- 1 day ago
The Scar (1948) — also released under the title Hollow Triumph — is a stylish, psychologically driven film noir directed by Steve Sekely. The film stars Paul Henreid in a dual role, delivering one of his most intriguing performances, alongside the captivating Joan Bennett.
The story follows John Muller, a brilliant but desperate criminal who goes on the run after a failed heist. When he discovers a psychiatrist who looks exactly like him, Muller devises a dangerous plan to assume the man’s identity. But the deeper he slips into the stolen life, the more he becomes trapped in a web of deception, paranoia, and fatal irony. With its shadow‑soaked cinematography and psychological tension, The Scar stands as a quintessential example of late‑1940s noir.
Film Details
Title: The Scar (aka Hollow Triumph)
Year: 1948
Genre: Film Noir / Crime Thriller
Director: Steve Sekely
Starring:
Paul Henreid
Joan Bennett
Eduard Franz
Leslie Brooks
Runtime: 83 minutes
Studio: Eagle‑Lion Films
Country: United States
Format: Black‑and‑white
The story follows John Muller, a brilliant but desperate criminal who goes on the run after a failed heist. When he discovers a psychiatrist who looks exactly like him, Muller devises a dangerous plan to assume the man’s identity. But the deeper he slips into the stolen life, the more he becomes trapped in a web of deception, paranoia, and fatal irony. With its shadow‑soaked cinematography and psychological tension, The Scar stands as a quintessential example of late‑1940s noir.
Film Details
Title: The Scar (aka Hollow Triumph)
Year: 1948
Genre: Film Noir / Crime Thriller
Director: Steve Sekely
Starring:
Paul Henreid
Joan Bennett
Eduard Franz
Leslie Brooks
Runtime: 83 minutes
Studio: Eagle‑Lion Films
Country: United States
Format: Black‑and‑white
Category
🎥
Short filmTranscript
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00:02:06Practiced psychoanalysis without a license.
00:02:10Miami, Florida. Released. No evidence.
00:02:14What?
00:02:15Sold stock in non-existent oil wells.
00:02:18Cincinnati, Ohio. Released.
00:02:22Maintained hotel suite.
00:02:24Lavish spender.
00:02:26Apprehended Middleton.
00:02:28Payroll holdup.
00:02:30Convicted. Sentenced.
00:02:34There's a bus ticket to Los Angeles.
00:02:37That's the address of the Michael John Company.
00:02:39What's the Michael John Company?
00:02:41Medical supply house.
00:02:43Your line. You ought to make good at it.
00:02:45Who fixed it up, my brother Fred?
00:02:47The personnel manager there will have your record.
00:02:50Nobody else will know anything about you.
00:02:53It's a good job. Decent life.
00:02:56Thirty-five bucks a week.
00:02:58You won't take it. No?
00:03:00You'll be back here.
00:03:02You're a smart man, Muller.
00:03:05Good luck, Muller.
00:03:10Hiya, Marcy.
00:03:23Cigarette?
00:03:25Yeah, no, I don't smoke.
00:03:27Who came up north, Marcy?
00:03:29Al, big boy Fritch.
00:03:31It's all set down there.
00:03:32They're ready for you.
00:03:34You've got a lot to make up for, huh, Jenny?
00:03:38Who's she?
00:03:40Just a second, Jenny.
00:03:42Dear, what's your name?
00:04:01Hi, Johnny.
00:04:04Pretty nice dump, huh?
00:04:07Real comfortable.
00:04:09Yeah?
00:04:11Comfortable and crummy.
00:04:13What about the boys?
00:04:15What are you so impatient about?
00:04:17Just out of the clink and you got ants already?
00:04:20So pickle yourself, I see.
00:04:21No, I take it easy.
00:04:24How long have you been up here with the squirrels?
00:04:27Oh, about two years.
00:04:31You want one, Johnny?
00:04:33You said he had a good set-up?
00:04:35Yeah.
00:04:37Safe and sure.
00:04:38I got my own slot machine route now.
00:04:41Big time, eh, Marcy?
00:04:42I bet that brings you 90 bucks a week.
00:04:44Oh, more than that.
00:04:45Sometimes as much as a hundred and a quarter.
00:04:48Safe and sure.
00:04:50You're getting to sound like my brother.
00:04:52Maybe you ought to take civil service.
00:04:54Hey, uh, Johnny.
00:04:56Uh, what do you got in your mind?
00:04:58What do you got planned?
00:04:59Hey, Johnny!
00:05:00You'll see.
00:05:01Good to see you, chum.
00:05:02Hello, big boy.
00:05:03Nice to have you back.
00:05:05Good to be out, eh, Johnny?
00:05:06Sure.
00:05:07Lost a lot of time, though.
00:05:08Got to make a killing.
00:05:09Oh, it'll take time for a beer.
00:05:12What's exciting?
00:05:13Nothing.
00:05:14Same old thing.
00:05:15I got a job in a poker joint.
00:05:18Pays good, though.
00:05:19Sometimes they even give me free chips.
00:05:21That's nice.
00:05:22A little handout now and then.
00:05:25Oh, what's wrong with that, Johnny?
00:05:30Still think you got the world by the tail?
00:05:33Hello, Rosie.
00:05:34Well, we got the brains back.
00:05:37Glad you came.
00:05:38Sit down, you guys.
00:05:38Sit down.
00:05:40Have some food.
00:05:42What's the matter with you?
00:05:44We've got to take chances.
00:05:45That's the overhead in our racket.
00:05:47Now, listen.
00:05:49I had a lot of time to think.
00:05:50Got it all worked out.
00:05:52You're going to knock over off the Stanzik's gambling joint?
00:05:55No, Johnny.
00:05:56Why not?
00:05:57Not Stanzik.
00:05:58You'd need an army to take him.
00:05:59Just as soon have the feds on me as his boys.
00:06:02What happened to you?
00:06:03You two gone soft?
00:06:04Johnny, you know the setup.
00:06:05We'd never get away with it.
00:06:06He's got trigger men all over the joint.
00:06:08And the place is always crowded.
00:06:10That's it.
00:06:11Lots of people.
00:06:12And lots of money.
00:06:14The take ought to be 200,000 for us.
00:06:16And people they never notice.
00:06:18They're all wrapped up in themselves.
00:06:19Now listen, this is what we do.
00:06:21We take two cars.
00:06:23They drive south all night and all day.
00:06:26Next night we go to Stanzik's.
00:06:28One guy stands by the cars.
00:06:30One takes the light switch.
00:06:31Three of us walk in.
00:06:32Just like players.
00:06:34We get the cash quietly.
00:06:35No fuss.
00:06:36Nobody notices.
00:06:37You hope?
00:06:41Nobody notices.
00:06:44The guy at the switch pulls it on time.
00:06:46The place is dark.
00:06:47We make our getaway.
00:06:49Well?
00:06:50Johnny, you remember Dick Balter?
00:06:52Sure.
00:06:52He tried to knock off Stanzik.
00:06:54He got away.
00:06:54No dough, but he got away.
