The Chase (1946) – Film Noir Thriller - video Dailymotion

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The Chase (1946) is a stylish and atmospheric film noir directed by Arthur Ripley, adapted from the novel The Black Path of Fear by Cornell Woolrich. Known for its dreamlike tone, psychological tension, and shadow‑soaked cinematography, the film has become a cult favorite among noir enthusiasts.  The story follows Chuck Scott, a down‑on‑his‑luck veteran who becomes a chauffeur for a wealthy but dangerous gangster. When he falls for the gangster’s troubled wife, the two attempt to escape to freedom — only to be pulled into a web of paranoia, murder, and surreal twists. The film’s haunting atmosphere and unexpected narrative turns make it one of the most unique entries in the noir genre.  Film Details: Title: The Chase Release Year: 1946 Genre: Film Noir / Thriller Director: Arthur Ripley Based On: The Black Path of Fear by Cornell Woolrich Starring: Robert Cummings Michèle Morgan Steve Cochran Peter Lorre Runtime: 86 minutes Studio: Nero Films Distributor: United Artists Country: United States Format: Black‑and‑white feature film  Why This Film Matters:   The Chase stands out for its moody visuals, psychological suspense, and the unforgettable presence of Peter Lorre, whose performance adds an eerie intensity to the story. Its dreamlike structure and noir aesthetics have earned it a lasting reputation as one of the most intriguing thrillers of the 1940s.  #TheChase #FilmNoir #ClassicNoir #RobertCummings #PeterLorre #SteveCochran #CornellWoolrich #VintageMovies #OldHollywood #CrimeDrama #PsychologicalThriller #1940sCinema #BlackAndWhiteFilm #FullMovie

Transcript

00:07:38Hey, you.

00:09:13I got a medal.

00:11:40Come on, come on.

00:13:25He's right on time.

00:13:26Eddie, you don't know.

00:13:28We'll find out.

00:13:30Maybe not.

00:14:50What do we do.

00:15:19We'll see you now?

00:15:21I must say, I must say,

00:15:35That's so, Gino.

00:16:14Thank you, Gino.

00:16:18Good night, Miss.

00:16:49Good night, Mr. Johnson.

00:17:23I'll see you, Mr.

00:17:24Mr. Johnson, I want to buy you, Mr. Johnson.

00:17:59Look at you, Mr. Johnson.

00:18:15I'll see you, Mr. Johnson, without seeing the rest of the house.

00:18:45Gino, Gino.

00:18:50Hey, Gino.

00:18:56Gino.

00:19:05Gino, Gino.

00:19:30Oh, no, Gino.

00:19:34Oh, no, no, no, no, no.

00:19:42No! No!

00:19:44No!

00:19:46No!

00:19:47No! No!

00:19:49No! No!

00:19:50Help!

00:20:12No!

00:20:50Turn off here, please.

00:21:16No!

00:21:48No!

00:21:49Standing off the clothes, miss.

00:21:51I think you better step back.

00:21:55What happened to Claiborne?

00:21:58He's gone, miss.

00:22:02It's Mrs. Wilman.

00:22:06I beg your pardon.

00:22:08I didn't know.

00:22:10Oh, that's all right.

00:22:13I think I like it better the other way.

00:22:24Is there anything I can do?

00:22:26Yes, Mick, it's three years ago.

00:22:29If you can't do that, call me miss.

00:22:32And if you can't do that,

00:22:35just look the other way.

00:22:41You can go back to the car.

00:22:48Good luck.

00:22:55Look at me.

00:22:56Good luck, dancing!

00:23:00Good luck.

00:23:12Come open.

00:23:13I love 몇 quartet,

00:23:23What's out there, straight ahead?

00:23:28Well, Havana, I think.

00:23:33Have you ever been there?

00:23:36Yes, I was a long time ago.

00:23:41What was it like?

00:23:43Oh, for me, it was cheap hotels, cheap restaurants, cheap friends.

00:23:54All places are like me, it broke down.

00:23:59It would be worth a thousand dollars to me to get to Havana.

00:24:04A thousand dollars?

00:24:06Yes.

00:24:07Steamship tickets only about thirty.

00:24:12I could never make it alone.

00:24:14Why not?

00:24:17Have you ever been afraid?

00:24:19Really afraid?

00:24:23What do you want me to do?

