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00:02What happened to the pub is Irish business.
00:04You shut your gypsy mouth and listen to your instructions.
00:09I am in Dogon.
00:11My son and my daughter were taken from me when they were very small.
00:16We're planning an expansion.
00:17I'm taking premises in London.
00:19The Italian gangs and the Jewish gangs have been at war in London.
00:22The Jews have been having the worst of it.
00:24They need allies.
00:25We take the opportunity to show our land.
00:30That arrived an hour ago. There's no name on it but it comes from Camden Town.
00:34Well done, Tommy. Now you're at war with Sabini.
00:37Ada Shelby?
00:38No.
00:38Your brother broke the rules.
00:42My face is the last thing you'll ever see on Earth.
00:47See if the bastard's still alive.
00:53Please don't reproach me for how empty my life has become.
01:07I don't know what really happened.
01:14I watched your disappointment at being misunderstood.
01:30I forgive you.
01:40No! Stop! No!
01:42Stop! No!
01:43Stop! No!
01:46Stop!
01:48Agnes!
01:49Stand left!
01:54No!
01:55It's all right, Miss Shelby!
01:56No!
01:57We weren't with Tommy!
01:58Repeat, he blows us!
02:00Agh!
02:02My name is not Shelby!
02:21Ready for a visitor, Mr. Shelby?
02:24No.
02:25I'm hearing the King's orders.
02:28I'm afraid I must insist.
02:32Huh.
02:33You paid extra for daylight.
02:37A racketeering business must be booming.
02:45Are you not gonna thank me for saving your life?
02:52Pass me cigarettes.
03:06Three nights ago, at the cooperative stables on Montague Street, there was a murder, a man named
03:16Mr. Duckin.
03:18The Oxfordshire constabulary found his body in a shallow grave.
03:25I need to piss.
03:28Nurse!
03:30I know it was you who carried out the murder of Mr. Duckin.
03:51Oh.
03:53By the way.
03:56Grace.
03:58She went to New York.
04:00A place called, uh, Pockeepsie.
04:07She's married now.
04:09Still a banker.
04:10He's rich.
04:11I'm sure she's very happy.
04:15You've been under my microscope for some weeks now.
04:18I've been observing every move you make.
04:21And that is why I was on hand to save your life.
04:25I imagine being shot by a woman hurts the same as being shot by a man.
04:32Just be more shameful.
04:35You know, Mr. Campbell, when I got shot, they gave me a medal.
04:42Yeah.
04:44No medal for you, I bet.
04:47Mr. Shelby.
04:50Our reunion
04:53is part of a very carefully worked up plan
04:57which has been in place for some time now.
05:01Every time you need a nut stink,
05:03I bet you see her face.
05:05And as a result of the information in my possession
05:09I can charge you with murder at any time.
05:12And?
05:12Provide two impeccable crown witnesses.
05:15His testimony
05:17will lead you directly to the gals.
05:20You are on my hook,
05:23Mr. Shelby.
05:25And from this moment forward,
05:28you belong to me.
05:34So get well quickly.
05:37I'll be in touch the moment I hear you.
05:39You can pass down or not.
05:41And then I'll send you your instructions.
05:58Curly.
05:59You left the gate open.
06:01I locked it. I pinched myself when I did it.
06:03Get that stuff undercover.
06:07Hey!
06:09Who goes there?
06:16Zombie?
06:17Carly.
06:18Get that oil you put on the legs and I got a line.
06:21You fucking might do it.
06:22Yellow stuff. Go on.
06:26They said you'd be in for another three weeks.
06:29I'm going to get on a boat to London.
06:31Tonight.
06:35You discharged yourself.
06:37I'm a fucking sissy duck in there, Charlie.
06:40I said being a good sinner man at any time.
06:43I need to get some things done.
06:44You're burning up.
06:46Tommy.
06:47Oh, Tommy, that stuff's rubbing into fucking horses.
