- 2 days ago
Secrets of the Haunted Sea is a classic mystery film set against the backdrop of a dark and eerie ocean. Strange events unfold as hidden truths emerge from the depths, blending suspense, adventure, and old-school cinematic atmosphere.
This timeless film delivers intrigue and tension through its haunting setting, unexpected twists, and vintage storytelling style. A must-watch for fans of classic mystery and sea-based adventure films.
This timeless film delivers intrigue and tension through its haunting setting, unexpected twists, and vintage storytelling style. A must-watch for fans of classic mystery and sea-based adventure films.
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Short filmTranscript
00:00:00I
00:00:30THE END
00:01:00THE END
00:01:30THE END
00:02:00I had to go to the Santa Domingo bar, and I had to find Agent XK120, whom I'd never met.
00:02:26I looked around the room.
00:02:46Long training and my own instinct told me that the girl sitting at the table seemed the most likely prospect.
00:02:53The END
00:03:00The King is dead.
00:03:25Long lives the King.
00:03:28The King is dead.
00:03:35Is that supposed to be a political remark?
00:03:37I don't know anything about politics.
00:03:40Do you play?
00:03:41I never work, if I can help you.
00:03:44I meant chess.
00:03:46It's a very interesting game.
00:03:48So is this one we're playing.
00:03:50Would you like a drink?
00:03:52I wouldn't mind.
00:03:53Waiter, bring us a bottle of Chateau Marmont, 1907.
00:04:001911 was a better year.
00:04:041911 a day.
00:04:06We don't have any Chateau Marmont, but we have a good Chateau Rial in 1922.
00:04:11Forget it.
00:04:12Make it a couple of rum columns, kilo 58.
00:04:18I had to be sure it was you.
00:04:21XK120?
00:04:22Right.
00:04:23Please await her.
00:04:24One of them.
00:04:25Thinks I'm on their side.
00:04:26She was beautiful.
00:04:27I could have killed myself for wearing this stupid disguise.
00:04:30Now she would never know me as I really am.
00:04:32I'm leaving tonight.
00:04:33We'll keep in touch by radio.
00:04:34You have the code.
00:04:35And you point us back.
00:04:36Yes.
00:04:37And you point us back.
00:04:38And you point us back.
00:04:39Yes.
00:04:40And you point us back.
00:04:41Yes.
00:04:42I mean point us back.
00:04:43And you point us back.
00:04:44I've got my Dakota in Leme.
00:04:45Right.
00:04:46Pay no attention to me when I leave.
00:04:47Right.
00:04:48Right.
00:04:49You send me to my dad.
00:04:50You send me to where they are.
00:04:52And I wash my falsely eyes.
00:04:54And I laugh my Freunde.
00:04:57I let go.
00:04:58And I want to keep in touch.
00:05:01Take care.
00:05:02Feel the dress.
00:05:05Won't you then kiss me goodbye?
00:05:11Right.
00:08:19Well.
00:08:21Bye.
00:08:22But of course in order to finance our great counter revolution it has been necessary for
00:08:29us to steal the Cuban treasurer.
00:08:33Shut up.
00:08:34Let us proceed.
00:08:37You are going to lose your casino so you will be leaving Cuba anyway.
00:08:42You have a big yad and you can leave anytime you wish such as immediately.
00:08:46Therefore, I'm going to entrust you a solemn trust.
00:08:49Here we have one fourth of the Cuban treasure.
00:08:52Yulbrook, General Tostada,
00:08:55Coronel Cabeza Grande, and a squad of men will proceed to Ciudad Trujillo.
00:08:59There you'll wait for us to contact you and relieve you of the money.
00:09:02One fifth of which will be paid to you. Do you understand?
00:09:05I get the whole picture.
00:09:07Now you do the rest. Señores?
00:09:16General Tostada, Coronel Cabeza Grande,
00:09:22Señor Renzo Capetto, y...
00:09:24My name is Happy Jack Monahan. Glad to meet you, Jim.
00:09:27Mis buenos amigos americanos.
00:09:29Nos cabe el honor de preservar el honor del honor cubano.
00:09:33En un solemne acto de confianza han confiado en nuestras confiables manos
00:09:38ese botín con el cual reconstruiremos todo lo que Castro piensa construir.
00:09:43Yo saludo.
00:09:46And now, the gold.
00:10:11You two had better get into the car.
00:10:13The general doesn't know any English, Señor Capetto.
00:10:16I'll be his translator for you.
00:10:19Bueno?
00:10:20Bueno.
00:10:21Bueno.
00:10:22Métanse al auto.
00:10:24Now it's time to go.
00:10:26Adios.
00:10:27Adios.
00:10:28I'll see you later, huh?
00:10:29Cance.
00:10:30I'll see you later.
00:10:31I'll see you later.
00:10:32I'll see you later, huh?
00:10:34I'll see you later.
00:10:35I'm sorry, sir.
00:10:36I'll call you later.
00:10:37You guys in the east, huh?
00:10:38I can't see you later.
00:10:39Go, don't you.
00:10:40You, my brother!
00:10:42What's my secret when I was born with a blackbird?
00:10:44No, I'm sorry...
00:10:46Let's go!
00:11:16The first move and the great conspiracy had been made.
00:11:34The Cuban treasury was now in the gentle hands of Renzo Capetto,
00:11:39the most trustworthy man ever to be deported from Sicily.
00:11:42They thought they were smart.
00:11:43But little did they know that I, Sparks Moran, was an American agent.
00:11:48Luckily, I had been able to work my way into the crew
00:11:51by posing as a notorious gun machine burglar from Chicago.
00:11:56My real name is XK-150.
00:11:58Hey, you.
00:12:00Come on down here and help with this.
00:12:02How'd it go, Fusty?
00:12:05We had a hairy little chase, but we got the stuff.
00:12:08Crazy.
00:12:09Hey, Colonel Grande, you can bring your men aboard.
00:12:11What happens with all that mob?
00:12:15I don't know.
00:12:16I thought we'd just have an officer or two,
00:12:18but it looks like we're going to have a little difficulty.
00:12:22You don't think of a way to remove them and grab that loot.
