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00:28Transcribed by ESO, translated by —
01:00All leather rooms, colouring skies and blue eyes.
01:06All right.
01:09Friendly.
01:12Third time this week I've had to call the police.
01:15Come on, this town's being taken over by yops.
01:21He's been keeping me hostage.
01:23I found him there asleep, surrounded by all the food he's pilfered.
01:26What, freestyle custard creams?
01:28Follow me.
01:36What's your name?
01:38Adam Walsh.
01:39What were you doing in that man's shed?
01:42It came to save a mate last night, but we fell out.
01:44Just needed to get my head down, but then I woke up and that old crank had locked me in.
01:48Am I going to get done or what?
01:50I don't think they hand out custodial sentences for stealing biscuits.
01:56Custodial.
01:58It's in custard creams.
02:00Forget it.
02:01Where do you live?
02:02Exeter.
02:03Okay, straight on the train, go on home.
02:05Don't want to see you around here again.
02:06I just want to get home and have a shower and some food.
02:08I'm starving.
02:10Oh.
02:12Mum's cheese and homemade pickle sandwiches.
02:15Take it for the journey if you like.
02:16Come on, cheers.
02:17Okay, go on.
02:22Oi, is that it?
02:23You won't be having any more trouble from here, Mr. Franklin.
02:26I'll hold you personally responsible if I do.
02:29Just so you know, Mr. Franklin,
02:32false imprisonment is also a criminal offence.
02:38Humphrey.
02:48Oh, Humphrey and I appreciate that.
02:51Thanks.
02:52Bye.
02:53That was Hannah.
02:55Checking on us after our meeting the other day.
02:58Pausing fostering still feels like the right thing to do.
03:01Yeah, it's probably for the best.
03:02Especially now we're back living with your mum.
03:04Exactly.
03:06Queerle Blue.
03:07What do you think?
03:09It's a bit formal for a Tuesday morning.
03:11The WI ladies are taking me out tomorrow evening.
03:13Again?
03:14Oh.
03:15Between us.
03:16They've become slightly suffocating since I've become councillor.
03:21Oh, they're both nice.
03:23Uh, the green one, then.
03:25You're just saying that to shut me up.
03:27Humphrey.
03:28Green to match your eyes.
03:30My eyes are brown.
03:32So they are.
03:36Sorry.
03:40Hello.
03:43Right.
03:44I'm away.
03:45Saved by the bell.
03:57Hiding from the paparazzi.
04:00Pardon?
04:02Well, don't get me wrong.
04:03They're very stylish.
04:05Not a criticism.
04:07Is it an image revamp?
04:10No.
04:11It's a tension headache from a cricked neck and no sleep.
04:14But thanks for the compliment.
04:19Rosewood Cottage.
04:20Where are you?
04:22Are you the police?
04:25Hello?
04:28Mrs Harris?
04:32I've been hiding in case they came back.
04:34Right.
04:39Oh, darling.
04:40I am so sorry.
04:42I was with a client.
04:43My phone was off.
04:45Clyde Harrison, June's husband.
04:47D.I.
04:47Goodman.
04:47This is D.S.
04:48Williams.
04:48I'm sorry we weren't here earlier, too.
04:50It's slightly tricky to find.
04:52We are tucked away here.
04:53It was much easier to find when the woodwork was pink, albeit slightly garish.
04:57Uh, shall we go inside, Mrs Harris?
05:08Look at it.
05:09They've wrecked the place.
05:20Sorry, Mrs Harris.
05:21What exactly did you notice was wrong?
05:28The whole place was upside down.
05:31They'd turned the drawers out.
05:33This chair was on its side.
05:36It was all a mess.
05:59How are you so good at it?
06:01A what?
06:03Adult in.
06:04I mean, you make it look so easy doing ten different things at once and you're not even stressed.
06:09I'm just good at hiding it.
06:11Besides, stress isn't always a bad thing.
06:13We wouldn't get what we wanted without it.
06:15But what if you don't know what you want?
06:17Like, I really like what I do here, but I'm just worried that it's not what I want to do
06:22long term.
06:23I should hope not.
06:24I don't want to see you go, Zoe, but you've got a whole life to live.
06:27Doing what, though?
06:29You're 18.
06:30You've got bags of time.
06:31Takes six years to train to be a vet.
06:33Do you want to be a vet?
06:34No, I won't.
06:35I'm just making a point.
06:37How did you decide?
06:39I didn't.
06:40I went travelling.
06:42Thailand, Vietnam, Malaysia and the Caribbean.
06:45That must have been incredible.
06:47It was the best thing I could have done.
06:48I went alone and it taught me more than any course ever did.
06:51Really?
06:52Weren't you frightened?
06:53Sometimes, but that's life, isn't it?
06:56My advice is to have all the experiences you can, good and bad.
07:00Take risks.
07:01Choose adventure, Zoe.
07:05Bingo.
07:10I know what I saw.
07:13You're sure there's nothing missing?
07:15I've checked.
07:16Everything appears to be where it should.
