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Sir John
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01:00After Nancy left to play in Pantomime, I resolved that the quickest way to stop feeling angry and bitter was
01:05to forget her.
01:07The musical Tiplos, the act which replaced Susie and Nancy, helped.
01:11They were priceless.
01:13They had Hank Johnson and Bill Jennings and me in stitches.
01:19The trouble with you, son, is you just don't appreciate genuine refinement.
01:24You look like two females that even Bill would keep his hands off us.
01:29I'm trying to picture them playing Butte, Montana on Saturday night.
01:32There's a bar across the street, friends.
01:34You're coming good.
01:35Yes.
01:35Plenty of water with it.
01:37Thanks, but I think a better way here for my turn.
01:39Suit yourself.
01:39It's fun for so much culture.
01:40It makes me kind of dry.
01:48But inevitably, the main distraction was Julie Blaine.
01:58How long are those idiots going to be?
02:01Are you next?
02:02I hope so.
02:04Wait for me and we'll have a drink after, hmm?
02:16Here's Hank.
02:21God knows what Tommy will do to the Tiplos.
02:23They will make for him to bless.
02:25Let me know when he puts them into the act.
02:27You don't like them because they're here and you're little Nancy, isn't it?
02:30No, I just don't like them.
02:35You realise, don't you, that for sixpence you could send her a wire at the Theatre Royal
02:39Clinton and put an end to your ridiculous quarrel.
02:41And what do I say?
02:43I'm sorry, it was all my fault.
02:46Yes?
02:47Just that?
02:49Don't you know anything about women?
02:53Just turns to subject you, then.
02:58Well, I'm finding it all rather ghastly at the moment, too.
03:01Tommy's been playing these dates for years.
03:04I don't know anyone round here.
03:05All the people he knows are bookies and pub proprietors and they're fat, dull wives.
03:10Staying at one of their pubs at the moment.
03:13Where are you this week?
03:15Sharing digs with Uncle Nick and Sissy.
03:19Doesn't she ever sneak out of his bed and climb into yours?
03:25All Sissy wants from me is friendship and vice versa.
03:30Well, you must have some friends in Leeds.
03:34One or two.
03:36When they're free in the evenings, I'm not, am I?
03:40Tell me, Richard, do you want you and I to see more of each other or not?
03:50It's up to you.
03:54Yes.
03:57All right, then.
04:00Just leave it to me.
04:04It isn't going to be easy.
04:06It isn't going to be easy.
04:10It isn't going to be easy.
04:13See you, lady.
04:19Saturday, Richard.
04:22What address are you going to in Sheffield, sir?
04:24Er, Country Bray.
04:26Number 51, I think.
04:29The same as Mr Beamish and Miss Blaine.
04:32I didn't know that.
04:34Neither did I.
04:37Ah, come on.
04:50We'll be.
05:01We'll be.
05:04We'll be.
05:05Hello, my angel.
05:06Hello, my uncle.
05:08Hello.
05:10Hello.
05:11Hello.
05:12Why don't we look at the garland inside?
05:14It's wonderful to see you.
05:16And who is a handsome young man?
05:18Bye-bye, darling.
05:19This is Richard Hearncastle.
05:21Richard, Mrs. Wall.
05:22How do you do, Mrs. Wall?
05:23Oh.
05:24Come y'all.
05:25You're welcome to my house.
05:28What is mine is yours.
05:30Everything except a bloomers.
05:34Oh, Mr. Bill.
05:37What a bloomers.
05:38What a bloomers.
05:40Oh, my dear darling.
05:42Oh, my dear darling.
05:43Your friends, they arrived.
05:45Now we are the family.
05:48Come.
05:49We have the drink to celebrate.
05:52Christmas comes for once in here.
05:55But when it does, we might as well get into practice.
05:58Happy days.
05:59Welcome back.
06:01Oh, my last you are.
06:05It's the food here, wasn't it?
06:07A lot of it is.
06:10Hey.
06:11Gingerbread soup and mince, Jack.
06:13George has cooked her up when he was working at the steelworks in St. Petersburg.
