- 6 hours ago
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00:00We only eat spaghetti.
00:01We go to the apartment of my mother.
00:03Why don't you tell me that you live in your house?
00:05I want to see you in your house.
00:09Yes, for this evening.
00:11When we're out, we forget the opportunity...
00:14...to make peace again in the morning.
00:18The last time, when I'm in the car,
00:19I'm getting to Russia.
00:22Hello, dear friend.
00:25Do you know your wife?
00:27Yes.
00:28Yes.
00:30You can start now.
00:31If this evening the hotel is in the car,
00:35he will stay at our house.
00:40Tony!
00:41Yes.
00:44Where is your house?
00:46My house is your house.
00:50Tell me, that's not a joke.
00:54It's not a joke.
00:54It's not a joke.
00:58It's not a joke.
01:00It's not a joke.
01:12It's the best.
01:16It's not a joke.
01:24It's not a joke.
01:26It's not a joke.
01:28It's not a joke for you.
01:34It's a joke.
01:45It's a joke for you.
01:47My wife is getting 49% and I'm going to be like a balloon.
01:55My wife knows that the weight is not only about it.
02:02And from a family that doesn't have any problems,
02:06after the Obira, we have to buy each other.
02:09That's why our new family name is
02:11The client is on everything.
02:13Okay, doctor, I think that from our problems, you'll be able to do many things.
02:17I'm not sure. I'll do at least 10 sessions.
02:20And the patients will be able to do it.
02:24Only 10 sessions will be able to do it?
02:26I'll do it. That's the way you do it.
02:28And you'll be able to do it.
02:31I'll tell you that our car is very hard,
02:33because two of us are very angry.
02:40I'll do it again.
02:41And for some of us, we'll do it very well.
02:45And besides that, we'll do it with all of you.
02:48And all of our car is extremely powerful.
02:52He'll be able to take advantage of him.
02:56We're going to do it everywhere.
02:58On the stadium, on the bar, on the bar.
03:01Is it the last time you were able to do this?
03:04and the way he was going to get out of the toilet.
03:06We were going to take 20 minutes away.
03:08But, I'm going to try it.
03:11I'm going to tell you,
03:14it's an excellent number of people.
03:17I wouldn't have been upset
03:18because of all the different cars.
03:22The car has been in trouble.
03:24And you can't stop working on it.
03:26But, you know, you have to do business.
03:28But in which business you are going to?
03:31In business with the other things.
03:33If you want to find your point of view, if you want to get your fantasies on your favorite person,
03:42or to find your mistakes, or to find your mistakes,
03:47then you will be in the course of my course of sex.
03:53Are you in sex?
03:55Are you in sex? That's how the book says. It describes your relationships from the first time.
04:00I told you that to get into the mind of the people, I'm going to tell you about it.
04:05Except for this, I'm not sure what the book says.
04:08But the idea is that you talk about other people, is that you don't know who to find out?
04:11I'm going to find out who to find out.
04:12I'm going to find out who to find out.
04:14Well, I'm going to talk to you.
04:17I'm going to talk to you or not on courses.
04:21To write or not to write a book.
04:23To write a book or to write a book.
04:25To write a book or to write a book.
04:26That's it.
04:27I'm going to tell you.
04:27Yes?
04:28Yes.
04:29Yes.
04:30Yes.
04:30Yes.
04:31Yes.
04:31Yes.
04:32Yes, yes.
04:32Yes.
04:33Yes, yes, yes.
04:34Yes, I'll be so happy and I'll be so happy with you.
04:38Yes.
04:39Yes.
04:40I don't think I'm going to be your therapist.
04:42Good.
04:44The next time I'm going to take care of you.
04:46There's so much money and I'll give you enough.
04:48Okay. I know how to motivate you.
04:54I'm sorry.
04:56I found a preservative on my husband and I didn't say anything.
05:01I remember how I'm sorry for the abuse of Lia.
05:06I'm sorry, Tony.
05:08I want to hear it again.
05:10Miki, Preserva TV.
05:13It's not a bag.
05:14If you haven't used it, there's no explanation.
05:18It's not an other one.
05:22Maybe I'm going to give you some advice.
05:24I know.
05:26Maybe it's an advertising campaign.
05:28They always do these things.
05:30Yes.
05:30Maybe I'm going to take care of them.
05:33Maybe I don't have any advice.
05:34Yes.
