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American Classic - Season 1 Episode 7 -
Camelot
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Camelot
#film#shows#usa#usashows#hot#filmhot
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FunTranscript
00:11You
00:17Previously on American classic you didn't tell her the truth you can't act you can't act I think I might
00:22have
00:23Yes, now of course Coyle will pull the plug all this will disappear and I will have broken Miranda's heart
00:28I mean, how would you feel it was your own daughter?
00:31That was the cause of this whole project going archways
00:34Maybe she should take a gap year after all and I was hoping you would be open to toning down
00:40the casino protests
00:41Are you bribing me right now? I need a place to store 200 theater seats. Oh
00:46God I've got three empty spaces in Main Street. I'm not playing mrs. Webb the best work
00:51I have ever done has been with you. I lost Miranda's college fund at a casino
00:56When you have a gambling problem, I don't it's a free thing when I went to the casino with Boyle
01:00Don't let the devil win not this time
01:03Councilman Bean will cast the deciding vote no
01:09Say goodbye to your reign genius
01:17Mom
01:23I've got chocolate milk and berries your favorite
01:30Turnout was really good yesterday, you know
01:33Like democracy lives. So there's that
01:39Listen I know you wanted to save the town. It just wasn't the right solution
01:43But you'll find a better one
01:45You're the best mayor this town has ever had
02:02You're the best mayor this town has ever had
02:10shit
02:12Well-meaning but unqualified
02:16ineffectual
02:16Miscast mayor this is bullshit. You've worked your ass off for this town. I think they're right
02:28I've always had to go
02:29All right everything that you see at the bar and have to go
02:31I've always had to keep my fights
02:33Could you really be?
02:36That's not on your list
02:37That's really poor, I'm screwing
02:39That's not on your list
02:40That's not on your list because it's a problem here
02:41you'll touch the fire
02:48I'm screwing
02:49Sometimes the devil hath power to assume a pleasing shape.
02:53There's the fella!
02:56Come to gloat?
02:56Abso-fucking-lutely.
02:58And to give you this.
02:59A lesson.
03:00A doughnut costs a smidge over ten cents to me.
03:04Now, just say you sell that doughnut for a buck.
03:06Even after labour and marketing, it's still a profit of 700%.
03:11Now, take your man, Stephen Sondheim.
03:15He wrote 15 Broadway musicals, and only three recouped.
03:19And he's a fucking genius, is he not?
03:21So doughnuts pay, theatre doesn't.
03:24Good luck with your show now, or whatever's left of it.
03:27Just pop, two, you guys have popped up.
03:29Three!
03:31Holy shit.
03:35Boyle paid for all of this.
03:38Yeah.
03:40Yeah.
03:41So when you told that story of the council vote...
03:45You know, I was fully aware that this might happen.
03:51But I-I-I was sort of consumed with the need to, I don't know, do the right thing, and
03:57just,
03:58um, out at King.
04:00This is it today.
04:01Want it now? Take it now?
04:03Happens to the worst of us.
04:05Easy there, guys. Yeah.
04:06I'll see you right there for an hour.
04:22Richard, my sun, my star.
04:29Dad, um, everything's falling apart.
04:34We don't have a set.
04:36We lost the rain.
04:38We lost the soda fountain.
04:39We lost the horse.
04:40This is good news.
04:42Now you'll have to do the play the way it was supposed to be done.
04:46Dad, I-I-I don't think the company's gonna like the new concept.
04:50Of course they will.
04:52Actors are the most loyal and wonderful people you'll ever meet.
04:56They'll go to the ends of the earth for their director.
04:59The new concept is we don't pay them.
05:01Oh, well then they'll probably quit.
05:04That's why I work with puppets.
05:12Welcome.
05:14I have a confession I need to make.
05:18I did not pay for this production with my own money.
05:23The truth is all the monies for this production were provided by Connor Boyle.
05:29Do not say that man's name to me.
05:32He is a huge asshole.
05:35And yes, I have left him.
05:38And now he is taking away horse because you shit in casino.
05:42On casino?
05:43Yes, whatever it is you say.
