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00:12Transcription by ESO. Translation by —
00:30— U sebe vredi uložiti, ti da mi napiš normalno.
00:36A što se tog dela tiče, mislila sam da se sve snima telefonima.
00:41Pa vidi će svakako ići na društvene mreže, a ne mora da bude skupo da bi bilo dobro.
00:47I tako ćemo se uklopiti u Gabrielin zahtev da kampanja bude bez budžeta.
00:52Suna, moram da priznam da ti je ideja odlična.
00:55Nadnošila smo očekivanja, tako da, svaka čast.
00:58A, zapravo, ovo uopšte nije moja ideja.
01:03Neko čije?
01:05Ovo je moj privatni broj.
01:08Hvala vam.
01:10Treba da imate.
01:12Ako se bilo šta desi,
01:15zovete mi bilo koja doba dana noći.
01:19Da smo se razumijeli.
01:21Jes, hvala vam.
01:23O, čao.
01:25Gde ćeš ovati, Stajana?
01:27Možeš na stop.
01:32Znaš, nešto sam razmišljala i shvatila sam da si ti jedan baš super heroj.
01:40I da si ti sad uradio zapravo baš nešto što meni treba.
01:47A da donosam ti hranu zato što si to tražio?
01:50Ne.
01:52Ja sam mislila na nešto drugo.
01:55Razmišljam da prodam biljenim u kuću.
01:58A otkut to zbog čega?
02:00Pa, zato što mi je žal.
02:02Žal mi je da se ta kuća ne koristi, tako kuća propade i to treba prodati.
02:07Ček, Gabriela, kako se kuća ne koristi kada su se stanarke uselina?
02:11To nije isplativo, ti to vrlo dobro, znaš.
02:13Kako nije isplativo?
02:14One plaćaju kiriju, plaćaju račune.
02:17Na biljaninu penziju, to je njoj bonus.
02:19Ne vidim koja ti je logika uopšte.
02:20Logika je u tome da to treba prodati, da treba uzeti nešto manje.
02:26Naprimjer, neku garsonjeru za biljanu, to je njoj dovoljno, pa može i to da izdešta pali.
02:32Zašto ti je potreba novaca?
02:34Čekajte veliko iskušenje.
02:37Sada, može da bude na polju posla, može da bude i na polju ljubavi.
02:42Ja, molim te, ja, ovo kao one manekinke želi miru svetovati.
02:46To je tako opšta mesta.
02:48Mislim, sve smo to već čuli i nema ničeg novog tu.
02:50Kajo, ovo ti je znak da treba da budeš spremna.
02:55Spremna?
02:55Ovo je smrt.
02:58Šta?
03:03Slušaj, daljela sam odluku koja se tiče tebe.
03:07Šta će sada me snađi?
03:11Odlučila sam da prodamo kuću.
03:13Našu kuću.
03:15Našu kuću?
03:17Da prodamo?
03:19Kako je ta ide, pa za...
03:20Zašto?
03:22Je li smenu da ti pitam nešto?
03:26Pitaj.
03:28Sam je uradio nešto što je tebe možda uvredilo ili naljutilo?
03:32Ne.
03:33Super se osjećam.
03:35Pa, pitam zato što osjećam baš neke negativne vibracije s tvoje strane, pa me zanima zašto.
03:40Zato što sam u haosu od posla.
03:43Nemam vremena ni za one koji su mi mnogo bitniji u tebe.
03:46A dobro, zašto si me pozvala se vidimo danas uopšte?
03:51A što se ti praviš da ti mene ne želiš?
03:57Zato što to nije pametna ideja, zato što će onda doći do...
04:04Šta?
04:06Šta će onda goriš?
04:16Da, pod veliki sam stresu, ma ne želim tebe dublo čim u sve ovo.
04:22Ali želila bih dosta nemao prijatelja ako ti to želiš.
04:26Ništa više i bolje toga ne mogu da ti ponudim.
04:30Pa dobro onda za novo lepo prijateljstvo.
04:34Za pravo prijateljstvo.
04:35Živio.
