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Storms of Silence – A gripping tale filled with mystery, tension, and unforgettable moments. This classic story takes you through shadows of betrayal, courage, and resilience against the storm of fate.

Immerse yourself in this timeless journey that blends drama and suspense, leaving a lasting impression long after the final scene.

#StormsOfSilence #ClassicFilm #Drama #Mystery
Transcript
00:00:00The
00:01:00I say, Reynolds, what's this I hear about the Army being interested in this project you're lobbying for?
00:01:19Well, it's not for publication, but they're planning to build an ammunition dump near the dam.
00:01:24I thought they were spending all that money just to help out a handful of bombers.
00:01:30And when I mentioned to the committee that more than 50,000 troops were stationed within a mile of the depot,
00:01:37they immediately increased the appropriation by a half a million dollars.
00:01:4250,000 troops.
00:01:4350,000 troops.
00:01:45But don't forget, Mr. Hanlon, all of our shipyards are not located on the coast.
00:01:49I don't think I understand.
00:01:51Well, believe it or not, we have four shipwaves on the lakes.
00:01:55They're turning out an average of a ship a month.
00:01:58That explains a lot of things.
00:02:00With your influence in Washington, why don't you get a bill passed to increase the old age pension for Glamour Girls?
00:02:05Well, now listen here, girlie.
00:02:10We're not following this precarious occupation for, uh, love.
00:02:13What our friend is trying to say is that you ought to organize, start a revolving fund,
00:02:18and you'll be able to speak the language that he understands.
00:02:21Right?
00:02:22That's right.
00:02:23Now that you mention it, it is an ideal location for an air base.
00:02:26The enemy could never spot it in the air, and it's out of the range of the naval gun.
00:02:30It's very curfew.
00:02:31Tell me, coffee is served for now.
00:02:34Oh, coffee.
00:02:35Wait for me, Blondie.
00:02:40Blondie.
00:03:01Blondie.
00:03:02Blondie.
00:03:03Blondie.
00:03:04Blondie.
00:03:05Blondie.
00:03:06Blondie.
00:03:07Blondie.
00:03:08Blondie.
00:03:09Blondie.
00:03:10Blondie.
00:03:11Blondie.
00:03:12Blondie.
00:03:13Blondie.
00:03:14Blondie.
00:03:15Blondie.
00:03:16Blondie.
00:03:17Blondie.
00:03:18Blondie.
00:03:19Blondie.
00:03:20Blondie.
00:03:21Blondie.
00:03:22Blondie.
00:03:23Blondie.
00:03:24Blondie.
00:03:25Blondie.
00:03:26Blondie.
00:03:27Blondie.
00:03:28Blondie.
00:03:29Blondie.
00:03:30Well, gentlemen, if you ask me, I would say this has been a most successful day.
00:03:36Well, it has for me.
00:03:38Now I can postpone that strike until the project has eaten up more of the appropriation.
00:03:45But, gentlemen, since war has been declared, we've learned one lesson.
00:03:50We must proceed cautiously.
00:03:52I think we should make plans to slip into some neutral country before the Intelligence Bureau gets after us.
00:03:57And perhaps when the war hysteria dies down, they will become more lax.
00:04:01These Americans are like children.
00:04:03They forget quickly the fire that burnt their fingers.
00:04:07Well, Doctor, you've actually found a very efficient method of prosecuting our war of nerves.
00:04:11No, no, no. I'm not going to accept all things.
00:04:14Gentlemen, I have insisted we could destroy more ammunition plans before we have to leave.
00:04:19That last operation of yours, carried out with such finesse, you too.
00:04:27Thanks.
00:04:28Do you want me to wait for you, sir?
00:04:30No, thank you.
00:04:31I may be detained here for some time.
00:04:34Oh, uh, are you going back to Cleveland tonight, Kenny?
00:04:36No, I'm staying over for a couple of days.
00:04:37Fine.
00:04:38You stop into my office tomorrow morning.
00:04:39The gentleman patient is here, sir.
00:04:40Patient?
00:04:41I see patients only at my office during the day.
00:04:42Ask them to go elsewhere.
00:04:43I explained you, sell them small patients at your home.
00:04:44What's that?
00:04:45I don't know.
00:04:46I have to wait for you.
00:04:47I have to wait for you to wait for you, sir.
00:04:48I have to wait for you, sir.
00:04:49I have to wait for you.
00:04:50I have to wait for you, sir.
00:04:51I have to wait for you, sir.
00:04:52Oh, ah.
00:04:53No, I'm staying over for a couple of days.
00:04:55Fine.
00:04:56We'll stop into my office tomorrow morning.
00:04:58A gentleman patient to see you, sir.
00:04:59Patient?
00:05:00I see patients only at my office during the day.
00:05:02Ask them to go elsewhere.
00:05:04I explained you seldom saw patients at your home.
00:05:06What's his name?
00:05:08Mr. Cologne, or rather Monsieur.
00:05:10Never heard of him.
00:05:12Seems very urgent, sir.
00:05:14It says it's a matter of life and death.
00:05:16Why don't you see him and get it all over?
00:05:18Oh, very well.
00:05:19Be back in a moment.
00:05:20Oh, Doctor.
00:05:21Mm-hmm.
00:05:22Don't forget your bedtime manners.
00:05:24Oh, no.
