Every heart has a story… and some connections are unforgettable.
Love Story S01E02 with English Subtitles
Episode 2 continues to explore the emotional journey of the characters as relationships deepen and challenges arise. Love, misunderstandings, and heartfelt moments intertwine to create a captivating narrative full of tension and warmth.
With touching romance, dramatic twists, and engaging storytelling, this episode strengthens the bonds that make Love Story a series worth watching.
Watch Love Story S01E02 in HD with English Subtitles.
#LoveStory #S01E02 #RomanceDrama #EnglishSubtitles #FullHD #WatchOnline #Streaming #RomanticDrama #DramaSeries #Entertainment
Love Story S01E02 with English Subtitles
Episode 2 continues to explore the emotional journey of the characters as relationships deepen and challenges arise. Love, misunderstandings, and heartfelt moments intertwine to create a captivating narrative full of tension and warmth.
With touching romance, dramatic twists, and engaging storytelling, this episode strengthens the bonds that make Love Story a series worth watching.
Watch Love Story S01E02 in HD with English Subtitles.
#LoveStory #S01E02 #RomanceDrama #EnglishSubtitles #FullHD #WatchOnline #Streaming #RomanticDrama #DramaSeries #Entertainment
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TVTranscript
00:19I told you I need the updated book for the Melancho working on okay bring it to my desk
00:26thank you
00:29morning guys
00:45well can you call our Moscow rep she can't close the show for us from Russia
00:48hi I'm her assistant she doesn't want the flowers are you taking back no she told me
01:22out the casting there were no problems
01:23I mean, colonial times.
01:25Oh, it's an homage to the birth of our democracy.
01:27But it's chic.
01:30We would obviously be featuring A-list celebrities.
01:33And think of The Access.
01:35I mean, John's just about the only person on the planet
01:37who could pick up the phone and call anyone from Saddam Hussein to Heather Locklear.
01:42I don't know about that.
01:43Maybe even Daryl Hannah.
01:46Huh?
01:46Yeah?
01:47Looked pretty good as a mermaid.
01:48Maybe we could put her in a sexy Salem witch outfit.
01:53That would bring some ad dollars.
01:54So you can see it then, right?
01:57All the fun and innovative ways that we could market this.
02:00I mean, the options in Rolodex are endless.
02:05Look, it's one thing for people to be sitting at home,
02:07watching the news, reading the paper.
02:09But I just don't see a world in which they're going out of their way
02:12to buy a magazine about politics.
02:14But that's because politics has always been presented the same way,
02:17which is just a bunch of old guys falling asleep on C-SPAN.
02:21I genuinely believe that with the right marketing,
02:24we can get people as engaged with politics as they are pop culture or the NFL.
02:32Where are you in all this?
02:33I mean, let's be honest here.
02:35That's the real selling point.
02:37If you did this magazine like Martha Stewart Living,
02:40you put yourself on every cover, that's a different story.
02:43And some free advice from people actually in the business?
02:47Your brand's only as strong as its name.
02:49Calling the magazine George after George Washington makes it feel like homework.
02:56I'm going to do another Malbec.
02:57Oh, there she is.
02:59My wife was in the neighborhood.
03:00I told her to pop by.
03:01I hope that's all right.
03:04In the neighborhood.
03:05They live in Rye.
03:07You know, it was just so obvious that these guys had already made up their minds
03:10before they even stepped foot in the restaurant.
03:11It's like, why waste everybody's time?
03:14Because they want to be seen having lunch with you.
03:16You could have pitched them a magazine about hot dogs,
03:19and they would have taken the meeting.
03:20And a part of you has to be okay with that,
03:22because, no offense,
03:23this magazine does not come to fruition without your celebrity.
03:28Oh, really?
03:28I haven't heard.
03:29Look, I get it.
03:32You want to be taken seriously.
03:33You want to make your mark for you.
03:36Before what?
03:38I haven't thought that far.
