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Igra sudbine, Epizoda 1761, Igra sudbine 1762, Igra sudbine 1761, Igra sudbine Epizoda 1761, Igra sudbine Epizoda 1762, Epizoda 1762 Igra sudbine, Epizoda 1761 Igra sudbine

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00:14I'm so ashamed that when something happens, we get out of ourselves and we don't have to worry about it.
00:24How much I just felt that they called me for the romance,
00:29when they called me, whether they want, whether they don't.
00:34How much I was nervous because of a million stupidities.
00:38We're going to sit with us for one vincent.
00:42It could be.
00:43Yes, it could.
00:44Here we go.
00:48It's nice that you picked a winner.
00:51Thank you very much.
00:52Listen, when you've already lost,
00:55it would have been a little bit to talk about yourself.
01:00What happened?
01:04Nothing.
01:05Something strange that you thought about.
01:10Nothing.
01:11Everything.
01:17I want to hear what's going on.
01:19What's going on?
01:21You know what I have to do.
01:23I know.
01:24But you say,
01:25God,
01:26God,
01:26you never have this fool.
01:30This fool.
01:31What's going on?
01:41Okay.
01:43What's going on?
01:52No.
01:52No.
01:53No.
01:55No.
01:55No.
01:56No.
01:58No.
01:59No.
01:59No.
02:00No.
02:01No.
02:02No.
02:03No.
02:13No.
02:15No.
02:17No.
02:18No.
02:21No.
02:23If I'm talking something, I'll ask you.
02:25I'll ask you.
02:28And I will always love you.
02:38Okay, okay. Sit, sit when I tell you.
02:42What about you?
02:44What?
02:46You called it a magazine.
02:48You've never done it yet.
02:50Do you want to make a mistake if you want to make a mistake?
02:52I didn't realize it.
02:55It was just natural.
02:57What is it?
02:59It's a problem that you don't think about it.
03:02I was upset after what you told me.
03:04Okay, Biljana.
03:06There are a lot of people in the office.
03:09There are a lot of people that I can get to my career.
03:12There are a lot of people that I can get to my life.
03:17There are a lot of people that I can get to my life.
03:19The story of Viktor's story.
03:22It has to be a secret for forever.
03:25Every price.
03:28I am out.
03:35I am out.
03:36In a moment of our lives, we went to our way.
03:39Our style changed us.
03:41She wanted to do a public job.
03:45It does not answer me.
03:47Ah, that's a very famous girl, isn't it?
03:51Oh, fine, fine. Every time.
03:55But I don't understand you.
03:57It would be sad that she is from the public life, right?
04:00I understand.
04:01I understand that you want to make a mega star in the world of fashion.
04:05That's the plan, right?
04:07That's not the same.
04:10We are not-stop friends.
04:11Novinars and paparazzi.
04:13My sensitivity doesn't really matter.
04:16Let's go, let's go.
04:17Let's go, let's go.
04:18Let's go, let's go, let's go.
04:25What do you think of our conversation?
04:28No, no, I don't know.
04:30I don't know what to do.
04:31But we have to be quiet.
04:33I've got to finish something now,
04:36and you sit there,
04:38and drink some water,
04:39and something like that.
04:41Oh, it goes to my account.
04:46I don't know what to do.
04:48I don't know what to do.
04:49I think that's okay,
04:50it's okay.
04:50There's a lot of security.
04:53So...
04:53Ah!
04:54So...
04:54I'll see you next time.
05:26I'll see you next time.
06:00I'll see you next time.
06:40I'll see you next time.
06:53I'll see you next time.
07:22I'll see you next time.
07:25I'll see you next time.
07:27I'll see you next time.
07:29I'll see you next time.
07:31I'll see you next time.
07:34I'll see you next time.
07:42I'll see you next time.
07:58I'll see you next time.
08:01I'll see you next time.
08:05I'll see you next time.
08:08I'll see you next time.
08:10I'll see you next time.
08:11I'll see you next time.
08:22I'll see you next time.
08:23I'll see you next time.
08:32I'll see you next time.
