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Short filmTranscript
00:01Master Potter Keith Braimer-Jones and actor Marge Hogarth have made the charming
00:07coastal town of Porleli in North Wales their new home.
00:12Who knew? This is on our doorstep Marge.
00:15Yeah, I think everyone who lives here knew.
00:18I think we're the last to know.
00:22They've invested everything they have into a Grade 2 listed chapel
00:26and adjoining Sunday School.
00:28The things we do, eh Marge? I know. When does the fun start?
00:34Now, Marge.
00:36And together are turning it into something extraordinary.
00:40It doesn't have to be conventional.
00:42It's not for everyone. And that's okay!
00:46Two years after falling in love with Kap El Salim,
00:50their dream is becoming a reality.
00:53Yay! It's beautiful.
00:55While the chapel hall will one day host community events...
01:00It's like Piccadilly Circus in here!
01:03...the next phase is bringing their vision of a working pottery studio to life.
01:09We can be creative every day here.
01:11Yeah, absolutely.
01:13...taking inspiration from Nia...
01:15Yachida.
01:15Yachida.
01:16Yeah.
01:17...and far.
01:18A dolphin riding a bike.
01:20Makes sense.
01:21Does make sense.
01:22...meeting skilled artisans along the way.
01:24I've dreamt in this moment for so long.
01:27Someone making mugs of mine in Stoke-on-Trent.
01:30Yach!
01:31Love an overlocker!
01:32...and crafting unique pieces of their own.
01:35Just don't look behind you.
01:37I'm not.
01:38...as they continue on their journey to rejuvenate Kap El Salim.
01:42Yachida.
01:43Yachida.
01:45Yachida.
01:47We're up and running.
01:48I'm running.
01:49First pots.
01:50Ha ha.
01:51Ha ha ha ha.
01:58North Wales boasts picture perfect views of the Llun Peninsula's idyllic coastline.
02:07With a majestic Eruri National Park gracing its horizon.
02:13This breathtaking region is defined by its natural beauty and cultural richness.
02:20With Eruri standing proudly as a national treasure.
02:25The peninsula is home to the market town of Pwyllely, where you'll find another cherished landmark.
02:36Kap El Salim, an iconic symbol of Welsh religious and cultural heritage.
02:43Today, the chapel begins a new chapter, as it officially welcomes its first ever residence.
02:52You all right there, Marge?
02:53Yeah.
02:55Keith and Marge are finally moving in.
02:58Ta-da!
03:00Making Kap El Salim their forever home.
03:04Have a Japanese lacquered tray, Marge.
03:06That's...
03:06That's very kind of you.
03:08Bringing with them their delightfully eccentric ways.
03:11Perfect.
03:13It feels a bit generation game.
03:17Wedding hat.
03:18Oh, yeah.
03:18This is my Philip Treacy hat.
03:22That's the wrong way round, but apart from that, it's great.
03:24I know, but you know...
03:26At the weekends, Marge.
03:27That's very good.
03:28Her and the hunter.
03:29You can have those.
03:30Thanks.
03:31Keith and Marge aren't ones for convention.
03:35That's a long yellow one.
03:37We think it might be a weed, but we like it.
03:43It has taken Keith and Marge over two years to bring their unique vision of living at the chapel to
03:49life.
03:53With a home on the ground floor of the old Sunday School Hall that now mirrors their personal style.
04:00This year marks the beginning of an exciting new chapter.
04:05Phase two of the restoration.
04:07Wheelbarrow gridlock.
04:08It's like Piccadilly Circus in here.
04:11Keith and Marge want to welcome guests to a Scandinavian style guest suite.
04:17We're going for a really simple look in here.
04:19So it'll really contrast with everything else.
04:23Create a brutalist courtyard garden.
04:26This will be the main table and then the hollow bit in the middle is the fire pit.
04:32A Scottish baronial inspired entrance hall.
04:36It's not every day you wake up and you go,
04:38Yeah, I'm going to do some plaques for some antlers.
04:44And finally prepare the old Sunday School Hall for becoming Keith's very own pottery studio.
04:52The first he has ever owned.
04:57This whole building, we really want to open it up to the community.
05:03And I really want to do apprenticeship schemes in the studio and have people come in that wouldn't ever get
05:11the opportunity.
05:14It's our dream.
05:20Before Keith and Marge can start this exciting chapter, they are dealing with the dreaded move-in.
05:25Just bring it in the kitchen and I'll put them away.
05:28Both have accumulated many belongings over their years together.
05:33Yeah, as you can see, it's quite ordered. Everything, you know, ordered chaos.
05:42Since buying the chapel in September 2022, the Sunday School Hall has become their storage space.
05:48I'll be making a pot just about there at some point in a few months' time.
05:57Right now, Keith's pottery studio vision looks a long way off.
06:02This is your pottery studio.
06:04Well... Apparently.
06:07What's the layout going to be?
06:09The two kilns over there, there'll be a glazing area here.
