00:00We started on mobile phones, it's all messages, it's all business.
00:03Pedro, sorry, I'm taking notes as usual, reality doesn't forgive.
00:07And you take notes, is that it?
00:09I take notes.
00:09I wish.
00:10I take notes.
00:11500.
00:12I wish I had life back, I wish I had it.
00:14Up.
00:14What topic brings us to today's top 5?
00:17Our top 5 today is nothing more and nothing less than songs for the dance floor.
00:21So what happens?
00:22I'll test your dancing skills, mate.
00:23I'm not good at dancing, I've never liked dancing.
00:26I tried dancing once, but even then they couldn't get me to dance.
00:29I can't quite grasp how ridiculous I am.
00:31And you?
00:32I dance reasonably well.
00:35Oh, shit.
00:36P Sar that this guy was a dance artist.
00:40YEAHHHHHH.
00:41No, not anymore.
00:42I used to be there in my heyday, but not anymore.
00:44I've given up on those things now, because age doesn't forgive and I'm suffering from arthritis.
00:49But then you danced my life, you danced for many years.
00:52I danced for many years.
00:53But what were you dancing to?
00:54I have a background in dance and I used to do urban dance art.
00:58Therefore, everything that was hip-hop, ragas, auxes...
01:02And that scene where they hang on to the smell...
01:04Break dance...
01:06Break dance, exactly.
01:07Break dance, I always remember the turtle.
01:09The turtle.
01:10It's the only thing...
01:10I remember the Teenage Mutant Ninja Turtles.
01:12So go ahead, look, let's get to this top list, which is a surprising top list for me,
01:16Because since I don't dance, I have the point of view of those...
01:19I share the perspective of those you despise.
01:23That's the group of people who are...
01:24I'll even do it, let's see if it catches on to him.
01:26Those people who are on the dance floor and you are...
01:29Guys, go dance, go...
01:30And that's all they are.
01:32Only in this way.
01:33I'll give my point of view...
01:36Of those chromosomes...
01:36Of those nighttime creatures.
01:38That doesn't exist anymore, right?
01:39I'm telling you this...
01:40I don't know, this was supposed to be around...
01:4298, 2000, that's how it was.
01:44Not now.
01:45Those guys who don't like to dance now, you go there...
01:48So, don't come dancing!
01:49They ignore you.
01:52They're at the top...
01:53I don't like that.
01:54Exactly.
01:55First one today.
01:56Top 5.
01:56Dance floor.
02:02The only dance I can do, okay?
02:04Oh, oh, oh.
02:05Look at me dancing.
02:12But I like it a lot.
02:13And I use it quite a lot too.
02:15Wow, this is wonderful.
02:16For me, this is what the dance floor is all about.
02:18Just a little bit further ahead.
02:23As funny as it may be.
02:25I brought something more or less from the same generation.
02:35Look, this dance is causing a stir.
02:37What is this?
02:38This is what I don't understand.
02:39We are in the ludum.
02:41We are in the ludum.
02:51Good, good, good.
02:54At what point do you think we should play this song?
02:56That.
02:57I'm undecided because, depending on the audience, it's perfectly possible to open the dance floor.
03:01But why am I so hesitant?
03:04Because it's also one of the most sung songs.
03:05So I sometimes use it when the track is already tired and we struggle with people
03:09They're already falling, they grab them to sing, and that's where I come in.
03:14That's why I'm undecided.
03:15This is perfect for dancing.
03:16And I also have this issue, especially as a DJ.
03:20For you, perhaps, it's much simpler that you can sing the song to the
03:25so that other people can sing it too.
03:27But I do use it much more for creating a breakdown on the track.
03:32The crowd is tired, so it's time to put on something like this to get them singing and
03:37to do something different, therefore.
03:39I'm going on Monday!
03:45For those who dance, do you know what this is?
03:47Not that.
03:47Not that.
03:48And that.
03:50This is wonderful.
03:54However, they are already entering the classroom.
03:57With the dumbbells and the headbands.
03:59That's right.
04:00And off they go.
04:00Welcome to Zumba class #45.
04:03My name is Pedro Alivar.
04:04This is to help you today.
04:06Zumba didn't exist back then.
04:08But everything else is the same.
04:10Everything else, the tapes and all.
04:11This is one of my favorite songs.
04:13There it is.
04:14Musically, and then something I can transport to the table.
04:17It's the only thing I dance to.
04:19Oh, but with many rias.
04:21What I dance.
04:22No, I want to see Peter dance when he's older.
04:24No.
04:25It's just a small palina for paquinhos and it's done.
04:28And it's done.
04:29And it's done.
04:30It is not?
04:30And it already gets louder than usual.
04:31It's already done.
04:33And the following week...
04:34I'll tell you right away.
04:35For the same time.
04:36I understand.
04:37I understand.
04:38I don't know.
04:46It's really very good.
04:47This is my choice.
04:48Let's go.
04:51OK.
04:52I wasn't expecting that.
04:56Agar appealing.
04:59But this is momentum.
05:04I'm going to pull the crowd along.
05:06I'm going to pull with the track upwards.
05:07Fire, fire, fire, fire.
05:14I'm already tired.
05:16Stop, stop.
05:17That's exactly it.
05:18This is what happens.
05:19This dancing thing isn't for me.
05:20This is what happens.
05:21This is what happens.
05:22This is what happens.
05:22Because everyone sings this song, in effect.
05:25Good.
05:25And everyone dances.
05:26Look, good.
05:27Good choice.
05:28Another one of mine.
05:32Attention.
05:32This part is never included.
05:34He is well?
05:34The music starts right away.
05:37TANANAN.