06:50I am a horse.
06:52If you were a horse, they'd shoot you with this many broken bones.
06:57Get the black powder, Curly.
06:58Come on.
07:00Black powder.
07:01You pay for a bloody hospital and you're using witchcraft.
07:05I need to sleep in the open air and feel the boat under me, Charlie.
07:09Oh, Tommy.
07:11You're just like your mother.
07:13Do you have a boat yet?
07:16Only the January.
07:17She's heavy.
07:19London will take four days.
07:20That'll do.
07:21Do you spare Curly?
07:23He'll be my doctor.
07:26Thank God help you.
07:27You have tobacco, Curly.
07:29And tea and whiskey will have you running around like a colt.
07:32I'll get him aboard.
07:33I'll fill her up.
07:36If I sleep all the way, there's Camden Town ready for her.
07:39What business do you have in Camden Town, Tommy?
07:41Tell Polly she's in charge along the way.
07:44But I'll come back and tell her she's in charge for good.
07:55The ceiling is moving, moving in time.
08:05Like a conveyor belt above my eyes.
08:13When under ether, the mind comes alive.
08:23But conscious of nothing, but the will to survive.
08:33Something's inside me, unborn and unblest.
08:43Disappears in the ether, this world to the next.
08:52Disappears in the ether, one world to the next.
09:06Human kindness.
09:17You hungry yet, Tommy?
09:25You know what, Curly?
09:27I think I am.
09:30Where are we?
09:31Heathrow.
09:32One more day and we'll be there.
09:34I'll put something in the pan.
09:36Can you steer?
09:37You better go?
09:42You're almost there too, Tommy.
09:44You better go.
09:57You better go.
09:59You better go.
10:09Bye.
10:11Bye.
10:16Fucking hell lads, just calm down.
10:23Put him down Olly, put him down mate, he's only little.
10:31You on your own?
10:34Seems so.
10:36Well you're a brave lad, ain't you?
10:37You wanna take a look at my bakery?
10:40We bake all sorts here mate, yeah?
10:43Did you know we bake over 10,000 loaves a week?
10:46Can you believe it?
10:48We bake the white bread, we bake the brown bread,
10:52bake all sorts.
10:54Would you like to try some?
10:59Bread?
11:01Yeah?
11:03Alright.
11:04What would you like, brown or white?
11:08Try the brown.
11:09Brown?
11:10Alright.
11:23Not bad.
11:24Not bad, eh?
11:27Not bad.
11:30It's fucking awful that stuff.
11:33Fucking brown stuff, it's sorry but it's for the workers, yeah.
11:36White stuff, now that is for the bosses.
11:39Come and look.
11:44Well I've heard very bad, bad, bad things about you Birmingham people.
11:52Hey.
11:54You're all gypsies right?
11:57You're all gypsies right?
11:57So what did you live in a fucking tent or a caravan?
12:00I came here to discuss business with you, Mr. Solomons.
12:04Well!
12:06Mum is for fun and fucking, innit?
12:08So, whiskey.
12:10Now that, that is for business.
12:13Let's talk first, eh?
12:19Do you sell that?
12:22They say you had your life saved by a policeman.
12:27I have policemen on my payroll.
12:28Well I don't like policemen because policemen, they can't be trusted.
12:33Mr. Sabini uses policemen all the time.
12:36That's why he's winning the war in London.
12:39And you are losing it.
12:40War ain't over till it's over mate.
12:45You win the war.
12:51I once carried out my own personal form of stigmata on an Italian.
12:58I pushed his face up against the trench and shoved a six inch nail up his fucking nose
13:04and I hammered it home with a duck board.
13:06It was fucking biblical mate.
13:10So don't come in here and sit there in my chair and tell me that I'm losing my war to
13:16a fucking whop.
13:18That war was a long time ago.
13:21You need to be more realistic.
13:25Realistic, yeah.
13:29Realistic.