00:24:25I want you to take me to Havana.

00:24:28But why me?

00:24:32I think I can trust you.

00:24:37You mean you think I look like I, um, need a thousand dollars, huh?

00:24:42Oh, have it your way.

00:24:44But I still think I can trust you.

00:24:49When can we go?

00:24:51How soon can you leave?

00:24:53Now, right this minute.

00:24:57That's a pretty long swim.

00:25:01I'll check the sailings tomorrow.

00:25:05Think I better take you home now?

00:25:08All right.

00:25:17That will be 4220.

00:25:19Sign that, please.

00:25:21Two tickets for Havana tonight, please.

00:25:23I'm sorry, there's no space available.

00:25:25We're completely sold out.

00:25:27Are you sure?

00:25:29Just a moment, there may be a cancellation.

00:25:30Of that.

00:25:35Yes, here's one.

00:25:36But it's a single cabin.

00:25:38Will that do you?

00:25:38Uh, yes, it'll have to.

00:25:41How many tickets?

00:25:42Uh, two.

00:25:43How much is that?

00:25:46That'll be 5760.

00:25:51Sign there, please.

00:25:55The SS Cuba.

00:25:57Leave spare 26 at 11 o'clock tonight.

00:25:59Thank you, sir.

00:26:00Keep the checkers.

00:26:24Hello?

00:26:25I'll take it, Jobe.

00:26:27Yes, ma'am.

00:26:53I'll be waiting in my room.

00:26:58Now, don't you call, have Jobe call as usual.

00:27:00I'll bring the car around.

00:27:01No, don't worry.

00:27:02They don't know where I am.

00:27:03Yes, I'm picking him up at the Union Bank now.

00:27:07Good.

00:27:08See you later.

00:27:09Bye.

00:27:10Bye-bye.

00:27:14Bye-bye.

00:27:16Okay, I'll be back.

00:27:43Flowers, did you take care of them?

00:27:45Huh?

00:27:46Yeah, red and white roses, big anchor.

00:27:49150 bucks.

00:27:52You know, 85 years ago in Cicero?

00:27:55Same roses, the same anchor.

00:27:57Could have picked it up for a double saw bug.

00:28:00Maybe two bits.

00:28:04150 bucks.

00:28:07Brother, I don't care what they say.

00:28:08That's inflation.

00:28:15Scotty.

00:28:17Yes, sir?

00:28:19Mrs. Roman goes for a drive almost every day, doesn't she?

00:28:22Yes.

00:28:24Where did she go?

00:28:25No.

00:28:26Nowhere in particular.

00:28:28What do you mean, nowhere?

00:28:30Well, just along the beach.

00:28:34Always the same place.

00:28:36Yes, yes, same place.

00:28:38Oh, you know that.

00:28:40I didn't.

00:28:42I want to go there, Scotty.

00:28:45Now?

00:28:46Now.

00:28:47Now.

00:28:51Yes, sir.

00:29:04What do you see out there?

00:29:08I wouldn't know.

00:29:11What do you see out there, Scotty?

00:29:16Sky?

00:29:17Water?

00:29:22It must have a special meaning for her.

00:29:25What does it mean to you?

00:29:28I don't know.

00:29:30I'm not a psychiatrist.

00:29:33You don't have to be to figure this out.

00:29:38Is that right, Gino?

00:29:40I'd say she was contemplating a voyage.

00:29:50She ever say anything to you about it?

00:29:55Why would she tell me?

00:30:00You've got the kind of face women like to talk to.

00:30:23I'd say she wants to talk to her.

00:30:27But he's going to take it.

00:30:28I'm supposed to take it.

00:30:28You're lying.

00:30:28They're lying.

00:30:29They're lying.

00:30:32They're lying.

00:30:43That's the same thing.

00:30:43Let's go.

00:31:18Let's go.

00:31:44Let's go.

00:31:47Let's go.

00:32:13They're gone.

00:32:15Where do you think they've gone, Gino?

00:32:17I don't have to think.

00:32:18I know.

00:32:19To Havana on Cuba.

00:32:22Found it in a wastebasket.

00:32:32What do you want me to do?

00:32:37Play the other side.

00:32:42Let's go.

00:32:43Let's go.

00:32:46Let's go.

00:32:56Let's go.

00:32:57Let's go.

00:33:09Let's go.

00:33:10Let's go.

