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00:22Piano music
00:37THE END
01:06THE END
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03:38THE END
03:46LONDON
03:48MY PART OF IT
03:49WAS DOWN AT HEAL
03:50BUT VERY CHEERFUL
03:52IT TENDED TO BREAK OUT
03:53INTO STAWS
03:54AND BARROWS
03:55WITH THE SLIGHTEST EXCUSE
04:07NANCY
04:12NANCY
04:12IT WASN'T THE FIRST TIME
04:16I THOUGHT I'D SEEN NANCY
04:19IT WAS ENOUGH TO SEE
04:20SOMEONE WITH THE SAME COLORED HAIR
04:26I TOLD MYSELF I MUST STOP THINKING ABOUT NANCY ELLIS
04:30I WAS GETTING MORBID ABOUT HER
04:33HERE I WAS
04:33A HEALTHY YOUNG MAN IN LONDON
04:34FOR THE FIRST TIME
04:35AND WITH A BOB OR TWO IN HIS POCKET
04:37AND ALL I COULD DO WAS MOP ABOUT THE PAST
04:40TO THE POINT WHERE I WAS ACTUALLY SEEING GHOSTS IN BROAD DAYLIGHT
04:45WHAT A WASTE OF ALL THE DREAMS I'D EVER HAD AS A BOY
04:47IN THE YORKSHIRE DALES
04:50DREAMS OF COMING TO LONDON AND TAKING IT BY STORM
04:55AFTER ALL
04:56THERE WAS SOMEBODY HERE
04:57WHO WASN'T JUST A FIGMENT OF MY IMAGINATION
05:00JULIE BLANE
05:02AND SHE WAS HERE IN THE FLESH
05:08FLOWERS
05:09MY
05:09WE ARE THE YOUNG MAN OF OUR TONG
05:14WHAT DO YOU THINK?
05:16VERY NICE
05:16NICE
05:17THIS IS GORGEOUS
05:24I FEEL VERY FAMINANT AGAIN
05:30I CAN'T GET ENOUGH OF YOU CAN I?
05:38WHAT'S YOUR FLAT LIKE?
05:41NOT LIKE THIS
05:42I SHOULD THINK NOT
05:45NO MORE ROLLING AROUND ON DIRTY DRESSING ON THE FLOOR
05:48FIREMAN KNOCKING AT THE DOOR
05:52THIS IS OUR OWN SPECIAL LITTLE LOVE NEST
05:57ABOUT TOMMY
05:59OH HE'S STAYING WITH BOOZY FRIENDS IN BRYTON
06:01ALL THE TIME WE'RE IN LONDON
06:02HE'LL CHECK UP ON ME NOW AND AGAIN
06:04YOU KNOW HOW JEALOUS HE IS
06:05WE'LL HAVE TO BE VERY CLEVER
06:08I'LL LEAVE CRYPTIC LITTLE MESSAGES FOR YOU
06:10ALL OVER THE PLACE
06:12LIKE SPIES
06:16QUITE LIKE TO WORK OUT THERE SOMETIME
06:19YOU KNOW WE'VE BEEN IN THIS FLAT FIVE MEN
06:23JULIE?
06:30JULIE
06:58JULIE?
07:04JULIE?
07:06God!
07:38God!
08:12I'm still a good lover, Julie.
08:15The very best.
08:19In the whole of London?
08:20In the whole world.
08:24Under my tuition.
08:29I knew I wasn't really the man for Julie.
08:33Just a young substitute for the lover who deserted her.
08:37We weren't in love.
08:41But we were friends within our mutual sexual obsession.
08:44Richard.
08:46Hmm?
08:49Don't suppose you've heard from Nancy, have you?
08:53No.
09:02You're such a dear, sweet boy.
09:06I'm sorry.
09:08I'm really sorry.
09:11I'm so sorry.
09:16You're such a good sign.
09:38You're such a great guy.
10:10Coast clear all the way to Brighton.
10:36You witch. You witch.
11:05Coast clear all the way to Brighton.
11:16I'm not sure which is the best part.
11:21During or after?
11:26You're in for me, definitely.
11:28I can feel relaxed after a square meal.
11:31For an artist, you can be very crass sometimes, Richard.
11:35I suppose I'm just a rough country lad.
11:37Not like one of your refined actor friends.
11:40I promise not to quarrel about my friends.
11:42You started it.
11:43Didn't?
11:44Did.
11:45Did.
11:46Did.
11:47Did.
11:48Did.
11:48Did.