05:35Yes.
05:35Yes.
05:37Yes.
05:39Yes.
05:40Yes.
05:43Yes.
05:44Yes.
05:47Yes.
05:47Yes.
05:49And if you're not mistaken, then nothing is going to happen.
05:52Do you think about 20 hours? We don't have any extra money.
05:56That's a more efficient one.
05:58Ma Kadrian.
06:00The elite of the entire country is coming to him.
06:02But he's got to take a picture of Tony.
06:04He's not making any kind of evil.
06:08How do you feel?
06:10That's the only efficient one.
06:14That's not to do anything.
06:16Sex.
06:17You'll make it with sex.
06:19I'm sorry.
06:21You want to make it constantly.
06:23And if someone else gets in love,
06:25he doesn't want to go to you.
06:27That's the only way to make it.
06:28I'm sorry.
06:55Let's go.
06:56in the office.
06:58What are you doing here?
07:00In the cabinet, they are very ugly.
07:04They are, as a sniper, who are always looking for the easiest way to escape.
07:09I want to change the style of this.
07:12When you look at your eyes?
07:16I don't know how to do it.
07:22I don't know how to do it.
07:22How do you think?
07:2415?
07:26You are only because you ask me to ask me to do it in the book.
07:30If you don't ask me to say that you have an orgasm, you don't want me to do it.
07:36I don't want to do it at the end of Sophie.
07:39You can do it at the same time.
07:42You like to be known.
07:44You are not sure.
07:45You are okay.
07:47You are okay.
07:50You are okay.
07:51You are okay.
07:53You are not special to all of you.
07:57Why are you talking about me?
08:00When I see you, I am not sure.
08:04Who is it?
08:05I don't know.
08:07I don't know.
08:07I don't know.
08:08I don't know.
08:09I don't know.
08:10I'm not sure.
08:11If you want to do it, I would like you to love me.
08:13No, no, compliment, just because I want you to love you.
08:18It's a little funny to play with you.
08:22I don't want to play with you.
08:23When I started working with you, I was free.
08:26And when I told you that you didn't say that you didn't?
08:30We didn't want to go.
08:34Then we got Alexander and we wanted to be together again.
08:38He didn't do anything for me.
08:40Do you want me?
08:43I bought a lot of money.
08:44It's not a matter of fact.
08:46You've been married with all of a sudden.
08:48And I've been with the client.
08:51If it's done, nobody will get to go to the cabinet.
08:56Everything is done and now we're done.
09:01We're done.
09:02So we're just going to divide ourselves today?
09:05Never mind.
09:10We're just going to get out of here.
09:21In this case, we're just going to get out of here.
09:33We're just going to get out of here.
09:33There's a lot of time here.
09:33What did you do?
09:34I know.
09:35I don't know.
09:36I can't see you.
09:37I'm going to get one more time.
09:39I'm going to get one more time.
09:40I'll go.
09:41I'll go.
10:05Hello, my little girl.
10:06I'm going to get one more time.
10:07Oh, you're going to get one more time.
10:08Sorry for Baby.
10:11You're going to do not speak to you?
10:18That's it.
10:20You can find me.
10:24You're going to pay for the pictures?
10:27I'm going to get one more time.
10:28I'm going to get two kilos and I'm going to get one more time.
10:31So we'll get one more time.
10:33I'll be back in the next year.
10:34I'm going to get one more time.
10:39How do you know?
10:42I'll get one more time!
10:44I'm going to get one more time.
10:47I'm going to get one more time.
10:51It's an amazing thing...
10:54I hope...
11:01.
11:01.
11:01.
11:03.
11:04.
11:06.
11:06.
11:06.
11:07.
11:07.
11:07.
11:08.
11:08.
11:08.
11:09.
11:09.
11:09.
11:09.
11:09.
11:09.
11:09.
11:11.
11:11.
11:12.
11:12.
11:12.
11:13.
11:13.
11:13.
11:13.
11:13.
11:13.
11:14.
11:14.
11:15.
11:15.
11:15.
11:15.
11:15.
11:16.
11:18Do you want to see a new model?
11:22Only women who are looking for a new life.
11:26I think I'm going to attack you.
11:28Miki!
11:30First, my husband.
11:37What are you doing?
11:39Did you put my clothes on?
11:41No, I'm just in the mood.
11:43What did you do?
11:44What did you do?
11:46I'm looking for a sense.
