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Young Sherlock S01E04 [Full Movie] [Full Version]Full EP - Full
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00:08Mr. Hopes!
00:18Mother, stand back from the door.
00:22Shut up, you're in trouble, Daddy.
00:29Oh, what a good idea.
00:32Sit down.
00:35The man with the bird's claw.
00:37Did you say those words to anyone else?
00:39No.
00:40You didn't tell anyone apart from me and Mycroft.
00:43I tried to tell you. He's coming back for me.
00:47Who's he?
00:48They're listening.
00:51The worrying. The worrying. Always the worrying.
00:56I couldn't understand why you wouldn't believe me.
01:10Can you hear it now?
01:11Can you hear it now?
01:22I do.
01:24I hear it.
01:32Shut up!
01:35What in God's name?
01:39Oh, what, Father?
01:42Dad.
01:43Dad.
01:44Dad.
01:55What is it?
01:58Some sort of listening device.
02:05You were right, Father.
02:09Someone has been recording you.
02:14Open the door!
02:15Time to leave.
02:17Open up!
02:22It's the house!
02:24Wait.
02:29Run!
02:33Sherlock!
02:48shall we take the floor
02:55no i never was very good at this you did try to teach me
03:00you always had two left feet still do
03:03one two three one two three one two three one two three
03:08look at me mother just us
03:10you me and the music
03:42you're coming out
03:50See how you like it.
03:54I think he likes it.
04:04Are we making an escape?
04:09Yes.
04:14Hey son, I'm looking forward, you're aiming backwards, I'm sure I'm sure.
04:23Have you had enough?
04:25Are you feeling rough?
04:28Thought you'd start hard, well if you'd walk.
04:36I'm waiting.
04:39Right here now, I'm waiting.
04:43For so long, for so long, for so long, to take me, to take me over.
04:52Please, days I've forgotten, now we're so lonely, should be forgotten, how did you feel?
05:19You've got an appointment, princess.
05:22I'm waiting for this.
05:51Your neck won't snap, and then you'll be left slowly choking.
05:55It's a rather undignified way to shuffle off this mortal coil, wouldn't you agree?
05:59Eckstein, I'd guess. Seven foot, ten inch drop.
06:03Did you know that the first account of execution by hanging is in Homer's Odyssey?
06:08No, I did not know that, sir. Fascinating.
06:10Is this supposed to intimidate me?
06:12No, it's supposed to kill you.
06:13I know about British justice.
06:15You're not allowed to play both judge and executioner.
06:19Shall we go?
06:25In five, in four...
06:29Are you counting down?
06:30Why are you killing my scientists?
06:34In three...
06:35Handler!
06:37I work for a handler.
06:40And he works for?
06:41Not my place to ask, only my place to light the fuse, so walk away.
06:45In two...
06:47I receive instructions.
06:49I'm a hired gun, that is all.
06:52Then you're of no further use to me, in one.
06:54What the hell are you doing?
06:56I think you'll find I don't answer to you, Mycroft.
06:58We don't torture prisoners, sir.
07:01There are rules, protocol.
07:03This woman is trying to destroy me, and I will have my satisfaction.
07:08And you have every right, sir.
07:11Every right, but consider this, if you would.
07:14You're out of favor with the foreign secretary, are you not?
07:17Do you really wish to alienate him further by not consulting with him on such a delicate matter as this?
07:22May I remind you, she is our only link to whoever is killing your scientists, sir.
07:31I was merely endeavouring to loosen her lips.
07:33But we are Englishmen.
07:35It has to mean something.
07:37And in a changing world, how much do you think you're going to achieve with your Queensbury rules?
07:41Your absurd sense of fair play.
07:48Loosen the ropes.
07:53Loosen the ropes.
08:46Loosen the ropes.
09:00I'm afraid there's going to have to be some changes around here.
09:04I'm needed abroad, on an expedition, by Croft.
09:10I've arranged a government clerkship for you in London.
09:13Thank you, Father.
09:16Sherlock.
09:19I know you're not going to want to hear this, but your mother and I think it's best if you
09:24went to boarding school.
09:30I don't want to leave.
09:33I don't want to leave.
10:03Oh, you've brought me home.
10:11You're safe now.
10:25Yes, let's get you sat down and I'll light you on fire.
10:27Oh, who's that?
10:28No, mother, mother.
10:29This is James, James Moriarty.
10:31He's a friend of mine.
10:32Hello.
10:33Oh, I'm so glad.
