- 2 days ago
Step into a world of suspense and hidden secrets with Shadows Over Shanghai – A Tale of Mystery and Intrigue. Set against the vibrant and enigmatic backdrop of Shanghai, this captivating film unfolds a thrilling narrative filled with danger, deception, and unexpected twists.
As shadows lengthen over the bustling city, intrigue and mystery intertwine, leading viewers through a journey of espionage, betrayal, and courage. With its atmospheric storytelling and timeless cinematic style, this film offers a compelling glimpse into classic adventure and suspense.
Perfect for fans of vintage cinema, mystery thrillers, and old Hollywood classics, Shadows Over Shanghai delivers an unforgettable experience from the golden age of film.
Sit back, relax, and immerse yourself in this enthralling tale of suspense and intrigue.
As shadows lengthen over the bustling city, intrigue and mystery intertwine, leading viewers through a journey of espionage, betrayal, and courage. With its atmospheric storytelling and timeless cinematic style, this film offers a compelling glimpse into classic adventure and suspense.
Perfect for fans of vintage cinema, mystery thrillers, and old Hollywood classics, Shadows Over Shanghai delivers an unforgettable experience from the golden age of film.
Sit back, relax, and immerse yourself in this enthralling tale of suspense and intrigue.
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Short filmTranscript
00:00:03THE END
00:02:03I only wish they'd put as much energy into their studies as they do into the recess.
00:02:07Wuzang or Boston, children are the same the world over.
00:02:12I hate to think of their growing up into men who believe there's such a great difference between them.
00:02:23It's a pity children come from here.
00:02:36Don't you know it's undignified to fight?
00:02:38I do, but he doesn't.
00:02:40If you don't behave yourself, there'll be no recess for either of you.
00:02:43Understand?
00:02:44Yes, ma'am.
00:02:45Now, let alone.
00:02:47What did you say about children ruling the earth?
00:02:52The young scamps would contradict me.
00:03:12Is that your brother's plane?
00:03:14I believe it is.
00:03:16Yes, it's Peter.
00:03:18It looks as though he's bringing a friend, too.
00:03:21Some young swain, no doubt, who is eager to meet our beautiful teacher.
00:03:25Let's hope we won't be too disappointed.
00:03:33Todd, he's flying right by here.
00:03:44Todd, he's trying to shoot Peter down.
00:04:15Todd, he's flying right by here.
00:04:53Todd, he's flying right by here.
00:05:23How badly is he hurt, doctor?
00:05:25I don't know.
00:05:26Probable concussion and internal injuries.
00:05:29Tell please.
00:05:57Irene.
00:06:03Irene.
00:06:04Everything's going to be all right.
00:06:06Doctor Adams will take care of you.
00:06:08Nice to you.
00:06:09Take it easy.
00:06:10Cotton, please.
00:06:11No.
00:06:12No.
00:06:12Never mind that now.
00:06:14Irene.
00:06:15Sargoza, who will be here any minute.
00:06:18Sargoza?
00:06:20What does he want with you?
00:06:25It's this.
00:06:27He mustn't get it.
00:06:28No matter what happens, Irene, he mustn't get it.
00:06:31Why?
00:06:33It's part of an amulet.
00:06:34Don't tell me that thing is the cause of all this.
00:06:36That thing, as you call it, means much to Chana.
00:06:39And to Sargoza, if he can get it.
00:06:41Hoy Long trusted me to deliver it for him to the Sun people in San Francisco.
00:06:45But what has Sargoza to do with all that?
00:06:47He found out I had it.
00:06:49Irene, you're the only one I can trust with it.
00:06:52You'll have to take my place.
00:06:54Don't accept yourself, Peter.
00:06:55Don't you understand?
00:06:56He'll be here any minute in this room.
00:06:58Irene, you must be gone with that amulet before he gets here.
00:07:41Yes, I've left.
00:07:42You're right.
00:07:45It's all right.
00:07:46You're right.
00:07:51Here, Kitty.
00:07:54Over here, I'm going to make a picture.
00:07:55And you're not in the обратofels here.
00:07:59Now you understand how important that amulet is, what it means to us, to Hoi Long's people, and to China.
00:08:07I wouldn't ask it of you, Irene, if there was any other way.
00:08:10There's no one else I can trust.
00:08:12But you're hurt.
00:08:14I don't like to leave you now.
00:08:16I can't.
00:08:17If you don't go, now it'll be too late.
00:08:19Whoever has that amulet can either help or rob China.
00:08:22I gave Hoi Long my word that China would not be robbed.
00:08:26Don't worry about me.
00:08:27I'll be all right.
00:08:31I'll get Peter to the base hospital.
00:08:33He'd be well taken care of there.
00:08:37I'll go.
00:08:38Good girl.
00:08:39There's a boat leaving Shanghai for the States tomorrow morning.
00:08:42You must be on it.
00:08:44You'll have the protection of many of our old friends when you get to San Francisco.
00:08:49I only wish you were going to.
00:08:50I'll join you as soon as I can.
00:08:53Now remember, Irene, no word of this to anyone.
00:08:57And if you run into trouble in Shanghai, look up Howard Barkley at the cafe hotel.
00:09:01You can trust him.
00:09:03Howard Barkley.
00:09:05I'll remember.
00:09:11You'll look after him.
00:09:51This will ease you until I can get you to the hospital and have some ex-raise techniques.
00:09:55That doesn't matter now, Doctor. I only hope that I ring Sargoza.
00:10:02What do you want?
00:10:04The amulet.
00:10:06You had an hour escape, my friend.
00:10:09If you want to benefit by it, you'll hand it over to me.
00:10:11I haven't got it.
00:10:13You'll force me to search you.
00:10:15I refuse to permit it.
00:10:16I did not ask your permission.
00:10:26Now then, what did you do with it?
00:10:29I threw it out of the plane.
00:10:30No, you didn't. I was watching you.
00:10:33That girl who was here, did you give to her?
00:10:36Did you?
00:10:40Maybe you tell me.
00:10:41Did you give something to that girl who was here?
00:10:48Did you see him give something to that girl?
00:10:52I see nothing. Nothing.
00:10:55Don't lie to me.
00:10:56I not know. I don't see a girl.
00:11:09Well, she won't get very far.
00:11:39I don't see a girl who was right.
00:11:42Did you get too much of a girl?
00:11:44I don't know.
00:11:45I don't see a girl.
00:11:48Go国's fingers.
00:11:48Go thoseНs文is!
00:11:48Go Kathleen!
00:11:57All over.
00:11:58vulnerable theft,
00:11:58go onных books on a responsable throne.
00:11:58Jack pick Time pick become still tonight.
00:11:58How are you?
00:12:25The boat's ready to pull off, sir.
00:12:26As the last boat for today, the ship's loaded.
00:12:29Can't my wife get on, sir?
00:12:31Sorry, but there's no more room.
00:12:32There'll be another ship at 9 tomorrow morning.