00:05:32That will be all, Stephen.
00:05:39Dr. Sanders?
00:05:41That's right.
00:05:42But I'm not in the habit of receiving patients in my home,
00:05:45especially at night.
00:05:47I have come a long way to see you.
00:05:51Plenty of other good doctors.
00:05:54I'm a very sick man.
00:05:57Sit down, please.
00:06:08You don't appear to be in any danger of dying.
00:06:11You are quite wrong.
00:06:13All men are in danger of dying.
00:06:16The important question is when.
00:06:19Who are you?
00:06:20Just why did you come here?
00:06:36Wallace, how are things with you in Detroit?
00:06:37Fine.
00:06:38I'm faced with a strike that may tie up my whole plan.
00:06:3910,000 men.
00:06:40That's too bad.
00:06:41Yes, because I'll have to close one of my factories waiting for parts.
00:06:42Trouble is, you boys should hire me as a lawyer.
00:06:43Then you could really wreck your business.
00:06:44Listen to him.
00:06:45At that Van Dyke, my plant might be able to use you over in Pittsburgh to throw a few monkey
00:06:47wrenches into the legal machinery.
00:06:48You must be mistaken.
00:06:49I don't know what you're talking about.
00:06:50That's strange.
00:06:51I was sure you would remember me.
00:06:52Your voice seems familiar.
00:06:53I don't know what you're talking about.
00:06:54That's strange.
00:06:55I was sure you would remember me.
00:06:57Your voice seems familiar.
00:06:58But I'm positive I've never seen your face before.
00:07:03That you are but half right.
00:07:04You did see me before.
00:07:05I changed since then.
00:07:06I was in a hospital.
00:07:07It's in the hospital.
00:07:08It seems to me.
00:07:09I've never seen your face before.
00:07:10He had a nice job.
00:07:11It's there.
00:07:12I did not know.
00:07:13You are not.
00:07:14You are not.
00:07:15You are not.
00:07:16I do not know what you are talking about.
00:07:18That's strange.
00:07:19I was sure you would remember me.
00:07:21My voice seems familiar.
00:07:24But I'm positive I've never seen your face before.
00:07:25I've changed since then.
00:07:28Just as you have.
00:07:33Major!
00:07:34Herr Doctor!
00:07:35No, no, please!
00:07:36Please!
00:07:37I don't deserve this!
00:07:38Hey!
00:07:47Someone screamed.
00:07:48Sounded like a banshee.
00:07:50Just a momentary upset.
00:07:52Nothing serious.
00:07:54Sorry we intruded.
00:07:56Are you sure everything's all right?
00:07:58Yes, quite.
00:08:00Gentlemen, please accept my apology.
00:08:02I...
00:08:03I shall be detained longer than I anticipated.
00:08:06But in that case, I think we can go.
00:08:09Good night.
00:08:10Good night.
00:08:11Good night.
00:08:12Good night.
00:08:13Good night.
00:08:24Good night.
00:08:25Good night.
00:08:30Well, I hope the doctor knows what he's doing.
00:08:32So do I.
00:08:33This patient looks crazy to me.
00:08:35Weird sort of fellow at that.
00:08:37Like a European.
00:08:38Seems to me I've seen him before.
00:08:40Well, let's go for it.
00:08:41Oh, very strange.
00:08:42Go ahead.
00:08:52Can we drop you someplace, Kearney?
00:08:54No, thank you.
00:08:55I have a cab.
00:09:10And be sure that your servant understands the instructions I have given you.
00:09:16Dr. Founders wants you.
00:09:29We may prepare the guest room for Mr. Cano.
00:09:34He'll be with us for some time.
00:09:37All right.
00:09:38Keep coming.
00:09:39Very well, sir.
00:10:01What are you doing in my cab?
00:10:03I thought perhaps you were going in my direction.
00:10:06Well, I'm not going in your direction.
00:10:09Mr. Carney.
00:10:10Are you quite sure you know in what direction you're really going?
00:10:14Why, of course I know.
00:10:16Incidentally, how did you learn my name?
00:10:20If you're out, I called you Toko Netobi.
00:10:36I'm not going to have effort in my park.
00:10:37I'm going to put you onwards in my path.
00:10:38You may want to go through my cockpit.
00:10:40All right.
00:10:41What are you looking for?
00:10:42It's also an interim music race.
00:10:44And you might be interested in the queue, in theğl�� cost of how that's going to come.
00:10:46Maybe.
00:10:47I'm not going to be able to go.
00:11:18Well, the taxi driver identified the buddy.
00:11:36Said that he picked him up in front of Dr. Saunders' place.
00:11:38Then all we have to do is grab this Dr. Saunders and ask him what he knows.
00:11:41Sure, and put him on his guard and then where are we?
00:11:44No.
00:11:45This is one time that we've got to watch our steps.
00:11:47What do you want me to do?
00:11:49Suppose you drop in on the dock and see what you can find out without letting him know that we suspect the place.
00:11:54We have a report that a niece lives there.
00:11:56You might work through her.
00:11:58Don't tell me.
00:11:58Let me guess.
00:11:59She's 50, flat-footed, and fat.
00:12:01With buck teeth and probably worth a glass.
00:12:03Now, now, look, Sherlock.
00:12:05This is your first case, and we don't want you to come and up, see?