00:33:11Let's go.

00:33:14Let's go.

00:33:28Let's go.

00:33:39Let's go.

00:33:52Let's go.

00:33:52I didn't know you were a musician.

00:33:55I haven't played in a long time.

00:34:02Still scared?

00:34:04I'm getting over it.

00:34:07I bet you don't get over three years of terror in one night.

00:34:12He couldn't follow us here.

00:34:21Let's go.

00:34:22What's our first stop?

00:34:23Havana.

00:34:27Looks like all roads lead to Havana.

00:34:31That's what you wanted, wasn't it?

00:34:35I owe you a thousand dollars.

00:34:47Who did it belong to before?

00:34:52They don't ask you that when you spend it.

00:35:00How did that?

00:35:02That way.

00:35:10People having trouble.

00:35:12Go up and see her?

00:35:21rupture!

00:35:22You got a friend

00:35:24I am써-up sir.

00:35:29If he gave her back, he would come back up and see her.

00:35:48Good job.

00:36:01Chuck.

00:36:34Good job.

00:37:16I love you, Charles.

00:37:19I love you, Lord.

00:37:30That's not our boat.

00:37:32How much time do we have?

00:37:34Forget time.

00:37:37You think we'll make it?

00:37:41We've got to.

00:37:50What are we stopping here for?

00:37:54What was that?

00:37:55The horse is tired.

00:37:58Take us back to the boat.

00:38:02Did you hear me?

00:38:03Take us back to the boat.

00:38:04I already told you the horse is tired.

00:38:08Chuck, let's get out.

00:38:19Say, uh...

00:38:21Our boat leaves in an hour for South America.

00:38:25How much of a walk is from near the docks?

00:38:27I don't understand English.

00:38:29Let's go, Pancho!

00:38:34What did he say?

00:38:36Something about not understanding English.

00:38:41He must not understand money, either.

00:38:44Didn't take his fare.

00:38:48Chuck, what do we do now?

00:38:51I don't know.

00:38:56Uh...

00:38:58Let's get a drink.

00:39:01All right.

00:39:03Wait a minute.

00:39:06We should go back to the boat.

00:39:09Who's afraid now?

00:39:26We're going to the boat.

00:39:28Let's go.

00:39:31Let's go.

00:39:33Let's go.

00:39:34Let's go.

00:39:36Still scared?

00:39:44Pardon me.

00:39:47Pardon me.

00:39:51Pardon me.

00:40:08$2,000.

00:40:51Let's go.

00:41:37Let's go to your splendor

00:41:39As your heart of surrender

00:41:44To the moon high above

00:41:49Let your yearning heart can share

00:41:54Don't let any steam in here.

00:42:00This don't want

00:42:22Tell me again.

00:42:24I love you, darling.

00:42:27I love you.

00:42:30Darling, I don't care what happens now.

00:42:34I just don't care.

00:42:35Laura, don't keep saying that.

00:42:37Please don't keep saying it.

00:42:40I won't.

00:42:42I won't say it anymore.

00:42:44Because I do care.

00:42:46I won't say it anymore.

00:43:36I won't say it anymore.

00:43:51Mark on a scar?

00:43:53Knife wound.

00:43:55No other marks.

00:44:01We're waiting, Mr. Scott.

00:44:06Oh, can I make you understand?

00:44:08You've got the wrong man.

00:44:13I loved her.

00:44:14You loved her, so you killed her.

00:44:17That's understandable.

00:44:19She was all I had.

00:44:21So you made sure no one could take her from you.

00:44:24Oh, you're blind.

00:44:26Why would we come all this way together?

00:44:28I let you tell me why.

00:44:31Just answer three questions.

00:44:34How long had this woman been in Havana?

00:44:39Oh, we got off the boat.

00:44:43Around six o'clock this evening.

00:44:45Eight hours ago.

00:44:47Had she ever been here before?

00:44:49No.

00:44:49Did she know anyone here?

00:44:51Anyone at all?

00:44:52No.

00:44:53There is your answer.

00:44:55Do you still insist somebody else did it?

00:44:57In a place where she had just arrived?

00:44:59In a place where she had never been in her life before?

00:45:02And above all, with your own knife.

00:45:04It wasn't my knife.

00:45:05But you just admitted a moment ago it was your knife.

00:45:07I didn't admit it was my knife.