00:12:27Because you're my big, strong, swinging brain.
00:12:32You're sweet, baby.
00:12:33Hi, Tish.
00:12:40Hi, baby doll.
00:12:42Did they scare you?
00:12:43Ah, just a little.
00:12:45Oh.
00:12:45All right, boys.
00:12:46Get ready to go.
00:12:48Pete, take the wheel.
00:12:50Jack, you and Clarks, Sparks, get ready to cast off.
00:12:56Well, well, this is a beautiful night for sailing.
00:13:12And so we left Cuba forever.
00:13:15Sailing the most astounding adventure to be inflicted upon man.
00:13:19And what a group we were.
00:13:22The big cheese was Renzo Capetto, alias Capo Rosetto, alias Rato Pizzetti, alias Zeppo Staccato, alias Shirley Lamour.
00:13:33At 15, he served his first stretch for rolling a drunk in the lobby of the Waldorf Astoria New Year's Eve, 1934.
00:13:40In 1940, he was involved in an unsuccessful attempt to nominate Benito Mussolini for the Republican ticket.
00:13:49During the war, he was rejected by the Navy, Marines, and the SS.
00:13:53Now deported, he has retained his contacts with a syndicate and is still regarded as a dangerous character.
00:14:03Mary Bell Monaghan, alias Mary Monaghan Bell, alias Bell Mary Monaghan, alias Monaghan Mary.
00:14:10They say she was a gun mall just because Lucky Luciano gave her a Rolls Royce every Christmas.
00:14:16And they can't really prove that she sneaked into the Hollywood Bowl with a Tommy gun and rubbed out the convention of police chiefs in 1956.
00:14:22Oh, I know that she got nailed cold when she was pushing heroin in the laundry room in Boys Town.
00:14:28But I'm willing to give anyone the benefit of the doubt.
00:14:32Especially when she's as crazy looking as Mary Bell.
00:14:34Well, this is Happy Jack Monaghan.
00:14:38So called because he developed a muscle spasm in his cheeks from watching too many Humphrey Bogart pictures.
00:14:44Happy Jack's record is brief.
00:14:46His only crimes having been committed after his sister, Mary Bell, talked Renzo into giving him a job.
00:14:53Up until that time, Happy Jack had been a tennis bum.
00:14:56Sleeping under the bleachers at Forest Hills and mooching nickels in the BMT subway.
00:15:01Since taking up with Renzo, he has become a well-known dice loader and murderer.
00:15:06The most number of the dark quartet is Pete Peterson, Jr., son of Pete Peterson, Sr., famed vaudeville bird mimic.
00:15:14Pete, Jr. inherited his father's talent for animal imitations, but unfortunately blew his brain out of whack while imitating a whooping crane at the Elf Convention picnic in Oshkosh in 1942.
00:15:25Since then, anyone has been able to convince Pete of anything.
00:15:29Renzo found him struggling along as a pickpocket at Jones Beach and took him with him in his exile.
00:15:36Since then, he has been Renzo's faithful servant, shining his shoes and rubbing out his enemies.
00:15:41In return, Renzo permits him to imitate any animal that comes into his head.
00:15:45That, for instance, was the mating call of the Himalayan yak.
00:15:56There they are, my shipmates.
00:16:00I didn't know where they were taking those unsuspecting Cubans, but I knew they were taking them.
00:16:04And so, with grim faces, we set our helm against the perilous future.
00:16:09Okay, now, before I begin, does anyone have anything to say?
00:16:22Pete?
00:16:24How about you, Jack? What do you think we should do?
00:16:28You, huh?
00:16:29Oh, now, honey, is there any way for Maribel's big man to talk?
00:16:33Now, look, we've got to get rid of at least half of these Cubans without making the rest of them suspicious.
00:16:45There used to be a Cuban fisherman by the name of Hemingway.
00:16:50He got hooked on a sea monster in these waters a couple of years ago, and he was dragged for miles.
00:16:56He's got a lot of publicity.
00:16:57We're going to show these boys the greatest sea monster they ever saw in their lives.
00:17:04Jack, in my trunk, there's some garden rakes used for weeding tomatoes.
00:17:09You get them and sharpen them like scalpers.
00:17:13Pete?
00:17:13You mix up a mess of olive oil and green ink and snag some seaweed from over the side.
00:17:20Now, Jack, what are you going to do?
00:17:23Sharpen up the garden rakes?
00:17:25Good boy.
00:17:26Pete?
00:17:27How about you?
00:17:31Does he have to do that?
00:17:34All right, Jack, Peter.
00:17:35We've had a good life together, haven't we, baby?
00:18:01You know it, folks.
00:18:02Winters in Tijuana, cellars in Cicero.
00:18:10Remember that wonderful trip we took to Monte Carlo?
00:18:14You mean it's time we heisted all those hundred-dollar chips?
00:18:17Sure.
00:18:20I'll admit, I couldn't really hear anything through that door, but I was sure they were up to no good.
00:18:25I knew it was up to me to stop them.
00:18:29Now we're off again to Potts' unknown.
00:18:32It's like a second honeymoon.
00:18:36You know something?
00:18:38We ought to get married.
00:18:41Now don't be a drag, baby.
00:18:42How much jack do you think's in that strong box?
00:18:49There's plenty of Cuban sugar, though.
00:18:51What are we going to do with all of it?
00:18:52Oh, no.
00:18:57I always wanted to open up a home for the ages of hoodlums.
00:19:04Baby, you got a heart as big as all I thought was.
00:19:08A government agent lives in constant peril.
00:19:22I devised my undetectable radio set using simulated hot dogs for knobs and tubes inside of dill pickles
00:19:29while watching a number of sewer workmen during lunch hours.
00:19:33It comes in mighty handy, believe you me.
00:19:37One little slip and I could be headed for Davy Jones' locker.
00:19:40Hello, Havana.
00:19:44This is Agent XK-150.
00:19:47Over.
00:19:49I'm making my first official report.
00:19:53So far, not too much has happened.
00:19:56But I'm anticipating.
00:19:58Renzo Capetto and his gang are on board as suspected.
00:20:01I am with them.