08:34I'll see you next time.
08:36I'll see you next time.
08:37I'll see you next time.
09:02I'll see you next time.
09:11I'll see you next time.
09:20I'll see you next time.
09:27I'll see you next time.
09:31I'll see you next time.
09:34I'll see you next time.
09:47I'll see you next time.
09:51Let's go, let's go.
09:53Let's go, let's go.
10:13Let's go.
10:14Let's go to the movies.
10:16If we ask him where the hell is he?
10:18Who would be this guy?
10:18Let's go.
10:19Here we go!
10:20Let's go.
10:20What is he saying?
10:22This is the case.
10:24What do you think?
10:25Is it a poliral body every day?
10:27No, brother.
10:27There's no reason to blame people, as you say, based on the size of the skin.
10:31I'm sorry.
10:32I didn't know what to do with you.
10:33I didn't want to blame your human rights and, as you say,
10:37human rights.
10:39Is it something today that isn't good?
10:42Yes.
10:44What?
10:44Is it just on the left leg or you have a specific reason?
10:47I've realized something.
10:49Tell me about what's going on.
10:50I don't want to blame you.
10:52You don't want to blame yourself.
10:53You don't need to blame yourself.
10:55You're better to do it, you're less visible.
10:58You're a step forward, step forward.
11:01No, you don't have to.
11:02You have to make sure you fall down.
11:05If you think about this last thing.
11:08Listen.
11:09There's another exercise.
11:11There's another problem.
11:12To take the weapon, so you won't find it.
11:14You won't find it.
11:16You won't find it.
11:18You won't find it.
11:22I've got a suspicion that my friends want to take me a pistol.
11:27Who's your brother?
11:28Grgđana?
11:29I'm Jorš.
11:31Brat, my.
11:32Unborn.
11:33Unborn.
11:33Unborn.
11:33Who's asking for everything.
11:35It's obvious, brother.
11:37You'll have to do them more.
11:38You'll have to do them more.
11:38No, you'll have to do them more.
11:41I hope you'll have a way to do them.
11:44I hope you'll have a way to do it.
11:50How?
12:03Mi, mi, mi, mi, mi.
12:06Mi, mi, mi, mi, mi.
12:08Mi, mi, mi.
12:09Dobro mi ide.
12:10Dobro ti ide.
12:11Gledaj, sve će biti u redu.
12:13Vežba ćemo to pevanje, izdija, pragme.
12:15Sve ćemo da sredimo.
12:16Ne brinj se, za danas je dosta lepo da odmoriš glas, pa se vidimo sljedeći put.
12:20Ok?
12:21Olga, će joj postati poznata.
12:24Uz puno truda, verujem da hoćeš.
12:28Hvala vam.
12:30Ajde, vidimo se sljedeći put.
12:31Vidimo se, doviđenja.
12:33Ajde, čao.
12:42Presmešno mi je.
12:43Presmešno, samo ko ću li ja da budem poznata, ko ću li da budem poznata.
12:46Da, ali slatno, simpatično.
12:48Jeste, da.
12:49Što je najgore, uopšte ne peva loše, samo treba to malo da se nekako ukroti.
12:53Sve.
12:54Nikoliko mi je smešno samo to pita.
12:55Isto vidjeli što je ona obukla Olga?
12:57Pa jo, ne znam stvarno kako je to moderno malo produžen i kajiš.
13:01Samo sve gole.
13:02Sve su danas razgolićine, ajde šta ti to ču.
13:04Ajde, i sve hoće da budu slavne, poznate.
13:08Koliko samo devojaka, znam što samo o tome pričaju.
13:10Je, ali ona bi stvarno i mogla.
13:12Znaš, samo treba da uloži dosta truda, rada i...
13:15Neste se umorili?
13:17Ajde, baš mi sepila.
13:18Znaš šta, ja ću sad ovde malo da prilegnem i taman,
13:22možda prije toga da mi skuvaš neki čaj.
13:24Moš.
13:25Dobar.
13:25Sviš.
13:38Sviš.
13:39Jednostavno.