04:37Na stivlom je sa svih strani.
04:40Naj mora tako da bude.
04:45Kako to misliš?
04:47Evane, tvoja tajna je sa mnom sigurna.
04:53Koja tajna?
05:12Kažu da život piše romane.
05:18Kažu da život nije fel.
05:22Ponekad pobodi, ali često omane.
05:26I sve je nežesno, osim sudbine.
05:36Kao ljubavi u ratu.
05:39Puca se nema pravila.
05:45Imaš jedan život, samo jednu šansu.
05:50Da postaneš nikom, jer zvezda sve mi ra.
05:58I na sudbine, kao kolo sreće.
06:03Nekoga noće, nekoga baš neće.
06:08Kao na ruletu sve se opleće.
06:12A mi svoj ta o tij.
06:17So you should be there.
06:21Oh, oh, oh, oh.
06:28Oh, oh, oh.
06:33Oh, oh, oh, oh.
06:44Oh, oh, oh.
06:46Oh, oh, oh, oh, oh.
07:00Dane, desimačko.
07:04Relja.
07:05Ajde da se igramo malo.
07:06Ajde, ostavime.
07:08Šta je bilo? Šta je bilo?
07:10Ajde, da ćeš da mi otpevaš nešto?
07:12It's late.
07:13Not late, not late.
07:16Let's go to the song, guys.
07:18How is the song?
07:19Puhriza, I don't want to go soon.
07:23A lot!
07:25A lot!
07:27Stop it!
07:27What is it?
07:28Is there a lot of...
07:29Is there a lot of...
07:30Is there a lot of...
07:30Is there a lot of...
07:30Is there a lot of...
07:33No.
07:36What is the problem?
07:37What is the problem?
07:38What is the problem?
07:38What is the problem?
07:38What is it?
07:40Is there a lot of...
07:41Good.
07:42You can change two positions.
07:46Is it a lot of nervous?
07:49Okay.
07:51Now, I'm going to ask you the third position.
07:53Listen to me.
07:54That position should be needed.
07:57I'm going to become a star.
08:00I don't know if you've noticed that.
08:01Yes.
08:03For this is needed to be a lot of...
08:06Talent.
08:06You have talent as much as you want.
08:10That's not a problem.
08:11Yes.
08:12Talent, but I didn't think about it.
08:14I thought about money.
08:16There are arrangements.
08:17There is a wardrobe.
08:18There is a paintbrush.
08:20There is a paintbrush.
08:20Time to sing.
08:21Why do I pay for it?
08:22From my smile?
08:24Give me money.
08:26Do you understand?
08:28You've lost everything.
08:29And now you've lost everything.
08:30How did I lost everything?
08:32What did I lost everything?
08:33What is the problem?
08:33Show me the money!
08:37Good, good.
08:39You'll see the money soon.
08:41Soon.
08:41I can't talk a lot about that now.
08:43That's true.
08:45But soon you'll be very happy.
08:48When?
08:49I'll see you in the evening.
08:55Yes, yes, yes, yes.
09:04I'm sure you've lost everything.
09:08Yes.
09:13Yes, yes.
09:13Yes, yes, yes.
09:13Yes, yes, yes.
09:13You've lost everything.
09:14Yes, yes.
09:17Yes, yes.
09:17Yes, yes, yes.
09:20please?
09:22I'm sorry, because I know what?
09:24I've seen it before, when I'm hearing it, I'm pleased.
09:28I didn't understand it.
09:28You didn't understand it.
09:31And I understand it.
09:33Your feeling is tough, I'm trying to do something with her.
09:37I'm pretty, I'm talking to your needs.
09:43Why are you going to understand it?
09:50But between me and Marijane, there is nothing.
09:52Okay, what did you do then?
09:55Let me hear it.
09:59I know I'm right.
10:01I understand, Ivana, your needs for young women.
10:05And in these years, it's a prestige.
10:10There is no one thing in order.
10:13You don't need to do it in this house.
10:15You do it somewhere else.
10:17So, that's how you saw it, right?
10:20I was in the road and I heard it случайly.