00:12:08We don't expect you to marry the girl.
00:12:09Just see what you can find out, huh?
00:12:11Well, Chief, I can dream, can't I?
00:12:14You kid.
00:12:30Hello.
00:12:31You're Stevens, aren't you?
00:12:32I'm Alice Saunders.
00:12:34How do you do, Miss Alice?
00:12:36Won't you step in, please?
00:12:45It's good to be back.
00:12:47Where's Uncle?
00:12:48He's not very well this morning.
00:12:49He's still in bed.
00:12:51I wouldn't disturb him just yet.
00:12:53So sorry.
00:12:54Is it anything serious?
00:12:56Well, I don't know, Miss.
00:12:57He took a last night after his dinner party.
00:12:59Oh, dear.
00:13:03Everything looks just the same.
00:13:05Anything new?
00:13:06Only myself, I'm afraid, Miss.
00:13:17Yes?
00:13:18Miss Saunders was expecting me.
00:13:19Take mine.
00:13:20Yes.
00:13:21Come in, Mr. Barton.
00:13:22Miss Saunders, would you see you, Mr. Martin?
00:13:27How do you do?
00:13:28I'm from the department.
00:13:29I'd like to see your father, Dr. Saunders.
00:13:32He's my uncle.
00:13:33He isn't feeling well.
00:13:35Is there something I could do?
00:13:36Why, yes.
00:13:37Your uncle gave a dinner party here last night.
00:13:40Do you know who his guests were?
00:13:42I just arrived myself.
00:13:44Maybe Stevens could tell you.
00:13:45Stevens, was there a man by the name of Kearney here last night?
00:13:49Yes, sir.
00:13:50You know anything about him?
00:13:51No.
00:13:51If you could tell me what this is all about, maybe I could help.
00:13:54Well, you see, the police found the body of Kearney last night.
00:13:57He was either murdered or committed suicide.
00:13:59Oh, how awful.
00:14:00And if I could see your uncle, it might clear the matters up.
00:14:04I'll try to see you.
00:14:11Stevens, where's the dining room?
00:14:13In there, sir.
00:14:13Uncle Bill.
00:14:22Uncle Bill.
00:14:23Hmm?
00:14:30Uncle Bill.
00:14:31It's Alice.
00:14:32I just got in.
00:14:33Oh, what is it, dear?
00:14:36Uncle Bill let me in.
00:14:37I'm back.
00:14:38Oh, Alice, dear, forgive me.
00:14:40But I was dozing.
00:14:42Steven said you didn't feel well.
00:14:44No, nothing serious.
00:14:46Nerve, that's all.
00:14:49I've decided to remain in my room for a long rest.
00:14:52But I'm so glad you're back, dear.
00:14:57Can't I come in for a moment?
00:14:59I have so much to tell you.
00:15:03It's been so many years since I've seen you.
00:15:06Oh, I'm sorry, dear.
00:15:08Isn't there something I can do for you?
00:15:16Are you a new servant?
00:15:18Not exactly.
00:15:20Rather, a very old friend of your uncle's, Monsieur Cologne.
00:15:24I'm Alice Disney.
00:15:26Greetings.
00:15:29You're very sweet.
00:15:31And a beautiful young woman.
00:15:34You'll excuse me.
00:15:38What's your friend?
00:16:08Richard, but you can call me Dick.
00:16:13Oh, Dick, this is Monsieur Cologne.
00:16:15He's an old friend of Uncle Bill's, Dick Martin.
00:16:18How do you do?
00:16:19It's a pleasure.
00:16:20Were you here at the dinner party last night?
00:16:22No.
00:16:23I came later.
00:16:24Do you know a Mr. Kearney?
00:16:27Kearney?
00:16:28I'm afraid not.
00:16:29Is there something wrong?
00:16:30Just a slight case of murder.
00:16:32It's too bad.
00:16:34Can I help in any way?
00:16:35Nope.
00:16:37Excuse me.
00:16:38Handsome devil, isn't he?
00:16:55I'd hate to meet him in a dark alley.
00:16:58Oh, I don't know.
00:16:59Make it a moonlight night in a park bench.
00:17:01Might be exciting.
00:17:02Oh, yeah?
00:17:07What's this first name business?
00:17:10Well, I didn't know him any better than you did.
00:17:13How long has he lived here?
00:17:14I don't know that either.
00:17:16How about yourself?
00:17:17It's been years.
00:17:19Listen, do I see the uncle or don't I?
00:17:22He must be terribly ill.
00:17:23He wouldn't even see me.
00:17:26What business?
00:17:26Are you scared of living here like this?
00:17:31You better come along with me.
00:17:32I think I can take care of myself.
00:17:35What's your name?
00:17:37Alice.
00:17:39Okay, Alice.
00:17:42See you later.
00:17:432,ования.
00:17:502, 2, 3, 1.
00:18:02Great.
00:18:032, 3, 2, 3, 4 times.
00:18:055, 3, 2, 5, 6, 5, 7, 8, 8, 9.
00:18:083, 1, 2, 3, 2 and more.
00:18:12Well, your room is ready, Miss Alice.
00:18:18Stephen, tell me something about our guest.
00:18:21Well, there's not much I know.
00:18:23When he came here last evening, I thought he was simply another patient of Burakos.
00:18:28He's an interesting man.
00:18:30Yes, very.
