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00:06Cruci Fisus, Cruci Fisus
00:53Oh, my God, look at this.
01:02She has risen!
01:04Oh, no.
01:06I was never dead.
01:08TMZ got a bad tip.
01:10They issued a retraction this morning.
01:12But they said they carried your body off a boat in Singapore and you didn't make it.
01:15What?
01:16They said they carried your body off a boat in Singapore and you didn't make it.
01:22No, yeah.
01:23No, no, no.
01:24I didn't make it to the hospital.
01:27I came to in the ambulance.
01:29I had them reroute me to my hotel.
01:32Hallelujah.
01:32Jesus.
01:34We didn't want to believe it, that it made sense because of your, you know, your, um, your breakdown.
01:41My breakdown?
01:42Yeah.
01:43At late night, it was all over the news that you went cuckoo.
01:54Jebber Vance is alive!
01:55Yeah!
02:11Motherfuckers!
02:12These headlines are horrible!
02:15How Debra Vance lost her way and lost late night in the process.
02:19Oh, diva down!
02:21Talk show host's bizarre behavior raises serious concerns.
02:25Ever since you went to Singapore, Bob Lipka has been smearing you in the press.
02:28But I defended you in all the comments with my burner at Joyce Goldblood Chang.
02:33Oh, my God.
02:34Debra Vance's on-air break, why they cut the feed before her meltdown.
02:38What?
02:38That's a bad one.
02:39Oh, once an arsonist, always an arsonist.
02:41Debra Vance burns down late night?
02:43God, I knew that social media detox was going to bite me in the ass.
02:47First, I was tagged in some very unflattering photos.
02:50Now this?
02:51There are hundreds of these.
02:53Where are all the articles calling me a free speech warrior?
02:56Well, there were some positive ones, but they've been buried.
02:58Oh, of course, because that bastard owns almost every news outlet.
03:01Oh, my God.
03:03I think we've all read the stories.
03:04Speaking of.
03:05Yeah, it's tragic.
03:07Of course, I wish Debra had spoken to us first, but hey, it is a tough gig.
03:11Not everyone's built for it.
03:14We all just hope she gets well.
03:16Gets well?
03:16Gets well?
03:17Gets well!
03:19No wonder the obituary was so bad.
03:21They needed someone to blame, so they blamed me, the crazy lady.
03:25It's the fucking house fire all over again.
03:27We need to sue, okay?
03:29And we need to get these websites to issue a retraction.
03:31I don't think that's good.
03:32No.
03:33Damage is already done.
03:35Fuck.
03:36We need to shift the narrative with something bigger than all of this.
03:40Like what?
03:42I'll figure something out.
03:50So, how have you guys been?
03:52Good.
03:56I think we should do a couple's costume for Halloween.
03:58Well, what are you thinking?
03:59Bart and Lisa are...
04:00Knock, knock.
04:01Hey.
04:03May I?
04:04Sure.
04:06Regret to inform you that Jeff Dunham is signing elsewhere.
04:11Oh.
04:11Fuck!
04:12But the meeting went so well, I even got along with a stupid-ass puppet.
04:15All of our meetings go well, and then they find out we can't do business with Bob Lipka's
04:19companies, and they ghost us.
04:20Well, it doesn't help that our client list is older female and losing bone density by
04:24the minute, Jimmy.
04:25You don't have to tell me twice.
04:26We lost two clients to Bad Falls this month alone.
04:28It's sad, and I don't want to visit the hospital again.
04:31Parking is a nightmare.
04:33I didn't want to tell you this, but we lost Lassie.
04:36The dog signed somewhere else?
04:38No, I mean, we've literally lost her.
04:40She ran away.
04:41And she's not fixed, Jimmy.
04:43She's probably taking loads of every pity from here to Santa Clarita, stupid whore.
04:46All right, look, I know this isn't popular.
04:48No one's going to want to hear this, but I think we should revisit the conversation about
04:51downsizing this office.
04:52No!
04:52We're not downsizing.
04:55Don't make me say that again.
04:56Kayla, the office, the rent, the phones, the insurance, it costs $30,000 a month to be
05:01here.
05:01It's worth it.
05:02We're projecting success to the industry.
05:05I mean, there's already nasty gossip going around about us ever since you beat the shit out
05:08of Bob Lipko.