10:23I'm sorry.
10:25Nothing is unusual.
10:26Just a memory of Ivana.
10:33Don't care.
10:34Nobody will know from me.
10:37Have a nice night.
11:01No.
11:02No.
11:02No, no, no.
11:03No, no.
11:03No, no.
11:04Wait.
11:05No, no.
11:06This thing does look like me.
11:08That's what you like. Max said, it's a natural look for this campaign.
11:12What is this? It's natural.
11:15I'm sorry, I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry.
11:19What do you think of yourself?
11:21You see, I'm sorry. It's a natural girl.
11:26Okay, David.
11:27Okay, you're right.
11:28Okay, you're right.
11:29Okay, you're right.
11:31You're right.
11:35What do you think about Kaji?
11:37She's just a profile.
11:39Kaja?
11:40Yes.
11:41Why?
11:42She's just a natural beauty.
11:45I don't know.
11:46I'm sorry.
11:47After all that happened, I'm not for that.
11:51Okay, but it's not really professional.
11:53Really, you have to learn how to move from the private business.
11:56Yes, because you know it.
11:58You're right.
11:58You're right, you're right.
12:00What do you think about her?
12:01Yeah, I'm sorry.
12:02You're right.
12:02You're right, where are you?
12:03Here are, for example,
12:05Mr. Dada, my son, Ila, I forgot about you.
12:08My daughter, my son.
12:10They're really nice.
12:10You're right.
12:11You're right, we don't have to pay.
12:13Okay, that would be a big plus.
12:15Do you have pictures for me?
12:17I'm sorry, I'm sorry.
12:18I should have to be here.
12:19Wait, wait.
12:21The moment?
12:22named?
12:23What's that?
12:28Hello?
12:29Did you miss the job?
12:33I'm sitting here with Gala.
12:36We're talking about a photo session.
12:38What?
12:40I thought I was missing, but if you were not the same, then...
12:45No, Gala, Gala, right?
12:48Yeah.
12:49I'm not going to let you go.
12:51Don't let you go, don't let you go.
12:54We've done a lot of work,
12:55and Gala is in the morning.
12:57Yes.
12:58I really believe.
13:00I'm convinced that Gala is not listening to this.
13:02I'm listening to everything, nothing.
13:04Come on, come on, you're free.
13:07Everything is okay.
13:08Let's go.
13:09Let's go.
13:10Let's go for 10 minutes.
13:11Okay.
13:12Wait.
13:13Bye.
13:14What?
13:15Okay, thank you.
13:17Now I'm holding you.
13:19I'm going to take you all the time.
13:19Let's go.
13:21Let's go.
13:22Shout out to God.
13:23Shout out though.
13:24Yes.
13:26Shout out to God.
13:32Hello.
13:48I don't know.
13:49What did you say?
13:53And how did you get out of it?
13:57I don't see him.
13:58I don't see him.
14:01What?
14:04In principle, he does what he tells me.
14:08For example, what?
14:10For example, he will send me something to buy, to bring food, to buy gifts for Ksenija and all those
14:20things.
14:23And what is he doing?
14:25Who? Relia?
14:27My mother, how is it?
14:29Of course, how is it?
14:30How is it?
14:31Smir.
14:33Smir.
14:38How is that?
14:39But, little girl, you just want to be loved by yourself and look at the other guests?
14:48Smir.
14:49Who does he see?
14:51I tell you...
14:54I don't see him. I don't see him. I want to ask him another question, but I don't see him.
14:59I've been asked for you to deal with Relia.
15:02Yes.
15:04If I ask you something and give you a question, would I have to give back information?
15:11I know and I'm all in the same way.
15:13I'm constantly asking another question. I'm not here yet.
15:17I have to go for Ksenija, for him.
15:19So I can't get the right information related to him.
15:24What do you hear?
15:26That little girl, you know?
15:31Ksenija, I think.
15:34She could have been able to get to some...
15:37unnoticed situations.
15:42But many heads were gone because of those unnoticed situations.
15:50I don't know.