06:18I think the corpse of her yonder's her mum.
06:21Stick a pin in her, George.
06:23See if she says something.
06:26Hey.
06:26Say hello, dear darling.
06:29Nothing.
06:30You like the drink, Mr. Uncastle?
06:33Very good.
06:33I'll have a drop more, Georgie.
06:35We are married, Mr. Uncastle.
06:36Not yet, eh, Richard.
06:38He's trying, though.
06:40His mother and father forbid it.
06:43Well, my mother and father are dead.
06:46What was often?
06:48Um, they both died this year.
06:49Oh, your mother and father both died this year.
06:52Oh, bed now with my chicks a-cut.
06:55Oh, you a-cut.
07:04You don't have to eat at all if you don't want to.
07:06I'll calm down when I'm ready.
07:10Sounds drunk.
07:11He is.
07:12And you'll get drunker.
07:14Leave your door ajar tonight.
07:15Why?
07:16Don't pretend to be stupid, Richard.
07:18I have the pillow for you, Mr. Uncastle.
07:21You will sleep like the baby on this.
07:25Um, I think it's a bit, uh, dangerous for all these people around.
07:29I like it when it's dangerous.
07:31Don't you want me to come to your room?
07:33Mr. Uncastle, come to look!
07:46Did you hear the one about the actress of the one of his parents?
07:49They can't speak English, can they, George?
07:52You know, I'm not sure, Tom.
07:53I've never heard them speak English.
07:56But I've seen them smile when I've said something funny.
07:58It's the way you tell them, George.
07:59It's the way you tell them.
08:00It could be.
08:03What's this, Bavara?
08:04Still pulled a bit of sugar and milk him more?
08:06It's a rice pudding.
08:08Rice pudding?
08:09Ho-ho!
08:10You don't have rice pudding, you'd rash crush it, do you?
08:12You teach me the rice pudding.
08:14I make it to win the heart.
08:16I'm very clever.
08:17You next best rice pudding in world, Tommy.
08:20You see?
08:20He's still loved!
08:21William!
08:25What's the weight of your heart, Richard?
08:30I don't know.
08:32Lads of his age haven't got a heart.
08:34They're just lecherous.
08:36Am I right, Nick?
08:37Are you remembering your own young days, Tommy?
08:41I don't have to remember anything.
08:43I bring what I want with me.
08:49A hot, guilty blush spread from the top of my head until it seemed to me I must be glowing.
08:56I don't think I was obsessed with sex any more than the next lad.
08:59It was just so tantalizing.
09:02Tormenting almost, being under the same roof as a fascinating, bewitching creature like Julie.
09:10Tommy's had a boozy lunch.
09:12He's gonna sleep it off.
09:13Meet me at the corner.
09:14What?
09:14Ten minutes.
09:15I'll say I'm going shopping.
09:26I had the bright idea of going to the picture palace.
09:30I felt safer in the soft darkness.
09:34Safer and passionate.
09:58Safer, what do you know about me?
10:05You were a good West End actress.
10:08And then you had, uh, problems.
10:25I was living with a man who suddenly went off and married somebody else.
10:31He liked drinking, so I drank with him.
10:35When he wasn't there, I drank for both of us.
10:38Then I did the fatal thing.
10:41Instead of just drinking after the show, I drank before it and during it as well.
10:45They rang the curtain down on me.
10:48That was it.
10:49So I was out.
10:52Tommy Beamish was the only person who touched me after that.
10:56He'd had a similar experience and was willing to give me a chance.
11:00And he offered me a decent salary.
11:04And you, uh, share his bedroom?
11:11On the stage is where I own that money, Richard dear.
11:13I'm not a tart.
11:16Tommy rescued me.
11:17I was very grateful.
11:24Are you jealous?
11:27Yes.
11:29Aren't you taking something for granted?
11:33I don't think so.
11:40So, what's Tommy really like?
11:43No, and he's wonderful on stage, of course.
11:44But, uh, off stage I think I dislike him as much as he seems to dislike me.
11:50Young, strong, and good-looking.