07:18I know.
07:19Understanding attachment disorders by Dr. Clive Harris.
07:22I'm a clinical psychologist.
07:24And a published one at that.
07:27I'm sorry, what happens now?
07:29Without any evidence of a break-in, then I'm afraid there's nothing much we can do.
07:33I am not mad!
07:34No one's suggesting that, Mrs. Harris.
07:37You don't need to.
07:38Clive is diagnosing me as we speak.
07:40June, that's not true.
07:46Yeah, thank you both for your time.
07:48I'm sorry if I've wasted it.
07:50Of course not.
07:50You're very welcome.
07:52Nothing to apologise for.
07:54Have there been any causes for concern with June recently, psychologically?
07:59Nothing.
08:00I'm as perplexed as you are.
08:02Yes, well, you know where we are.
08:04Yes, Sergeant.
08:10Might be the start of something to do with our mental health?
08:13Yes.
08:15Well, there's a buck coming.
08:17I believe her.
08:19You think someone trashed the place, then immediately put everything back exactly as it was?
08:25Not exactly as it was.
08:27Dr. Harris' book was upside down.
08:28It's odd.
08:29Don't you think?
08:30And the rest of the shelves were so neat.
08:40A profile here on the eminent Dr. Clive Harris in The Times last month.
08:45I became a psychologist because I care.
08:48Oh, the burglary on Millstone Lane.
08:51I give my right arm for a burglary at the minute.
08:54Honestly, if I get one more call out about kids doing wheelies in the high street or eating people's custard
09:01creams, I'm going to scream.
09:03Well, it wasn't actually a burglary, so you didn't miss out on anything.
09:06But I took the call.
09:08Poor woman was hysterical.
09:10House was immaculate.
09:11What's going on, then?
09:12Not sure yet, but she certainly seemed convincing.
09:16Maybe it's like that old film, where the husband gaslights the wife into thinking she's gone doolally.
09:23Oh, what's it called now?
09:25Um, Gaslight.
09:28That's the one.
09:30Oh.
09:31It says here they fostered, too.
09:33Dr. Harris' interest in attachment theory inspired him and his wife to foster children from troubled backgrounds.
09:39Doesn't sound like a manipulative gaslighter.
09:42Mum, I did an online quiz about this.
09:45Apparently, I've got an anxious attachment style.
09:50Oh, I don't buy into all that nonsense.
09:54That's because you're an avoidant.
09:57The only thing I'm avoiding is cod psychology.
10:00And this headache, if I can.
10:02Man, see?
10:04You're masking the pain with pills when you should be pinpointing the root causes.
10:09I can pinpoint one of them right now, actually, Margot.
10:12Stress.
10:13That's what's going on here.
10:15Cortisol flooding the nervous system.
10:18I bet I know what started it and all.
10:21Or should I say, who started it?
10:23Yeah, all right, Margot.
10:24Thanks for the insight.
10:25But I slept badly, that's all.
10:27You should both try positive affirmations.
10:30Now, every morning, I look in the mirror and I say, I am enough.
10:35Out loud.
10:37Here.
10:38You try it.
10:41I am enough.
10:42No, no, no, no, no.
10:43It's a statement, not a question.
10:45Say it like you mean it.
10:48I'm enough.
10:49Less mumbly.
10:52Punctuate each word.
10:53I am enough.
10:55I am enough.
10:58All right.
10:58Don't blow me ears off.
11:00Now, you do that every morning and feel the difference it makes.
11:07Good.
11:14Yeah.
11:18Oh.
11:23She didn't have a police station.
11:25Hold the line for me, please, Mr. Smith.
11:30Apologies, Mr. Smith.
11:32He's just popped out.
11:35Would you care to leave him a message and I'll get him to call you back?
11:41Will do.
11:42Goodbye.
11:46Didn't have the good grace to say goodbye.
11:49He wants you to call him back, AACP.
11:51He says he's keen to know your decision.
12:06Dr. Harris, sorry to bother you.
12:09Can I just check?
12:10Our next session is Tuesday, isn't it?
12:12Ten o'clock, yes.
12:13See you then, Amy.
12:16Goodbye.
12:27Goodbye.
12:34Bye.
12:51There's another liar before someone's tried to remove it.
12:55Jim was right then.
12:56It's odd, but I feel rather relieved.
13:00Have you had any run-ins with anybody recently, Dr Harris?
13:04No.
13:05There's nobody you know who might be inclined to call you a liar?
13:08Not at all.
13:10You see, I did a bit of research after I left you earlier, and I found this.
13:18A fellow psychologist, Roger Franklin, accused you of plagiarizing one of his research papers last year.
13:25How he was allowed to stay in the profession all those years is beyond me.
13:31That's the paper in question.
13:34Breaking the cycle of insecure attachment.
13:37Roger's under the impression that he invented Bowlby's theory of attachment.
13:41It's ridiculous.
13:42It's jealousy.
13:43Plain and simple.
13:44Good idea to start with him, then.