05:09I didn't beat the shit out of him.
05:10I just knocked his phone out of his hand.
05:11We had a little scuffle.
05:12The assistant slack is still a buzz, boss.
05:15Not good.
05:16If we move now, it's a death pill.
05:19Okay.
05:20Fine.
05:21It's Damien.
05:22Says Deborah wants to have lunch in Vegas this afternoon.
05:24Oh, my God.
05:25The last minute flights are going to be so expensive.
05:26This is what I'm talking about.
05:27Do you know what's free?
05:28You have BMW, which I just had vacuumed.
05:31It's spotless.
05:32You could eat an omicase off the dash.
05:34Sure, but if we're going to drive and be there by lunch, we've got to go now.
05:37Road trip.
05:37I'll drive.
05:38Don't worry.
05:38I just got my license.
05:40Just?
05:41Shotgun.
05:41Okay, I guess I'll sit in the back of my own car.
05:43I'm going to go with me.
05:48Come on.
05:51Wake up!
05:52No!
05:54I figured it out.
05:55What time is it?
05:56Actually, what day is it?
05:57Every obituary leads with a person's greatest achievement or failure.
06:02That's why I need a win.
06:03A legacy-defining win that they cannot spend.
06:06Okay.
06:07I refuse to be remembered on other people's terms as a quitter or the person who killed
06:11late night or some hysterical woman.
06:13I have worked too hard and I have fought far too long.
06:16I will be remembered for my accomplishments.
06:19Yes.
06:20So I have decided to EGOT.
06:26Uh, EGOT?
06:27Emmy, Grammy, Oscar, Tony.
06:28I know.
06:29Well, actually, I didn't.
06:30I thought the G was for Golden Globe, but I love that.
06:34I love that!
06:35Oh, good.
06:36I kind of assumed you'd think it was crazy.
06:38No.
06:39I think it would be crazy if you did not do that.
06:41Right?
06:42Yeah.
06:42Great!
06:43Come on, get up.
06:43We're having lunch with the team.
06:44Now!
06:45Well, lunch?
06:46I'm still on Singapore Standard Time.
06:51Midnight snack could be good.
06:53Yeah, I can feel the now.
06:55Yeah, come on, yeah.
06:56I'm super five to eat.
06:59I'm super five to get it.
07:03I'm super five to get it.
07:05That's right.
07:06It's mail alive.
07:07It's hard, and it's worth it.
07:11I mean, I know EGOT is ambitious, but I'm already halfway there.
07:15I have a daytime Emmy for hosting Begongle.
07:17Yes!
07:18Oh, my God.
07:18Begongle.
07:19Yeah.
07:20Wait, what?
07:20Oh, Begongle was a game show on the USA Network in 1992,
07:24where celebrities played Boggle on a constantly shaking floor.
07:27So funny.
07:28And I already have my Tony for producing.
07:30In a post-coital haze, Eric Idle convinced me to put some money in his famalot.
07:34Anyway, I already have my T and my E.
07:37So now I need you to get me my O.
07:41O.
07:42Well, O is for Oscar.
07:43No, I know what O stands for.
07:45I just meant O, like a reaction.
07:47Oh, that's crazy.
07:48Wow.
07:49Anyway, Debra, I'm going to have to review your contract,
07:51because I have to see what you can even do legally.
07:55Bossman, permission to speak?
07:57Sure.
07:57Now, the network paid out Debra's contract,
07:59and they did it all through her exclusivity clause,
08:01not the non-compete.
08:02Technically, she can't do anything scripted or paid TV, film,
08:06no new media, they control her socials,
08:08no live public performances,
08:09and the contract specifies Florida law governs.
08:12And because Debra already signed her injunctive relief clause,
08:15if she violates the contract,
08:16they can come out of her with a restraining order, or worse!
08:19You memorized all that?
08:21Inadvertently, I mean,
08:22someone recently told me they thought I was autistic.
08:24That was me this morning.
08:25Oh, yeah!
08:27Anyway, she can technically still film something now,
08:30as long as it's not released until the non-compete is over.
08:33I like this young man.
08:34The thing about the Oscars...
08:35No, no, Jimmy, it's not that difficult.