00:20:02I will call you again soon, one of them dead.
00:20:06Agent XK-150, signing off.
00:20:15What's happening?
00:20:17Just having a bite.
00:20:22Gee, that looks good.
00:20:24Do you mind if I join you?
00:20:25No.
00:20:32Good morning, encantadora y hermosa.
00:21:01The general says, good morning, you gorgeous, beautiful creature.
00:21:09Would you ask the general to remove himself from my presence?
00:21:16Ella dice que, muy buenos días para usted, mi general.
00:21:21Este para mí es como una flor del mar, como un ángel de Neptuno, sonriéndole al mundo.
00:21:26Ella dice que mi general es un hombre muy digno y de gran empujo.
00:21:49Consulta, expectativa por elFF.
00:21:50Piñuel.
00:21:51No.
00:21:54You must be a glutton for punishment.
00:21:57No.
00:21:57No.
00:22:02No.
00:22:02Oh, now, what do you want?
00:22:10You're too good for this life.
00:22:13You're young and you're innocent.
00:22:14You should get out.
00:22:16All they get are you good.
00:22:20Are you unwell?
00:22:22The getting is great.
00:22:24You're a victim of circumstance.
00:22:27I've tried.
00:22:29Have you tried?
00:22:30You're a crazy mixed-up kid.
00:22:33I am perfectly adjusted to my life of crime.
00:22:36Now, what is your story?
00:22:38Oh, well, you see, I'm beyond help, but you're not.
00:22:40You can find a clean young man to marry and...
00:22:43I haven't got the time.
00:22:45But I can help you, Mary Bell.
00:22:48You can turn blue.
00:22:50Don't worry, Mary Bell.
00:22:52I'll save you.
00:22:54I die.
00:22:57That's a comforting alternative.
00:23:02A secret agent should never sleep, but there I was, dreaming of Mom's apple pie, while up on deck, Renzo and his cutthroats were taking the first step, killing an innocent Cuban, and pretending some imaginary monster did it just so they would be panicked into changing course, so that Renzo could steer them to his own picked destination.
00:23:28Please wait one minute, then give the alarm.
00:23:38Please wait one minute, then give the alarm.
00:23:52But what none of us knew was that the monster invented by Renzo had already been invented by somebody else.
00:24:05By a couple of other monsters, I guess.
00:24:08Now, please, my heart, enter the demarry...
00:24:21Ah!
00:24:22I've been través of the monster!
00:24:23Ah!
00:24:24Ah!
00:24:24Ah!
00:24:25Ah!
00:24:25Ah!
00:24:26Ah!
00:24:30Help!
00:24:31P-P-Police, my heart!
00:24:33End of the demise!
00:24:34Ah!
00:24:35What did he say?
00:24:55Did you know this what happened?
00:24:57Well, I have an idea, if you'd like to hear.
00:25:00Please go ahead.
00:25:02Well, I don't think it was anything human that killed your soldiers.
00:25:07I've seen the tracks and the claw wounds on their bodies.
00:25:12Now, in my studied opinion, those soldiers were attacked by some weird creature from the sea.
00:25:19Came in, did your boys in, and vanished with them.
00:25:23That was so funny.
00:25:28That creature...
00:25:30How silly.
00:25:31Did you really think it is...
00:25:33What is the grave?
00:25:35This stupid gringo thinks Alejandro killed him a monster that came out of the...
00:25:42Silence.
00:25:44This stupid gringo is right.
00:25:47You're right.
00:25:48You're right.
00:25:49You're right.
00:25:50It is the monster.
00:25:52The monster.
00:25:53This water is dangerous.
00:25:54This is how you get a new...
00:25:55You're right.
00:25:56You're right, recognize the monster.
00:25:57This monster is dangerous.
00:25:58Well, uh...
00:25:59The general says, uh...
00:26:02You're right.
00:26:03It is the monster.
00:26:04These rocks are very dangerous.
00:26:06Let's move on to a new road.
00:26:08The general says these waters are very dangerous, so we must flood it, no coal.
00:26:12are very dangerous, so we must flood a new course.
00:26:16Maybe west a la derecha.
00:26:18Ya.
00:26:19De frente.
00:26:20Marche.
00:26:27Catch that?
00:26:29Our brave General Tosaro didn't miss an excuse
00:26:33to blow the trip and change course.
00:26:35You think he's got a glint in his eye?
00:26:39Pure gold.
00:26:42Maybe one when I have to knock them all off.
00:26:45Ah.
00:26:47You boys are getting careless.
00:26:48I told you to kill one, not two.
00:26:51What's that?
00:26:51I can't just count.
00:26:54OK, Pete.
00:26:56I'll take the wheel.
00:26:58Gio, I thought it was only one.
00:27:01Well, I can't think it's a dollar.
00:27:05So we were going somewhere I didn't know.
00:27:08Washington didn't know.
00:27:09Renzo didn't know.
00:27:11We all had to find out.
00:27:13Now, gentlemen, I think we ought to make our decision.
00:27:16It's called.
00:27:17It's called.
00:27:18Woo!
00:27:19Woo!
00:27:20Sorry, Pete.
00:27:21Now, has anybody got an idea?
00:27:23About what?
00:27:24About where we're going.
00:27:25I thought it was for Ciudad Trujillo we were going.
00:27:26I don't know.
00:27:27That's been changed.
00:27:28Well, General Tostado thinks we ought to change course in order to escape the monster.
00:27:39Por fin, donde vamos, General?
00:27:40Caracas, Venezuela.
00:27:41No.
00:27:42Oh, no, no.
00:27:43I think we ought to go to...
00:27:44Let's go to India.
00:27:45I've always wanted to go to India.
00:27:46I've always wanted to go to India.
00:27:47Actually, I think we ought to go to Cannes.
00:27:48It's really strange this time of the year.
00:27:49Well, you're a lesson.
00:27:50It's strange, my friend.
00:27:51I always had a secret desire.
00:27:52I always wanted to go to Bali, you know.
00:27:53Bali?
00:27:54Bali!
00:27:55Bali!
00:27:56Bali!
00:27:57Bali!
00:27:58Bali!