06:13This will be a packing area.
06:16You want the studio to be set up so it's a continuous process.
06:20So, you know...
06:22Yeah, do you go...
06:22The glazing...
06:23Well, the glazing needs to be near the kilns.
06:26The clay preparation needs to be near the wheels.
06:29And then you've got the wedging benches.
06:31And then it sort of all goes out the door in a continuous motion.
06:35Wow.
06:35Yeah, it'll be great.
06:37Yeah, it will.
06:43Kapil Salem's restoration is well underway.
06:48Phase one saw the ground floor of the Sunday School transformed into Keith and Marge's living accommodation.
06:59Upstairs, the old storerooms became a kitchen.
07:03The next phase is focused on turning the old school hall into the pottery studio.
07:09To be filled with wheels and wedging benches.
07:13Two brand new kilns will take pride of place.
07:16In the first pottery studio Keith has ever owned.
07:23As one studio door prepares to open, another must close.
07:31Today, Keith and Marge are in Kent to gently end a chapter that's lived long in their hearts.
07:40I think what we should do now is move everything to the door that's going to go, and then everything
07:47at the back that's not going to go.
07:49OK.
07:49Yeah? Yeah.
07:50It's the final day of clearing the Whitstable studio, which Keith has worked in since 2005.
07:58Shaping ideas into countless creations.
08:02The other day, I came across...
08:05Where is it?
08:06Amazing.
08:07I came across the first ever pot that I ever made in Highgate in North London.
08:17Yeah.
08:18And I...
08:18It's my own black glaze recipe as well.
08:22But this is it.
08:23This is what happens when you, you know, you start packing stuff up and you just come across all these
08:28memories.
08:30History, Marge. History.
08:32I know. Potted history of a potter.
08:35Not all of Keith's potting equipment will be making the move to Wales.
08:39Go on.
08:41Yeah, nice one.
08:42Go on.
08:42This is the bigger one, yeah.
08:45Yeah.
08:45He's found a new home for his two trusty kilns.
08:50Yeah, it's quite a monumental day, really, because the kilns are going.
08:53And the kilns have been with me for 35 years. 35 years.
09:01I put a shout out on the, on the pottery community that, you know, anyone who's willing to take them
09:06away, um, can have them.
09:08One woman in particular said, yeah, we'll take them and I'll be, I'll be bringing a lorry with a crane
09:13straight away.
09:14So, she's, she's going to be taking them to Bristol, I believe. Yeah.
09:18How are you feeling?
09:20Yeah, all right.
09:22It's a shame seeing them go.
09:25But, you know.
09:27They've been your friends.
09:29They have been my friends.
09:31Yeah.
09:32Over a career spanning more than 40 years, Keith has shaped over 80,000 pots in his kilns.
09:44I made a load of herb pots once for Kensington Palace.
09:47I made a load of earthenware pots for, I believe, the Sultan of Brunei.
09:54Hey, I made some stuff for Brad Pitt and Jennifer Aniston.
09:57Yeah.
09:58Yeah.
09:58Back in the day, they probably threw it at each other, but never mind.
10:01That's another story.
10:02Yeah.
10:02Yeah.
10:03So, yeah.
10:04Yeah, I mean, there's, yeah, there's been some wonderful things.
10:09With the kilns loaded, Keith makes sure good work gets his signature nod.
10:15I'll have some cups.
10:18Take them.
10:19Take those away.
10:21Yeah.
10:23All right.
10:23Yeah, well done.
10:25Yeah, easy job.
10:26Great.
10:27Good luck with your new adventure.
10:27Yeah, well, safe journey back.
10:31Yes.
10:34End of an era.
10:36I didn't think I'd get that emotional, but...
10:39No, it is quite a thing, really.
10:43Yeah, but that's okay.
10:46Well, it's a...
10:46I think it's a really normal response.
10:49Right.
10:50From a really abnormal human being.
10:55You've surprised me.
11:00New ones now.
11:02Yeah.
11:17I think it's...
11:24I don't think it's...
11:32and raise restoration funds...
11:34I do remember it was a whole pallet.
11:36..they have a grand plan.
11:38I feel a sale is beckoning.
11:41I'm going to have to sell some of my clothes.
11:43Yeah, you are, yeah. Yeah, you are.
11:47Yeah, cos, I mean, you remember the one in Wichstable.
11:49Yeah. But we won't be selling predominantly pots in this sale.
11:54No, we'll be selling our personal possessions.
11:56Our worldly possessions.
11:58I just have to be careful that I don't snatch things
12:00out of people's hands and go,
12:02no, no, I've changed my mind.
12:05Yeah. I went to their sale
12:07and the woman selling it was very aggressive.
12:14Before Marge has any second thoughts,
12:17it's time to sort through her vast collection of vintage clothes.
12:22We're going to sort out clothes for the sale,
12:26which is filling me with dread and fear
12:29because there's quite a lot.