00:06:56But still Stanzik's guys got him.
00:06:57It took him two years,
00:06:58but they found him in Paris
00:06:59and put a meat stamp on him.
00:07:00In Paris, Johnny.
00:07:01That's the way Stanzik operates.
00:07:03I don't like it.
00:07:04What are you crying for, Masi?
00:07:08He don't know who we are.
00:07:09What can he do?
00:07:12What do you say, big boy?
00:07:16I don't know, Johnny.
00:07:18I don't know.
00:07:20You say you got things all figured out.
00:07:22Well, you've always done pretty good with four of them.
00:07:26I don't know.
00:07:28How?
00:07:30Two hundred thousand?
00:07:32That's a lot of dough for just a minute's work.
00:07:35Rosie?
00:07:38If everything goes like you said, fine.
00:07:41But if we follow up somewhere...
00:07:43We won't.
00:07:53Count me out, Johnny.
00:07:58You forget easy, Masi, don't you?
00:08:01Who covered for you at the trial?
00:08:03Who would have been in prison with me if I hadn't watched what I said on the stand?
00:08:07And now you try too well, surely.
00:08:14Okay, Johnny.
00:08:16I don't like it.
00:08:18But I'll go along with you.
00:08:20Well?
00:08:22And we're all set.
00:08:24Funny I have to whip you guys into picking up a fortune.
00:08:30Now I hate it.
00:08:32Come on, now, you're here.
00:08:34Come on, now, you're here.
00:08:36I've got it.
00:08:39We're not.
00:08:41We're not.
00:08:42Five on blast.
00:08:43Two dollars.
00:08:43Come on, John.
00:08:45What's it?
00:08:46Come on, John.
00:08:47Come on, John.
00:08:48Come on, John.
00:08:50Come on, John.
00:08:50Come on, John.
00:08:51Come on, John.
00:08:53Five.
00:08:54All right.
00:08:56All right.
00:08:57Place your bets, boss. Place your bets.
00:08:59You, sir.
00:09:02Roll back. Get in.
00:09:04All right.
00:09:06Here they are.
00:09:08Number nine.
00:09:10Roll one. Seven, nine.
00:09:13Number nine.
00:09:14Number nine.
00:09:15What do you think of the back?
00:09:16I got it.
00:09:21Put the cash in the envelope, sir.
00:09:22All of it. I catch them.
00:09:53Number nine.
00:09:54Number nine.
00:09:55What do you think of the back?
00:09:56Back.
00:10:15All right.
00:10:27This is my lucky night.
00:10:28Why didn't you pay off?
00:10:28All right.
00:10:28All right.
00:10:29All right.
00:10:30All right.
00:10:32This is my lucky night.
00:10:39Why didn't you pay off?
00:10:40Two, five, one, four, six
00:10:49left.
00:10:50Five.
00:10:50Four, one, two, three, five, six.
00:10:53From the nextster's home.
00:10:54Can't wait.
00:11:01Come on, man.
00:11:01Me.
00:11:22Come on, Johnny! Come on!
00:11:28Come on! Come on!
00:11:44Come on! Get out! Come on, out!
00:11:52How many got away?
00:11:54Two in the other car.
00:11:57Who are they?
00:12:01What's their names?
00:12:15Marcy and Johnny Muller.
00:12:19Get them. If it takes 20 years, get them.
00:12:25Okay, you can go.
00:12:27You mean we just walk away?
00:12:31Just walk away.
00:12:45Not gonna let them get away, are you, Bullseye?
00:12:52They got Rosie, big boy.
00:12:54They'll rat on us.
00:12:55They'll tell them everything they know about us, who we are, everything.
00:12:57They'll find us. They'll get us.
00:12:59A guy likes chance if those guys don't stop till they get even.
00:13:02Believe me!
00:13:03Shut up, Bullseye.
00:13:04How come you didn't figure the outside lamps?
00:13:06You're smart.
00:13:07How come you didn't know they worked on their own generators?
00:13:09You got the money, haven't you? That's 60 grand.
00:13:1160 grand?
00:13:12I'd be better off working for some slob of 30 bucks a week.
00:13:16What good is it?
00:13:17What am I gonna do with it?
00:13:21You're looking for me in every hotel in every town.
00:13:24We hit Stancic's joint.
00:13:25You realize that?
00:13:26Rocky Stancic.
00:13:28You know a place you can hide out from Rocky Stancic?
00:13:30Go on, tell me.
00:13:31You're smart, educated, college man.
00:13:34I'm through with you.
00:13:36I'm gonna blow.
00:13:37Mexico.
00:13:38South America.
00:13:40On my own.
00:13:42As far as I can get.
00:13:55We'll give you every protection you need.
00:13:57We know how it is.
00:14:00You want to make a new start in a new city.
00:14:02You want to get away from your old surrounding.
00:14:05Now nobody's going to know where you are or who you are.
00:14:08From now on, you're just another employee.
00:14:10Same as everyone else here at Michael Johnson.
00:14:13Yes, Mr. Anderson.
00:14:15I guess it's time I settled down and took my big brother's advice.
00:14:52I don't make the regulations here.
00:14:54I only enforce them.
00:14:57In the future, will you kindly see that your desk lamp's switched out before you leave?
00:15:01Yes, Mr. Thompson.
00:15:06What do you want me to do with that?
00:15:08Deliver them.
00:15:09It's a rush order.
00:15:10Some books that have to go to the medical building.
00:15:13Why?
00:15:14What is it?
00:15:16Just a minute.
00:15:18Don't you like to run errands?
00:15:20Is it beneath you?
00:15:21Too good for the job?
00:15:25You can always quit, you know.
00:15:28There's no law that says you have to work here.
00:15:36Yes, Mr. Thompson.
00:15:37Yes.
00:16:02What do you want?
00:16:02No, no.
00:16:28What do you want?
00:16:30I don't want anything.
00:16:32Who are you? Who sent you?
00:16:33Sent who? Me?
00:16:34What are you following me for?
00:16:35Oh, yes, of course.
00:16:36That was all a mistake.
00:16:38Mistake?
00:16:38Yes, you see, I thought I recognized you.
00:16:41I thought you were somebody I know.
00:16:43Shh!
00:16:44You look exactly like him.
00:16:46The same features, the same build.
00:16:47Don't give me that.
00:16:49Please.
00:16:50There's nobody that looks like me.
00:16:52Believe me, you look exactly like him.
00:16:55Except, of course, for the scar.
00:16:57Scar?
00:16:58Yes, he's got a scar on his right cheek.
00:16:59No, I mean his left cheek.
00:17:02I don't remember.
00:17:03You don't remember.
00:17:04Believe me, honest.
00:17:05His name is Bartok.
00:17:07He's a professional colleague.
00:17:08I mean, we have offices in the same building,
00:17:10the medical building over there.
00:17:11He's a doctor and I'm a dentist.
00:17:13Here.
00:17:14You can smell the iota from her, aren't we?
00:17:17My wife always complains.
00:17:18She says it's in all my suits.
00:17:20Look.
00:17:20Beat it.