00:12:40No, there's nothing like a war to make people unhappy.
00:12:44Hey, Murph, take a look.
00:12:50Why, you poor goop, why didn't you show me this earlier?
00:12:53You could have went off on a tap.
00:12:54I got soft-hearted or something.
00:12:56You know, women and children first.
00:12:57Besides, I figured I could spend another night in this dump.
00:13:00The fellas in this fracas couldn't hit you if they tried.
00:13:03Yeah, well, where'd you get that rooked wing?
00:13:05That's just it.
00:13:06They weren't aiming at me when I got this.
00:13:08I was in the international settlement minding my own business
00:13:10when off went the fireworks.
00:13:12You're lucky to be able to talk about it.
00:13:14Between you and me, I'm glad I got it.
00:13:15When the office found out I'd been winged, they cabled me to come home.
00:13:18Probably figured I couldn't handle the camera with one med.
00:13:20Can you?
00:13:21Sure, but why tell them?
00:13:23Well, you meet me in the morning and I'll send you off on the first boat.
00:13:26She's the Nitschimaru, a Japanese ship, gone to Manila.
00:13:28She'll transfer her passengers there to an American liner.
00:13:32McGinty.
00:13:33Where did you get a handle like that?
00:13:34Faith, haven't you heard?
00:13:36I come from a long line of sea fathers.
00:13:38Down goes McGinty.
00:13:40Well, I'll be here the first thing in the morning.
00:13:42And don't let me get soft-hearted again.
00:13:44That's the curse of the Irish.
00:13:45I'll get you aboard if I have to use a banner to get you there.
00:13:54But when is the next boat out to the President Taft?
00:13:56The last boat is left, Miss.
00:13:57But I must get on that boat.
00:13:59I'm sorry, Miss, but she's jammed to the water line.
00:14:01But I've got to.
00:14:02How about it, Mert?
00:14:03Any exceptions?
00:14:04Say the word and I'll roar her out myself.
00:14:06You ought to know better than ask me that.
00:14:07I tried.
00:14:08I thought I had some influence.
00:14:09Never mind him, Miss.
00:14:10You get here early in the morning with your passport in order
00:14:13and you'll probably get off all right.
00:14:14Passport?
00:14:15It's a better ship.
00:14:16I'm going on it myself.
00:14:17That makes it a better ship.
00:14:19Do I have to have a passport even for evacuation?
00:14:21You sure do, Miss.
00:14:22It'll be a Japanese ship using American trade
00:14:24for evacuation of American citizens only.
00:14:26You have to wait your turn and you'll...
00:14:31I get one like that every once in a while.
00:14:33Not me, I don't.
00:14:35I never had that much luck.
00:14:38So long.
00:15:04Hey!
00:15:05Hey, you meckering fool.
00:15:12Scram, Tavares, before you get hurt.
00:15:14Don't be an idiot.
00:15:15I am Jindamal, Alexis of the Soviet Embassy.
00:15:17That girl is a spy.
00:15:18Yeah, well, you've got just five seconds to be going with the wind.
00:15:25Go on, beat it.
00:15:29Oh, boy.
00:15:30If that guy had ever called my...
00:15:37Well, that's gratitude for you.
00:15:58Hello, Frank.
00:15:59Well...
00:15:59Any chance of getting my old room back?
00:16:01You haven't been gone long enough to rent it out.
00:16:03Have a boy take my bag up, will you?
00:16:05Yes, sir.
00:16:06Go in.
00:16:07Room 812.
00:16:16Johnny McGinty.
00:16:17Bless my soul, how are ye?
00:16:19I thought for now you'd be outward bound to the States.
00:16:22Life is like that, Gallicuddy.
00:16:23How's Trix and where are the boys?
00:16:25Done at the Japanese consulate.
00:16:27Something to do with issue and a statement.
00:16:30How's the arm, laddie?
00:16:31Oh, fair to middling.
00:16:32Come on.
00:16:45What's the matter, Johnny?
00:16:47Behind me with the spats.
00:16:49Who is it?
00:16:50A gentleman by the name of Sargoza.
00:16:55You're the man.
00:16:56Not General.
00:16:56That general Alexis.
00:16:57No, there's no general Alexis in this town.
00:16:59Not in the diplomatic service, as far as I know, and I should know.
00:17:02He used to be commissar with the Soviet Embassy before they gave him the boot.
00:17:18Well, I wouldn't have played ping-pong with him at night if I were you.
00:17:23He gave a party the other night and he got very, very drunk.
00:17:25And he showed us his knife tricks.
00:17:27And they can whip one out from either sleeve
00:17:29into a target very, very fast.
00:17:32Ah-ha.
00:17:34Oh, my God.
00:17:35Oh, my God.
00:17:37It's Johnny McGinty, sir.
00:17:40You stop here?
00:17:41Yes, sir. Room 812.
00:17:47I don't know what your connection with Mr. Segoza is,
00:17:50but if you're on the wrong end of the stick, I'll see it's very, very unhealthy.
00:17:53If you'll take a tip from me.
00:17:54I know. Get out tomorrow while I can.
00:17:56Aye.
00:18:01Johnny, old boy. What a stroke of luck.
00:18:03I was overcoming at the thought of a single solitaire tonight.
00:18:07Why aren't you on the task, saving for home?
00:18:08All my seafaring blood, I guess.
00:18:10Women and children first. No room left for McGinty.
00:18:14That good heart of yours will get you into trouble yet, Johnny.
00:18:16It already has.
00:18:18On the way back, I ran into a fellow
00:18:20who was trying to grab a girl against her will,
00:18:22and I stepped in.
00:18:24Chap rescues maiden from monsters.
00:18:26Did she appreciate it, Johnny?
00:18:27Well, if she did, I never found out about it.
00:18:29When I turned around, she was gone.
00:18:31Not even a kiss or a scented handkerchief for your pains, eh?
00:18:35Well, fortunes of war in the Galahad complex.
00:18:37We all have a touch of that at least once in our young lives.
00:18:40Oh, but I'd love to have seen it.
00:18:42Was she pretty, Johnny?
00:18:45Of course, she had to be. It says so in all the storybooks.
00:18:49The first time I rescued a maiden, she slapped my face for doing it.
00:18:52Apparently liked the molesting chap's attentions
00:18:54and felt I'd ruined her chances.
00:18:58Good luck.
00:19:05Well, I can't say I'm sorry, Johnny.
00:19:07Your missing the boat today was a bit of good luck for me.
00:19:10For you? Why?
00:19:11I'm leaving myself tomorrow.
00:19:12I've decided to get out of here and leave the war behind.
00:19:15I'm going to America.
00:19:16And the Nietzsche Maru?
00:19:17Yes, we'll be shipmates, do you mind?
00:19:18No, that's a break for me.
00:19:20Let's have dinner together later, what do you say?
00:19:22You know, our last night in Shanghai and all that.
00:19:24Sure, count me in.