12:36Going through her old clothes
12:38could end up being a little like opening Pandora's box.
12:43Oh, lordy.
12:46Where to begin?
12:49Aha, shoes. OK.
12:52Most of Marge's clothes have been in storage for the past two years.
12:56This clear out will be a time to reacquaint herself with some old friends.
13:01I wore these on Christmas Day,
13:04the first day Keith and I had Christmas together,
13:07the first year we lived together,
13:09and I shall sell them for £5.
13:12Today may be a case of out with the old,
13:14but for Marge, her choices have always been about more than fashion.
13:20I think for me,
13:21dressing has always been a way of expressing myself.
13:26And because I've never had a limitless budget,
13:30like most people,
13:33I bought most of my clothes second-hand
13:37and a lot of my clothes I've adapted to fit me,
13:41so I'll change the shape or I'll dye them or whatever.
13:45Because as women, we forget that we're all different shapes and sizes,
13:48but we don't say that to ourselves, do we?
13:50We go, that my body's not right.
13:52And it's nonsense,
13:53because everybody's body is right for them.
14:01Marge is hoping that through the sale,
14:03others will find the same joy in her beloved items.
14:06Did I make this?
14:08Yes, I did, I made this.
14:10I'll have made this with enormous pockets,
14:13because I love an enormous pocket.
14:15Made by Marge.
14:18£5.
14:20But some items are too important to part with.
14:24This is the dress I was wearing when I met Keith,
14:27and it made me feel special.
14:31And Keith made me feel very special.
14:33Oh, you found it.
14:35I did.
14:37You're not selling that, are you?
14:38No.
14:39No, you can't sell that.
14:41It changed everything, yeah.
14:44It was £15, I couldn't afford it,
14:46but I knew I had to have it.
14:49You don't have to spend a lot.
14:51It's how the clothes make you feel.
14:52Yeah, that's right, exactly that.
14:55And this dress made me feel special.
14:57You are special, love.
15:01A fiver then, in the sale, yeah, right.
15:04No.
15:05Just no.
15:09I'm washing our toilet shelves, Marge.
15:15Welcome to my world.
15:22Throwing a grand sale could bring in some much-needed
15:25Kap El Salem restoration funds.
15:28However, that relies on people showing up.
15:33It's all very technical.
15:35Daniel's left his ladder, so we can use that, I think.
15:39Keith and Marge are calling on their community for support.
15:45Right, are you ready, Marge?
15:46Yeah.
15:47Yeah?
15:48I think so.
15:48Okay, here we go.
15:50Hello, folks.
15:51Hello.
15:52It's me and her from Kap El Salem.
15:54We're going to have a sale.
15:55And we'll be selling a lot of personal things
15:58that we've carried through the years.
16:00Ceramics, prototypes, samples.
16:03I'm going to sell quite a lot of my clothes.
16:05But look, everyone's welcome.
16:08Puk Elie, Kap El Salem, 17th of May.
16:11Cheers.
16:12Was that all right?
16:13Yeah.
16:13I mean, hopefully people will turn up.
16:15Yeah, I mean, you never know, do you?
16:17You never know.
16:18No, no, that's right.
16:19It'll either be completely dead
16:23or a bit mental.
16:26No, well, let's see what happens.
16:28Yeah.
16:31Bringing a working pottery to Pollelly
16:34is not the only dream Keith and Marge are working towards.
16:40The 163-year-old Chapel Hall
16:43now stands exposed to its historic core.
16:47However, one day, it will be where Keith and Marge
16:51will host community events for the people of Pollelly.
16:55While many would be put off by the scale of the task ahead,
16:59Keith and Marge already have a plan
17:01to help pay for this daunting restoration.
17:08145 miles east of Kap El Salem
17:11is Stoke-on-Trent.
17:15Affectionately known across the globe as the Potteries,
17:19Keith and Marge are here to turn tableware
17:21into some much-needed income.
17:23Duchess are making us some mugs
17:26for the chapel.
17:28I know, to raise some money.
17:29Raise some well-needed money.
17:32Yeah, absolutely.
17:34Duchess China is an integral part
17:37of Stoke-on-Trent's potted history,
17:39with a factory producing fine-boned china
17:42for the past 135 years.
17:45Over 10 tonnes of clay is used each week
17:48to produce up to 20,000 pieces,
17:51meaning this age-old company
17:53is keeping Stoke-on-Trent's
17:55ceramic heritage alive.
17:57It's good people doing good things.
17:59Yeah, absolutely.
18:00And what's so brilliant about this?
18:03I'm really quite excited
18:04because I love a process.
18:06I know you do as well.
18:07I do.
18:07So, also, there's nothing more joyful
18:09than seeing somebody do something
18:10that they're really good at.
18:13Yeah, yeah, I know.
18:14Fantastic, yeah.
18:15Yeah, I'm really looking forward to it.
18:17Should we go and have a look?
18:18Yeah.