05:46You know, I just, I cannot, I cannot be with a man who does not appreciate the art.
05:52I'm so sorry guys.
05:53Now I'm just gonna be staying at the embassy suite.
05:56Well, so.
05:58Thank you Nadia.
05:59Uh, so there we are.
06:01Well, here we are.
06:04It is what it is.
06:08The scenic elements weren't necessarily necessary, but they were, they were there and we're here now.
06:17What does that mean?
06:18It means I'm trying to avoid telling you what I have to tell you, which is, I can't pay any
06:25of you anymore.
06:27Well, that's it then.
06:28No, no, no, wait, wait, wait, let me finish, let me finish.
06:32Sorry, force of habit.
06:35So at this point, it's fair to say that this is, uh, well, it's a moment of truth.
06:42It's a line in the sand sort of moment, I think.
06:46Oh, this reminds me of Henry V, the Battle of Agincourt.
06:50It was a battle fought between the French and the English in 1415.
06:55The French have the English completely outnumbered, at least five to one.
07:00And Henry chooses this moment to address his troops.
07:03He tells his cousin, Westmoreland, who says, oh, that we had a man more from England.
07:09He says, no, no, no, no, no, no, no.
07:11Do not wish one man more.
07:13Rather, proclaim it, Westmoreland, through my host, that he that hath no stomach to this fight,
07:21let him depart.
07:24We would not die in that man's company that fears his fellowship to die with us.
07:31This day is called the Feast of Crispian.
07:36He that outlives this day and comes safe home
07:42will stand at tiptoe when this day is named.
07:45Old men forget, but all shall be forgot.
07:48But he'll remember with advantages what feats he did that day.
07:54Then shall our names, familiar in his mouth as household words, be freshly remembered.
08:03This story shall the good man teach his son.
08:07And Crispin Crispian shall ne'er go by from this day to the ending of the world.
08:13But we in it shall be remembered, we few.
08:19We happy few.
08:22We band of brothers.
08:26For he today that sheds his blood with me shall be my brother.
08:32Be ne'er so vile, this day shall gentle his condition.
08:38And gentlemen in England, now abed, shall think themselves accursed.
08:45They were not here, and hold their manhoods cheap.
08:50Whilst any speaks that fought with us upon Saint Crispin's day.
09:00Oh, enough, you queen of drama.
09:07I stand with you.
09:08Best three weeks of my fucking life.
09:10This play has made me almost give up drinking.
09:13My wife is so proud of me.
09:14I just wish I was brave enough to try out the first time around.
09:17I'm in.
09:18Me too.
09:19Oh, I'm going to miss that grub though.
09:20I can bring my breakfast cake.
09:22But I'm not going up those stairs.
09:24Okay dad, okay.
09:26This is happening.
09:28You're all, you're all okay with the fact that there's nothing to fall back on but one another.
09:33Oh, oh, oh my pet.
09:35I, I think I could do something very interesting, darling.
09:39With what's left?
09:40Absolutely.
09:41And you know, there is actually one more thing that this Mr. X
09:45asshole boyfriend robber guy is not going to steal from us.
09:49He's not going to take 200 red chairs.
09:54Because, you know, you think I'm so heartbroken.
09:57I cannot steal a set of keys.
10:03All right.
10:04Let's take some juice, let's all get loose this morning.
10:09Let's take some juice, let's all get loose this morning.
10:13Well, I'm feeling fine.
10:15I'm going to take it to the brink of dirty.
10:18If you get high, come go home with me.
10:23Well, if you get high, come go home with me.
10:28Hey, hey, hey, hold on.
10:29Right, you'll be happy as a girl can be.
10:32Oh, my boy.
10:33Now, walk them down!
10:39Oh, my boy.
10:43Oh, my boy.
10:43Oh, my boy.
10:44Oh, my boy.
10:46Oh, my boy.
10:47Oh, my boy.
10:48Oh, my boy.
10:49Come see our town at M.F.T.
10:51Oh, my boy.
10:55Oh, my boy.
10:57Oh, my boy.
10:57Oh, my boy.
10:58Oh, my boy.
11:01Well, let's drink some juice, let's all get loose this morning.
