big-ass goatee.
25:00He also had a, uh, tattoo of some kind of bird peeking out of his shirt right here.
25:06What are you doing?
25:07We found pictures of some people in Roman's backpack.
25:10One of the guys was somebody who couldn't identify.
25:14That the guy?
25:20Yeah, that's the guy.
25:22Then I'm going to need you to come down to the precinct with me, make an official statement.
25:26I'm afraid my unofficial statement's just going to have to stand for now.
25:29Sorry.
25:30Your life, your life could be in danger.
25:34What do you want me to do, huh?
25:36You want me to sit in your lobby until you catch him?
25:38Look, just find the guy, all right?
25:40Put a couple of your people on Morgan and her family.
25:42Because trust me, I'm good.
25:45We done here?
25:46All right.
25:47I'm giving you my number, and you're going to hold on to it.
25:50I hope you never see this guy again, but the moment you do, call me.
25:58All right.
26:06You invited her?
26:07Yes, I did.
26:09You think the Fosters are going to loan out that painting anytime soon?
26:12This will be the last time Marian Weissman will ever be able to see it.
26:14Not to mention the fact that technically it belongs to her, so none of this is fair.
26:18Well, it's our job to enforce the law, even when it's not.
26:21Oh, yes.
26:21Thank you for the reminder.
26:23I'm sorry for the quick exit, but I'm due in Palermo tomorrow.
26:26I have another stolen art piece that requires my services.
26:29Oh.
26:31Is she a provocative young girl this time?
26:35She's a landscape.
26:37Well, Reese, it would seem that your job here is done.
26:39Thank you.
26:40The pleasure's all mine.
26:41And for what it's worth, I really wish the young girl was being returned to Miriam Weissman 2.
26:57You all right?
26:59Yeah.
27:02That's not her.
27:05That's not her.
27:09What do you mean?
27:11She doesn't have my eyes.
27:15My father always loved that we had the same eyes.
27:27I think she's right.
27:29Karadek, look at the whites of her eyes.
27:30That's too bright.
27:33In 1645, painters used chalk mixes or lead white that had, like, a creamy softness to it.
27:38This is brilliant and glaring, more like a modern titanium white, which didn't exist for another three centuries.
27:44In 1645, no one could have painted with this brightness and clarity.
27:47The materials didn't exist.
27:52I'm sorry for the quick exit, but I'm due in Palermo tomorrow.
28:01What do you mean, it's not her?
28:03Morgan says the one we found is a fake.
28:05Wouldn't the museum have authenticated it?
28:07Well, not a small museum like the Harbach and when it comes from a reputable collector like the Fosters.
28:10So we're supposed to believe she knows just by looking at it?
28:13There's an authenticator on the way, but I believe Morgan.
28:16Where is she?
28:20You can take the next one, right?
28:22Thanks, Gina.
28:24Well, I'm not normally one for prolonged goodbyes, but in this case...
28:28Do you have it?
28:29I'm sorry, what?
28:30Do you have the painting?
28:32Are you serious?
28:33You haven't opened that briefcase once since you've been here.
28:35What's inside of it?
28:36So that's why you asked me about my scar.
28:39Because you think I'm Jean-Baptiste.
28:41And then I did what?
28:42Stole the Rembrandt while no one was looking.
28:44Folded it up and hid it in my briefcase.
28:50I can think of one way we can clear it up.
28:52They're just confidential client files in there, Morgan.
28:55Nothing else, I assure you.
28:56Right?
28:57There's an unfortunate amount of paperwork that goes without recovery.
29:00I bet.
29:01Yeah.
29:06Okay.
29:06As you wish.
29:20I'm sorry.
29:21I really thought the one we found at Emilio's office was fake in your...
29:25Stole the real one.
29:26I picked up on that.
29:31So you've been playing me this whole time?
29:37Was any of this real?
29:41No.
29:44It's not real.
29:52Morgan, what is this?
29:53We asked Daphne to pull the Foster's insurance policy over the last 10 years.
29:57Now take a look at what they were insuring in 2019.
30:00That's a lot of art.
30:01Mm-hmm.
30:02Now look what they insured a few years later.
30:05Only 12 items.
30:06And this year?