11:51He's jealous.
11:52Riccardo thinks he's mad.
11:56He's mostly...
11:58a clever, naughty little boy.
12:02He can be very kind and generous.
12:05Let's say four days out of five.
12:09And what happens on the fifth?
12:11What do you think?
12:20This is my only chance to get back where I belong, Richard.
12:23I can't walk out in him.
12:27But it would be all very different if...
12:32If what?
12:36If someone else was really making love to me.
12:46You know, Richard would be so much better if you didn't keep sharing digs with your uncle and his idiot
12:50girl.
12:51Why didn't you insist on taking your own?
12:54Because they know about digs and I don't.
12:58Next week, Christmas week, we're in Nottingham.
13:01I know some people there you could stay with.
13:05Will you let me arrange it?
13:08Yes, please.
13:13Then...
13:13It's not good, Margaret.
13:14Yes, it's gone.
13:20It's not good.
13:20It's not good.
13:23It will give you to them.
13:27For me it's The Machine Tozz.
13:29Thank you, Barbara.
13:30Good afternoon, Julie.
13:32Mr. Paul.
13:33Oh, Mr. Honcar.
13:35Mr. Honcarstle, I'd like to speak to you.
13:40this is where we talk my house
13:46uh richard i call you because to you i am as the mother
13:56you are nice boy good boy i think thank you so i speak to you as the mother
14:05oh your drink is good for you
14:11all of us we see very plain my muska my husband even valvea what do you see mrs wall
14:19richard i speak to you as the mother about love love all there is between you and this miss
14:27blains is hunger for the sex animal feeling i don't really see what it's not foolish to deny
14:34we have seen we have spoken of it we know it's because you are young strong man you want girl
14:43you have no girl it's not the same with this miss blains she is mature woman very strong
14:50in sex anyone can see she has terrible hunger you've been in bed with this woman
14:56no i haven't
14:58mind all business eh
15:01no you mean well mrs wall
15:04richard
15:07this is not nice young girl dreaming this is woman strong in passion
15:14it can be madness for young man like you like terrible disease no heart no soul
15:22richard please finish with this miss blains now please if you do not you will be broken in pieces
15:31i'm warning you richard as mother you will be broken in pieces in pieces
16:07julie was as good as her word
16:09the next week in nottingham i presented myself as arranged at the house of her two friends
16:13alfred and rose bentwood
16:17which is that one
16:19richard earncastle of course you are
16:23well don't stand there freezing to death come in out of the cold
16:31joey blains
16:32julie blains friend oh we've been expecting you well let's have a coat
16:36of things
16:36we don't get rooms normal you know oh no only to friends special friends and friends
16:43our friends. Oh, Alfred loves letting rooms. If he had his way, he'd let every room in
16:49the house. Oh, Alfie. Now, Alfred, this is Richard Heroncastle. Richard, this is my husband,
16:58Alfred. Wonderful to have you here. It really is wonderful. Any friend of Julie's is more
17:03than a friend. He's a brother. Am I not right, Rose? Right is right. Now, Richard, come and
17:09see your room. Then you can start unpacking. Alfred, go and help him pick his bag up and
17:12things. Oh, I can easily. Oh, no, you can't. Any guest of ours is as good as the Prime Minister.
17:21Oh, come on, come on. They laughed so much. I thought there must be something odd about
17:34my appearance. The fly must be undone or something. Well, there we are then, Richard. What do you
17:43think of this? Oh, this is a marvellous one. Hey, we love theatre folk. We're always going
17:49to the theatre. There's nothing we enjoy more than having theatre folk to stay. Am I not
17:54right, Rose? Oh, right as right. Air used to be on the stage. But I had to give it up
18:00when
18:00I married the tobacconist and started producing little tobacconists.
18:04Little tobacconists. Been on the stage all your life, have you, Richard? Lifelong career,
18:12is it? Oh, no. I'm new. I'm very junior, actually, so I was wondering if I could really...
18:16Oh, of course you can. We don't charge any more than anyone else, do we? 17 or 6 a week.