13:40Moraš da im budeš od veće koristi.
13:44Grptilano.
13:45Da.
13:48Moraš da mu doneseš veću kintu.
13:50Jedino će tako naučiti da moraju da te poštuju, razumeš?
13:53Da im više vrediš tako.
13:55Brate, ja sam uradio sve što je trebalo.
13:57Da, brate, ali tvoji sitni nestašluci se ne računaju, razumeš tako?
14:00Nećete shvatiti ozbiljno nikom.
14:03Ti imaš neki konkretan predlog ili je ovo prazna filozofska priča, a?
14:06Ja, brate, svašto u lavi, razumeš, ali ajde o tom potom.
14:18Molim.
14:20Saznao sam ti lokaciju.
14:22Pošalja mi ju u poruci.
14:23Jasno.
14:25Idemo urati.
14:27Ideš sam.
14:28De.
14:29Idemo, dobićemo jednu moju damu.
14:31Čisto da joj malo promenim pogled na svet.
14:34Ajde.
14:55Kajo, šta je bilo?
15:01Pričala sam s Medom.
15:04Išta kaže?
15:06Ništa.
15:07Kaže da je Milita jako potresla vest o nesrećitih njegovih prijatelja
15:14i da je zato nestao i da želi da bude sam sigurno.
15:19Pa dobro.
15:20Pa to ima smisla.
15:21Mislim, Mila je uvek bio imotivac.
15:23Samo što to krije.
15:25Nemam pojma, ja ga nikad nisam videla takvog.
15:27Mislim, nikad nije ništa tako pokazivao, razumeš.
15:30I ne znam, sad ono, kad nešto tako razmišljam i pomislim,
15:34možda i jeste upravo, ne znam.
15:38Pa sad makar znaš gde je da nije pobegao od tebe kod neke druge,
15:42nego da je pobegao od bola.
15:43Pa, divno, a gde se to beži od bola, kaže mi?
15:47Ajde, daj mi neko mesto gde se to tačno beži od bola
15:51i zašto se ne javi nekome koga voliš da jednostavno ideš,
15:55da ti je teško i da ćeš da se vratiš, da si živ, da je sve u redu.
15:58Zašto se to ne desi?
15:59Evo, ja hoću da mi ti kažeš zašto.
16:02Zašto ne staneš bez ičega?
16:04Čutanje je najgore, veruj mi.
16:07Veruj mi.
16:08Ali ako Mido kaže da je ona sigurno mi da je dobro,
16:10to sigurno tako, njih dvoje su bliski.
16:12Ovlično.
16:14Dobre, prihvatila sam.
16:15Evo, prihvatila sam i tu činjenicu, neka bude da je to tako.
16:19Poštujem sve i to je to, nema šta.
16:22Nego ja se samo bojim da to nije tako.
16:24Ja se bojim da se možda ona budalčina nije umješala onaj kreteno drelje
16:29zato što ga je ovaj pljunuo, razumeš?
16:31Ma nije, nije to sigurno.
16:33A kako ti možda budeš tako sigurno, izvini?
16:36Pa znam, izlačila sam karte.
16:39I karte su rekla da je ona na sigurnom i da je pod zaštitom i da će da se vrati
16:44kada preživi tu svoju bolu.
16:48Hoćeš da je pročitam?
16:59Pa Gabriela me još nije zvala na sastanak.
17:02Ajde, polako, možda je u obavezama, mada ne verujem, ali znaš šta je?
17:07Sređo je ono što je Gala ostavila.
17:09Ne, ne, nije Gala ništa ostavila.
17:11Sve sam proverila, svu dokumentaciju.
17:13I ekstretnu komunikaciju.
17:14Ma sve, sve je Gala držala pod konac. Nije ostavila nikakav haos.
17:19To je supervest, aman, manje posla za tebe.
17:22Ma nije to.
17:24Nije to. Ja, ja, hoću da znam od Gabriela šta je moj deo posla.
17:29Da fino porazgovaram s njom.
17:31Dobro mi znamo kakva ona može da bude u komunikaciji.