11:47I'm looking for a sense in the picture of Picasso.
11:51A girl, a girl, a girl, a girl, a girl and a girl.
11:53She was sold out of Christy for 106 million euros.
11:57This is a sense.
11:58With a girl, I'm upset.
12:01Marie Therese Voltaire.
12:02She was a lover and a lover of Picasso.
12:05She was in the top 3 of the world.
12:10Do you...
12:11I'd like to introduce...
12:13Christina.
12:15I'd like to know a artist.
12:17I'm an artist.
12:19For the first time I met an artist.
12:22I love art.
12:24Especially Picasso.
12:25When he painted the skulls on his body, he wanted to show his style.
12:35He wanted to show his style.
12:35It's plastic.
12:37I'm sorry for you.
12:39I'm sorry for you.
12:41Yeah.
12:42Of course.
12:44Don't look like this.
12:46I'm a professional.
12:47Number one, you can do it yourself.
12:51I'm sorry.
12:54You can't do it yourself.
13:07You can do it yourself.
13:10You can do it yourself too, but it seems like that...
13:18You're not going to call me anything.
13:21You're not going to lie.
13:47I don't know.
13:54I don't know.
14:28I don't know.
14:30I don't know.
14:34I don't know.
14:36I don't know.
14:38I don't know.
14:39I don't know.
14:42I don't know.
14:43I don't know.
15:08I don't know.
15:23I don't know.
15:45I don't know.
15:54I don't know.
16:01I don't know.
16:05I don't know.
16:06I don't know.
16:14I don't know.
16:17I don't know.
16:18I don't know.
16:24I don't know.
16:30I don't know.
16:49I don't know.
16:57I don't know.
17:04I don't know.
17:15I don't know.
17:19I don't know.
17:20I don't know.
17:21I don't know.
17:26I don't know.
17:28I don't know.
17:28I don't know.
17:29I don't know.
17:34I don't know.
18:08I don't know.
18:09But the card doesn't have to say anything.
18:13It only says that in close to a man you get to the truth.
18:41How is it going?
18:42This is really a good one.
18:45So there is another one?
18:46No.
18:47Everything is in my mind.
18:48I'm going to change my mind.
18:50I'm going to change my mind.
18:51I'm going to change my mind.
18:53Yes.
18:54And if there is another one, why do you have a pistol on the man's face?
18:58It's out of love.
18:59But I'm afraid of a desire.
19:00In the evening, I don't have to repeat it.
19:02Miki, let's start to get into the box.
19:04In the internet it's full of spies and techniques.
19:06I found a tracker for a promotion.
19:10You just need to put it in the box.
19:12Now I'm going to put it in the box.
19:13Now I'm going to put it in the box.
19:17Can I give it to you?
19:19It's a recipe for love and magic.
19:21I don't think I'm Harry Potter.
19:27Hello?
19:32No, I'm going to get you.
19:33I'm going to put it in the box.
19:34Yes, of course.
19:35I'm working on the project.
19:38Yes, of course.
19:39Yes, of course.
19:40We're going to see.
19:43We're going to see.
19:44That's what we're going to do.
19:45Why?
19:47Why?
19:47Well, it's like a baby.
19:50It's not normal.
19:51It's normal.
19:52Alexander Panof is the only client.
19:54After one hour, we will sign a meeting.
19:59Come here.
20:02Where are you, Kote?
20:07I was going to put the number of users in the box.
20:14Can I hear you?
20:17To the left, right.
20:46To the left, right.
21:16To the left, right.
21:47To the left, right.
22:11To the left, right.
22:14To the left, right.
22:16To the left, right.
22:24To the left, right.
22:53To the left, right.
22:55To the left, right.
23:05To the left, right.
23:35To the left, right.
23:46To the left, right.
24:15To the left, right.
24:17To the left, right.
24:18To the left, right.
24:29To the left, right.
24:30To the left, right.
24:35To the left, right.
24:39To the left, right.
24:40To the left, right.
24:42To the left, right.
25:01To the left, right.
25:03To the left, right.
25:04To the left, right.
25:05To the left, right.
25:09To the left, right.
25:10To the left, right.
25:13To the left, right.
25:22To the left, right.
25:22To the left, right.
25:23To the left, right.
25:25To the left, right.
25:28To the left, right.
25:31To the left, right.
25:34I don't know how much it is, but it's a lot.
