00:00.
00:05But you're not convinced by my man, Marge,
00:07at my job.
00:09Oscar, you're the bottom line.
00:11You're still a little bit.
00:12That's the simple answer to you.
00:15Let me go!
00:16Let me go!
00:27Oscar, I've seen him before.
00:32I don't care about it,
00:34but my heart is really good
00:36that he doesn't say the truth to me.
00:41I don't care about it,
00:43but I don't care about it.
00:47I don't care about it.
00:50I don't care about it.
00:52Do you have a charger of Jobert?
00:53No, I don't care.
00:55We have a charger of Jobert.
01:09I don't care about it.
01:13I don't care about it.
01:15I don't care about it.
01:15Jobert,
01:18you told me that your sister is close to her.
01:22He's got your phone.
01:25But while he's still there,
01:28we'll watch the video of her.
01:30So he'll listen to her.
01:50She walked into it.
01:53He's loving it.
01:54She walks into the chair.
01:56She opens the chair the next hour.
02:01And then she wants to kid together,
02:02This is a new video for Big Jobber King.
02:07This is my friend.
02:12Let's give it to Baby Dasmin.
02:16Let's give it to Baby Dasmin.
02:19Let's give it to her.
02:30Let's give it to Baby Dasmin.
02:35What are you doing?
02:35Let's give it to Baby Dasmin.
02:40Let's give it to Baby Dasmin.
02:50Let's give it to Baby Dasmin.
02:53Come on, I'm not so good.
02:58What are they doing?
02:59She's doing it for me, Tia.
03:02You're going to ask for it, Jovert.
03:04She's here for Jasmine.
03:06Wait, calm down.
03:07Why are you still there?
03:09How do you calm down?
03:11I'm sick of my son. They're going to attack me.
03:16I'm not going to attack my husband.
03:20They're not going to attack me.
03:24I'm going to stop their own.
03:28Marge! Marge!
03:29You're going to attack me!
03:49Marge!
03:50What's up?
03:53I'm not going to get her.
03:54She's still there.
03:56What?
04:00Marge!
04:00I'm going to take care of my husband.
04:05Han!
04:05Are you going to start this journey?
04:10I'm going to start this journey.
04:13Let's go.
04:14Let's go.
04:32People always say that marriage is about sacrifice.
04:37To be a good wife, kailangan daw laging mag-iis.
04:43But you know what, Greg?
04:46I don't think kailangan kong laging manahimik or magpakamartir.
04:54Because sometimes, you have to be the loudest person in the room to keep the walls from falling.
05:15A home isn't just about architecture.
05:18Hindi lang magandang disenyo, mamahaling chandelier, o imported na sofa.
05:24Dapat sa bahay.
05:28Ligtas ka.
05:30Ligtas ka.
05:32Ligtas sa pangluloko.
05:35At ligtas sa kasilungalingan.
05:43Kasi sa oras na pinapasok mo ang kasilungalingan sa pintuan mo,
05:48kahit gaano kaganda ang bahay mo,
05:51magiging kulungan mo.
05:55Magiging kulungan ng mga taong sinasabing mahal mo.
06:10And that is why we are here today.
06:14That is why this house is so important.
06:27Greg, it is a living proof sa pagiging matatag natin.
06:38Hindi lang marriage vows ang nire-renew ko, kung hindi vow ko dito sa tahanan ito.
06:45Kasi hindi ko kahaya ng kahit na sino nabuwagin ito.
06:54Because at all costs, I will fight for this home.
07:00I will fight for us.
07:37Okay lang pa tayo?
07:39Bakit magkasama tayo ba?
07:41Ang distant mo sa akin lately.
07:46Alam mo, yung mga lalaking tulad ni Paolo at ang tatay niya, hindi yan nagsasabi kung kailan sila lumalayo.
07:53Kapag hindi nila nakuhang atensyon na hinahanap nila sa asawa nila, that's when they will start looking elsewhere.
08:00What are you doing here?
08:02Gusto sana kitang isurprise.
08:04Hindi ko alam ako pala yung masusurpresa.
08:07Bakit iniwan ang staff to bukas?
08:10March!
08:12Hello?
08:15Nasa office ka?
08:16Office. Nasa medium.
08:17Raf?
08:28Maa?
08:29Ufff?
08:31Na.
08:31Ang mga wala kaya!
08:33Ay.
08:40Akala ko matatag at masaya at perpeto ang tahan nila 54.
08:47I've only been able to come here.
08:52But all of them are just illusions.
08:54Is this not the condition of this house?
08:58If you don't have a casino.
09:07Let's leave this place!
09:10You did not have any right
09:13to turn a private family moment into a public spectacle.
09:16What happened to me when you were a scantile?
09:18Why did you tell me my day?
09:20There was a scantile.
09:23You're a man who's a man who's a man.
09:26What happened to me?
09:27You're a man who's a man.
09:29You're a man who's a man who's a man.
09:29You're a man who's a man who's a man.
09:49What he's a man who's a man who's a man who's a man,
09:55Yes!
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