30:08Just one.
30:09That's right.
30:09Now what are the odds that of all the priceless art that they own, the one piece that gets
30:14stolen is the only one that happens to be insured?
30:16I think the art that I saw at their house was fake.
30:22Just like the painting we found.
30:24I tracked down black market sales for eight of the pieces listed on the Foster's 2019 insurance
30:29writer.
30:29Then we did some more digging.
30:31They're in debt to some bad people.
30:32So you're saying the Foster's arranged for their own painting to be stolen for the insurance
30:36money?
30:36They loved that painting so much they weren't willing to give it up even when they went
30:40broke.
30:41All right.
30:42Where is this going?
30:44One of them must have gotten an idea.
30:45Now I don't know if it was Greg or Linda.
30:48Let's arrange to have our painting stolen and return to us without anyone knowing.
30:52That way they could keep both the insurance money and the painting.
30:57But why give over the real thing if you don't have to?
30:59Maybe they didn't.
31:00Maybe the Foster's had a forgery made for the museum.
31:03Right.
31:03Probably by the same expert who forged the other ones on their walls.
31:06I don't think they'd want their beloved painting getting sliced out of a frame, do you?
31:10So the museum never had the real painting?
31:12It was all a setup?
31:13That's right.
31:13But nobody robs a museum for free.
31:15You guys remember the watch?
31:16I think that Greg and Linda gave Cyrus the watch as a down payment.
31:21And by the time Cyrus realized the watch was a fake, he'd already stolen the painting,
31:25making it look like it was Jean Baptiste so we wouldn't suspect him.
31:28What he didn't know was that painting was fake too.
31:32He decided he wanted to double cross the Foster's by putting it up for ransom.
31:35But when the Foster's found out, they confronted him before he could find out the painting was fake.
31:41And by that time, he'd already given the painting to Emilio, who hid it in his office, believing it was
31:47real.
31:47The Foster's couldn't risk the truth getting out, they needed to keep him quiet, so they killed Cyrus.
31:54Again, I'm not sure which one.
31:56Maybe it was both of them.
31:57Watch, are you kidding me?
31:58Come on!
32:00Again, not sure which.
32:03All right, we need to bring the Foster's in for questioning.
32:09They have a yacht.
32:13The Foster's have a yacht.
32:14I saw a picture of it at their house.
32:16It was called the Easy Monet.
32:18If they go out to ditch the murder weapon, they could try to get away with murder and the painting.
32:21Forrester, go grab Osdill, go to their house.
32:25Karadek, how are your sea legs?
32:36You know this place?
32:37Yeah, a friend Doc's is bowed here.
32:39That's them.
32:41They're casting off.
32:42Let's go.
32:53Yep.
32:54Yep, it's real, or yep, it's...
32:57The underlayers are inconsistent with the pigments available at the time the real Rembrandt was painted.
33:13Here's your Mrs. Foster, LAPD.
33:31This is Lieutenant Soto.
33:32I'm being followed again.
33:35Arthur, where are you?
33:36I'll send you a black and white.
33:38I'm just passing Temple and Grand.
33:40I'm actually on my way to you.
33:42Maybe this guy will follow me all the way to the station.
33:52Yeah, the fosters aren't here. Looks like they left in a hurry.
33:55And they took everything of value with them.
33:57Mm-hmm.
33:57So they're making a run for it.
33:59All right, thanks.
34:05So you're sure it's a fake?
34:07It's the best I've ever seen.
34:08How did the lady know?
34:11She didn't have her eyes.
34:14Can you see his license plate?
34:16No, he keeps weaving in between the cars.
34:19It's a sedan of some kind.
34:21Look, this guy really knows what he's doing.
34:23Listen, I'll be at you in about 15, 20 minutes, tops.
34:26All right, well then just stay on the line with me until you get to the precinct.
34:29Look, I'll be fine, all right?
34:31I'll see you soon.
34:32Arthur.
34:34Arthur.
34:36Arthur.
34:37Arthur.
34:41LAPD, stop this boat right now.
34:42Right now!
34:43Put the gun down.
34:46Is that a flare gun, Greg?
34:47You could really hurt someone with that.
34:48Put it down!