03:40That's all you think about.
03:41That's why you never know where anything is.
03:43It's just the hand cream of the soap.
03:45You know, I just want to create something of my own,
03:47from the ground up.
03:48I just think that if anyone can bridge the divide
03:51between politics and pop culture, it's me.
03:53Well, speaking of things coming together,
03:58you're not proposing, are you?
03:59What?
04:00To Daryl?
04:02I forgot I have to be more specific when it comes to your love life.
04:05And Daryl was seen buying a wedding dress
04:08in a thrift shop in Santa Monica.
04:10I just thought it seemed weirdly specific.
04:16You know, you're supposed to be a refuge
04:17from all this noise.
04:19Oh, my God.
04:19I'm sorry.
04:20I didn't know that was my role.
04:21Fuck off.
04:22No, no, no.
04:22Please, let me try again.
04:23Mr. Kennedy,
04:25I have your sister on the phone from Cornell Hospital.
04:33Calvin has to push the meeting with Creative to two.
04:35Apparently, there's some kind of emergency.
04:42Do you think you should be reading tablets
04:44while you're at work?
04:45It's people.
04:46Honey, I know you don't care,
04:48but my astrologer did see John and Daryl
04:50fighting on a Halloween store in the village,
04:52like, screaming at each other.
04:54And she also said they're both Sagittariuses,
04:56which is like, Jesus, take the wheel.
04:57Yeah, well, I'm a Capricorn,
04:59so we probably wouldn't have feared much better.
05:00Also, maybe it's people like your astrologer
05:02peddling gossip about them that's a problem.
05:05Maybe if people left them alone, they'd thrive.
05:08You know, I know you're trying to take the high road,
05:10but I don't want to.
05:12Is that the press pocket?
05:14Yeah.
05:15I love having to compile favorable press clippings
05:17from each beak in order to justify the entirety
05:19of the publicity department.
05:21I know he increased your clothing allowance
05:23when he got that promotion.
05:24I do not feel bad for you.
05:25Black paper clips.
05:27I couldn't find any.
05:28There's a Staples on 57th and 3rd.
05:31Serious?
05:31He's fired people for a whole lot less,
05:33and I would rather not lose you as an assistant.
05:35Okay, let's scrap this.
05:38He hates full body shots.
05:39He thinks he has chicken legs,
05:40and let's ditch the New York Magazine piece.
05:42He doesn't like being a bigger role.
05:43Lauren?
05:44No, my chio.
05:47A karate kid?
05:50You know what my dad told your father
05:52before we got married?
05:53Keep her riding, and she'll always be in a good mood.
05:57See, I wish we would have known that.
05:58We would have installed a riding ring in your apartment.
06:01Still, I recommend you stay on two feet for a while.
06:04You said you had a headache before you were thrown from the horse.
06:06Were you experiencing any other symptoms?
06:08No, I was just tired.
06:10I didn't have much of an appetite,
06:12so I didn't eat breakfast,
06:13which is probably where all of this started in the first place.
06:16And as far as lifestyle?
06:18I'm as healthy as can be.
06:19I don't eat sweets.
06:21I exercise every day, sometimes twice a day.
06:24Mom.
06:25She smokes.
06:25This is just retribution for making her meet with a nutritionist during recess.
06:30Yes, thank you again for neutralizing my sweet tooth
06:32at such a young and impressionable age.
06:34We'll need to keep you overnight.
06:35As a precaution, monitor your vitals.
06:38No, thank you.
06:39I will not sleep a wink in this place,
06:40and what I need is a good night's rest.
06:44If you do insist on leaving,
06:45you'll need to sign discharge papers
06:47stating that you left against the medical...
06:49I've spent my fair share of time in hospitals.
06:51I know how it works.
06:54Of course.
06:54I'll be back to check on you in a bit.
06:57Thank you, Dr. Moore.
07:05Why don't you or Maury say to the cafeteria,
07:07I'd love a cup of tea.