13:31Well if you weren't losing the war then you wouldn't send me the telegram.
13:35Really?
13:36You forget your fucking telegram.
13:37Your telegram has just said hello.
13:40Very simple.
13:41You want to sell me something.
13:45What?
13:46We join forces.
13:48Fuck off.
13:50No.
13:51Categorical.
13:53Fucking ridiculous.
13:55Mr. Solomons.
13:59Your distillery provides one tenth of your income.
14:03Protection is another ten percent of the rest you made from the rice trucks.
14:08I know you keep a gun in the drawer.
14:10I know you keep it beside the whiskey.
14:12I know.
14:13You offered a deal or death.
14:19I know what I'm saying makes you angry.
14:22But I'm offering you a solution.
14:24You see, Mr. Sabini is running all your bookies off your courses.
14:30And he's closing down.
14:32The premises that take your room.
14:35And people don't trust your protection anymore.
14:39You're the bloke who shot Billy Kimball, right?
14:44You did.
14:44You fucking shot him.
14:45That's you.
14:47You fucking betrayed him, mate.
14:49So it would be entirely appropriate to do what I'm thinking in my head to you right now.
14:56I can offer you a hundred good men.
14:59All with weapons.
15:01And a new relationship with the police.
15:04Intelligence.
15:06Intelligence is a very valuable thing, isn't it, my friend?
15:09And usually it comes far too fucking lame.
15:15They say that I shot you already, right?
15:17In the fucking face.
15:20And the bully clothes bone mash bone cabinet over there.
15:24Which is a shame, isn't it?
15:25Because that cabinet's fucked now and I've got to get shot of it.
15:29So, what I do is this.
15:32It's fucking simple, mate.
15:41I cut that cabinet in half, don't I?
15:44I do. I literally just cut the cabinet.
15:47I cut...
15:51I cut the cabinet literally in half, mate.
15:54And I take one half of the cabinet, alright?
15:57And I put it into a barrel.
15:59And I take the other half of the cabinet and all its pieces and I put that into another barrel,
16:03alright?
16:03And I send this barrel off to Mandalay.
16:06And the other barrel off to somewhere like...
16:09I don't know.
16:12So, Timbuktu, have you ever been?
16:16No.
16:16No?
16:19Would you like to go?
16:22No.
16:25You know, I always thought that you'd have a great big fucking gold ring in your nose.
16:33I'm sorry, go on.
16:35Tell me it's your plan.
16:37I'm sorry, go on.
16:54Ada.
16:55How the fuck did you find me?
16:57What, are you reading Polly's letters?
16:59Polly showed me the letter.
17:00Look, you think you're safe because you move flat, but you're not.
17:03Polly thinks the same.
17:04When will you understand?
17:05I just want you all out of my life.
17:08Ada.
17:08Look at us.
17:10Eh?
17:11And it'll happen again.
17:13Yeah, well, next time I'll be ready.
17:15In fact, I want them to try again, because I'll shoot their balls off.
17:18Get away from me, I'm late for work.
17:20Right, fine.
17:22Fine.
17:24Just take this.
17:26Take it.
17:28We all living now is right in the edge of Sabaney's territory,
17:30and all the couplets around there work for him.
17:33I've got a lot of money coming in, and I can't put through the banks.
17:35My accountant says the best thing is to buy property for cash
17:38and put in the name of a family member.
17:42A house.
17:43A whole house.
17:45It's all yours.
17:47Four storeys, eight bedrooms.
17:50Kitchen, scullery.
17:53Rooms for a maid, if your political conscience will allow.
18:00At least go and have a look, eh?
18:01At least go and have a suite for the next day.
18:03All right.
18:03All right.
18:18All right.
18:25Shoot the fucking lot of them.
18:30Mr. Savini, the police are here.
18:35Tell them to wipe their feet.
18:49So why do I have to tell you everything?
18:53We can't search every train that comes into London.