11:49Did.
11:49Did.
11:52Did.
11:52Did.
11:53Did.
11:53Did.
11:55Did.
11:58Did.
12:02Did.
12:04Did.
12:06Did.
12:09Did.
12:10Did.
12:12Did.
12:23Did.
12:24Did.
12:26Did.
12:33Did.
12:39Did.
12:40Did.
12:43Did.
12:47Did.
12:49Did.
12:52Did.
12:53Did.
13:07Did.
13:10Did.
13:13Did.
13:49We must find something new for the act.
13:51I thought it went very well tonight.
13:53I didn't.
13:54I'd like you to do off a trick.
13:56You solved it.
13:57I'm working on it.
13:59Of course, we could always include your own personal disappearing act, couldn't we?
14:03My own.
14:04Here, one minute.
14:05Gone the next.
14:07Swallowed up by London.
14:10Or Miss Blaine.
14:14You have been neglecting, as you know, Richard.
14:17He'd never admit it.
14:19But he feels it.
14:20Wish I could believe that.
14:22I'm just enjoying myself, that's all.
14:24Nothing deeper emotional.
14:26Well, as long as you're happy.
14:29I am.
14:29I'm not going to drink with you, I'm going to drink with you.
14:31I'm not going to drink with you.
14:32Are you all coming, Richard?
14:34Richard's coming.
14:35What are we going?
14:36I've got the crown.
14:41Don't be long.
14:43I won't.
14:47What are you doing?
14:50Amputating my right leg below the knee.
14:53Why?
14:56I don't like the look of it.
15:02I love your legs.
15:08I'd like to draw you like that.
15:10Just lie in there.
15:14Beautiful.
15:15Or we could be doing something else.
15:27Shall we find time?
15:31I miss this skin.
15:35I pick up sometimes in my little flat.
15:37And you still feel it against my fingers.
15:45It's smooth and silky.
15:54I'm cheating, little bitch.
15:55I've caught you.
15:56I'm coming.
15:57I'm making it.
16:02Cheating bitch.
16:21This wasn't in the bargain.
16:23Look, I've stopped it.
16:24So shut up.
16:25Shut up.
16:25I'm enjoying myself.
16:26It's lovely.
16:28You...
16:33I don't like this, Tommy.
16:35Let's get out.
16:36Tommy!
16:39Now I'll tell you what I've been doing this week
16:42while you've been bouncing on your back here.
16:45I've been rehearsing somebody into your part.
16:47And she opens tomorrow.
16:49And you're out on your bare bleeding arse, Miss Blaine.
16:54Ta-ta!
16:55Ta-ta!
16:56Ta-ta!
17:00And look what you've rogered yourself into, Earncastle.
17:03Half a round with an ex-heavy weight.
17:05Turn it up, Tommy.
17:06Come on.
17:07Oh!
17:12Oh!
17:14Oh!
17:15Oh!
17:16Oh!
17:25Oh!
17:26Oh!
17:28Oh!
17:28Oh!
17:39No, go, eh?
17:41Go, eh, please?
17:42Well, I can't.
17:44Don't you sponge your back here.
17:45No!
17:47Don't.
17:47No, no, no, no.
17:49What can I do?
17:50Just get me a drink.
17:52Look.
18:04Oh!
18:07Oh!
18:11Oh!
18:13Oh, don't you know.
18:14Please don't argue.
18:14Just give me another one.
18:16Oh!
18:20Oh!
18:33Why did you let him do that to me?
18:39Can you get to the bed?
19:01He's mad.
19:03I should have known it all along, all those things he made me do.
19:08I'm doing so.
19:09He'll end up in a lunatic asylum, you'll see.
19:12Oh.
19:17How did he know we were here tonight?
19:19Has he been having his watched?
19:21He bloody enjoyed it.
19:24He even said so.
19:27He's thrown me out, hasn't he?
19:31You could never work with him again.
19:33No.
19:34Now I'm in London again with no work.
19:40Don't touch me, I don't want to be touched.
19:48I can't get you ashore.
19:49No.
19:52Just go, would you?
19:54Please.
19:58Lock the door when you go.
20:01You must be safe.
20:11Go, please.
20:12Yes.
21:13Oh, God.
21:15I had been warned.
21:18Bavara had said I would be broken in pieces.
21:21She wasn't far from the mark.
21:23I felt as if I'd been crushed between two runaway wardrobes.
21:28I spent that night alternately cursing Tommy Beamish and vowing black revenge,
21:31and feeling very sorry for myself.