07:09You think that'll be enough time
07:10for him to relay all your reservations about the magazine?
07:15Why don't you and I go get some tea?
07:17I miss the fireworks.
07:21Please try to maintain inside voices.
07:30Well, I'm just trying to understand
07:31why you'd want to join the ranks of an industry
07:33that's profited off our family's misfortune for years.
07:38Generations, actually.
07:39Why is it any different from you working at Doubleday
07:41or Caroline writing books?
07:42Those are genuine interests of us
07:44that we've cultivated over years.
07:46And this idea of seemingly out of nowhere,
07:49and you finally pass the bar exam,
07:52I mean, I just think you should...
07:53Dad wanted to be a journalist.
07:54I mean, before Grandpa roped him into politics.
07:58Is that what all this is about?
08:00Wanting to feel closer to your dad?
08:02Come here.
08:05No.
08:06I'm just saying that, like,
08:08my interest isn't entirely out of nowhere.
08:11If Caroline wanted to start a magazine,
08:13no one would bat an eye at it.
08:16I'm just...
08:16I can't stand by waiting for my life to start.
08:20I'm 33 years old.
08:22When Dad was my age, he was a father,
08:24a best-selling author, a congressman, and a war hero.
08:27Yeah.
08:28It's like you said,
08:29he didn't really have a choice.
08:31And I can tell you,
08:33success isn't all that triumphant
08:35when it's expected of you.
08:43Now, will you please break me out of this place?
08:47The brawl culminated in blows being exchanged.
08:51Marky Mark was sent to have punched
08:53Maverick record-labeled talent scout, Guy Osiris.
08:57The fight spilled out onto the streets,
08:58but was eventually broken up by party...
09:01Who picks a fight with Madonna?
09:03He also allegedly called a member of her entourage a homophobic slur.
09:08Wait a sec.
09:09He only called the guy a homo.
09:12I'm just saying,
09:13I think we all assumed he meant faggot.
09:16Yeah, he's practically Harvey Milk.
09:18All right, settle down.
09:19You know what I meant.
09:19He's a loudmouth rapper from Boston.
09:22People don't give a shit if he's politically correct or not.
09:25And therefore neither should we?
09:26That's a hell of a mission statement.
09:28The campaign is a cultural phenomenon,
09:31and we're just getting out of the red.
09:33I don't think we can afford to kick him out of bed
09:35over a drunken indiscretion.
09:37Careful there, Todd.
09:37You're sounding a little gay.
09:38It might not be our call.
09:40According to his team,
09:42Mark feels the underwear campaign
09:44has overshadowed his burgeoning rap career.
09:48I didn't realize Marky Mark
09:50and the funky bunch
09:51who are plotting global domination.
09:53They also said
09:54that he doesn't like all the attention
09:57that the campaign has brought him from gay men.
10:01Are you kidding me?
10:02I mean, he did everything
10:03short of dry-humping the runway at the L.A. show.
10:06What, do they think all those men in the crowd
10:07were just huge fans of shitty hip-hop?
10:09Well, the partnership has clearly become untenable,
10:13so we need to replace him quickly and seamlessly.
10:17And let's also issue a statement condemning his bullshit.
10:21Will you be issuing that statement personally?
10:27No.
10:31So who do we like to replace him?
10:34We have Brad Pitt, Jason Priestley, Keanu Reeves.
10:38No, no, no, no, no, no, no, no, no, no, no.
10:41I don't want to get involved
10:43with another established celebrity.
10:44I want someone who our customers
10:47can bestow their fantasies onto.
10:50I want a fresh face
10:52that will instantly ingrain itself
10:55into the public consciousness.
10:56You pluck Kate Moss from obscurity.
11:00If anyone commits a star,
11:02it's you.
11:07You catch that little dig?
11:08He knows full well that I know that fought for Kate.
11:11Do you compare it to a teenage boy?
11:12I know, but you can't let him rattle you.