08:37I mean, award voters love it when funny people go dead serious.
08:41Yes.
08:41Just find me my Monique moment.
08:43Well, I can set you up on some generals.
08:44Onto the Grammys.
08:46Tragically, I have been nominated for my stand-up record
08:48seven times I have never won.
08:49Seven?
08:50I think it was seven.
08:51Mm-hmm.
08:52Not a Vance in Hell,
08:54Under the Knife, Over the Drama,
08:55Live at the Mall of America,
08:57The Alestra Diaries,
08:58Live for Your Diet,
09:00The Debt Commandments,
09:01and the Best Things in Life are at Sears,
09:04Debra Vance Live, sponsored by Sears.
09:06So, yeah, seven.
09:07Robbed.
09:07Now, I know I can't do stand-up right now,
09:09so I'm taking a different route.
09:10I'm gonna compete in the Best Audiobook category
09:13by recording my memoir.
09:15You wrote a memoir?
09:15That's great.
09:16Well, no, not yet.
09:17But I happen to know the best writer in the world.
09:21Oh.
09:22Tony Kushner.
09:24Hey, what about me?
09:25You can't write my memoir.
09:26You're too obsessed with me.
09:28It's cool.
09:29I gave up on developing my prose skills
09:30when I realized Gen Alpha can't read.
09:33All right, everybody, let's go.
09:34G-O stands for Grammy, Oscar.
09:37Yeah.
09:38I'm not scared.
09:39Woo!
09:39A Grammy and an Oscar.
09:42Ava.
09:42No, I know, okay?
09:44But you don't understand how bad it got in Singapore.
09:46She was sleeping all day.
09:47She was drinking till noon.
09:48Jimmy, she wore Crocs in public.
09:51Did the Crocs have a heel?
09:52No.
09:53But she keeps her heels on during surgery.
09:55Yeah, so that's why whatever she wants to do,
09:58we need to get on board, okay?
09:59Okay.
10:00Yeah.
10:01And you know what?
10:02I guess she has done crazier things, right?
10:03Yes, of course.
10:05She can do anything.
10:06We can do anything.
10:08Speaking of which,
10:09I need you to write and sell
10:10a huge international hit
10:11that has potential for sequels.
10:13Can you do that?
10:14I...
10:14Look, I would never normally pressure a client
10:16to help our firm financially,
10:18but we really need it.
10:20We've had a tough few months.
10:23Jimmy, she gave up the show for me.
10:25You know, I have to stay and help her.
10:26I'm sorry.
10:27No, no, no, I get that.
10:29Actually, I did finish my mall girl script in Singapore.
10:31I could send you that.
10:32Amazing.
10:33Okay, great.
10:34You send me that,
10:35and I guess I'll go get Deborah an Academy Award?
10:40Perfect.
10:41Great to see you.
10:48Mr. Kushner,
10:50I just want to say,
10:51it's such an honor to observe
10:53the writing process of one of my heroes.
10:55I mean, Angels in America was just,
10:56yeah, so formative for me.
10:58Oh, that's sweet.
10:59She's just shadowing,
11:00so feel free to ignore her.
11:01I often do.
11:02Oh.
11:04So, Tony, where do we start?
11:06I'm thinking a chapter a day,
11:0715 chapters.
11:08We should be able to wrap this up
11:09in two weeks.
11:10Easy.
11:11Oh, we're going to need far longer than that.
11:14I really believe in an immersive process.
11:16Oh.
11:18Okay.
11:19Well, I don't tend to love
11:21those whiny childhood parts
11:24of most celebrity memoirs,
11:25but then again,
11:26I was a very strong child.
11:28I held up my own head
11:29at three months old.
11:30My little blonde head.
11:32Oh, wow.
11:32I know.
11:33Oh, that would make
11:34a great opening sentence.
11:36Quote,
11:36I was born blonde.
11:38I actually want to start
11:40way before that.
11:41Since your people descend
11:43from Scotland,
11:44I've been reading
11:45The Lion in the North,
11:471,000 years of Scotland's history.
11:50Did you know
11:51that your eighth great grandfather
11:53was a prominent figure
11:55in the Battle of Glenfruin?
11:57I didn't.
11:58It's really fascinating stuff.
12:01It starts with the McGregor clan.