00:45:08I merely said it looked like my knife, but it wasn't.

00:45:10Oh, yes.

00:45:11Now I remember.

00:45:13The knife you bought.

00:45:15You did buy a knife.

00:45:16Yes, I bought a knife!

00:45:18Save your strength, my friend.

00:45:19You may need it.

00:45:25Your knife.

00:45:27Let me see.

00:45:31Describe it again, please.

00:45:36On the handle of the knife I had, the little carved monkey was holding his ears.

00:45:42The knife you've got is covering his eyes.

00:45:45You can see that.

00:45:45It's covering his eyes, but not mine.

00:45:48Don't joke.

00:45:49If you don't believe me, ask the shopkeeper.

00:45:51Find out what kind of a knife I bought.

00:46:01Are you sure this is the place?

00:46:04Yeah, yeah, that's it.

00:46:07I repeat, for a stranger in Havana, you certainly found an out-of-the-way place in a very much

00:46:12of a hurry.

00:46:12We didn't find it.

00:46:14I told you a guide brought us here.

00:46:16I know.

00:46:16Oh, the guide who kept pestering you, the one who drove you to the nightclub, huh?

00:46:20You don't believe anything, do you?

00:46:23My clients have a chronic tendency to color the truth.

00:46:30You first, Mr. Scott.

00:46:39Just a moment, please.

00:46:40Not so quick.

00:46:51Where is Chin?

00:46:55I'm Chin.

00:46:57I'm Lieutenant Acosta, Homicide Squad.

00:47:03What can I do for you?

00:47:04Madam, would you please tell the gentleman...

00:47:06We'll ask the questions.

00:47:10Take a look at this man here.

00:47:12Did you ever see him before?

00:47:14Yes.

00:47:16When?

00:47:18The gentleman was here earlier tonight.

00:47:21Alone?

00:47:22No, he was with the lady.

00:47:25Did he buy anything?

00:47:27Silk handkerchief for a lady.

00:47:30That all?

00:47:32The gentleman also bought a knife.

00:47:34What kind of knife?

00:47:36A knife with a jade handle.

00:47:38It got letters.

00:47:40It got fruit.

00:47:41To hang on a wall, maybe?

00:47:43Describe the jade handle.

00:47:45The jade handle had a carved monkey.

00:47:48We know that.

00:47:48Describe the monkey.

00:47:50Monkey was holding his eyes.

00:47:52So.

00:47:55You're crazy.

00:47:56I bought the one that was holding his ears.

00:47:59The gentleman is mistaken.

00:48:02Are you sure the one he bought was holding its eyes?

00:48:05They come three to a set.

00:48:07First one assaulted this gentleman.

00:48:09The others I still have.

00:48:10I can show you.

00:48:12Show me.

00:48:20These are imported from Hong Kong.

00:48:23I only ordered one set.

00:48:25Cost too much.

00:48:27Never sold any except to this gentleman.

00:48:31See?

00:48:37Well, Mr. Scott.

00:48:43I don't understand.

00:48:44I...

00:48:46I'm sure I bought this one.

00:48:48The one that's holding its ears.

00:48:49Why did you buy any knife?

00:48:51I didn't buy a knife.

00:48:52I mean, I didn't intend to buy a knife, but...

00:48:55Well, Lorna was looking for jade, and she said the only jade she had was on the knife handles.

00:48:59And the one we finally bought was this one, and the one we finally bought was this one.

00:49:02The one that's holding its ears.

00:49:05Perhaps Madame Chin switched to the knives, huh?

00:49:08She must have.

00:49:12Did you ever sit in before?

00:49:17No.

00:49:17Then why would she change the knives?

00:49:32Answer me!

00:49:36Why would she change the knives?

00:49:45Because you are a stranger, and only because you are a stranger, we've given you every chance to clear yourself.

00:49:53You should have been locked up an hour ago.

00:49:57Admit it.

00:49:58You know you killed her.

00:50:04Admit it!

00:50:07All right.

00:50:10Then you did kill her.

00:50:14Yes.

00:50:16Why, Mr. Scott?

00:50:23Because she was afraid.

00:50:26Because she wanted to go back.

00:50:27Back? Where?

00:50:29To her husband.

00:50:30Her husband?

00:50:31Her name wasn't Mrs. Scott.

