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00:00Thank you for listening.
05:49But you'll be in trouble.
06:01I'm going to go to the next episode.
06:07Then I'm going to go with you.
06:09...the last accident near the street of the FBI.
06:14...the first incident after the tubering team has been killed for six months.
06:18...the last accident...
06:19...the last five months...
06:19...the last one.
06:19...the last one.
06:20...the last one was a woman.
06:28But in the past, it was a woman who was a woman who was a woman.
06:32One of the things that was a shame in my body was found.
06:38The chief president, can I please?
06:44Yes.
06:46No.
06:47I don't mind, having a bad time.
06:54I'm so sorry.
06:56Do you want me to do it?
06:58I'm sure you're in the next one.
07:01It's the mood for me.
07:02I'm sure it's really good.
07:04I'm sorry.
07:07You can't put it on the other side.
07:09You can go to the terrace.
07:11There's a lot of beer.
07:12Let's go.
07:13I'm going to go.
07:19I'm going to go.
07:20Yes.
07:26Yes.
07:29Hello.
07:29Hello.
07:36I can't believe it.
07:39I've never had a chance to do it.
07:43It's a lot of people who are not afraid of it.
07:47But the rest of the people who are not afraid of it.
07:53There's no one who doesn't want it.
07:54I think it's a lot of people who are angry and sad to think about it.
08:00I think it's a weird thing.
08:03I don't think that's it.
08:06Ah, before I wrote you, I used to write a book.
08:10Ah...
08:11I was just a writer.
08:14What?
08:15It's a drama?
08:15Yes.
08:18I think it's a good thing.
08:20I think it's a good thing.
08:23I mean, I would've enjoyed it.
08:26If I could understand something, I'd rather have to do it.
08:30Really funny.
08:31What do I have to do with myself?
08:33Well, the correct thing is that I like.
08:37It's funny.
08:37Well, it's funny.
08:40I think it's funny.
08:41It's funny.
08:43I'm a little bit.
08:44I don't know.
08:44I think I should've mentioned a lot.
08:50Oh, my god.
08:54That's true.
08:54I'm not sure if I read your story.
08:57I'm sorry.
08:58You know?
08:59Yes.
09:01It's true, but...
09:06It's a lot of flourishing.
09:07Well, it's a lot of flourishing.
09:13It's a great idea.
09:17What's the truth?
09:18Do you know when I read the book?
09:19I know when I read the book-colds.
09:22I didn't watch it.
09:26I haven't seen it.
09:33I haven't seen it!
09:35I can't see it because I'm not so aware of it.
09:40I can't see it.
09:41I can't see it.
09:42I can't see it.
09:47What?
09:49It's possible to go.
09:51It's possible to go.
09:52It's a good thing.
09:55I love it.
09:55It's possible to go.
09:56It's possible to go.
10:03It's possible to go.
10:05Wait a minute.
10:09I found out.
10:11What's that?
10:14Why?
10:14What a reason?
10:14Why are you looking for me?
10:14You're looking for a film.
10:18You're looking for a film.
10:21I'm looking for a film.
10:26I'm looking for this film.
10:29It's more than a movie.
10:34It's a movie.
10:38It's a movie.
10:42Oh, I have to go out to your family.
10:44Yes, I have to go out there.
10:45This is a picture of the camera in the front of the camera.
10:51The reality that you have been watching me on this is a mystery.
10:56I'm curious what you can see, but I don't want to see it.
11:04Yeah!
11:05That's not a bit of a rush.
11:06You're not thinking about it, right?
11:08You're not thinking about it.
11:09You're not thinking about it.
11:12You're not thinking about it.
11:14I'm so funny.
11:16So I'll see you in a few minutes.
11:20I've seen it before.
11:21So I got back to the UF.
11:22So I got back to the UF.
11:23I was looking for a lot of questions.
11:24You can see the UF's reaction in the future.
11:28There's a lot of questions about it.
11:33The story is about 2023.
11:37I am going to get a break.
11:46We are going to get a break.
11:49Ay, really.
11:53Just like this.
11:58My heart is so sad, it's a good thing.
12:02You are like, why are you so mad at me?
12:05Why are you? What are you doing? Who are you doing?
12:09I don't think I'm going to be a fool.
12:10I'm going to be a fool of you.