10:35Darling, Sherlock never had any friends.
10:38Oh, really?
10:40Really?
10:41Well, it's a pleasure to meet you, Mrs. Holmes.
10:44Darling, can you hear that music?
10:48Oh, that sound.
10:53That's you!
11:05Bea?
11:07Oh, Beatrice!
11:08Oh, my darling!
11:15Bea!
11:29Why are you running away from me?
11:33Bea!
11:34Where are you running off to?
11:38I want to crown you.
11:41I want to crown you.
11:43Come!
11:50Beatrice!
11:51Bea?
11:53Beatrice?
11:56Perhaps...
11:57Perhaps...
11:58Perhaps we should sit down for a moment, mother.
12:01All right.
12:02Let's, uh, let's take a seat.
12:15She is absolutely exhausted.
12:17Will you like her?
12:18She needs warmth, rest, and food.
12:20Yes, Sherlock.
12:21Where is your father in all of this?
12:23This shouldn't all be on your shoulders.
12:25He's in Vienna.
12:26He's a busy man.
12:28It's all right.
12:29I'm here.
12:30And I'm dealing with this.
12:32What?
12:32By breaking her over to the asylum?
12:36They were recording her in there, James.
12:38They were listening to every single word she said.
12:40I had no choice.
12:41And Shuan knew about it.
12:42There's a man with a bird's claw.
12:44He's coming back for me.
12:46How did she know?
12:51Sherlock.
12:54Mother!
13:02Mother!
13:02Mother!
13:19Mother!
13:24Mother!
13:27Mother!
13:28Mother!
13:29Mother!
13:30Mother!
13:30Mother!
13:30Mother!
13:31Mother!
13:33Mother!
13:34No, she's gone.
13:34She's taking back home.
13:36I need to break home.
13:37She's taking.
13:48Well done.
13:51Let's get you warm and dry.
13:57Stop right there.
13:58You are not taking a bastard Holmes.
14:01Crowell.
14:03Crowell, I do apologize.
14:04I heard the commotion.
14:06Yes.
14:06Mrs. Holmes.
14:08Mr. Crowell, it's so delightful to see you.
14:11You too, Mrs. Holmes.
14:12We weren't expecting you.
14:14We would have had the house ready.
14:16Tell me, does Dr. Maltby still live in the village?
14:18He does, yes.
14:19Would you fetch him, please?
14:20How is Mrs. Crowell?
14:22Oh, she's well, thank you.
14:23Right away, please, Crowell.
14:24I rather need his help.
14:25Yeah, of course.
14:32For your head.
14:39What?
14:40What trouble is she's worth?
14:43The electric shock has clearly fried your faculties, Philpott.
14:46No Cordelia Holmes, no money.
14:51I rather like money.
14:55Do you follow?
14:59Find her, and quickly.
15:05As you wish, sir.
15:16Razor talons.
15:18Sharp as knives.
15:20So vivid.
15:24Sweetheart, there is nothing you can do.
15:27He is coming back for me, the man with the bird's claw.
15:30Who is it you're talking about, Mrs. Holmes?
15:34Right, stand by, please.
15:35Let's, um, not grab a patient.
15:39Ah!
15:40Hello, Cordelia.
15:43Can't tell you how pleased I am to see you again, even in such circumstances.
15:47But don't you worry, we're going to get you writer's reign.
15:50Do you know what she was prescribed at the asylum?
15:54Alkaloids, I believe.
15:55Ah, right, yes.
15:56Well, she's obviously suffering from withdrawals.
15:59Perhaps I could give you something else, something to clear the fog a little.
16:02It's all right, Mother.
16:03He's not like the others.
16:04He's here to help you.
16:05Right, Cordelia.
16:07I want you to take two of these with some water, please.
16:13Here we go.
16:14Down the hatch.
16:20Your mother's in trouble, Sherlock.
16:22She'll get better?
16:23Yes, I believe that she will, but that's not what I'm referring to.
16:27Juan knows about those recordings.
16:29Now, we don't know whether she's responsible for them, but either way, this does connect your mother to the murders
16:33in Oxford.
16:35So how can we say that she's safe here?
16:38We can't.
16:39The man with the bird's claw.
16:41You have no idea what she means.
16:46My mind is blank.
16:49Well, then maybe it's not a person.
16:51Bird's claw, it's a phrase, or a place, or a thing.
17:03Perhaps it's some sort of crest, the bird's claw.
17:06Good, good.