11:15In fact, I think it probably turns him off.
11:16Telling you to settle down,
11:17go fuck yourself.
11:19Can you imagine if Kate called someone
11:20a faggot and assaulted them,
11:21she'd be crucified?
11:22That, or young girls everywhere
11:24would be committing hate crimes.
11:26Anyway, I'll see you tonight.
11:27Yes, I'll be peddling your book
11:29like my life depends on it.
11:32I'm going to have to go smuggle
11:32a model out of Moscow.
11:33Oh, you're doing God's work.
11:35Amen.
11:40Welcome to Heart of the City.
11:42I'm John Kennedy.
11:43Clean air, less traffic, adequate housing.
11:46Those are some of the things
11:47that New Yorkers only dream about.
11:49But some New Yorkers aren't a lot of-
11:50Get the fuck out of the way, asshole.
11:53Cut!
11:55Let's take five, everybody.
11:57Get out of the street.
12:01Sorry about that, John.
12:02Sure you don't want to use that?
12:03We are highlighting the wonders of the city.
12:05You're doing great, by the way.
12:06Really?
12:07I feel like I'm in my head.
12:08Oh, no.
12:09I'll tell you.
12:11Okay, guys.
12:12On to the next time.
12:13Hey, superstar.
12:16What are you doing here?
12:18The table where you got post-1,
12:19so I thought I could see you in action.
12:21Well, I don't know how entertained
12:22you're going to be.
12:24Oh, I love that I get to be the one
12:25behind the camera for once.
12:28Excuse me.
12:30Can I get you anything, Miss Hannah?
12:31Uh, coffee or tea?
12:33I'd love some candy, actually.
12:35Anything Sour.
12:36Huge fan.
12:39This is the whole crew?
12:42Yeah, we're just shooting a thing for PBS.
12:44I love it.
12:44It reminds me of my early days
12:46doing guerrilla shoots.
12:47No permit.
12:48Sound guys also doing the lighting.
12:50It's what real filmmaking should feel like.
12:52Community.
12:55What are you writing?
12:57Hi, I'm just tinkering with the script.
12:59Can I hear it?
13:01Well, it's not like a monologue or anything.
13:02I'm just, uh, talking about the city.
13:04I know, but you're still on camera
13:06delivering lines.
13:07You still have to emote.
13:09I'm fine.
13:13Are you mad at me or something?
13:15No.
13:16No.
13:17I'm just, I'm just trying to focus.
13:18I just thought you might want my input
13:20since I'm an actual actor.
13:21What the fuck?
13:24Yeah?
13:25Did they follow you here?
13:27No, maybe it was the giant film crew
13:29that tipped him off.
13:30You just said how small it was.
13:32All right, I'm gonna go.
13:35I'm sorry, all right?
13:36Yeah.
13:36I'm just trying to focus and do a good job.
13:38You're incapable of doing a bad one.
13:42See you back at home?
13:43Yeah.
13:44I have an event tonight.
13:45Go work, think.
13:46Tear your hair out.
13:47I'll see you after.
13:49Maybe, um, just give them a couple good shots
13:51on your way out.
13:52See what the fuck are.
13:53Okay.
13:56Bye.
14:18If you ever get close to a human
14:23And human behavior
14:28Be ready, be ready to death, come through
14:31And me and my head after
14:36There's definitely definitely no logic
14:39To human behavior
14:45So gorgeous
14:46And me and myself
14:52I still can
14:55And there is no more uncertainty
15:05I'm not too late
15:07Okay
15:13Is that for me?
15:18You know, I was hoping you wouldn't notice me
15:22It's hard not to
15:28This feels like one of those nightmares when you show up to school and realize you're naked
15:31Except you're getting paid
15:33Because unlike everybody else people actually want to see you naked
15:35You should all be so lucky
15:40Why didn't you tell me you were working this?