18:20Bed, breakfast and a meal after the show. How's that? 17 or 6 a week? Say no more about
18:23it. We'll tell you to settle then. Now to get down to the most serious business of putting
18:28the kettle on. Oh, look out some cakes, Alfred. I expect our guest is famished. Oh, have you
18:35eaten the lot yourself already? Have you? Look at me. Oh, you are drunk. Oh, that's my
18:40case. What about you, cheapskate, booking us into that lousy hotel? What do you mean, lousy
18:47hotel? Look, did you take the $3 room or the $5 room? What's the difference? Well, the $3 room
18:53has a rat trap in it. The $5 room has a rat trap with cheese. I took the $3 room.
18:58I wasn't
18:59hungry. Aren't you getting married today? I thought you were getting married today. Well, good luck,
19:17buddy. This is it. Come on, we're gonna have a little raggy wedding. Come on, come down where
19:31all the classy folks are heading. I've got the preacher and here's the ring. I've got the
19:39girl, I've got the ring.
19:42You're coming to Christmas dinner at the Flying Horse. Tommy's giving it. Tommy? Yeah, and everyone
19:46else is coming, too. Well, that's good. How's it gonna help us? I thought I'd hope we might
19:52be together. Don't worry, my darling. I'll give you a seat when I went to sleep out and
19:56go back to the Bentwoods. And don't eat and drink too much.
20:45Keep this to yourself, but I'm getting an idea for an effect that'll really give them
20:50the creeps. A two-dwarf effect.
20:54Two-dwarf?
20:56It'll take some time to work out.
20:58Two Barneys?
21:00Yes, I know. That's a drawback.
21:04Oh, by the way, watch what you do with your hands at this Christmas dinner.
21:09What do you mean?
21:11Oh, don't come in, lad. I'm talking about Julie Blaine.
21:14Do you think nobody noticed the week before last at Sheffield?
21:17Sissy's got no sense, but she has sharp eyes and ears, and I don't miss much.
21:21So none of that. We want a Merry Christmas, not trouble.
21:25I thought you didn't believe in Merry Christmas.
21:27I don't. I believe in avoiding trouble.
21:34Let's forget it and never do
21:38The Happy Wedding Glide!
21:45The Happy Wedding Glide!
21:57Yes!
21:59Yes!
22:11Christmas Eve.
22:13I fessed away from home.
22:16Not that I had a home anymore.
22:19But Christmas is the time for remembering it.
22:21And loneliness stabs like a pain.
22:25I hadn't been in church since my mother's funeral.
22:28My mother, whose life had been as repetitive as the seasons.
22:32Home, church. Church, home.
22:36What would she have made of Julie Blaine?
22:38Or Nancy, for that matter.
22:40Women completely beyond her experience or her comprehension.
22:44Women out of a novel, not real.
22:48I would have given anything for my mother's reality that night.
22:51Merry Christmas!
22:53Donnie! Donnie! Wait!
22:56I'm going to pray for you! Donnie! Donnie!
23:00I'm going to pray for you!
23:02I'm going to pray for you!
23:08I tried to enter into the spirit of Christmas.
23:12But all the good cheer was happening to other people.
23:15Even Julie was caught up in the ritual and the fever.
23:19I was like somebody watching a football match and feeling bored
23:21and wondering what all the fuss was about.
23:25There was one part of the celebrations I could join in.
23:28I went and got drunk.
23:30Give her a little more.
23:32Hey, you're going.
23:33We've got the drink.
23:34Thank you very much.
23:36Merry Christmas to you.
23:47Happy Christmas to you, dear. Shade in water.
23:52Breakfast is ready when you are.
23:55I felt terrible.
23:57Physically ill with a hangover and tense as a juggler about the day in prospect.
24:02Would Julie and I steal an hour together?
24:05Or should we even try to?
24:13We're off now, dear.
24:14So if there's anything but...
24:15Oh, Richard!
24:17You've hardly eaten a thing.
24:20Er...
24:20Well, I'm not hungry, really.
24:23I don't like going out on Christmas Day leaving you to yourself.