11:05Hey, let's drink some juice, let's all get loose this morning.
11:10Well, let's drink some juice, let's drink until the brink of darn it.
11:15Oh!
11:18That's all right.
11:20Hey, hey.
11:22Let's go, man.
11:25Get it, get it, get it.
11:26Let's drink some juice.
11:28Well, hey, hey, let's drink some juice.
11:30Hi, hi, let's drink some juice.
11:33Let's drink some juice.
11:33Here you go.
11:35That's high school.
11:36All right.
11:37You can have a service.
11:38Cheers.
11:39Cheers.
11:40You've stood by me.
11:41Do all of this, Hugo.
11:43I never even gave you the chance to say no.
11:45I wouldn't have said no.
11:46I believe in what you're doing here.
12:01Kristen.
12:03You're here.
12:09You still need a Mrs. Webb?
12:11Yes!
12:25I don't know why I should be crying.
12:30Can I start over?
12:32Of course.
12:41I don't know why on earth I should be crying.
12:45I suppose there's nothing to cry.
12:49I can't, I can't do this.
12:50Yes, you can.
12:51Richard.
12:53Just, hold on.
12:54Just ask everyone to take the rest of the day out, okay?
12:58Thank you all.
12:59Guys, let's call it a day, okay?
13:01Let's go.
13:03Great work.
13:04To be continued.
13:09Uh, where were we?
13:11Take it from wherever you like.
13:12Pick up from where you left off, or whatever.
13:18I hope her girlfriends have told her a thing or two.
13:22It's cruel, I know, but God.
13:27I'm trying.
13:29I'm really, I am, I am really, I'm really trying.
13:32I know.
13:32Try less.
13:40It's cruel, I know, but I haven't been able...
13:46to tell her anything.
13:50I went into it blind.
13:54Blind is a...
13:57blind as a bat.
14:01The whole world's wrong.
14:06That's what's the matter.
14:11It's not too much.
14:13Of course it's too much.
14:15It was always too much.
14:16That's what we loved about it.
14:18That's why we do it.
14:22I'm sorry.
14:24It's my agent, and he's going to just keep calling if I don't...
14:27It's okay, take it.
14:29Okay.
14:30Alvie, why do you persist in calling me?
14:32I am trying to rehearse.
14:34Because I have some news I thought you might want to hear, King Lear.
14:38Alvie, Alvie, I'm not coming back to New York.
14:41Fair enough, but what about London?
14:44King Lear at the Barbican?
14:47It's the dream, Richard.
14:49All first class.
14:51Huh?
14:52Deluxe room at the Savoy.
14:54This is it.
14:55This is it.
14:57I work my ass off on this.
14:59And now you redeem yourself.
15:02Alvie, I'm...
15:04I'm staying in Millersburg.
15:06Why the fuck would you do that?
15:08Maybe, uh...
15:10Because I'm needed here.
15:11Oh, I'm sure you're not.
15:13Well, I'm doing something that matters.
15:16To whom?
15:18Oh...
15:19To me.
15:20To the town.
15:22To my family.
15:24The world at large.
15:26Okay?
15:27I'm just...
15:28Just...
15:29Just thank the producers very much and tell them no.
15:32No way!
15:33Wait a second! No, no!
15:38So, where were we?
15:48Hello?
15:50Not in here.
16:00Whatcha doing?
16:02Oh, I'm just doing the program notes.
16:05Do you want to help?
16:06I just came by to say that it's totally fine
16:08if you don't want me to play Mrs. Webb.
16:12Oh...
16:12Look, I'm letting you off the hook here.
16:15I mean, I obviously...
16:16I'm not at the top of my game.
16:18Not that I even had a game.
16:20But I'm not...
16:22I just...
16:22I'm very in my head about things.
16:25And I just...
16:26I started...
16:27I started having all kinds of feelings.
16:31Just yuck.
16:32So, I...
16:35Just wanted to say thank you for being so kind about it all.
16:38It's nerves.
16:39That's all it is, Kristen.
16:41It's just nerves.
16:42You're gonna be a wonderful Mrs. Webb.