12:02They were in a feud
12:03with the Coughlin clan
12:04over cattle thefts
12:06and land thefts.
12:06This is like the beginning
12:07of the 17th century
12:08when James VI,
12:10who was a big homo,
12:11moved to England
12:12to become James I.
12:14And it was the start
12:15of the Jacobean era
12:16and the translation
12:17of the D.J. V.
12:24Okay.
12:25What if Debra produces
12:26a documentary short?
12:27That's got to be
12:27an easy category, right?
12:28There's no way Debra's
12:30getting into that category
12:30this year.
12:31I mean, do you see
12:32how many ongoing lores
12:33we have going on right now?
12:35There's at least a nominee
12:36coming out of each.
12:38Unless Debra wants
12:39to drag a film crew
12:39through the Congo,
12:41it's not happening.
12:42God, this is impossible.
12:43It is.
12:44Is it, though?
12:45Because correct me
12:46if I'm wrong,
12:46there already is a movie
12:47with early Oscar bus
12:48that Debra has
12:49a connection to.
12:50Which one?
12:51The Fatty Arbuckle movie, Jimmy.
12:53The one you're producing?
12:54Hello?
12:55Yeah, no.
12:56That's the only project
12:56we have without Debra
12:57or a rabid dog attached.
12:59Absolutely not, no.
13:00And dare I say
13:01I'm proud of my work on it.
13:02Thank you very much.
13:03It's an awards season dream.
13:05I mean, it's a biopic.
13:07It's got famous actors
13:08playing a game's type.
13:09It's a period piece.
13:10It's got everything.
13:10She just needs a small part.
13:12Do you know that
13:12Beatrice Strait
13:13won the Oscar for Network
13:14despite having only
13:15five minutes of screen time?
13:17Five minutes!
13:18I didn't know that.
13:19I had no idea.
13:20But it doesn't matter.
13:20We're already finished shooting.
13:21Don't we have to do reshoots?
13:23No, we are doing
13:23additional photography.
13:24Reshoot!
13:25We are doing
13:25additional photography.
13:26It is different than a reshoot.
13:27Christopher Plummer
13:28was nominated for a performance
13:30done entirely within
13:32additional photography.
13:35Wow.
13:35How do you know
13:36all this stuff?
13:36Once I started learning
13:37about Hollywood,
13:38I couldn't stop.
13:39Such a fascinating mix
13:40of culture and business
13:42and art and history.
13:43It's America.
13:44I mean,
13:45maybe if she was Australian
13:46I could see it.
13:48But, no, look.
13:50The Arbuckle movie
13:51is the only thing
13:52that's going well for a firm.
13:53I can't mess it up.
13:54All right, whatever you say.
13:56Maybe she could learn
13:57sound mixing
13:58and rise to the top
13:59of her field
13:59in the next two weeks.
14:01The worst idea
14:02I've ever heard.
14:03Hey, there are no bad ideas, but...
14:04No, it's okay.
14:05I probably shouldn't
14:06have said anything.
14:06Hmm.
14:08Fuck!
14:09You've got to be
14:09more sensitive to her, okay?
14:11Kayla?
14:12Kayla, honey, it's okay.
14:13You know what?
14:13There are no bad ideas
14:14and a brainstorm.
14:15And it's really hard
14:15to get an Oscar.
14:16They're trying to break
14:17or offer our home
14:19But God met the child
14:21that's got his own
14:24Okay, so today
14:26let's start with high school.
14:27I was gorgeous, smart,
14:28and popular.
14:29College, same.
14:30Now that's when Frank came in.
14:32Before we get into that,
14:33let me just play you something.
14:36I stood there
14:37shivering in my pajamas
14:39and...
14:39I think this is the soundtrack
14:41for the first chapter
14:42of the book.
14:43Yeah, it was all over.
14:44I said to myself...
14:45Books don't have soundtracks.
14:47No, the soundtrack
14:47I'll listen to
14:48while I write
14:49that section of your life.
14:51Oh, my God.
14:51That is such a cool way
14:53to do it.
14:54God, when I write,
14:55I just change out
14:55of my sleep pajamas
14:56to my daytime pajamas.
15:00Maybe close your eyes
15:01to really feel it?
15:04I don't know.
15:06I have a Pulitzer.
