A Bucket of Blood (1959) is an American black‑comedy horror film directed by Roger Corman and written by Charles B. Griffith. It stars Dick Miller in one of his most iconic roles as Walter Paisley, a socially awkward busboy working at a beatnik café who accidentally becomes an artistic sensation — through murder.
After mistakenly killing his landlady’s cat and covering the body in clay, Walter is praised as a genius sculptor. Desperate to maintain his newfound fame, he begins creating more “art,” each piece hiding a corpse beneath the plaster. The film satirizes the 1950s beatnik art scene, pretentious counterculture, and the idea of the tortured artist, all while delivering Corman’s signature mix of dark humor and low‑budget ingenuity.
Shot in just five days on reused sets (later used again for The Little Shop of Horrors), the film has become a beloved cult classic.
Film Details
Title: A Bucket of Blood
Year: 1959
Genre: Horror / Black Comedy / Satire
Director: Roger Corman
Writer: Charles B. Griffith
Producer: Roger Corman
Starring: Dick Miller, Barboura Morris, Antony Carbone, Julian Burton
Cinematography: Floyd Crosby
Editing: Anthony Carras
Music: Fred Katz
Production Company: Alta Vista Productions
Distributed by: American International Pictures
Release Date: October 21, 1959
Runtime: 66 minutes
Country: United States
Language: English
Budget: Approximately $50,000
Legacy
Considered one of Corman’s sharpest satirical comedies.
Dick Miller’s character name, Walter Paisley, became an in‑joke he reused in several later films.
Frequently paired with The Little Shop of Horrors as a cult double feature.
A 1995 remake starring Anthony Michael Hall revived interest in the original.
#ABucketOfBlood1959 #RogerCorman #DickMiller #BeatnikHorror #BlackComedy #CultClassic #AIP #CharlesBGriffith #1950sHorror #LowBudgetCinema
After mistakenly killing his landlady’s cat and covering the body in clay, Walter is praised as a genius sculptor. Desperate to maintain his newfound fame, he begins creating more “art,” each piece hiding a corpse beneath the plaster. The film satirizes the 1950s beatnik art scene, pretentious counterculture, and the idea of the tortured artist, all while delivering Corman’s signature mix of dark humor and low‑budget ingenuity.
Shot in just five days on reused sets (later used again for The Little Shop of Horrors), the film has become a beloved cult classic.
Film Details
Title: A Bucket of Blood
Year: 1959
Genre: Horror / Black Comedy / Satire
Director: Roger Corman
Writer: Charles B. Griffith
Producer: Roger Corman
Starring: Dick Miller, Barboura Morris, Antony Carbone, Julian Burton
Cinematography: Floyd Crosby
Editing: Anthony Carras
Music: Fred Katz
Production Company: Alta Vista Productions
Distributed by: American International Pictures
Release Date: October 21, 1959
Runtime: 66 minutes
Country: United States
Language: English
Budget: Approximately $50,000
Legacy
Considered one of Corman’s sharpest satirical comedies.
Dick Miller’s character name, Walter Paisley, became an in‑joke he reused in several later films.
Frequently paired with The Little Shop of Horrors as a cult double feature.
A 1995 remake starring Anthony Michael Hall revived interest in the original.
#ABucketOfBlood1959 #RogerCorman #DickMiller #BeatnikHorror #BlackComedy #CultClassic #AIP #CharlesBGriffith #1950sHorror #LowBudgetCinema
Category
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Short filmTranscript
00:00:10I will talk to you of art, for there is nothing else to talk about, for there is nothing else.
00:00:18Life is an obscure hobo bumming a ride on the omnibus of art.
00:00:23Burn gas, buggies, and whip your sour cream of circumstance, and hope, and go ahead and
00:00:31sleep your bloody heads off, creation is, all else is not, what is not creation is graham
00:00:42crackers, let it all crumble to feed the creator, the others is, all others are not.
00:00:53A canvas is a cannon, or a paper.
00:00:58A rock is a rock, or a statue.
00:01:03A sound is a sound, or is music.
00:01:11A creature is a creature, or an artist.
00:01:20Where are John, Joe, Jake, Jim, Jerk?
00:01:25Dead.
00:01:26Dead.
00:01:27Dead.
00:01:28Dead.
00:01:28They were not born.
00:01:31Before they were born.
00:01:32They were not born.
00:01:34Where are Leonardo, Rembrandt, Ludwig?
00:01:39Alive.
00:01:41Alive.
00:01:42Alive.
00:01:44Alive.
00:01:44They were born.
00:01:46Bring on the multitude, the multitude of fishes.
00:01:50Feed them to the fishes for liver oil, to nourish the artis.
00:01:56Stretch their skin upon an easel to give him cancer.
00:02:02Crush their bones into a paste, that he might mold them.
00:02:08Let them die, and by their miserable deaths become the clay within his hands, that he might
00:02:17form an ashtray, or an art.
00:02:22For all that is comes through the eye of the artist.
00:02:26Arrest a blind fish, swimming in the cave of aloneness.
00:02:32Swim on, you maudlin, muddling, maddened fool.
00:02:37And breathe.
00:02:38At one bright and sunny night, some artist will bait a hook, and let you bite upon it.
00:02:48Quite hard, and die in his stomach, you are very close to immortality.
00:03:03Waller?
00:03:05Waller, what are you doing there?
00:03:07I was looking at Carla's pictures.
00:03:08Do I pay you to look at pictures?
00:03:10I get to work.
00:03:11I was just looking.
00:03:12There are empty cups all over the place.
00:03:14Clear them out.
00:03:17You shouldn't be so rough on him, Larry.
00:03:24All right.
00:03:24Yes, sir, Waller.
00:03:25All right.
00:03:37I think I'll cut.
00:03:50Yes, man.
00:03:51How are you making?
00:03:52Fine, man.
00:03:52How about you?
00:03:53In my mouth.
00:04:05Valdez, Vice.
00:04:06Yeah, LaCroix.
00:04:07Checking in.
00:04:08Who took over a couple of minutes ago?
00:04:10Anything new at the door?
00:04:11Well, nothing you can pound nails in.
00:04:13A couple of hustlers.
00:04:14One of them short, fat, brunette.
00:04:16Name's skinny.
00:04:17The other one was short also.
00:04:19She was bleached and skinny.
00:04:21Name her fat.
00:04:22Probably, I didn't get it.
00:04:24They didn't give any pictures, though.
00:04:25Guess you can keep an eye on.