18:22Keith and Marge have collaborated with Duchess
18:24to design a Capel Salim mug.
18:27Today, they are here not only to see the mugs
18:29being brought to life,
18:31but also to meet the talented craftspeople
18:33behind the work.
18:35Modelling shop first.
18:37Yeah, great.
18:38Keith created a prototype shape
18:40and sent it over to head modeller Gordon Brooks,
18:43who's been utilising his skills and expertise
18:46for the past 40 years.
18:49Hi, Gordon.
18:50Keith.
18:51Hi.
18:52How are you?
18:53All right, yeah.
18:54Gordon looked at what historic handle
18:56would work well for Keith's mug.
18:58You were mentioning you'd like a nice,
19:00fine bone channel handle,
19:02a really delicate,
19:03as a juxtaposition on the throne piece.
19:06Yeah, that's it.
19:07But we also wanted to honour the heritage of Duchess.
19:09Yeah.
19:09Why would you not?
19:10No, exactly.
19:12Deep in the Duchess vaults,
19:14Gordon is showing Keith and Marge
19:17the original century-old handle casting,
19:19which brings ceramic history to their mug.
19:22Wow.
19:23I know.
19:25Duchess dust in 1888.
19:29So what is the heritage of this handle?
19:32These very traditional handles
19:33have been made around in Longton
19:36for 100 years plus.
19:38Yeah, amazing.
19:39Even just that little flare that makes it easier to hold.
19:42Yeah, yeah.
19:42No, absolutely.
19:43Yeah.
19:43But it's all incorporated in the design.
19:46Yeah, brilliant.
19:47Well, look, I think we'll leave you now, Gordon,
19:49and I'll show Marge around the factory.
19:52Okay.
19:53And the whole process.
19:54Yeah.
19:55Great.
19:55Enjoy.
19:56Yeah, yeah.
19:56It's good to see you.
19:57Yeah, it's really good to see you, lovey.
20:05So this is where the actual mug is made.
20:07Wow.
20:08While Keith will one day make handmade pots in his own studio,
20:12here in Stoke,
20:13that same idea was taken and blown up on an industrial scale.
20:18In the 18th and 19th century,
20:21Stoke became a world leader in the production of ceramics
20:25by breaking down the pottery process into specialised tasks,
20:30industrialising the craft.
20:32So you've got Jason on the automatic jigger making them.
20:35Yeah.
20:35The raw clay is cut into a preordained size
20:38and placed within moulds of Keith and Marge's mug.
20:44You've got Linda Fechel in them,
20:46and then you've got Brenda and Sam
20:48and they're putting on the handles.
20:50They look fantastic.
20:51Yeah.
20:51Yeah, they do.
20:52So unlike studio pottery,
20:55where you have to put the handle on when it's quite plastic...
20:58Yeah.
20:59This is quite firm.
21:01Okay.
21:01But the slip, it, like, sticks to the body of the mug,
21:04like, really, really firmly.
21:06Yeah, it's amazing.
21:08But the precision that they're working is just incredible.
21:13And how long have you been working in the pottery, Sid?
21:16Uh, since I've been 16 and now 50.
21:19Aw, brilliant.
21:21Wow.
21:22Yeah.
21:22I've always done handling.
21:23You've always done handling.
21:25Brilliant.
21:26And how about you, Brenda?
21:27Since I was 15.
21:29Really?
21:3016 nearly.
21:31Wow.
21:32It's wonderful.
21:33I know, it's great, isn't it?
21:34Yeah.
21:35With the handles on,
21:37the mugs go through their first kiln firing
21:39so they can be tumbled in wood and graphite
21:42to smooth out any rough edges.
21:45That constant vibration just makes the surface smooth.
21:48Yeah, yeah.
21:49Yeah.
21:49It's like the final finish before they get glazed.
21:53The pink glaze will turn white after the mug's second firing,
21:58before the final leg of their journey.
22:01adding the screen-printed design, or decal.
22:05For this, Keith and Marge have chosen the architect's drawing of Kap El Salen.
22:11Looks good, doesn't it?
22:12Yeah.
22:13It's Irene's job to skilfully apply the design onto the mug.
22:18And the yellow just burns away.
22:20Yeah.
22:20That's your cover coat, your yellow is.
22:22So what stays on is all that print there, the black.
22:27After their third and final firing,
22:30the mugs are in the hands of quality control manager, Rachel.
22:35Have these just come out of the kiln?
22:36Just.
22:37Brilliant.
22:39A little bit warm, but...
22:41Nice.
22:42They look fabulous.
22:43They do.
22:44And when you think how many processes they've gone through to get here,
22:47it's amazing.
22:48All those people down the line.
22:50Everyone is so highly skilled at what they do.
22:52And if they weren't, they'd be letting someone else down.
22:55And that's why it's such a community of people all working in the same place,
23:00all working for the common goal,
23:01which is making and producing beautiful work.
23:05As Keith and Marge say their goodbyes to the skilled workers...