21:35But now and again I managed to raise a wry smile on my bruised lips.
21:39My mother, I thought, wouldn't have had much sympathy for me.
21:43She would have seen my injuries as the wages of sin.
21:46Divine retribution.
21:49Actually, I half believed it was.
21:51What?
22:03Oh.
22:41The following night, I managed to struggle through the act.
22:44Only just, I was stiff and my timing was terrible.
22:49I want to talk to you.
22:50In ten minutes, in my dressing room.
23:10I don't know why I'm doing this, this is your job.
23:14Julie, Julie.
23:16I didn't phone this morning because I hope she might be asleep.
23:20I'm free to come round now.
23:22What?
23:25Tomorrow then.
23:27What?
23:29Wednesday?
23:31Afternoon, about two o'clock.
23:34Yeah.
23:37Julie, you sure you're all right?
23:56Yes.
24:08I'm very sorry, Uncle.
24:09I know it was all my fault.
24:11I promise it won't happen again.
24:13What have you been doing to yourself?
24:19I was in a fight.
24:20I can see that.
24:21Aren't you big enough to take care of yourself?
24:23Not against a heavyweight bruiser.
24:25How the hell did you come to be mixed up with a heavyweight bruiser?
24:28No.
24:36Now listen, lad.
24:38You came down to London with me, so I'm partly responsible.
24:41Just tell me straight what happened.
24:46I was with Julie in her flat.
24:49And Tommy Burstyn, with his heavyweight boxer.
24:54He did this to me.
24:56You should see what he did to Julie.
25:02And when they came in, you two were...
25:04Yeah.
25:05Pretty close to it.
25:08Well, I don't care what happens to her.
25:11She asked for it.
25:12She must have known what Beamish is like.
25:14He's notorious.
25:14But if he thinks he can have a nephew of mine knocked about like that,
25:19he's wrong.
25:22So what can you do?
25:27Plenty.
25:40Where is that damn veterinary surgeon?
25:43He should have been here an hour ago.
25:46Damn horse doctors.
25:48I never knew one yet would turn up on time.
25:51Never mind, little Lulu.
25:52Your doctor will be here soon.
25:55Not here, darling.
25:56Not yet, my darling.
25:58Not here.
26:00How do?
26:01How do you, Tommy?
26:03Do you know, I don't think there is a number six blowin' Fontaine Avenue.
26:08At last, number six.
26:17Yes?
26:19Plummer.
26:20Monsieur Plummer.
26:22Master Plummer.
26:23By appointment to His Majesty King George V.
26:26Mr. Beamish Thomas.
26:28But you can call me Tommy.
26:31I think fires have come.
26:33Ha ha ha ha.
26:35I want to keep your cap on, mate.
26:37There's a hookpecker flying about.
26:39Oh, I think he's forgotten his dummy.
26:42Not with a big job.
26:43Oh, hello.
26:45Hello, mate.
26:46How are you?
26:47Jack.
26:49Oh, I stay with you.
26:50Oh, I'd bother you.
26:51All right, mate.
26:53Hey, I've got to chop the apple for you.
26:55Just can't beat your mouth, mate.
26:57There's a dog, mate.
27:00Oh, bring the bloody town scene.
27:04Oh, bring the bloody dick.
27:06I've missed it the gay house, please.
27:08Listen, I'm telling you, you're all right.
27:11You're not drunk, conchering.
27:12You're a drunk job.
27:20FFR89, please.
27:48BIRDS CHIRP
27:51BIRDS CHIRP
27:52BIRDS CHIRP
27:53BIRDS CHIRP
27:59BIRDS CHIRP
28:00Mayfair 549
28:01BIRDS CHIRP
28:05BIRDS CHIRP
28:06BIRDS CHIRP
28:08Who is it?
28:09It's Richard.
28:12Richard Hencastle.
28:13I'd like to speak to Miss Blaine, please.
28:17BIRDS CHIRP
28:19She's not him! Sorry!
28:20BIRDS CHIRP
28:21BIRDS CHIRP
28:22BIRDS CHIRP
28:33Mayfair 549
28:34BIRDS CHIRP
28:40BIRDS CHIRP
28:40BIRDS CHIRP
28:41I'm sorry, Miss Blaine's not in.
28:43Julie, what's going on? I know it's you.
28:47Richard?
28:48Julie, where were you? What's happening?
28:50Richard, dear, I'm so sorry.