25:36And how did you say it?
25:37I gave you a bottle.
25:39Even if it was a bottle, she didn't have a bottle,
25:42but she didn't get out of it.
25:44It's okay.
25:45When Tina makes a gift,
25:47it's like a man, it's like a man.
25:49No.
25:50I always have a lot of money.
25:53Problem is that...
25:56Tina is a lot better.
25:59I don't know how to think about it.
26:01I don't know...
26:04...if you have a bottle.
26:06I don't know how much it is.
26:07It's a lot of pressure.
26:10You have a lot of money.
26:11You have a lot of money.
26:12And she doesn't agree with you.
26:14You have to go.
26:18You have to go with prostitut.
26:20You understand me.
26:22You have to go out and work.
26:24I'm going to talk to you later.
26:25I'll talk to you later.
26:27I'm going to talk to you later.
26:29I'll talk to you later.
26:43I'm in the cabinet.
26:45Yes, exactly.
26:47I'm going to stay today.
26:49I'm going to see you here.
26:50If you're too late, Fila will come to me in half.
26:54No, I said.
26:56I don't have a course for drama.
26:58Fili, I don't have a course to see Bobby.
27:01I said.
27:02I don't have to take care of these dogs.
27:05Right?
27:06Because I don't want anyone to take care of.
27:08When things can depend on you,
27:10I don't want anyone to take care of.
27:15I'm a actress.
27:17I played electric.
27:19I'm a car.
27:20I'm a car.
27:21I'm a car.
27:23I'm a car.
27:24I'm a car.
27:25I'm a car.
27:27I'm a car.
27:28I'm a car.
27:28Lots of them have been to me.
27:30All did!
27:34You can now become a car and a driver.
27:36No.
27:37I'm a car and a car as well.
27:38It's never been to have a been to me.
27:50It's never been to my car,
27:54but I'm a car.
27:57Now we are talking about the history of modern art of the second half of the 20th century.
28:04Here.
28:08Professor, this is not a monster for moket?
28:12It is the famous painting,
28:15the red-green painting,
28:18by Gerhard Richter,
28:20one of the greatest modernists of the 20th century.
28:22It is the most important thing to do,
28:24but it is the most important thing to do.
28:28It is the most important thing to do.
28:28And if I have to put it here,
28:30I will take care of it.
28:32And to the end of this story,
28:37I would recommend you to remember the name of El Suart Kelly.
28:42He didn't love Kennedy.
28:44It is the name of El Suart Kelly.
28:46This is the famous painting of Kelly.
28:52It is the green-green painting.
28:59It means that Kelly would have to take care of himself.
29:05Professor?
29:05Yes?
29:07Thank you very much for your lesson.
29:08This is my story.
29:10You have to take care of yourself.
29:11Yes, no problem.
29:13No problem, no problem.
29:14I hope we will see you again.
29:16Yes, yes.
29:20Yes, yes.
29:25Tristina.
29:27No problem.
29:30Yes, yes.
29:43Yes.
29:43Let me tell you what is the point of 6.
29:46According to me, I'm going to try my own quality of the room
29:50after picking up and sending you to the object. What is this?
29:53I'm going to check whether I'm reading the notes.
30:01Chef!
30:02In a minute!
30:18Stop!
30:19For me is enough.
30:22I'm not sure what you have heard of the house.
30:30I'm going to leave the point with the amount of money.
30:34I don't want to pay for the project, which I haven't seen.
30:36I need to make my own money.
30:38I'm not a fan of the project.
30:40I'm almost ready for the project.
30:41I'm sorry.
30:43How do you say it's a 50% advance?
30:46In our case, it's 20,000,000.
30:49And how do you buy a lot of money?
30:52So, you know, Alexander...
30:54I love you guys.
30:55I love you guys.
30:56I love you guys.
30:57I love you guys.
30:58But many of them have a way to start things and then to keep them.
31:03How do I guarantee you that I'll work on the day?
31:05I love you, Maria.
31:07I'm a fan of the Land League of Architects.
31:09I love you guys.
31:10I'm a fan of the Land League of Architects.
31:11I'll pay 20,000 in the morning.
31:14If I'm a fan of the project.
31:16So, I don't want to pay you today?
31:18I just want to pay you again.
31:2011,000 in office.
31:21I know you guys.
31:23I'm going to pay you guys in mind.
31:26I need to make a decision.