13:46Maybe, but I'd be amazed if he had the gumption to pull this off.
13:51Anything else?
13:53Unusual interactions?
13:55Who was the last patient you saw?
13:57Well, I bumped into one of them just before I arrived earlier.
14:01Amy Riley.
14:02She was outside the office.
14:03I wouldn't call it unusual, though.
14:05So she didn't have an appointment?
14:07No, not today.
14:08But I have a good rapport with all of my patients, Detective.
14:12Amy has a complex diagnosis, but she deals with it admirably.
14:16I've never had any cause to be concerned.
14:24Thank you, Doctor.
14:26Hi.
14:27Humphrey.
14:28Esther.
14:29Hi.
14:30Hi.
14:30Hello, Archie.
14:32You're here to see Doctor...
14:33About some wine.
14:35Dr. Harris wanted some advice.
14:38I'm so sorry to keep you.
14:40Unfortunately, I'm going to have to postpone our session.
14:52Good to see you, Archie.
14:59So, someone trashes the house,
15:01then puts everything back and cleans up after themselves,
15:04then goes and does the same thing to Doctor Harris' office.
15:07Any thoughts?
15:09Huh?
15:10Why would somebody commit a crime,
15:11then try to undo it twice within a couple of hours?
15:22Esther?
15:24Sorry, I'm...
15:25What was that?
15:26Are you okay?
15:28I'm fine.
15:30Yes.
15:30It's odd.
15:32Some sort of psychological game, maybe?
15:34Well, yes, possibly.
15:36In any case, I'm pretty sure it'll happen again.
15:38So, uh...
15:38We should submit an urgent request for access to his patient files,
15:41and, uh...
15:42Let's pay a visit to Roger Franklin.
15:54Hi, Margot.
15:56Got a call from the manager at the train station.
15:58Fights broken out there on Platform 1 between a couple of, uh...
16:02Don't tell me.
16:04Kids.
16:05Now, don't scream.
16:07Remember, you are enough.
16:11I've definitely had enough.
16:13Knew that much.
16:18Give me a second.
16:31When the reef is cold.
16:55Oh, I'm so sorry.
16:56I was miles away.
16:58In, uh...
16:59Dolphin Cove?
17:00Have you been?
17:02Oh, I wish.
17:03I just said there...
17:04Sorry, I wasn't snooping.
17:06It just caught my eye.
17:07Looks like paradise.
17:08Doesn't it?
17:10You, uh...
17:10Planning a holiday?
17:12Thinking about going travelling?
17:14Seeing a bit of the world?
17:15That sounds amazing.
17:16Who are you going with?
17:18Not sure yet.
17:20Probably by myself.
17:21Well...
17:22That's...
17:22That's brave.
17:23That's what life's about, isn't it?
17:25You know, having those different experiences,
17:26taking those risks.
17:28Well, good for you.
17:29As long as you take care of yourself.
17:32Uh, Kelby?
17:34I haven't told my mum yet,
17:35so please don't say anything for you.
17:49Mr. Franklin?
17:50Yes?
17:52I'm D.I. Goodman.
17:53This is my colleague,
17:54Detective Sergeant Williams.
17:55Oh, glad to see it's been passed up in rags.
17:58Trust you'll be throwing the book
17:59at that little toe rag
18:00who's been squatting in my shed.
18:02They sent a young lad this morning,
18:04barely out of his teens by the looks of it.
18:07If you're referring to PC Hartford,
18:10then he's a highly competent police officer
18:11and a fully grown adult.
18:13Yes, we're actually here to talk to you
18:14about Dr. Clive Harris, Mr. Franklin.
18:17What about him?
18:18And his Dr. Franklin?
18:20Dr. Franklin, my apologies.
18:23Can we have a quick chat?
18:24Now?
18:25Yes.
18:26Is there somewhere a little more, uh,
18:28private we could go?
18:30Oh, dear.
18:34Yeah, but that is what Dr. Harris said.
18:36Absolutely preposterous.
18:37But you have called Dr. Harris a liar in the past.
18:39Because he is one.
18:40He stole my work
18:41and got away with it scot-free.
18:43Oh, and you wanted revenge?
18:45Don't try and trick me, Detective.
18:47For a start,
18:48I can't be in two places at one time, can I?
18:50And if one of your own officers
18:52isn't enough of an alibi,
18:54then I don't know what it is.
18:55I suppose that depends on what time
18:56you arrived at the allotment.
18:58Oh, here we go.
18:59Okay.
19:00I got here about eight o'clock,
19:03unlocked the shed,
19:04and saw some layabout sleeping on the floor.
19:06End of story.
19:08If it's padlocked from the outside,
19:09how did he get in?
19:11Well, I was here late last night, too,
19:12about 1 a.m.
19:17I'm an insomniac,
19:18later in my life.
19:19I hadn't locked up when I left earlier that day,
19:21so he must have gone in then.
19:23I put the padlock on
19:25and then came back this morning and found him.
19:29Happy?
19:31And where were you at about 10 a.m.?