28:52I was out seeing agents, and I waited and waited for you,
28:55and then they told me to come back and get lunch,
28:57and then I waited again for hours.
28:58I was furious.
29:00Don't forget, darling, you're working, and I'm not.
29:03I'm so terribly sorry. Truly, I am. Will you forgive me?
29:07Yes, of course.
29:08Shall we make it same time tomorrow?
29:10No, not tomorrow.
29:13What about Sunday?
29:15Right, Sunday. Same time.
29:17No, I'm lunching with some people in Richmond.
29:21Let's say four o'clock, shall we?
29:23Then I'm sure to be back, and you won't be disappointed.
29:26Bye.
29:53Anticipation, caution.
29:57Concern.
29:59I experienced all of them as I approached Julie's flat.
30:03The strongest was probably a sense of caution.
30:07I did not want another beating.
30:10But I'd missed her, and I love making.
30:18Miss Blaine's expecting me.
30:21I'm sorry, she's gone away.
30:25Gone?
30:27Where to?
30:28I believe she joined Lewis Atkinson's company.
30:32They went off to Cape Town.
30:35Yesterday, I think.
30:36I'm so sorry.
30:39It doesn't matter.
30:42Did you know her very well?
30:45Not very well, no.
31:04And that was the last time I ever spoke to Julie Blaine.
31:12She was pretending to be someone else.
31:40After Julie had vanished,
31:42I had a rush of moral rectitude to the head.
31:46I was going to be different.
31:49I was going to be good in future.
31:51And the best way to ensure that
31:53was to find my true love.
32:08Excuse me.
32:09Excuse me.
32:11Good afternoon.
32:12I'm trying to find a friend of mine,
32:14Miss Nancy Ellis.
32:15Who?
32:16Miss Nancy Ellis.
32:18Nancy Ellis?
32:24Oh, no one of that name here.
32:26She used to be in an act called
32:28Susie, Nancy and the Three Gentlemen.
32:30Oh, them.
32:31We no longer book that act.
32:33Well, perhaps she not.
32:34I have the slightest idea.
32:44Richard.
32:46Oh, it's gone down a lot, hasn't it?
32:49Tough, eh?
32:50Well, yes.
32:51You go for a drink tonight after the show?
32:53Sorry, I've...
32:54What's up, then?
32:55Um, I've arranged to be somewhere else.
32:58Oh, why?
32:59Um, a pal.
33:03Oh.
33:04Going to discuss something with Nick, are you?
33:07What?
33:08Something about the show?
33:09Uh, something personal.
33:10Oh, secret, is it?
33:12Yeah.
33:14Well, everything's a secret to me these days.
33:17Any time I ever get to see you and Nick's on stage.
33:21Leave that alone.
33:24Yes?
33:27Went to Joe Bosonby's office today.
33:29Looking for another job, are you?
33:31Um, I wanted to know if, uh, anyone knew where Nancy was playing.
33:36You certainly don't let the grass grow under your feet.
33:38Julie Blaine sells for South Africa one day.
33:41Next minute, you're chasing after Nancy Ellis again.
33:43Yeah, well, if that's your attitude.
33:45Now, what are you telling me about Nancy Ellis for, then?
33:48Joe doesn't book for her anymore.
33:50I thought you might know somebody who knows where she is.
33:53I might.
33:55I'll see what I can do.
33:58Oh, by the way, talking about Joe Bosonby,
34:02he tells me they've cancelled all Tommy Beamish's London dates
34:05and packed him back up north.
34:07Apparently he got the bird in a couple of other empires as well.
34:10It was you, wasn't it?
34:13You organised it.
34:16Give Tommy the bird.
34:18I told you he wouldn't get away with having a nephew of mine locked about.
34:23He should have known better.
34:27I got the impression Uncle Nick had revenged himself.
34:31Not me.
34:33There was no point in asking him if I was right.
35:00I must talk to you, Richard.
35:09Anyhow, this is on my way home.
35:11Uh, come in.
35:14I tried to catch you after the show.
35:16You'd already gone.
35:22Well, I, uh, I got some cold things while I was out, so, uh, I don't know if you're hungry.
35:26There's, uh, well, some cold ham and, uh, pears.
35:31Thanks.
35:33I could do with a bite.
35:36What I'd really like's a drink.
35:42Bendy bottle beer.
35:43Ah, well, put some gin in it.
35:45I've got off a bottle here somewhere.
36:05It's what they call a dog's nose.
36:08It's very good.
36:09Uh, uh.
36:13Yeah.
36:15Yeah.