00:18:42He's not very well this morning, sir. He's still in bed.
00:18:50He'll see me in front of us in Wallace.
00:18:52Yes, sir.
00:18:53Will you please wait?
00:19:12I told you I wasn't to be disturbed then.
00:19:41It's Mr. Wallace, sir. He's below.
00:19:43Please obey my orders.
00:19:58Well?
00:19:59It's impossible, sir.
00:20:01Dr. Sanders can't see you.
00:20:03Don't.
00:20:11Oh, my God.
00:20:18Oh, my God.
00:20:50Could the medical history of a sick person possibly interest an industrialist from Detroit?
00:21:01You're the man who came here last night.
00:21:04As a patient, Mr. Wallace, as a patient.
00:21:20Is this someone here?
00:21:38Mr. Wallace, miss.
00:21:39He just left.
00:21:41I heard a funny noise.
00:21:43Is this room below mine?
00:21:44Yes, miss.
00:21:45Then it came from here.
00:21:53Is there something wrong?
00:21:55I heard a strange noise like a body falling.
00:21:57Oh, I was stumbling.
00:21:58I was awkward.
00:21:59Yes, but there were gurgling sounds.
00:22:02Oh, I was humming.
00:22:05Is my voice as bad as bad?
00:22:08Humming.
00:22:09Humming.
00:22:09Have you known my uncle very long?
00:22:18Time passed so swiftly, it's hard to say.
00:22:22I think I first met him abroad.
00:22:24Some kind of international meeting, I believe.
00:22:28Are we going to have the pleasure of your company very long?
00:22:30It depends on circumstances.
00:22:36You sound like a man of destiny.
00:22:39One must not flirt with one's destiny.
00:22:44With the world in the condition it is today, aren't we all flirting with destiny?
00:22:50I suppose I finish my book upstairs.
00:22:53Oh, no, please.
00:22:54I didn't mean to disturb you.
00:22:55Excuse me.
00:22:56Excuse me.
00:22:57Excuse me.
00:23:55Yes?
00:23:58Put him on.
00:24:01Hello, John.
00:24:02What is the time?
00:24:04Nine add three plus nine.
00:24:06And you tell me.
00:24:07Two one, three one, four one.
00:24:10Okay.
00:24:10Listen, Ryder.
00:24:11Have you seen the headlines?
00:24:13I certainly have.
00:24:14I never knew Carney had heart trouble.
00:24:16He didn't.
00:24:17He was only 34.
00:24:18Sound as a dollar.
00:24:20And that Japanese dagger.
00:24:21What about that?
00:24:22One of us ought to go immediately back to Washington.
00:24:25I tried to get Dr. Saunders on the phone, but he's sick, according to the butler.
00:24:30Wallace is still registered at his hotel, but he's out.
00:24:33Maybe we can catch him before he returns to Detroit.
00:24:36Both of us should go back.
00:24:37I'll grab the first plane out of Pittsburgh here and meet you in front of Wallace's hotel.
00:24:41Good.
00:24:42See you then.
00:24:42Good morning now, Mr. Ryder.
00:24:50Here's a letter.
00:24:51Perhaps should have been thrown in the basket, but it seemed rather strange.
00:24:54Why?
00:24:55It's a plastic surgery ad, but it mentions no name.
00:24:59That'll be all, Miss Hanson.
00:25:00Yes, Mr. Ryder.
00:25:14Get me Amos Hanlon in New York, the Exchange Bank.
00:25:22Mr. Hanlon, Mr. Ryder calling long distance from Pittsburgh.
00:25:25And Lynn speaking.
00:25:32Mr. Philip Waller, is he in?
00:25:59I think I saw him walk to the elevator a few moments ago.
00:26:01You may tell us from his room, if you please.
00:26:08Mr. Waller's room?
00:26:12Yes?
00:26:13Waller, is that you?
00:26:15Who is it?
00:26:16Ryder.
00:26:18What time is it, Waller?
00:26:20Nine, add three plus nine, then you tell me.
00:26:26Two, one, three, one, four, one.
00:26:29Van Dyke is with me.
00:26:30We'd better see you right away.
00:26:32Come up to my room.
00:26:35No.
00:26:36No.
00:26:37No.
00:26:38No.
00:26:39No.
00:26:40No.
00:26:41No.
00:26:42No.
00:26:43No.
00:26:44No.
00:26:45No.
00:26:46No.
00:26:47No.
00:26:48No.
00:26:49No.
00:26:50No.
00:26:51No.
00:26:52No.
00:26:53No.
00:26:54No.
00:26:55No.
00:26:57No.
00:26:59No.
00:27:00No?
00:27:03No.
00:27:04No.
00:27:05No.
00:27:06No.
00:27:10No.
00:27:15Wallet!
00:27:19Wallet!
00:27:33Wallet!
00:27:41Wallet!
00:27:46What could he be?
00:27:48He obviously isn't here.
00:27:50I'm going to try again to get Saunders.
00:27:55I want Dr. Saunders.
00:27:56National, 6516.
00:28:01I want to talk to Dr. Saunders.
00:28:03I'm very sorry, but Dr. Saunders is still confined to his room.
00:28:06Don't bother.
00:28:08I just want to make sure he was there.
00:28:15Put your hand away.
00:28:17I didn't think I was a child.