00:04:27Okay.
00:04:27Any hits?
00:04:29Well, Jerry Sachs looked like he was straight.
00:04:31I'm sure he's on it anyway.
00:04:33Didn't see any pushes around the place.
00:04:35Lou said he'd check out on Jerry.
00:04:36He'll sound him out later if he gets any higher.
00:04:38I guess that's about it.
00:04:40Okay.
00:04:42Go on home and get a good night's sleep, you think?
00:04:45Okay.
00:04:45Okay.
00:04:45So long.
00:04:49Everyone listen to my new poem.
00:04:51Do you think they really heard it?
00:04:52I heard it, Mr. Brock.
00:04:54Thank you, Walter.
00:04:55I'm sure you did.
00:04:56Bring on the multitude with a multitude of fishes.
00:04:59Feed them to the fishes for Live Royal to nourish the artist.
00:05:03That was a word for word.
00:05:05Yes, sir.
00:05:05I've forgotten.
00:05:06You mean you don't remember your own poem?
00:05:08I refuse to say anything twice.
00:05:10Repetition is death.
00:05:12I don't get it.
00:05:13When you repeat something, you are reliving a moment.
00:05:15Wasting it.
00:05:17Severing it from the other end of your life.
00:05:18I believe only in new impressions.
00:05:20New stimuli.
00:05:21New life.
00:05:22I thought you believed that life is an obscure hobo bumming a ride on a...
00:05:25I do believe that, Walter.
00:05:26But I also believe creative living.
00:05:28To be uncreative, you might as well be in your grave.
00:05:31Or in the army.
00:05:34They tried to draft me once.
00:05:36I couldn't pass the test.
00:05:39Walter?
00:05:40Lennon?
00:05:41Lennon's looking at you.
00:05:45Jesus, my God.
00:05:48Walter has a clear mind.
00:05:49One day something will enter it, feel lonely and leave again.
00:05:53That's so much.
00:05:54Yes, cats.
00:05:55Yes.
00:05:56If you want to know how beatniks live, William and me will show you.
00:06:00We'll introduce you to some wild one.
00:06:02You may even discover an artist of your own.
00:06:05And how much is that going to cost us?
00:06:07What cost?
00:06:08A couple of bucks.
00:06:09You want to meet some beatniks, don't you?
00:06:11Oh, no, it's the artist.
00:06:12I'm just crazy about artists.
00:06:13All that is comes through the eye of the artist.
00:06:15The rest are just blind fish swimming in a cave of aloneness.
00:06:18Oh, you must be an artist.
00:06:20And working as a best boy, too.
00:06:22Feed him that he will be satisfied.
00:06:24The artist is.
00:06:25All others are not.
00:06:26That's most intriguing.
00:06:28Are you a painter?
00:06:29Well, no.
00:06:30I work...
00:06:31I'm working on something that's not ready yet.
00:06:34What is it, man?
00:06:35Finger painting?
00:06:36Draw me a picture of a houseboat.
00:06:38Make some smoke coming out of the chimney.
00:06:39I am working on something.
00:06:41I'll show you soon.
00:06:42Walter?
00:06:47Is he here?
00:07:08Get a good look, kid?
00:07:12Come on home.
00:07:24Oh, hello, Mrs. Swicker.
00:07:42Oh, Walter, you look awful pale.
00:07:45What'd you have to eat tonight?
00:07:46I had a salami sandwich, Mrs. Swicker.
00:07:48Oh, if you were my son.
00:07:50Why don't you let me fix your nice bowl of soup?
00:07:52Won't take but a minute.
00:07:53Well, it's okay.
00:07:54I can fix myself something.
00:07:55Besides, I got something important to do.
00:07:57Oh, say, Walter, did you see anything of Frankie tonight when you went out?
00:08:01I didn't see him at all.
00:08:02Well, if you do, tell him I got a nice, fresh piece of halibut for him.
00:08:06Tell him that?
00:08:07I mean, do you think he'll understand?
00:08:09He's only a cat.
00:08:10Oh, good night, Walter.
00:08:13Oh, my God.
00:08:44Oh, my God.
00:09:13Oh, my God.
00:09:43Oh, my God.
00:09:47Oh, my God.
00:09:59Oh, my God.
00:10:34Oh, my God.
00:10:36Oh, my God.
00:10:39Oh, my God.
00:10:41Oh, my God.
00:11:02Oh, my God.
00:11:07Oh, my God.
00:11:09Oh, my God.
00:11:17Oh, my God.
00:11:17Oh, my God.
00:11:18Oh, my God.
00:11:54Oh, my God.
00:11:55Oh, my God.
00:12:04Oh, my God.
00:12:05Oh, my God.
00:12:15Oh, my God.
00:12:16Oh, my God.
00:12:24Oh, my God.
00:12:41Oh, my God.
00:12:42Oh, my God.
00:12:45Oh, my God.
00:12:54Oh, my God.
00:13:02Oh, my God.
00:13:05Oh, my God.
00:13:10Oh, my God.
00:13:13Oh, my God.
00:13:13Oh, my God.
00:13:20Oh, my God.
00:13:22Oh, my God.
00:13:23Oh, my God.
00:13:23Oh, my God.
00:13:24Oh, my God.
00:13:33Let them die, and by their miserable deaths become the clay within his hands that he might
00:13:41form an ashtray or an ark.
00:13:45Pray that you might be his diadem, gold, glory, paint, clay, that he might take you in his
00:13:53magic hands and wring from your marrow wonders.
00:14:00We're a John Joe Jim jerk.
00:14:14Dead, dead, dead.
00:14:29Walter, what are you doing here so early?
00:14:31Well, I've brought something.
00:14:32I think you'll like it.
00:14:33Take that stuff to the laundry mat, Walter.
00:14:35Huh?
00:14:36Don't mind him.
00:14:37What have you got?
00:14:38It's a thing I made.
00:14:47Walter.
00:14:49You like it?
00:14:50What have you got?
00:14:51Oh, come look at this, Leonard.
00:14:52Well, where'd you get that, auction?
00:14:55I made it.
00:14:56You made that?
00:14:58I said I did, didn't I?
00:14:59Well, it was very good.
00:15:01Honest?
00:15:01Honest.
00:15:03What's it called?
00:15:04Dead Cat?
00:15:05Dead Cat?
00:15:07That's its name?
00:15:08Sure.
00:15:09Well, it sure looks dead enough.
00:15:12You want to buy it?
00:15:13Buy it?