19:33Well, still here.
19:35Obviously.
19:36And there'll be other people who can vouch for you?
19:38The other allotment holders?
19:40Well,
19:41they've not long arrived.
19:42I mean, I was
19:42alone
19:44for much of the time,
19:45as it happens.
19:49Right.
19:50Well, thanks very much for your time,
19:51Mr. Franklin.
19:52Beg your pardon, doctor.
19:53Watch out, share the seats.
19:55Welcome.
19:56Yes, I know, just take a little heads up.
19:58I don't mind that I...
20:00I just skipped that cone of varnish.
20:04So you have.
20:08Technically,
20:08Roger Franklin could have broken into the Harris's,
20:11trashed it,
20:12regretted it,
20:12tidied up,
20:13then come straight here.
20:16Technically, yes.
20:18Although, judging by the state of his shed,
20:20he doesn't strike me as being a particularly fastidious cleaner.
20:23Yeah.
20:24So, what now?
20:26Any ideas?
20:26Yep.
20:27Piece of cake.
20:28You know who did it?
20:29No idea.
20:30I mean, I want a piece of cake.
20:33Hmm.
20:36This stuff is ridiculous.
20:39Two lemon drizzles,
20:40two Americanos,
20:41a large milk,
20:42and a double espresso.
20:44For Lady Gaga.
20:46Hardly surprising I'm stressed,
20:48considering the amount of stick I have to put up with.
20:51Oh, no, I can't take any more or I'll be rattling.
20:55They're useless anyway.
20:56It looks like you need a massage.
20:58You should try this new place.
21:00Apparently, the masseuse is incredible.
21:01No, thanks.
21:03Can't bear anybody touching me,
21:05let alone when it's accompanied by bare feet and pan pipes.
21:08Mum, you should take some risks.
21:10Get out of your comfort zone.
21:11Hardly class a neck massage is risk-taking.
21:15Great.
21:20What are you doing?
21:23Hi.
21:24I was wondering if you had any availability for a massage lately today.
21:29Zoe?
21:30No.
21:32Are you okay?
21:34Yeah.
21:36No.
21:41Mr. Smith from the hub.
21:44He's chasing me for a decision on who I'm letting go of.
21:47There must be another way to deal with these cuts, surely.
21:50Show them how well you can operate on a strict budget.
21:54Yeah, possibly.
21:57Can I get a refund on the lemon drizzle?
22:00I'm not sure that equates to someone's yearly wage.
22:04It's a start.
22:11I knew it.
22:12The lad fighting at the train station before
22:15is the same one from the allotment this morning.
22:17Some angry old man found him kipping in his shed.
22:21Roger Franklin.
22:22How do you know that?
22:24Because we interviewed him earlier about the breaking of the Harrises.
22:26He's an odd fish, that man.
22:28I know his wife.
22:30She's a surrey, short of a picnic hamper and all, truth be told.
22:33Kicked him out a few weeks ago.
22:35That explains why he spends so much time at the allotment.
22:39Apparently, they had a huge row
22:41because he got suspended from his work.
22:44What happened here, then?
22:45Well, it was all over by the time I arrived,
22:48but the station manager thinks it was something to do with drugs.
22:52He heard the other lad shouting,
22:54we've got a deal, you can't pull out.
22:57Very good.
22:59So, two crimes,
23:02two attempts to undo those crimes.
23:05What would an eminent psychologist have to say about that?
23:09Oh, that reminds me.
23:12Email from Dr Harris' receptionist arrived
23:14with his patient records attached.
23:15I've just sent it to you.
23:16Excellent.
23:26I've just discovered something else very interesting.
23:29About Roger Franklin?
23:31No, Amy Riley.
23:32The patient Clive mentioned this morning.
23:35The one he saw just before he discovered his office had been broken into.
23:39He was right about her complex diagnosis.
23:44Dissociative Identity Disorder.
23:47Yeah, it's a psychological condition
23:49where a person switches between different identities.
23:52Each identity or altar has their own name, age and history.
23:56Well, it might explain the attempts to undo each crime.
24:00Because it was two different altars belonging to the same individual?
24:08Possibly.
24:11Oh, okay.
24:13Shall we go and talk to her?
24:15No, sorry, Sergeant.
24:16As your senior officer, I'm asking, no, ordering you,
24:20to please stand down and go and have the massage your daughter booked for you.
24:24Oh, no, honestly.
24:25It's for purely selfish reasons, believe you me.
24:28Because I'm honestly not sure how many more of those strange noises I can listen to you make, okay?
24:32So please, off you go.
24:36Enjoy.
24:39Right, Kelby, you're with me.
24:57Have a lovely day.
24:58All right.
24:59Hello.
25:00Hiya, can I help you?
25:01Amy Riley.
25:02Can I have a quick chat, please?
25:07I was a kid when it started.
25:10Seven, maybe.
25:11Nobody took any notice, really.
25:13My parents just thought I had imaginary friends.
25:16It's not unusual when you're little, is it?