15:52You're not like that, right?
15:56I'm not.
16:01You're not.
16:02You're not.
16:18I don't know.
16:19I have to admit that it is very unusual that we are all alone.
16:25In a good sense, or in a bad sense?
16:31A what do you think?
16:34Pa,
16:37with regard to that you came before the Gala arrived,
16:40I think that you should be because of the track part.
16:46Good, I think that's why.
16:48Because of which I am here?
16:51That's why you don't have to be able to do it.
16:57and you have to give me your courage to give me a bottle of wine.
17:01I appreciate it. You're asking me when I'm going to see you.
17:06Yes, I appreciate it.
17:11I'm glad that I'm not lying to you.
17:14How much? I said something like that
17:19that it's not to hold me.
17:23I've never heard of it.
17:24Eh, pa da, imam ja puno nekih iznenađenja,
17:29samo što nisam imala priliku da ih pokažem.
17:34A onda mora da radim nešto pogrešno.
17:41Što radiš pogrešno?
18:20Šta? Što si soču tu?
18:24Šta ima da pričam? Ti možda pričaš za obojicu.
18:28Ajde, evo je tako, ajde.
18:31Ajde, kaži nešto, trgne se malo.
18:35Šta da ti kažem?
18:37Da sam ispod debil?
18:39Da mi se smeje cela policijska stanica i sve kolege, il to?
18:43Ajde, pa šta, ako se smejuš, šta?
18:45A ako je tebi da kažiš, ne radi se o tebi, ne o meni.
18:49Ajde, ora, smeju se ali.
18:52Ko se zadnji smeje, najslađji se smeje.
18:56Jer mi, mi imamo plan.
19:00Koje vreme mi planimo?
19:02Imamo plan da saznamo ko stoji iza svega ovoga.
19:06Siti realan, ti veraš u to što pričaš?
19:09Naravno, verujem, što?
19:12Pa mi već znamo ko stoji iza.
19:15Znamo ko stoji, ali ne znamo, motiv.
19:17Moramo da saznamo koji motiv Grkljan i njegova ekipa imaju za sve ovo.
19:22Kapiraš?
19:24Dok nećemo tako?
19:25Dok ne saznamo.
19:27A kad saznamo, e onda ćemo da udarimo.
19:31I uspjećemo.
19:33Tu se ne zna ko će preživjeti.
19:50Pa, vidi, Gabriela, jako je teško izući toliki novac.
19:56Znam. Zato si ti tu.
20:00Da je lako, ja bih to završila sam.
20:03Znamo, ali treba će nam ozbiljno opravdanje za 250.000 evra.
20:08Vanja, nisam te zvala da mi pričaš šta treba da radim.
20:12Zvala sam te da nađeš neko rješenje i opravdanje kako da to uradiš.
20:15Dobro, zašto će ti toliki novac?
20:18Hoću da uložim u nešto.
20:20U šta?
20:23U mir.
20:27Jel možemo sada da razgovaramo o ideji?
20:31Možemo.
20:32I bolje bi ti bilo da ta ideja bude genijalna.
20:35Pošto celo jutro slušam glupe ideje i glupe predloge.
20:58Jel ti ok, Kafa?
21:02A dobro, to je sad otvoreno za debatu.
21:05Jel? Što?
21:06A da, da, zaboravih da, gospodin, kao što si ti vjerovatno pije samo espreso sa aparata, jel?
21:13Ne to, nego imam neki osjećaj na ustima, o tvojih usana.
21:19I onda nikako ne mogu da osjetim ukus kafa.
21:22Jel, nemoj nemoj.
21:26Bilo je prelepo, sinać.
21:28Vola bih da provedem u dan zajedno.
21:31Ja bih to baš volala.
21:33A baš imam mnogo da radim.
21:37A kako da me stati na put?
21:39Ali mi ne želimo jer tvoj rad mora da obiđe celi svet.
21:44Ti ćeš mene potpuno da razmaziš.
21:46Pa to mi je zadatak.
21:52Moram da idem.
21:54Znam.
21:57Ćao te.