17:33Mislim, kako bih rekla, ne znam baš da se izrazim sad.
17:37Znaš ti pravu reč, nego si mnogo fina pa nećeš da psuješ.
17:40Eto, to je.
17:41I to ti je.
17:43Gabriela te zove na sastanak.
17:45Odmah.
17:49Še mi palče, be.
17:56Ja ne verujem.
17:58Ja ne verujem šta ti meni pričaš, jesi ti normalna.
18:00Mene ne zanima nikakav tarot, ja u to ne verujem, razumeš?
18:03Ali moraš da verujem da je živi i da će se vratiti.
18:06Aha, evo super, verujem.
18:08Evo, evo. Znaš u šta verujem?
18:11Jedino u šta verujem su činjenice.
18:13A znaš šta kažu činjenice?
18:15Da ga nema. Da ga nema Milena.
18:17To su činjenice.
18:19Molim ti, idi mi napravi neku kafu, ne znam više gde sam i mani me svega toga.
18:23Hoćeš da ti gledam u šolju, evo odmah ću.
18:24Hoćeš da se skloniš više čemu sam ja zaslužila evo sve.
18:30Da li je moguće da samo s idiotima imam posla?
18:33Ja ne mogu više majke.
18:36Oooo.
18:38Dama sama u magazinu.
18:41To nije bezbedno.
18:43Otko ti znaš da ja radim?
18:45Znam sve o tepi.
18:47I o tvojom mužu.
18:48Znači, gde je on?
18:50Ja sam čuo da je negde nestao.
18:53A kako ti znaš da je nestao?
18:54Da nemaš možda ti neke veze s tim, a?
18:57Ne.
18:57Ne reci mi, ako imaš.
18:59Ne, ne, ne, ja sam čuo da si ga ti stisla i da je on zbog toga nestao.
19:02Aaaa.
19:03Pa sve ide tako. Šta to tebe briga?
19:05Imaš napolje.
19:06Marš napolje kad ti govorim.
19:08Ebra, te sad čekajme ispred za ove.
19:09Želim da porazgovaram lepo sa gospođom.
19:13Misliš da se ja tebe bojim, jeli?
19:16Jer misliš da te se plašim?
19:17Pa ne, ja plašim te.
19:18Znaš šta si ti? Ti si jedna obična baraba.
19:22Baraba?
19:23Da.
19:24Sviđa mi se kako to zvuči sa tvojih ustana.
19:27A tvoj ispravni muž, gde je on sad?
19:31Gde je? Nestao je.
19:33A ja sam tu.
19:36Slušaj da ti kažem neke stvari.
19:39Moj muž, za razliku od tebe, nije ni kriminalac, ni mafijaš.
19:43On je čovek pun osjećanja, za razliku od tebe.
19:47Ispravančo?
19:48Da.
19:50A je li ispravna da ostaješ tako lepo ženu da se muči sam?
19:55To je po tebi ispravna.
19:57Ispravančo?
20:15Sviđančo?
20:16No, sviđančo?
20:18It's true.
20:22There's no one.
20:22When do I need it?
20:24Look, mother, you're not allowed.
20:27You're not allowed.
20:28You're not allowed.
20:28You're not allowed.
20:29When I need it, I don't have him.
20:32When I go, what do I do?
20:34I'll go!
20:36Sit down a little bit, what do you think?
20:40What do you think?
20:41I need it, mother, to my ears and play the Cranogors.
20:46Let's go.
20:46That would have been put in place.
20:49Let's go.
20:50Let's go.
20:51Let's go.
20:53No.
20:54No.
20:54No.
20:55No.
20:55No.
20:55No.
20:58No.
21:12No.
21:14No.
21:14No.
21:17No.
21:22No.
21:24No.
21:27No.
21:28No.
21:29No.
21:29No.
21:30No.
21:31No.
21:31No.
21:34No.
21:34No.
21:34No.
21:34No.
21:35No.
21:35No.
21:36No.
21:38No.
21:38No.
21:39I don't think that he was going to fall down.
21:42I don't think that he was going to fall down.
21:43He was going to fall down.