25:20But they weren't friends.
25:22They were me.
25:24Or part of me, anyway.
25:27Would you mind telling us a little bit about the other identities?
25:31Past couple of years, it's been mainly Becky.
25:34Right.
25:35Sixteen.
25:35Always acting out.
25:37Can't stand authority.
25:38Authority, meaning Dr. Harris?
25:42Apparently she gives him a bit of a hard time.
25:44What, apparently?
25:46I can't really tell you what my alters are like.
25:49You're best off asking other people.
25:51Dr. Harris says that Becky is always taking the mick.
25:56Calls him Clive, which is embarrassing.
25:59He doesn't mind, but I do.
26:02What does Amy think about him?
26:05I think that he is a brilliant, kind man.
26:10I just can't believe I did this.
26:14Wait.
26:15So you're admitting it was you?
26:17Not me as such.
26:19It sounds like just the sort of stunt Becky had pulled.
26:22Why might Becky call Dr. Harris a liar?
26:24Well, she doesn't reckon there's anything wrong with her.
26:27She tells him that he's talking rubbish.
26:28So if Becky is responsible for both break-ins, and then you, Amy, put things right, then...
26:36Well, wouldn't you remember doing that?
26:40Not all the time, no.
26:42Especially if I go back to Amy in the middle of doing some silly Becky stuff.
26:47Sometimes I remember.
26:49Sometimes I don't.
26:52Can you tell us where you were between eight and nine this morning?
26:55At home.
26:56I think my memory gets a bit fuzzy.
27:01Sorry, I'm not being very clear, I know...
27:02No, no, no, no.
27:04You've been really helpful.
27:05I mean, thank you.
27:09Dr. Harris said he saw you this morning.
27:12I was on my way to work.
27:15So is it possible that you might have switched to Becky and then back to Amy just before you saw
27:23Dr. Harris this morning?
27:26It could have happened.
27:28Could have easily happened.
27:32It all adds up.
27:35Yes, circumstantially.
27:37She pretty much confessed, though.
27:38That's more than circumstantial.
27:40Well, a lifetime of not being in control of your own actions has to take its toll, Kelby.
27:45Amy strikes me as someone ready to take the blame for anything.
27:49Unlike Roger Frank, too.
28:03Have you had a hot stone massage before, Esther?
28:07Oh, I've had a brick thrown at me, if that counts.
28:10Sorry?
28:12How's it?
28:13How's it of the job?
28:14I'm a detective.
28:16A detective?
28:17Wow.
28:17Well, no wonder you're stressed.
28:19Now, it's perfectly normal to feel a little nervous the first time.
28:23I'm not nervous.
28:25Good.
28:32Okay.
28:35How's that pressure?
28:37Uh, fine.
28:40Thanks.
28:41Good.
28:42Oh.
28:44Oh.
28:46I don't normally enjoy this sort of thing, but, oh, that feels amazing, actually.
28:52My boyfriend's the same.
28:54Uh-huh.
28:55It's early days, though, so perhaps I can convince him.
28:59Most people will be delighted to have free massages on tap.
29:04Not Archie Hughes, though.
29:07Ooh.
29:08You are tense, aren't you?
29:11Let's get in those shoulders.
29:16Clive!
29:18Becky.
29:19Girl on shift with Amy.
29:20Said she had a visit from the police before.
29:22Is that what happened?
29:23I'm sorry, Becky, but I'm afraid I can't have this conversation now.
29:28I'll see you at our next session.
29:31You know I never do anything like that, don't you?
29:34Clive!
29:36Clive!
29:38Clive!
30:03No shades?
30:05No shades?
30:06Can I assume that's because the massage did the trick?
30:08You can assume it's because I was so desperate to get away from Archie's new girlfriend that I left them
30:13behind.
30:13What?
30:49Oh, so, um, background search on Franklin is pretty revealing.
30:54Apparently his behaviour towards Clive Harris was erratic, bordering on unhinged.
31:00Hundreds of abusive emails and phone calls.
31:04I mean, it's a pretty solid case for a disciplinary action.
31:07No wonder his wife gave him the elbow.
31:10Oh, even more of a motive. He accuses Clive Harris and his whole life unravels. It makes sense.
31:16Yes, apart from the undoing.
31:19Oh, and that Mr Smith's been on again. He's like a terrier with a bone, that man. What's he after?
31:26Oh, well, I suppose he's just new to the role and wants to make sure he's communicating regularly with everyone.
31:33Well, he's certainly doing that. I don't speak to my next of kin as much as I speak to him
31:38at the moment.
31:39And that's for communicating. I can't understand half of what he's on about.
31:44I mean, what's the KPI when it's at home?
31:46Ha!
32:18Tyrion?
32:36Humphrey, you're asleep.
32:39Yes.
32:41Are you?
32:47A few days ago, Hannah told me that Rosie had something she wanted to send us.
32:52And?
32:53Nothing's arrived.
32:55I keep rushing to the door every time the post comes.
33:11Why didn't you mention it sooner?
