- 2 days ago
Alibi Season 01 - Ep 16 [Full Movie] [Free Online HD]Full EP - Full
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Short filmTranscript
03:06He was struggling.
03:08He was struggling.
03:10He was not able to answer the phone.
03:12He was not able to talk to the father.
03:15He was crying.
03:17He was crying.
03:18And he was crying.
03:32One?
03:33I think you're one.
03:33What, one?
03:34No, he's one.
03:37He's one.
03:37And it's a head.
03:39It's a real thing.
03:40He's one.
03:42He's one.
03:42I think it's all so.
03:46It's a girl, a girl, a sexuant bastard.
03:50I think she came to him in the club and brought him in.
03:54Then he came to the hotel.
03:57I'd be afraid that even if the sex deal didn't come to.
04:00It's a little bit.
04:02I'm not a little.
04:05I'm not a little.
04:08It's a little bit.
04:09It's a little bit.
04:10I think she was a very bad person.
04:15I think she was a very good person.
04:16Well, it's a drug.
04:18For me, you're not a good person.
04:20For me?
04:28For me.
04:29After that, he made these two glotts, he had no chance to do it.
04:39Then, there were a strong guy.
04:43The guy was with the girl.
04:46After that, he disappeared.
04:48He took it and...
04:51He was gone?
04:54In the clothes.
04:56Then he was dressed up.
04:58And just threw him off the balcony.
05:11You killed his son.
05:18Well, and what?
05:21I'm looking at you and see how bad it is.
05:24That we need to build a temple.
05:26But it's later.
05:27Now it's working.
05:32It's been a long time for the day.
05:39It's been a long time for the day.
05:40It's been a long time for the day.
05:56Yeah.
05:56You kill me.
05:57You kill me.
05:58You kill me.
05:58I've already told you.
06:00We'll do it.
06:01I don't care.
06:03I was so asked.
06:04To be with me.
06:05That's right.
06:05That's what you're trying to do.
06:27Yeah, sure.
06:33It's been really...
06:36That's why you're not a guest.
06:38I'm not a guest.
06:45Who's sitting on my stool and lost him?
06:48What are you doing?
06:49How many?
07:04Здрасте.
07:06Какой у вас былый рассказ?
07:28ТРЕВОЖНАЯ МУЗЫКА
07:32ТРЕВОЖНАЯ МУЗЫКА
07:46ТРЕВОЖНАЯ МУЗЫКА
07:52Леш, ну-ка, прости.
07:56Поля, делай так спеть, я больше никогда не видел.
07:59ТРЕВОЖНАЯ МУЗЫКА
08:02А ты, говорят, в семью вернулся?
08:04Прощай.
08:16ТРЕВОЖНАЯ МУЗЫКА
08:20ТРЕВОЖНАЯ МУЗЫКА
08:21ТРЕВОЖНАЯ МУЗЫКА
08:23Ну что?
08:25Все?
08:25Все?
08:27Ну, а ты там проверила цифры всякие, имя, фамилия, дату рождения.
08:32ТРЕВОЖНАЯ МУЗЫКА
08:32Завадский проверил.
08:34А, тогда все в порядке.
08:36Ну, Федь, ну хватит, неправда.
08:37Эй.
08:39ТРЕВОЖНАЯ МУЗЫКА
08:39ТРЕВОЖНАЯ МУЗЫКА
08:40ТРЕВОЖНАЯ МУЗЫКА
08:46You will be the director or producer.
08:51I like it.
08:52I like it.
08:53I like it.
08:53I like it.
08:57If something is wrong,
09:00if something is wrong,
09:03you will find out more than anyone else.
09:06It's better than anyone else.
09:08But first try it.
09:12Tell me,
09:14it's always always?
09:22I think.
09:25I think.
09:26I don't know.
09:30Are you счастливы?
09:37Yeah, we are счастливы.
09:39I don't know.
09:40I don't know.
09:41I don't know.
09:44I don't know.
09:45I don't know.
09:48I don't know.
09:49I don't know.
09:49I don't know.
09:58I don't know.
10:05I don't know.
10:08I don't know.
10:09I don't know.
10:15I don't know.
10:35I don't know.
10:37I don't know.
10:38I don't know.
10:38I don't know.
10:41I don't know.
10:44I don't know.
10:45I don't know.
10:46I don't know.
11:04I don't know.
11:05I don't know.
11:06I don't know.