00:19:25I'll be up in a few minutes.
00:19:26I've got to get a cable off first.
00:19:27Come to my room whenever you're ready.
00:19:29I'll be waiting for you.
00:19:40Is there a Mr. Howard Barclay registered here?
00:19:43Yes, miss. Room 810.
00:19:45Shall I announce it?
00:19:56Barclay?
00:20:00Barclay?
00:20:03Barclay?
00:20:04Barclay?
00:20:05Barclay?
00:20:22The door's unlocked.
00:20:29You?
00:20:31Well, the damsel in distress.
00:20:34Come in.
00:20:36Just a minute.
00:20:41All right, sit down.
00:20:48Will you have a cigarette?
00:20:49No, thanks.
00:20:51You know, I...
00:20:52I wonder what happened to you.
00:20:54Did you come to thank me?
00:20:55You must forgive me for running away as I did.
00:20:57Well, it wasn't exactly according to Hoyle.
00:21:00Well, I had no idea you were the person I was looking for.
00:21:02Oh, that's all...
00:21:03Huh?
00:21:04Looking for me?
00:21:06I'm in trouble.
00:21:08Again?
00:21:09Now, don't tell me the desperate Desmond's still after you.
00:21:11It's no joking matter.
00:21:13I need your help.
00:21:14That's why I'm here.
00:21:15Well, I'd be glad to help you,
00:21:16if only to prove that chivalry still lives or something like that.
00:21:19But just for curiosity's sake,
00:21:21I'd like to know why you select me as your protector.
00:21:23My brother told me to come to you if I got in trouble.
00:21:25Your brother?
00:21:25Am I supposed to know him?
00:21:26His name is Peter Roma.
00:21:28Peter Roma?
00:21:29Oh, pardon me.
00:21:31But what do you know about Peter Roma?
00:21:33Now, this is the girl I was telling you about.
00:21:34You know?
00:21:35The girl I saved from a fate worse than death?
00:21:37This is Mr. Barclay, your host.
00:21:40Mr. Barclay?
00:21:44How stupid of me.
00:21:46I'm Peter Roma's sister.
00:21:49Peter Roma's sister?
00:21:51Why, of course.
00:21:53Then you're Irene.
00:21:55Well, let me have a good look at you.
00:21:58Would you believe it?
00:21:59I used to dangle her on my knee when she was a mere infant.
00:22:02That'd be all right about now.
00:22:05Pardon me.
00:22:07He's just one of those incorrigible Irish-Americans, Irene.
00:22:10His name is Johnny McGinty.
00:22:12And you couldn't have chosen a better champion
00:22:13if you'd have to do the picking yourself.
00:22:15Well, now, dear.
00:22:18What's wrong?
00:22:20It's...
00:22:21Sargosa.
00:22:24Sargosa?
00:22:26Oh, so it was Sargosa you locked horns with it.
00:22:35I'll put me a spot of brandy out of that bottle, Jimmy.
00:22:37Things are becoming a bit involved.
00:22:39How come?
00:22:40Simply that you've locked horns with one of the two most dangerous men in China.
00:22:44Take one myself.
00:22:47Say!
00:22:48If Sargosa's one of the two most dangerous men in China,
00:22:51who's the other one?
00:22:52A natural question.
00:22:53The other is Fuji Yokohama.
00:22:55Supan's number one military agent in Shanghai.
00:23:01But what does Sargoza want with you, my dear?
00:23:06Well, I'll step out if you want.
00:23:09Oh, you can trust Johnny, Irene. I vouch for it.
00:23:12Besides, he may want to help.
00:23:14Oh, I'll help. For more reasons than one.
00:23:17Thank you, Mr. McGinty.
00:23:18Ah, Johnny, or I don't play.
00:23:20All right. Johnny.
00:23:22That's better.
00:23:25This is what they're after.
00:23:26This broken amulet.
00:23:29It's the key to $5 million being held in San Francisco.
00:23:33The money is to be used to help China.
00:23:35Hmm, quite a sum.
00:23:37The other half of that is in San Francisco.
00:23:39And the money will be turned over only when this half is presented to the person who holds it.
00:23:45Extraordinary.
00:23:45Ah, now, wait a minute, lads and lassies.
00:23:47This grouse stock business went out with the gay nineties.
00:23:49Now, I may be just a country boy from Peoria, Illinois,
00:23:52but after all, I'm a newspaper photographer and I've been around a little bit.
00:23:55When you start talking about broken amulets that have to be matched up in $5 million.
00:23:59Well, that stuff belongs in the comic thrillers in my paperback home.
00:24:03Now, let's get on the level with this thing or just skip me.
00:24:05This is no joke, Johnny, and nobody's trying to pull your leg.
00:24:09I've been around a bit myself, and I believe it.
00:24:11But, Irene, how did you get this?
00:24:14Well, Sargotha found out Peter had it and shot his plane down.
00:24:17Peter was injured, so I took his place.
00:24:20Oh, I see.
00:24:21And how did Peter get into it?
00:24:23The money belongs to Hoi Lung's people.
00:24:25It's been kept on deposit in San Francisco for safety.
00:24:29Hoi Lung's cousin, who was with the Sun Company in that city,
00:24:31has the other half of the amulet.
00:24:33Why didn't this Hoi something another go himself?
00:24:36Well, that would be impossible. He's too closely watched.
00:24:39Why pick on your brother?
00:24:40Johnny, your persistence is most embarrassing.
00:24:43It was Hoi Lung who gave the Roma family protection when the general fled to China.
00:24:46In other words, he was their benefactor.
00:24:48His home was theirs and all he had he shared with them.
00:24:51All right, forget it.
00:24:52But what I don't get is what this Sargotha guy is after
00:24:55if he isn't working for the Soviet Embassy.
00:24:57My dear boy, you underestimate our worthy opponent.
00:25:00Of course he isn't with the Soviet Embassy,
00:25:02but it would make no difference if he were.
00:25:04Dear old Sargotha is always strictly for himself.
00:25:07Oh, I get it now.
00:25:08Sargotha gets this gadget, takes it to San Francisco,
00:25:10gets $5 million and keeps it for Sargotha.
00:25:13You're learning fast, Johnny.
00:25:14The point is, where do we go from here?
00:25:16And a very good point, too,
00:25:18since I have a suspicion that we'll have more than Sargotha to contend with.
00:25:21Who? Does somebody else know about it?
00:25:23Well, possibly Fuji Yokohama.
00:25:26You know, there's very little takes place without Yokohama being aware of it.
00:25:29And if he disapproves?
00:25:30Well, you don't expect him to approve a $5 million to be used for China, do you?
00:25:34That's why I'm concerned about him, Johnny.
00:25:36How do you know so much about him?
00:25:38That's part of my business.
00:25:39What is your business?
00:25:42Do you mind if I keep it to myself for a while?
00:25:44Oh, no, not at all. Not at all.
00:25:46I'm sorry if I stepped on your toes.