15:08Keep dancing.
15:09Okay.
15:12Oh, wow.
15:14This does feel good.
15:16Right?
15:16She gets it.
15:19If that's all...
15:23Oh, I love this song.
15:26Hi, Tony.
15:26Is that all there is?
15:32Is that all there is?
15:36If that's all there is,
15:39my friends,
15:40then let's keep dancing.
15:45Oh, Fatty.
15:47I can't be alone.
15:49I wish I could hold you
15:50just one more time.
15:56I can't believe I'm saying this,
15:58but Debra actually
15:58would be better for this part.
16:00Uh, yeah, anybody would.
16:02Let's cut.
16:03Cutting!
16:04I'm sorry, guys.
16:05I'm really having trouble accessing the emotions today.
16:08No, no, no, darling.
16:09You're doing fantastic. We love it.
16:12I hate it that she's so mad.
16:14Yeah, she's been horrible all day.
16:16Do you think that maybe she'd be better
16:18if we put peanut butter on the roof of her mouth?
16:20What?
16:21We recently did the last year reboot.
16:23She's kidding, I think.
16:23I'm not kidding.
16:24I hope.
16:25Look, I hate to say this, but I do think we should recast her.
16:28You do?
16:29That's a good idea.
16:30I mean, this movie's about a comedian, right?
16:32It's leaning a little maudlin.
16:34I think you should put a comedian in the role, right?
16:38What about Debra Vance?
16:40It's an interesting idea.
16:42Does she act at all?
16:43Are you kidding?
16:43She was the lead of Who's Making Dinner?
16:45Groundbreaking sitcom in the 70s?
16:47Oh, wow.
16:47She's great at that.
16:48And you know what is crazy?
16:48Her story is exactly like Fatty's.
16:50I mean, she was cast aside by the public, she was maligned,
16:53but then she rose from the ashes.
16:54It's actually really good for the narrative,
16:56and I think she'd be amazing in the park.
16:57That was very inspired, Kayla.
16:59It's a great idea.
16:59I just totally came up with it.
17:00Didn't she go crazy or something recently?
17:02What the hell are you talking about?
17:02No, no, no.
17:03That was a coordinated smear campaign.
17:04That is absolutely false.
17:05It's not true.
17:06All those things you've read.
17:07Something not true.
17:08She's sassier than ever.
17:09Okay.
17:10Great.
17:10I love it.
17:11Let's do it.
17:11Okay.
17:12Awesome.
17:13Oh, my God.
17:13And you have to fire Esme because I'm not good at being direct with people.
17:17You're a director.
17:18I know.
17:20Okay.
17:21Great.
17:22Cool.
17:22Moving on, everyone.
17:23All right, moving on.
17:25Good.
17:27God, I can't believe you're recording the book already.
17:29Oh, no, no.
17:30The book's not happening.
17:31I fired Kushner.
17:33You fired Tony Kushner?
17:34Hmm?
17:35No, Deborah.
17:37God.
17:38I was gonna slowly develop a relationship with him over the course of years and then eventually
17:41ask him to read my script and he was gonna love it.
17:44You know how it is with men.
17:45If they're not moving at your pace, it just gets boring and painful after a while.
17:49Okay, so why are we in a recording studio then?
17:52I had McKinsey run the numbers to see if I could still get a Grammy this year.
17:57Deborah, we talked about you not using McKinsey.
18:00You said I could do it if it was for a good cause.
18:02No, I didn't.
18:03Well, it is and I did.
18:06Apparently, it is an incredibly weak year for one Grammy category.
18:10Regional Mexican music album including Tejano.
18:14And?
18:15And if I'm featured with the front runner and they win, which they will cause it's a weak
18:19year, I get my G!
18:21Yay!
18:23Hey, Deborah.
18:24We're ready for you.
18:25Thanks.
18:27Hey, wish me luck.
18:28Yeah.
18:32Did you know about this?
18:33Yes.
18:37Hi, hi.
18:38Hello.
18:38How are you doing?
18:39Good.
18:39Alright.
18:40Yeah.
18:41Hit it!
19:04Oh, God.
19:05I hate firing people.
19:07Let's do a good cop, bad cop.
19:09I'll be bad cop.
19:09They're sexier.