11:08I don't know.
11:20I don't know.
11:34I don't know.
11:37I don't know.
11:39I don't know.
11:42That's a giant piece.
11:44I don't know.
11:46I don't know.
11:46There's a lot of Lindy's let's go.
11:48It's a fantastic show.
11:50and our own.
11:52Our own.
11:53The most important thing is that you always remember about women,
11:57that they are completely different than men.
12:01Men have a separate box.
12:05It's a separate box for everyone.
12:08It's a separate box for a car,
12:11a separate box for a family,
12:13a separate box for a home,
12:14a separate box for a hobby,
12:16a separate box for a mom,
12:17a separate box for a tess.
12:20A small box for a tess.
12:22And for women,
12:23there's a lot of wires.
12:27She's so confused.
12:29But all of them are connected to each other.
12:31The machine is connected.
12:32The job, the job, the job,
12:34the job, the job.
12:36And all of them are connected to a husband.
12:39Yes, but it's important that
12:40there is the most important box for yourself.
12:44And she is absolutely
12:49in the middle of the world.
13:01And she's so confused.
13:03And she's so confused.
13:07And she's so confused.
13:09And she's so confused.
13:12And she's so confused.
13:13And she's so confused.
13:15The hotel has a whole lot in bed.
13:26And she's so confused.
13:27I have to do something for my family. I have to save them.
13:38Well, that's решetnikov.
13:40I found a way to make them happy.
13:42I'm going to try it already.
13:43Now what?
13:44I'm going to kill you?
13:46I'm going to kill you.
13:49I'm going to kill you.
13:50I have a choice.
13:54Yeah.
13:54Yeah.
13:56You're not talking to me?
14:01I love you.
14:37I'm going to kill you.
14:40I feel like no one wants.
14:42I'm going to kill you.
14:45Yeah.
14:46I think so.
14:46I'll kill you too.
14:47It's a fact, in the end.
14:47It's a want to kill him.
14:47And we'll kill him.
14:48And that's how they have to kill him.
14:49I'll kill him.
14:50And last time...
14:50what's the purpose of them are?
14:50Or or what you need?
14:52Well, it's hard to know why.
14:54Why did you call it? Why did you call it?
14:58Where are you?
15:00No, no, no, no, you can't.
15:02I need to take notes of the conversation.
15:06There is everything that needs to be done.
15:08Only your imagination.
15:12Well, okay.
15:17Sorry, I usually fantasize in one place.
15:19Well, for a person, we need a lot of imagination.
15:26FANTASIZE.
15:28Только быстро.
15:36Dasha, get me in the car.
15:39And Rudo, call me now.
15:41I'm going to tell you, right?
15:44I'll tell you, right?
15:50It's your life.
15:51You're the only one who you are in the car.
15:54You're the only one who you are in the car.
15:55It's by hisиваем, right?
15:59And I'll lecture you in the car.
16:01It'll never happen.
16:02Yeah, I need a lot of lumière.
16:04I'm suffering, I'm suffering.
16:04But you're afraid of becoming someone who needs you.
16:09You're even ready to be able to need you.
16:12What do you think he'll do to you? He's going to make a decision, be sure!
16:16I'm going to get you in jail!
16:41What do you think?
16:43I'm serious about the phone.
16:45Do you have cameras in the house?
16:47No.
16:49So, if he was in the house,
16:51this one can't be confirmed?
16:53The security?
16:54No, the security.
16:56The court will be bought.
16:59You're in the case.
17:01No, no, no.
17:02I'm going to buy you for this.
17:07In general, there is a window where
17:09I know what to do.
17:12Go ahead.
17:14What else?
17:17When it's all over,
17:19are you going to kill me?
17:22I'm going to tell you,
17:24you and your safety are not needed.
17:28We have a big future.
17:44There is a number,
17:46from which you are selected by the businessman.
17:49Is there a camera?
17:50Yes, I see.
17:53We need to build exactly the same corridor.
17:55Is it possible?
17:57We will see.
17:58What is the case?
17:59We will see.
18:01It will be funny, I'm sure.
18:03Here is a camera.
18:05Do you want to make me a record?
18:08Do you want to make me a record?
18:10I'll do it.
18:10Can you ask,
18:11what do we need to do?
18:14I'd rather not know.
18:16Let me know.
18:30Sorry.
18:33Hello.
18:34It's Stasya.
18:36Hello.
18:38Hello.