34:49I wish that I could, but the LAPD has a few rules in not dropping my gun in a situation
34:54like
34:54this is one of them.
34:55Greg, what are you doing?
34:56Please stop, okay?
34:57This is not...
34:57I'm handling it, honey.
34:58I'm not handling it.
34:59I don't think anyone else needs to die today, Greg.
35:00I don't know what you're talking about!
35:03Maybe we got it wrong, but I'm sure we can work something out, just put the flare gun
35:07down.
35:07Honey, please, it is over, okay?
35:10Where are we going to go?
35:11How are we going to live, okay?
35:19Where?
35:19It's back here.
35:29Wait, where did it go?
35:32It was right there, I swear to God.
35:35Where did it go?
36:05What you got in there?
36:07Would you believe me if I see the schoolboy's trainers?
36:12How'd you know?
36:16She doesn't have my eyes.
36:20Does it matter?
36:22I'm not a murderer, Morgan.
36:23Just a thief.
36:24I do recover art for insurance companies.
36:27And every once in a while you just decide to hang on to one?
36:31So you are Jean-Baptiste.
36:33You know, I don't even know who picked that name.
36:35It wasn't even the first piece of art that I stole.
36:37You can complain to my partner after he arrests you.
36:46I don't think you called him yet.
36:49And I'm wondering if that's because you don't want the young girl going back to Greg and Linda any more
36:52than I do.
36:53And you know that I can get her back where she really belongs.
36:58You stole the painting just to give it away?
37:00You expect me to believe that?
37:03I do.
37:05You're lying.
37:06I'm trying to do the right thing, Morgan.
37:09I have no way of knowing if you're just going to keep it for yourself.
37:12It's true.
37:14I guess you're just going to have to trust me.
37:25Wait, do you guys think the Fosters are going to get off easy?
37:30The Fosters would have to have a great lawyer for that.
37:32I don't think they can afford it.
37:33But what a risk, though, you know?
37:35If I had that kind of money, I'd buy a Malibu mansion or a WNBA team.
37:38Oh, no.
37:39I'd start my own animal rescue.
37:41Okay, now I feel bad.
37:42He did that on purpose.
37:43Yeah, he definitely did.
37:44I'm going to get more drink.
37:46He could live at my animal rescue.
37:48Yes.
37:48He's a kid.
37:49He's a kid.
37:50As I go.
37:53Still no sign of Arthur?
37:55Not yet, Lieutenant.
37:57I'll call again, but if he doesn't answer this time, put a bolo out on his truck.
38:00You got it.
38:04Hey, I heard you guys do an end-of-the-day thing here.
38:07I thought I'd find you.
38:09If you're going to fire me, can I throw a few more drinks on this tab first?
38:12Oh, you're not fired, Morgan.
38:14Too valuable for your team.
38:16And to me.
38:18I'm not letting you go.
38:21Is this how you apologize?
38:22No.
38:25So what's it like sitting out on this arrest?
38:28It's not like you.
38:28Oh, no, I didn't sit out.
38:29I was kicked out.
38:31But, uh, thanks for asking.
38:32It sucked.
38:33Well, don't worry.
38:34He'll be there on the next one.
38:39Did you hear about the painting?
38:40I did.
38:41Oz thinks the Foster's tossed it in the ocean.
38:44At Trax, they seem like the kind of people who are like,
38:46if I can't have her, nobody can.
38:48Is that really what you think happened?
38:51I don't know.
38:52I'm just a consultant.
38:57We questioned the yacht's crew.
38:59One of them said that they saw a man in a wetsuit slip over the side of the boat holding
39:03something.
39:04So I was thinking maybe it was Jean Baptiste.
39:09Come on.
39:10I don't think that guy exists.
39:12No?
39:23What you gonna do when you get to the water?
39:27Greggle.
39:28What you gonna do when you get to the water?
39:31What you gonna do when you get to the water?
39:36Oh, my God.
39:41It's my girl.
39:47My maid, I love you.
39:53Into the sea, out of fire, all that burnin'
40:02Into the sea, out of fire, all that burnin'
40:09In the sea, out of fire, all that burnin'
40:18In the sea, out of fire, all that burnin'
40:57¡SuscrÃbete al canal!
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