21:58Ajde.
21:59Vidimo se.
22:00Vidimo se.
22:13Ej, Kajo.
22:16Šta? Ne razumem te ništa. Što plačeš? Šta je bilo? Mogu, mogu, mogu odmah da se vidimo. Ajde, dođi do
22:26mene. Da, kod kućica. Ajde, ajde.
22:28Ar if kullan s li, ne ker će do mene.
22:40Dođim je da se vidimo i
22:46Dakle, ajde samo požurivanje jer smo u srednečeg bežnog nem dremena.
22:51The idea is simple, it doesn't require money, and the project can be huge.
22:57Okay.
22:58So, our company would need to be the best practices.
23:03What are the best practices?
23:05We would need to divide food with those who are the most needed,
23:08and of course, we would have to include restaurants with whom we already work,
23:12and so we would have to combine beautiful and useful, humorous work,
23:15and the project is great.
23:18And Alex is the best.
23:19Yes, Alex is the best.
23:23Okay.
23:24If Alex is okay, then it's okay for me.
23:28Let's go now and start working at home.
23:31Okay.
23:39Everything is better from the other side.
23:41No, Gabriela, this is actually not a bad idea.
23:45Are you kidding me?
23:46No, Gabriela.
23:48No, Gabriela.
23:49No, Gabriela.
23:50No, Gabriela.
23:52No.
23:52No, Gabriela.
24:07I can't breathe. I can't breathe. I can't breathe.
24:11I can't breathe. There's no way to breathe.
24:14There's no way to breathe.
24:14What do you think?
24:17For the woman and the woman.
24:19What?
24:20What?
24:20You don't know.
24:22You and Strahinja died in that regret.
24:27You and Strahinja died?
24:30Yes.
24:34That's terrible, Kajo.
24:36I didn't know that.
24:38I didn't know that.
24:39I didn't know that.
24:40I didn't know that.
24:40I didn't know that yesterday.
24:41Now everything is clear.
24:42Why did it happen?
24:43What happened to him?
24:45I'm hurt him all the time.
24:47Keep going!
24:48Don't be afraid of yourself.
24:50Don't be afraid.
24:51Don't be afraid.
24:52You did not work like that you were evil,
24:53You were frightened and it's normal.
24:59Hrv Vrlenka, you put in your pajamas?
25:06You...
25:08Honestly, I had a pretty bad night.
25:15Bad night?
25:16Yes.
25:18And who?
25:20Excuse me?
25:22With Suraša?
25:23Yes.
25:25Well, it's a great day.
25:27Yes.
25:28It's a great day.
25:30Until one doesn't cry and the other doesn't cry.
25:32What do you care?
25:33What do you care?
25:35Someone's life is falling, and you enjoy it.
25:37What do we do?
25:39Wait, excuse me.
25:40What do you mean?
25:42I'm hurt for your happiness.
25:44No, I don't hurt you for your happiness.
25:46Just tell me.
25:47My life is on the other side.
25:48You live on max.
25:50It's a nightmare.
25:51It's a nightmare.
25:53Excuse me, Kajo.
25:54I'm falling for months, if not too long.
25:57The light didn't stop.
25:58Nobody was crying because of me.
26:00I have the right to have the night as I want to have.
26:02I think that, of course, it doesn't change your pain.
26:05It doesn't change the pain.
26:07It doesn't change the pain, but it is the same.
26:08I think it doesn't change the pain at all.
26:24But only if that person has been passing
26:24The human action are great for prest context.
26:28How?
26:28How?
26:29We are based on a humanitarian organization.
26:32I mean, that's great because of the use.
26:35I don't know if it's the best idea, but that's why you're here.
26:38We are based on a phantom company for, for example,
26:42to get a dog.
26:45Let's take a look at the topic.
26:47Bezkućnici and the rest of the nesrećnici,
26:48as she mentioned.
26:49It's possible.
26:53It's possible. Listen, Banja.
26:55I want everything you're doing right now,
26:58and that you're here.
27:03Let's go.
27:04Let's go.
27:06Let's go.