00:50:34Her name was Mrs. Eddie Roman.

00:50:38We left Miami together last night on the Cuba.

00:50:40We docked here this morning.

00:50:42Didn't leave our cabin until it was dark.

00:50:44We wound up in that nightclub.

00:50:48We had a drink there.

00:50:54Mr. Scott,

00:50:56you are a gentleman.

00:51:00Only from the viewpoint of the police, of course.

00:51:05How do you do?

00:51:10Pablo!

00:51:11Yes, sir!

00:51:12That's it!

00:51:12There you go!

00:51:14Oh

00:52:03Un momento

00:52:06Ho visto su un ombre?

00:52:08Sì, è subito, l'ultimo peso è...

00:52:10Arriba!

00:52:11Llévese allì

00:52:12Muy bien, jefe

00:52:20El escape de la gente

00:52:26Vamos a investigar abajo

00:52:28Una buena idea, andame

00:52:46Mi ha già

00:53:10Mi ha già

00:53:10Ti?

00:53:17Let's go.

00:53:42Let's go.

00:53:43Acosta.

00:53:46Debe de estar en el edificio, no hay saída de lavanda.

00:53:48¿Tú no puede haber escapado por la feria de emergencia?

00:53:51Búsquenlo en todos los cuartos.

00:53:52¿Y este cuarto qué vamos a hacer con él?

00:53:54Debe estar aquí en este edificio.

00:53:55Vamos a buscarlo, tiene que estar aquí adentro.

00:54:02¡Abra la puerta, es la autoridad!

00:54:06¡Abra la puerta!

00:54:07¡Abra la puerta!

00:54:10¡Abra la puerta!

00:54:12¡Abra la puerta!

00:54:14¡Fuera de aquí, no tiene ningún negocio aquí en mi casa!

00:54:16¡Si no se calla, me la llevo a la parte!

00:54:17¡No se calla y nada!

00:54:18No está en este piso, vámonos para abajo.

00:54:20Sí, él está en el edificio, lo encontraremos.

00:54:22¡Seguro, vamos!

00:54:25¡Abra la puerta!

00:54:34¡Abra la puerta!

00:54:39¡Abra la puerta!

00:54:41¡No te acoló, me hacía un líquido!

00:54:50¡No me hacía un líquido!

00:54:56¡Abra la puerta!

00:54:57¡Abra la puerta!

00:54:59¡Abra la puerta!

00:55:00the way you came in, a very kind of?

00:55:05Yeah. Yeah, I'm an American.

00:55:09Miss, I just thought of something.

00:55:11Do you know the man that takes the pictures at the La Habana Club?

00:55:13You know, the little flashlight photographs?

00:55:16It's not that it matters now, but...

00:55:18I just thought that maybe he did get something.

00:55:21And if he did, it might...

00:55:43I cannot, I'm so afraid I wanted to move on.

00:55:51I have to go.

00:55:51I cannot go.

00:55:51I can't even see the camera.

00:55:54I cannot look.

00:55:54The camera is locked.

00:55:57I cannot listen to my phone.

00:56:22Happy happy

00:56:37THE END

00:57:14No, no, no, no, no, no, no, no, we pay you the same as we paid the last time, and

00:57:21not one cent more, then perhaps I do business elsewhere, look, we run the stuff across, not you, what do

00:57:28you have to do, just wear out that seat,

00:57:30of course, that you do, I don't mind assuming the usual business risks, but when it comes to knifing women,

00:57:36knifing women, all you did is switch a couple of knives,

00:57:40I had a visit from the police tonight, they asked a lot of questions, in our business you can't afford

00:57:47visits from the police,

00:57:48no,

00:57:50no,

00:57:52no,

00:58:05no,

00:58:18no,

00:58:20no,

00:58:21no,

00:58:50no,

00:58:55no,

00:59:18no,

00:59:20no,

00:59:34listen, I'm getting tired of this, for the last time, the same stuff, the same place, and the same price,

00:59:41no deal, no, then you're out of business, I don't think so, no, who's going to buy your stuff,

00:59:50you are, you are, yeah, why, if you don't, certain people may find out certain things, which you, might not

01:00:01want mention, sorry you said that, I'm sorry it had to be said,

01:00:32I'm sorry!

01:00:42Let's go.

01:01:34Let's go.

01:01:47Let's go.

01:02:12Let's go.