24:26I do wish you'd come.
24:28It's at Alfie's Brothers.
24:29You'd know you'd be terribly welcome.
24:31Well, I'm not going to be by myself.
24:32I'm going out to dinner at the Flying Horse, aren't I?
24:34Well, if you say so.
24:35Thanks for the decorations in my room.
24:37Yes, well, we thought we'd jolly it up a bit.
24:39Oh, I think it's sad you by yourself.
24:42See, come on.
24:43Look.
24:43Oh, come in, dear heart.
24:45Oh, there's a holy terror if I keep him waiting.
24:48Back later.
24:49Oh, no, no, no, don't fuss.
24:50You're looking at the douche, man.
24:53I know!
25:14If Julie was to come, I wanted everything to be perfect.
25:18As if the room and the atmosphere were sort of insurance
25:20against failure.
25:45Here we go!
25:53Get that on and whoa!
25:55Here's some more!
26:15Well, except for my mum, she's always had a really good cry after dinner every Christmas
26:20since there was about three.
26:23Just as we start on the pudding, out it all pours.
26:26I mean, pints of it! Gallons!
26:27What?
26:28Tears! My dad moans and shouts, but nothing he can do can turn the tap off.
26:32What's happening?
26:34The tears! My mum's crying!
26:36You've not made anything so I won't let me try it!
26:38There I am, right on the top of the floor, about 70 feet up in the air, in the heart
26:41of Rome.
26:42And the Pope says to me, how are you doing up there?
26:45In Italian. The Pope is Italian.
26:49And I say, fine, except the spaghetti's cold.
26:52Cheers.
26:53Cheers.
26:53Are you enjoying your meal?
26:55You did well, Ian. Good place.
26:57I have a little effect in the act that I am very worried about.
27:00See what you feel, huh? Like, it goes something like this, huh?
27:19All right, love.
27:27Let's go out and his dog had it's present, yeah?
27:34Come on, let's get it done!
27:36Ho-ho! It's still burning!
27:41Ho-ho!
27:42Ho-ho!
27:46Ho-ho!
27:46Ho-ho!
27:47Ho-ho!
27:47Ho-ho!
27:49Ho-ho!
27:49Ho-ho!
27:53Ho-ho!
27:53Okay, come on.
27:54Thrill us.
27:55Two perfectly ordinate glasses.
27:57Yeah.
28:01Ho-ho!
28:04Ho-ho!
28:05Ho-ho!
28:05Ho-ho!
28:05Ho-ho!
28:05Well, I don't believe it.
28:06That's underwhelming.
28:07Ho-ho!
28:08More, more!
28:08Seeing ain't believing.
28:12Ho-ho!
28:16Ho-ho!
28:17Ho-ho!
28:18Ho-ho!
28:20Ho-ho!
28:21Let's see this.
28:26Ho-ho!
28:26Ho-ho!
28:27Ho-ho!
28:27Oh, I don't hear from river.
28:28Ho-ho!
28:28I'm at a loss of river.
28:29While he lays his glory by,
28:35Born that man no more may die,
28:41Born to raise the sons of earth,
28:46Born to give them second birth,
28:52Hark the herald angels sing,
28:58Glory to the newborn king.
29:04And there was so in, my lud,
29:06Because he wasn't there.
29:08There he was, my lud.
29:10Gone.
29:12Stolen, steeled up.
29:14With my very best fananigan.
29:18The one that burns my missus,
29:20Who all giggled.
29:21To the great,
29:22O joy,
29:23To the great,
29:24Joyful and triumphant.
29:28O come,
29:30O come,
29:32O come,
29:32To Bethlehem.
29:39O come,
29:40To Bethlehem.
29:48O come,
29:50O come,
29:54O come,
29:54let us adore him,
29:57Oh, come, let us adore him.
30:01Judith!
30:04I feel sick.
30:24I must get this coat off.
30:27No, you don't.
30:29It's snowing quite heavily now.
30:31It was like ages, my love.
30:32I'm so sorry Tommy had to be carted off to bed,
30:35and then I had to wait and make sure he was asleep.