00:28:19Make good the way you fellow.
00:28:21He's in his hand.
00:28:23Japanese staggered.
00:28:36Now Wallet.
00:28:40Ha, ha, ha, ha.
00:28:41Ha, ha.
00:29:07Nothing in the hall.
00:29:08There's nothing in the hall.
00:29:10I'm going to call the police, you fool.
00:29:12You want them crying around in our business?
00:29:14Better that than to be like Wallace there.
00:29:16Don't you realize we're at war with this country?
00:29:19Place yourself.
00:29:20We're forewarned.
00:29:21Now we're forearmed.
00:29:23I guess you're right.
00:29:25We'll be down the back stairs.
00:30:08There's someone in my room.
00:30:38There was a horrible something in my room.
00:30:49Are you quite sure it wasn't a nightmare?
00:30:51Oh, it most certainly wasn't.
00:30:54There was no new room, miss.
00:30:56I couldn't find a trace.
00:30:58Shall I look outside?
00:30:59Yes, please do.
00:31:01No one.
00:31:02You see?
00:31:03You think my eyes are playing tricks on me?
00:31:07When a young woman's nurse commenced to give way,
00:31:10it is time she sought refuge in a strong man's arms.
00:31:14I just ran into yours.
00:31:16Mine might be dangerous.
00:31:17You're a strange man.
00:31:24I've been trying to make you out.
00:31:26Quite right.
00:31:27Curiosity killed a cat.
00:31:29Oh.
00:31:30Don't misunderstand.
00:31:32I'm not worth bothering your pretty head about.
00:31:35What if I think differently?
00:31:36Then I would say that you're a silly young creature.
00:31:39Why did we leave the cab down the street and walk?
00:31:42Just a precaution.
00:31:43I still think we should notify the police.
00:31:45After all, we can prove we're Americans.
00:31:47We just can't afford to risk the publicity.
00:31:49I want to see the doctor immediately.
00:32:05I'm very sorry, sir.
00:32:06He's ill, I'll go up to his room.
00:32:07Perhaps I'd better speak to him first.
00:32:19Hey.
00:32:24Which is his room?
00:32:26I won't need you.
00:32:36Saunders.
00:32:38Ryder.
00:32:39Let me in.
00:32:40I've got to talk to you.
00:32:41Go ahead and talk.
00:32:42I'm not seeing anyone.
00:32:44You know, of course, about Kearney.
00:32:46He's dead.
00:32:47Yes, I know.
00:32:48Well, so is Wallace.
00:32:51Van Dyke and I found him in his hotel room.
00:32:53The point is, Van Dyke is breaking.
00:32:56Lost his nerve.
00:32:58Wants to seek protection with the police.
00:33:00There's only one protection against a weakling, Ryder.
00:33:04Take the outside door to my cellar.
00:33:07I needn't tell you more.
00:33:18Solvers is going to meet us in the cellar.
00:33:29Wants to talk to us.
00:33:30I thought he was ill, confined to his room.
00:33:32Only a subterfuge.
00:33:33Who will be?
00:33:34We'll be here.
00:33:47We'll be here.
00:33:51Close the door.
00:34:08Why?
00:34:09Come on.
00:34:10Hurry.
00:34:15You seem to know your way around, Ryder.
00:34:18I was down here once before.
00:34:21I have a strange feeling this is a trap.
00:34:37Where are the lights?
00:34:38Right now.
00:34:40Why isn't Saunders here?
00:34:43The important thing, you're here.
00:34:46You turn weakling, Van Dyke.
00:34:49We can't afford to take any chances with you.
00:34:51You turn weakling, Van Dyke.
00:35:00Come on.
00:35:05Come on.
00:35:07You were both very accommodating, Mr. Ryder.
00:36:37I don't know what it's all about, but I like it.
00:36:41There's a body in the basement.
00:36:43A what?
00:36:44A body.
00:36:45Right by the cell of Sayers.
00:36:46I stumbled over it.
00:36:47Let's take a look.
00:36:48It was right here.
00:37:03Isn't there now?
00:37:04Let's get out of here.
00:37:15Oh, Alice, there's nothing to be frightened of.
00:37:17Well, I don't like it.
00:37:19Come on.
00:37:19Come on.
00:37:20Come on.
00:37:20Let's get out of here.
00:37:21Come on.
00:37:22Come on.
00:37:23Come on.
00:37:24Come on.
00:37:24Come on.
00:37:25Come on.
00:37:25Come on, sir.
00:37:25I can't understand it.
00:37:51I know I stumbled over something.
00:37:53Maybe I'm going dafty.
00:37:54Well, here's something else that's darn queer.
00:37:56This man, Wallace, was another guest of your uncle's.
00:37:59That makes two of me.
00:38:01Well, this is terrible.
00:38:03Stevens, where have you been?
00:38:04In the dining room, sir.
00:38:05You haven't been in the cellar, have you?
00:38:07No.
00:38:10Seen this?
00:38:13Boy, that's incredible.
00:38:15I know both about dinner, too.
00:38:18Alice, I'm going upstairs and talk to your uncle if I have to break that door in.
00:38:21It might be better if I spoke to Dr. Saunders.
00:38:24I might have more influence.
00:38:27Monsieur Cologne, I stumbled over a body in the cellar.
00:38:30Still there?