01:02:17Let's go.

01:02:22Let's go.

01:02:24Let's go.

01:02:25Let's go.

01:02:27Let's go.

01:02:28Let's go.

01:02:31Let's go.

01:02:32Let's go.

01:02:34Let's go.

01:02:35Let's go.

01:02:37Let's go.

01:02:38Let's go.

01:02:41Let's go.

01:02:45Let's go.

01:02:46Let's go.

01:02:48Let's go.

01:02:53Let's go.

01:02:58Let's go.

01:03:12Let's go.

01:03:13Let's go.

01:03:14Let's go.

01:03:15Let's go.

01:03:16Let's go.

01:03:17Let's go.

01:03:26Let's go.

01:03:42Let's go.

01:03:44Let's go.

01:03:45Let's go.

01:03:49Let's go.

01:04:24Let's go.

01:04:32Let's go.

01:04:39Let's go.

01:04:42Let's go.

01:04:43Let's go.

01:04:58Let's go.

01:05:04Let's go.

01:05:04Sit down, Chuck.

01:05:13Yeah, but this outfit.

01:05:15Where'd I get this uniform?

01:05:19In the room I woke up in.

01:05:22How'd I get in that house?

01:05:25Let's talk about what you remember.

01:05:27Forget about the uniform.

01:05:29Well, yes, I was.

01:05:31I was running away from the police.

01:05:34In Havana.

01:05:35In the middle of the night.

01:05:37But, Chuck, you haven't been to Havana in three or four years, to my knowledge.

01:05:41So we can eliminate that.

01:05:42That's dream stuff.

01:05:45But the girl that you met here in Miami.

01:05:47That's real.

01:05:49The girl that you drove to the beach.

01:05:51The one that wanted to know what's out there straight ahead.

01:05:55That girl.

01:05:59Yes.

01:06:03But that's all I remember.

01:06:05What she said.

01:06:07But the beach.

01:06:08You said you remembered the beach.

01:06:11Yeah, the beach.

01:06:14But that's all.

01:06:17Why do you keep looking at the clock?

01:06:21I don't know, Doc.

01:06:24I keep feeling that there's something I...

01:06:25That I've got to do.

01:06:28Don't let that worry you.

01:06:30That's symptomatic in shock cases.

01:06:33But you did remember to call me.

01:06:35You did remember to come here.

01:06:37You're pretty well out of it, Chuck.

01:06:42Yes, but I keep feeling that I...

01:06:44I know.

01:06:45Technically, this would be identified, in a case such as yours, as an anxiety neurosis.

01:06:52That sounds terrible, doesn't it?

01:06:55But it's not, Chuck.

01:06:56Believe me, it's not.

01:06:59You understand?

01:07:02Yes, sir.

01:07:07I still keep feeling that I've...

01:07:19I've got the tickets from Nevada.

01:07:21About at least 11 o'clock tonight.

01:07:22Now listen carefully.

01:07:23Have dinner with them as usual.

01:07:25At 9 o'clock you say you want to take a drive.

01:07:27I'll be waiting in my room.

01:07:29See you later.

01:07:40Be happy, Lorna.

01:07:43We're going to have fun tonight.

01:07:45I'm going to take you out.

01:07:46We'll go to the Florida club.

01:07:48Would you rather go for a ride?

01:07:51Take a look at the ocean.

01:07:54Scotty showed me a rendezvous this afternoon.

01:07:58Got a very nice view.

01:08:07I'm very nervous this evening, Lorna.

01:08:10What's the matter?

01:08:12Job.

01:08:12Yes, ma'am.

01:08:13Will you please tell Scotty to bring the car around?

01:08:17Scotty's gone.

01:08:21Gone?

01:08:23Yeah, quit.

01:08:25He saw him leave.

01:08:26He even yelled after him.

01:08:28I didn't even turn around.

01:08:30It's going to cost you $125 for a new uniform.

01:08:35Still want to go for that ride?

01:08:39Thanks, now.

01:08:58Good evening, Commander.

01:08:59Good evening, Ben.

01:09:03What did you bring me here for, sir?

01:09:05Ah, your drink.

01:09:06Still like bourbon?

01:09:08Yes, sir, Eddie.

01:09:10Two bourbons and water, Ben.

01:09:11Yes, sir.

01:09:13The drink will do you a lot of good.