30:39I've got you a present.
30:40Oh, how exciting.
30:47What is it?
31:04Oh, it's lovely.
31:08It's a lovely old piece.
31:10It's a Spanish 18th century.
31:15Darling, could you afford it?
31:16No.
31:20Now your turn.
31:25I noticed you hadn't got one.
31:44I hope your room's warm.
31:47I've been warming it for hours.
31:54Just give me five minutes then, would you, darling?
31:57I'll bring some whiskey or some glasses.
31:59Rose won't mind.
32:04Five minutes then.
32:12I took in her beauty as I might have done that of a landscape or a picture.
32:17Outside desire, without wanting to possess her.
32:23Nowadays, we live in a world of nudes and semi-nudes.
32:27But then, when women were covered from top to toe,
32:29a nakedness like this was an extraordinary revelation.
32:34As if a living statue, pearly and opalescent,
32:37had miraculously stepped out of the dark huddle of clothes.
32:52The
32:52The
32:52The
32:52The
33:20Theث
33:20The
33:20The
33:26You're welcome.
33:28What's up?
33:44Mark...
33:49Was it good?
33:53Tell me.
33:56My darling, you were lovely.
34:46My God, is that the time?
34:49Quick.
34:50Sweetheart, darling, I must go.
34:59Sweetheart, darling.
35:17Aldo?
35:18Aldo, darling.
35:20You know, I don't think there is a number six blowing Fontaine Avenue.
35:23At last, number six.
35:35Yes?
35:40Plumer.
35:41Monsieur Plummer?
35:42Master Plumer.
35:44By appointment to his majesty...
35:45This day, I experienced the usual exultation of the predatory young male, crowing to himself
35:49about a conquest.
35:51What about young Richard Hearncastle now, eh?
35:54What about Tommy Beamish who couldn't even begin to satisfy her?
35:58What about Uncle Nick making do with sissy?
36:02I discovered what it was all about, no question of that.
36:05And now that it was over, what was it all about?
36:10Not love.
36:12Tommy's gone back to the digs without me.
36:14She can't.
36:14Oh, look.
36:16Don't be pompous.
36:36Happy New Year.
36:37It's the fun.
36:46For the sake of auld lang syne, for auld lang syne, my dear, for auld lang syne,
36:58we'll take the cup of thine, for the sake of auld lang syne.
37:08Oh, listen to him in the street.
37:10Can't we all go out, Nick?
37:12No, we're better off in here than out there with that mob.
37:14They've nothing to celebrate.
37:161914.
37:171914.
37:20May it bring us at least half what we want?
37:23Why shouldn't we ask for everything we want?
37:26Ask too much, you might not get a damn thing.
37:28Even though you're superstitious.
37:30I'm not, but it pays to be reasonable.
37:33Now, I want to start the new year by having a good think about that two dwarf effect,
37:36so you two get off to bed.
37:38And I don't mean the same bed.
37:42Don't be late, Nick, will you?
37:44Not tonight.
37:51Come on, Uncle.
37:59It's been a very eventful year for you, hasn't it?
38:03It has.
38:06Well, I did promise you that.
38:26Happy New Year, Richard.
38:31I know what you've been doing.
38:35I can smell her perfume.
38:38And he knows there's something going on, though I shan't tell him even if he asks.
38:43But you're a very silly boy, Richard.
38:48We all warned you.
38:53All right.
39:00I could still smell Julie's perfume, too.
39:03It was like having a rose permanently under my nose.
39:06There was no place in my mind for dire, dark warnings.
39:34Music to my ears.
39:36Music to my ears.
39:38Quick clean-up.
39:40If a job's worth doing, it's worth doing well.
39:43Just the thing.
39:54That's you and it's clear as a bell, my lord and ladyships.
39:59You've done it.
40:01Oh, you've cured my baby.
40:05Hey, I wouldn't kiss it, you ladyship.
40:07You don't know where it's been.
40:09Your dog looks a bit peaky to me, so get somebody to have a look at it.
40:13You know, a veterinary surgeon.