18:38I'm hearing loss.
18:39I have a pain.
18:40Yes, it's a pleasure.
18:41Yes, it's a pleasure.
18:46Well, how are you doing? How are you doing?
18:50Everything in normal, thank you.
18:52Let's meet you.
18:55It seems that you are against our встреч.
18:58I just need to talk about it.
19:01I'll send you an ad, I'll send you an SMS address.
19:06Okay.
19:11Well, well, you're good.
19:14Now you're going to get to the studio.
19:18If he will come to me?
19:23Look.
19:27It's in the pavilion.
19:29You don't have to be afraid, there are 50 people.
19:32It's our people.
19:35You can talk with him and decide your relationship.
19:39You're going to be a little closer.
19:41I'll be you next to the other.
19:43I'll be coming in.
19:43Kolt, meet you.
19:44Oh, you're going to whom?
19:47I need to be a Stanislaw.
19:49So, Stanislaw, Stanislaw...
19:52You need to go to the end of the pavilion.
19:54To the right there, there will be a lot of place.
19:55All right, let's see what's going on.
19:58Let's see what's going on.
20:00Let's see what's going on.
20:07I'm right, I'm right.
20:10What are you doing?
20:13What are you doing here?
20:19I'm leaving.
20:27Let's see what's going on.
20:45Stay, скажи, открыто.
20:47Открыто.
20:51Здрасте.
20:58Как настоящая.
21:01Что за фильм?
21:03Не фильм.
21:04Клип.
21:08Вы присажитесь.
21:19Молодец, далее по тексту.
21:21Без управизации.
21:26Мне надо с вами серьезно поговорить.
21:30Если я вас правильно поняла, я вам, видимо, понравилась.
21:35Ну, или приглянулась.
21:39Но дело в том, что я, я, к сожалению, не могу вам ответить взаимностью.
21:47Я много об этом думала, и я не смогу ни при каких обстоятельствах дать вам того, что...
21:55Сядь на колено ко мне.
21:59Что? Нет, нет.
22:01Не бойся, пристань.
22:03Не волнуйся, присядь, все под контролем, мы рядом.
22:08Не волнуйся, если что, рядом охрана.
22:16Хочешь, будешь мне как дочка, скажи, что у тебя уже есть родители.
22:22Стась, просыпайся, говори.
22:26Говори, у меня есть родители.
22:29У меня есть родители.
22:32Согласен.
22:33Ну, а я чем не приглянулся?
22:38Не понимаю.
22:41Неужели ты не могла бы меня полюбить?
22:46Я бы тебя берег.
22:48Вот тварь, а.
22:52Послушайте, я люблю другого человека.
22:59Да, давно хотел узнать, а за что ты полюбила моего сына?
23:05Он ведь полное ничтожество.
23:08Нет, я понимаю, после смерти либо хорошо, либо никак, но...
23:12За что?
23:18Молодость.
23:19Скажи молодость.
23:24Молодость.
23:27Молодость.
23:28Молодость.
23:30Чего нет, того нет.
23:33Все есть.
23:34А этого нет.
23:39Может, деньгами возьмешь?
23:42Молчи, ничего не говори.
23:44Молодость.
23:54Ты...
23:56Отца любишь?
24:01Да.
24:04Ну, а разглядеть во мне отца и полюбить...
24:08You couldn't?
24:11Or did you go to the complex?
24:13On modern girls, they didn't work.
24:15Fred, tell me.
24:19Fred, tell me.
24:20Fred, tell me.
24:21Fred.
24:23Fred.
24:27Fred.
24:39If you don't want to do something with your parents,
24:46tomorrow you will go to me.
24:50With your daughter you will work.
25:01All right, let's go.
25:02I'll take him out of the way.
25:03I'll take him out of the way.
25:06Stas, Stas, don't worry, everything is finished.
25:10You hear me?
25:11Everything is finished.
25:12You never need to see him.
25:14You heard me?
25:16You heard me, what he said?
25:17I heard him.
25:19I wanted to go with him.
25:20He will be bad.
25:21I promise you, I will help you.
25:22I will help you.
25:24I will help you.
25:49I will help you.
25:51I'll help you.
25:53You're ready?
25:55You're ready to go.
25:57You're ready?
25:58I will help you.
26:00I'll take you.
26:05So…
26:05I think, that's what happened.
26:09It's kind of time.
26:13It's like something happened.