36:18Nice flat, this.
36:21It's nothing of a kind.
36:25Can't wait to get out.
36:28It does for now.
36:36What do you think of me, Richard?
36:38I want a straight, honest answer.
36:40I don't care.
36:42So long as it's the truth.
36:44Looks and figure first.
36:46I'm a girl, aren't I?
36:48I'm not asking if I'll do for a bank manager.
36:53Well, your face isn't bad.
36:56Your figure's better still.
36:58No, I don't think you, uh, always make the best of yourself.
37:01Not like Miss Julie bloody Blaine, of course.
37:03Not in that class at all.
37:05Is that when she asked to take an item from Tommy Beamish?
37:10Oh, yeah.
37:12Nick still tells me a few things.
37:14Go stop now.
37:17She walked out and you, didn't she?
37:19And you can't see why.
37:21She couldn't face you after what, Adam.
37:23No bloody fear.
37:24Not the grand Miss Julie Blaine.
37:26If I'd been in and out of Beverly here for weeks,
37:28I'd not have run away from you the way she did.
37:30Well, go on now.
37:32We'll tell you how kind and considerate you are.
37:36Careful you are not to say the wrong things.
37:38You don't have to be sarcastic.
38:05Sit down.
38:08I know I'm silly,
38:09but you do like me a little bit, don't you?
38:14I'm so miserable.
38:16I don't know what to do.
38:18Nick only ever wants me now.
38:20We aren't living together.
38:21And I thought I wouldn't mind
38:23because I've been living at home.
38:24But there's eight of us in that bloody little house.
38:27And all the time it's like a screaming pig-sized house.
38:30We arms and watch.
38:33And all I've got is Nick.
38:39And I haven't really got him.
38:45And you, of course.
38:48Richard, dear.
38:51You know how fond of you I am, don't you?
38:57You're right, I'd have a mess with being
38:58if you took that knee further, eh?
39:01Oh, no.
39:07I'd have to have something.
39:13There's a fellow who lives two doors from us at home.
39:17He works at a grocer's.
39:20He's quite nice looking.
39:22And dresses smart.
39:25He used to be gone, am I?
39:27Still is, he says.
39:31He's so boring and dreary.
39:35And everything he's going to say next.
39:38He always gives the same little cough
39:40before his feet so scream.
39:45Give us a kiss, Richard.
39:52No.
39:55No.
39:56No, a real one.
40:11No.
40:13No.
40:14No.
40:15No.
40:16No.
40:16Has Nick ever spoken to you about engaging another girl to take my place?
40:20He's worried about two dwarfs, not two girls.
40:22You'd tell me if he did say anything, wouldn't you?
40:24Oh, please, Richard, you must.
40:29Here.
40:32I'm not drinking.
40:34I'll do it. You stay put.
40:41You know it's happening soon, don't you?
40:45To start with.
40:46We'll probably be having two weeks out at the end of this tour.
40:50I don't care where Nick's going to go this time.
40:53He'll have to take me with him.
41:00You won't, you know.
41:04I know, really.
41:07I was just talking big.
41:10He'll do just what he wants to do, like he always does.
41:18Anyhow, we're going round with the same bill.
41:20I mean, like last time, only not the same turns.
41:23Nick's been working it out with Dale Bowdenby.
41:26I don't know who we've got yet.
41:27Some of them might be nice and friendly.
41:29And we'll be together for months.
41:32Mostly in Lancashire at first.
41:34A place I love, I don't think.
41:38Could be fun, couldn't it?
41:40Could be.
41:43Oh, you're a big long streak of misery, you are.
41:47I was thinking.
41:49About which one?
41:53Innocent little Nancy or wicked old Julie.
41:56I've got other things to think about you now, sissy.
42:00Not at this time of night, you walk into her.
42:06And I'm here, aren't I?
42:08Sissy.
42:09I've got everything they have.
42:12If you don't believe me, I'll show you.
42:15Sissy.
42:17Oh, sissy, come on.
42:17Oh, why can't we have some fun for once?
42:19You gave her plenty, didn't you?
42:20Making me jealous.
42:21Keep still, you silly fool.
42:23Oh, sissy.
42:26If we started something now, we'd go on with it.
42:29Then, sooner or later, Uncle Nick would find out,
42:31and then where would we be?
42:32You'd be all right.
42:33We'd both be out.
42:37Look, we've got months of work, you know,
42:39and I can't see him disturbing the act
42:40unless he thinks you and me are up to something.
42:43Then he'd be ruthless.