17:07So whose crest?
17:09Someone at the asylum?
17:11Or someone at Oxford.
17:16Sherlock.
17:19I've got nothing.
17:23Perhaps I was wrong.
17:24Words I never thought I'd hear you say.
17:26No, perhaps I was wrong about the crest.
17:28Perhaps it's some other sort of symbol.
17:31The answers to many of life's problems lie at the bottom of the glass.
17:39The best thing in nature, for drowning your sorrows.
17:47Or arisen your joy.
18:00God knows I wonder if lightning and thunder were made from the thunder of whiskey.
18:21I've seen it somewhere.
18:22Where am I seeing it?
18:35It's Professor Malik.
18:36Well, go on.
18:37Professor Malik has a cane.
18:40Yes.
18:41And his cane...
18:42Yes.
18:43...has a bird's claw.
18:45All right.
18:47Bravo.
18:49So if I am correct, if it is Malik, what's his business with my mother?
18:53What's his why?
18:54What's his incentive?
18:55Well, Chuan knows about those recordings.
18:58So perhaps she can answer that.
19:00So perhaps you need to ask her.
19:03I took the liberty of rustling a little something up, Master Holmes.
19:08I thought you'd be hungry after the night you've had.
19:11Yes, thank you, Mrs. Crow.
19:12That's very, very thoughtful.
19:14But we need to pop into town for a few hours, so I'll need you to look after my mother.
19:17She'll want for nothing, Master Holmes.
19:21There's ammunition in my father's study.
19:23Don't let anyone into this house.
19:26Understood.
19:28And if you need to send word, you can reach us at Oxford Police Station.
19:32James?
19:34A man can't think on an empty stomach.
19:37Thank you, Mrs. Crow.
19:39Thank you, Orescombe.
19:40Thank you, Mrs. Crow.
19:42Stolen.
19:45Or road.
19:46Lovely.
19:48From the asylum.
19:50I'm starting to appreciate your thieving ways, Sherlock.
19:52Get on!
19:53It's a flower cloy from a pocket watch.
20:03Would you stop creeping up on me?
20:07Well, what is it?
20:12You did what?
20:13She is at home and she is safe.
20:15Mrs. Crow is looking after her.
20:17They were recording her, Mycroft.
20:18I don't know what you expected me to do.
20:19How about not breaking her out of the asylum, for starters?
20:23How about going one single day without breaking the law?
20:27Sounds a very disappointing life.
20:29I can't imagine what father's going to say.
20:30I would imagine he'd be pleased that one of us showing some initiative.
20:33We should wire him.
20:34He could sort this out.
20:35Are you quite well?
20:36Hmm?
20:36Have you fallen down and bumped your head on something hard?
20:38Professor Malick was at the asylum.
20:41He must have been the one recording her.
20:43Mother gave me a description.
20:44Of him?
20:45Of his cane, the man with the bird's claw.
20:47You were there, Mycroft.
20:48Sherlock, she rambles.
20:49There's always an outside chance she's going to accidentally say something half plausible.
20:53Apis melephora.
20:54No, no, no, no.
20:55The honeybees.
20:56Yes, I know about the honeybees.
20:57The honeybees.
20:57Yes, I know about the honeybees.
20:58I don't.
21:06When we were little, we had a hive, Apis melephora.
21:10I watched the bees, and I told Mycroft that I'd seen them dancing.
21:13And you called me foolish.
21:15Witless was the word I used.
21:16I then went and checked with father.
21:17And he said that honeybees do a little circling dance to communicate with each other.
21:22It's called the tarantella.
21:23And you called me a half-wit.
21:25Witless was the word he used.
21:28Well, I wasn't witless, because I was right.
21:30Glad to see you're not holding on to a grudge there, Sherlock.
21:33This is the honeybees all over again, Mycroft.
21:36Just because something appears to be random, it doesn't mean that it is.
21:39Mother said that they were listening to her.
21:41They were.
21:42She's mentioned the man with the bird's claw.
21:44Professor Malick has a cane with a bird's claw.
21:47Yes, but it's not exactly case closed, is it?
21:50Tell me.
21:53Where is Professor Malick now?
21:58Well, we are not exactly sure.
22:00He seems to have vanished after last night's events.
22:03Why would he vanish?
22:05If Xu-An is in a cell.
22:08If the threat is gone.
22:11Then why would he vanish?
22:21Ten minutes with Xu-An.
22:26No.
22:27Nine minutes.