00:38:31No, it disappeared.
00:38:32Perhaps it is your nerves, I guess.
00:38:34There's nothing wrong with Miss Saunders' nerves.
00:38:36Of course not.
00:38:37Come on, Alice.
00:38:39A body in the cellar?
00:38:40Oh.
00:39:01You see that?
00:39:02Uncle Bill!
00:39:09Uncle Bill!
00:39:10Uncle Bill!
00:39:11Uncle Bill, I have to see you.
00:39:12Something terrible has happened.
00:39:13I'm very tired, dear.
00:39:15Please don't disturb me.
00:39:16Dr. Saunders, two of your friends who were here last night are dead.
00:39:19That's most unfortunate.
00:39:21Heart failure, probably.
00:39:23I know, Uncle, but there's someone dead down in our cellar.
00:39:26Alice, I'm afraid your imagination is running away with you.
00:39:29No, it isn't.
00:39:31Alice, I insist you allow no disturbance to be made.
00:39:34My own condition won't stand it.
00:39:36Matters are quite all right in the house.
00:39:39But, Uncle...
00:39:40Please obey me, Alice.
00:39:43Very well.
00:39:49That door always been locked since you've been here?
00:39:51Yes.
00:39:52Well, haven't you even seen them?
00:39:53No, I haven't.
00:39:54Who takes care of them, feeds them?
00:39:56Stevens or Monsieur Cologne?
00:39:59That's a fine pair.
00:40:00I don't like either one.
00:40:03I'm gonna take you out of here.
00:40:04It's too dangerous.
00:40:05I'm not frightened.
00:40:06I'll be all right.
00:40:07If anything happens, you take and call me here.
00:40:10All right.
00:40:11Good night.
00:40:12Good night.
00:40:13Good night.
00:40:26Good night, young man.
00:40:28Good night, Monsieur.
00:40:29Good night, Monsieur.
00:40:56Good night, levee.
00:40:57Good night.
00:40:58Mr.
00:41:00Good night.
00:41:20Hold it up.
00:41:21One side.
00:41:44Two more.
00:41:47And it was right here I found the body of Mr. Kearney.
00:41:50And just about this time.
00:41:53Oh, I'll tell you this time.
00:41:55It's murder.
00:41:57Jack Daggers.
00:41:59Oh, judging by their clothes, they were no tramps either.
00:42:02Well, get busy, officer. Get on the phone.
00:42:04Right.
00:42:14All right.
00:42:15But Stevens the butler has disappeared.
00:42:17Do you have any idea where he could have gone?
00:42:19No, he just hasn't come back.
00:42:23Okay, Ellis, watch your step and I'll be over as soon as I can.
00:42:27That's a lot of bunk, I got you.
00:42:28Miss Saunders says the butler has disappeared.
00:42:30Well, this is one time I refuse to suspect the butler in the case.
00:42:33There's no doubt those men found that the Jap embassy were murdered,
00:42:36but what do you make of those two daggers in their hands?
00:42:39Well, it adds up to only one thing.
00:42:41The man who did the job was also responsible for the Kearney and Wallace murders.
00:42:45Who was the best guest at Saunders' house that evening?
00:42:48Hanlon, the backer.
00:42:50Oh, I think I see what you're driving at.
00:42:52It may only be a hunch, but if we take Hanlon to Dr. Saunders,
00:42:55we may force the real murderer out into the open.
00:43:00Suppose you grab a plane, Dick, and have a little talk with this Hanlon.
00:43:04Point out to him the danger that he's in and see if you can get him to come to Washington with you.
00:43:08Yes?
00:43:24Mr. Hanlon, a special delivery letter for you.
00:43:27And since the envelope has a black border, I thought you would want it immediately.
00:43:31Bring it in.
00:43:38Hello?
00:43:39Come on, miss.
00:43:44Come on!
00:43:45Yeah!
00:43:46If you come down.
00:43:47All right.
00:43:48Let's take a moment here.
00:43:49All right.
00:43:50Come on.
00:43:51A overhead pattern of legomen is called Hallstarлан.
00:43:52You must take our OhlanaФillie.
00:43:53Take your OhlanaFillie.
00:43:55And Strongbow, here's deadali.
00:43:56Pull down!
00:43:57From There!
00:43:58Come on!
00:43:59Put this.
00:44:01As stand there!
00:44:02Bald gun!
00:44:03節.
00:44:04We've got some throw!
00:44:05It's going out!
00:44:06I said just will keep it going.
00:44:07The End
00:44:37Alice, will you marry me?
00:44:43What for?
00:44:44So I can beat you up.
00:44:45It's the only way I can get you out of here.
00:44:48Say, has the butler shown up yet?
00:44:50No, he's probably frightened and quit his job.
00:44:52Alice, you were right.
00:44:53There was a body in the cellar last night.
00:44:55You know that?
00:44:56I'm positive of it.
00:44:57Only there were two bodies.
00:44:59They were found on the steps of the Japanese embassy with a dagger clutch in each hand.
00:45:03And they weren't killed there.
00:45:04Their bodies were dumped there.
00:45:06Why should you think they came from here?
00:45:08There were two more of your uncle's dinner guests who were here that night.
00:45:13Mr. Martin, I found this note in the dining room from the butler.
00:45:20It's Stevens.
00:45:21He's gone to see a sick friend.