00:27:59Bali!
00:28:00Bali!
00:28:01We are not going to Bali.
00:28:02Caracas, Venezuela.
00:28:03No.
00:28:04Please tell the General that I am convinced we ought to go to San Juan, Puerto Rico.
00:28:21He says he is convinced the only place to go to San Juan, Puerto Rico.
00:28:28This is Agent XK-150 calling Agent XK-120 via 190 SL.
00:28:37Come in, Nevada.
00:28:38Now, the first thing we've got to think about is to escape this stinky monster.
00:28:43Now, if you take a look at the chart, you'll notice there's a lot of deep water just north
00:28:47of Puerto Rico.
00:28:48Too deep for the monster to live in.
00:28:50Well, how do you know he can't live in deep water?
00:28:54Because of his feet.
00:28:55He's a walker and he's got to stay at the bottom.
00:28:58Now, right, stupid?
00:28:59Right, stupid.
00:29:01Now, when we get to Puerto Rico, we'll take the strong box ashore.
00:29:05Now, as an American, I won't be noticed.
00:29:08I'll take a plane up to see a Dr. Trujillo.
00:29:11Take the box with me.
00:29:13I can say unequivocally without the slightest qualm of doubt that this gang is...
00:29:19heading for the valley.
00:29:22I think the government should watch for us at the Panama Canal.
00:29:26Over.
00:29:27The general says if it's alright, we may go to Puerto Rico.
00:29:34But, he won't keep the strong box out of his sight.
00:29:38Okay, it's a deal.
00:29:41There it is.
00:29:45What do you think of it, Sparks?
00:29:57Looks like a Portuguese fishing vessel to me.
00:30:00Third guess.
00:30:02But you're around.
00:30:04The Cuban Coast Guard.
00:30:07Looks like they're coming this way.
00:30:10Maybe they're looking for the gold.
00:30:13Hey, Pete.
00:30:14Tell Sir Starlin and his men to stay below.
00:30:17Sparks, you can catch a fish.
00:30:21Everybody keep your guns handy.
00:30:23I don't have any guns.
00:30:25Maribel.
00:30:26Give them one of your guns.
00:30:28Ow!
00:30:29Give them one of your guns, Maribel.
00:30:40Now, let's appear casual.
00:30:42Maribel, sing a song.
00:30:43Oh, kiss me, baby.
00:31:01I'll make you forget what you've got on your mind.
00:31:15Don't kiss me.
00:31:18Oh, kiss me.
00:31:19Don't kiss me.
00:31:19Don't kiss me.
00:31:21I'll make you forget what you've got on your mind.
00:31:23Oh, kiss me.
00:31:28Kiss my foliage
00:31:31Then I'll leave it
00:31:39So kiss them, baby
00:31:46They'll make you forget the war
00:31:54Remember somewhere
00:32:00In 52
00:32:04I met you somewhere
00:32:11In 52
00:32:15You kissed me somewhere
00:32:22Oh, mother, dear
00:32:28Oh, kiss me, baby
00:32:36Don't you make me mad
00:32:42I can make you forget
00:32:50All that you never had
00:32:57Oh, kiss me, baby
00:33:04I am the deepest
00:33:10You ever wanted me
00:33:18And that creature
00:33:30From the haunted sea
00:33:33You never need
00:33:38Oh, kiss me, baby
00:33:43Ahoy there
00:33:44You're looking for some bones
00:33:46That was stole from the field of Cuba
00:33:48Oh, kiss me, baby
00:33:54Come here
00:33:58I don't think you've got any authority to search this ship
00:34:13I think this gives us the authority to search this boat
00:34:20Unless you see there's nothing on board
00:34:30I haven't seen anything
00:34:34I'm gonna take a look down below
00:34:35He didn't sound like a Cuban to me
00:34:37I figured in this situation
00:34:40I'd better stick with Renzo
00:34:42So I decided to knock out the leader of the Cubans
00:34:44With the fish I had on the end of my line
00:34:46Sparks!
00:35:00Hey, good work, Pete
00:35:01Listen, we better check the boat
00:35:03And see if there's any others
00:35:04Oh, kiss me
00:35:06Maribel, you can stop singing now
00:35:08You have this terrific voice
00:35:14Oh, if I could only push you overboard
00:35:16Your talents are being allowed to molder away
00:35:19Unknown to humanity
00:35:20You could be a star
00:35:23The toast of three continents
00:35:25Your name in life
00:35:26Let me take you away and deliver you
00:35:28I just can't believe that you're real
00:35:32She was madly in love with me
00:35:35Only she didn't know it yet
00:35:36I think it's in Maryland
00:35:45Are we almost there?
00:35:47Oh, about six or eight hours
00:35:49Another lucky shooter
00:35:54Pause the point
00:35:56You're ravishing
00:36:01You're sick
00:36:03Listen, I have a plan
00:36:04As soon as we get there
00:36:06We'll wait for night
00:36:07And when Renzo isn't looking
00:36:09We'll jump off and swim for shore
00:36:12Through shark-infested water
00:36:13So no one will follow us
00:36:15Then we'll steal a sailing dinghy
00:36:17And head for Brazil
00:36:19How do you like it?
00:36:21I think it's grand
00:36:22You ought to do it
00:36:23Well, I meant you too
00:36:26Honey
00:36:26Honey
00:36:27I wouldn't ride on the same bus with you
00:36:31Now, Pete
00:36:34I want you to listen carefully
00:36:36Now
00:36:37On the north coast of the big island
00:36:40There's a teeny speck of land
00:36:42Called La Isla del Boraccio
00:36:45Named after one of Columbus's lieutenants
00:36:48It should be deserted by now
00:36:50Well, we ought to be able to land there, huh?
00:36:54Good
00:36:55Now
00:36:56There's a reef around the island
00:36:59And a very narrow opening
00:37:01Which we have to go through
00:37:02I am going to
00:37:04Run this yacht on the rocks
00:37:07Right at the entrance
00:37:08Now, during the panic
00:37:10We'll take the strongbox
00:37:11Load it on a skiff
00:37:13And head for shore
00:37:14Now, Pete
00:37:15When we get over 30 feet of water
00:37:18I'll give you a signal
00:37:20And then I want you to capsize
00:37:24The boat
00:37:25Do you understand?