26:15It was so much until the time we started to talk to Synera for 14 minutes.
26:17first one, and they said about 31 seconds.
26:19Then Karpov said to him,
26:22that he said, that he said,
26:23that he said, that he said,
26:24that he said, that he said, that he said,
26:25that he said, that he said, that he said.
26:28Well, let's go.
26:29Then Boris told him the name of the house
26:34and the number of the house.
26:35In the house of 50 minutes,
26:38he arrived in the house of Karpov and
26:39walked into the house of Boris's house,
26:41which свидетельствует
26:43this book.
26:45And he went to the house of the house.
26:47And then Karpov went to the house of the house,
26:50he said, that he said,
26:54what do you do,
26:55you're going to do,
26:56you're going to do me,
26:57you're going to do my empire.
27:00She's also my empire.
27:02Of course,
27:04why did you,
27:06my empire,
27:07you're going to do your empire?
27:15When you come to see your empire,
27:19when he was sick,
27:19he was so tired,
27:20so he believed that he was really
27:21here to be a love.
27:24That the mother is going to be a love.
27:26we'll let him go.
27:27I'll show you what I'll show.
27:31You see this city?
27:33It could be your city.
27:35It could be my city.
27:38What are you doing?
27:40You're a b***h!
27:43Yeah, really?
27:45Well, yeah, it's like that.
27:47The fact remains a fact.
27:49In 1.07, Boris was in front of the parking lot.
27:53And in 1.09, from his house,
27:56he arrived his father,
27:58which is what this is,
28:00from the camera.
28:03And, of course,
28:05when Boris was out of the window,
28:07his father was in the room.
28:09If he hit him or hit him,
28:11it's not possible.
28:13So, I'll show you this video.
28:18And it should be found out
28:21of the parking lot
28:22instead of the video,
28:23which, probably,
28:25you destroyed it.
28:26Well, video
28:27with a girl and a girl
28:28and a girl.
28:31Listen,
28:32maybe you're a genius?
28:35Maybe you're a genius?
28:35Maybe you're a genius?
28:38No,
28:39no,
28:40that's enough for you.
28:44Well, I'll go.
28:45I'll get it.
28:47I'll get it.
28:48You can be the person
28:48and you're a genius.
28:50What's up?
28:51No,
28:52no, no, no,
28:52no, no, no, no, no, no, no, no.
28:52No, no, no, no, no, no.
28:53No, no, no, no, no, no, no, no, no, no, no.
28:56That's enough for you.
28:57and you will kill me.
28:59Or something like that.
29:01I'll tell you.
29:04So,
29:05because my life is predestined,
29:07and I wanted to be a victim of this predestined,
29:10I also shot a little video.
29:12So,
29:13it's a film.
29:16Hello.
29:19If you are watching this video,
29:21then I have no longer in life.
29:24Well,
29:25that, in any case,
29:27it was not an accident.
29:29I killed Leonid Rudev.
29:31He's a bad person.
29:33He's a businessman.
29:36I decided to remove a little официosa,
29:39because the video is so broken.
29:42I wanted to find a little bit of freedom.
29:45Also, I will leave the video
29:47on all the documents and materials,
29:49which I have.
29:50I understand.
29:51You can't.
29:51I'll leave the video,
29:52but I'll leave you there.
29:54I'll do it.
29:57I'll do it.
29:57I'll do it.
29:59I'll do it.
30:01I'll do it.
30:03I'll do it.
30:03I'll do it.
30:04I'll do it.
30:05Of course.
30:05I'll do it.
30:06Good evening.
30:14I'll leave you there.
30:15However,
30:16too much.
30:16But
30:17Kim,
30:17Is it trusted?
30:25Things that weren't appreciate.
30:26You're not afraid.
30:28You're not afraid of that.
30:29And the frustration.
30:31I know that it's supposed to beready.
30:34in the murder of your son.
30:37What?
30:38What is that?
30:39To kill your son?
30:41Why?
30:42The evidence of his death to death
30:46in the interest of the son
30:48is not yet.
30:50Dasha, hello.
30:51You saw this?
30:52There was such a crime in the internet.
30:54It's crazy.
30:55It's crazy.
30:57What is this?
31:00What is this?
31:01It's a dog.
31:02It's an amazing animal.
31:06It's yours.
31:07I don't want to, I don't love a dog.
31:08Don't go away.
31:10Don't go away.
31:12No, no, no, no, no.
31:13You're your dog.