19:11Okay.
19:12Just...
19:12Okay.
19:13We should see a concert soon.
19:15I'm kind of in the mood for a concert.
19:17Alright.
19:18Come in!
19:21Hi there.
19:22It's, uh, Jimmy and Kayla.
19:23Yeah!
19:23Hi!
19:24Hi!
19:25We need to talk to you, honey.
19:27Okay.
19:28Sure.
19:28Come on in.
19:30Oh, thank you so much for welcoming us into your space.
19:34Of course.
19:35Um, we should start by saying that you, madam, have been just so punctual.
19:43Of course I'm punctual.
19:44That being said, you're bad!
19:46You're acting's ass!
19:48Hey!
19:48And you're being outperformed by a dead corpse mama!
19:51Okay.
19:51Sorry about her.
19:52Give us a second.
19:52That was insane.
19:54But honestly, it's on me.
19:55I should've never let you be bad cop.
19:56You be good cop.
19:57Okay.
19:58Kind of an oxymoron, though.
20:00Fucking pigs.
20:00Just be as nice as you possibly can, okay?
20:03Okay.
20:03I'll be the nicest girl in the whole world.
20:06Sorry about that, hun.
20:07I'm super bipolar.
20:09Oh, my God.
20:09I did not know that.
20:11Ugh.
20:11Um, yeah.
20:13I, uh, I'm really sorry about that.
20:15But, unfortunately, I do have some bad news.
20:18Okay.
20:19Are those your real lips?
20:20If so, your boyfriend's one lucky son of a bitch.
20:23I, I, I have a wife.
20:26Oh, gay ass.
20:28Listen, there's no easy way to say this.
20:30You are being recast.
20:32What?
20:33Oh, my God.
20:34You are terminated.
20:35Effective immediately.
20:35Please pack up your things and return your costume and the wig cap.
20:38Fuck you, Jimmy.
20:39Seriously?
20:40What?
20:41I mean, this is so unfair, right?
20:43Insane.
20:44Wrong.
20:44Let's get the union involved.
20:46No.
20:46You jackass.
20:47No, we're not getting the union involved.
20:49We're just recasting.
20:50It happens every day.
20:50No, I mean, seriously, you've been mistreated in the workplace.
20:52No, she hasn't.
20:53This is just a recasting.
20:54It happens every day in Hollywood, okay?
20:55I've never seen something like this.
20:57It's tough business.
20:57It happens a lot, okay?
20:58Unfortunately, this decision is final.
21:00You're fired.
21:01But you're also signed by us as a client.
21:05Really?
21:06Mm-hmm.
21:06Kayla.
21:07I am seeking representation.
21:08Well, you found it with Schaefer and Lusak.
21:11Welcome to the family.
21:12Oh, Jesus.
21:12Oh, my God.
21:13Yeah, we should definitely get a dinner on the books.
21:16Yay!
21:17Dinner!
21:18Dinner!
21:19Dinner!
21:20Dinner!
21:20Too close, but confound.
21:24Don't dance till you get inside.
21:26Identified as a screenwriter, I consider myself a playwright who's learned to write screenplays.
21:31Or perhaps I should say, I'm a playwright who's learned to write screenplays for Steven Spielberg.
21:35Oh.
21:37Hey, what's up?
21:38I've been thinking the real way to cement my legacy is for me to primary AOC.
21:45What do you think?
21:47Oh, um, yeah.
21:50Yeah, totally.
21:52That sounds good.
21:52I guess we would have to get you a New York address first in the Bronx.
21:56That could be cool.
21:57We could hang out there.
21:57I heart New York.
21:58I would love to hang out in New York City a lot more.
22:00I would love that.
22:01Be good.
22:02Okay, that's it.
22:03What is wrong with you?
22:04Nothing.
22:05What are you talking about?
22:06You're not challenging me in your normal,
22:08well, haven't you ever considered Ava way?
22:11I'm just trying to be supportive.
22:12Well, I don't need a yes man.
22:14I need a no woman to ignore.
22:18Okay, well...
22:20Fine.
22:21Uh, yeah.
22:22Things got really dark in Singapore, and it was really scary seeing you that way.
22:25And now you're back, and you're motivated, and it's just nice to see you getting out of bed every day
22:30excited.