16:46I know things haven't been great between us.
16:50But I...
16:51We're getting better, aren't we?
16:57Can I ask you a favor?
16:58Of course.
16:59Anything.
17:03I don't know what your plans are
17:04after the show closes,
17:06but I would...
17:07I was wondering...
17:09if you could leave.
17:12Leave?
17:13Millersburg.
17:15I mean, not that we don't love having you here,
17:17but...
17:18it's complicated.
17:20Hmm. Yeah.
17:21Right?
17:24I mean, you and I, we were...
17:27I mean, not that you were even thinking about staying.
17:29I mean, I don't know why you would...
17:31I don't know why you wouldn't stay here.
17:34No, I understand.
17:36I mean...
17:38You're abandoning me.
17:40What?
17:41You're abandoning me.
17:42That's what you did in New York
17:43when we were together.
17:45And now we're not even together,
17:46and you're abandoning me.
17:47You left me.
17:47No.
17:49Kristen.
17:50We were living together in New York.
17:54You left and came back here.
17:55I stayed in New York.
17:57That's...
17:57you leaving me.
17:59You were never there.
18:00You were just getting cast in everything.
18:03I lost you to your success.
18:05I mean, you were drunk with it, Richard.
18:08God, all that time I was thinking you'd just...
18:11lost interest in me, which...
18:14I couldn't understand that at all.
18:17I didn't lose interest in you.
18:20I lost interest in myself sitting around New York waiting for you.
18:25I was alone, and there was no place for me in the theater there,
18:28or with you.
18:29So, yes, I packed up.
18:30I came home.
18:34We abandoned each other.
18:40I guess we did.
18:46Oh, anyway, I should go.
18:48Sure.
18:49Yeah.
18:51You weren't actually going to stay in Millersburg after the show, were you?
18:55No, I have a life.
18:57Okay, well, now I feel dumb.
19:00But, anyway, thank you for today.
19:03And...
19:04I'll try not to cry so much tomorrow.
19:08Okay.
19:22Alvie Stritch here, leave your message.
19:24Yeah, Alvie, uh, it's Richard.
19:27The Lear in London.
19:29Have you spoken to them yet?
19:30If you haven't, um, turns out I'm completely available.
19:38Why aren't you in bed?
19:41I don't know.
19:42I just can't sleep, Papa.
19:46The moonlight is so wonderful.
19:48And the smell of Mrs. Gibbs' heliotrope.
19:51Can you smell it?
19:56John!
19:57What?
19:58Oh, that's me!
19:59I'm sorry!
20:00Okay.
20:01No, I'm just...
20:02I'm just very happy to be here.
20:03Okay.
20:04Sorry.
20:04All right.
20:04All right.
20:06And the smell of Mrs. Gibbs' heliotrope.
20:09Can you smell it?
20:10Yes.
20:12Haven't any troubles on your mind, have you, Emily?
20:15Troubles, Papa?
20:19Sorry.
20:19It's just so cool doing this with my dad.
20:22All right.
20:23We can do this.
20:24Yep.
20:25Okay, focus. We can do this.
20:26Focus.
20:27Mm-hmm.
20:30Troubles, Papa, no.
20:32Well, enjoy yourself.
20:34Just don't let your mother catch you.
20:35Good night, Emily.
20:37You guys, we open in two days.
20:39I'm sorry.
20:40I won't be laughing on the day.
20:41Oh, that's encouraging.
20:43So happy.
20:44Okay.
20:44Ready?
20:47Well, enjoy yourself, but don't let your mother...
21:05Oh, Boyle.
21:06Bean.
21:08Am I bothering you?
21:09Why, yes.
21:11Well, I was just wondering if you might be able to give these to Nadia.
21:14It's her special skin lotions.
21:17Well, she's staying at the Embassy Suites.
21:20You can give them to her yourself.
21:22She won't see me.
21:24She's not talking to me.
21:26And, uh...
21:28Well, I love that girl, you know.
21:30And, uh, well, I just knew you'd understand.
21:33She's a man.
21:34Uh, so it's, uh, it's the Snow Mushroom Dew and some things, uh, stem cells.