00:25:48Well, that's quite all right, Johnny.
00:25:50As for you, my dear, you must leave Shanghai tomorrow morning.
00:25:52But I can't. I have no passport.
00:25:55Kind of stymied, aren't we?
00:25:56One thing we can't do is fake a passport.
00:25:59There's only one ship going out tomorrow, the Nichimaru.
00:26:01That's for American refugees only.
00:26:04Johnny's taking that, and I happen to be going on it myself,
00:26:06through an embassy courtesy.
00:26:08Well, why don't you take the amulet for her?
00:26:10Oh, I couldn't permit that. It's my responsibility.
00:26:13Well, I'd do that, Johnny, if I thought it would do any good.
00:26:15But believe me, it wouldn't save Irene if it were learned she'd send it out.
00:26:19No.
00:26:21We've got to think of something else.
00:26:28Johnny, are you married?
00:26:30Hmm?
00:26:31No, of course not.
00:26:33Let me see your passport.
00:26:34Hey, what is this?
00:26:40Excellent.
00:26:47Blended.
00:26:48Now look here, both of you, get this.
00:26:51If this passport read Johnny McGinty and wife,
00:26:53Irene would have no trouble leaving Shanghai.
00:26:55If you were married to him, that would make you an American citizen.
00:26:57And you could be all for this tomorrow.
00:26:59But I couldn't do that, even if Johnny agreed.
00:27:01It wouldn't be fair to him.
00:27:02Besides, I...
00:27:03Besides what?
00:27:04Don't be foolish, my dear.
00:27:05This is urgent and necessary.
00:27:06And it won't mean actual marriage.
00:27:08You can have it annulled when you get to the States.
00:27:10But at least it would get you out.
00:27:12Mrs. McGinty.
00:27:13Not bad.
00:27:14And you agree, Johnny?
00:27:15Sure, I'll marry her if it'll get safely aboard ship and out of the country.
00:27:18But I don't see...
00:27:19There are no buts, Johnny.
00:27:21You're both intelligent people, not fools.
00:27:23And we'll work out the problem of travel some way.
00:27:25Well, that's settled.
00:27:26Yes, it is.
00:27:28Or is it?
00:27:29Now, for the amulet.
00:27:31Irene can't carry it.
00:27:32It's too obvious.
00:27:33So you take it, Johnny.
00:27:34Or better yet, put it in your luggage.
00:27:36I've got a better idea.
00:27:37We'll put it in the camera.
00:27:37The camera?
00:27:38Sure.
00:27:39I'll take the back off and we can put it right in there.
00:27:40That's a good idea, Johnny.
00:27:42It's the last place they'd suspect.
00:27:44All Shanghai knows Johnny feels undressed without his camera.
00:27:47Well, now, everything's settled.
00:27:48Let's get to work.
00:27:49I'll have a narrow certificate sent up here.
00:27:51As soon as you're married,
00:27:52I will hop right over to the American consulate.
00:27:54Johnny, you go in and pack.
00:27:55Well, you don't mind if I change my clothes, do you?
00:27:56After all, I'm getting married.
00:27:58And the fellow doesn't get married every day.
00:27:59All right, all right.
00:28:00But make it fast, will you, old man?
00:28:01Sure, I'll be back in a second.
00:28:02Now, get me the American consulate.
00:28:04Quickly, please.
00:28:05Say, do I kiss the bride an hour later?
00:28:07Johnny, this is no time for clowning.
00:28:08Oh, I'm not clowning.
00:28:10See you soon, Mrs. McGinty.
00:28:19Mr. McGinty?
00:28:21Well, you got the right name, but I can't place the accent.
00:28:25I not speak English good.
00:28:27Yeah, well, you don't have to with that thing in your hand.
00:28:30Ah, it is understood then.
00:28:32You will go downstairs.
00:28:33In front of hotel, a car.
00:28:36You get in with car, no?
00:28:38I get in with car, yes.
00:28:41You fly running away, then come shoot.
00:28:44Oh, bingo, just like Batman, huh?
00:28:46Funny, no joke.
00:28:47Funny, no joke.
00:28:52Funny, no joke.
00:28:53No, you're not bluffing.
00:28:55You sure got one of those outstanding chins.
00:28:58Go.
00:28:59All right.
00:29:01Here you follow.
00:29:23Hello, Frank.
00:29:24Hello, Mr. McGinty.
00:29:25You want me for anything?
00:29:26Not a thing.
00:29:27I didn't expect he would.
00:29:30Oh, how do you do?
00:29:31How do you do?
00:29:31I'm awfully glad to see you.
00:29:32Isn't it a lovely day?
00:29:34Good day.
00:29:57Well, Johnny, it's all fixed.
00:30:26Good evening, Mr. McIntyre.
00:30:28Yeah, but it's no fault of mine, believe me.
00:30:30Go ahead, Tom.
00:30:31Garden Bridge, cross over to Chapey, keep on going.
00:30:35Now, Mr. McIntyre, the less trouble you'll make for me, the sooner you will be on your own.
00:30:39Understand?
00:30:39Sure, I understand.
00:30:40But what's the idea of grabbing me like this?
00:30:42Well, I can overlook your rash conduct this morning.
00:30:45Your lady apparently was in distress.
00:30:47And you were impetuous enough to rescue her.
00:30:50Sure, being impetuous is one of my failings.
00:30:53How did you know my name?
00:30:55Did you think I was fool enough to drive off and lose track of you?
00:30:59I hoped you'd forget about me.
00:31:00The young woman, where is she?
00:31:02The young woman?
00:31:04The young woman, uh...
00:31:07Oh, that young woman, why...
00:31:08Yeah, where is she?
00:31:10Well, I don't know.
00:31:11I don't even know her name.
00:31:12After you left and I turned around, she disappeared.
00:31:14Don't lie to me.
00:31:15I want to know where she is.
00:31:16Now, what makes you think I'm lying to you?
00:31:18You followed me back to the hotel, didn't you?
00:31:19You know, Don, well, I'm not lying to you.
00:31:21I never saw her after I comped your man Friday.
00:31:23And furthermore, if you didn't have that cannon in your hand,
00:31:25I'd lay one on your kitchen, it'd fold you up like an accordion.
00:31:28Oh, I got no time for histrionics.
00:31:37For the last time.
00:31:38I want to know where she is.
00:31:40For the last time, I don't know.
00:31:41She's gone, disappeared, savvy.
00:31:43To your home, pal.
00:31:58You are no longer in the international settlement, Kamer Tsago, sir.
00:32:02You are in Japanese territory.
00:32:04Only diplomatic courtesy returns your pistol to you.
00:32:08Diplomatic courtesy cannot, however, allow you to retain your prisoner.
00:32:11So, sir.
00:32:12Come with me, please.
00:32:35Thanks.
00:32:36You just about saved my skin.
00:32:38Your skin had no part in the interruption.