33:13Because you've got so much on your mind.
33:17Speaking of which, talk to me about work. I know that's why you're still awake.
33:21Oh, do I have to?
33:29Mr Smith is still hounding me for a decision on who I'm going to let go.
33:34The guys are still oblivious and I'm still desperately trying to think of a solution.
33:39I've thought of myriad ways to save money and none of it comes close to a yearly salary.
33:43I can't stave him off for much longer.
34:01Hello?
34:10They were all in black.
34:12Did you hear them speak?
34:14No.
34:15I collapsed straight away.
34:18And the next thing I remember, I woke up in the ambulance.
34:23Oh, is it my sister's?
34:26I will never forgive myself for leaving him alone in the house.
34:29Come on now, Johnny. It's okay.
34:31Okay?
34:32It's not okay, Clive.
34:34This has to be dealt with once and for all.
34:39Is there something else we should know, Dr Harris?
34:44Clive.
34:48I bumped into Amy Riley yesterday. Or rather, her main altar, Becky. She told me you'd spoken to her.
35:00Hmm.
35:03The ambulance? Who called for it?
35:09I have no idea.
35:11No, me. The hospital phoned when he was admitted.
35:24It doesn't look like anything was damaged.
35:26Nothing obvious stolen either. Laptop's out on the desk in the office.
35:33Hmm.
35:38Woven polyester mix?
35:41From cargo pants?
35:43But this is grey.
35:45Clive Harris said the intruder was all in black.
35:47Grey could be mistaken for black in the dark, though.
35:51They've caught themselves on something when they ran out.
35:54All right. So nothing damaged this time. Nothing taken. But something left behind.
36:06Amy, does the name Edith mean anything to you?
36:11Edith?
36:13Oh.
36:14You don't have an altar by that name?
36:16No, not that.
36:19Edith, no.
36:21It's mainly Becky who is more than enough.
36:26Uh, Dr. Harris said he saw Becky yesterday. Do you remember that?
36:33Beg pardon. Can I have a quick word?
36:37The recording of the 999 call from last night just came through from emergency services.
36:42I knew you'd want to listen to it straight away.
36:44Right. Thanks, Marco.
36:46Hello? Can you send an ambulance to the house with the paint?
36:49To Rosewood Cottage on Millstone Lane?
36:52Right.
36:53Right. So it's fair to assume it's the intruder making the call.
36:56And yet another attempt from them to reverse the damage they've done.
36:59They sound genuinely upset.
37:01And definitely male.
37:03Is Amy Riley in the clear?
37:04Mm-hmm. Plus, the caller started to refer to it as the house with the paint woodwork.
37:09Do you remember? Clive mentioned it used to be pink.
37:18Hello.
37:19I just popped back to pick up a few bits for Clive.
37:23The doctors are being very positive, so that's good.
37:25Good.
37:26Um, sorry, Mrs. Harris.
37:31Do you recognise this?
37:36I've never seen it before.
37:38It says Edith on the back.
37:40Does that name mean anything to you?
37:42Nothing.
37:45And, um, sorry.
37:47What about this?
37:50Sorry.
37:55Uh, Clive, uh, mentioned that the woodwork on the house used to be pink.
38:00That's right.
38:01Well, I don't suppose you remember how many years ago it was painted white.
38:04They do, as it happens.
38:06It was ten years ago.
38:08He'd just finished painting it when he had his first heart attack.
38:11I told him not to do it, that it would be too strenuous, but he wouldn't listen.
38:15And that's when we had to give up fostering.
38:19Yes, of course you fostered.
38:21I read it.
38:24My wife and I do.
38:25Although we've had to put it on hold for the moment.
38:28It's a wonderful thing to do.
38:30But hard not to get too attached.
38:32Cheers.
38:33We actually had a placement when Clive fell ill.
38:36A gorgeous boy.
38:37He'd been with us for months.
38:38We talked about adoption.
38:40But social services were worried about Clive's health.
38:43We just didn't know what the future held and how much care Clive would need.
38:47The last thing I wanted was for Adam to feel sidelined.
38:51Again.
38:52He deserves so much more.
38:55It must have been hard.
38:57It was the hardest decision we ever had to make.
38:59I can't say I don't regret it.
39:04No.
39:06Sorry.
39:09How old would Adam be now?
39:12He'd be what?
39:16He'd have just turned 18.
39:1818.
39:1918.
39:20Pink.
39:21And now they're white.
39:2318.
39:30Kelby.
39:31What was his name?
39:33Sorry, sir?
39:34Your boy from the allotment.
39:35The one who was fighting at the station.
39:37What was his name?
39:38Adam.
39:39Adam Walsh.
39:43Edith is not a person.
39:46It's a place.
39:48Specifically, her children's home.
39:56Edith House in Exeter is for young people aged 16 to 18 on the cusp of leaving care.
40:02Yep.
40:03I just spoke to the unit manager.
40:04This key ring is included in a leavers pack.
40:07He also sent me over a photograph of the most recent residence.