00:37:29Later, Pete
00:37:30We'll come back and dive for it
00:37:32Do you understand everything?
00:37:34Sure
00:37:34Uh, we'll hit the rocks
00:37:36And then we'll put the box in the skiff
00:37:39And then we'll dump it over 30 feet of water
00:37:41So we can come back and get it
00:37:42And that's because
00:37:47It's still a natural west run
00:37:48That shouldn't be on board anyway
00:37:50Out of Morocco
00:37:54Look at the reef
00:37:55Reef, they're ahead
00:38:10We're starting through
00:38:11Very well, I won't leave you
00:38:24I'll never leave you
00:38:27Very well, I won't leave you, I'll never leave you, we'll drown together.
00:38:42My life.
00:38:44My, what a short memory.
00:38:47All right, be calm everybody, the boat's insured.
00:39:02I can't do it.
00:39:09I can't do it.
00:39:17I can't do it.
00:39:22I can't do it.
00:39:27Everything went according to plan, the Renzos and the Monsters.
00:39:38Roll, roll, roll your boat gently up the creek.
00:39:53Merrily, merrily, merrily, merrily, I'm going to be sick.
00:40:06You know, this reminds me of one time on Lake Minnetonka.
00:40:09Louise Schmidt and I were paddling along when what do you think happened?
00:40:14General says you have your orders as soon as he can estimate the situation.
00:40:31Well, you can tell our generals.
00:40:33Got to be through giving orders around here.
00:40:38Look, you men have no money and you have no guns and you're on U.S. soil.
00:40:43That's all right, I'm on your side.
00:40:46Peace.
00:40:47I want you to search the items, see if anybody lives here.
00:40:50Jack?
00:40:51You take one of the lifeboats and load ashore.
00:40:54Make your way to San Juan and rent us a fishing boat and plenty of diving gear.
00:40:59Yeah, uh-huh.
00:41:01Come on, boys.
00:41:05Colonel, just even get your men to build us a lean-to or something to keep the rain off.
00:41:12Attention!
00:41:13Come on, baby.
00:41:14Defente!
00:41:15Merrily!
00:41:17Come on, boys.
00:41:18Come on!
00:41:19Come on!
00:41:20Come on!
00:41:21Come on, boys!
00:41:22Come on, boys!
00:41:23Continue to be with the old people.
00:41:24Move up!
00:41:25Move up!
00:41:26Move up!
00:41:27Move up!
00:41:28Move up!
00:41:29Move up!
00:41:30Move up!
00:41:31Move up!
00:41:34Move up!
00:41:35Move up!
00:41:36You sound great?
00:41:37Good day, never-ever.
00:41:38I won't be necessary, baby.
00:41:40Why?
00:41:41Well, the way I figure that these stories may be appropriate,
00:41:43I do not have to save my life.
00:41:44I do not have to save my life.
00:41:45Why?
00:41:46The only way I figure that these Cubans aren't very much at diving.
00:41:50But Jack, Pete, and I are all pretty good spear fishermen.
00:41:54We'll go down, find the strong box, and hide it in a hole in a reef.
00:41:58After that, we'll tell the Cubans that it's no use.
00:42:02And give up.
00:42:04It'll be safe there for months, even years, until we're ready to come back and get it.
00:42:10You like it?
00:42:12Booksy, sometimes you are so smart you make me sick.
00:42:42Hello, operator. Get me Havana, Cuba. 652-314.
00:42:58Uh...
00:43:04Hello, operator.
00:43:06Get me Havana, Cuba. 652-314.
00:43:10Uh...
00:43:14Cuba.
00:43:16Oh, listen, I don't have the right change, so would you mind charging that to my home phone, which is in Washington, D.C.
00:43:30Uh...
00:43:32In USA, it is 762-691.
00:43:36Uh...
00:43:37Estada Unida, Washington.
00:43:39Uh...
00:43:40Seis...
00:43:41Uh...
00:43:42Cis...
00:43:43Uh...
00:43:44Cis...
00:43:45Duo...
00:43:46Cis...
00:43:47Nueve...
00:43:48Duo...
00:43:49Whatever.
00:43:50Um...
00:43:51Right.
00:43:52Thanks a lot.
00:43:53The service is terrific.
00:43:55Hello, San Domingo Barr.
00:43:57Is there a girl there playing chess?
00:43:59You're right.
00:44:00I want to talk to her.
00:44:01Hello.
00:44:02I'll give you all my utilities and all my railroads for Park Place.
00:44:04Not a chance.
00:44:05Go directly to jail.
00:44:06Do not pass go.
00:44:07Do not collect your $200.
00:44:08XK 120?
00:44:09Right.
00:44:10XK 150?
00:44:11Right.
00:44:12XK 150?
00:44:13Right.
00:44:14Listen, I, uh...
00:44:15I can't really talk now.
00:44:16I don't know exactly what's happening or where I am.
00:44:18But I have the feeling that this case is about to bust wide open.
00:44:21Okay, I'll give you all my utilities and all my railroads for Park Place.
00:44:24Not a chance.
00:44:25Go directly to jail.
00:44:26Do not pass go.
00:44:27Do not collect your $200.
00:44:28XK 120?
00:44:29Right.
00:44:30XK 150?
00:44:31Right.
00:44:32Listen, I, uh...
00:44:33I can't really talk now.
00:44:34I don't know exactly what's happening or where I am.
00:44:36I might open.
00:44:38I can't talk now.
00:44:39Someone's waiting to use the phone.
00:44:40But I'll keep in touch.
00:44:41Did you get that?
00:44:42Repeat the last part of that message.
00:44:45I'll keep in touch.
00:44:48Did you get that?
00:44:51Right.
00:44:52Which way do I turn this Dakota pin?
00:44:54Left.
00:44:55Left?
00:44:56Right.
00:44:57Right.
00:45:06You're kidding.
00:45:29Right.