23:09Nice to meet you.
23:10See you later.
23:11See you soon.
23:12Bye.
23:13..the magnitude of achieving a lifelong dream...
23:17..hits home.
23:22I've dreamt of this moment for so long.
23:26Someone making mugs of mine in Stoke-on-Trent.
23:32I've dreamt of it for so long.
23:37Ready, brilliant.
23:40It's amazing.
23:42It's amazing.
23:45Like, I used to come up here as a clay boy.
23:48In 1983 was the first time I came up here.
23:52And now I'm in a factory and they're making a mug for us.
23:58It's amazing.
23:59It's really good.
24:00It's really good.
24:05Die on.
24:06Die on.
24:15With a grand sale on the horizon,
24:21everyone's pulling together at Kap El Salim
24:24for the Sunday School's first community event in 15 years.
24:29Hugh's done an amazing job at making new window frames.
24:33He's managed to save the actual sash window bits, which is incredible.
24:37And they're all going in today.
24:39So they'll look amazing.
24:42Keith and Marge hope the windows make a good impression
24:45and highlight their restoration progress.
24:48For local builder Hugh,
24:50it will also put an end to a long-standing problem.
24:54Well, this is the end of the dry rots, I'm hoping.
24:57So, these are the new window frames we've made in the workshop.
25:01And once we get these in, all the dry rots will be gone then.
25:06So, that's the good part about fixing these windows.
25:11The real challenge lies in lifting them.
25:15At three metres high and weighing 80 kilograms,
25:19it's no small task.
25:28Do you need a hand?
25:30I'm just wondering what the best way to get it in there is.
25:35Yeah.
25:36I'll turn the latches.
25:39I'll just turn the latches on top.
25:40Yeah, we'll take the hand.
25:44I'll turn it off.
25:50Once the windows are in,
25:52the old Sunday school hall will finally be watertight,
25:56keeping out the rain for the first time in 15 years.
26:01Don't lock yourself out.
26:12With the windows restored,
26:15Marge has a rescue mission of her own.
26:17A vintage dress found in the Grand Sale clear-outs.
26:23I've just never seen anything like it.
26:25It's beautiful and a bit mad,
26:28which for me is my favourite kind of beautiful.
26:31I bought it from a woman that I knew
26:34who was selling a lot of vintage clothing,
26:37and she confessed that she had never worn it
26:39because it had never fitted her.
26:41And I bought it knowing it didn't fit me either.
26:45But I had to have it.
26:51And the wonder of Porcelli
26:54is that we've met lots of new friends
26:57with amazing skill sets.
27:01Hello.
27:03One new friend and neighbour is Sian,
27:05who is a pattern cutter, dressmaker,
27:07and all-round textile queen.
27:09Oh, I'm always goggle-eyed when I come in here.
27:11It's great.
27:13There's too much stuff in here, but never mind.
27:15No, never enough.
27:17Right.
27:17Yes.
27:19So we are going to have to get you to try it on first.
27:21That's all right.
27:22And then we can see where we go from there.
27:24I'll nick off around the corner then.
27:25I'm afraid I don't have a change in here at the moment.
27:27You can just pop through there if you like.
27:29Marvellous, thank you.
27:30Is that all right?
27:31Yep.
27:33Marge is a great believer in every body being unique.
27:37This fitting will help Sian adjust the dress
27:40to Marge's individual shape.
27:42That's going to...
27:43No, that's not going to go up there, is it?
27:46So we've just got this diamond shape here
27:49that we need to put into here.
27:51Yes.
27:52So if we alter that seam...
27:54Yes.
27:55..and then we can open that seam
27:56and hopefully put a diamond piece in.
27:59OK.
28:01With the dress pinned in place,
28:03the open diamond shape at the back
28:05will be fixed by inserting a new panel
28:07on each side of the dress.
28:09So the next bit is unpicking.
28:11OK.
28:12I can do that.
28:13Yeah?
28:13We'll give you an unpicker.
28:15I'll take it.
28:15Yes!
28:16Yeah!
28:17I love unpicking things.
28:19She needs therapy.
28:22While Sian chooses some fabric for the new panels,
28:26Marge sets to work.
28:28This could take a while.
28:30That's good.
28:32Unpicking any seam is slow and precise work.
28:35It's also completely absorbing.
28:38How old are you, Sian?
28:4051.
28:41OK.
28:42You don't need glasses yet?
28:45Oh, yeah.
28:46Oh, my God.
28:47Oh!
28:49Sian has cut out one panel for each side,
28:52but they will be doubled over
28:53to make them stronger and more flexible.
28:57So I think to hold them in place...
28:59You're going to overlock them first.
29:00We'll overlock round and it holds...
29:02So do you want to have a go on that?
29:03Haven't used one for about 30 years.
29:10An overlocker is a specialised sewing machine that trims the fabric while wrapping threads around the edge to prevent fraying.
29:18God, it's so satisfying.
29:22Amazing.