18:56They don't use trains, they use boats.
19:00The boatmen are old gypsies. He's a fucking gypsy.
19:04Why do we have to tell them everything?
19:05Okay, we can't search every boat.
19:11Lucky for me, I have a boy in the Jews' rum house.
19:16Gypsy went to meet Solomons, and after,
19:20they drank whiskey, shook hands,
19:22and then Alfie gave him some salt or some such kike thing that means peace.
19:29What exactly do you want to do, Mr. Savini?
19:41Did you bring dog shit in here on your shoes?
19:47Check, have a look.
19:50I can smell something.
19:52You've got photographs of this Tommy Shelby, though, right?
19:54We have military ID photographs from his time with the Warwickshire Yonenry.
19:59Shelby won medals.
20:01Oh, dear.
20:03Listen, these photos are so bad.
20:05How do you think they're all in it?
20:07Why do we have to talk about these Englishes of murder?
20:12OK, so you've got his fucking photo.
20:16If he shows his face in Camden Town,
20:19your cop has lived it.
20:21All right?
20:23You know,
20:25sometimes when I smell something,
20:27it's something that's not real.
20:29It's something more like a premonition.
20:32It's like sometimes I smell something,
20:35but it's not a smell.
20:37No, it's just something isn't right.
20:40Mr. Savini will do everything we can to deal with this man.
20:45Deal?
20:48Did you say do a deal?
20:51I didn't mean that.
20:54Fuck.
20:56Fuck.
20:59I'm undoyed till you've been fucking godhead.
21:03No, you're being ridiculous.
21:04Somebody's fucking sat you down.
21:06Somebody's fucking sat you down and talked to you.
21:09Mr. Savini.
21:10We should go.
21:10This fucking gypsy has sat down with a fucking compass.
21:14Mr. Savini.
21:15You fucking sat me.
21:16And you're thinking with both fucking hands over me and over him.
21:23OK, so now you fucking follow Shelby.
21:26You fucking follow him and you finish him.
21:31They!
21:32They!
21:33Oh.
21:37Oh.
21:38Six.
21:40Yeah.
21:44Shit.
21:48Shit!
21:51Shit!
22:09Let's go.
22:22There he is, there he is!
22:25How do you know what's going on?
22:30When do you get back?
22:32Didn't want to miss your birthday, Paul.
22:35Back to work.
22:36How do you know it's my birthday? Nobody ever knows.
22:39Ah, it's different this year.
22:41John, Finn, bring the car round.
22:44Where are we going?
22:45Just unwrap your birthday presents.
22:47After you.
22:57Good morning!
23:12You said you were going to buy Ada a house?
23:14Yep, that's right, I did.
23:18Just had a bit of cash left over.
23:22This is ours?
23:24No, Polly.
23:27This is yours.
23:30Because you deserve it.
23:41What would I do with all these rooms?
23:46Well, we could, er...
23:48Relax.
23:49For one.
23:51Come here at weekends.
23:55There's a garden.
23:57Eh?
23:59You love gardens?
24:01You can grow roses, Paul.
24:03I don't know.
24:03Have a piano.
24:05Other people round are going to have a sing song, eh?
24:07What help the bloody neighbours?
24:10Fuck the neighbours.
24:15Welcome home, Paul.
24:29Arthur, why don't you take the boys outside?
24:31We might be the car.
24:33Mm-mm.
24:44Paul.
24:47I know you haven't been happy for a while.
24:53And I know why.
25:00Esme's all right, you know?
25:04She's got a good heart. She has.
25:09I've spoken to her.
25:12How'd you tell me?
25:18Told you what?
25:20She told me what it is would make you happy.
25:27I've spoken to our contacts in the police.
25:29They have contacts in the council.
25:32And they have contacts with the people who keep the parish records.
25:37Records of adoptions.
25:40And of confidential forced removals.
25:43And with your permission,
25:46I'd like to grease a few palms
25:48and take a look at the records they never showed you.