00:45:30THE END
00:46:00THE END
00:46:30THE END
00:47:00THE END
00:47:30THE END
00:47:32THE END
00:47:34THE END
00:47:36THE END
00:47:38THE END
00:47:40THE END
00:47:42THE END
00:47:46THE END
00:47:48THE END
00:47:50THE END
00:47:52THE END
00:47:56THE END
00:47:58THE END
00:48:00THE END
00:48:02THE END
00:48:04THE END
00:48:10THE END
00:48:12THE END
00:48:14THE END
00:48:20THE END
00:48:22THE END
00:48:24THE END
00:48:30THE END
00:48:32THE END
00:48:34THE END
00:48:40THE END
00:48:42THE END
00:48:44THE END
00:48:50THE END
00:48:52THE END
00:48:54THE END
00:48:56THE END
00:48:58THE END
00:49:00THE END
00:49:02THE END
00:49:04THE END
00:49:08THE END
00:49:10THE END
00:49:12THE END
00:49:14THE END
00:49:18THE END
00:49:20THE END
00:49:22THE END
00:49:24THE END
00:49:26THE END
00:49:28THE END
00:49:29THE END
00:49:30THE END
00:49:56Hey, Clark, Clark.
00:49:59I'm an idiot.
00:50:00Let's keep this thing firm.
00:50:02You all right?
00:50:03Oh, yes.
00:50:07All right, we're ready.
00:50:08We'll keep it on.
00:50:09I don't know, but I'm ready.
00:50:12Vamos, soldados, cubanos.
00:50:15A sumerginos.
00:50:18A sumerginos.
00:50:22Fogo.
00:50:25Fogo.
00:50:26Fogo.
00:50:28Fogo.
00:50:33No.
00:50:35No, gringo.
00:50:37No.
00:50:46Goodbye.
00:50:54Good luck, bookie.
00:50:56THE END
00:51:26THE SEARCH FOR THE STRONG BOX HAD BEGUN, BUT THE SEA WAS CLUTTERED UP WITH CUBANS, DISPERSED BY GENERAL TOSTADA TO SEARCH INDEPENDENTLY. ALL THOSE CUBANS ALONE IN THE DEEPS. THIS WAS A CHANCE FOR RENZO TO AGAIN BECOME THE SEA MONSTER.
00:51:56A LONELY CUBAN HAD FOUND ONE OF THE MANY WRECKS ON THE BOTTOM. AND RENZO HAD FOUND THE LONELY CUBAN.
00:52:08A LONELY CUBAN.
00:52:15THEIR ATTACK WAS CLEANLY EXECUTED.
00:52:22THEIR ATTACK WAS CLEANLY EXECUTED.
00:52:28THE VICTIM WAS DEAD. THE KILLER DELIGHTED.
00:52:32THEIR ATTACK WAS CLEANLY EXECUTED.
00:52:39THE VICTIM WAS DEAD. THE KILLER DELIGHTED.
00:52:44DELIGHTED.
00:52:46BUT NOT SATISFIED.
00:52:48RENZO MUST HAVE ANOTHER QUART OF LATIN BLOOD.
00:52:56WE WAITED.
00:52:57SENSING THE DANGERS BELOW.
00:53:01WHILE THE UNHOLY THREE SOUGHT NEW PRAY.
00:53:10IT DIDN'T TAKE THEM LONG TO FIND IT.
00:53:13LET'S RUN AWAY.
00:53:25SENSING THE DANGERS.
00:53:28WHAT'S HAPPENING IN THE BOTTOM?
00:53:30CLEANLY.
00:53:31WHAT'S HAPPENED TO THERE?
00:53:33WHAT'S HAPPENING IN THE BOTTOM?
00:53:35A MONSTER.
00:53:36WHAT'S HAPPENING IN THE BOTTOM?
00:53:38A MONSTER.
00:53:39WHAT DO YOU MEAN A MONSTER?
00:53:42Well, how can you be in love with him? He's an idiot. You ought to be in love with me.
00:53:47No, I'm in love with him. And I don't care if he'll never see you again.
00:53:53Oh, if I'd only pay my life insurance premium, I'd kill myself.
00:53:57Oh, no, no, no. Don't get yourself for one hour.
00:54:01No, you come with me. I told you. Come with me to the jungle.
00:54:04You've seen one jungle, you've seen them all.
00:54:06You come with me, you'll see how you like.
00:54:08Hello, Carl. Senor, I'm very much afraid of his phone.
00:54:14Well, let's now speak up and go home.
00:54:17No, I am an officer. We will not stop until we have this lumber.
00:54:22From now on, we'll dive with spearguns. Crazy.
00:54:27Crazy.
00:54:39Mango! Mango!
00:54:47Mango!
00:54:57Mm-hmm.
00:55:18Senor Hatichak, this girl is my daughter. Her name is Mango.
00:55:24Mango?
00:55:25Mm-hmm.
00:55:26Oyeme, la novia lo dejó ahora por un idiota y el pobrecito, tú sabes, quería matarte.
00:55:31Pero yo le dije que no lo hiciera, que él necesitaba una persona que lo alegrara.
00:55:36Uh, I was telling her what that no good of Carmelita do to you.
00:55:40I was telling her to cheat you up.
00:55:43Gee, thanks, Portina. But it really wasn't necessary.
00:55:47Oh, you no like mango?
00:55:49Oh, yeah, I like it.
00:55:50Y eso mucho lo que le ha pasado, señor.
00:55:55Es algo que le pasa a todo el mundo con mucha frecuencia.
00:55:58Es lo mejor.
00:56:00She no speak good ingles, señor.
00:56:03Well, I don't think that's gonna matter at all.
00:56:05Okay. Uh, I'm going back now. Mr. Peterson, señor.
00:56:12He is waiting for me now.
00:56:14Adios, Portina.
00:56:15Adios.
00:56:16Good, uh, my father.
00:56:17He憲ick.
00:56:18Ow know somewhere?
00:56:19I'm going the sue who we have.
00:56:20Sp Hill,
00:56:25How dare you love a dog-stop.
00:56:26Bless you nice him?
00:56:27Do Лю подой talk.
00:56:28You love your diagnosis.
00:56:29You know what I can't speak of.