31:28I have no way to meet you.
31:29I don't want to just let you know.
31:31I can only go out there.
31:33I have no way to meet you.
31:37I ain't going out there.
31:37I have no way to go out there.
31:44I'll just go out there.
31:58I'm sorry.
32:00I've been given a lot of things.
32:02But I've never been given anything.
32:03Except for the other.
32:04The Pullover.
32:05I have already got a collection.
32:07And these are the ones that they show you very much.
32:11They remember the picture of Gerhard Richter, the red blood.
32:15I'm so sorry.
32:16I'm so sorry.
32:17I'm so sorry.
32:18I'm so sorry.
32:18I'm sorry.
32:18I want you to get something.
32:20Mm-hmm.
32:28It's got an antique.
32:36Hey, how are you doing the same thing?
32:39In the moment, we're going to die.
32:42What?
32:43I don't know.
32:45I'm looking for something.
32:46What about you building?
32:47I have to get to collect a building.
32:50I'm trying to find a bank.
32:51Yeah, now we'll find out.
32:53We'll find out.
32:53Okay?
33:33What's your name?
33:36What's your name?
33:36I started working in my car.
33:38Your company?
33:39I don't know. I'm in garage.
33:44What do you say?
33:46I'll finish the presentation.
33:48If it's successful,
33:49tomorrow I'll sign a meeting with the first client.
33:52Then we'll be able to buy them.
33:54Only one day is not for the time of your job.
33:59It's natural.
34:01Do you want to make a massage?
34:03Yes, it's natural.
34:07And how do you work?
34:09I'm sure you can't do it.
34:11I can't do it.
34:12I can't do it.
34:14I've known him.
34:16I've got more time.
34:18I've got more time.
34:20How do you work?
34:21I work in the cabinet.
34:23I'm a university.
34:26I've got enough to do it.
34:29I'm a normal person.
34:30What's more important?
34:31Why do you do it?
34:33Why do you choose between the two?
34:36What do you do?
34:37I'll make a sandwich.
34:39A sandwich.
34:40A whole day.
34:41A whole day.
34:41A whole day.
34:43You're not sure?
34:45I'm trying to pick the instructions.
34:48A sandwich.
34:49A whole day.
35:00A whole day.
35:02I think that's a good one.
35:04But, you don't know if you've got a coffee.
35:04I've got two minutes.
35:06A whole day.
35:10I'll be the at night.
35:11I'll give you all about the rest.
35:11Yeah, I'll make it.
35:13The way even though it's been an extra pick.
35:16I'll be back.
35:17I'll be back.
35:18You're back.
35:19I'll be back.
35:21I'll be back.
36:08I'll be back.
36:09I thought I would like to buy a gift for my family.
36:11It's not about six.
36:12Okay.
36:14After all the assistants are here,
36:16I don't have to worry about it.
36:25This is Sofia in 1908,
36:28the building of your house.
36:31After the end of the architect of the Austrian,
36:34Thomas Spreger,
36:35the people were cut off.
36:37The idea is to make it happen again.
36:40I made a project,
36:42and I realized that the original parts were disappeared,
36:45but I connected to the architecture of the building of Thomas Spreger in Vienna.
36:50They kept the archives from 106 years ago.
36:54Voilà.
36:59I'm impressed.
37:02The idea is to modernize the house,
37:04and to remove the house from the house.
37:06And because I'm a man,
37:08I know,
37:10that you want space to be useful and useful for the experience.
37:14It starts from the end of the day.
37:18But here is nothing.
37:20I've got a file.
37:22This is a file.
37:23No!
37:24It's...
37:25It's been a's.
37:28It is...
37:28I'm...
37:29It's a nightmare.
37:30It's a nightmare.
37:31It's a nightmare.
37:31it just happens to be a wrong thing?
37:32I'm an architect.
37:46When you exclude the colors,
37:49this is the worst project.
37:53I think that this is what I should do.
37:57I don't know how to do it, but
37:59I don't know how to do it.
38:01I don't know how to do it.
38:03I don't know how to do it.
38:06I don't know how to do it.
38:12It's absolutely right.
38:15Tina is an elite man.
38:17She's got three people at the same time.
38:20I don't know.
38:24I don't know how to do it.
38:25I'm a friend of mine.
38:25I bought a picture of the gadget from Porto Zante.
38:29And it turns out that my gadget is his gadget.
38:33Here you go.