21:45He was going to fall down.
21:47I said to her,
21:49and that's the biggest problem.
21:51What if she doesn't want to live with a blind person?
21:55I think that I'm blind with a man.
21:57What if she leaves me?
21:59If she finds someone else?
22:01Olga, let me know.
22:03You know what I'm saying?
22:05Olga is a blessed woman.
22:06I wouldn't have done that long.
22:10And the other thing to tell you,
22:11even today,
22:12there are medical interventions,
22:13medical interventions.
22:15Do you understand?
22:17Do you understand?
22:20You're right, ma'am.
22:21I'm right, I'm right.
22:23You know what?
22:24Let me tell you something.
22:26But don't lie,
22:27don't want to hurt you.
22:29You sit down, brother.
22:31You don't want to live like this.
22:33You don't want to live like this.
22:34You don't want to live like this.
22:38You're right.
22:39You're right.
22:40You're right.
22:42You're right.
22:44I'm going to tell you something.
22:49You're right.
22:57You're right.
22:59You're right, brother.
22:59You're right.
23:00You're right, brother.
23:01You're right, brother.
23:01I've never done something like that.
23:03You understand me?
23:04I've never done anything!
23:04What's happening?
23:05What's happening?
23:06You're part of your crying.
23:08You're a sarying,
23:08which is a wild- dépist and a bad-dress.
23:10And you're a poor-dress-up.
23:11You're right.
23:12There's a bad guy at night.
23:13I'll never see myself.
23:14In my house,
23:15Whatever you want.
23:17What do you want?
23:18What's happening?
23:19You're right.
23:19to save you. I don't know him. He's crying somewhere on a place where I am.
23:26I'll call you the police. They're going to bring you. They're going to happen.
23:29They're going to happen, understand?
23:30I'll tell you.
23:31He loves a man who likes you, but doesn't love him.
23:37It's fine to be sad.
23:38Get out of here. Get out of here.
23:42Come on, pocice.
23:44We'll see you again.
23:59Kajo, what did you say? You didn't watch the card without me.
24:14I don't know.
24:16I don't know.
24:20I don't know.
24:21I don't know.
24:51What do you say?
24:54It will be easier, you understand?
24:57The woman wants to be honest.
24:59You have to do it before.
25:01You have to do it, man.
25:03You have to do it, you have to do it.
25:04You have to do it.
25:06See, if she knows something else,
25:09she doesn't go to the end of it,
25:11so we can understand.
25:12It would be in the sense that she knows
25:15that she knows that she is hiding from her.
25:18You have to do it, man.
25:19You have to do it, man.
25:21You have to do it.
25:22What do you think?
25:26It will be easier if you say anything.
25:29You understand?
25:29From fear there is nothing.
25:30No, I'm not going to tell you.
25:32I'm not going to be able to fight you.
25:35You hear?
25:36Today there is a doctor,
25:38and he will be able to do different ideas.
25:40You understand?
25:42At the same time,
25:44there is a woman in the Red River.
25:46And she is living and dead.
25:48No, I need a son and a mother.
25:52I will be able to listen to the doctor.
25:56You have to be able to find something else.
25:58And at the right time,
26:00you will get me back in the work.
26:01Thank God,
26:02God, you can tell something you can say.
26:06Let's go.
26:22So, all the sources on social networks are active.
26:25And what is the answer?
26:26The answer is very high.
26:30That's good.
26:30And what are the benefits of the previous director?
26:34Of course.
26:35I don't want to take any benefits.
26:37My goal is to remain high.
26:41And my goal is to get a new marketing campaign.
26:46Yes.
26:47And it's very important that, as it relates to the budget that we have.
26:52I'm worried about the budget.
26:56But you don't need to worry about yourself.
26:59You should be able to solve the task.
27:02Yes.
27:03Yes.
27:03But I don't believe that something can be spektakular.
27:06To be able to do so.
27:10Yes.
27:10To your job is to manage yourself.
27:12And to achieve the task that you have received.
27:15Is I right?
27:17I'm right?
27:19I'm right.