00:32:40I'm afraid that your life is of no interest to me whatsoever.
00:32:43It is merely that I take a peculiar delight in causing Sarcosa
00:32:46as much embarrassment as possible.
00:32:48That and other things, Mr. McGinty.
00:32:51How did you know my name?
00:32:52This is beginning to bother me.
00:32:54It is my business to know names.
00:32:56You're supposed to be a problem at the moment.
00:32:57Well, I don't get it.
00:32:59You will.
00:33:00I am interested in knowing the whereabouts of a young lady
00:33:02by the name of Irene Romer.
00:33:04Now, now, wait a minute.
00:33:05If you think I'm going to go all through that again, you...
00:33:08Go on.
00:33:11Well...
00:33:11You know where she is?
00:33:13No, I just happened along when a guy with spats
00:33:16made a grab at her, and I butted in.
00:33:18Next time, I'll find my own business.
00:33:21I should not advise you to lie.
00:33:23I'd be lying if I told you I knew where she was.
00:33:27You are not a spy.
00:33:29Me, a spy?
00:33:30No, I'm just a newspaper photographer.
00:33:33Here, look.
00:33:35Click.
00:33:35Domani.
00:33:39This is where you get off, Mr. McGinty.
00:33:44And parting.
00:33:45I would be happy if you permitted me to offer a word of wisdom.
00:33:48Sure, go ahead.
00:33:51Should you meet Miss Romer in future,
00:33:52it will be advisable for you to avoid her.
00:33:55Her company at present is most dangerous.
00:33:57A gentleman is usually known by the company he keeps.
00:34:00How do you Americans say,
00:34:01yes, birds of a feather flock together?
00:34:04That is explicit enough.
00:34:06Good day.
00:34:55Mr. Barclay's room.
00:34:57I'm sorry, but Mr. Barclay's no longer staying at the hotel.
00:35:00He just checked out.
00:35:03Well, didn't he leave a forwarding address?
00:35:08Well, uh...
00:35:09Oh, never mind.
00:35:24Hello, Johnny.
00:35:25Whiskey and soda?
00:35:26No, give me a straight rye.
00:35:28All right.
00:35:29You know, Gallicuddy, I'm learning fast.
00:35:31I thought there was just an out-and-out war going on in this town.
00:35:34Now I find out there's plenty popping under the surface.
00:35:37That's Shanghai for you, Johnny.
00:35:39It's a hotbed of the world's worst and best.
00:35:42You wanted a 25 suit your old quick.
00:35:46Don't ask any questions, I'll bet.
00:36:12Johnny, I'm glad to see you.
00:36:13We were worried you wouldn't make it.
00:36:14I was worried about you, too.
00:36:15Well, what happened?
00:36:16That Sargoza was taking me for a ride when I was yanked out of his car by an exceptionally tall
00:36:20Japanese sporting a monocle.
00:36:22Boo-gee, Yokohama.
00:36:23Holy smokes.
00:36:24So that's the number one boogeyman.
00:36:26He warned me to stay away from you.
00:36:27Wait till he hears we're married.
00:36:29I take it for granted you still have the amulet.
00:36:31Oh, sure.
00:36:31I had that with me all the time, the suckers.
00:36:33All they had to do was reach out and grab it.
00:36:34Good day.
00:36:35Is this the happy groom?
00:36:37Yes, this is Wu Chang, whose home we're in.
00:36:39He's going to perform the marriage ceremony.
00:36:40Well, will the embassy recognize a Chinese wedding?
00:36:42Don't worry, old boy.
00:36:43It'll be perfectly legal.
00:36:44Wu Chang is an ordained minister.
00:36:45Well, then go ahead and tie the knot.
00:36:47Hey.
00:36:48It's the marriage certificate, Wu Chang.
00:36:49Don't I have to sign that?
00:36:50No, I signed it for you, Johnny, just to save time.
00:36:52Just an ordinary marriage certificate.
00:36:54Say, whose wedding is this?
00:36:55Go ahead, Wu Chang.
00:36:58We are gathered together to unite this man and this woman in marriage, which is an institution
00:37:11ordained.
00:37:11I don't want to interrupt, Wu Chang, but could you make it a bit faster, please?
00:37:15My English is clumsy.
00:37:17Can make faster if you talk native tongue.
00:37:20I'll understand.
00:37:21No, I won't.
00:37:22I'll tell you what to do, Johnny.
00:37:23Go ahead, Wu Chang.
00:37:24Just make it short and sweet, please.
00:37:37Go ahead, say, I do, Johnny.
00:37:38He wants you to promise to love, honor, and cherish.
00:37:41What's the matter with obey?
00:37:42No obey.
00:37:43This is modern marriage.
00:37:45Oh, I get it.
00:37:45I do.
00:37:50I do.
00:37:53Have you got a ring, Johnny?
00:37:54Any kind of a ring will do.
00:37:55Here, take this one.
00:37:57I'll give it back to Irene, Johnny.
00:37:59Oh, an Indian giver, huh?
00:38:00I now pronounce you husband and wife.
00:38:09You may kiss the bride.
00:38:11For a moment, I thought you were going to forget that part of it.
00:38:13No, now, wait a minute, Johnny.
00:38:14We've got to get to the embassy.
00:38:15You're always taking the joy out of life.
00:38:17May you enjoy happiness together until the day you die.
00:38:21Why?
00:38:21Why do you have to bring that up?
00:38:22Come along, Johnny.
00:38:23Thank you very much, Wu Chang.
00:38:37Congratulations, McGinty.
00:38:39And good wishes to you, Mrs. McGinty.
00:38:41Now, look.
00:38:42All you have to do is okay this passport for both of us.
00:38:46Sorry, I'd like to, McGinty, but I can't.
00:38:48Can't?
00:38:49Look here, sir.
00:38:50If you're afraid that marriage certificate isn't legitimate,
00:38:52why don't you get in touch with Wu Chang?
00:38:54Well, sure.
00:38:55Everything's on the up and up.
00:38:56We were just married, weren't we, Irene?
00:38:57Oh, I don't doubt that.
00:38:59But Miss Roma is not eligible to...
00:39:01Mrs. McGinty.
00:39:02Oh, I beg your pardon.
00:39:03Mrs. McGinty is not eligible to enter the country without a passport.
00:39:07Why not?
00:39:08She's my wife.
00:39:08Doesn't that mean anything?
00:39:10Evidently, you've spent so much time everywhere but in the United States, McGinty,
00:39:13that you haven't kept up with its laws.
00:39:15Congress passed a law a number of years ago ending the custom
00:39:18where a foreign-born woman who marries an American
00:39:21automatically becomes an American citizen.
00:39:24Holy smokes.
00:39:25Well, this is certainly a good time to find that out.
00:39:27The only way Miss Roma could enter the United States...
00:39:29Mrs. McGinty.
00:39:30Oh, I beg your pardon, Mrs. McGinty,
00:39:32could enter the United States is under the quota laws.