15:43They don't really tell us what the events are
15:45They just give us a time and an address and a pair of underwear
15:49Plus I try not to make it a habit to call someone after I've left them like 50 voicemails
15:53I'm sorry
15:55Hey, work's been crazy
15:56No, you know
15:57It's fine
15:58You should go back to the party
16:00Hey, I'm working too
16:01Really?
16:02Then why don't you take off all of your clothes and grab a tray
16:06For what it's worth
16:07I think there's about five men in this city that can pull off that uniform
16:11Yeah
16:15How about you?
16:16I'll see you later, yeah?
16:17Hey, how about you?
16:18You see the book?
16:20Yeah
16:20Should be just all by himself
16:21I have nothing to do with it
16:23If you have a beer, I'm loving the drink
16:26I'm feeling like I'm flipping
16:29I should be doing it all by myself
16:32I have nothing to do with it
16:33You know
16:34it's great
16:36Relax, Sean. She's here
16:48Hi.
16:50Hey.
16:52How are you?
16:53Good.
16:54It's nice to see you.
16:55Yeah, you too.
16:58I didn't realize Kelly was a photographer as well.
17:02Yeah, you know, I don't think she actually took any of the photos.
17:04I think she more curated them.
17:09Sorry, I wanted to come over earlier.
17:10No, it's fine.
17:11I'm sure you have a lot of hands to shake.
17:16You really know how to make an entrance, by the way.
17:18Although, I'm not going to lie, I was sort of hoping it was Prince.
17:20Oh, is Prince supposed to show tonight?
17:23Do you think Prince RSVPs?
17:25That's a good point.
17:31Did you get my flowers?
17:33Which ones?
17:33Well, you wouldn't call me back.
17:36There wasn't much to say.
17:36It was one day.
17:37I know.
17:38I just...
17:39I feel terrible about how everything transpired.
17:42Multiple bouquets of flowers to my office.
17:44It was really not necessary.
17:47Did you like them at least?
17:50Calvin only allows white orchids in the office,
17:52and my apartment's basically death row for vegetation.
17:58I just, um...
18:00I can't seem to function knowing that you hate me.
18:03I don't know you well enough to hate you.
18:05Daryl and I were not together when you were here.
18:06Really, you don't have to do this.
18:07Seriously.
18:08It's not like you bamboozled me.
18:09I knew what I was signing up for.
18:11Well, what does that mean?
18:11It means there's your world,
18:14and then there's mine,
18:16that I inhabit with everyone else.
18:17Look, I'm gonna...
18:18It was nice to see you.
18:20Enjoy the party.
18:22Wait a second.
18:44Carolyn!
18:46Carolyn!
18:47John, you have a girlfriend.
18:49Hey, and I don't have to turn on the TV
18:51or open up a newspaper
18:52to know that you two are everywhere.
18:53It's like we're all living
18:54in the John and Daryl fun house.
18:56Look, she came back into my life
18:58in this very weird time,
18:59and we have a lot of history together.
19:00You don't...
19:03You don't have to defend your relationship to me.
19:04I get it.
19:06There's obviously a reason
19:07you two keep finding your way back to each other.
19:09Plus, she understands this weird visual that you live in.
19:13If I were you,
19:13I wouldn't want to throw that away either.
19:15So let's just be friends.
19:16Whatever stress or guilt you're feeling,
19:18you're absolved.
19:20I promise.
19:23I just wish I could explain to you
19:25how even the simplest things
19:27can become so complicated for me.
19:30How badly I wish I was someone else
19:32when I met you.
19:37It is what it is.
19:41I will see you, ma'am.
19:43I will see you, ma'am.
20:00I will see you, ma'am.
20:07May I?
20:09Just ask me for a cigarette.
20:11Ugh!
20:12Absolutely not!
20:13It's disgusting!
20:15You scared your husband's gonna cut you?
20:18Please, look at him.
20:22I swear to God,
20:23they need a program for the partners
20:25of recovering addicts
20:26on how to cope with their newfound sanctimony.