00:15:14That thing?
00:15:15Scare people out of the place.
00:15:18Don't be silly.
00:15:19It's tremendous.
00:15:20Look at the detail.
00:15:22The anatomy is perfect.
00:15:24Look at the expression on its face.
00:15:27How come you put a knife into it?
00:15:29I didn't mean to.
00:15:31Just got carried away, huh?
00:15:34Well, all right.
00:15:37I'll tell you what I'll do.
00:15:38I'll put it in the corner of the alcove.
00:15:40If it sells, we'll split 50-50.
00:15:42Okay?
00:15:42Sure.
00:15:43Does this mean I'm an artist?
00:15:45Maybe so.
00:15:46You can do other things as well.
00:15:48All that is, it comes through the eye of the artist.
00:15:51Yeah, you're a real artist now.
00:15:53I'm going back and scrub down those garbage cans.
00:15:56Much now.
00:15:59You really like it?
00:16:02We like it.
00:16:16Did you see my cat?
00:16:17What's the matter?
00:16:18You're losing?
00:16:26How do you like my cat?
00:16:28You like this thing, man?
00:16:30Uh-huh.
00:16:31It's crazy.
00:16:33It's crazy.
00:16:35You want to buy it?
00:16:37For me, man?
00:16:38I'll be tapped.
00:16:46He likes my cat.
00:16:48Get to work.
00:16:59Hey, hey, Walter.
00:17:01Give me a minute.
00:17:05Hey, congratulations, man.
00:17:07Walter, you're famous.
00:17:09I saw your cat.
00:17:10Did you like it, Mr. Buck?
00:17:12You may call me Maxwell.
00:17:13How'd you do it, Walter?
00:17:15All right.
00:17:16Just put some clay and fixed it up.
00:17:20Attention.
00:17:22Attention, everyone.
00:17:23As you pass through these yellow portals,
00:17:26I am sure you noticed on your right a small clay figure
00:17:28and assumed this transfixed effigy to be the work of a master sculptor.
00:17:33And indeed, so it is.
00:17:36That master sculptor is in our midst.
00:17:39He is none other than Walter Paisley,
00:17:42our very own buck boy,
00:17:43whose hands of genius have been carrying away the empty cups of your frustration.
00:17:49Mark well this lad.
00:17:52His is the silent voice of creation.
00:17:55But in the dark, rich soil of humility,
00:17:58he blossoms as the hope of our nearly sterile century.
00:18:04Beautiful, Maxwell.
00:18:06Bring me an espresso, Walter.
00:18:08That's Maxwell, really beautiful.
00:18:10Man, you are in.
00:18:11Oh, Walter, it was wonderful, Walter.
00:18:14Yes, this is my man.
00:18:18Yes, this is my man.
00:18:32Out of clay.
00:18:34See you around.
00:18:35Yeah, later.
00:18:46Will somebody clear this table, please?
00:18:50Will somebody clear this table?
00:18:53Did you hear them, Mr. DeSantis?
00:18:59They all like my cat.
00:19:00Yeah, very good.
00:19:01Now, look, Walter, you must be tired.
00:19:04Why don't you take the rest of the night off?
00:19:06No, no, no, no, you got it coming.
00:19:08I'm sorry if you're creating an incident.
00:19:10When people are applauding, they don't order coffee.
00:19:12So go on home and work on something.
00:19:15Make another cat.
00:19:16Well, I haven't got another cat.
00:19:19Just go to the movies.
00:19:21Please, Walter, go.
00:19:22All right, Mr. DeSantis.
00:19:24Good night.
00:19:25Good night, Walter.
00:19:27Walter?
00:19:28Walter, wait a minute.
00:19:29Oh, hello, Mayor Lynn.
00:19:31Walter, I dug it.
00:19:33My cat?
00:19:35It was the most wonderful.
00:19:37Wildest.
00:19:38Like wintery thing I've ever seen.
00:19:41Walter, you've done something to me.
00:19:43Something deep down inside of my prana.
00:19:47I have?
00:19:48Oh, Walter, I want to be with you.
00:19:51You're creative.
00:19:54You've got a hot light bulb glowing inside of you.
00:19:57And I want to be warm by it.
00:20:00Gee, that's nice of you, Naolia.
00:20:02Walter, take me away from here.
00:20:05Take me away to some cool blue place.
00:20:08You ghast.
00:20:10I can't.
00:20:10I've got to go home.
00:20:12Oh, then I'll go home with you.
00:20:13Oh, no, Mrs. Swickard wouldn't like that.
00:20:15She's my landlady.
00:20:17Isn't there anything I can do for you?
00:20:20I don't think so, Naolia.
00:20:22Oh, Walter.
00:20:23I can't let you just split like this.
00:20:26I've got to do something.
00:20:28I've got to contribute.
00:20:30You don't have to do anything.
00:20:33Wait.
00:20:35Wait, there is one thing I can do.
00:20:37One little thing.
00:20:39Don't leave, Walter.
00:20:42I want to give you something.
00:20:44Something that will make you remember me.
00:20:51Put it in your pocket.
00:20:53Now, go, Walter.
00:20:56Don't look down.
00:20:58Go.
00:21:02Go.
00:21:23Go.
00:21:24Go.
00:21:25Go.
00:21:31Go.
00:21:56Can I have your autograph, Mr. Paisley?
00:21:59Why, certainly, my good woman.
00:22:03Everybody likes my cat.
00:22:06You want to buy my statue, mister?
00:22:09$10,000?
00:22:11Okay.
00:22:15She'll be famous.
00:22:18And then I can ask Carla and she'll say, yes, I know she will.
00:22:41Hello, Walter.
00:22:42Oh, hi.
00:22:42A yellow, ain't you?
00:22:43I've seen you down at Yellow Door plenty.
00:22:45Come on in.
00:22:46I was just making some pancakes.
00:22:48You can have some if you like.
00:22:49Did you see my cat?
00:22:50Yeah, I saw your cat.
00:22:52I also saw that chick lay these on you.
00:22:54Oh, that was Mayoria.
00:22:55She's a nice girl.
00:22:56She's kind of strange, though.
00:22:58I guess she figures I get headaches or something.
00:23:01Okay, Walter, who's your connection?
00:23:03Connection?
00:23:03Yeah, connection.
00:23:05Who do you score from?
00:23:06Where do you buy your horse?
00:23:07Horse?
00:23:08Horse, junk, white stuff, heroin.
00:23:11Is that what that is?