00:17:21Yes.
00:17:22Yes, thank you very much.
00:18:03What are you doing here so early?
00:18:05Why not?
00:18:06Your first appointment doesn't start until 10.30.
00:18:11I just talked to you on the phone.
00:18:12How'd you get here so fast?
00:18:14You don't think it was easy to do, do you?
00:18:17Hello, Victor.
00:18:18Wait a minute.
00:18:19I'm not.
00:18:26Oh, my.
00:18:28It's all right.
00:18:29Oh, I'm sorry.
00:18:29I don't know what to say.
00:18:30I understand.
00:18:31No, you see, you look just like Dr. Bartok.
00:18:34Naturally, you're a secretary.
00:18:35So naturally, you...
00:18:35Yes, that's the way it was.
00:18:37No.
00:18:38Let go.
00:18:39I mean it.
00:18:44What can I do for you?
00:18:45What more could any reasonable man ask?
00:18:48No, no, I didn't mean that.
00:18:49It was a slip.
00:18:50Slip my eye.
00:18:51That's Freud.
00:18:52What do you know about Freud?
00:18:54You gave yourself away.
00:18:55The subconscious mind coming out in spite of yourself.
00:18:58You're just a wild bundle raring to go.
00:19:03What are you anyway, an analyst or a patient?
00:19:06Neither.
00:19:06An innocent bystander, I guess.
00:19:09What do you want?
00:19:10Nothing.
00:19:11Then what'd you come up here for?
00:19:12You told me I looked like Bartok.
00:19:14I was curious.
00:19:15Just that?
00:19:16That's all.
00:19:17The next thing you know, a girl, a perfect stranger to me, comes up and...
00:19:21Dr. Bartok isn't here.
00:19:23Goodbye.
00:19:24Wait a minute.
00:19:25A thing like this upsets a fellow.
00:19:27Goodbye.
00:19:29What do you mean, upsets a fellow?
00:19:32What are you doing tonight?
00:19:34Listen to him.
00:19:36About that date tonight.
00:19:38I'm very sorry.
00:19:39I'm busy.
00:19:40Dr. Bartok.
00:19:42Well, you...
00:19:44But here he comes.
00:19:55What do you think?
00:19:56Dead ringer, huh?
00:19:57But what a difference.
00:20:00Don't kid yourself.
00:20:02If you knew me the way you know him, you'd probably change your mind.
00:20:06So long.
00:20:08You've been away from your desk for three hours.
00:20:10Three hours and ten minutes, to be exact.
00:20:12Don't you think you owe me an explanation?
00:20:15I was delayed.
00:20:16Very interesting.
00:20:17What if I may ask delayed you?
00:20:18I don't know.
00:20:19I walked around.
00:20:20I took a walk.
00:20:21You took a walk?
00:20:22Yes, Mr. Thompson.
00:20:23I felt like walking, Mr. Thompson.
00:20:26Here, don't you turn your back on me.
00:20:27Get your hands off me.
00:20:28You're going to listen to me.
00:20:29Get them off.
00:20:30Get out of the way you are.
00:20:51You got yourself fired.
00:20:52You know that.
00:20:53It's about time I had enough of this place.
00:20:56Do you need the job?
00:20:58No.
00:20:59What are you going to do?
00:21:01Retire?
00:21:02That's right.
00:21:03That's very nice.
00:21:04It just takes a little know, you know.
00:21:07Did you get the message?
00:21:10What message?
00:21:11There was a telephone call for you.
00:21:13Yes.
00:21:13Who?
00:21:14Did you leave a name?
00:21:15What are you getting excited about?
00:21:17It was just your brother.
00:21:18Oh.
00:21:19He wants to see you.
00:21:20He's at the Hotel Frazier.
00:21:21Thanks.
00:21:23I knew something was wrong the minute I found out you took that job at Michael John's.
00:21:27What's the matter?
00:21:28What do you want?
00:21:29They started coming around, looking for you.
00:21:32Who came around?
00:21:33Friends of yours.
00:21:35They said they wanted to reach you.
00:21:41They were no friends, John.
00:21:42They were Rocky Stancic boys.
00:21:44How do you know?
00:21:46I checked it in his department.
00:21:48I found out all right.
00:21:49When did they come?
00:21:51Three or four weeks ago.
00:21:54It'll blow over.
00:21:55They lose interest.
00:21:57You think so?
00:22:03There's a friend of yours.
00:22:04What?
00:22:09Marcy.
00:22:12It added up, explained everything.
00:22:14I remember Marcy.
00:22:16The way the two of you went running around.
00:22:18I remember his big cars, his fancy suits, his haberdashery.
00:22:22Why didn't you say home and mind your own business?
00:22:24Don't you see what you did, you fool?
00:22:25You brought him straight to me.
00:22:27Nobody followed me.
00:22:27Don't worry.
00:22:28I watched out.
00:22:29What do you know about it?
00:22:34You ran around.
00:22:35Good times.
00:22:36Girls.
00:22:37You were special.
00:22:40We never followed the rules.
00:22:42There were no rules for you.
00:22:45Would you believe it?
00:22:46I think I wanted to see you get away with it.
00:22:49You were everything I wasn't, everything I wanted to be,
00:22:51everything we all like to be.
00:22:54Only we know better.
00:22:56We don't take the chances.
00:22:59We know sooner or later it always catches up with you.
00:23:05Leave me alone, Freddy.
00:23:07Don't give me any lectures.
00:23:08Where are you going to go?
00:23:10What are you going to do?
00:23:11Marcy tried Mexico.
00:23:12It didn't help.
00:23:58He's going to get me out.
00:23:58So, what happened about it?
00:23:58There's de no longer to be.
00:23:59I love you.
00:23:59Open a spot.構monish
00:23:59.uitnic acid.
00:23:59Ama. That's
00:23:59enough energy.
00:24:00You should be told....
00:24:06Come on.
00:24:34Come on.
00:25:21Come on.
00:25:58Come on.
00:26:01Come on.
00:26:31Come on.
00:26:31Come on.
00:26:39Come on.
00:27:07Come on.
00:27:29Come on.
00:27:40Come on.
00:28:09Come on.
00:28:33Come on.
00:29:01Come on.
00:29:20Come on.
00:29:22Come on.
00:30:01Come on.
00:30:04Come on.
00:30:14Come on.
00:30:18Come on.
00:30:37Come on.
00:30:41Come on.
00:30:43Come on.
00:30:46Come on.
00:30:49Come on.
00:30:50Come on.
00:31:16Come on.
00:31:18Come on.
00:31:20Come on.
00:31:24Come on.
00:31:37Come on.
00:31:40Come on.
00:31:42Come on.
00:32:12Come on.
00:32:12Come on.
00:32:12Come on.
00:32:12Come on.
00:32:31Come on.
00:32:32Come on.
00:32:33Come on.
00:32:33Come on.
00:32:33Get out of here.
00:32:34What's that?
00:32:35What?
00:32:35Nothing.
00:32:35Go on.
00:32:36What is it, Evelyn?
00:32:37Recording tape?