00:39:34And before I could issue a visa, a passport would be necessary.
00:39:37Well, that's a fine kettle of fish.
00:39:39That's the reason we were married.
00:39:42I'm sorry I caused you all this trouble, Johnny.
00:39:44Oh, that's all right.
00:39:45I didn't mean it that way.
00:39:47It's just that we planned this thing so carefully and now...
00:39:51Hey, Barfield, this was all your idea.
00:39:53Why doesn't Miss Roma...
00:39:54Oh, I beg your pardon.
00:39:55Mrs. McGinty, get us a little bit of a drink.
00:39:57It's a Soviet passport.
00:39:59Oh, that's a long story.
00:40:02With a passport issued by the Chinese office, too.
00:40:05Of course.
00:40:07Then it's all settled.
00:40:09But how?
00:40:11Don't ask so many questions, Johnny.
00:40:13Where can I get you later?
00:40:15Well, I've still got the hotel room.
00:40:16Good.
00:40:17Take Irene back there and wait for me.
00:40:19I'll be alone shortly.
00:40:20Do me a favor, please, and wait until I return with the passport.
00:40:22It won't be long, I promise you that.
00:40:29You know, that guy's the number one mystery man to me.
00:40:33Well, we might as well be getting along to the bridal suite.
00:40:36Huh, Mrs. McGinty?
00:40:46Here.
00:40:47Here.
00:40:48Let me.
00:40:51Thanks.
00:40:54Johnny, you don't know how sorry I am that I got you into all this.
00:40:56Now, Mrs. McGithy, you mustn't talk like that.
00:40:59Have you forgotten we're married?
00:41:01You know, your troubles are my troubles and vice versa.
00:41:04Although I will admit, so far it's been mostly vice versa.
00:41:07You're sweet, Johnny, but our marriage didn't help at all.
00:41:11It only put your life into more danger.
00:41:13Oh, regrets already, huh?
00:41:15And only married an hour.
00:41:16Think of the scandal.
00:41:17What will the neighbors say?
00:41:18Mr. Barclay was right.
00:41:19You are incorrigible.
00:41:21That's a four-dollar word.
00:41:38You will take this to the Honorable Mr. and Mrs. John McGinney
00:41:41at the Cafe Hotel immediately.
00:42:18Very beautiful.
00:42:20Very beautiful.
00:42:31It will serve our purpose admirably.
00:42:35You will have the bottom open and an explosive inserted,
00:42:38so that when the incense is burned in here,
00:42:40it will make contact with the explosive.
00:42:43Make certain that Mrs. McGinney gets it.
00:42:47See that this is delivered with it.
00:42:52I hope nothing has happened to him.
00:42:54Mr. Barclay, no, he's got as many lives as a cat.
00:42:57You know, it isn't fair.
00:42:59A fellow like that lives to a ripe old age
00:43:00while a cautious, timid soul like Johnny McGinney
00:43:02meets with an early catastrophe.
00:43:05Well, it's the law of nature or something.
00:43:07I'd hate to be a widow so soon.
00:43:09Sweetheart, you couldn't hate the thought as much as I do.
00:43:12That's Mr. Barclay.
00:43:14Maybe.
00:43:18Yes?
00:43:19You give to Mrs. McGinney, please?
00:43:21Sure, thanks.
00:43:22Hey!
00:43:23How did you know there was a Mrs. McGinney?
00:43:25Told to bring here.
00:43:26You give to Mrs. McGinney, please?
00:43:28Thank you all.
00:43:38But, how does anyone know we're married?
00:43:40Unless there was a Chinese Waller Winchell
00:43:41at the keyhole, I don't know,
00:43:42and I'm not going to try to figure it out.
00:43:44Open it.
00:44:09I'm going to try to figure it out.
00:44:10I just want to beware.
00:44:11Isn't it beautiful?
00:44:13Yeah, it's all right.
00:44:15You know, that's our first wedding present.
00:44:17I'll have to send him a note of thanks.
00:44:20What is it?
00:44:21Why, it's an incense burner.
00:44:24Oh.
00:44:25Oh! Did you get it?
00:44:27Why, of course. Didn't think I let you down, did you?
00:44:29Here's your passport, my dear. Signed, sealed and delivered.
00:44:33Now you can leave with us tomorrow.
00:44:36I don't know how I'll ever thank you.
00:44:38Here, right before your husband's eyes?
00:44:40Oh, that's all right.
00:44:41Besides, you deserve it.
00:44:43If I wasn't so self-conscious, I'd kiss you myself.
00:44:45Say, that's a delightful thing. Where did you get it?
00:44:47Lunsat Lee sent it to her, our first wedding present.
00:44:49But don't ask me how I knew we were married.
00:44:51Oh, I told him. You see, we're going to spend the night at his place.
00:44:54Sort of disappear until we get aboard the Nichamaru.
00:45:10Bombers.
00:45:11It'll be over the city in a minute.
00:45:21Excuse me.
00:45:21Excuse me.
00:45:22What are you going to do?
00:45:23What do you think I'm going to do?
00:45:24I'm going to take some pictures.
00:45:26What's the matter with this thing?
00:45:29We're getting a little matter of an amulet.
00:45:31Here.
00:45:32Help me get it out.
00:45:33Here.
00:45:34Here.
00:45:36Here.
00:45:45We'd better find a new hiding place for this.
00:45:47Your excitable husband is liable to forget himself at a most inopportune time.
00:45:50Well, where else could we hide it?
00:45:52Let's see.
00:45:53I know.
00:45:54The Mandarin.
00:45:55The little place where the incense goes.
00:45:57That's a good idea.
00:45:59Put the amulet inside and wax up the opening.
00:46:03Yeah.
00:46:23Oh, boy.
00:46:23That was a pit.
00:46:27Hey, hold that curtain for me, will you?
00:46:50Let's go.
00:46:51If I don't get a bonus for this, I'm going to quit.
00:46:53How are you making out?
00:46:54I'll be through in a moment.
00:47:15I'm going to quit.
00:47:16Get enough photographs?
00:47:17Well, I never get enough, but these will hold me for a while.
00:47:19Say, that looks pretty good.
00:47:21You must have had experience with that sort of thing before.
00:47:24Well, come on now.
00:47:25Let's all get out of here.
00:47:25I've got a car waiting downstairs.
00:47:45You're witnessing a preview of what the next war will be like, Johnny.
00:47:48I hate to think of it.
00:48:03I've got a gun, Johnny.
00:48:05No.
00:48:06You get in trouble carrying guns.
00:48:07Neutrals aren't supposed to go on.
00:48:09If they catch it...
00:48:10Right.
00:48:11If they catch it.
00:48:12Sometimes they're more comfortable than a hot water bottle.
00:48:14Well, I'd hate to put one on my stomach for a pain.
00:48:35Well, I hope we win about playmates.
00:48:39So say we all.
00:48:42Well, I hope we win about playmates.