22:34Sherlock!
22:36Mr. Patton!
22:37What are you in for this time?
22:38I'm just visiting today.
22:40Remember, prison is in here.
22:43He's very...
22:44I don't know, Mycroft, what's the word?
22:47Bothersome.
22:50Vexatious.
22:53Unbearable.
22:54I could empty the dictionary.
22:56Oh, no, no, no.
22:57I was thinking he's very intense.
23:00Hmm.
23:03What was he like as a small boy?
23:06Well, growing up in the same house.
23:12Yes, I can only imagine.
23:18No, actually, I can't.
23:22Tell me.
23:23Put it this way.
23:25I took a job in the Foreign Office in pursuit of an easier life.
23:29Wars.
23:30Famine.
23:32That sort of thing.
23:36I wondered when you and I would be seeing each other again.
23:39I must admit,
23:41life has become somewhat tepid without you.
23:44Do you mind if I sit?
23:45Please.
23:46Take the royal throne.
23:52Princess?
23:57What game are we playing today?
23:59What game would you like to play?
24:01I'll let you decide.
24:02How very kind.
24:03Why don't we start by you telling me how my mother is involved?
24:06Ah.
24:07English boys and their mothers.
24:09Very touching.
24:10How did you know what she said to me in the asylum?
24:13First principles.
24:14The likeliest explanation is always the simplest.
24:16The likeliest explanation would be that you heard her say it.
24:22The recordings.
24:25You had access to them.
24:26Oh, lightning fast.
24:30Professor Malick.
24:32Is there a question there?
24:33Why did he visit my mother?
24:35How do you know it was him?
24:36The man with the bird's claw?
24:38Clearly a reference to his walking cane.
24:41That was Malick.
24:45There's a place where I met my handler.
24:48A safe house.
24:49They're listening to me.
24:51I'm wearing all the time.
24:53There's a man with a bird's claw.
24:56He's coming back.
24:56This safe house.
24:59Do you think it's possible Malick is still there?
25:02Imagine if we combined our talents.
25:06You want Malick?
25:07I want him too.
25:09For very different reasons.
25:12I want to find out why he was recording my mother.
25:16You, on the other hand, want to kill him.
25:21Then let's help each other.
25:23The final act we can debate later.
25:29Where is this safe house?
25:33You are going to have to give up something.
25:37I very much doubt Hodge is going to let you out of here until you do.
25:42But that is preposterous.
25:44Slanderous.
25:45Professor Malick works for me.
25:46Why am I really being at this...
25:48Safe house, sir.
25:49Safe house.
25:50There is nothing in Malick's file to suggest any nefarious activity.
25:54All I know is what I saw.
25:55Should have hanged you this morning.
25:56Get her out of here.
25:57Hold on.
26:00I didn't see him at the gala.
26:02Who?
26:04Professor Malick.
26:05When I came through the wall at the gala, I didn't see him.
26:08All of the other professors were there at the table except him.
26:11Yes, but...
26:14He left.
26:22Of her majesty's empire.
26:24Don't take the empire for granted.
26:28We may live to regret it.
26:30During your speech, sir.
26:32I thought it hard at the time.
26:33Why would anyone leave my speech?
26:36Assume the poor fellow had bladder issues.
26:38Were you given an exact time to carry out the explosion?
26:41Eight o'clock.
26:42My instructions were quite explicit on that point.
26:45Unless Malick had a conveniently life-saving desire to urinate,
26:49I think it fair to say he knew the bomb would go off a date.
26:52If he is in this safe house, sir,
26:54and if he is indeed working against your interests,
26:57wouldn't you rather know?
27:00Let's go, councilman.
27:02Front and back doors are sealed with plate metal.
27:05Bars on the windows half an inch thick.
27:07Basement has a coded lock.
27:08I want an officer by her side at all times.
27:10I'll take Sherlock.
27:12Do you think she gets to choose who babysits her?
27:15No, sir.
27:16No, sir.
27:17Sherlock or no one.
27:20Or send me back to my cell.
27:21And you can find Malick yourself.
27:40Why are you doing this?
27:42Because there's a chance it keeps me alive.
27:45No, why are you after Malick?
27:47Why are you killing professors?
27:49It's what I'm paid to do.
27:51I don't believe that.
27:53Do you trust me?
27:55Of course I don't trust you.
27:56You know I don't trust you.
27:58And nor I you.
28:04The code is hydrous.
28:07Seventeen stars in the southern sky.