01:09:15It'll help you to let go, relieve the tension.

01:09:18That's all you need, Chuck.

01:09:26Ben, turn the clock to the wall.

01:09:28What's the idea?

01:09:30My friend is a clock watcher.

01:10:10It's gonna be 20 seconds.

01:10:12It's gonna be 30 seconds.

01:10:12Well, we're not.

01:10:16I hope you can do it.

01:10:19Hit it up.

01:10:22It's gonna be a long time.

01:10:25Fire, ready?

01:10:28It's gonna be 1 or 2.

01:10:29We're gonna have to get a little bit.

01:10:29You can do it.

01:10:29How did we get a big part?

01:10:56I don't understand you, Your Honor.

01:10:59I just don't understand you.

01:11:11Why don't you answer it?

01:11:13It might be Scotty.

01:11:15It couldn't be Scotty.

01:11:18How could it be Scotty?

01:11:19Gino said that...

01:11:20Maybe he quit.

01:11:22Maybe he didn't.

01:11:32Answer the phone.

01:11:37Answer it.

01:11:42Hello?

01:11:47It's for you.

01:11:54Yes?

01:11:57Who wants to talk to him?

01:12:00The Fats.

01:12:01Yeah, I wanted to see you.

01:12:03Talk to you about your place.

01:12:06Yeah, I'll be right over.

01:12:07Wait for me.

01:12:11No, alone.

01:12:24Here we go.

01:12:26What do you know?

01:12:44I'll be right over.

01:12:45No, only have you left the door.

01:12:46Here we go.

01:12:47Here we go.

01:12:48Here's another window.

01:13:17You've been reading the paper, huh?

01:13:21Mr. Johnson was an obstinate man. I don't like obstinate people.

01:13:32Aidy.

01:13:45Aidy.

01:13:47Can't we talk things over together like two civilized human beings?

01:13:51All I want.

01:13:52I know. All you want is to leave this house.

01:13:56The way I came in.

01:13:58I had nothing then and...

01:14:00I'm asking for nothing when I leave.

01:14:04Just let me go.

01:14:10Living in this house for three years, you must have found out a lot of things.

01:14:15I wouldn't tell anyone.

01:14:26Aidy.

01:14:29Please, Aidy.

01:14:31Don't have him lock me in.

01:14:41Joe.

01:14:45Joe.

01:14:57Keep this door locked, Joe.

01:14:59Mrs. Roman's not to leave her room until I get back.

01:15:01Understand?

01:15:02Yes, sir.

01:15:03Goodbye.

01:15:14Doc.

01:15:17Her name was Luna.

01:15:24Lorna.

01:15:29Lorna.

01:15:30Lorna, what?

01:15:36Lorna, what?

01:15:39What was her name?

01:15:42Good evening, Mr. Roman.

01:15:43Hello, Sally, how are you?

01:15:44Fine, thank you.

01:15:46Hello, Albert.

01:15:48Thank you, Mr. Roman.

01:15:49Good evening, Eddie.

01:15:51Hi, Eddie.

01:15:58How is Mrs. Roman tonight?

01:16:00Quite well, thank you, Robert.

01:16:01Shall we join you later?

01:16:03No.

01:16:04How about a little supper, Mr. Roman?

01:16:07No, I think I'd like a bottle of wine.

01:16:09L'Anson 28.

01:16:12Yes, sir.

01:16:12L'Anson 28, sir.

01:16:14Yes, sir.

01:16:20Come on.

01:16:20Eddie, why don't you let me have him picked up?

01:16:22How far can he get in that uniform?

01:16:24They'll grab him in a minute.

01:16:30Chuck, I've got to make a phone call.

01:16:32We'll be back in a minute.

01:16:33Yes.

01:16:33Yes, sir.

01:16:41Are you listening?

01:16:43Why don't you let me have him picked up?

01:16:47What I want to know, I can't ask him in the police station.

01:16:53What do you think the deal was?

01:16:56Eddie, don't get mad, but they had something cooked up.

01:17:00What I can't get is the guy running out.

01:17:04Maybe he didn't.

01:17:06Look, Dr. Averson.

01:17:07Come on.

01:17:19Hello?

01:17:21I'm still at the Florida Club.

01:17:23Just for the reason.

01:17:25Hello?

01:17:27Well, I'll be back in about a half an hour.