12:13But the moment I'm not talking about you, it's not.
12:16I'm not talking about you.
12:18You're going to be a girl.
12:20That's what I mean.
12:20What about this person?
12:21Just say maybe, even with a regular casualty.
12:22Just give it a moment and you can't put it here.
12:26That's what I mean.
12:27I can't get that one at last now.
12:29It's not a while.
12:34It was a while ago.
12:34I mean, I know you really didn't catch it.
12:37Oh, that's okay.
12:39I don't have to be a answer.
12:41Oh, what?
12:42I'm really worried about this.
12:43It's an example of this, right?
12:46When I met her, she looks like her.
12:48But if you're hiding, you're having a relationship with your husband.
12:50Then you're going to work with your husband and your husband, and you're going to be able to find a
12:55place where you are.
12:56Right.
13:00You're always going to get a little more, that's why you're going to get it.
13:04I'm going to get that, but if you're going to get it, I'll get it.
13:08If you're going to get it, if you're going to get it, I'll get it.
13:11But you still, you're still not a man.
13:14I don't know if you don't know what's going on in the middle of the day.
13:17There's no one who knows.
13:20Who knows?
13:22We're not going to be like that.
13:25You're not going to be a romance.
13:27No, no, no.
13:30We're not going to be a romance.
13:34Come on, let's go.
13:37No, I'm going to take a break.
13:39I'm going to take a break.
13:40I'm going to take a break.
13:43Do you want me to take a break?
13:43You're not going to take a break.
13:46No, it's impossible to punch me.
13:54No, it's impossible.
13:55Yeah, it's impossible to punch.
13:57It's impossible to punch.
13:58You're notdt!
14:00I'm so tired.
14:04I'm very tired.
14:16Oh, it's so cool.
14:30Yes.
14:30Yes, yes.
14:30I was worried about him.
14:33I think that he said something about him.
14:33Oh, well, he's a little bit.
14:38But...
14:43What's your fault?
14:44The owner, you're all in there?
14:45Today's work is great.
14:47Please keep your sleep.
14:56The owner, I'm going to tell you this.
14:59No, no, no, no, no.
15:00The owner...
15:03Rebecca's attorney, can you see you?
15:08Oh
15:58Come on.
15:59Here I can wait for you.
16:00Yes.
16:06I can't see you.
16:06It's been a long time.
16:08I'm a friend, now.
16:09I didn't know he was taking a picture.
16:10I'm a friend of mine.
16:13She's a young woman.
16:14I know it's been a long time, but I haven't done it.
16:15I can't see her.
16:19I can't see her.
16:20I can't see her.
16:21It's been a long time.
16:22I can't see her anymore.
16:23It's so good for you, isn't it?
16:25Just go ahead and leave it.
16:29Just go ahead and leave it.
16:36What's wrong with you?
16:41What's wrong with you?
16:43What's wrong with you?
16:449.
16:449월 22일.
16:48유 작가님, 우리 보작 졸업했잖아요.
16:53공모전 당선돼서 데뷔합시다.
17:39네, 확인했어요.
17:41근데 작가님, 늦을 것 같으면 미리 기다려주세요.
17:44미리 말씀을 해주셨어야죠.
17:47매번 작가님 대본 기다리느라 사무실에서 날방관계 도대체 몇 번인 줄 아세요?
17:52제 소중한 저녁은 누가 보상해주냐고요.
17:55작가님, 너무 축하하세요.
17:57내일부터 메인 페이지에 배너 프로모션 들어가게 될 거고요.
18:00나중에 빌딩 올리고도 저 모른 척하게 없게요, 작가님.
18:03여주인공 포가 비현실적으로 뾰족하다고 하셔서요.
18:06네, 그러면 이번이 마지막 수정이죠.
18:09한 번만 더 마감 넘기시면
18:11작업실에 쳐들어가서 천장에 줄 매달고 지켜보고 있을 거예요.
18:14거기서 꽉 죽어버리려고요.
18:20선배, 괜찮아요?
18:23태민아, 봐봐.
18:25둘 중에 뭐가 더 나을까?
18:28첫 남편의 비밀스런 사생활이라.
18:33나쁜 남자 느낌이 좋겠는데요?
18:35그치.
18:35나도 역시 왼쪽이 더 나았어.
18:37아니, 왜 이래요.