05:37Exactly.
05:41If this doesn't make any smell.
05:43Even that mill.
05:45Even the mill that doesn't know how to agonize.
05:47As is my case.
05:48This is what it's for.
05:51This.
05:52With that face.
05:53No, you can't go down there.
05:54Look.
05:54It's just saved.
05:55To the car and more like that.
06:00This is a game word.
06:04For those who don't know.
06:05Pedro has also been very sad at times.
06:06I preferred to be with you.
06:07Of course.
06:08And truth.
06:08Yes sir.
06:09It always goes in the autogar bath.
06:12Just a little bit more.
06:18I want us to arrive.
06:19I want us to arrive.
06:19I want us to arrive.
06:22Let's go see.
06:23I know you.
06:26They are fine.
06:40Pay attention.
06:40Anyone who can't dance like me.
06:42He always makes the same gestures.
06:44He always does the same thing.
06:45Make them use maracas.
06:46Yes, yes, yes.
06:47Some maracas here and there, and so on.
06:49Others over there.
06:50Look.
06:50Because this was a great sound.
06:52For me, that's a punch.
06:53Like those.
06:54A punchline.
06:55A punchline.
06:57It's madness.
06:59She's going to dance like she did today.
07:00Because there is no damnation.
07:01All these drawings.
07:05Now I'm going to surprise you.
07:07Maybe just a little bit now.
07:09That's very good.
07:11I like it a lot.
07:13Attention.
07:14I don't like.
07:15I don't like.
07:17But.
07:17I don't like.
07:18But.
07:18For dancing.
07:19If it were on a dance floor, I'd dance.
07:21And to try to please.
07:22Everyone.
07:23Who was at the party.
07:27And that's it.
07:29And this song is enough for 30,000 tickets.
07:32That's why it's wonderful.
07:34Celebration.
07:35Tonight.
07:37Acheira.
07:38The other one is on the phone.
07:40Exactly.
07:41Exactly.
07:41Damn.
07:42This guy.
07:43Whoever I want to dance with.
07:44Fire.
07:45I'm in charge here.
07:45Impressive.
07:46So let's see if you know this one.
07:51Then you put this in a scene of yours that you like.
07:54Yes.
07:55I like this.
07:56I like.
07:57Indeed.
07:57If I can no longer hear.
08:07There.
08:09There.
08:11There.
08:12There.
08:13Look, you weren't going to take me with you by any chance.
08:14No.
08:14That's enough.
08:15That's enough.
08:15There.
08:15They grabbed the brush here.
08:17They caught me without knowing.
08:18You really went for the clichés like that.
08:20He is well.
08:20Not all of them.
08:22Because I actually have the Dança Coduro.
08:24But as a top 6.
08:25In my top 6.
08:26Not in the top 5.
08:27Give him a kick.
08:28Give it a boost like that to get it into the top 45.
08:31Something like that.
08:32I need to frame this first.
08:34I worked at a bar called Sabona Brasil.
08:36And after Sabona Brasil, I would finish that up so I could leave at 3 in the morning.
08:39And he grabbed us.
08:40Me and Catuja.
08:41A guy who was from Catujal, and we called him Catuja.
08:44In a Fiat Luck.
08:45From 1996.
08:47And where were we going?
08:48Mara breakfast.
08:49Oh, I was grabbing it.
08:49This was one of those...
08:50It was one of those places we'd enjoy in the car.
08:53Oh, really?
08:57This part is mine.
08:59But let's move on to what matters.
09:01Let's move on to what matters.
09:04Only in this way.
09:06And to the drunkard next to me.
09:07It's already falling like that, headfirst.
09:08And I'm happy to drive there.
09:10At 16 years old.
09:11Hydra remains thin.
09:12I am open-minded.
09:15And I'm no longer outside, thank goodness.
09:18Be careful, the police are there.
09:19Careful.
09:20It's over.
09:22Boy.
09:23Each one what.
09:23The night train.
09:25What I was saying.
09:25Each one what.
09:26There's the grandmother who's actually wearing training gear.
09:27All aboard.
09:28In training gear.
09:29It's not just one big one.
09:30But what is it for?
09:31That's really cool.
09:32It's big.
09:33It's been over 3 minutes.
09:34That's also true.
09:35Let's change the world.
09:36Hey?
09:37Because what's coming next...
09:38It has nothing to do with what you said.
09:47This guy is a dancer.
09:49I have to wait for this.
09:53Are you going to make a sarsa sarsa sarsa sarsa?
09:56Tell me, how many times have you danced this, my friend?
10:00Some.
10:01Beyond many.
10:03Quite a few.
10:03You used to do that scene with the six of you too.
10:05And there were quite a few of them.
10:06There were quite a few.
10:09What did it mean for a man to dance?
10:11Was he the sexiest man on his street?
10:15That's definitely not true.
10:16No?
10:17No.
10:18Because I've never been sexy.
10:20First of all.
10:20Sexy motherfucker!
10:23Because my scene was on streaming.
10:24You're watching motherfucker the scene.
10:26How did you even dance to this?
10:27Streaming from the internet.
10:28Because we, as dance teachers,
10:31We need to know how to dance to everything.
10:35Just a little bit more because this song is wonderful.
10:38This is wonderful.
10:39Adore her, adore her.
10:43Look.
10:44Look, look, look.
10:45Do you see?
10:48It's the maracas.
10:52Look.
10:53It's time for us to maybe do something more next time.
10:56Quiet?
10:56Perhaps it's more of a rooster.
10:58Yes, yes, yes, yes.
10:59God, are you going away?
11:00Let's go!
11:01Stay there, mate!
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