22:33Well, okay.
22:37But you know, I do, sometimes, need you to be honest with me.
22:45Okay, well...
22:46I don't think performing Tejano music is how you want to rewrite your legacy.
22:49Why not?
22:53I just...
22:54I don't know that, like, trying to find some loophole to game the system in an obscure awards category is
23:00what you want to be remembered for, is it?
23:01Maybe.
23:03I mean, this non-compete could be a blessing in disguise.
23:06I could discover something new I'm brilliant at, my true calling.
23:10I mean, look at Woody Allen.
23:11He's a gifted clarinetist doll.
23:13Woody Allen is not going to be remembered for playing the clarinet or the movies or the bucket hat.
23:18It's going to be the other thing, okay?
23:20And you are going to be remembered for comedy.
23:22Because you're a comedian.
23:25You said it yourself in your final monologue, remember?
23:27God, I don't remember what I said.
23:29I certainly haven't watched it.
23:31Yeah, well, maybe you should.
23:35Okay.
23:36What is the biggest achievement for a comedian?
23:40Beating a rape trail.
23:41Seriously?
23:43Hosting a late night show.
23:45Come on, anything else?
23:48Selling out Madison Square Garden.
23:50Okay.
23:52Great.
23:53But I can't do that.
23:56I can't perform.
23:58I know.
23:58And I don't know how to get around that.
24:01I don't know what to do.
24:03So you have a bump, but no pitch.
24:07Yeah, I'm sorry.
24:10Yeah, me too.
24:17I'm going to bed.
24:24And I...
24:25I...
24:36I don't know what to do.
24:39I don't know what to do.
24:40I don't know.
24:43I don't know what to do.
24:47Is that easier?
24:49But what?
24:53It's up.
24:55I don't understand what to do.
25:01no results unbelievable yeah they've taken down every late night clip this is criminal
25:06hang on oh shit what they took down my bad too what
25:20why would my special be gone because it's on their streamer
25:24bob lipca controls that too they fucking scrubbed everything everything
25:32everything that we have worked on for the past five years is gone
25:37they're not just rewriting me they are erasing me i'm so sorry you know the last time the press
25:44smeared me i just let them i leaned into it but not this time this time i am writing my
25:50story
25:51because you're right i am a comedian and i'm doing comedy and i'm doing it tomorrow night
25:57totally super support you but how are you gonna call jimmy manager being let go is a normal part
26:03of the business i'm sure she'll be okay thank you or not but again i do want to revisit working
26:08on
26:08your boundaries with clients i've been thinking about that a lot and i am oh you know what deborah's
26:15calling same time next week great hey deborah hi hi hi i hope it's not too late
26:20no no this is great i actually want to talk to you i just figured it was too late for
26:24you
26:25are you ready for your close-up mr vance
26:28what i got you a part your oscar is just one great performance nomination flawless campaign and win
26:33away no i'm over that don't need an oscar anymore no yes you do you need it you told me
26:39you needed it
26:39and and we we we we recast somebody we're putting you on the call sheet right now jimmy i'm doing
26:43stand-up tomorrow oh no you're sundown in darlin you cannot perform no i'm gonna do a secret show
26:50we're gonna confiscate phones well no venue's gonna agree to that they don't have to i know a guy
27:00password hermez kelly 28 croc gold hardware
27:07follow me maybe just in time
27:20phones please if your babysitter calls damien here will handle it and if you try to sneak in a device
27:25you will be tamed they are good follow me and watch your step we are not liable people ladies
27:31open any hard candy now so help me god if i hear a russell you're gone sit right this way
27:38front row best seat in the house you do have to sit on the floor though sorry did you get
27:42your mom yet
27:43the arboka movie is freaking out all right let me try her again
27:51i'm so sorry everybody i'm so sorry
27:55oh it's it's my son calling he's been trying to reach me
27:58hi honey what's going on you know that we shoot until midnight every night
28:01i know i'm sorry just listen i got you a role in the fatty arbuckle movie
28:05okay say more here's the only issue we lose our location saturday so we have to shoot tomorrow
28:10can you be off book for eight pages by morning
28:13baby are you kidding i'm in soaps i could be off book for hamlet in 20 minutes
28:17oh great okay oh the show's starting i gotta go i'll text you all right love you okay my mom
28:24is in
28:24she's gonna do it
28:25yes
28:33is
28:35oh
28:57Oh, thank you.