20:29The other day, he lectured me
20:30on the pitfalls of a Diet Coke.
20:33I saw you talking to John earlier.
20:35How was that?
20:37It was fine.
20:38What, do I need to hang you out the window?
20:40Give me some details.
20:41We're just gonna be friends.
20:43Which we should have done
20:44from the beginning.
20:45You don't wanna be his friend.
20:47Either way, that shit has sailed.
20:49I don't blame him.
20:50He's getting a beautiful movie star.
20:52What's not to love?
20:54Well, look.
20:56I love John.
20:57But there's a lot of trade-offs
20:59being with someone like that.
21:01I mean, there's a rush
21:02walking into a room
21:03with someone everyone wants to talk to
21:05feeling like,
21:06of all the people they could have on their arm
21:08they chose me,
21:09I must be fascinating too.
21:11But at the end of the day,
21:13they never really choose you,
21:15you know?
21:17Not in the way that you wish they would.
21:20Shiny people like that,
21:21they belong to everyone.
21:24All I'm saying is,
21:26it's better to be adored
21:29than enamored.
21:33I was growing up as you could imagine
21:35and I had some lessons
21:38in my very first lesson.
21:48I'm just grabbing some more rolling papers.
21:51Do you need anything?
21:59Hey, brother.
22:00How's it going?
22:01I think something's up with your stove.
22:03I don't know.
22:03I'm just getting like,
22:04a ton of gas.
22:07Oh, man.
22:10Can we turn off the stove first?
22:12Right.
22:12Go look now.
22:13I fucking suck the ball up.
22:25Hey.
22:26You're here.
22:27I think you know everyone.
22:28Oh, wait.
22:29This is my friend Chandra
22:30from the retreat I did in Peru.
22:31She's the one who knows your cousin Bobby.
22:33How do you know him again?
22:34Uh, I guess technically river keeper.
22:36Would you guys mind not?
22:38Oh.
22:39Sorry.
22:52Was it like a family thing?
22:54The event tonight?
22:55No.
22:56Why?
22:57I just didn't know if maybe your mom and sister were there and that's why you didn't invite
23:01me.
23:01You have to stop with this narrative that you're like persona non grata, okay?
23:05It's not true.
23:08Babe, you have Kennedy memorabilia everywhere.
23:10It's not memorabilia, Daryl.
23:12These are not baseball cards.
23:14They're family heirlooms.
23:18Well, can you hang out for a little?
23:20You've been out all night.
23:21Exactly.
23:22I'm exhausted.
23:23From your work event?
23:24You don't even have a job right now.
23:31Maybe give me a heads up the next time you want to have people over at my place.
23:33Your place?
23:34I live here too, John.
23:36Do you ever notice how quickly it becomes your place anytime anything remotely inconvenient
23:39happens?
23:40Remotely inconvenient?
23:40I don't even know who half these people are.
23:42Yeah, because you don't even make an effort to get to know them.
23:44Oh, I'm sorry.
23:45Why don't we get Chandra over here and we can blow some lines off my dad's inaugural address.
23:54Want me to crash?
23:55It was nice to see all of you.
24:00Hi.
24:01Should we go?
24:02No, no, stay.
24:03Are you sure?
24:04Yeah, he's just tired, you know?
24:06No, stay.
24:12That was so rude.
24:14You're right.
24:14Please, apologize to the coke den in my living room for my behavior.
24:17I'm not sleeping here tonight if you're just gonna act like a fucking asshole.
24:20Well, apparently I won't be sleeping here tonight either, so please, let me know where
24:23you're gonna go.
24:25Why did you want to get back together again if you're just gonna act like this?
24:28You came back to me.
24:29On the condition of a clean slate which you agreed to.
24:34And yet every time I look at you, your mind is clearly someplace else.
24:38All I want is for you to need me as much as I need you.
24:42I don't even know what that means.
24:46That's because you're repressed, John.