00:56:30I mean to do soortんな epicole, monitors.
00:56:31That person is a neat dude!
00:56:33There'sONE who felt wrong.
00:56:35Hey!
00:56:37It's time.
00:56:38I'm notew Fred invest.
00:56:39You know that what you have Anthony bought into your position to be conference?
00:56:41性, which is sabe who you can use and fool?
00:56:42Are you all right, Porcino?
00:57:00Oh, I'm all right, my hero.
00:57:04Hey, what's happening, Jack?
00:57:07Oh, come on.
00:57:08I tagged you to them.
00:57:10They're?
00:57:11Yes.
00:57:11Oh, I don't know what you said, Manga.
00:57:21But it sure was wonderful.
00:57:31I feel the same way, Manga.
00:57:34Well, I never felt like this in my whole life.
00:57:36Oh, I know, Manga.
00:57:45Oh, I know, Manga.
00:57:46I know.
00:57:46I know.
00:57:52Well, here come Pete and Porcino.
00:57:54Hey, Jack, who's your friend?
00:58:03Well, this is Manga Perez, Porcino's daughter.
00:58:05Gee, he's almost as pretty as our mother.
00:58:08Yeah, she's wonderful.
00:58:09Yeah, but can't she do imitation?
00:58:11Well, I don't know.
00:58:13And I don't care, because I love her.
00:58:15What?
00:58:15You're going to marry her?
00:58:17Yeah, well, why not?
00:58:17Why not?
00:58:18Why not?
00:58:19If you marry Manga, and I marry Porcino, I'll be your father.
00:58:24Woo-hoo!
00:58:25What kind of a boy call with that?
00:58:28Oh, we can look up here.
00:58:30We can look up here.
00:58:31We can look up here.
00:58:32He may be troubled.
00:58:35Yeah.
00:58:36I just had a fight with him.
00:58:38You know, Pete, I'm getting tired all this running around.
00:58:42You know what I'd like to do?
00:58:45I'd like to marry Manga and settle down here.
00:58:48Well, I could start a tennis club.
00:58:51They don't have clubs.
00:58:53They have rack heads.
00:58:56You know, you're right.
00:58:57But you know something, though?
00:58:59I'd like to do the same thing myself.
00:59:02Say, why don't we rub them all out?
00:59:05And this way, we can keep the strong box for ourselves?
00:59:08Oh, yes.
00:59:09Well, even Mary Bell?
00:59:11Oh, gee.
00:59:12I don't know about her.
00:59:14Well, she is my sister.
00:59:16Of course, we could keep her around to do the housekeeping.
00:59:19Sure.
00:59:20And she'll get over losing Renzo.
00:59:22Sure.
00:59:23How about it?
00:59:24Is it a deal?
00:59:25Sure.
00:59:26Besides, they've been cheating on their income tax anyway.
00:59:29Oh, yeah.
00:59:30I'm getting rid of this jeringonza.
00:59:32Where are they going?
00:59:33Uh, Manga.
00:59:34She won't go swimming.
00:59:35All right.
00:59:36Go.
00:59:37Where's Pete and the boys?
00:59:38You know we should be diving this afternoon.
00:59:40I think they're somewhere in the jungle.
00:59:43What's this?
00:59:52What, what is it?
00:59:54This man's wife is playing around with Mr. Pierce.
00:59:57He's very angry.
00:59:59That's tough.
01:00:05This man wants to sell you his wife for $50 in a case of Rome.
01:00:09That'll be nuts.
01:00:10He says he's crazy.
01:00:17Tom Alita, will you talk to him?
01:00:19We're busy.
01:00:20Oh, sure.
01:00:21I would tell him to cut down to $20 for a fifth of gin.
01:00:25Gin nothing.
01:00:26Who wants to buy his improbable wife?
01:00:30Come on, Gerald.
01:00:31Let's start.
01:00:32Let's get going.
01:00:33Soldados, cubanos.
01:00:35Then why wassumertindos?
01:00:37Come on.
01:00:38Una.
01:00:39Dos.
01:00:40Y.
01:00:41Tres.
01:00:42Una.
01:00:43Dos.
01:00:44Tres.
01:00:45Una.
01:00:46Dos.
01:00:47Dos.
01:00:48Tres.
01:00:49Tres.
01:00:50Tres.
01:00:51Tres.
01:00:52Tres.
01:00:53Tres.
01:00:54Tres.
01:00:55Tres.
01:00:56Tres.
01:00:57Tres.
01:00:58Tres.
01:00:59Tres.
01:01:00Tres.
01:01:01Tres.
01:01:02Tres.
01:01:03Tres.
01:01:04Tres.
01:01:05Tres.
01:01:06Tres.
01:01:07Tres.
01:01:08Tres.
01:01:09Tres.
01:01:10Tres.
01:01:11Tres.
01:01:12Tres.
01:01:13Tres.
01:01:14Tres.
01:01:15Tres.
01:01:16Tres.
01:01:17Tres.
01:01:18Tres.
01:01:19Tres.
01:01:20Tres.
01:01:21Tres.
01:01:22Tres.
01:01:23Oh, you're it!
01:01:36You're it!
01:01:53Renzo Capetto had at last found the Strongbound, and the unknown partner had found Renzo Capetto.
01:02:23You're it!
01:02:40You're it!
01:02:43You're it!
01:02:48You're it!
01:02:50You're it!
01:02:57You're it!
01:03:02You're it!
01:03:13You're it!
01:03:20You're it!
01:03:25You're it!
01:03:26You're it!
01:03:28You're it!
01:03:30You're it!
01:03:34Oh, people!
01:03:38Franco!
01:03:40Franco!
01:03:42Franco!
01:03:43Franco!
01:03:45Franco!
01:03:47Franco!
01:03:49Franco!
01:03:50Franco!
01:03:51Franco!
01:03:52Franco!
01:03:53Please!
01:03:54Oh, my God!
01:03:55Please!
01:03:56Please!
01:03:57Oh, my God!
01:03:58Please!
01:03:59Oh, my God!
01:04:00Please!
01:04:09Franco!
01:04:10Franco!
01:04:11Franco!