38:35I can see you.
38:36I can't be able to do it.
38:37The number of pictures is called in the gift.
38:40But I know I've seen it as well.
38:41Are you saying that...
38:42That's your find...
38:43Do you know what I'm about?
38:45I don't know.
38:46Not sure.
38:46You can find a gift at your gift.
38:49the principle is the benefit of the product.
38:52The target of the product.
38:54Yes.
38:55The skin and the cashier are the one,
38:56the other one has a gift at the other,
38:59and the other one has the other.
38:59But he has something from other to the other,
39:02and has a gift with the other.
39:03It has a gift with the purchase,
39:04and has something from other parts,
39:05and with the other one has a third.
39:08How did you go to the woman?
39:11The woman.
39:12Yes.
39:13If you want to do it, you can buy it.
39:16He's got the presentation.
39:19He's got the light.
39:21He's got the man.
39:23He's got the file of the project.
39:25He's got to do it.
39:27Because he's got to do it already.
39:32Because he's got to do it.
39:34I think he's got to do it again.
39:38Did you do it?
39:39Did you do sex?
39:41No.
39:42And how did you do it this month?
39:45The wine was mine.
39:46We're going to do it because of the instructions.
39:49And if there was another one,
39:51he won't fight for me.
39:52Oh, Miki, do you see that this is a strategy?
39:54He's got a scandal after he's got to do it.
39:57He's got to do it.
39:59I don't want to tell you more.
40:03There's only one person who can tell me how to find a way to find him.
40:06His wife.
40:08He's got to do it.
40:11He's got to do it.
40:12He's got to go to my house with the wife.
40:15He's got to get to my mother's job.
40:20And if I'll do it, I'll do it one time to get to do it.
40:23If you're in trouble, I'm going to get to know him.
40:33I don't know how to add anything. You're perfect for me.
40:44We have a lot of time, but we have something similar to you.
40:47I would like to give you the best of your fears.
40:50You have to tell me the truth of your dreams.
40:58Dara?
40:59Is the course to stay in the course?
41:08I had a little bit of time.
41:10But after that, when I arrived, I thought I would like to talk before.
41:14Where is your partner?
41:15Where is your partner?
41:16I'm a writer.
41:18I'm going to do it myself.
41:25My dear, there is a lot of money.
41:29There is a motive.
41:30And a motive.
41:31And a motive.
41:32My son is a man.
41:34There are opportunities.
41:36There are a lot of money.
41:37There are a lot of money.
41:40There are a lot of money.
41:42There is a lot of money.
41:44There are a lot of money here.
41:45I've been so much.
41:46I don't think that.
41:47I don't focus.
41:48I want to tell you how to bring you in your life.
42:04Oh, I've tried to say that.
42:08Argentinsk tango!
42:10Potnitela!
42:11Stegnat i hanshove!
42:13Toy vodi neya!
42:14Щe повishi testosterona!
42:16Vi isprii ta se uplichash kato klasna ta mu.
42:18Trabha da izgledaš malko po-seksi,
42:20ako iskaš da go vkaraš v leglo to.
42:21Yajela s men!
42:22Yajela!
42:22Spalniata!
42:28Tva, ko eto iscah da je uvore s tebe,
42:31e...
42:32naprednete mi grafik.
42:33T.e. kvokasamen?
42:35Ami...
42:36Misle, če ti i tvojita partnjorka se nujdajte
42:39od specijalni griji.
42:41Iscam da vi predstavl na jedin
42:42izkljuчитelen terapeft.
42:44Čudeza!
42:44Doktore,
42:45ne dea skromnach.
42:47Ti si profeciunalen profeciunalist.
42:49Ostanalite sa amartyori.
42:51Znam, но работata je tam,
42:52še a sam izkljuчитelno pretvaran.
42:55Dobre!
42:56Щe te prate na počivka.
42:58Majorka,
42:59semene hotel.
43:00Samo za tep i za žena ti.
43:01Ne, ne, ne.
43:02As ne mogu da napusna работata si,
43:03ne mogu da ostaia klientita si.
43:05A me, ne mogušti takaj, ne?
43:07Ne,
43:07ne isca da kaja tva.
43:08Ne.
43:09No, ukaza.
43:11A...
43:11Dobre,
43:12работata je tam,
43:13če...
43:14i omlačnostni problemi.
43:16Dobre.