25:56Pa,
25:58I'm gonna find your son and daughter.
26:00And I'm gonna bring them home.
26:02That's what this house is for.
26:04So that you
26:06can bring your family home where they belong.
26:20We're moving up, Pa.
26:23We're moving up, Pa.
26:23We're moving up, Pa.
26:29We're moving up, Ma.
26:46We're moving up, Pa.
26:48You're going?
26:48Go have a look what you think.
26:56can you hear that
26:58yeah
26:59silence at last
27:03and it belongs to us
27:05yeah
27:07mummy
27:08what's in there
27:24let the magic
27:26get you to die
27:27love
27:28let the magic
27:31get you to die
27:32love
27:43still here
27:45well there's a lot coming in and a lot going out
27:48as long as there's one coming in
27:51we're all right
27:53this came for you today
27:55it's all the way from America
27:57New York
27:58somewhere called Poughkeepsie
28:00and the decorators doing the garrison one paying
28:03Arthur forgot and put a gun when they asked so
28:05they've stopped and everything's green
28:07all right we'll just pay it
28:08oh and then we need to put an advert in the mail
28:12garrison
28:12grand re-opening
28:14oh and you said that there's a letter
28:16I had to go today
28:17special delivery
28:18write it in the diary
28:20yes
28:22haven't written it out yet
28:24well you can just tell me and I'll write it down
28:27I've learnt short hand
28:29fair enough
28:33dear Mr. Churchill
28:39is your pencil broken?
28:42no
28:42no
28:43do go on
28:44dear Mr. Churchill
28:48I've been approached
28:50by an agent of the crown
28:52to carry out a task
28:54as yet unspecified
28:57his name is Major Campbell
28:59and I believe he reports to you
29:03therefore
29:04I'm sorry to make direct contact with you
29:07to make sure that certain things are clearly understood
29:11Mr. Churchill
29:12you should know that I am a former British soldier
29:15and if you look at my war record
29:17you will see that I fought bravely at Verdun and at the Somme
29:21also you will see that my actions at Mons
29:24save thousands of allied lives
29:26I know that you resigned your ministerial position
29:29and the safety of an office
29:31to go and fight on the front line with the men
29:34I've read that you fought bravely Mr. Churchill
29:37therefore I hope I will be treated
29:39in any dealings we have with a degree of respect
29:42soldier to soldier
29:44my demands are slight
29:46and my sacrifice in service of my country
29:49will no doubt once again be great
29:51yours sincerely Thomas Shelby
29:56military medal and the DCM
30:01distinguished conduct medal
30:05hands up in this room
30:06those who are at the Somme
30:10those who are at the Battle of Verdun
30:12Sir
30:18Thomas Shelby was a tunneller
30:24his demand is rather amusing
30:26he has asked that the colonial office
30:29grant him an empire export license
30:32specifically a license
30:34covering India, Malay Peninsula, Canada and Russia
30:38he plans to transport certain manufactured goods
30:42from Birmingham to the Poplar Docks
30:45and do you plan to agree to this demand?
30:47dear God
30:48Major Campbell
30:51we will be asking this man
30:54to carry out an assassination
30:55on behalf of the Crown
30:57once more risking his life
31:00these demands by comparison
31:03are slight and easily met
31:05with a few quiet words
31:07over lunch with the appropriate ministers
31:09Sir
31:09with the greatest respect
31:12Thomas Shelby
31:14is a murdering
31:15Godthrope
31:17mongrel gangster
31:20and yet
31:21the tunnels were dug beneath our feet
31:24to silence the guns pointed at our heads
31:31get Thomas Shelby's details from Campbell
31:34and get some kind of royal appointment stamp
31:37temporary
31:38temporary
31:40just until the deed is done
31:44agreed
31:44agreed
31:45major Campbell
31:46and then I can
31:47proceed as discussed
31:52agreed sir
32:20go on
32:23Marvin, do you want anything for lunch?