18:39오른쪽이 딱 봐도 나쁜 남자인데.
18:41뭔 소리야.
18:43야, 왼쪽이 더 나쁜 남자지?
18:46아이고, 우리 선배 큰일 났다.
18:47이제 나쁜 남자 구분도 못하고.
18:49그래?
18:50저도 오른쪽 같은데요?
18:53아니, 왜.
18:54그거 오른쪽으로 해.
18:55남자 피부 톤 다운 시키고 타이틀 크기 더 키우고.
19:11아, 우빈이 얘네 작가님 만나러 간 거야, 만 거야?
19:18아, 왜 전화를 안 받아?
19:19에휴, 진짜.
19:43아영아.
19:44네.
19:46네?
19:47제가 가라고요?
19:48아영아.
19:51오픈일이 이번 주인데 그리 없다는 게 말이 되니?
19:54연재 미루면 독자들이 사무실 쳐들어와서 내 목에 칼이라도 들이밀 기세야.
20:00아...
20:02좀만 더 기다려보시는 건 어때요?
20:04아우, 우빈이 이놈의 새끼.
20:05아무리 지가 발굴한 작가라도 그렇지.
20:07엄연히 1등 작가고.
20:091인데.
20:09아니, 뭐.
20:10작가랑 연애해?
20:11지 기분 나쁘다고 잠수 타고.
20:13그러면 안 되는 거 아니니?
20:14맞지?
20:17그건 그렇죠.
20:19근데...
20:20전 한 번도 뵌 적이 없는 분이라서요.
20:22가서 일부라도 받아오자.
20:25제발 나 좀 살려주라, 응?
20:34하...
20:35연결이 되지 않아 음성 사소함으로 연결해.
20:50선배.
20:51설마 퇴근하세요?
20:52아니.
20:54팀장님이 레베카 작가님 만나고 오라고 하시네.
20:57나 할 일도 많은데.
20:59혹시 무슨 일 생기면 저한테 제일 먼저 연락하세요?
21:02아유, 무슨 일 있겠어.
21:04아, 뭔가 제 촉이 좀 이상해서 그래요.
21:08어허.
21:09말이 씨가 되니까 진정, 진정.
21:12나 갔다 온다.
21:13네, 고생 다녀오세요.
21:14나 갔다 올게.
21:15거기야 선배.
21:16응.
21:25아영아.
21:26너 언니가 맨날 어?
21:27집에 혼자 있는 거 알아 몰라?
21:30바닷가에서 막국수에다가,
21:31회안 사발에다가,
21:32소주일잔을 딱 같이 하면 얼마나 좋겠냐.
21:34언니,
21:35나 회사 일 때문에 온 거잖아.
21:37괜히 따라왔다가,
21:38대리님이라도 마주치면 어쩌려고 그래.
21:41에휴,
21:41암튼.
21:43아휴,
21:44너도 사연 많은 동네 가서 그냥,
21:45마음이 싱싱생송하겠다.
21:48야,
21:48너 그 동네 거의 뭐 한,
21:5010년마다 가는 거 아니야?
21:53아휴,
21:55그러게 말이야.
21:56아니,
21:57왜 하필 작업실이 여기냐고.
21:59너 올라올 때는,
22:00빈손으로 올라오지 말고,
22:01그냥 양송받으고 오는 거야.
22:03응?
22:03알았어, 알았어.
22:05이따 일 끝나고,
22:06연락할게.
22:10놀라왔네.
22:12이따 그 도치네,
22:13야지 놓을까.
22:24빨리 와봐.
22:25여기 뭐라 좋아하지?
22:27저러나 해봐라.
22:28뭐, 빨리 먹으나 해.
22:29응용도 자신까지 오면 돼,
22:31미쳤어.
22:32나 한 번 먹으래,
22:32빨리 먹으라.
22:33야, 빨리.
22:34야, 야, 야.
22:35야, 야, 야.
22:37오지 마.
22:39안내, 뭐야.
22:40야.
22:54Do you think you're a real person?
22:55I'm sorry
22:56I'm sorry
22:56I'm sorry
22:58I'm sorry
22:59I'm sorry
23:00I'm sorry
23:01I'm sorry
23:01I'm sorry
23:08I'm sorry
23:10Well, that was right
23:13He's here to go, right?