40:12Look.
40:13Adam.
40:14Yep.
40:15He left there a few days ago.
40:16The manager said that once they turn 18 then there's little support from social services.
40:20What's his connection to Clive and June Harris?
40:22He was their last foster placement ten years ago.
40:25They wanted to adopt him.
40:26But Clive had his first heart attack and then the social services removed Adam because
40:31they became concerned about the Harris' ability to care for him long term.
40:34So he went back into the system until he left last week and came straight back to Shipton Abbott.
40:40Why target them if they were so close?
40:42For that exact reason.
40:44Imagine thinking you'd found a family at last and they'd send you away.
40:47They couldn't help that.
40:49I'm not sure a vulnerable eight year old would see it that way.
40:52But Adam was locked in Roger Franklin's shed when the first break-in happened.
40:57It couldn't have been him.
41:01Hold on, look.
41:03There's that lad he was fine with at the train station.
41:07The deal.
41:09The deal!
41:11The station manager heard the other boys say,
41:13we've got a deal you can't pull out.
41:16Is that right, Kelby?
41:17Yeah.
41:17I don't think it was a drug deal.
41:18So what if the other boy targeted the Harris' in return for Adam doing something for him?
41:24But Adam got cold feet.
41:26Exactly.
41:26And tried to reverse the damage each time.
41:29The other boy broke into the Harris' first and trashed the living room.
41:39This is what June saw when she came back from her power walk that morning.
41:54After June left to go and get help, Adam entered the house at around 9.15.
42:00Straight from the allotment where Kelby had just seen him.
42:02Exactly.
42:04He then placed everything back as it should be.
42:09Apart from one book.
42:10Which you put back on the shelf upside down.
42:17The same thing happened in Clive's office.
42:19Adam tried to put it right again.
42:22But before he could finish the job,
42:23he heard Clive opening the door.
42:28And escaped through the window.
42:32Adam then tried to leave Shift and Abbott,
42:33but the other boy stopped him and a fight broke out.
42:35What are you doing?
42:37Get off me, man!
42:39We have two!
42:40You joking?
42:41What's wrong with you?
42:47So during the last break-in, the other boy framed him.
42:50A piece of cloth torn from Adam's cargo pants during the fight
42:53was left there deliberately along with a key ring.
42:57I don't think it was his intention to harm Clive.
43:01June?
43:01June?
43:05But the other boy certainly didn't want the risk
43:07of being accused of possible murder.
43:13Adam went back to the house to put things right again.
43:16But this time it was far worse than he could have imagined.
43:25Hello?
43:27Can you send an ambulance to the house with the pink...
43:30to Rosewood Cottage on Millstone Lane?
43:33When we first went to the Harris's,
43:34we were looking for Rosewood Cottage but couldn't find it.
43:37Clive said it used to be easier to find when it was painted pink.
43:40So whoever made that call must have had a history with the house.
43:45I do.
43:46Yes.
43:47And I think I know where to find it.
44:02Adam, can you tell us...
44:05who this is?
44:07Sam.
44:08We met in care and became mates.
44:10Same boat.
44:11Nobody wanted us.
44:12A few days after we left Edith's house,
44:14Sam showed me this thing you found online.
44:17Clive, in a newspaper.
44:19A profile piece in the Times?
44:23Talking about how much he cared about helping people.
44:26Didn't seem like he cared much about me when I went back into care.
44:29It must have stung, reading that.
44:32I know it was stupid, but...
44:35I wanted to hurt them like they hurt me.
44:37Not properly, just...
44:39shake them up.
44:40So that's when you and Sam made the deal.
44:45He would go after the Harris's for you,
44:47and what do you want you to do for him in exchange?
44:51Set up his mum's dealer boyfriend.
44:54Get him arrested.
44:55A revenge swap?
44:56I told Sam I changed my mind, but he wasn't having it.
44:59So you tried to stop it?
45:00Yeah, but that stupid bloke locked me in his shed,
45:03and by the time I got to the house,
45:05it was too late.
45:07Then Sam started blackmailing you?
45:09If he didn't keep your side of the deal, he'd frame you.
45:14It all got so out of hand.
45:19I never meant them any harm, but...
45:22nobody told me anything.
45:25One day I'm living with Clive and June,
45:27thinking I've got a family again,
45:28and the next I'm back in care.
45:31You understand.
45:34No, you don't.
45:36No, you're right.
45:39I don't understand what it was like for you.
45:43But I do have experience from the other side.
45:50My wife and I fostered a little girl, Rosie, not so long ago.
45:57I thought we might have a future together as a family.
46:02But we had to say goodbye to her.
46:05It was hard.
46:08It still is.
46:12Clive and June didn't reject you, Adam.
46:16They loved you.
46:18Letting you go...
46:19Letting you go...
46:19wasn't our choice.
46:27Adam...
46:29Can you take us to Sam?
46:31I can't.
46:34He's not a bad person, he's just been through all...
46:35This isn't about punishment, Adam.