27:07Let's go.
27:24Okay.
27:26Let's go for two minutes.
27:27Let's go.
27:28Let's go.
27:29Let's go.
27:30Let's go when Vada Zlato and Sefa
27:32and we'll take two of them to the ground.
27:34I'll hold them down.
27:37I'll hold them down.
27:38I'll go on to the net.
27:39I'll hit the alarm.
27:40We have two minutes before we go.
27:44Let's go.
27:46Let's go.
27:46Let's go.
27:47Let's go.
27:48Let's go.
27:55Let's go.
27:58Let's go.
28:02Let's go.
28:07Let's go.
28:17Let's go.
28:18And he went to calm down. He didn't come from you.
28:23You understand? That's the truth.
28:26I know that it doesn't have to be with me.
28:29I have to forgive you for everything I've said.
28:32It's a lot of pain.
28:34Everything is hurting. Everything is hurting.
28:36I can't breathe.
28:38I understand. I don't want to forgive you.
28:41Everything is broken.
28:42But you won't do anything when you're crying.
28:45I'm looking at you.
28:46And what do you do?
28:47It's worse than you, it's worse than you, it's worse than you.
28:49So I'm going to give up to you.
28:53How?
28:54How?
28:55I don't know if he's alive or not.
28:58Of course, you're alive.
28:59You're alive.
29:01And you're alive.
29:02And that's a super thing.
29:04And I have one thing that you can do to do a little bit better.
29:10I know.
29:11But you want to use it?
29:13And you can change it?
29:14You need to go and do it.
29:15No.
29:16Me love it.
29:17No.
29:18You don't have something else.
29:20You should stop yourself.
29:22You'll have to interrupt.
29:23You should be here with me.
29:26You're going to do this.
29:27You're going to model for photo session.
29:29You're going to do this for a collection.
29:33You don't know.
29:33You need to do it.
29:35You've got another pair of perspicuous financiers.
29:37music, we are going to show you,
29:39and we will make a good look.
29:40I mean, how do I do that,
29:43I mean, how do I do that with this face?
29:46I mean, I don't know what I mean.
29:49I mean, I don't know what I mean.
29:51I mean, I don't know what I mean.
29:52But I think that's not the moment.
29:55I'm going to make a moment.
29:57I will just give you a moment.
29:59Just give me a moment to be a woman,
30:00that's not the woman who is a woman,
30:02but you will become a model.
30:05Photomodel! Photomodel
30:07ispred objektiva, a woman who uses
30:09and is beautiful.
30:12I don't know,
30:13but Mile...
30:14She will come back.
30:17Give her a little time, she will come back.
30:19And this is really better
30:20to see you as a happy
30:23woman who has a photo session
30:26that she uses
30:27with the object,
30:28and she is like a
30:31woman who is crying.
30:32Yeah, I think that's all right .
30:34Right here, get destroyed!
30:37I need to be right.
30:39I honestly believe that
30:41I have a true feature of this situation with this problem.
30:43It's first, it's true
30:45We need to make it for this situation
30:47moving from the questions
30:48from the other question,
30:48of each questions and Bible questions!
30:49I'm privately willing,
30:51and we're gonna be putting
30:53topmodel!
30:54All right
30:54to I'll be doing
31:02You are the best. You are the last time.
31:04You are the best. Thank you.
31:12What are you doing?
31:33There is a lot more than what we thought.
31:35Why are you doing this?
31:37There is a lot of 150-200 dollars.
31:40There is a lot of money.
31:42It's a lot of money.
31:43That's right.
31:45Pink panthers.
31:46Pink panthers.
31:47Pink panthers.
31:48Pink panthers.
31:49Who is that?
31:49Who is that?
31:52Who is that?
31:53No, no, no.
31:56We are not.
31:57We are not.
31:58Okay.
31:59Okay.
32:00Okay.
32:05What?
32:24Come on.
32:25Why are you coming from the house?
32:26How are you coming from the house?
32:27What?
32:30How are you coming from the house?
32:33Oh my god.
32:38Oh my god.
32:42How are you?