21:39And, oh, yeah, and the mist of the Hungarian Queen or some shite.
21:42But, you know, it's a few grand's worth of her favorite lotions and oils.
21:46So if you could just, um...
21:47Yes.
21:48You know, uh, she turns out to be quite a good actress.
21:51You should come see her.
21:53Wait, wait.
21:53Are you still going on with the show?
21:56Oh, yeah.
21:57With none of your bells and none of your whistles?
21:59I-I thought I took that away.
22:01Oh, you did.
22:02But we still have the play.
22:04And the actors.
22:06And something way down deep.
22:10That's eternal.
22:12In every human being.
22:16Fuck me.
22:17I think I need a drink.
22:19Come here.
22:22Here you there.
22:24Sure.
22:25Cheers.
22:26Sure.
22:47I cannot believe Boyle's been paying for Richard's production this entire time.
22:53I mean, I-I'm not proud of this.
22:56But at-at one point, at one very low point,
23:01I actually thought about dipping into Miranda's college fund to pay him off.
23:10Well, you know, I, um, I understand what you're saying about Boyle.
23:14You do.
23:15I do.
23:18In fact...
23:19Okay.
23:20Hey!
23:21Yeah, no, um...
23:22Am I interrupting a romantic moment?
23:25No.
23:26No.
23:26No.
23:26No, come.
23:27Come here.
23:28No, not at all.
23:29Hey.
23:30Hi.
23:31Are you guys excited we open so soon?
23:34Very.
23:35Oh, my God.
23:35Nervous.
23:36Just slightly terrified.
23:42So, I actually wanted to talk to you guys because, um, I was looking into Penn's theater program and, well,
23:52it's kind of cool.
23:53It's all extracurricular, so...
23:55College.
23:56Yeah, you can kind of design it yourself.
23:57Yeah?
23:58Huh?
23:58I'm not saying I want to go there, but...
24:00Mm-hmm.
24:01I'm not ruling it out.
24:02Good.
24:03Good for you.
24:04Good.
24:04Isn't that great?
24:05What?
24:06Oh, yes.
24:06No.
24:07Yes.
24:08College is great.
24:10Of course it's great.
24:12It's...
24:13Can I get you something?
24:15No, I'm good.
24:16Yeah?
24:16You want...
24:17I can get you something.
24:18No, no, I'm good.
24:19I'm going to get a little...
24:20I'm just going to...
24:21Get a little...
24:23Be right.
24:24Be right.
24:30Hi, guys.
24:32Big day.
24:34Good.
24:35Good.
24:35Big day.
24:36Hey.
24:37Where's Dad?
24:38Oh, he's prepping the opening night party.
24:40Okay.
24:41Hey.
24:42Alright, everyone.
24:43Let's begin.
24:46Oh, hello.
24:47It's our opening night.
24:48Yes.
24:50It's my 110th opening night.
24:54Wow.
24:55Wow.
24:57So I thought we'd do one last circle of truth and then speed through, and then take the
25:03rest of the afternoon for ourselves to prepare, but not over-prepare.
25:08Kristen, do you want to start?
25:09What?
25:10Oh.
25:10Oh.
25:12Nope.
25:12All good.
25:13All good.
25:14Okay.
25:15Oh.
25:17Uh, I never thought I'd have such a good time with my appearance.
25:21Aww.
25:23That's sweet.
25:24Even though I'm hitting him still right now, I do wish that Connor could see me up on
25:29the stage and see this beautiful thing that we make it together.
25:34Uh, you all know me, I, I get nervous.
25:38But I know you all got my back.
25:40Yes.
25:41Absolutely.
25:42You know what?
25:43I don't miss the rain.
25:45I don't miss the horse.
25:47You don't?
25:47What?
25:48I'm allergic.
25:49I just want to say thank you, Richard Bean, for believing in us.
25:53Yes.
25:54Good, I was.
25:57I bet you are believing in you.
25:59And what about you, Mr. Bean?
26:02What about me?
26:03Well, you haven't shared.
26:06You're right, I guess.
26:09Well, I think I, yeah, I should do that.
26:14I will share a truth.