00:23:13I've never seen any of that before.
00:23:14I always thought that was expensive.
00:23:16Yeah, Walter, that can be real expensive.
00:23:18Gee.
00:23:19Well, wasn't that nice and Mayoria to give me that expensive horse?
00:23:22Walter.
00:23:22Huh?
00:23:24Police officer.
00:23:27You're like an undercover man.
00:23:29You're under arrest, Walter.
00:23:30Under arrest for what?
00:23:32Possession of narcotics.
00:23:33For me?
00:23:34What are you talking about?
00:23:35Walter, I got you cold.
00:23:37Now, you just come along quietly.
00:23:38I didn't do nothing.
00:23:40And Mayoria give me those.
00:23:41I didn't ask you for it.
00:23:42I didn't even know what was in that.
00:23:43All right, you can tell them that downtown.
00:23:45Now, let's go.
00:23:45I ain't going no place with you.
00:23:47Walter, do I have to point this at you?
00:23:48You're going to shoot me.
00:23:50No, don't shoot me.
00:23:51Walter, just relax.
00:23:52No, you're going to shoot me.
00:23:53Just relax.
00:23:54No, don't shoot me.
00:23:55Just shut up, Walter.
00:23:55No, you're going to shoot me.
00:23:56Don't shoot.
00:24:05Walter.
00:24:09Walter.
00:24:14Walter.
00:24:16Are you all right?
00:24:17I thought I heard you shouting a minute ago.
00:24:23Walter.
00:24:25Walter.
00:24:33What's all the noise in here?
00:24:35Noise, Mrs. Swickett?
00:24:36What noise?
00:24:37Don't tell me I didn't hear a racket.
00:24:39Are you sure you're all alone?
00:24:41I'm always alone, Mrs. Swickett.
00:24:44Walter, have you been talking to yourself again?
00:24:46Well, I guess maybe I have Mrs. Swickett.
00:24:49Somebody's got to.
00:24:50Walter, you know, what you need is a girl.
00:24:52But she doesn't have to be pretty.
00:24:54Just so long she takes good care of you.
00:24:56Well, I can take real good care of myself, Mrs. Swickett.
00:24:59Yeah, I can see that.
00:25:00Look at this pad.
00:25:02Terrible.
00:25:02When did you ever clean it up?
00:25:04And where did you change these sheets last?
00:25:06They look like they're alive.
00:25:08Mrs. Swickett, I've got to meet some friends in a little while, and I've got to take a shower.
00:25:12Why did you clean up this time?
00:25:13What's the matter?
00:25:17What's the matter?
00:25:18What's the matter?
00:25:39That hurt you a little.
00:25:41But if you'd have shot me, you'd be mopping up my blood now.
00:25:46I can't help it if I got scared and hit you.
00:25:49I didn't leave it.
00:25:57It's crazy.
00:25:59It's crazy.
00:26:04I didn't know you had it in you, Walter.
00:26:08How'd you do it?
00:26:12What?
00:26:12Just took some clay and fixed it up?
00:26:18Go home and make something, Walter.
00:26:21Make another cat.
00:26:32But I haven't got another cat.
00:26:36No, nobody seems to know where he went.
00:26:39Why don't you put an alert out on him, and I'll check on him from here.
00:26:43Okay, right.
00:26:46Let's get it.
00:26:51Okay.
00:26:59THE END
00:27:22THE END
00:27:33A LITTLE FRAUD
00:27:35A LITTLE FRAUD
00:28:05Tim Evans was a murderer all in his prison cell
00:28:11And those who read about his crimes, they damned it so to hell
00:28:17Saying, go down, you murderer, go down
00:28:24For the murder of his own true wife and the killing of his own child
00:28:30The jury found him guilty and the hanging judge, he smiled
00:28:36And dig the fuzz
00:28:39What do you suppose I want?
00:28:41You, man, you
00:28:44Hey, maybe they're looking for a walker, he's a criminal type
00:28:49Don't you, Walter?
00:28:51I'm sorry, Mr. DeSantis
00:28:53Oh, that's all right, Walter, sit down
00:28:55Greetings, man
00:28:59I'm not supposed to sit with the customers
00:29:03Now, why shouldn't you sit at the table, Walter?
00:29:06After all, you're a big artist now
00:29:08A true creator above Millmore
00:29:11What's the big idea?
00:29:13Idea?
00:29:15I was just telling Walter the truth
00:29:18A man wanted to pay me $100 for the cat
00:29:20In fact, he's taken it home to show to his wife
00:29:24Proves that I underestimated Walter's ability
00:29:27His work
00:29:28There's enormous realism
00:29:30You can hardly tell it from the real thing
00:29:32Boy, that sounds like a real put-down
00:29:34Get off Walter's back, Leonard
00:29:36Oh, I have his back
00:29:38They're not very funny
00:29:40I'm not trying to be
00:29:43Walter
00:29:44What are you going to make next?
00:29:46A dog, maybe
00:29:48Or a bird
00:29:51How about a few dozen cockroaches from your room?
00:29:54Hey, man
00:29:55Why don't you make an elephant?
00:29:57I got a new one
00:29:58Great
00:29:59What is it?
00:30:01It's a
00:30:03Full-length, life-size figure
00:30:04Crazy
00:30:05What is it called?
00:30:07A
00:30:09Murdered man
00:30:09When do we get to see it?
00:30:11Oh, anytime
00:30:12Hey, that's a pretty far-out name for a statue
00:30:15I saw a statue once
00:30:17It was called
00:30:17The third time Phyllis saw me
00:30:19She exploded
00:30:20What kind of a statue was that?
00:30:22I don't know
00:30:23Made out of driftwood
00:30:24And dipped in fluoric acid
00:30:26Very wild
00:30:29What's wrong, Leonard?
00:30:32Nothing
00:30:32Nothing at all
00:30:33It's not food in this dump
00:30:35Oh, man
00:30:36You should try the Sorel sewer
00:30:38They got wheat germ bagel
00:30:39Too much
00:30:42Excuse me, please
00:30:44I think he really is sick
00:30:47So who isn't?
00:30:50Sanders
00:30:51Well, I've been trying to get you all evening
00:30:53Gotta make a call
00:30:55Gotta call Lieutenant Belder
00:30:56Listen, I was wrong about my wife
00:30:58She wants that cat after all
00:31:00Do you hear me?