32:43First of all, I see you.
32:46I'm looking at you.
32:47I see you. What's happening?
32:49What's going on?
32:51I see you.
32:53You're normal.
32:54You're comfortable.
32:55Are you tired? Are you out of yourself?
32:57Are you full of yourself?
32:59Everything is normal.
33:02So...
33:03What did you call me?
33:04I came to one of a jewelry store
33:07from which he had taken a huge plen
33:09in a rare stone.
33:11I'm waiting
33:14from you to go
33:15to the face of the place
33:17and so on.
33:18Stop, stop, stop.
33:21One more thing.
33:29I hope
33:30that you are aware
33:31that this
33:33with this Zlatan
33:35is your last chance
33:40to avoid
33:41all the mistakes
33:43and stupid things
33:44that you have done in the last few days.
33:47That's right.
33:48That's right.
33:49Yes.
33:49I pray God
33:50that you have a chance
33:52that you don't lose.
33:56I understand.
33:57I understand.
33:58I don't know.
33:58It's true that you told me
34:00that it's not hard.
34:02I understand.
34:04Let me ask you.
34:06Let's go.
34:07Let's go.
34:08Let's go.
34:24Let's go.
34:28Let's go.
34:35Ew,
34:37Ancah.
34:41Let's go.
34:42La,
34:43so it's stress of mine now.
34:46Not at much time.
34:51Do you want me to ask me?
34:52Ivane, instead of asking me to ask me,
34:55do you want to tell me the truth about your vision?
34:58I don't know.
35:00I don't know.
35:02Why? Why?
35:05I don't plan.
35:07Ivane, what do you do? Why do you do that?
35:11I suggest that I have a love affair.
35:17Do you like me?
35:18Yes.
35:19With who?
35:23With me?
35:26I didn't have to tell her directly,
35:29but she thought about it.
35:33I didn't have to think about it.
35:35I didn't have to think about it.
35:37Oh, my God.
35:40You didn't have to do it.
35:41This is a joint idea.
35:43It's not yours.
35:45I didn't have to sit there and listen to me.
35:48I didn't have to do it.
35:50It would be false.
35:51The most important thing is to go to Gabriel.
35:54Yes.
35:56Let's see.
35:59I was talking with Alix.
36:12Hey, hello.
36:13Hello.
36:13We bought the information from the face of the place.
36:16Do you have to say anything?
36:17It's the most important part.
36:20And?
36:21They were all over the place.
36:22They were all over the place.
36:23Yes.
36:35Did you ever do something to me?
36:37Oh.
36:39Yes.
36:41Yes.
36:42Yes.
36:43Yes.
36:43Of course.
36:43I've found a girl in my life.
36:46Oh?
36:47Wait either...
36:49You know I just didn't see her.
36:51I think it's true, but I think it's true.
37:06Biljana listened to our conversation in my room when you told me that I told Olgi the truth.
37:13I think it's true, but I think it's true.
37:18Wait a minute, do you think you didn't have the truth?
37:34I think it's true.
37:36And then...
37:38...and then...
37:39...and then...
37:40...and then...
37:44...what else?
37:47You're so cute, Ivan.
38:00Eh, ajde, sad, blago meni.
38:03Počni, slušam.
38:06Dobro.
38:07Elem, imala sam predivno več.
38:12Hoću da kažem...
38:13Urošija smo konač.
38:21Urošija.
38:26Ja sam.
38:30A šta si nam to...
38:32...doneo?
38:34Al nešto zaklopuje za crkoglana, majke?
38:57Eh...
38:58Sra!
39:02Kako je on?
39:03Ma, slatobldah...
39:05Šta pitaš opwixt?
39:07Hm?
39:10Ehm...
39:11Gde su svi? Nema nikoga?
39:13Oje, mme nemam.
39:14Razbržali sam razne strane, uopšte ne znam. Šta pitaš?
39:17I'm going to have diskretia.
39:30Do you think I can do it?
39:34Reja, the question is whether you can do it or not.
39:38You have to do it.
39:42I think I understand what you want to say.
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