00:32:37Yes, he dictates his notes and I type them.
00:32:40You certainly take a lot of interest in Dr. Bartok.
00:32:43Well, we have so much in common.
00:32:44Now, wait a minute.
00:32:47How'd this get out here?
00:32:50Not here.
00:32:50What's the matter with you?
00:32:51Don't take chances.
00:32:52You take chances.
00:32:53Will you get some sense into your head?
00:32:55When do I see you tonight?
00:32:57You don't.
00:32:57I'm having my hair done.
00:32:58What time is your appointment?
00:33:00Seven.
00:33:01I'll pick you up when you get through.
00:33:02Where is it?
00:33:04Vincent's Wilshire at Laurel.
00:33:10Vincent's Wilshire at Laurel.
00:33:13Put it right in my pocket.
00:33:30Subject spoke reluctantly.
00:33:31Block preliminary move.
00:33:36Subject spoke reluctantly.
00:33:39Block.
00:33:41Block.
00:33:42Block.
00:33:43Block.
00:33:50He was forced to walkично.
00:33:51Stop so much mess with the
00:33:51Roger.
00:34:02Also, please get back on behalf of the
00:34:51For you.
00:34:53This didn't come from the 5 and 10.
00:34:55You don't like it?
00:34:57It just goes to show how wrong a girl can be.
00:35:00What do you mean?
00:35:02I was positive this beautiful thing between us was good for another 10 or 15 weeks at least.
00:35:08It isn't?
00:35:09Well, it's about 10 o'clock now.
00:35:11By 12, you'd have it all worked out.
00:35:14Goodbye, darling.
00:35:15Good luck.
00:35:17It's all over, isn't that right?
00:35:19You don't bet on either.
00:35:22I just stepped in and saved you a couple of hours.
00:35:25That's what I always liked about you.
00:35:28You're so quick.
00:35:29You're a neat worker yourself.
00:35:31Well, we're both prejudiced.
00:35:34Are you sore?
00:35:35No, why should I?
00:35:36What do you think I expected?
00:35:38Tell me, how are you going to put it?
00:35:41How was I going to put what?
00:35:43I'm just curious.
00:35:44What kind of a story were you going to give me?
00:35:46A nice story.
00:35:47And it's true, too.
00:35:48I'm leaving town.
00:35:49What a shame.
00:35:50No, really.
00:35:51I'm leaving the country, Paris.
00:35:54Honestly, you couldn't be nicer.
00:35:56I was just making some coffee.
00:35:57Do you want a cup?
00:35:58No, thanks.
00:36:00Hey.
00:36:01What?
00:36:03Listen.
00:36:05Just a minute now.
00:36:07Don't monkey around.
00:36:08What if I told you I was crazy about you?
00:36:11Who said you weren't?
00:36:12So what?
00:36:13No, look.
00:36:14What I mean.
00:36:16Johnny.
00:36:17I really like you.
00:36:19I really like you, too.
00:36:20Only I told you.
00:36:21Perhaps.
00:36:22You don't trust me.
00:36:24Should I trust you?
00:36:25Maybe I'd be good for you.
00:36:27You'd be surprised.
00:36:28Maybe I could help you.
00:36:29Please, don't help me.
00:36:31Maybe we could make a nice, decent life for ourselves together.
00:36:34Maybe I don't want it.
00:36:35Why don't you just forget it?
00:36:37Come on, Johnny.
00:36:40Okay.
00:36:44It's no use.
00:36:47It's no use.
00:36:49Don't get me wrong.
00:36:50I'm not kicking.
00:36:51You're sore, darling.
00:36:53No.
00:36:54You'll get over it.
00:36:56I'll live.
00:36:57You'll pass me on the street someday.
00:36:59You'll see me in a restaurant.
00:37:01You won't even know who I am.
00:37:03No, I'll remember you.
00:37:05I think I'll always take the travel.
00:37:08That's sweet.
00:37:13Goodbye, Johnny.
00:37:17Goodbye.
00:37:18Goodbye.
00:37:25Goodbye.
00:37:31Goodbye.
00:37:34Goodbye.
00:37:34Goodbye.
00:37:35Goodbye.
00:37:35Goodbye.
00:37:35Goodbye.
00:37:35Goodbye.
00:37:35Goodbye.
00:37:35Goodbye.
00:37:36Goodbye.
00:37:37Goodbye.
00:37:41Goodbye.
00:37:57Any kind of a trick you might want to try, my friend, let me tell you here and now.
00:38:00You'll find we got the answers before you even raise the questions.
00:38:04I bet you do.
00:38:05When you're on a call, don't dilly-dally.
00:38:07It's not your car.
00:38:08Bring it right back to the garage.
00:38:10Tell the girlfriend to take the bus.
00:38:12Sure.
00:38:14Everything here is on the time clock.
00:38:16Written record going in and out.
00:38:18And, of course, that's only one example.
00:38:20I see.
00:38:21Nothing personal.
00:38:22We trust you.
00:38:23Only these days to stay in business, you've got to be a hawk.
00:38:26Otherwise, they'll rob the shirt right off your back.
00:38:29After all, everybody's human.
00:38:31You got a reference?
00:38:33Reference?
00:38:34Got to have at least one local reference here.
00:38:38Otherwise...
00:38:38The Michael John Company.
00:38:40I work for the Michael John Company.
00:38:42You hesitate.
00:38:44Well, I was fired at a fight.
00:38:47A fist fight?
00:38:48Yes.
00:38:49Is that all?
00:38:49That's clean trouble.
00:38:51Don't worry.
00:38:52No, thanks.
00:38:53See the porter down there?
00:38:55He'll give you a uniform.
00:38:56Maybe it'll fit.
00:38:57Be agreeable, and we'll all get along.
00:39:00Thanks.
00:39:01Oh, one thing more I forgot.
00:39:03Yes?
00:39:04The new men here work the night shift.
00:39:06That's the rule.
00:39:07They get the late hours.
00:39:09Any objections?
00:39:10No.
00:39:11Why should I object?
00:39:12Roger.
00:39:21Good morning, Dr. Barthe.
00:39:33Good morning, Dr. Barthe.
00:39:42Oh, my God.
00:40:16Oh, my God.
00:41:08Oh, my God.
00:41:32Oh, my God.
00:41:44Oh, my God.
00:42:01Oh, my God.
00:42:07Oh, my God.
00:42:13Oh, my God.
00:42:32Oh, my God.
00:43:00Oh, my God.
00:43:21Oh, my God.
00:43:24Oh, my God.
00:43:53How many, please?
00:43:54Oh, my God.
00:43:55Oh, my God.
00:44:13Oh, my God.
00:45:19That'll be a dollar, please.
00:45:20It's going to check the oil.
00:46:14All right, okay.
00:46:15Here you are.
00:46:21Hey, you.
00:46:22How much do you get for overnight parking?
00:46:2775 cents.
00:46:30Okay, we'll be back later.
00:46:31Here we go.
00:46:36Here we go.
00:46:52Here we go.
00:47:10I guess you've caught me in the act.