00:31:01I'll give you that hundred dollars for the cat
00:31:02I can't talk to you just now
00:31:04All right, then
00:31:05Two hundred
00:31:06No
00:31:08No
00:31:09Three hundred dollars
00:31:10And that's top
00:31:13Three hundred dollars for the cat?
00:31:17I know I'm going out of my mind
00:31:19But I've been collecting our pieces all over Europe for years
00:31:22And this boy, Walter Paisley, has got it
00:31:24I want to buy his first work
00:31:26And to make very sure that I get it
00:31:28I'll pay you five hundred dollars
00:31:30Five hundred dollars for the cat
00:31:31And the first look at his next stuff
00:31:41Someone has the cat just now
00:31:42But I'll have him back in a few days
00:31:45Then you can have it for the five hundred dollars
00:31:47Oh, thank you, sir
00:31:49I think I've made a bargain
00:31:50Call me when you're ready
00:31:52Good night
00:31:53I walked behind
00:31:54And saw the sky
00:31:56Madeline
00:31:59Feel better?
00:32:01Look, I'm going over to Walter's later
00:32:03After the place closes
00:32:04To see murdered man
00:32:05You feel up to coming along?
00:32:08The rope was fixed around
00:32:10And a washer behind his ear
00:32:13And the prison bell was tolling
00:32:16But Tim Evans didn't hear
00:32:19Saying, go down
00:32:21You murderer, go down
00:32:31Look at the size of it
00:32:33Well, it's not really that big
00:32:34I got it on a kind of a stamp
00:32:37I want to see it
00:32:39I'm a little nervous
00:32:40I never did a person before
00:32:41You can do anything
00:32:43If you set your mind to it
00:32:44It's hard here
00:32:45You want me to open a window?
00:32:47Come on, Walter
00:32:48Take off the sheet
00:32:59Don't you like it?
00:33:04Walter, it's a masterpiece
00:33:08I've never seen anything like it before
00:33:12But I hope I never see anything like it again
00:33:16Neither do I
00:33:20It's hideous
00:33:21And it's eloquent
00:33:23It expresses
00:33:24Modern man
00:33:26And all his self-pity
00:33:28How did you ever find that in yourself, Walter?
00:33:31Well, it wasn't easy
00:33:36What's the matter with you?
00:33:38Nothing
00:33:38Nothing at all
00:33:40I've never seen anyone so squeamish
00:33:43What's your opinion, Leonard?
00:33:45Don't ask me
00:33:46Oh, come on
00:33:47Now, even you must see its value
00:33:49Do you think that you or I could have conceived of such a thing
00:33:52Much less executed it?
00:33:55Well, then admit it
00:33:56It's a work of genius
00:33:58I admit it
00:34:00Then let's take it out of the yellow door
00:34:03No
00:34:04Why not?
00:34:05I'll tell you
00:34:07Will you cover it up again, please?
00:34:10Please
00:34:15Thank you
00:34:16What is all this nonsense?
00:34:18Why do you want to hide it?
00:34:20Well
00:34:22I've been thinking
00:34:24I didn't realize how much talent
00:34:26Walter actually had
00:34:29It would be wrong to show his pieces one at a time
00:34:31Dead wrong
00:34:33You're right
00:34:34He should build a collection first
00:34:39That's the idea
00:34:40Maybe when it's big enough we can have a show
00:34:42A show?
00:34:43Just for me?
00:34:44No
00:34:45Not exactly
00:34:45I mean, you take years and years
00:34:49It's getting hot again
00:34:52Well, it would take you years to make that many statues
00:34:55But your work would be featured
00:34:57It's a wonderful idea, Walter
00:34:58It's the only way to gain recognition
00:35:01All the big art critics and art dealers will be there
00:35:03It'll be an event
00:35:04Yes, then we can unload
00:35:05We can sell this stuff for a lot more
00:35:07But
00:35:08A show
00:35:09How soon can we go?
00:35:10Don't rush things
00:35:11It takes time
00:35:12But first of all
00:35:13You've got to stop making these horrible statues
00:35:17Carla and I will guide you
00:35:19Maybe you can turn to freeform
00:35:20Freeform?
00:35:21Well, that's the movement today
00:35:22With his talent for realists
00:35:24But you can see the direction his realism takes
00:35:26It's unhealthy
00:35:26But you said I was a genius
00:35:28I don't want to be a busboy anymore
00:35:30Yes
00:35:31Maybe you've got a point there
00:35:32You shouldn't keep working at the yellow door
00:35:34Look
00:35:35I'm sure that man is going to buy you a dead cat
00:35:38So here
00:35:38Here's your fee in advance
00:35:40Fifty dollars
00:35:41And if you need more
00:35:42I've got it
00:35:43So don't worry
00:35:43I've got great faith in you, Walter
00:35:47Gee, fifty dollars for something I made
00:35:50Now you're a professional
00:35:51Let's go
00:35:53Okay
00:35:55Good night, Walter
00:35:57Keep up the good work
00:35:59Yeah, but don't rush things
00:36:01You've got all the time in the world
00:36:02Come on, Carla
00:36:04Good night
00:36:16You are Walter
00:36:18I'm an artist, Mrs. Swickett
00:36:20Yeah
00:36:20Oh, sure you are Walter
00:36:22I am
00:36:23Look
00:36:28Good night
00:36:47One of the greatest advances in modern poetry is the elimination of clerics
00:36:51I am proud to say my poetry is only understood by that minority which is aware
00:36:55Well, ask what?
00:36:57We're not of anything stupid, just aware
00:37:01Man, this place is beginning to feel like a lineup
00:37:04Yeah, baby
00:37:06But don't cool off pretty soon, I'm going to haunt somebody else's choice
00:37:09We may have to start drinking
00:37:19Yes, man, yes!
00:37:23Yes!
00:37:23Yes!
00:37:23That's the man
00:37:24Yes!
00:37:27Yes, man, yes!
00:37:32Good evening, Walter
00:37:33Good evening, Carla
00:37:38Sylvia
00:37:39Didn't you see me wave my Zen stick?
00:37:41Thanks, Walter Paisley
00:37:43Bring me a cappuccino and a piece of papaya cheesecake
00:37:46And a bottle of Yugoslavian white wine
00:37:48Yes, sir, Mr. Paisley
00:37:50Good evening, Walter
00:37:51Maxwell, how have you been?
00:37:53I see the rewards of achievement have come your way
00:37:55Well, after all, I'm a successful sculptor now
00:37:59Indeed
00:38:01Oh, man, dig Walter the wigger
00:38:03It's coming out like you just cured cats
00:38:06What is Blake to see?