43:18Znate,
43:19tva će se rrši,
43:19čas ottev.
43:20Ne, ne.
43:21Prijema podarca.
43:22Otvori ho.
43:41What are you doing?
43:42What are you doing?
43:43Open the drawer.
43:44The drawer?
43:52What are you doing?
43:54What are you doing?
43:54Yes, I was looking for chaos.
43:57I had to find some narcotics.
43:59It's not hard to find them.
44:02Okay.
44:03Without therapy, do you want to do anything else for you?
44:07Without therapy?
44:11Do you continue therapy?
44:20No.
44:21Wait a minute.
44:21Alo.
44:24Oще съм клиент.
44:26No Tango.
44:28No Tango.
44:31No Tango.
44:34Milichak, не съм го измислила аз.
44:36Tango-то е терапия за много двойки.
44:38Аз самия съм терапевт.
44:40Трябва ли да се обличам като пингвин,
44:42за да си решава проблемите?
44:43Нали ти искаше повече време за нас, бабата?
44:48Аз заради теб отказах проекта на овзи клиент.
44:52Ти не можеш ли да направиш нещо за мен?
44:54Отказал си проект на клиент?
44:56Да.
44:56Да.
44:58Предцених, че ти си по-важен.
45:01Но щом е така и аз имам нещо за теб.
45:03Така?
45:06Какво е това?
45:08Нали казах, че не решавам проблемите.
45:10Искам да си върнеш думите назад.
45:15Пишутата ми.
45:16Как ги намери?
45:18Сега съм мъж.
45:19Имам си начин.
45:22Не, всичко е тук.
45:23Не, аз не мога да повярвам.
45:24Не мога да повярвам.
45:28А сега ще ми спестиш ли тангото?
45:32Не.
45:38Обърнете внимание на стъпалата.
45:40В този танц мъжът е водещият.
45:43Чули това?
45:44И показвам пак.
45:46Имаме.
45:47Назад.
45:48В страни.
45:49Напред.
45:50Издължаваме корпуса.
45:51Дясната ръка е по-диагонал,
45:54а лявата придържа партньорката.
45:56Това е лесно.
45:57Да е.
45:58Ти се родила с това танца.
46:00Ей, сега.
46:00Що се заящаш?
46:01Що ти всичко знаеш.
46:02Вирай.
46:03Може не ми покажеш.
46:04Ще ти я съпти вкъщи.
46:06Нека сега допитаме по двойки.
46:10Застанете един срещу друг.
46:11И много важно.
46:12Дясната ръка е по-диагонал,
46:14а лявата придържа партньорката.
46:17Та е дясната.
46:18Не, не, той каза с дясната.
46:20Слявата ми е по-удолно.
46:21Няма за че.
46:21Тони тук си има правила.
46:22Дай глязна.
46:24Да пробваме началните стъпки в музика.
46:30Тво правиш, помики?
46:33Данцулон,
46:34гледай в мен, не в краката си.
46:39О, не, Мария.
46:40Мария, не, не.
46:42В този танц партньора е водещият,
46:44а дамата се наслаждава на движението.
46:47Вяре, пет минути не можеш да бъдеш жена.
46:49Писай ми.
46:50Тони.
46:51За тангото трябва двама.
46:53Ще си видим в креща.
46:54Казват, че тангото е танц на страста и тъгата.
46:57Танц на срещите и разделите.
47:00И танц, който лесно може да стъпиш накриво.
47:03А когато това стане, танцорите имат два варианта.
47:06Да продължат с танца, все едно нищо не се е случило.
47:09Или да си намерят нов партньор.
47:11Ало, Измина, след 10 минути съм там.
47:30Твоето място до мен е празно,
47:34А може би просто ти си студен.
47:38Моето място до теб е празно,
47:43На твоята липса аз съм в плен.
47:48Летят и прелитат виновни и грешни,
47:53Вървят и се скитат бя си тъга.
47:57Къде да се скриях,
47:59Попитах те смешно,
48:01А ти ми отвърна сега си сама.
48:05Моето място до теб е празно,
48:09И бавно се стича навън дъжда.
48:13Стремя се напредно,
48:16Обрещам се бавно,
48:18Къде да се скриях?
48:21Сега съм сама.
48:28Сама...
48:32Сама...
48:36Сама...
48:37Аз съм заспала, унила и вяла...
48:43Сама...
48:44Сама...
48:44Сама...
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