00:47:13Think nothing of it, Jerry.
00:47:15Why don't you have your supper?
00:47:17Because I don't want it.
00:47:19There are only two or three cars out.
00:47:20I can carry on alone.
00:47:22It's all right.
00:47:24I hope to achieve a career as a professional ballroom dancer.
00:47:28Do you think that's silly?
00:47:29All right ahead.
00:47:30It appeals to me.
00:47:32I guess I crave the spotlight.
00:47:33All I need is a proper partner.
00:47:35Some young lady who is talented and who would fall in with my ideas.
00:47:39The point is, I wish to create a distinctive dancing style of my own.
00:47:44I'll bet you anything you like, I know exactly what's going on in your mind.
00:47:48Yeah?
00:47:49My height, right?
00:47:51Being short isn't as insuperable a handicap as you might think.
00:47:55If your personality is powerful, you can project the illusion of height.
00:47:59Also, they have specially fitted shoes.
00:48:04That's the doctor, Bartok, back from his country.
00:48:07I'll take it.
00:48:08You will?
00:48:09Say thanks.
00:48:14You want to be very careful.
00:48:17What?
00:48:17That ball on your face.
00:48:19Did it get infected?
00:48:21I noticed you still have it taped.
00:48:23Must be weeks now.
00:48:24If neglected, an infection can be a serious thing.
00:48:33No, no, no.
00:48:34In the back.
00:48:36Sorry.
00:48:41And we'll do without any conversation either.
00:49:13I'll do without any conversation.
00:49:15Okay, we'll be back later.
00:49:17Where are you going to go?
00:49:19What are you going to do?
00:49:21Marcy tried Mexico.
00:49:23They found him.
00:49:26They'll get us. They'll find us.
00:49:27A guy like Stancic, those guys don't stop till they get demon.
00:49:31You know a place you can hide out from Rocky Stancic?
00:49:33Here's a friend of yours.
00:49:35Okay, we'll be back later.
00:49:44Let's go.
00:50:14Let's go.
00:51:01Let's go.
00:51:01What's your trouble, fella?
00:51:03Nothing. Mortals flooded.
00:51:05Want to push?
00:51:06No.
00:51:07Well, let me give you a hand.
00:51:08It's all right.
00:51:09No, no, let me tell you, fella.
00:51:11I never pass up a man on the road that's in trouble.
00:51:14I mean selfish. I don't do that.
00:51:15Couldn't be like that if I tried.
00:51:17Wait.
00:51:17What's the matter with you, Marty?
00:51:19Can't you see he's a mechanic from a garage?
00:51:21He don't need no help from you.
00:51:23Oh, that's right.
00:51:25Excuse me.
00:51:26Sure.
00:51:27I just wanted to help.
00:51:28Well, good night to you, fella.
00:51:30Good night.
00:51:44Good night.
00:52:06Good night.
00:52:09You're on 83831.
00:52:15Dr. Bartok's not at home. I can't understand it. He's never late.
00:52:18The way these doctors push you around nowadays, I tell you, really.
00:52:23I'm not waiting.
00:52:29Wait a minute. Wait a minute. I don't blame you for worrying, Miss Hunt.
00:52:33The hiker with him last night, he was four hours overdue getting back.
00:52:36Now, four hours, that's certainly suspicious.
00:52:38It certainly don't look kosher.
00:52:40Now, now, now, don't get excited. I'll tell you what to do.
00:52:43We fired the guy, the hiker, on the spot, naturally.
00:52:46But we'll get hold of him. Don't worry.
00:52:47But in the meantime, look, Miss Hunt, why don't you call the police, see?
00:52:51Yeah, Dr. Bartok's missing.
00:52:53Yeah, that's right. It's for the police.
00:52:55Just a minute on the phone.
00:52:56There.
00:53:01You people, for crying out loud, believe me, he's all right.
00:53:04The boy just delivered his car to him.
00:53:08Yes.
00:53:10Sure, the doctor's driving downtown now.
00:53:12He's probably over there right this minute.
00:53:21Good morning, Dr. Bartok.
00:53:23How are you?
00:53:28Morning, Dr. Bartok.
00:53:30Morning, Margie.
00:53:45You had me going for a minute.
00:53:48Mrs. Nymer canceled off. She wouldn't wait.
00:53:50What happened to you, anyway?
00:53:52I was detained.
00:53:54What was the trouble, Victor?
00:53:56Nothing at all.
00:54:00Victor?
00:54:01The way you look.
00:54:03Yes.
00:54:04You're exhausted.
00:54:05You didn't get any sleep at all last night, did you?
00:54:08I was working, reading.
00:54:10Who's outside?
00:54:11Who you take at 11 o'clock?
00:54:13Mr. Davis.
00:54:14Oh, yes, Mr. Davis, the retired clothing manufacturer.
00:54:17Give me five minutes, will you, and then send him in.
00:54:20Certainly.
00:54:22Oh, Dr. Bartok.
00:54:24I saw you down in the lobby.
00:54:26I just had to come up while I was still thinking of it.
00:54:28I'm Dr. Swanger, remember?
00:54:30And the dentist down on the ground floor.
00:54:31Yes, doctor.
00:54:32I wanted to talk to you about this for quite some time now.
00:54:35Why don't you come in, doctor?
00:54:36Come in.
00:54:37Oh, thank you.
00:54:37Thank you very much.
00:54:39Why, the funniest thing happened.
00:54:42About a month ago, I ran into a fellow who looked exactly like you.
00:54:48You don't believe it, do you?
00:54:49Interesting.
00:54:50I don't mean it was just a resemblance.
00:54:53One of those things.
00:54:54This was you.
00:54:56A real double down to the last detail.
00:54:59Except, of course, he didn't have a scar on his cheek, naturally.
00:55:02Of course, yes.
00:55:03That's one thing about me.
00:55:05If I do say so myself, I am observant.
00:55:08I, uh, I take everything in.
00:55:11You want to know the reason why?
00:55:12Simple.
00:55:13It's my disposition.
00:55:14Now, I'm not all wrapped up in myself.
00:55:17Why, you take four out of five men and hold a gun to their heads
00:55:20and ask them the color of their wife's size, would they know it?
00:55:23Why, of course not.
00:55:28I don't know why I'm telling you this.
00:55:30Yes.
00:55:30I'm a dentist.
00:55:31You're the psychoanalyst.
00:55:34Silly.
00:55:35Yes.
00:55:37Not that you can blame them, of course.
00:55:39Why, the man in the street, he has his own worries
00:55:41and his petty little greeds and preoccupations, et cetera, et cetera.
00:55:45Why, they wouldn't notice it if the next fellow was breathing or dying.
00:55:48Now, isn't that a fact?
00:55:50Yes.
00:55:51Yes.
00:55:51All they can think about and talk about is themselves.
00:55:55Yeah.
00:55:57Well, thank goodness I'm not that way at all.
00:55:59I'm not egotistic.
00:56:01No.
00:56:04Well, I, um, I've got to run along my office and, uh, and you're a pretty busy man yourself.