46:38We want to help both of you, I promise.
46:40But we can't do that,
46:42if we don't know where Sam is.
46:47The next train to Exeter will be from platform one in twelve minutes.
47:00Finally seen some sense, Sam.
47:02Took your time.
47:04I'm sorry, Sam.
47:17You're gross.
47:18It's okay.
47:19I never laid a finger on him, I swear.
47:20We know that.
47:21I just want to help.
47:22Yeah, whatever.
47:24Sam...
47:25It is alright.
47:37You're okay.
47:38Yeah.
47:51Whoa.
47:54I need to call you, man.
48:01Hey.
48:02Hold on.
48:04Jason.
48:05I'm sorry.
48:06I can't do that.
48:21The silence of the eve
48:24The deep and foolish skies
48:30The children's life
48:32I'll get my stuff.
48:34Amy.
48:36I'm not here to arrest you, okay?
48:39I'm here to tell you that we have found who's responsible and it's not Becky.
48:44Okay, so most importantly, it's not you.
48:48Really?
48:49Yeah.
48:50Oh, thank god.
48:52Yes.
48:56Amy.
48:58I hope this doesn't sound patronizing, but I think you're really brave.
49:05The way you handle your disorder, the way you're so honest and open.
49:10Everyone has their stuff, don't they?
49:12Yeah, true, but not everyone handles their stuff like you do.
49:21Take care of yourself.
49:28The sun's coming down like a king to rest.
49:37Come on then, spit it out.
49:39What's on your mind?
49:40Nothing.
49:43Okay, there is something.
49:45It's exciting though.
49:46Don't worry.
49:46I was talking to Martha.
49:48Oh my god, ma'am.
49:49There's Archie and that woman.
49:51What should we do?
49:52Hello.
49:53Esther.
49:55Zoe, hi.
49:57Sorry, this is...
49:58Amelia, I know, we met.
49:59Hi.
49:59Hi, Esther.
50:00I came in for a massage.
50:02Oh.
50:03How's the headache?
50:04Gone.
50:05I feel like a brand new woman.
50:06Oh, I'm so pleased.
50:07Well, let me know when you want to book in again.
50:09Oh, no need.
50:10I'm fixed.
50:11You're a miracle worker.
50:12Tell him that, will you?
50:13She is.
50:14It's true.
50:16See, sort yourself out, mister.
50:17Yeah, I'm trying.
50:21Well, we best be going, haven't we, Zoe?
50:24Nice to see you both.
50:25Yeah, great to see you, Esther.
50:26Yeah, well, you know where I am, if you need me.
50:29I do.
50:29Cheers.
50:31Right, um, okay.
50:36Oh my god, mum.
50:38You're so amazing.
50:39Well, we're all adults.
50:41Apart from you, obviously, you'll always be my little baby girl.
50:45Go on, anyway, what was it you want to talk about?
50:49Can't think, no.
50:50No, you were chatting to Martha, something exciting.
50:54Kind of forgotten already.
50:55Uh, yeah, she was just saying how much she appreciated me working at the cafe.
51:00See?
51:02None of us can do without you.
51:06I'm very proud of you.
51:08Yeah?
51:08Yeah.
51:09Thanks.
51:11Thanks, mum.
51:19It came this morning.
51:28Oh, you're going to open it?
51:30Yes.
51:31Why am I so nervous?
51:35July?
51:36Yeah.
51:39It's a home for your Martha.
51:51Do you think she knows how much we cared about her?
51:55How much we still care about her?
51:58Of course she does.
52:00She knows Humphrey.
52:04I wonder what you think about the lily bond though.
52:07I think it was my fault.
52:09No, it wasn't.
52:12Was it?
52:16Well, we couldn't live on a boat forever.
52:19Speaking of which, I think we should put an offer in on the house.
52:21Oh, it's so much work, Martha.
52:24Not so much money.
52:24Yeah, but we take our time.
52:28Do it bit by bit.
52:31Remember what we said.
52:33It's the two of us.
52:35And whatever else happens, it will always be the two of us.
52:39This is our adventure, Humphrey.
52:41And there's nobody else I choose to be on it with.
52:47Oh, that's it.
52:50Come on, ladies.
52:52Let's get inside and I'll get us all a drink.
52:55Come on, come on, come on, come on, come on, come on.
52:57Bridget, watch this.
52:59A minefield for a week out.
53:02Listen to us.
53:11This is Darth Morris.
53:13Someone help him.
53:14Hurry.
53:15So if someone did trigger the allergy, they did so during the dance.
53:17But we were all watching.
53:19So what did we miss?
53:20Is that the allergy?
53:21Is that Mr. Smith was talking about that on the golf course.
53:24So, not just me you ignore, but your staff too.
53:26Yeah, but she doesn't know about Mr. Smith.
53:28Don't be close at that.
53:29I'm not.
53:29I'm angry at him.
53:30I'm here for one reason, and that's to say if you're setting him a glass.
53:34You can't help who you fall in love with, but you can't decide what you do about it.
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