29:23With the panels pinned in, the once-opened diamond at the back has vanished.
29:28How does that feel?
29:30Yeah, brilliant.
29:31Yeah, I think that's going to work.
29:32I think so, too.
29:33This hack means Marge now has a dress that's a perfect fit for her, with a helping hand from new
29:40neighbour Sian.
29:41You will go to the ball!
29:43It's hidden in the side, it's hidden, and it doesn't ruin the back.
29:46Yeah, perfect.
29:50With a grand sale fast approaching, excitement is building among the people of Porcelli.
29:57It's nice to see local events in Porcelli.
29:59It brings people into town, and the atmosphere is brilliant, really.
30:04Eta excitement. Eta bears burlum, we say in Welsh, so it's burlum in the town.
30:09People are up and down the Salam Terrace every single day to come and have a look at the building,
30:16try and catch a glimpse of Keith and Marge.
30:19I was talking to Keith and Marge a few weeks back, and they were very enthusiastic with the sale, and
30:24once I heard all about it all, it's great.
30:27Next thing we see them on Facebook, so I did actually share it myself.
30:31They'll be swamped. They'll need, yeah, they'll need staff on the door.
30:39With only three days left until the sale, Keith is rallying the troops to make sure the Sunday school hall
30:46is ready in time.
30:48Busy day today. Look at those bad boys.
30:51We've got Rhys and Hugh taking down the scaffolding, and we've got Darren doing the studio door.
31:01Amidst the chaos, there is light at the end of the tunnel, with 12 industrial-style barn lights ready to
31:08be installed.
31:11In the whole time we've had the building, there's never been lights in here, so we've always had to work
31:16just in the daylight, and then when it gets dark, obviously we can't work in here, because it's, you know,
31:20too dark.
31:21When the bulb goes, Keith, I'm not changing.
31:23Ha-ha! I know.
31:27In the kitchen, Marge is cleaning more items to sell at the sale.
31:32I actually used to use this. I must have looked like a nutter.
31:36Yes, you did, Marge. Yes, you did.
31:39Dressed like Miss Marple, with my wicker shopping basket.
31:44What a maniac.
31:49To set up shop in the Sunday school hall, new friends and neighbours have volunteered to help out.
31:57We've got Jem, who's a new friend, and Karen, who's a new friend, which is great!
32:03Just going out the other day with the dog, walking past Keith and Marge, having their little breakfast outside, telling
32:10us all about the fact that they were having this sale, and they needed some volunteers to help out, get
32:15it all set up, and so here I am.
32:21Marge's vintage collection contains an array of items, from tops to bottoms, heels to hats.
32:32Although there is one item that is going to need a section all of its own.
32:37Seriously, how many stars does one lady need?
32:40No, no.
32:41I feel like a magician.
32:43And I forgot to take pants.
32:47I had seven different headscarves with me.
32:50The festival was three days.
32:53No pants.
32:55Seven headscarves.
32:59The sale will be the first time in 15 years that members of the public are back inside the old
33:06school hall.
33:07It's all hands on deck to get the temporary showroom ready for showtime.
33:18Builder Hugh and his brother, Rhys, are mucking in to get sale stock out of the chapel hall.
33:25So all this stuff on this side can go up for the sale?
33:30Yeah, that's right.
33:32Maybe that cushions.
33:36Bit different, isn't it?
33:38Today, I'm a mover and a chic, yesterday was a builder.
33:42It's got done, isn't it?
33:44The boxes contain decades of Keith's ceramic works.
33:51Cyan mugs this end.
33:53Leftover stock, prototypes and handmade one-offs.
33:59All my design career coming out of the box.
34:02Taking pride of place is Keith and Marge's latest creation, the Kapel Salim mug.
34:09Look at that.
34:12It's great, isn't it?
34:15Since buying the chapel in 2022, Keith and Marge faced an uphill struggle in the upstairs of the Sunday school.
34:23Above this ceiling, unbeknownst to anyone, is about six to eight inches of pigeon guano.
34:37With the guano removed, the space soon filled with scaffolding and builder's equipment,
34:43alongside Keith and Marge's boxes and boxes of their joined-up life together.
34:52Now, the scaffolding and tools have gone, new windows are in...
34:58Let that be light.
35:01And the lights are on.
35:03Nice!
35:04Oh, my goodness.
35:07The sale items are displayed in a tidy, accessible space,
35:12which is now ready to welcome visitors for the first time in over 15 years.
35:20It's funny how different it looks with the lights up.
35:23It sort of gives the whole hall a different sort of perspective.
35:27A shining example of how far Keith and Marge and Kapel Salim have come on their journey.
35:35It's funny, isn't it?
35:36Because some of it has real personal stories, doesn't it?
35:39Well, all of it.
35:39All of it.
35:40You sort of think, well, should I keep it?
35:43Because it's personal.
35:45But at the end of the day, when you're creative, you're constantly evolving.