00:38:09Crazy
00:38:10I was just suggesting to Walter that he try his hand at freeform
00:38:13Why do you suggest anything to Walter?
00:38:15Are you the spokesman for society?
00:38:17Come to put your stifling finger in his eye?
00:38:19Good evening, gentlemen
00:38:21Oh, now, who invited these two down from the clouds?
00:38:24Maxwell, yoo-hoo
00:38:25To the table, bring a bowl
00:38:27I may be sick
00:38:28It's Alice the Awful
00:38:29Comes to spread cheer and color
00:38:32Look at my suntan, everybody
00:38:34Do we have to...
00:38:35Where have you been, Alice?
00:38:37I went up to Big Sur to look for Henry Miller
00:38:39You didn't find him, I hope
00:38:40No, he's in Europe
00:38:41Good
00:38:43Why is the busboy sitting here?
00:38:45I'm not the busboy anymore
00:38:47That's right, Walter has become a sculptor
00:38:49Oh, really?
00:38:51I'm a model, you know
00:38:52I only charge $25 an hour
00:38:55Would you like to do me?
00:38:58I just might
00:38:59Never mind that
00:39:00Walter's gonna try freeform
00:39:02There you go again
00:39:03I may take my business to the Sorrel sewer
00:39:06As a matter of fact, I was going to suggest to Walter
00:39:09That he try a female figure
00:39:11As a change from the violent death theme
00:39:13He really should, Walter
00:39:15You know what?
00:39:17If you like, I'll be your model for free
00:39:19I couldn't
00:39:20Not you
00:39:21Man, if you're gonna be an artist
00:39:23You've gotta do nudes
00:39:25Nudes
00:39:26Right, right
00:39:27Right
00:39:28Ain't nobody an artist
00:39:30Less he does
00:39:32Nudes
00:39:32Will you get them out of here
00:39:34Before we wind up in night coats?
00:39:36Oh, let's change the subject
00:39:37I'm sick of hearing about sculpture
00:39:38Nobody knows how to do that anymore
00:39:40Much less the busboy from the yellow door
00:39:42Who do you think you're talking about?
00:39:45Don't shout at me
00:39:47I don't like you
00:39:50Nobody asked for your opinion, Walter
00:39:52You're just a simple little farm boy
00:39:54And the rest of us are all sophisticated beeknicks
00:39:56That's all, man
00:39:58Let's split
00:40:00Yeah, man
00:40:02I gotta make me some air
00:40:06You made them leave
00:40:07What did I do?
00:40:09The first beneficial service of your benighted life
00:40:12It proves we're all good for something
00:40:14Are you saying that this busboy is better than I?
00:40:17Yes
00:40:18I think this whole bit about him being a sculptor
00:40:21Is just a big put-on for my benefit
00:40:22That's not true
00:40:23I am a sculptor
00:40:24Oh, yeah?
00:40:26Prove it
00:40:27Make something out of this
00:40:29There
00:40:30Hand
00:40:31That isn't a real hand
00:40:33If you were a sculptor
00:40:34You'd create something for me
00:40:35A hoffoon would be very nice
00:40:38I'm going home
00:40:42Alan?
00:40:44You're obnoxious
00:40:45But he's such an idiot
00:40:49All right
00:40:52Let's go
00:40:53You're out
00:40:54Yes
00:41:03You're out
00:41:08You're out
00:41:10Here
00:41:10You're out
00:41:16Here
00:41:32Yes, what are you doing here?
00:41:35I wanted to apologize for being nasty to you this evening.
00:41:38So you apologize. Good night.
00:41:50Listen, Torf, why don't you get out of here and let me go to bed?
00:41:52I didn't finish talking to you.
00:41:54I decided to make a female figure after all.
00:41:57Oh?
00:41:58I'd like you to pose for it.
00:42:00Remember what I said about my price?
00:42:02$25 an hour.
00:42:04If you want to pay it, I don't mind posing.
00:42:06When do you want to start work?
00:42:08Tonight.
00:42:10You mean right now?
00:42:11Uh-huh.
00:42:13Wait till I get my sweater.
00:42:40I don't know.
00:42:49You could use a little more heat around this place.
00:42:52It's bad for the clay.
00:42:54You'll get used to it.
00:43:00Well, I'm almost ready.
00:43:06Here.
00:43:08Sit in this chair and I'll pose you.
00:43:21It's kind of rickety.
00:43:23How's this pose?
00:43:25Well, that's fine.
00:43:26It's very good.
00:43:29Just stay like that.
00:43:31It doesn't look like very much clay.
00:43:34Oh, it's enough.
00:43:37Let's just surround you, Nick.
00:43:53Oh.
00:44:02Watch it.
00:44:03The place is on.
00:44:04Are these fertile eggs?
00:44:06Are these eggs fertile?
00:44:07Naturally.
00:44:08What did you fry them in?
00:44:10We ran out of this backflower seed oil, but I found a bottle of peanut oil on the shelf.
00:44:15Don't worry.
00:44:16It's not hard to change.
00:44:16Is that the cold press stuff or the John Kilda bought by mistake?
00:44:21Yes, man, yes.
00:44:24Hi.
00:44:24Good morning, Walter.
00:44:25Hi, Walter.
00:44:26What brings you here?
00:44:27Have some breakfast, man.
00:44:28What do you have in?
00:44:29Soy and wheat germ pancakes.
00:44:31Organic guava nectar.
00:44:33Calcium lactate and tomato juice.
00:44:35And garbanzo omelette sprinkled with smoked yeast.
00:44:38Join us?
00:44:38No, thanks.
00:44:39Sounds great, though.
00:44:41I brought something to show you.
00:44:43Could I have some of the guys help me?
00:44:44Is it better, man?
00:44:45It's better.
00:44:46Come on.
00:44:47Water.
00:44:54Put it in the middle of the room.
00:44:56When did you do this, Walter?
00:44:57Last night.
00:44:58It doesn't take me very long.
00:45:00It should say not.
00:45:01Well, let's see it, man.
00:45:03Let's see it.
00:45:18Walter, I can't believe it.
00:45:21I'm honored to know this man.
00:45:23Do you think it's nice?
00:45:24Hey, she's beautiful.
00:45:26Do you think it's nicer than murdered men?
00:45:27Oh, I don't know, Walter.
00:45:28It's impossible to choose.
00:45:30They're both great.
00:45:32Walter, I'm deeply moved.