28:30You know I don't trust you.
28:48all yours
28:53don't force my hand
28:58right, come on
29:01thank you
29:02no, thank you
29:06Malik
29:18I love you
29:21Malik
29:22Malik
29:23Malik
29:24Malik
29:25Malik
29:26Malik
29:27Malik
29:27I'm going to take the police to the police!
29:30Don't go to the police!
29:57telling I found her this is where I saw professor Malik listening Sherlock your
30:11mother all of her recordings
30:53so sorry why would anybody want to do this while you were detained by these nefarious individuals
31:01did you by any chance happen to see this man no you say I knew he would never have been
31:12broiled in
31:13this unsavory business Mycroft you see unlike you professor Malik understands the meaning of loyal
31:18yes you recognize his name yes they mentioned him perhaps you miss her I did not only yesterday
31:24they talked of visiting him your highness did they say where at Abdon behind the locks that's all I heard
31:39Sherlock all of these are transcripts of the recordings
31:44her entire life is laid out in here this is a record of her visitors myself my brother my father
31:55there's a lawson jaggers a lawyer is that someone you know no when did jaggers last visit
32:03friday august 11th 10 o'clock so like that page has been torn out of the transcriptions
32:09august 11th 10 o'clock yes
32:21mr. jaggers here to see you mr. jaggers here to see you this is her
32:27which are we to see you again i'll leave you two to talk
32:34mr. jaggers here to see you next time
32:39mr. jaggers here to see you next time
32:42mr. jaggers here to see you next time
32:57to find out what's on them ah Sherlock full list
33:08there are recordings of our mother all of them
33:18well why would someone do this to our shark we are working on that we have a lead on the
33:24potential whereabouts of professor malik um obviously hodge wants to pursue it himself
33:30but no you find professor malik right you find out why he's been doing this mycroft you have
33:34my word and we will pay a visit to this lawson jaggers fellow and see what business he's had
33:39with our mother wait where is she she was here just a moment ago damn you herms if she's escaped
33:53you'll be held personally responsible well i have men and all the doors there's no way she could
33:57have got out how could she have possibly slipped wait i say consider yourself my hunting hound
34:04don't bring her back
34:22this is why she brought us here you're an idiot holmes she duped you
34:27get out of the way
34:48stop right there
35:18there is no
35:19abdon on the map she said behind the locks now could it be somewhere on the canal
35:24would abdon be the name of the boat we keep a register of boats and vessels somewhere where
35:29is o'shea we hasn't reported back yet sir this is becoming a bloody fiasco find professor malik
35:35damn it man thinks he can betray me or rip his bloody head off might i ask exactly what the
35:40princess said sir she said they were meeting professor malik at abdon behind the locks
35:47abdon and senon they're ancient catholic martyrs if i may there's a ruined medieval abbey not far from
35:56oxford it was once dedicated to them behind the locks the locks of marion an old relic believed to have
36:04been
36:04been kept at the abbey according to legend it was the hair of mary mother of jesus
36:09well i never edie how did you know this my father encouraged me to read sir
36:16why don't you know this micro
36:18oh a little scratchy on my esoteric christian martyrs sir
36:25where is this ruined abbey there sir she wants making a good habit of beating you
36:32nonsense as a matter of fact i think you'll find i helped her to regain her liberty
36:37oh i see so you knew about the passenger you knew she was going to escape
36:41i simply decided the world was a more interesting place with her in it
36:45mm-hmm what a lot of shite
36:55ah nasty jaggers i swear
37:07smells interesting
37:21are you all ready
37:27there's more than one way to skin a cat james
37:30well this is how i like to skin my cats
37:52oh dear lord mr larson jaggles the square
37:57this is how it's not charming to see you
38:05what's that blood
38:08sign of a struggle
38:11you got in the scrap
38:17so someone erases his conversations with my mother
38:20and then he finds himself unceremoniously erased
38:23a rather convenient suicide don't you think
38:28diaries
38:29i tell you what business he had with your mother
38:31i am going to report this
38:33to the police
38:34yes
38:35and do their jobs for them
38:36because i have been suspected of murder before and i would rather it didn't happen again
38:40syndica says the problem with this life is not that it's short
38:45it's that we waste an awful lot of a dick in a boat
39:17there's no form of a κάifiers
39:17that's all of them
39:20I'd like to report a death. Lawson Jaggers. Solicitor for Alba Lane. And you are? Sherlock Holmes. Holmes? We have
39:33a wire for you.