27:19I'm already putting on the job.
27:20Of course.
27:30I'm dying.
27:32I'm trying to think anything.
27:36OK.
27:37Love you.
27:43Is everything okay?
27:48Let's go.
27:49Banja, don't make a stupid question.
27:53Let's go ahead.
27:54Why are you sitting there? Go ahead.
27:57I said I have a job.
28:23Let's go.
28:24What are you?
28:25I'm a baby.
28:27How are you?
28:33I just came to say I love you.
28:40Ta-ta-ra.
28:42What are you?
28:43I'm happy today.
28:45I'm so beautiful.
28:46Everything is beautiful.
28:46Even you, baby.
28:52You need to ask me how to sing.
28:58I'm pretty sure.
28:59What are you doing?
29:00What are you doing?
29:02What are you doing?
29:02Why are you doing something to me asking?
29:05What are you doing?
29:06You have to ask me what I'm doing.
29:10Tell me just about it.
29:12Olga told me that I'm the real potential.
29:16You understand?
29:17I'm becoming a star, a man.
29:19She told me that I'm going to be a part of things.
29:22It's important to me.
29:23I'm a talent.
29:25Good.
29:26She told me.
29:27What?
29:28She told me that I have a lot of potential and then she asked me to play thrillers.
29:33Do you know what are thrillers?
29:34How do I know?
29:36The film genre, right?
29:38Yes.
29:40It's not, baby.
29:41I thought it was a film and that I would sing for a film.
29:45It's really music. Do you understand?
29:48What a crazy dude!
29:57Okay, what are you talking about?
30:03It's a joke of you. You are sad.
30:06You can't tell me the story.
30:08No, you know what you're talking about.
30:11You're talking about thrillers and potentials.
30:14Just kidding.
30:17Okay, baby, I thought it would be interesting to me how it goes to those times.
30:26I'm talking to you.
30:27Someone is mad at your job.
30:29Is that right?
30:30You need someone to place you and to leave you a little.
30:37I need something to do.
30:39I need something to do.
30:40I need something to do.
30:41I need something to do.
30:42I need something to do.
30:44I need something to do.
30:49Ta-na-na.
30:51Na-na.
30:53Na-na-na-na.
30:55Na-na-na-na.
31:10jähr.
31:13O-na-na.
31:13Otvoreno je.
31:13Ludi, upadajte.
31:15Ha, dje, dajte do ti stvari nama.
31:17Ozbruno.
31:18Mi ćemo stvari somebody.
31:19Ho, njema je smisla da tegnete je.
31:22O-ma, ja ću u sobu...
31:24O-ma, dje, evo mi je.
31:25O-ma, dje evo.
31:26Moja dužaja, moja ljubav moja.
31:28Demojka, velika, sunce moje, dosla mi je o-na mi je dosla.
31:35A-ja, a...
31:35Aa, ti ja, o that ljubomorna...
31:38And you can see me!
31:39And you can see me!
31:42Let's show you my own room.
31:44Let's go now!
31:45Let's go now!
31:47If you have any more?
31:48Let's go!
31:50Let's show you everything!
31:53Let's go!
31:55Let's go!
31:57Let's go!
32:01Can you see me?
32:03All right!
32:04All right!
32:05Yes!
32:05Let's go!
32:07You can have a little coffee!
32:09You can have a coffee!
32:10You can have a coffee!
32:12How I learned to your taste!
32:15That my soul is!
32:17Where did my jazz band?
32:18Where did my jazz band?
32:19Where did my jazz band?
32:22No, no!
32:24No, no, stay!
32:26I'm going to the star mestra!
32:28открыв my bedroom, I hear you!
32:31I hear you!
32:32I don't know what to say.
32:32I don't know what to say.
32:36I don't know what to say.
32:37Don't tell me what to say.
32:39It's in the old place.
32:43So...
32:44Where do you hold this?
33:06I don't know what to say.
33:08I have to say something important to you.
33:11No, no, no.
33:13It's not good.
33:14It's not good.
33:19You'll see a little bit,
33:21I won't see anything.
33:26Olga, see.