31:14And you're a dog.
31:15And you're a dog.
31:16And you're a dog.
31:22You're a dog.
31:41You're a dog.
31:42Allo, Dant вы подъехали?
31:45Perfect, на спускайся.
31:52You're my boss, you're my boss, you're my boss.
32:00Tell me, you're a good person?
32:02You're a good person, but sometimes you're a good boy.
32:05You're my boss, you're my boss, you're my boss, you're my boss.
32:2520 000.
32:3220 000.
32:33Ух ты.
32:36Обещали миллион.
32:39Телефон и планшет давай, если хочешь, остаток гонорара получить.
32:49ТРЕВОЖНАЯ МУЗЫКА
32:53ТРЕВОЖНАЯ МУЗЫКА
32:56Хозяин позвонит.
32:59ТЕЛЕФОННЫЙ ЗВОНОК
33:02ТЕЛЕФОННЫЙ ЗВОНОК
33:04ТЕЛЕФОННЫЙ ЗВОНОК
33:05ТЕЛЕФОННЫЙ ЗВОНОК
33:06Алло, шеф Решетников поговорить хочет.
33:09Передай ему друг.
33:11ТЕЛЕФОННЫЙ ЗВОНОК
33:13Алло.
33:14О чём ты там со мной хотел поговорить?
33:16Ну, просто хотел убедиться, что теперь вы меня действительно отпустите.
33:21I promised you to come in the office tomorrow and discuss your freedom.
33:26Yes.
33:27And you don't have to worry.
33:51Oh, my God.
34:01I'm so sorry, I'm so sorry.
34:06I'm so sorry.
34:09I'm so sorry.
34:10Oh, my God.
34:50ИНТРИГУЮЩАЯ МУЗЫКА
34:58ИНТРИГУЮЩАЯ МУЗЫКА
35:05Решетников этот погиб вроде.
35:11ИНТРИГУЮЩАЯ МУЗЫКА
35:13Я же приказывал его не трогать.
35:16Так никто и не.
35:17Там реально несчастный случай, авария.
35:20Машина взорвалась, сгорело, все.
35:23Твою мать!
35:26ИНТРИГУЮЩАЯ МУЗЫКА
35:27Как это вообще возможно?
35:34Если вы смотрите это видео, значит...
35:37Значит, меня уже нет в живых.
35:39Меня убил Леонид Рудов.
35:43Он вообще плохой человек.
35:46Заставил подставить бизнесмена Карпова.
35:49Уверен, что если следствие за это возьмется,
35:52то правда быстро откроется.
35:55К тому же я там под видео
35:56оставляю ссылки на все документы и материалы,
35:59которые у меня есть.
36:10Петр Решетников был величайшим сценаристом современности.
36:16Это, можно сказать, без зазрения совести.
36:19Я познакомился с Петром Сергеевичем два года назад
36:22на Московском международном кинофестивале.
36:26И после первого же знакомства я понял,
36:29какой это выдающийся человек.
36:32Какой уверенный в себе.
36:34Какой стержень в нем.
36:37Моя мечта – снять фильм по его работе.
36:39По его сценарию.
36:41С ним вместе.
36:43К сожалению, это уже не представляется возможным.
36:48Его внезапная кончина
36:49не оставила никого из нас равнодушных.
36:53Мы все скорбим.
36:54Все-таки хорошо плачут.
36:57Хорошо.
36:59Тихо, но искренне.
37:04Так что, хорошим был я человеком?
37:08По мне так полное говно.
37:10Горит тебе в аду.
37:11СМЕХ
37:14Мне в аду, а тебе в раю, да?
37:15Ладно, бог на всем судья.
37:18Сынок-то твой.
37:20Хоть бы слезинку из себя выдавил.
37:22Все-таки отец в могиле.
37:23Чуть что вены резать.
37:25А тут – эгоисты.
37:29Не могу смотреть.
37:32Грустно как-то.
37:34Грустно как-то.
38:06Грустно как-то.
38:06Let's go.
38:07I don't know what's going on.
38:35I have a good friend, and I have everyone else.
38:37My mother is here to be estadised.
38:38I don't know what the hell is going on.
38:41I'm sorry, I'm sorry.
38:42But I'm sorry, if so, she's crying,
38:44it's not a bad person.
38:47I'm sorry, I'm sorry.
38:50I've been a very talented man.
38:54You can tell me, how you've been a fight?