01:17:29It's fine.

01:17:34Oh, Doc.

01:17:38Oh, hello, Rowan.

01:17:43Hello, Doc.

01:17:44How are you, Doctor?

01:17:45How's the Navy?

01:17:47Fine.

01:17:48Commander, huh?

01:17:49Look at all this spinach.

01:17:51You've done all right for yourself.

01:17:52Not bad.

01:17:54How's Mrs. Rowan?

01:17:55Fine, thanks.

01:17:57I haven't seen you since you joined.

01:17:59Hmm. Yes, it has been some time.

01:18:02Oh, why won't you sit down and join us?

01:18:03No, thank you.

01:18:04I have a friend waiting for me at the ball.

01:18:30When are you getting out?

01:18:31I may stay in.

01:18:32How do you like Sawyer?

01:18:34Turn your practice over to a small guy.

01:18:36I like him very much.

01:18:37So does Lorna.

01:18:40Lorna.

01:18:41Lorna.

01:18:43Mrs. Rowan.

01:18:45Why, of course, it was silly of me.

01:18:49Sure you won't join us for that drink?

01:18:51Uh, no, thank you.

01:18:52My friend's still waiting for me.

01:18:53Nice seeing you.

01:18:54Remember me to your wife.

01:19:17Well, hello, Job.

01:19:21Job, keep away from that door.

01:19:24Oh, yeah, that's right.

01:19:25Job, life in the Bible.

01:19:40Oh, Job.

01:19:44Oh, Job.

01:19:45Oh, Job.

01:19:50I didn't think you were coming.

01:19:53I didn't think you believed any other things I told you.

01:19:58I believed you.

01:20:09Want to buy your best fancy?

01:20:11Sure, I'd like to send you the place, Eddie,

01:20:13but, uh, I don't like the way you buy.

01:20:16Pardon me, uh, will you okay this check?

01:20:21Aren't you afraid you'll miss your boat, Eddie?

01:20:27What did you say, fancy?

01:20:29I said, aren't you afraid you'll miss your boat?

01:20:32What boat?

01:20:34Aren't you leaving for Havana tonight?

01:20:37What are you talking about?

01:20:39I swear I saw your car at the docks this afternoon.

01:20:46Okay, it's a secret, it's all right.

01:20:49Start all over.

01:20:50Only slower this time.

01:20:53I saw your chauffeur.

01:20:54Buy two tickets for...

01:20:58Skip it.

01:20:59I didn't see a thing.

01:21:01Gina, I'll call the house.

01:21:27If they're on the queue, but they left 15 minutes ago.

01:21:30If they're on the queue, but they left 15 minutes ago.

01:21:32But I don't think they're on the queue.

01:21:34Don't ask me why, because I don't know.

01:21:36I don't think they're on the queue.

01:21:38Find them mistaken.

01:21:40We'll find them on the...

01:21:42Yeah, here it is.

01:21:44The Cristobal.

01:21:46Freighter.

01:21:47He's pure 42 at 1130.

01:21:54Watch the road.

01:21:54But I'm taking over.

01:22:10What time we shoving out?

01:22:12Great, they're loading.

01:22:13Another hour, maybe two.

01:22:15No, they're still loading.

01:22:16We won't pull out of here for another hour yet.

01:22:19I'll stay down on the pier till we leave.

01:22:21Bad break.

01:22:21Only two ships leaving for Ravana tonight.

01:22:24This and the Cuba.

01:22:49Keep this door, Bowling.

01:22:58Good night.

01:23:03Good night.

01:23:08Good night.

01:23:13Good night.

01:23:25THE END

01:24:00THE END

01:24:22THE END

01:24:26THE END

01:24:31THE END

01:24:32THE END

01:24:35THE END

01:24:45THE END

01:24:46THE END

01:24:53THE END

01:24:54THE END

01:24:57THE END

01:24:58THE END

01:25:00THE END

01:25:02THE END

01:25:03THE END

01:25:14THE END

01:25:21THE END

01:25:22THE END

01:25:27THE END

01:25:28THE END

01:25:34THE END

01:25:36THE END

01:25:37THE END

01:25:38THE END

01:25:43THE END

01:25:44THE END

01:25:46THE END

01:25:47THE END

01:25:48THE END

01:25:50THE END

The Chase (1946) – Film Noir Thriller

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