00:45:23A brand new alibi, eh?
00:45:25You recognize the handwriting?
00:45:27No.
00:45:27Yes, I recognize it.
00:45:29You would.
00:45:31You doubt me?
00:45:31I'm not accusing anyone, Cologne.
00:45:34All I know is that four men are dead under mysterious circumstances after leaving this house.
00:45:39Possible coincidence.
00:45:41But most unfortunate.
00:45:42Yes.
00:45:43There's only one guest left alive.
00:45:45Hanlon.
00:45:46Let us hope that Mr. Hanlon escapes the fate of the others.
00:45:51Yeah.
00:45:52Get your hat, Alice.
00:45:53Why, as long as Monsieur Cologne is here, I feel perfectly safe.
00:45:59So long.
00:46:06Nice fellow.
00:46:08I hope you'll be happy.
00:46:09Goodbye.
00:46:10You're leaving?
00:46:12Yes, I must.
00:46:13It's most unfortunate that your uncle will understand.
00:46:16Well, will we see you again?
00:46:18Who knows in this crazy world?
00:46:48All right, come on, Cologne.
00:47:13Come on.
00:47:18Well, that gentleman is my considered decision.
00:47:27This institution will not lend its support to any company, even in this emergency, which
00:47:32permits itself to be forced into bankruptcy because of the demand of its employees.
00:47:39What is it?
00:47:41There's a gentleman here to see you.
00:47:42No, I'm too busy.
00:47:44I think you should see this man immediately, Mr. Hanlon.
00:47:46Very well.
00:47:51There, there, gentlemen.
00:47:52You see what a slave, even a banker, can be to his secretary.
00:47:56We'll continue this talk after lunch.
00:47:58Mr. Hanlon?
00:48:12Yes?
00:48:12I'm Dick Marvel.
00:48:15Sit down, Mr. Hanlon.
00:48:16I don't have to tell you, Mr. Hanlon, but in the past 48 hours, four of your friends have died.
00:48:22Well, I'm not exactly illiterate.
00:48:24But, you know, I can read the newspapers.
00:48:26I gather you're not frightened either.
00:48:28A busy man has very little time to indulge in feminine emotions.
00:48:33Just what do you want?
00:48:34I'm hearing your interest, Mr. Hanlon, and possibly the interest of this country.
00:48:38In the present emergency, we can't afford to lose any of the much-needed business leaders.
00:48:42And do you think my life is in danger?
00:48:45I'm almost certain of it.
00:48:50Here's something I received in the morning mail.
00:48:53I hadn't intended to speak of it.
00:48:56Do you have any idea who the murderer or murderers might be?
00:49:00I do not.
00:49:02If I had, I would inform the police.
00:49:04Of course.
00:49:05As a good American, Mr. Hanlon, possibly you will be willing to cooperate with our department in trapping the criminals.
00:49:12Just what have you in your mind?
00:49:15Well, we're reasonably certain that these killings have occurred in or near Dr. Saunders' home in Washington.
00:49:21I see.
00:49:22And you want me to act as a decoy or bait.
00:49:25Is that it?
00:49:26Of course.
00:49:27There will be danger.
00:49:28Well, I'm not afraid of danger.
00:49:30I'd like very much to meet this murderer.
00:49:35Even more than you.
00:49:37Good.
00:49:37We'll take the first plane back to Washington.
00:49:39May I use that phone?
00:49:52Chief, you cover the inside of the house.
00:49:54Be sure you keep your eye on Hanlon.
00:49:55I'll take the outside.
00:50:00In there, Hanlon.
00:50:17All right, let's have a look at upstairs.
00:50:19You're not going to leave me here alone.
00:50:21He'll be here with you.
00:50:30This is Cologne's room.
00:50:33You mean it was?
00:50:35This is Saunders.
00:50:39All right, Saunders.
00:50:40Come on out or we're coming in.
00:50:46I thought you said this was always locked.
00:50:48It always has been.
00:51:00I thought so.
00:51:17So they're messing you up too, are you, old-timer?
00:51:21Any other rooms?
00:51:22No.
00:51:23Savings quarters?
00:51:24Anything like that?
00:51:25One small one downstairs.
00:51:26Yes.
00:51:27Listen, Chief.
00:51:32Oh, don't talk to me.
00:51:33You've messed up everything as it is.
00:51:35Take it easy, Stevens.
00:51:38Over there on the couch.
00:51:41No, no, no.
00:51:42No, I'm all right.
00:51:44Who is this?
00:51:45Stevens, the missing butler.
00:51:47What happened to you?
00:51:48He was slugged and tied up in the basement.
00:51:50You didn't happen to do that to yourself, did you?
00:51:52Why, no, sir.
00:51:52I...
00:51:53Stevens, did you write this?
00:51:55No.
00:51:56Hello, McGinn.
00:51:58Or Dr. Sanders, who also disappeared.
00:52:01Saunders missing?
00:52:02Yeah.
00:52:03What do you know about that?
00:52:05Why, nothing, sir.
00:52:07Who fed him?
00:52:08Well, I did.
00:52:09What illness was he suffering from?
00:52:11Well, I don't know, sir.
00:52:12When I brought him his food, he always spoke from an anti-room or a dark corner.
00:52:16You couldn't have possibly have sneaked in there just once and fed him, could you?