38:58How you've been a challenge?
39:01You're impressed?
39:05You're a good guy.
39:06You're a good guy.
39:12I'm sorry.
39:13We're all right.
39:14We're coming back.
39:16I'm sorry.
39:18We'll be in office tomorrow.
39:18We'll be in the office.
39:20We're in the office.
39:23I'll be in the office.
39:24You're so crazy?
39:24I don't know.
40:11I don't know.
40:32I don't know.
40:54I don't know.
41:20I don't know.
41:21I don't know.
41:22I don't know.
41:22I don't know.
41:22I don't know.
41:23I don't know.
41:24I don't know.
41:27I don't know.
41:30I don't know.
41:31I don't know.
41:31I don't know.
41:32I don't know.
41:34I don't know.
41:35I don't know.
41:36I don't know.
41:37I don't know.
41:38I don't know.
41:39I don't know.
41:41I don't know.
41:42I don't know.
41:43I don't know.
41:45I don't know.
41:46I don't know.
41:48I don't know.
41:49I don't know.
41:49I don't know.
42:09I don't know.
42:16I don't know.
42:22I don't know.
42:26I don't know.
42:27I don't know.
42:28I don't know.
42:29I don't know.
42:32Look, this is a letter.
42:34This is a letter for mom.
42:34She can't even tell me.
42:37I hope.
42:40This is a letter.
42:42This is a letter.
42:43When they pay attention to their child, they will be sent to their children.
42:46We go to bed.
42:49Are you going to tentacle?
42:54When the question is real, it's not safe for you.
42:57in the first of all.
42:58They are in the prison, and they have, as they say, long arms.
43:06I understand.
43:07It doesn't have to disappear?
43:13Yes.
43:14At least, at some time, yes.
43:17Of course, many of them are women's literature,
43:21but I would like to be a woman's audience to watch this book.
43:26I think for them, there is a lot of useful information.
43:30Anna, your book is the answer to it?
43:34Of course, our stories with Petya are close to it,
43:38but I would like to see myself as an author.
43:43Next question, please.
43:44This is your first book, but the other one will?
43:48I would like to see it, but I would like to travel
43:52to get a new experience.
43:57And then, when there is something to say,
44:00I will start working on the next book.
44:09And then, if you were like,
44:11you're a 19-year-old?
44:12You have a picture of the book,
44:13and I will be a while.
44:15and you will see it on the next book.
44:20And now, I have a picture.
44:21It is a picture for me.
44:27And now, it is a picture of the death of Peter.
44:33And so I think he would be happy for me today.
44:43I am reading the first recension on Libidura.
44:49Don't worry, you hear?
44:51It's not just me to look at your world of lives.
44:56Can you tell me, Anne Николаевна,
44:58if you want to be a villain of the призрака?
44:59Don't be afraid of her.
45:01Dad, I know that this is your novel.
45:06You can read it, by the way.
45:08It's a bad book.
45:10Okay.
45:13It's not long, but it's only tears.
45:16Where are you?
45:21The eternity.
45:23And the world will be a little better.
45:27Okay.
45:30Okay.
45:30The world will be a while.
45:32Oh, we're getting closer.
45:50I know what you do.
45:51I know.
46:00The world will be a good person.
46:13I don't know why I'm here, but why do you want me to do it?
46:17What, I'm going to be a big writer?
46:19I'm a big writer?
46:20I'm going to ask you, then they'll answer it.
46:22Don't be afraid of me, let's go!
46:26You won't be a big writer, never!
46:29And then...
46:31What?
46:33You're serious, then why?
46:36There still is so just free!
46:40You're what, bitch, you're making it!
46:42You're up race!
46:44You're huh?
46:45I'm a young girl,
46:46young man,
46:48young G przeci,
46:49And Dostoevsky,
46:51I heard the...
46:54Gosh.
46:57Hey!
46:57What the hell are you going to do?
47:00I'll write a great book, a great book.
47:04It's a great book.
47:06It's a great book.
47:07It's a great book.
47:37I'm telling you, I'm getting bored.
47:39Well, I love some more.
47:50Can you believe, can you believe that she was worth of me?
47:53That she was mine and nobody else?
47:56Took a cold heart and stabbed her heart.
47:58And let me do that I've never failed.
48:01And she can't hold back and she can't try.
48:03The subtle attention of time.
48:05If you want to see her, just let me know.
48:08Let me be this woman, man.
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