39:36Sherlock?
39:47Sherlock!
40:00She requires help. She needs to be somewhere she can be cared for.
40:03I'm so sorry Sherlock. I was only gone for a moment.
40:05Don't you worry Kral, they won't be taking her anyway.
40:07I believe you'll find I have jurisdiction over her.
40:11And I believe you'll find I have jurisdiction over this.
40:21Is the double barrel 12-bore hammer gone not persuasive enough for you?
40:27Let her go. Thank you.
40:29We're only acting in her best interests.
40:34You knew, didn't you?
40:36You knew about the recordings about Professor Malik.
40:40Why did he do it?
40:42You'll have to ask him.
40:43I was merely paid to look the other way.
40:47I am so sorry mother.
40:50I am so sorry.
40:51I am so sorry.
40:53I am so sorry.
40:54Can I respectfully suggest that you'll fuck off?
41:13Right.
41:14Move up.
41:17I'm quite sure this is the place.
41:19Quite sure, sir.
41:28Mistraat, I wanted on the record that I was the one who blew this case wide open.
41:32Yes, of course, sir.
41:36I think I saw movement by the church, sir.
41:46I wish to be the one to apprehend him.
41:48Very good, sir.
42:41Good day to you, Percephalus.
42:43Kishore Malik.
42:46Oh, it's true.
42:47My very own personal Judas.
42:50There is nothing that can't be sacrificed in the pursuit of science.
42:54Knowledge is the wing wherewith we fly to heaven.
42:56Don't croak the bard at me, sir.
42:59Don't dress up your grubby greed in noble sentiment.
43:01You were going to sell my project to the highest bidder.
43:04What was it?
43:05I wasn't paying you enough?
43:07Greed.
43:08Pure and simple.
43:09As if you stand for anything else.
43:11I stand for queen and country, sir.
43:13To be an Englishman is to win the lottery of life.
43:15Something I remind myself of each and every day.
43:18Can I help it if I stand to make the odd penny from my tireless dedication to the cause?
43:22I did not betray you, sir, for money.
43:24I betrayed you because what I discovered could change the world entirely.
43:29And I couldn't bear to see you take credit for my discoveries.
43:34For history to forget me.
43:35Nobody will, sir.
43:36No, I will go down as the man who built the empire.
43:38You, on the other hand, have we forgotten even by your own mother.
43:43Oh, just one request before I bid you adieu.
43:49I mean, if you'd be so accommodating.
43:50Who did you betray me for?
43:52The Prussians?
43:54The Ottomans?
43:57Take your hand out of your pocket, man.
44:10Hodge.
44:12Hodge!
44:17Right, man out!
44:18Man, it can't have gone far!
44:24Has he been shot?
44:26There's, there's, there's no blood.
44:30There's no bullet hole, nothing.
44:33Serbiussephalus?
44:36Oh, he's not, he's not breathing.
44:43He's dead.
44:50Guns and hot toddies.
44:52Jesus, you're a woman after my own heart, Mrs Crow.
44:56Mrs Crow, thank you.
45:00You're welcome.
45:04Must have felt very good, that slap.
45:06Oh, James.
45:10It was such a tonic.
45:13So what now?
45:17We're still no closer to figuring out why you were involved in any of this.
45:24The likeliest explanation is always discipline.
45:26I don't know if he's coming back.
45:28I don't know if it's a matter of business.
45:30I was merely paid to look the other way.
45:40Don.
45:42Don.
45:47Don.
45:49My boy.
45:50I heard you had a spot of bother.
45:55There's a man going around taking names.
45:59And he decides who to free and who to blame.
46:05Everybody will be treated all the same.
46:10There'll be a golden ladder reaching down.
46:16When the man comes around.
46:22The hairs on your arm will stand up.
46:27At the terror in each sip and in each suck.
46:32Will you partake of that last offered cup?
46:37Or disappear into the potter's ground?
46:43When the man comes around.
46:47The whirlwind is in the thorn tree.
46:52It's hard for thee to kick against the pricks.
46:57In measured a hundred weight and penny pounds.
47:03When the man comes around.
47:16And I heard a voice in the midst of the four beasts.
47:35And then there goes.
47:58Have a lot of people.
47:59It seems like a normal food that's a monsoon.
47:59I don't Ab問題
48:00in the Phiça school community. And
48:00it's all taken care of. You
48:00know, we should have present your full distance FighterZO expecting him to be a threat. I'm
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