35:51I mean, some of those clothes, not being funny, are really beautiful.
35:57But I'm not who I was when I bought those dresses.
35:59No, no, no, that's all right.
36:02And you've got me now.
36:04That's what you say then.
36:06That's what you...
36:19It's the morning of the Kapel Salim Grand Sale and anticipation fills the spring air in Pohleli.
36:28Oh, hi. Hello.
36:30You all right?
36:31Keith and Marge have drafted in local helpers for the day,
36:35including neighbour Sian and the mayor of Pohleli, Fiona.
36:39All in preparation to clear the hall and raise essential chapel restoration funds.
36:45Most things are priced.
36:47If they're not priced...
36:48Make it up.
36:49Don't ask us, make it up.
36:51Make it up.
36:51But go low.
36:52We want to get rid of the stuff.
36:55In true Keith and Marge style, they have turned the car park into a refreshment area.
37:01Ice cream.
37:02You scream.
37:03We all scream for ice cream.
37:05Inviting a local coffee and ice cream van to park up for the day.
37:10Local coffee, local ice cream.
37:13Hopefully it'll be a busy day and it'll be a busy day for them as well as us.
37:17You know, that's basically what the whole ethos of what we're doing here is about.
37:22You just share what you can with the local community.
37:26Why wouldn't you?
37:28Would you be all right being in charge of the bridge?
37:32Yeah, fine.
37:32So, basically, we can only have a certain amount of people on the bridge at one time.
37:37I have got a clicker.
37:38Hopeful for a good turnout, everyone has an important role to play,
37:42including Mayor Fiona plus neighbour and new friend Karen.
37:46I'm going to be like the Bamsa of Kapil Salam.
37:53I'm so excited for both Keith and Marge because this is kind of, for me,
37:58it's like the opening of their life in Priscelli.
38:03Cheers to God.
38:05Nobody local, I don't think, would have taken on such a massive, huge project.
38:12Yeah, I just take my hat off to them.
38:13They're both amazing.
38:16Before doors open, postman Steve delivers a package
38:19and news of the queue forming up the hill.
38:22People up the hill, yeah?
38:25There you go.
38:25I'd better go because I'm busy, man.
38:29For the first time in 15 years,
38:32Heath and Marge are about to open the Sunday School Hall to the community.
38:38Any fears of a quiet day are soon put to bed.
38:42Hello!
38:43Oh, thanks for coming.
38:44It's brilliant to see you all.
38:46It really is, really lovely to see you all.
38:48Yeah, you're the first to see it all.
38:50So, yeah.
38:53Oh!
38:57Oh, I'm an idiot.
38:59So, anyway, yeah.
39:02Wow.
39:03We're one minute early.
39:04So, I, yes.
39:05I now officially pronounce this...
39:08Say I Open!
39:11It's right up the road.
39:13It's very exciting.
39:14Come on in.
39:15Yeah, come on in.
39:16Cheers.
39:16Hi, lovey.
39:17Hi.
39:17Yeah, yeah, good.
39:19Hi, lovey.
39:19Hi.
39:20Yeah.
39:20Of course you can have a hug.
39:23Mate.
39:23Mate.
39:25Yeah, great.
39:28It's amazing.
39:29It's really wonderful.
39:30Yeah, everyone's pulled together.
39:32It's overwhelming, really.
39:36Cap El Salim's first sale is off to a good start.
39:40Keith and Marge's community have pulled together to support them and the chapel,
39:46whilst bagging themselves a bargain.
39:50Ah, we've come from, all the way from Bethesda.
39:54Bethesda, yeah.
39:54Oh, yeah.
39:55I'm hoping for some of Marge's old clothes, to be honest.
39:57Yeah, that's pretty much fine.
39:59Because she's got some wild style.
40:02Marge's vintage collection carries style, substance and stories.
40:09Oh, now this was made as a costume for the National Theatre of Scotland.
40:14Oh, wow.
40:14They did an amazing sale and I bought quite a few things and it's beautiful.
40:19I'll spread that around now.
40:19So that's been on, it's been on stage.
40:22Well, let me get my glasses on, sorry.
40:25The ever-growing crowd hasn't gone unnoticed.
40:28It's even drawn the attention of the local constabulary.
40:33Hello.
40:33You all right?
40:34Yeah, good, thank you.
40:35Good.
40:35Yeah, yeah, yeah.
40:37Are we in trouble?
40:38No, no, no.
40:39Aw, cheers for coming.
40:40So many people, yeah.
40:41I didn't expect so many people, yeah.
40:43I know, nor did we, so, yeah, there you go.
40:45The police aren't the only notable supporters.
40:49Among the volunteers are mayors new and old,
40:52with ex-mayor Mike on bridge duty.
40:56You just need to look around you today
40:58to see what effect they're having on the town.
41:00People are going to the pub for something to eat and drink.
41:03It's fantastic.
41:05Just don't go round the corner and carry on tomorrow.
41:06Ah, well done.