00:52:19Well, I...
00:52:20Yeah, you fell down on the job.
00:52:22Who, Miss Saunders?
00:52:23Oh, Miss Saunders, my eye, she's my best girl.
00:52:26Your best girl?
00:52:27My best girl operator.
00:52:28Or was.
00:52:30So you're a flatfoot, eh?
00:52:32How well did you know Saunders?
00:52:34I knew him slightly in a business way.
00:52:37Did you know that he was supposed to have mysteriously disappeared from a ship in the
00:52:40Orient ten years ago?
00:52:41Why, that's ridiculous.
00:52:42Something new, Chief?
00:52:44Oh, this is something old.
00:52:46See, the real Miss Saunders came to my office.
00:52:48She's been living abroad for the last ten years on the legacy.
00:52:51When she saw this picture of her uncle in the paper, she figured something was wrong.
00:52:54Well, I figured if somebody was posing as her uncle, I could put someone...
00:52:57This has nothing to do with me.
00:52:58I'm leaving.
00:52:59Oh, sit down.
00:53:13We'll find out who you are by twelve o'clock.
00:53:17Better get him a drink.
00:53:19I'll get him.
00:53:19At last we meet.
00:53:37And then, shall I call you?
00:53:41That's what was in my room.
00:53:49Who are you?
00:53:49Hey, Dr. Saunders.
00:53:51Hang him in there.
00:53:54All right, Doc.
00:53:55Take it easy.
00:53:55Cologne.
00:53:56Cologne.
00:53:57Look out for Cologne.
00:54:08Hold it, fella.
00:54:11Do you know him?
00:54:12Sure, it's Cologne.
00:54:15Well, it looks like we're too late.
00:54:16At least your hunch was late.
00:54:17All right, come on, you.
00:54:25Is this your man back?
00:54:27Yes, yes.
00:54:28He's a man.
00:54:30That's Dr. Neltzer.
00:54:32Elias, we should be alone.
00:54:34He's mad.
00:54:35Mad?
00:54:35Mad?
00:54:36Who will be mad?
00:54:38It all started some time ago in my homeland.
00:54:40I'll hit the road.
00:54:51I'll hit the road.
00:54:51I'll hit the road.
00:54:51I'll hit the road.
00:54:57It was considerate of your Fuhrer to permit you to come here to serve us.
00:55:07Your famous plastic surgeon is well known in land of rising sun.
00:55:16This is my first request of wholesale surgery.
00:55:20Are these my subjects?
00:55:22Yes.
00:55:24All trusted members of the Order of Black Dragons, ready to serve Empire until death.
00:55:41And Americans, they are to impersonate. You have photos of them. I will need many angles.
00:55:47Better than that.
00:55:50We have perfect replicus. Death mask.
00:55:57Oh, good. I shall be ready to operate as soon as the surgery is prepared.
00:56:03Very well.
00:56:05This is Dr. Narcucci. He will assist you.
00:56:09This way, Herr Doctor.
00:56:46Mr. Narcucci.
00:56:52Oh, no.
00:56:54Mr. Narcucci.
00:56:55Oh, no.
00:56:58There is no room.
00:57:00We are waiting for the dressers to complete the dressers.
00:57:02We should not be able to follow the dressers.
00:57:05If not, it's the dressers that are complete.
00:57:06You may come to the dressers.
00:57:07We will find the dressers.
00:57:08Once we have a dresser.
00:57:09We will see the dressers.
00:57:10Let's see what we have.
00:57:41Remove your robes.
00:57:52The transformation is complete.
00:58:06Our faith in your ability was well-founded, honorable doctor.
00:58:15We owe you and your Fuhrer our dying gratitude for what you have done for us.
00:58:27Anything I can do to hasten the establishment of our new order and to destroy the archaic democracies
00:58:34is an honor and a privilege.
00:58:36Well, you accompany these men and they will see that you are fittingly rewarded.
00:58:56Good way here, doctor.
00:59:03What's the meaning of this?
00:59:05I'm a member of the party.
00:59:06The Fuhrer will hear of this.
00:59:07That's just what we're going to prevent.
00:59:12The little trick we learned from you, Nazi.
00:59:13Leave no evidence behind.
00:59:14Let no sentimentality stand in your way.
00:59:15You're the only one who knows our real identity.
00:59:16This is merely a precaution to make sure that no one else finds them out.
00:59:21All right.
00:59:22Sorry we have to ask you to share these quarters with someone else.
00:59:26I'm sorry we have to ask you to share these quarters with someone else.
00:59:44Sorry we have to ask you to share these quarters with someone else.
00:59:49But he won't be with us for long, Herr Doctor.
00:59:59You will pay for this, you apes!
01:00:02You swine!
01:00:04The Fuhrer will wipe you off the face of the earth!
01:00:19So you get out of here, huh?
01:00:49He evidently made good his escape to America and set out to kill us one by one.
01:00:54Why didn't you kill one by the other?
01:00:56Oh, I was necessary to the completion of his plans.
01:01:00Instead, he inoculated me with an insidious serum,
01:01:04which quickly transformed me into this horrid monster you see before you.
01:01:13And you must go on living.
01:01:17No!
01:01:18No!
01:01:19No!
01:01:20No!
01:01:21No!
01:01:22No!
01:01:23Yes!
01:01:27THE END
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