40:15CHEERING AND APPLAUSE
40:39There's your bitch.
40:49there's no chance of smothering you into my rooms not with the landlady i've got
40:53no i'm no use either we're staying at the ground
40:57tommy likes to do himself proud when he's playing a date he doesn't like
41:04looks like we're gonna have to wait till we get to London
41:07that's what i've been dying to tell you my darling tommy thinks he'd be better off staying
41:12on his own when he's there it's an idea i've been trying to put into his head for a week
41:16perhaps she has a woman there i hope he's got ten just so long as he lets me off the
41:21chain
41:24you remember nancy ellis is at the theatre royal you're going to see her
41:31yes i am on stage and off i hope there's no need to be so aggressive about it my darling
41:39there's no reason why you shouldn't but do tell me why you are i don't know curiosity maybe
41:52won't make any difference to us i shouldn't stop thinking about you and wanting you all the time
42:05does she know you're here not yet thought i'd leave a note this afternoon and
42:12go and see the matinee tomorrow tommy says we're going to the wednesday matinee
42:16oh i could scream with boredom i've seen four pound of mimes already
42:23so if you're going tomorrow when's there going to be time for us
42:28even if nancy's pretty little legs don't bewitch you all over again
42:33though you like mine too don't you
42:36i'm half barmy about them
42:39as you very well know
42:43where can we go i'm mad for you
42:48i know where
43:02i know where can we go
43:18what can we do
43:18how can we go
43:34ORGAN PLAYS
44:12ORGAN PLAYS
44:41ORGAN PLAYS
45:09ORGAN PLAYS
45:19ORGAN PLAYS
45:21ORGAN PLAYS
45:21ORGAN PLAYS
45:35ORGAN PLAYS
45:44After everything that had happened, I didn't know what my feelings would be when I saw Nancy again.
45:50I think I was hoping I wouldn't have any.
45:53But I was wrong. I did.
45:55And one of them was shame.
45:58Hello, Horne Carter.
45:59Oh, look who it is.
46:00Nice to see you.
46:02Richard, I'm so glad to see you.
46:04After that silly quarrel, I was hoping you'd write.
46:06Or at least send me a wire for Christmas.
46:08I would have done.
46:09But I didn't know where you were.
46:12Did you enjoy the panto?
46:13Not much.
46:15Except for you.
46:16You were worth all the rest put together.
46:17I did hope you wouldn't say that.
46:19And it isn't true.
46:21Yes, it is.
46:22But don't let's start quarrelling again.
46:24Can't you come out?
46:26Richard, I'd love to, but I can't.
46:27Not today.
46:28One of the girls is giving a special tea party, and I promised I'd go.
46:31Tomorrow, then?
46:32All right.
46:32I'm not free for lunch, so there'll have to be tea after the matinee.
46:35What about the grand?
46:38What's the matter?
46:40Nothing.
46:41The grand, they can give us tea, can they?
46:43Right.
46:44About twenty past five.
46:45And now I really must go.
46:48Nancy!
46:49Richard.
46:53Well, nothing, really.
46:55It's just you look different somehow.
46:58Are you different?
47:00No.
47:01Tell me tomorrow.
47:11It's just you look different.
47:39Darling, have you been eating a huge tea all by yourself?
47:43I've been waiting for Nancy Ellis.
47:45And she hasn't turned up?
47:48Oh, darling.
47:50I saw the pantomime.
47:51I thought it was awful.
47:53She was very sweet.
47:56So what happens now, then?
47:57Another quarrel?
47:59I'll go around and see her tonight.
48:00Wait at the stage door if necessary.
48:09My love, I shouldn't do that if I were you.
48:11Why not?
48:12Lots of reasons.
48:14If she couldn't help it and you meet her with that look on your face, you'll only quarrel again.
48:19If she didn't come because she didn't care, the last thing you should do is to hang around waiting for
48:23her.
48:26It's up to you, my love.
48:42Nancy?
48:42I don't see.
48:43I don't see.
48:52I'll see.
49:29I'll see.
49:59I'll see.
50:25I'll see.
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