00:45:34Show my appreciation.
00:45:35I'm going to give a party tonight at the other door.
00:45:37In your honor.
00:45:38And I shall compose a poem.
00:45:48I shall compose a poem.
00:45:55Some more champagne, your majesty?
00:45:58Here, here.
00:45:59Where, where?
00:46:00There, there.
00:46:02That's mine.
00:46:04I'll have to sell another little kiss.
00:46:07Walter, you're a wretch.
00:46:09Yeah.
00:46:13Here we go.
00:46:15Here we go.
00:46:18Here we go.
00:46:19Here we go.
00:46:21All right.
00:46:24All right.
00:46:25Water.
00:46:27The bird that flies now pays later through the nose of Amadextra's apathy.
00:46:33Necrophiles may dance upon the placemats in an orgy of togetherness.
00:46:37The highway of life cuts sharply through the shady ghettos and the ivy-covered tombs.
00:46:42And laughter rings from every time capsule in the star-spangled firmament.
00:46:46And in the deep freeze it is the children's hour and no one knows that Duncan is murdered.
00:46:54And no one knows that Walter Paisley is born.
00:46:59Duncan knows.
00:47:00Tuesday sunrise knows.
00:47:02Alley cats and garbage cans and steaming pavements and you and I and the nude descending the staircase and all
00:47:11such things with foam.
00:47:12We know that Walter Paisley is born.
00:47:15Ring rubber bells, beat cotton gongs, strike silken cymbals, play leather and flutes, the cats and cans and you and
00:47:25I and all such things with foam.
00:47:27We shall hear, Walter Paisley is born.
00:47:32And the soul becomes flesh.
00:47:34Walter Paisley is born.
00:47:45Marvelous, darling. Marvelous.
00:47:49Man, like that was the greatest gas I ever heard.
00:47:52Crazy, what did he say?
00:47:54Didn't you hear him?
00:47:55No, man, I'm too far out.
00:48:03Maxwell, that was magnificent.
00:48:05I feel so elegant.
00:48:08Walter deserved every word of it.
00:48:09Makes me so glad I'm aware.
00:48:13Did you hear what he said?
00:48:15Yes, Paul.
00:48:17All about me.
00:48:20It's true, isn't it?
00:48:22Every word.
00:48:26You'd better hold off on the bubbly, artist.
00:48:29Now why?
00:48:31We might talk too much.
00:48:33What would I say?
00:48:35Well, stay in the act's face.
00:48:37Are you two trying to ignore the rest of us?
00:48:39Oh, not me, Maxwell.
00:48:41I wouldn't ignore you.
00:48:43I know what it is to be ignored.
00:48:46Tell us what you're going to do next, Walter.
00:48:49I'm going to make the most wonderful, wildest, wicked things you've ever seen.
00:48:53I'm going to make big statues and little statues, tall statues and short statues.
00:49:00I'm going to make statues of nobodies and statues of famous people.
00:49:05Statues of actors and poets and people who sell things on television.
00:49:12And a statue of the mayor.
00:49:15And some opera singers and their intimate friends.
00:49:18And everybody will say, Walter, let me shake your hand.
00:49:22It's been a real pleasure to have known you.
00:49:31Alley cats and garbage cans, they know that Walter Paisley is born.
00:49:36Ring ruffle bells, beat cotton gongs, strike silken cymbals, play letters blues.
00:49:46Tell us what you're going to do next, Walter.
00:49:50I'm going to make big statues and little statues.
00:49:55Movie stars and poets.
00:49:57And guys to sell things on television.
00:50:00And the mayor's and some opera's.
00:50:06Tell us what you're going to do next, Walter.
00:50:11What am I going to do next?
00:50:15What am I going to do next?
00:50:20I've got to do something before they forget.
00:50:25I know what it's like to be ignored.
00:50:40Who are you? What do you want?
00:50:42Life is an obscure hobo, bumming a ride on the omnibus of art.
00:50:46Huh? What did you say?
00:50:47Well, it's not creation, it's graham crackers.
00:50:49Let them all crumble to feed the creator.
00:50:51Oh, baby, you must be nuts.
00:50:57Oh, baby...
00:51:04No!
00:51:06Oh, no!
00:51:08No!
00:51:10No!
00:51:11No!
00:51:12No!
00:51:13Oh!
00:51:25Oh, Leonard. Beautiful morning, isn't it?
00:51:28Was.
00:51:30What's that you got in the box?
00:51:31Just wait a minute. See this.
00:51:34Extra, extra, horrible murder and furniture factory.
00:51:38Read about the man who got cut in half.
00:51:42Extra, extra.
00:51:43Police can only find part of it.
00:51:45Leonard.
00:51:50What's the matter, Leonard?
00:51:55You made a bust.
00:51:57Yeah, isn't it wonderful?
00:52:00What's the matter, Leonard?
00:52:01Put it down, Walter, please.
00:52:09Walter.
00:52:10Walter, listen to me carefully.
00:52:13I don't want you to make any more statues.
00:52:15Do you understand?
00:52:16No more statues.
00:52:18Why not?
00:52:19I gotta make statues, Leonard.
00:52:21You heard Brock.
00:52:22They want me to make them.
00:52:23If I stop making them, I'll just be a bust for you again.
00:52:26Brock, he's behind all of this and this stupid, bitter poetry.
00:52:30Listen, you've got to stop it right away.
00:52:33I'm beginning to feel responsible.
00:52:35Why?
00:52:36Well, what did you do?
00:52:38Never mind.
00:52:40Walter, I've decided to have that show for you right away.
00:52:45When Carla comes, we'll have her work up some nice invitations.
00:52:49We'll have them printed up.
00:52:50We'll invite the critics and the art collectors.
00:52:54We'll tell them.
00:52:59Well, I don't see why we can't go.
00:53:02Mr. Leonard DeSantis is afraid to have you come.
00:53:04You who buy his coffee and lure his tourists.
00:53:07You are the heart and soul and meat of the yellow door.
00:53:10He slighted you.
00:53:12Did you get an invitation?
00:53:13I did not.
00:53:15But I'm going anyway.
00:53:16Not to drink his champagne, but to see Walter's triumph.
00:53:19After that, we go no more.
00:53:22Hi, Maxwell.
00:53:23I won't say good luck, Walter.
00:53:25Why not?
00:53:26It would imply you could not succeed on your ability alone.
00:53:33You look so handsome.
00:53:34I do.
00:53:36So do you.
00:53:37I mean, you look so pretty.