00:56:10Well, so long.
00:56:12Thank you very much, doctor.
00:56:14Uh, for what?
00:56:15Oh, oh, it's nothing at all.
00:56:17Oh, doctor.
00:56:18Yes.
00:56:19I wanted to ask you, how is your wife?
00:56:22My wife?
00:56:22Yes.
00:56:23Oh, uh, oh, she's fine.
00:56:25Oh.
00:56:26Yes, yes, she's fine.
00:56:27She's all right.
00:56:29Yeah.
00:56:34I had specifically told them there what I wanted for breakfast.
00:56:41And I made a fuss.
00:56:44I suppose that was small of me.
00:56:49Couldn't help that.
00:56:51I wanted things to go well.
00:56:54It was the first vacation I'd taken in years.
00:56:58As you know, I've worked hard all my life.
00:57:01Never spared myself.
00:57:03Well, I don't want any credit for that.
00:57:09I was reading Thackeray.
00:57:13I prefer the classics and books that have withstood the test of time.
00:57:18I must say I have no patience with contemporary light reading.
00:57:24I, I asked my wife, uh, no.
00:57:29I, I think I, yes, what I did.
00:57:35And then they went off for a week, my daughters and my son.
00:57:39And there I was, left in the house all by myself.
00:57:42Was that fair, Doctor?
00:57:44Tell me honestly what you think.
00:57:46It isn't that I make demands.
00:57:48The last thing I want to be is a burden to them.
00:57:50I never ask them to wait on me hand and foot the way some mothers do.
00:57:54But after all, I've devoted my whole life to them.
00:57:58Surely the least they could do is to show me a little affection.
00:58:01A little consideration.
00:58:39Hello?
00:58:42Hello?
00:58:46Hello?
00:58:48Hello?
00:58:59Hello?
00:59:00Victor, darling.
00:59:01Oh, hello.
00:59:02You said you'd call me up.
00:59:04I was just going to the phone.
00:59:06Is anything wrong?
00:59:07No, I'm fine.
00:59:09Well, aren't you coming? It's late.
00:59:11Uh, darling, I, uh...
00:59:13I can't understand it.
00:59:14You told Maxwell we'd be there by nine.
00:59:16You made a special point.
00:59:17But I'm on my way.
00:59:19Oh. Oh, wait, uh...
00:59:21What?
00:59:22Where are you? Where do you think? Home.
00:59:25Oh, no, that isn't what I mean, darling.
00:59:26Listen, uh, could you do something for me?
00:59:29Uh, could you meet me at the Wellington?
00:59:30The Hotel Wellington? Yes, in the arcade.
00:59:33Uh, I'll have to make a call there.
00:59:34It'll save time. Well, are you going to be very long?
00:59:37Uh, no, I'll meet you in half an hour.
00:59:39Oh, darling.
00:59:40Yes? Um...
00:59:43Uh... I want you to stop in at the florist there
00:59:46and get yourself an orchid.
00:59:47An orchid?
00:59:48Yes, I want you to have it.
00:59:50Uh, tell them to charge you to my account.
00:59:53All right. I'll meet you at the Wellington.
00:59:55Good. And don't forget the orchid.
01:00:17What is that, the church?
01:00:17I want you to have it.
01:00:18I want to leave you.
01:00:23That's the orchid.
01:00:24I want to leave you.
01:00:24That's what I want.
01:00:27Good. And don't forget the orchid.
01:00:29I want to leave you, God.
01:00:30I want to leave you.
01:00:34All of you.
01:00:54What's going on?
01:00:56Weddings, weddings.
01:01:00Guess.
01:01:01Darling.
01:01:06You see, I got your orchid.
01:01:08Yes, I noticed.
01:01:10They're probably wondering right now what happened to us.
01:01:13Better hurry.
01:01:14Yes, wait.
01:01:17What is it, Victor?
01:01:19Nothing, I was wondering.
01:01:21Do we really have to go to Maxwell's tonight?
01:01:24Do we?
01:01:25You know those boys.
01:01:27If we don't show up, they'll think we're running out of them or something.
01:01:29Yes, they would, wouldn't they?
01:01:31Listen, who's going to be there tonight?
01:01:33What do you mean who's going to be there?
01:01:35Usual crowd.
01:01:36Yes, of course.
01:01:38Oh, darling, would you like to drive my car to Maxwell's?
01:01:41What?
01:01:41I thought you might enjoy it.
01:01:43Enjoy it? I'd love it.
01:01:44You know I've been wanting to drive that car for weeks.
01:01:47Well, all you had to do was say so.
01:01:51You're looking very well this evening, Victor.
01:01:55Am I?
01:01:56Mm-hmm. Very handsome.
01:01:59Thank you, dear.
01:02:00Shall we go?
01:02:06Good evening.
01:02:07Good evening.
01:02:08Good evening, Dr. Barthol.
01:02:09Good evening.
01:02:17Come on.
01:02:18Come on.
01:02:19Come on.
01:02:23No more bets.
01:02:24No more bets.
01:02:28Place your bets, ladies and gentlemen.
01:02:33Twenty-three, red.
01:02:35What's the matter?
01:02:37Nothing.
01:02:39I, uh, I was just going to say I've been cashing a lot of bonds lately, haven't I?
01:02:43Hello, Doctor.
01:02:44Hello.
01:02:45You always take a chance when you gamble.
01:02:47Good evening, Dr. Barton.
01:02:48Good evening.
01:02:49You're coming around to Maxwell's quite often these days.
01:02:51Two or three times a week, huh, Doc?
01:02:52I guess you're right.
01:02:54Take care now. Don't let them rob you.
01:02:56Good evening, Miss Taylor.
01:02:57Hello.
01:02:58Victor?
01:03:00Come along.
01:03:04Three, red.
01:03:07The same tonight, Dr. Barton?
01:03:09The same, Frank.
01:03:12I put it on your account.
01:03:14It's Harry.
01:03:16I'm sorry, Harry.
01:03:18Hi, Virginia.
01:03:19Hello, Marjorie.
01:03:20Sit down, Virginia.
01:03:23Make a play.
01:03:24Put them down.
01:03:31You know, it's very strange.
01:03:33I didn't think of it until just now.
01:03:36You didn't think of what, Mrs. Nielsen?
01:03:38Your methods.
01:03:39I don't know what it was, but they weren't quite the same today, were they?
01:03:44We vary our procedures from time to time, Mrs. Nielsen.
01:03:47We like to see what results we get.
01:03:49Well, I must say, the things went much smoother today, though, didn't they?
01:03:53Yes, I think so, Mrs. Nielsen.
01:03:56Goodbye, Doctor.
01:03:57Goodbye, Mrs. Nielsen.
01:04:00Goodbye, Mrs. Nielsen.
01:04:11Goodbye, Mrs. Nielsen.
01:04:13Goodbye, Mrs. Nielsen.
01:04:15Goodbye, Mrs. Nielsen.
01:04:23I told them to send up a tray around 7.
01:04:25You're really putting in long hours, aren't you?
01:04:28Yes.