01:04:12Franco!
01:04:13Franco!
01:04:14What'd you have to do, Renzo?
01:04:16Why did I have to do what?
01:04:17Don't play games with me.
01:04:18Why'd you kill her?
01:04:19Jack, I swear I had nothing to do.
01:04:20I said don't play games.
01:04:21We all saw it.
01:04:22The same five incisions in the ground mark from that stupid toy plunges.
01:04:25Why'd you ask Marybill.
01:04:26I gave her the rakes before I went under.
01:04:27That won't play.
01:04:28You had two more in your trunk.
01:04:29Just in case, you said.
01:04:30Remember?
01:04:31Yeah, I remember, but they're still there.
01:04:32I can't convince them, honey.
01:04:33Maybe you can.
01:04:34Sorry, Marybill.
01:04:35Sorry, Marybill.
01:04:36I'm afraid I'm going to have to go along with Jack.
01:04:37You think I did it?
01:04:39Well, what else can I think?
01:04:40You made that monster up out of thin air.
01:04:41If they don't try to tell me it's real.
01:04:42I'm not that stupid, but it's just for me.
01:04:44You're not that stupid.
01:04:45Well, I am.
01:04:46I'm not that stupid.
01:04:47I'm not that stupid.
01:04:48I'm not that stupid, aren't I?
01:04:49I'm that stupid.
01:04:50You ask Marybill.
01:04:51I gave her the rakes before I went under.
01:04:52That won't play.
01:04:53You have two more in your trunk.
01:04:54Just in case, you said.
01:04:55Remember?
01:04:56Yeah, I remember.
01:04:57But they're still there.
01:04:58I can't convince them, honey.
01:04:59Maybe you can.
01:05:00Sorry, honey.
01:05:01You've got to tell me it's real, and not that cute.
01:05:04Well, I am.
01:05:05I always believed in it.
01:05:06But it's got to be real.
01:05:08Either that or the Cubans are trying to kill us all.
01:05:11I can't buy that.
01:05:12I don't care what you buy.
01:05:14From now on, we're going to die with spirits like the rest of them.
01:05:17We've got to get rid of the rest of those Cubans
01:05:19as quickly as possible.
01:05:20Now, we'll start tomorrow morning with Tostado.
01:05:24Jack?
01:05:26Pete?
01:05:31Possible death notwithstanding, the courageous general
01:05:53and two of his men dove once more into the deadly sea.
01:05:56But as usual, they were not alone.
01:06:00Renzo waited for them to separate.
01:06:14One pulled away, and then there were two.
01:06:15Tostado went on alone into the forbidding void, with the killers closing in.
01:06:31The giant observer stood watching over a pathetic bit of cloth, all that remained of mango.
01:06:47At last, Tostado had found his gold in his own watery grave.
01:06:54The giant observer stood watching over a pathetic bit of cloth, all that remained of mango.
01:07:00At last, Tostado had found his gold in his own watery grave.
01:07:06Tostado had found his gold in his own
01:07:29The general died as all generals should.
01:07:46His greedy murderers let his body drift away while they congratulated each other.
01:07:50Happy Jack found the scrap of the dress and knew what had happened to his beloved.
01:08:02Suddenly.
01:08:20Don't touch me.
01:08:26Oh, honey.
01:08:27Go ahead, try to talk yourself out of it.
01:08:28Try to talk yourself cool this time.
01:08:30Baby.
01:08:31Boy, tell me the Cubans did it.
01:08:32Only they were on board pulling into town.
01:08:34Now, who was down there with that?
01:08:35No, baby, you've got to believe me.
01:08:37I'm going to have to look at you again.
01:08:47Oh, Ren.
01:08:48Mary Bell, I saw what he did yet.
01:08:49They killed your brother.
01:08:50And now you've got to leave, Mary Bell.
01:08:52And there's no one to help you but me.
01:08:54Oh, Mary Bell, I love you so much I could split.
01:08:56Hey, get on!
01:09:03What do you do to my man?
01:09:05Oh, shut up!
01:09:13I'll take it.
01:09:14It was dust.
01:09:15I could tell because the sun was going down.
01:09:17You were right, senor.
01:09:19You were right, senor.
01:09:20All my arm is finished.
01:09:21I knew when the kid was dying.
01:09:22I don't care about the cops and more than the mother.
01:09:24I don't want him to kill any more of my men.
01:09:26It is a lie, colonel.
01:09:27I think we must go to Ciudad Trujillo in the morning.
01:09:28You can go anywhere you like.
01:09:29I'm going home.
01:09:30To America?
01:09:31To America?
01:09:32America?
01:09:33America?
01:09:34No, I can't go back there anymore.
01:09:48I can't go anywhere you like.
01:09:50I'm going home.
01:09:51To America?
01:09:53To America?
01:09:56America?
01:09:58No, I can't go back there anymore.
01:10:03Cicero.
01:10:04Oh.
01:10:06I've got an uncle there who's been after me for years to help me stamp grapes.
01:10:11He's beginning to appeal to me.
01:10:17Marybelle hates me.
01:10:19I know.
01:10:21But I love you.
01:10:24It's kind of nice having somebody love you.
01:10:28Why don't you try to love me?
01:10:31You might like it.
01:10:34I guess I can try.
01:10:37She pressed her hot Latin lips against mine.
01:10:40And I forgot everything but harm related.
01:10:42But our silent partner was not going to let me forget.
01:10:47This was it.
01:10:48There was but one thing a responsible, trusted representative of the United States government
01:10:52could do at a time like this and get out of there.
01:10:57Marybelle.
01:11:01I'd just like one more chance to explain.
01:11:05Please.
01:11:05All right, Booksy.
01:11:09It doesn't really matter.
01:11:11No matter where you go or what you do or who you kill.
01:11:17I'll love you till the day I die.
01:11:18No matter where you go or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do or what you do
01:11:48Renzo loved Mary Bell, but he was the skipper and decided to go down ahead of his ship.
01:12:18Here we go.
01:12:48THE END
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01:13:48THE END
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01:14:24THE END
01:14:26THE END
01:14:30THE END
01:14:32THE END
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