00:53:40Are you ready?
00:53:42Oh, we've got plenty of time.
00:53:43I know, but I wanted to talk to you.
00:53:45Okay.
00:53:46We can go now if you like.
00:53:48Bye.
00:53:51Later, man.
00:53:52Later.
00:53:53Sweet.
00:53:54Man, why do you suppose Walter wants to get her alone?
00:53:58You suppose he could be physically attracted to her?
00:54:01No, man.
00:54:01He ain't the type.
00:54:02He don't get enough vitamin E.
00:54:05Maxwell gave him a bottle of wheat germ oil once.
00:54:08Maybe he just started taking it.
00:54:18What did you want to talk to me about, Walter?
00:54:20Well, what kind of people do you like, Carla?
00:54:24Oh, thinking people.
00:54:29Artistic people, I guess.
00:54:30You think I'm artistic.
00:54:32Of course I do.
00:54:33That means you like me.
00:54:34I like you very much, Walter.
00:54:36I thought you did.
00:54:38I kind of kissed me the other night.
00:54:41Oh, that was for your sculptor of the girl.
00:54:44You're nude in the chair.
00:54:47Carla, I've been alone for a long time, and I know you've been alone, because you never
00:54:51seem to go out with anybody, even though Leonard's always asking you to go out with him, and I
00:54:55just...
00:54:57What are you trying to say?
00:55:06Carla?
00:55:09I don't want to make statues anymore.
00:55:11I want to get married.
00:55:13To you.
00:55:18How long have you been thinking about this, Walter?
00:55:21Oh, for a long time.
00:55:23Ever since you first came to work at the club.
00:55:26You were the only one who was ever nice to me.
00:55:29I didn't know you loved me until you kissed me.
00:55:34Walter, I do like you, and I did kiss you, but that was because of your work.
00:55:45There's more to being in love with someone than just that.
00:55:50You mean you don't love me?
00:55:54I'm afraid that's what I mean.
00:55:58But...
00:56:00But you've got to love me.
00:56:01Why do you think I made that Statue of Alice?
00:56:04Walter, I'm sorry.
00:56:06You just can't be sorry.
00:56:08I want to marry you.
00:56:10Now, calm down, Walter, and let's go in there, and then maybe when the show's over, we can
00:56:15talk about it.
00:56:16Well, I don't want to talk about it.
00:56:20I get it.
00:56:22I see the whole thing now.
00:56:26Nobody knows that Walter Paisley is born.
00:56:31Carla.
00:56:34Would you do one favor for me?
00:56:38Just about anything, Walter.
00:56:42Would you let me make a statue of you?
00:56:46Would you really like to?
00:56:49That'd make me very happy.
00:56:51Okay.
00:56:53Tonight.
00:56:56I'll make a statue of you tonight.
00:56:58Okay?
00:57:04Come on.
00:57:06Come on.
00:57:10Oh, thank you.
00:57:11Hmm.
00:57:34No, thanks.
00:57:38this could bring about a return to realism yes a one man return we have many artists about but
00:57:45no craftsman this man knows his anatomy i'd give fifteen hundred for this after you read
00:57:52my review it'll probably cost you five thousand so what's the trouble
00:58:01why could you be so depressed have you heard the things they're saying
00:58:05you can make twenty five thousand on these pieces alone i thought you put money down i do but twenty
00:58:11five thousand leave me alone
00:58:26man we have come to make this scene got some cappuccino man we got the bread we're not open
00:58:31for business this is an art exhibit no bumps captain that art is above man and he's over
00:58:37yeah well that's his problem all right man all right we'll wait outside yeah you wait outside
00:58:44uh
00:58:52uh
00:58:54uh
00:58:54uh
00:58:54uh
00:58:57uh
00:59:01uh
00:59:14Where are you going, Carla?
00:59:16What's the matter?
00:59:18Walter.
00:59:19There's a body inside that statue.
00:59:23Well, that's Alice.
00:59:25It's all right, Carla.
00:59:27Maxwell says it's all right.
00:59:30Let them become clay in his hands that he might mold them.
00:59:33Walter, you stay away from me.
00:59:37Don't you see, Carla?
00:59:39I made them immortal.
00:59:41Don't you see?
00:59:41I can do the same for you.
01:00:03I can do the same for you.
01:00:12Call Valdez.
01:00:13Have him set some cars.
01:00:14I'm going at the pace.
01:00:15I'm going with you.
01:00:17Hey, man, what is the score?
01:00:18Walter, he's a murderer.
01:00:20Wow.
01:00:20Man, I saw him chasing Carla down the street.
01:00:22I can do the same for you.
01:00:24I can do the same for you.
01:00:30I can do the same for you.
01:00:33I can do the same for you.
01:00:37I can do the same for you.
01:00:38I can do the same for you.
01:00:40I can do the same for you.
01:00:40I can do the same for you.
01:00:41I can do the same for you.
01:00:41I can do the same for you.
01:00:41I can do the same for you.
01:00:42I can do the same for you.
01:00:43I can do the same for you.
01:00:45I can do the same for you.
01:00:48I can do the same for you.
01:01:13What was that?
01:01:15Nobody knows what I'm here.
01:01:18Walter.
01:01:20No.
01:01:22They couldn't know.
01:01:23They're dead.
01:01:26No.
01:01:28How could they know?
01:01:29Did you see him?
01:01:32He's hiding around here someplace.
01:01:34He can't hide just because we're in clay and he isn't.
01:01:47Walter, go home.
01:01:49He won't know where else to go.
01:01:52Walter, go home.
01:01:58Where is he?
01:01:59What?
01:02:14I'm going to get him out of here.
01:02:14I'll go home.
01:02:15I'm going to get him out of here.
01:02:24I'll go home.
01:02:25I'll go home.
01:02:27I'll go home.
01:02:28I can't even see him out of here.
01:02:35The End
01:03:25What's the matter with you?
01:03:30Walter
01:03:34Walter
01:03:38We'll find him
01:03:42We'll have him soon, Lou
01:03:45We'll teach him he can't murder us and get away with it, Walter
01:03:53Walter
01:03:55Walter
01:03:58Walter
01:04:01What you gonna do now, Walter?
01:04:11I'll hide where they'll never find me
01:04:24There's his room, he's eating some crazy
01:04:26Cravely! Cravely, open up! Cravely!
01:04:40I suppose he would have called it Hanging Man
01:04:45His greatest work
01:04:56Stand by her
01:04:56The End
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