01:04:28I guess I'll run along. Good night.
01:04:32Evelyn?
01:04:33Yes?
01:04:34Come here.
01:04:37What is it?
01:04:39Look at me.
01:04:40What?
01:04:42You've been watching me all day, haven't you?
01:04:44Have I?
01:04:44Is there anything peculiar about me?
01:04:47No, of course not.
01:04:49Then why do you watch me? What are you worried about?
01:04:52I don't know.
01:04:53Something troubling you?
01:04:55No.
01:04:59Yes.
01:05:00Well, tell me.
01:05:03You've been so strange.
01:05:05Really?
01:05:06You've been avoiding me.
01:05:08Do you blame me?
01:05:10What do you mean?
01:05:11What do you think I am, Evelyn? Don't I know?
01:05:13Know what?
01:05:13You've been seeing somebody.
01:05:15Oh, come now.
01:05:16All right, I don't mind. I was just curious.
01:05:20Well, isn't it true?
01:05:22No, it's not.
01:05:23Are you sure?
01:05:24I'm sure.
01:05:32Then why do you turn away? Does this embarrass you?
01:05:34I don't know what you want. It's late.
01:05:36What do you do? Give you a bad time?
01:05:38I don't want to stay here and quarrel. I don't feel like it.
01:05:42What happened? Did he hurt you?
01:05:43Do I look hurt?
01:05:44I should say you do.
01:05:45Well, don't fool yourself. You don't get hurt these days.
01:05:47No?
01:05:48No. It's very simple.
01:05:49You never expect anything, so you're never disappointed.
01:05:51You're a bitter little lady.
01:05:53It's a bitter little world, full of sad surprises,
01:05:55and you don't go around letting people hurt you.
01:05:58I'll tell you something.
01:06:01In all my life, I think I've only had one beau I was really willing to trust.
01:06:05You should have held on to him, married him.
01:06:07I wanted to, but I couldn't.
01:06:10He was 12 years old, and I was nine.
01:06:17Are you sorry for yourself?
01:06:19No.
01:06:20Because for one thing, it's too late, and what's the use?
01:06:22Because you never can go back and start again.
01:06:25Because the older you grow, the worse everything turns out.
01:06:28You don't see it happening to you. It just happens.
01:06:31You wake up one morning, and there you are, and anything goes,
01:06:34and that's all right, too.
01:06:38Now, does that upset you, Dr. Bartok?
01:06:43It doesn't bother me at all.
01:06:45Anytime you say, I can quit.
01:06:47I would never let you go, Evelyn.
01:06:48That's nice. Thanks.
01:06:50I would miss you badly.
01:06:52You don't know how much I would miss you.
01:06:58They're not in business to worry about people or their whereabouts.
01:07:01They couldn't afford it.
01:07:02Maybe he knew people here, had friends.
01:07:05If I could talk to them, I've got to find them.
01:07:09I don't know of any other place I can start from.
01:07:18About it, Anderson.
01:07:20Do you know anything about a man named Muller?
01:07:22John Muller?
01:07:23The guy we fired a couple of months ago thereabouts?
01:07:25Hmm?
01:07:26Mm-hmm.
01:07:29No.
01:07:29He doesn't know anything about... What?
01:07:32Oh, just a minute. Reference.
01:07:35Okay.
01:07:36All right, Buffett. Thanks.
01:07:39You might try this place. The garage.
01:07:41Clover garage.
01:07:47You'll have a long wait. The patient just went in.
01:07:50That's all right.
01:07:51I'm afraid we never noticed the different hikers.
01:07:53To tell the truth, I don't know what made you think of coming here.
01:07:56Well, they told me at the garage the last call he went on was with Dr. Bartog.
01:08:00I suppose it was.
01:08:01He was gone for four hours that night.
01:08:04I heard about it. They fired him.
01:08:05Yes.
01:08:07Something may have happened. I don't know.
01:08:09It just might be the doctor remembers him.
01:08:12You see, my brother was interested in psychoanalysis.
01:08:14Went to medical school.
01:08:16Dr. Bartog might be able to give me some kind of lead.
01:08:19Nothing else to go on.
01:08:20Why don't you wait? Sit down.
01:08:25There he is.
01:08:26That's my brother.
01:08:37I'm sorry.
01:08:39The resemblance. For a minute I thought...
01:08:42What can I do for you?
01:08:44I came here...
01:08:46I'm trying to locate my brother.
01:08:48He worked for a garage you use.
01:08:50His name was John Muller.
01:08:55Do you know him? Do you know where he is?
01:08:56Miss Hahn.
01:08:57He went to Europe. To Paris.
01:08:59Don't go. Tell me.
01:09:00That's all I know. Leave me alone.
01:09:01Wait. Stay here.
01:09:03I'll be right back.
01:09:14Don't lose your nerve. Hold on to yourself.
01:09:16I should have known it from the start.
01:09:17So you know. So what?
01:09:18Don't you think I expected you to find out sooner or later?
01:09:20I don't worry you.
01:09:20No.
01:09:21Why? What's the matter? Do you trust me?
01:09:22I don't trust you. You're a fool.
01:09:24What can you do? Go to the police?
01:09:25You've got more sense than that.
01:09:27What good would it do you or anybody else?
01:09:28What good will it do me if I don't?
01:09:30Plenty.
01:09:30The two of us together.
01:09:32Listen. Don't you see it?
01:09:33I'm Bartok.
01:09:34Who is going to know? Who will ever find out?
01:09:36You killed him.
01:09:36I had to. I was in a jam. I had killers on me.
01:09:39It was the only way out. I took it. I had to take it.
01:09:43I didn't give you a way, did I? I lied. What more do you want?
01:09:46Wait. Let me get rid of him. I've got a patient in the office.
01:09:48Wait for me.
01:10:02Well?
01:10:03Can I see her again? Can I talk to her?
01:10:04She told you everything she knows.
01:10:06You don't understand.
01:10:07No, I don't.
01:10:08My brother's in trouble. He's hiding out.
01:10:11He thinks they're killers after him. A man named Stancic.
01:10:14But they're not.
01:10:15What?
01:10:16Nobody's looking for him.
01:10:19What do you mean?
01:10:20I work for the government. I know people. They tip me off.
01:10:24They got this man Stancic. Income tax charges.
01:10:27They're deporting him in another month or so.
01:10:30They've already broken up his crowd.
01:10:34My brother's safe in the clear and he doesn't know it.
01:10:37There's no telling what he might do.
01:10:40You don't know him.
01:10:41He's smart. Got big ideas.
01:10:44Willing to take any kind of chance.
01:10:46I've got to stop him before it's too late.
01:10:51Don't worry about him.
01:10:53What?
01:10:54Take care of yourself. People like him don't need your help.
01:10:57I don't...
01:10:58I know them. I've studied their cases by the dozens.
01:11:01Whether we like it or not, the fact is they're the ones who know what they want and they always
01:11:05get it.
01:11:05I've studied their cases too where I work in the welfare department.
01:11:07Perhaps you are right. It doesn't matter.