00:48:49Good work, Ryan.
00:48:51Keep your eyes open now and be sure to sound an alarm if you see anyone.
00:49:02Well, we've made it.
00:49:04Good evening.
00:49:05Hello, Lee.
00:49:06I'm glad you arrived safely.
00:49:07Mrs. McGinney, this honorable and venerable gentleman is Lunsat Lee, the man who sent you
00:49:11a wedding present.
00:49:12A meager token of my friendship for your husband.
00:49:15Very lovely.
00:49:16Very handy, too.
00:49:17Believe me.
00:49:18Handy?
00:49:19Skip it.
00:49:20Please come in.
00:49:26Make yourselves comfortable.
00:49:30Is the boat ready, Lee?
00:49:31It is ready.
00:49:33A man sits in it now, waiting.
00:49:35You see, we're right over the river.
00:49:37In fact, it flows beneath this house.
00:49:39There's a 22-foot power launch below this room all ready to go.
00:49:42That's just in case something unforeseen happens.
00:49:44I suppose you had the foresight to play on all this.
00:49:47With the capable assistance of our good friend Lunsat Lee.
00:49:54Mr. Barclay.
00:49:55He is here with many men.
00:49:57Well, follow me, please.
00:50:17looking at you.안녕
00:50:34вн S moderately over the wolf. That was
00:50:40a good one after the mechanical blow on. He gets
00:50:43you up there.
00:50:52Look out!
00:50:58He almost got us that time.
00:51:00Yes, that was a close call, Johnny.
00:51:01Thank you very much, Irene.
00:51:03Where I'll be?
00:51:04Wambu River.
00:51:05What do we do now?
00:51:15The battleships are opening up.
00:51:17We can't lie out here all night with the shells gone places.
00:51:20This is something I didn't take into account.
00:51:36Look there!
00:51:39The Nichi Maru!
00:51:41We are in luck. Do you suppose we can water now?
00:51:43We can try.
00:51:44We haven't anything to lose,
00:51:45especially if one of those battleship spots us.
00:51:48You're right, Johnny.
00:51:49They would risk a night for me to attack from a small launch.
00:51:51And this looks pretty much like one of those suicide boats.
00:51:53Well, our best bet is to try and board her now.
00:52:04Keep your fingers crossed, Mrs. McGinney.
00:52:06They'll be able to shoot first and identify us afterwards.
00:52:10Let's go.
00:52:12Let's go.
00:52:13Let's go.
00:52:15Let's go.
00:52:15Let's go.
00:52:16Let's go.
00:52:19Let's go.
00:52:20Let's go.
00:52:20Wait a minute.
00:52:20Hold your fire.
00:52:21American passengers trying to come aboard.
00:52:25Let's go.
00:52:26We are lowering the ladder.
00:52:28Head to that ladder, will you, old man?
00:52:33Pardon me, my friend.
00:52:34It looks like our troubles are over.
00:52:35Mrs. McGinney, you have nothing more to fear.
00:53:04You have your credentials?
00:53:06Oh, yes.
00:53:07I have a car.
00:53:16And the others?
00:53:18I think you'll find our passports and puppy daughter, sir.
00:53:20She's my wife.
00:53:24Yes. It's really all right.
00:53:26But then we can stay on board now?
00:53:29Most unusual.
00:53:30We did not expect passengers until tomorrow.
00:53:33But it is all right.
00:53:37Steward, it's all right.
00:53:40Follow me, please.
00:53:56This room is for Mr. and Mrs. McGindy.
00:54:00And this is for Mr. Farley.
00:54:03Good night.
00:54:04Good night.
00:54:06Oh, I'm glad that's over.
00:54:08For a while, I thought we'd never get on this boat.
00:54:09I think we can all relax now.
00:54:11In fact, that's just what I intend to do.
00:54:13I'll see you after I get cleaned up.
00:54:16Hey, hey, wait a minute.
00:54:17How about Irene and me?
00:54:19After all, this marriage was just...
00:54:20Oh, a marriage in name only, wasn't it?
00:54:24Completely slipped my mind.
00:54:26Well, come on in. We'll straighten it out somehow.
00:54:30Well, let's see now.
00:54:34Yes, that's all right.
00:54:35Johnny and I will take this state room,
00:54:37and you keep the other for yourself, Irene.
00:54:38Oh, now that's settled. Everything's fixed.
00:54:41Do you mind if I clean up a bit?
00:54:42I'll only be a moment.
00:54:44No, go ahead.
00:54:45We're not going anyplace.
00:54:50Another bombardment.
00:54:53I hope they ever get tired.
00:55:17Well, we'll be out of this mess tomorrow.
00:55:19Yes.
00:55:20Tomorrow we'll be on our way to America.
00:55:23America.
00:55:23Now, there's a country for you.
00:55:25No bombardments over there.
00:55:26The only bombardments you see are the pop bottles
00:55:28around an umpire at a baseball game.
00:55:30I've never been to a baseball game.
00:55:32Well, you don't know what you've missed.
00:55:33But don't you worry, Mrs. McGinney.
00:55:35I'll see that you don't miss anything when we get there.
00:55:37Probably be too busy to see me.
00:55:38Too busy?
00:55:39You think I'm crazy?
00:55:41You think you're going to lose me just...
00:55:42Come on, Mrs. McGinney.
00:55:44I'll be escort you to your state room.
00:55:45You can come in at the darndest times.
00:55:47Oh, I'm sorry, old man.
00:55:49I didn't realize I was intruding upon a private Tate of Tate.
00:55:52I'll go back if you wish.
00:55:53No, it's too late now.
00:55:55Come along then, Irene.
00:55:56You must be dreadfully tired.
00:55:58As a matter of fact, I can't even think of being tired.
00:56:01Hey!
00:56:03Let's celebrate a little.
00:56:04Let's have a couple of drinks.
00:56:06To...
00:56:07Well, to the Mandarin.
00:56:09Grandpa came in handy.
00:56:10Heaven knows I'm not the one to put a damper on any celebration.
00:56:14Come on.
00:56:17I'll have the steward drink some scotch and soda.
00:56:19I'll celebrate with Rye, do you mind?
00:56:21Not at all.
00:56:23I'd rather have a good drink of Rye than a drink of scotch any day.
00:56:26Boy, when that hits you, that really does something.
00:56:29Good evening.
00:56:30Yokohama.
00:56:32So nice meeting you again, Mr. Barkley.
00:56:34I noticed you disregarded my warning concerning Miss Fromer.
00:56:37Well, you see, we had a date to get married,
00:56:40and I couldn't very well leave her waiting at the altar.
00:56:43What do you want?
00:56:44The amulet.
00:56:46You will save yourselves the most unpleasant scene
00:56:48if you give it to me at once.
00:56:50I'm afraid, old man, you'll have to take it from us forcibly.
00:56:53That is, of course, if you can find it.
00:56:55Now, wait a minute.
00:56:56Don't be silly about this thing.