41:08Thanks for coming.
41:09I really appreciate it.
41:11It's a bit like two-way traffic, you know.
41:13They're investing heavily in us as a town
41:16and we've got to heavily invest with them as a community.
41:24It's like the olden days when there used to be a carnival
41:26and the atmosphere, the hustle and bustle, it's beautiful.
41:30It brought everybody out.
41:31Brilliant.
41:32Can I say thank you for restoring the building?
41:34Ah, fantastic.
41:34It's been 30 years since I've been in it.
41:36Oh, really?
41:36Oh, OK.
41:37Yeah, look at that.
41:38Look at that.
41:40You do it, Marge.
41:41It's a fort!
41:45Brilliant.
41:47After its 15-year hiatus, the chapel is thriving.
41:50New traditions are being forged while old traditions are honoured.
41:55Keith and Marge's capelsalim mugs pay homage to an old custom.
41:59A tea set was gifted when new people took charge of a chapel
42:03and some Port Lleli locals are keen to ensure this tradition lives on.
42:09Hello.
42:10Hello.
42:11Hello.
42:11We've got a special gift for you.
42:13My husband's father has basically just lost away
42:16and went into the house.
42:18I'm very sorry.
42:20Yeah.
42:20He was heavily involved in the chapel.
42:23He was a beacon.
42:24Oh, right.
42:25So, in the process of tearing the house,
42:27we came across, he's beautiful.
42:29Well, you can have a look.
42:31Oh, OK.
42:32Just let you know they're 100 years old.
42:34OK.
42:36I just don't want to drop it.
42:39I know what it is.
42:41I know what it is.
42:42Lana and Alan are gifting the 100-year-old chapel salim tea set
42:47belonging to Alan's late father.
42:51Thank you so much.
42:52Are you sure?
42:53No.
42:55It's interesting because this is exactly why we did what we did,
42:59the chapel salim mug.
43:01Because, you know, as you obviously already know,
43:03every chapel had their own crockery, didn't they?
43:05That's right, yeah.
43:06Yeah.
43:06They're really beautiful.
43:08But only a full source of their crockery.
43:14They're even a really beautiful shape.
43:16They are.
43:16Well, they're not too dissimilar to the shape that I did for Duchess China.
43:20Keith and Marge and Shewad, Alan and Lana don't go away empty-handed.
43:25Well, look.
43:27Have a couple of those.
43:29Thank you very much.
43:30Thank you, mate.
43:31Yeah.
43:31It's so nice.
43:33Signifying a new custom for a new look, chapel salim.
43:37Really appreciate you bringing that in.
43:39It's wonderful.
43:40Really wonderful.
43:41Yeah, it means a lot to us.
43:42Yeah.
43:43Yeah.
43:43Come home.
43:44Yeah, fantastic.
43:46Yeah.
43:48Brilliant.
43:52The sale has been a success.
43:55While the studio shelves are bare, Keith and Marge's hearts are full.
43:59The mini army of volunteers ensured the 2,000 customers through the door,
44:04left with a smile.
44:06Can we have a big round of applause for the volunteers today?
44:15We couldn't have done it without you.
44:17And the whole community, the whole town has been really, really buzzing.
44:20And that's what it's all about.
44:22And that's...
44:25That's why we're here.
44:26That's why we're here for that.
44:31For Pollali's mayor Fiona, the appreciation runs both ways.
44:35Can we also thank you, though, both?
44:38Where's Marge?
44:39Yeah, she's doing the Prosecco.
44:41That's an important job.
44:43Can we also thank you, though, for what you've done, not just today,
44:46but for what you have done since day one,
44:51what you've done for the town, for our community.
44:53You've embraced us, we've embraced you, and it's wonderful.
44:56So, thank you so, so much.
44:59Oh.
45:05I think today has just proven how much of an impact
45:09both Keith and Marge have within our community,
45:11and it's only the beginning, really.
45:14Yeah, here we go.
45:16Cheers, folks.
45:18Yeah.
45:19Well done.
45:19Amazing.
45:20Amazing.
45:20Tremendous.
45:21The thing that really blew me away, people buying stuff, obviously,
45:25but the thing that really blew me away was the investment
45:29that you felt in the people that came here.
45:33They really were wanting us to succeed.
45:37And you think, if we can do that with one little sale...
45:43Yeah.
45:43Well done.
45:45We might actually pull it off.
45:55I'm just on this now.
45:57Wow.
45:58What a time to be.
45:59Brrrr.
46:01Yeah.
46:03Next time, Keith and Marge turn their attention to guests,
46:08designing a sleek suite...
46:10People be lying here, like this.
46:13That's right.
46:14And a bold, brutalist courtyard.
46:17Hopefully, Hugh's put the stuff in the right place,
46:19because once it's set, that's it.
46:22What could possibly go wrong?
46:24Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
46:28ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
46:29ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
46:31ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
46:33ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
46:36ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha
46:53Transcription by CastingWords
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