01:11:10I'm afraid there's nothing else we can do for you here.
01:11:12Miss Han doesn't know its address or anything like that.
01:11:19I see.
01:11:21I'm sorry for the trouble I've caused you.
01:11:25Not at all.
01:11:28Goodbye.
01:11:38Forgive me. I've kept you waiting, Miss Nielsen.
01:11:40That's all right, Doctor.
01:11:41I'm terribly sorry but I'm afraid we have to cancel this appointment.
01:11:44I had a call. An emergency.
01:11:45Oh.
01:11:46Well, I understand.
01:11:48I'll see you tomorrow, Doctor.
01:11:49Yes, tomorrow, Miss Nielsen.
01:11:50Goodbye, Doctor.
01:11:51Goodbye.
01:11:59Evelyn!
01:12:07Evelyn!
01:12:25Hello?
01:12:28I'm rushed for time, Virginia. What is it?
01:12:30No, I can't go to Maxwell's tonight.
01:12:32What?
01:12:33I'll explain later. I can't talk now.
01:12:36No, no. Nothing is wrong.
01:12:38Of course I'm not going anyplace.
01:12:39What would that idea into your head?
01:12:41Call me later. Call me tomorrow. Goodbye.
01:12:43Bye.
01:13:13Bye.
01:13:42What happened to you?
01:13:48What are you doing?
01:13:54Honolulu, you're sailing tonight.
01:13:57What kind of a deal did you make?
01:13:59It's always a deal.
01:14:01Who did you talk to?
01:14:01Nobody.
01:14:02Did you tell me into the police?
01:14:03You don't have to worry.
01:14:06What are you running away for?
01:14:08How do you think I feel?
01:14:09Give it time. It passes. You'll get over it.
01:14:11You'll get over it.
01:14:13Sure.
01:14:14Use your head.
01:14:15I took all the chances.
01:14:16I worked it out.
01:14:17Now is the time to cash in, both of us.
01:14:18I don't want it.
01:14:19I mean that.
01:14:20It's not worth it.
01:14:21Oh, be smart.
01:14:22I'm sick of being smart.
01:14:23Waiting for time to pass.
01:14:24Waiting to get over it.
01:14:25Don't talk like a kid.
01:14:26I booked passage on the first boat going out because I want to get away as fast and as far
01:14:30as I can.
01:14:30Why?
01:14:31Because I'm sick of being wise.
01:14:33What are you trying to give me?
01:14:34I'm tired of knowing all the answers.
01:14:36Where do you get off pulling this talk on me?
01:14:38Where did you learn it?
01:14:39You take care of yourself and that's all.
01:14:40A dollar's a dollar.
01:14:41Yes.
01:14:42Watch out for number one.
01:14:43Always pay it for yourself.
01:14:44That's right.
01:14:45Do they worry for you?
01:14:45Did they worry for Bartok?
01:14:46Did anyone bother to notice a difference?
01:14:48I hate it.
01:14:48Hate it or don't hate it?
01:14:50Who is asking you?
01:14:50This is the way it is and you know it.
01:14:52You've been around long enough.
01:14:53I hate everything I know.
01:14:54I hate everything in me.
01:14:55I hate you.
01:14:56I hate, I hate, I hate.
01:14:57I didn't make it that way.
01:14:59I can't change it.
01:15:00What do you want me to do?
01:15:27I'm going with you.
01:15:28Yeah, I'm here.
01:15:31We'll go together tonight.
01:15:33You don't think I believe that, do you?
01:15:36Give me time.
01:15:37Let me fix it at the office.
01:15:39I don't want them to go looking for Bartok for me.
01:15:42You're Bartok.
01:15:43You've got it all now.
01:15:45You're not going anywhere.
01:15:47I'll meet you on the boat.
01:15:48You say it but you won't.
01:15:50You've got a good thing now.
01:15:51It's rich.
01:15:52You'll never let it go.
01:15:54Not you.
01:15:56You've got too much sense.
01:15:58I'll be there.
01:15:59No, you won't.
01:16:17You won't.
01:16:19That's right, Doctor.
01:16:20I've talked to the building superintendent.
01:16:22He'll give the keys to your secretary.
01:16:24Yes, you'll find the names and addresses of my patients in the desk.
01:16:28I'm sure you'll be able to handle them all between you, Dr. Henning and Dr. Crayman.
01:16:32Yes, I'm afraid it was sudden.
01:16:34I wasn't at all prepared.
01:16:36Well, thank you very much for making it possible.
01:16:38Thank you, Doctor.
01:16:40Good-bye.
01:16:41Thank you, Doctor.
01:17:05Good-bye.
01:17:07I hope you don't mind it if I talk to you.
01:17:10What do you want?
01:17:11The scar.
01:17:14It's so clear in my mind.
01:17:17I always somehow thought it was on the other side.
01:17:29Did you notice that?
01:17:31What?
01:17:33I know I'm mistaken.
01:17:36The scar, I mean.
01:17:38Of course I'm wrong.
01:17:41Yes.
01:17:44Good night.
01:17:47Good night, Doctor.
01:17:49Good night.
01:18:20Driver.
01:18:21I'm in a hurry.
01:18:21Step on it, will you?
01:18:22Okay.
01:18:54Hey.
01:18:55Where can I get a porter?
01:18:56They're all busy.
01:18:57Ship's sailing in a few minutes now.
01:18:58Here.
01:18:59Hmm.
01:19:20the town.
01:19:36Sure, you won.
01:19:37But I didn't ask you.
01:19:37I'm back.
01:19:38Come on.
01:19:39Come on.
01:19:40Come on.
01:19:41Come on.
01:19:42Here.
01:19:44What is this?
01:19:46Where are you going?
01:19:47What do you want?
01:19:49What do you think?
01:19:51Where are you from?
01:19:53You know where.
01:19:54Maxwell's.
01:19:56Maxwell's?
01:19:57You owe us a lot of money.
01:19:59What?
01:20:00Ninety grand.
01:20:02What are you talking about?
01:20:04You didn't think we were going to let you run out on this just like that.
01:20:08Did you, Dr. Bartok?
01:20:12Wait a minute.
01:20:13You got the wrong guy.
01:20:14I'm not Bartok.
01:20:15You're not?
01:20:16I know Bartok.
01:20:17Look, I look like him, sure, but my name is Muller.
01:20:20Look, you fools, the scar.
01:20:21His is on the left side.
01:20:24What'll he do?
01:20:25Move over?
01:20:27Now, wait a minute.
01:20:28Let me go.
01:20:28I can square this thing.
01:20:29I'll send you the money.
01:20:31I'll bet you will.
01:20:33Let me go.
01:20:34I've got to make that boat.
01:20:35You're not getting on that boat, Dr. Bartok.
01:20:38Let me go.
01:20:47We thought we heard some shots.
01:20:49You did.
01:20:49Cops just caught him, ran right into him.
01:20:51Well, did anybody get hurt?
01:20:52I don't know.
01:20:56Look out.
01:21:27Come on.
01:21:56Come on.
01:22:23Come on.
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