00:56:58He's got us dead to rights.
00:56:59Why not give him the thing and save a lot of trouble?
00:57:01Johnny!
00:57:02Look here, have you gone crazy?
00:57:04Oh, why be saps?
00:57:05He holds all the cards.
00:57:06Let him pick up the chips.
00:57:08Besides, I'm getting sick of dodging bullets all the time.
00:57:11Mr. McGinty is right.
00:57:13How did you say it?
00:57:14Yes.
00:57:15I hold all the cards.
00:57:16Where is it, please?
00:57:18Right here.
00:57:20You will hand the camera to me, please.
00:57:23From where you are.
00:57:24All right, I don't want it.
00:57:27Nice work, Johnny.
00:57:28Now, Mr. Yokohama.
00:57:30The cards are in my hands.
00:57:31Don't you think?
00:57:36Permit me to compliment you, Mr. McGinty.
00:57:38And admirable Bruce.
00:57:41Well, it's funny how handy a camera can be sometimes.
00:57:44You have made a dreadful mistake.
00:57:46You should have handed me the amulet as I requested it,
00:57:49but it saved the young lady's life.
00:57:51Now I have no alternative.
00:57:53What's he talking about?
00:57:55My dear fellow, it appears your life is the one that needs saving at the moment.
00:58:00No doubt you have hidden the amulet someplace else.
00:58:04In the package, perhaps.
00:58:06You've always been such a good guesser, Mr. Yokohama.
00:58:09Well, you needn't worry about it. You'll never get that amulet.
00:58:12Put up your hands, Mr. Bakwe.
00:58:21I want the amulet.
00:58:23For yourself?
00:58:24Or the Soviet Embassy?
00:58:29Diplomatic courtesy prevents my putting a bullet through your head, Mr. Yokohama.
00:58:33But diplomatic courtesy does not prevent my telling you to mind your own business.
00:58:37This is my business.
00:58:39Enough of this.
00:58:40Either I get the amulet or all of you...
00:58:42There is no necessity for threats.
00:58:44You want the amulet?
00:58:45I want my life.
00:58:46I care nothing for these others.
00:58:48You know where it is.
00:58:56In this package.
00:58:58Open it.
00:59:19You do not know how it is hidden.
00:59:21How stupid.
00:59:22Drop it in the hollow with the figure and wax poured in.
00:59:25A match will melt the wax and drop the amulet down.
00:59:29If you are lying...
00:59:31See for yourself.
00:59:35Stand back.
00:59:38In that room.
00:59:39All of you.
00:59:46You two.
00:59:49Did you expect me to leave without first verifying the hiding place?
00:59:53I did not think you would.
01:00:30You must have had a good reason for disclosing that hiding place, Mr. Yokohama.
01:00:33I did.
01:00:39You better not go in there.
01:00:43I understand now why you revealed the hiding place.
01:00:47I intercepted the gift from Lunsat Lee.
01:00:49I regret the necessity of being forced to such extremes.
01:00:52But I had to take precautions in case the young lady should escape with the amulet.
01:00:57You will be coming ashore with me now, no doubt.
01:01:00Going ashore?
01:01:01I thought you were sailing with us.
01:01:02You did not know.
01:01:04Know what?
01:01:05Mr. Barkley happens to be a first class Chinese military agent.
01:01:08Empowered at the moment to buy ammunition with the funds that amulet was to release.
01:01:12He's more or less right, Johnny.
01:01:13I'm sorry I couldn't have told you before.
01:01:15Do not feel too badly.
01:01:16The trip would have proved useless.
01:01:17Permit me.
01:01:37I had hoped to get to the States before that would happen.
01:01:40I received it but a moment before coming here.
01:01:42Most unfortunate for you.
01:01:50I suppose you'll be going ashore too.
01:01:53I guess so.
01:01:55No, Irene.
01:01:56You stay with Johnny.
01:01:58There's nothing for you in China but trouble.
01:02:00Don't worry.
01:02:01I'll talk to your brother and Hoi Lung.
01:02:04Well, I'll be seeing you both up on deck before I go.
01:02:11You know, I...
01:02:13There's a fellow knows what he's talking about.
01:02:19My brother almost killed.
01:02:21Our lives endangered and all for the sake of an amulet, which exists no more.
01:02:26Well, that amulet did some good.
01:02:27If it hadn't been for that, I never would have met you.
01:02:31Sorry if I always seem to be barging in at the wrong moment, Johnny, but this is the last time
01:02:35I promise you that.
01:02:36Oh, that's all right.
01:02:37You're going?
01:02:37Yes, the launch is ready.
01:02:39So long, Johnny.
01:02:40Goodbye and better luck next time.
01:02:43Goodbye, my dear.
01:02:45Take good care of her, Johnny.
01:02:47Goodbye and good luck.
01:02:56The amulet.
01:02:57Yeah.
01:02:58What?
01:03:00Well, the old son of a gun.
01:03:01Hey, Barclay.
01:03:03I thought it was blown up.
01:03:04I thought it was in the Mandarin.
01:03:06That's what I wanted you to think.
01:03:07When I started to place it in, I noticed the Mandarin had been tampered with.
01:03:10So I decided to take no chances.
01:03:12Well, I'm doggone.
01:03:13Well, if we have the amulet, why don't you go with us?
01:03:16That cablegram changed everything, my dear.
01:03:19So let's hope the Chinese will find a better use with that money.
01:03:21Very clever, you know.
01:03:23At any rate, we eliminated Mr. Sargoza.
01:03:26So perhaps it was worthwhile after all.
01:03:29Won't you change your mind and go with us?
01:03:31Believe me, Johnny, there's nothing in the world I'd love more.
01:03:34It's been a long time since I've seen the Statue of Liberty.
01:03:37In fact, it's been a long time since I've seen Liberty of any kind.
01:03:42I know just how you feel.
01:03:44I wonder.
01:03:46I'm like the prodigal son who counted the minutes until he could return home,
01:03:49only to have the clock suddenly stopped.
01:03:53Give my regards to the Golden Gate and all the rest of the Americana.
01:04:02Well, next stop, America.
01:04:05Land of the fan dancers, Mickey Mouse and Flatfoot Floozy with the Floy Floy.
01:04:10Oh, heaven bless it.
01:04:12Land of...
01:04:13My destiny.
01:04:14Whose destiny?
01:04:15I wouldn't take advantage of your gallant gesture in marrying me, Johnny.
01:04:18Oh, now, wait a minute.
01:04:19Our marriage might have been a gallant gesture, but there's nothing in the book says we can't make it to
01:04:22McCoy.
01:04:24Now, whose destiny is it?
01:04:27Mrs. McGinty.
01:04:28That's better.
01:04:34Why, Johnny, you're rubbing it off.
01:04:36Oh, no, I'm not.
01:04:37I'm rubbing it in.
01:04:49I JOHN.
01:04:54I don't it.
01:05:14United States
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