26:22The fact is, uh, I've come to realize recently that, uh, I'm lonely.
26:34Uh, I know it's boring to hear a famous person complain, but, yeah, I've been, uh, lonely
26:44and, um, isolated and, well, it's, and it's my own doing.
26:51I've, I've pushed a lot of, a lot of people away, a lot of friends and family even.
26:58And, um, I think I traded family for fame.
27:06Uh, but being with you all for the last few weeks, I've come to realize that family is
27:13important to me.
27:15Not only my theater family, which we all have become, but, um, my real family.
27:21My dad and, uh, John, Kristen, I look at you, Miranda, and I think
27:32how happy I would have been to be a father to a beautiful young woman like you.
27:39I think that would have been a profound experience, being your father.
27:43Yes.
27:43To come home and hear you say, Daddy.
27:47Oh, Daddy.
27:48What'd you bring me?
27:49Hey, Richard.
27:50You're home, that sort of thing.
27:52Richard.
27:53What?
27:54Stop.
27:55It's just, it's a lot.
27:57Well, no, it's just a lot.
27:58Are you saying your father?
27:58And I think, I think, no, I know, but I think you're making Miranda uncomfortable.
28:01No, he isn't.
28:02I don't think she's, she's, I'm her father.
28:04I'm saying I'm...
28:05Hey, Richard.
28:06She...
28:06Richard, stop.
28:07Mom.
28:07Stop.
28:11Why are you laughing like that?
28:14Opening night jitter.
28:17Families are complex.
28:19I found out that my dad wasn't my dad when I was 40.
28:23Oh, God.
28:24Oh, God.
28:25Oh, my God.
28:25It was, um, our next door neighbor, the guy who owned that fumigation company.
28:30Ed Hitch.
28:30Ed?
28:31Yes.
28:32Oh, I see that now.
28:34Yeah, it's the nose.
28:35That guy asked out my mom once, could he be my dad?
28:39You know, many people's fathers aren't who they think they are.
28:41Mm-hmm.
28:42It's just a fact.
28:43Mm-hmm.
28:45You okay?
28:46Yep, yep.
28:47Do you want some water?
28:48No, no.
28:48No, I'm just, you know, I'm just, I'm so happy to be back on stage.
28:53I just, I didn't realize how much I had, I had, I had missed it.
28:58And, you know, and, and I think we are one big, one big happy family.
29:04So there, I've shared.
29:06So anybody else want to go?
29:09Oh, I get it.
29:11Get what?
29:11No, he doesn't get anything.
29:12He doesn't get anything.
29:13What are you talking about?
29:14It's what?
29:15Holy cow.
29:16Are you saying what I think you're saying?
29:17No, no, no, he isn't.
29:18So, mm-mm, mm-mm.
29:20You and Richard are...
29:21Okay, Kenny, Kenny, Kenny, stop.
29:23You and Richard what?
29:25Oh, oh.
29:26What did we do?
29:27Oh, my God.
29:30You what?
29:30Wait, so...
29:32Everybody.
29:33Stop.
29:44Miranda.
29:45Miranda?
29:47Miranda!
29:49Oh, my.
29:52Miranda.
29:54Miranda.
29:55Miranda!
29:58Miranda!
30:01Where is she?
30:02I don't know.
30:03Gone.
30:05I can't believe you.
30:07Would you mind telling me what is going on?
30:09God, you don't see.
30:10There's a very good chance you are Miranda's father.
30:13How?
30:14I think you know how.
30:15Well, I understand the biology, of course, but...
30:18Okay, think back with me, will you?
30:19It was the last time I came to see you in a show in New York.
30:22When was that?
30:23Oh, I don't know.
30:24Maybe it was nine months before Miranda was born.
30:26I was in a fight with John, and you were playing Arthur in Camelot.
30:30Oh, Camelot!
30:32Yes, that was a big hit.
30:34And you...
30:35Wait a minute.
30:39Oh, yeah.
30:42Oh, oh.
30:43Oh, dear.
30:49Okay.
30:51Oh, fuck!
30:52Oh, fuck!
30:52Oh, fuck!
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