23:13Yes, you're right.
23:16He's here to be a guy.
23:21He's here to go, isn't it?
23:23He's here to go.
23:25You're right, right?
23:28You're right, right?
23:28But here, what happened?
23:30Ah, yeah.
23:36That's how you got to go.
23:40So, he's doing his job every day.
23:46He's doing his job.
23:46He's doing his job, too.
23:49He's doing his job, but he's doing his job.
23:52He's doing his job.
23:53He's doing his job, too.
23:54I don't know why he's doing his job.
23:54There's no money, he's doing it.
23:56What?
24:00...
24:03When I was parked here, I was locked.
24:05You told me that the bus is going to go.
24:09Yes.
24:10I'll see you later.
24:10I'll see you later.
24:11I'll see you later.
24:12I'll see you later.
24:13Okay.
24:14I'm Kathy.
24:15You're going to subscribe to my channel.
24:17Oh.
24:18I'll talk to you later.
24:27I'll pay you you later.
24:41Please.
24:43I'll call you the hotel.
24:47I'll call you the hotel.
24:48You're going to take a car, you're going to take a bathroom.
24:49You need a car to get there.
24:52There were a lot of money, so the only one is my family.
24:58I don't know what it is.
25:00I'm going to get to the house, but I got to get some money.
25:00One, two, three!
25:05That's right.
25:17I'm sorry.
25:19Can I see you again?
25:30One, two, three!
25:42우빈이가 갑자기 증발이라도 했다는 건데 이걸 지금 나보고 믿으라는 거지?
25:48저도 좀 당황스럽긴 한데 여기 식당이 대리님 핸드폰이랑 차도 그대로 있어요.
25:54아우, 머리야. 그러면 이제 뭘 어떻게 할 건데?
25:57작가님한테 안 가겠다는 거야?
25:58다 왔는데 당연히 가봐야죠.
26:00근데 그전에 경찰에 실종신고라도 해야 되는 거 아닌가 해서요.
26:04우빈이 사라진 건 우리가 알아서 할 테니까 너 빨리 작가님 작업실로 가.
26:08알았지?
26:09네, 알겠습니다.
26:14아유, 팀장님.
26:17이것 좀 보시겠어요?
26:19저도 같이 와요.
26:20실종신고 후 수사에 진전이 없자 가족들이 직접 확보한 CCTV를 인터넷에 올리며 제보를 기다리고 있다고.
26:25오, 제리님 사라진 거랑 완전 똑같네요.
26:30스타트랙에 나오는 양자 텔레포테이션이라고 들어보셨죠? 공간 이동하는 거.
26:34지금 외계인들이 그 기술로 인간들을 자기네 우주선으로 납치해서 지금 잔인하게 생체 실험을 하고 있는 겁니다.
26:39바로 이게 우리나라에서 아주 빈번하게 일어나고 있다는 증거고요.
26:43개들은 니네를 안 잡아갖고 뭘 하는 건지 모르겠네.
26:45아니, 왜 보고도 못 믿으세요, 팀장님.
26:47너 빨리 경찰서 가서 실종신고나 해.
26:51아이고, 답답하다, 정말.
27:01선생님, 우리끼리 따로 조사해보는 건 어때요?
27:03좋아요.
27:05이거 뭔가 있어요.
27:56뭐.
27:59설마...
28:00둘이 사귄 거야?
28:05설마...
28:07설마...
28:07아니겠지...
28:21홍삼?
28:2311시 21분 결제.
28:27CCTV는 2시?
28:31하...
28:32대체 어디로 간 거야?
28:35네, 현장에 저희 중계차가 나가 있고
28:38곧 있으면 경기도 연쇄살인범 박현주가
28:41호승차량에 탑승하게 될 건데요.
28:43네, 지금 박현주가 나오고 있습니다.
28:45이 시간의 조사로 쫓아해진 모습인데요.
28:47어딘지 여유로워 보이는 표정이기도 하네요.
28:50자신의 죄를 비우치고 있을까요?
28:52경기도 주민들의 6개월의 악몽이
29:01네, 지난 6개월간 남성 9명을 살해한 범인 박현주의 모습입니다.
29:07어떻게 여자 혼자서 남자 9명을 살해했는지가 궁금하실텐데요.
29:12박현주는...
29:13박현주가
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