32:25You'll be on in the mouth.
32:25In you go.
32:26Go in and wash your hands, boys.
32:27All right?
32:28Come on, mister.
32:30Mrs Johnson?
32:33Yes?
32:34Who are you?
32:36I'm from Birmingham Council, Boardsley Parish.
32:40No one wrote to me.
32:41What do you want?
32:43I'd like to talk about your son, about Henry.
32:46Can I come in?
32:47I'd rather you didn't.
32:49He doesn't like to talk about this.
32:51I see.
32:54So what does Henry know about his real identity, Mrs Johnson?
32:58I only deal with Mr Ross from the agency and they only have a right, so why are you here
33:03in person?
33:04Well, the boy's approaching his 18th birthday.
33:07This isn't right.
33:10You're not from the Council, something isn't right.
33:13What does he know, Mrs Johnson?
33:18He knows his mother couldn't cope.
33:20She drank too much, she used opium, she used to beat him.
33:26That isn't the truth, is it?
33:27Look, I think you should come back when my husband's here.
33:30Does he know what his real name is?
33:32His real name is Johnson, Henry Johnson.
33:36Now, I would like you to go away.
33:37I'll come back when my husband's here.
33:39The truth is, he was taken from his mother without her permission.
33:43Henry, go back inside, please.
33:45Who are you?
33:47Please, Henry, go on.
33:48Your real name is Michael Gray.
33:50No.
33:50Your real mother wants to see you.
33:52Her address is on the back of his card.
33:54She just wants to talk.
33:55Go away!
33:56She just wants to talk.
33:57Go away and leave us alone!
33:59Go away!
34:05Come on, let's go back inside.
34:07Come on, I'll get you something to eat.
34:10Come on, Henry.
34:13Come on.
34:14Come on.
34:17Come on.
34:17Come on.
34:18Call your self a Shelby.
34:19Fucking it's in, Finn.
34:21He's in, that's right.
34:23Dwight as I, your turn.
34:26Finn, call yourself a Shelby.
34:27Fucking it's in, for fucksize.
34:31He's in.
34:38Get him back!
34:42Fucksize!
34:42Get him out of there!
34:57No!
35:13Yeah, he's trying for him.
35:39All right, what happened?
35:42It was a fair fight.
35:44Yeah. Arthur just caught him with a good one.
35:51I saw the body. Don't fucking lie to me.
35:54I saw the body. What fucking happened?
35:57I'm not family. I'm saying nothing.
36:05Arthur.
36:06Arthur. He's been a few times lately.
36:11Six, seven.
36:14It's like he's not there in the head.
36:17He can't even stop. Even his own name.
36:23And then he cries.
36:30Right, listen to me.
36:33That's two fucking stories.
36:36Your brother killed a boy.
36:39There were witnesses. There will be questions.
36:42Get your story straight. It was an accident.
36:45Fuck off.
36:54I spoke to the doctor. He said the kid probably had a weak heart.
36:59We'll look after his mother.
37:02He'll be fine.
37:05He said I should have stuck with the medicine.
37:10I said that you know best.
37:15He's like a fucking boat to him.
37:20Full of heavy cargo like coal or iron.
37:24Sometimes it slips to one end.
37:28And the boat tips.
37:32I can feel it slipping.
37:35And I can feel the boat tipping.
37:40But there ain't nothing I can do about it.
37:45It's like me fucking edges just like this.
37:48Fucking broke fucking butt.
37:52And it just fucking drifts.
37:54Drifts.
37:58I was home a long time now, Arthur.
38:03Went home a long time.
38:07I thought you were alright.
38:09Yeah, well...
38:10I don't think I am.
38:14Sorry.
38:18Take this fucking thing away.
38:27Just fuck off, Arthur.
38:31You know what?
38:35I've had enough.
38:37I've fucking had enough.