42:47It's just his pride, that's all.
42:50One of his belongings being tampered with.
42:55You don't really want me out now.
42:58No, you don't.
43:01I'm just trying to be sensible for both of us.
43:12It's late.
43:15Did I get you home?
43:19All right.
43:28I've got your gin.
43:34I'll see you safely on to your bar.
43:38You make it so much worse, don't you see?
43:43If only you weren't so lovely to me.
43:53Oh, good morning, Mr. Olsen.
43:55I'm afraid, Mr. Bosby, Mr. Olsen, if you wouldn't mind waiting,
43:58just...
43:58You can't just walk in there.
44:03Joe Bosby's theatrical agency.
44:05Oh, hello, Nick.
44:06Hello to you, young fella.
44:08Wonderful timing.
44:09Dead on time, as usual.
44:11Have a cigar?
44:14Well, I reckon Ol' Peter should have them ready for you by now to look over,
44:17but just make sure.
44:19And I'll tell you frankly, Nick,
44:21there isn't another agency in London that have found so many of them for you.
44:25And I'll also admit while I'm at it
44:27that I couldn't have done it myself.
44:28It's Ol' Peter.
44:30That's no news, Joe.
44:31I know all about Ol' Peter.
44:33What are you paying him now?
44:33Thirty bob a week?
44:34No, certainly not, Nick.
44:37Two quid.
44:38I hope you can afford it.
44:40I don't like to think of you throwing your money around.
44:42Oh, good.
44:43Very good.
44:44Very good.
44:45Put a tune to it, and we'll have it top of the bill before Christmas.
44:48Talking of which, the new tour.
44:52Ah, the Ragtime Three are fixed.
44:54They're happy with the middle of the bill, even though they're a big draw.
44:58But about Lily Faris, Nick, oh boy, she has to go on top.
45:03They go off their heads about her in Lancashire.
45:05And not that she's insisted.
45:07It's that manager of hers, that pianist chap, Mergen.
45:10He looks soft, but he's hard as bloody nails.
45:13So am I, Joe.
45:15I know, Nick.
45:17I know.
45:17Harder.
45:18But you're getting the same money as she is.
45:21So why should you bother her?
45:23Why not let the little lady have it, eh, Nick, oh boy?
45:26I mean, what have you got against it?
45:31Ah, there you are, Peter.
45:33All ready for Mr. Arlington along there?
45:36Quite ready, Mr. Bersenby.
45:42You've been keeping them in order, Mr. Pitter?
45:44Well, I've done my best, sir.
45:47But I'm sure you realise what many of them are like when they find so many others are there.
45:53They're not easy to deal with, sir.
45:57May I ask how you've been keeping?
46:00Can't grumble, Mr. Pitter.
46:01This is my nephew, Richard Herncastle.
46:02A very great pleasure, Mr. Herncastle.
46:05I often had the privilege of...
46:07All right, Pitter.
46:08Let's get on with it.
46:09Our time's valuable, even though yours may not be.
46:11Yes, yes.
46:12Yes, quite so.
46:13I'm very sorry, sir.
46:15This way, gentlemen, please.
46:16No, I'm not coming.
46:17You go ahead, Nick, old boy.
46:19Pick who you like.
46:20And give me the bloody creeps.
46:33Yes.
46:38Yes.
46:43And it must be extremely irritating.
46:45Well, it is.
46:46Yes, but I'll get you this way, sir.
46:53So you've got to go ahead,isko, I pick you up.
46:58Yes, sir.
47:23Sit down, sit down, sit down, sit down.
47:30Sit down, sit down, sit down, sit down, sit down, sit down, sit down, sit down, sit down.
47:44It was like I was in some weird dream, I was genuinely sorry for them, and half ashamed
47:52of myself for being so different.
47:53I was genuinely sorry for being so different.
48:42you've chosen one sir yes what's his name philip tubey mr tubey
48:53name's holland pleased to meet you mr allerton uh we'll be writing to you of course to let you
48:58know when you should join us up north thank you well done it wasn't their fault of course poor
49:22little chaps it was probably more to do with my mood of defeat and failure in my relationships
49:28with people that afternoon something not just unfortunate but sinister crept into my life on
49:37the stage
49:39now would you like me to get in touch with him direct
49:43no i don't know
49:48yes
49:49yes
49:50yes
49:51yes
49:52yes
49:52yes
49:52yes
49:52yes
49:52Next time.
50:29Next time.
50:55Next time.
51:23Next time.
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