29:01Here I am, back from the dead.
29:07You know, when a man does that, he's the son of God.
29:09When a woman does it, she's held for questioning at LAX.
29:14The only other time I was mistaken for a corpse
29:17is when I let a straight man do my makeup.
29:24You know, when you're away from the spotlight,
29:28you have time to think about what really matters.
29:32The spotlight!
29:34God, I'm going to be there!
29:51Oh, can I try the kitty cat?
29:53Mmm.
29:54Oh, that, that is fierce.
29:56Stunning.
29:57Look at that.
29:57Stunning.
29:58Oh.
29:59Excuse me.
29:59Are you Deborah Vance?
30:01Yes, I'm alive!
30:03Oh, and you've been served.
30:08Bitch!
30:10Shit, there's a video of you from the show online.
30:13I can't believe Bob's people found it so quickly.
30:15Looks like we're going to court.
30:17Ma'am, we need that ring back.
30:18So give it back when she's ready.
30:22We are Deborah!
30:23We are Deborah!
30:24We are Deborah!
30:25We are Deborah!
30:27Let's go!
30:28Come on, come on!
30:29Let's go!
30:30Let's go!
30:30Let's go!
30:32Let's go!
30:34Deborah, your comment's on today, Deborah!
30:38Deborah, you get a comment, huh?
30:41Let's go!
30:42Let's go!
30:43Let's go!
30:43Let's go!
30:44Let's go!
30:44Let's go!
30:45Let's go!
30:45Let's go!
30:45Let's go!
30:46Come on, guys, back up!
30:47We've just learned the judge has ruled that due to Comstar's investment in promoting Deborah
30:51Vance as the host of Late Night, the clause barring her from performing is, in fact, enforceable.
30:56A temporary restraining order will be put in place until a full trial can be set.
31:00This is a huge loss for Ms. Vance and her team.
31:03We'll be covering it.
31:05Oh!
31:06Okay.
31:06Give us some space, please.
31:07Just stay back.
31:09Are we getting comments?
31:10Free speech is under attack in this country.
31:12And today, I have been told that I cannot so much as perform one single joke or I will
31:18go to jail.
31:19But they can't censor me forever.
31:22The moment that my contract expires, I will be speaking my truth.
31:25In fact, I'll be shouting it at my comeback show at the world's most famous arena, Madison
31:32Square Garden.
31:35Excuse us, guys.
31:36Excuse us, please.
31:37Back up.
31:38Back up.
31:39Give us some room.
31:42The Garden?
31:43Yeah.
31:44It's the ultimate win for a comedian, and if I sell it out, I'll be one of only a handful
31:48who have ever done it, and that will be my legacy.
31:51You know, for a woman who can't be on camera, you just got a lot of airtime.
31:55Mm-hmm.
31:57Wait.
31:58You leaked that video, didn't you?
31:59No.
32:00I did.
32:02That was a great pitch.
32:03We got to announce somehow.
32:06Oh, my God.
32:09Just say I ain't been lit.
32:12No.
32:12No.
32:13No.
32:14I ain't been lit.
32:21No.
32:22No.
32:23No.
32:26No.
32:26No.
32:26No.
32:26No.
32:26No.
32:27No.
32:27No.
32:28No.
32:28No.
32:28No.
32:31No.
32:32I'm amazing, I ain't driven
32:38Like I've nowhere, my whole world fell apart
32:42Till this day, no one knows what I felt in my heart
32:48All those precious things inside, they tried to steal
32:53Hands I thought for help, pushed me over the hill
32:57They keep holding me down
32:58When I rise, yes, it can be done
33:02Holding me down, when I rise
33:05They can make me run
33:07Holding me down, when I rise
33:10Got my second wind
33:12Holding me down, when I rise
33:15Tell them I'm back again, just say
33:18I ain't driven, I ain't been linked, no, no
33:22I ain't driven, no
33:25I ain't driven
33:29Tell them to me
33:31I ain't driven
33:34Oh yeah
33:36I ain't given
33:37I ain't driven
33:38I ain't driven
33:38I ain't distraction
33:39I ain't driven
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