38:39Just fuck off.
38:45I'm supposed to treat you like a fucking kid again, eh?
38:49Keep you away from guns and fucking rope.
38:52Is that it?
38:54You think I haven't got enough on?
38:56Stop it, Ty.
38:57Arthur.
38:57You think I haven't got enough on?
38:59Stop it.
39:00The war is done.
39:01Shut the door on it.
39:03Stop it.
39:03Shut the door on it like I did.
39:05Right?
39:06Like you do that?
39:07Yeah.
39:08Like I fucking did.
39:08Shut the fucking door, eh?
39:10I'm not fucking you!
39:13I'm not fucking you!
39:15Everyone fucking knows it!
39:19God!
39:23Look at yourself, run.
39:26Look at yourself, run.
39:28Look at yourself, run.
39:31Take a long, hard fucking look at yourself.
39:35Take off.
40:24Time for lunch there.
40:25I thought we could have hated the desk, like the old days.
40:38But it's the single stroke of mustard, that's the thing.
40:43The fine detail.
40:48Speaking of detail, how much is Thomas Shelby paying you in bribes per week?
40:56Hmm?
41:01Actually, I already know.
41:03Two pints a week, eight pints a month, plus extras for specific favors.
41:08When I left, you were an honest man.
41:12And now you're on the Peaky Blinders payroll.
41:18Shelby is a worm and feeds off the rotten parts of your mind.
41:23He gets in through your ear with a whisper.
41:27He crawls in over your tongue as you lie to the judge and the pastor.
41:34Mr. Moss, we are entering a bloody phase of a bloody war.
41:41There's no quarter asked or given.
41:45But as of this moment, you are now back on the side of the angels.
41:52Shelby thinks you work for him, but in truth, you work for me.
41:58And I will use you mercilessly.
42:03There's no one to get through the world.
42:17How long have you been living?
42:18To be silent with Peter and Lucy, he's a person who saved a lot of muslims.
42:23And you're at the end of March, and he's a man who has ever heard him.
42:23Where can I take the dead?
42:51I'm calling these in the falls for Marco
42:53and Anna Gray. As you can see, one is white and one is black. What you saw in your dreams
43:07was right. Your daughter is dead.
43:27Oh, you do it. I can't reach it.
43:35After Anna was taken from you, she was put with her family of her railway station master in Stafford.
43:45She never settled, so she kept running away. She got on a train to Birmingham once. Eventually, they sent her
43:58to Australia, where she died of something called spring fever.
44:19So my little Anna travelled all the way back across the world to be with me in my dreams.
44:30She kept it all by itself. Well, one train they couldn't get her off.
44:46But Paul, Marco is alive.
44:57He's in England.
45:03I know where he lives. I went there. But Paul...
45:08And?
45:11Okay, Polly, listen to me. Just listen to me, please.
45:18Paul, the woman that he calls Mother will never let him come in.
45:26Just tell me where he is, Tommy.
45:30Polly, if you go there, and you get mad, and she gets mad, and she calls the police, they will
45:37never let you anywhere near him, and the boy will get scared.
45:42That's what'll happen, Paul.
45:46Polly.
45:48Polly.
45:49You just tell me where he is, Thomas.
45:55Tell me where he is, Thomas!
45:57Polly.
46:02Pulling the gun. Pulling the gun is what I can't tell you.
46:10Paul, I'm sorry.
46:13Paul, I'm sorry.
46:13You're gonna have to wait till he's 18.
46:15Till he's old enough to make his own decision.
46:23Wait!
46:26You tell me where he is!
46:33If you shoot me, you'll never know.
46:48If you shoot me, you'll never know.
46:52When the gun's back, you've got the Allen.
47:07You've got the tune-less that I've been searching for.
47:12Oha-a-ooooh I want some...
47:16cancer.
47:17Hurry up the passing starting
47:24But carry on Finn where you going cool to ask
47:55Oh
47:55Arthur
47:59What's wrong? Why aren't you ready what the garrison?