33:29I've seen,
33:30our lives will be rapidly changing.
33:34No, no, no.
33:36It's not good.
33:37It's too dramatic.
33:39I'll tell you.
33:42I see, Olga,
33:43I was at the doctor
33:45and my claims aren't good.
33:49My view has a lot of weak.
33:52And soon...
33:55Maybe...
33:56No, no, no, no, no, no.
33:58Nothing, I'll tell you directly.
34:01I was in the hospital, and he told me that I'll lose my eyes.
34:06Yes, that's right.
34:16But when is this possible?
34:18It's not available.
34:19It's not available now.
34:40It's not available now.
34:40That's why, that's why.
34:41Oh, how is it?
34:44I'm too late.
34:46Oh, oh, oh, oh, oh.
34:49Oh, oh, oh.
34:51Oh, oh, oh, oh.
34:52Oh, oh, oh, oh.
34:53Oh, oh, oh, oh.
34:55Good morning.
34:56Good morning.
34:57How are you?
34:58Great. Good morning.
35:02Yes.
35:03It is good for you.
35:05It will be difficult
35:06because now I have left
35:09the other place.
35:12I will not be able to do it.
35:14I just don't mind.
35:16Just tell me, I left you alone.
35:19Problematic.
35:22If you have something you need,
35:24I pray for me.
35:26I have one.
35:39I have a good girl.
35:40I think we will not drink from the same extent.
35:44Come on.
35:45Come on.
35:46Hey, hey, hey.
35:48Hey, hey, hey.
35:50Hey, hey, hey.
35:52I told you to go to the next one.
35:53Let's go to the next one.
36:08Hey, hey.
36:13Hey, hey, hey.
36:13Hey, hey.
36:15Hey.
36:17Hey.
36:25I'll kill you!
36:27I'll kill you!
36:37I'll tell you, I think it's a real moment
36:41to run a little bit more job
36:43and to get me a guest on a super cool place.
36:52What am I going to hear?
36:55Wait, do you want to be a star?
36:57Yes.
36:58How do you do that?
37:00A stupid voice, stupid voice.
37:02You can't do that anymore if you don't have your song.
37:05How do you do that?
37:07Okay, I can sing any song.
37:10How do you think you can sing any song?
37:25How do you do that?
37:30How do you do that?
37:33How do you do that?
37:34I can't do that.
37:36I can't do that.
37:37Don't be kidding.
37:39Who gave you a phone and a card?
37:44I can't do that.
37:46I can't do that.
37:46I can't do that.
37:47I can't do that.
37:48What do you think you call me?
38:01What do you think you call me?
38:01I have come to bring you a good news story.
38:04What do you think you call me?
38:07I don't know what we've told you.
38:09Who is it?
38:11Relji.
38:12Relji?
38:13Yes, yes.
38:14I don't know what happened.
38:16Some changes.
38:17I don't know.
38:18Maybe it's grown.
38:20I hope you're right,
38:22because I can't beat him anymore.
38:34I don't know what happened.
38:36But I think there's a greater purpose,
38:39and you need help.
38:40I don't know if it was needed,
38:43but this is a specific task,
38:45because of the fact that
38:48for the campaign,
38:49zero dinars.
39:02When we have the two for the help,
39:05the third will be able to do something.
39:08We'll have plenty of time.
39:10That's fine.
39:10That's fine.
39:11It's good to give you a coffee with a man.
39:13That's fine.
39:13But it isn't exactly like this,
39:14to be everything on the boat.
39:16It's all on the boat,
39:17and it's all on the boat.
39:18And you're on the boat.
39:19I'm sure you're on the boat.
39:20I'm sure you're on the boat.
39:22You're on the boat.
39:40Yes.
39:42It's nice to meet you.
39:46I just want to tell you who you are.
39:48That's not coming, I told you.
39:52I want to tell you who you are.
39:54This is a New Yorker.
39:54I don't think I'm old.
39:58The New Yorker.
39:58The New Yorker.
39:58The New Yorker.
39:58The New Yorker.
40:00The New Yorker.
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