48:06The reopening of your pub it's tonight
48:11Tell me don't want me it was Tommy you told me to get you
48:14Says it's your name above that door so you've got to be there
48:18Now look at me
48:22Stay in a minute go away get out
48:40Told you to go
48:47I
48:50When we boys feeling blue
48:54This is what we do
48:56It's called Tokyo
49:22It's as good as a father
49:25He'll help you
49:28For special occasions
49:41I
49:42Don't
49:43I
49:43Don't
49:45Don't
49:58Don't
50:00Take that
50:00Take that and all
50:02Here Lizzie
50:03Let me get to your lights
50:04There you go my darling
50:06Jeremiah I'll be with you in a second
50:11Look at the place
50:12Look at the place
50:16Busier we are the faster time passes
50:18Yeah
50:21Arthur
50:23Tokyo
50:24It's due for races eh
50:26You've seen it outdoors after a race
50:28Oh yeah
50:30Grand openings of race days only brother
50:33All right
50:34Right then come on
50:35There you go come and drink it
50:37Boys
50:38All right man
50:41Hey
50:43Give me that
50:45Take them off the whiskey John
50:47Take them off the whiskey John
50:47Come on
50:47Hey
50:53Hey
50:54Hey
51:00Hey
51:01Hey
51:03Hey
51:04Hey
51:04Hey
51:04Hey
51:05Hey
51:05Hey
51:42Hey
51:43Hey
51:45Hey
51:45Hey
51:48Hey
52:03Hey
52:05.
52:17Paul.
52:18.
52:20.
52:22.
52:23.
52:23.
52:23.
52:23.
52:24.
52:24.
52:34Ada, I didn't know you were coming.
52:38Oh, Ada, why don't you think about coming home?
52:49Hello, Ada.
52:50So do I.
52:56What do you think, eh?
52:59It's very, erm...
53:00Cold?
53:01Yeah.
53:04Hello, Ada.
53:05Hello, Trouble.
53:06How are you doing?
53:07Oh, I'm filling my drink.
53:09Hi, Arthur.
53:10Look at me this.
53:12So what do you want me to say to her?
53:13Just talk to her.
53:15No one can get through to her.
53:17Tell her I have no choice.
53:21Appreciate this.
53:23What do you want me to say to her?
53:26Hello, too.
53:29Hello, brother.
53:31Oh, my God.
53:31Oh, my God.
53:32Oh, my God.
53:32Oh, my God.
53:32Oh, my God.
53:34Oh, my God.
53:35Holly, why don't you come and join us?
53:45What?
53:45I'm not an idiot.
53:48He asked you to come, didn't he?
53:58Don't want conversation.
53:59I want an address.
54:01Till I have that.
54:04I've got anything to say now.
54:06Oh, it's a party.
54:09Yeah, it is.
54:15And I'm going to enjoy myself.
54:17No, Paul, don't be silly.
54:20Excuse me.
54:23Would you care to dance?
54:27It'd be my pleasure.
54:36My love.
54:38Pleasure hasn't even begun.
54:40Whoo?
54:41Yeah.
54:41Uh-oh.
54:44Give her a favor.
54:44Oh, no.
54:46Take a video.
54:48Oh.
54:57Oh.
55:05That's my son.
55:07I'm sorry.
55:07Oh, I'm sorry.
56:54Excuse me.
56:56I'm looking for someone called Elizabeth Grey.
56:59I was told she lived here at number 17.
57:04I came last night, but there was nobody here.
57:07So I waited.
57:09What do you want with Elizabeth Grey?
57:15I think she might be my mother.
57:21I'm looking for her.
57:46I'm looking for her.
57:52I'm looking for her.
58:15I'm looking for her.
58:16I should guess.
58:16I'm sorry.
58:16Oh, no!
58:17Oh, no!
58:23You
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