24:48Like, I say this with love, but between your lineage and your heritage, you're like the
24:52poster child for emotional avoidance.
24:55Between my lineage and my heritage?
24:57Yes.
24:57Oh my god, this?
24:58This what we're doing in front of your friends right now is exactly how we end up on the cover
25:02of People Magazine every week.
25:03Who cares?
25:04I'm trying to talk to you about real life!
25:06Our relationship becoming a global punchline is real life, Daryl.
25:10And if you can't see that, then I don't really know what to tell you!
25:47Hey!
25:49They let you keep that uniform.
25:53Ow!
25:54That didn't hurt.
25:56Didn't you play football in high school?
25:59So?
26:01So you're supposed to be tough.
26:09Why do you always like to do that?
26:11What?
26:11Pinch you?
26:12Mm-hmm.
26:13I don't know.
26:13Do I do that often?
26:14Uh, yeah.
26:15I guess I didn't really notice.
26:18No, that's not, that's not true.
26:20I, um, when I was little, I was playing hide-and-go-seek with my sister and her friends,
26:28and I was hiding in this little compartment in my stepdad's entertainment unit, you know,
26:34by the TV, and all of a sudden I started having all these really dark thoughts that something bad had
26:41happened to them.
26:44And I got scared, so I, I climbed out, and they were all just sitting there making pressure bracelets.
26:52Like, they all just, they all just stopped looking for me, and no one said anything, and I just, I
26:58lost it.
27:01And I started hyperventilating, and my mom was trying to calm me down, and she just kept telling me to
27:06pinch her arm.
27:09I think she wanted to have me focus on something else.
27:12Eventually I stopped crying.
27:17Well, if that was me, I would have never stopped looking for you.
27:29I'm gonna get a water.
27:31I can get it for you.
27:32No, no.
27:33It's fine, thank you.
27:53You okay?
27:54Yeah.
28:11John, tell me what it was about Governor Florio and his record that seemed to, resulted in his winning the
28:17award this year.
28:18Well, for this year, the award was given on the basis of the Governor's stand on Gov...
28:23Yup.
28:29What?
28:32What if we did a little shopping?
28:37So, uh, are we allowed to be in here on the weekends?
28:43No, I'm serious.
28:45What happens if somebody walks through that door, then what are we gonna do?
28:47Uh, we split up, and run like hell.
28:52What shoe size are you eating?
28:55Thirteen?
28:57Yeah.
29:00Why are you doing this for me?
29:02Hm?
29:03Because you're a good person.
29:04And you deserve more than you think you do.
29:11Plus, you gotta dress the part you want, not the part you have.
29:14Right?
29:15I still know a few of their moves.
29:20Oh, Jesus.
29:23Don't act like you're not oppressed.
29:27It's the opposite of an aphrodisiac.
29:29I don't know.
29:30What is it?
29:31Yeah.
29:33Come on.
29:54I, uh, I read in the trades you're gonna be working with Ann-Margaret?
30:00Yeah.
30:01How cool.
30:02Yeah.
30:10Your mother isn't feeling well.
30:12She'll be taking dinner in her room, but she sends her regrets.
30:25Don't.
30:27Don't.
30:29Don't.
30:29I'm gonna be doing this.
30:39Don't.
30:40Don't.
30:44Don't.
30:49Have you ever asked yourself why your mother doesn't like me?
30:52She does like you.
30:53Why? She might have a tainted perception towards famous blonde actresses
30:58and take Freud to connect the dots.
30:59You're really going to do this now?
31:00She wants you to choose her.
31:02She wants you to find your Jackie, not...
31:05You barely even know her.
31:07And whose fault is that?
31:12Daryl.
31:14Daryl, come on.
31:30Thank you, Yoji.
31:36Is she gone yet?
31:46What are you doing?
31:47I can't stick around anymore hoping you're to change or start to give a shit.
31:51Give a shit? What do you think I'm doing here?
31:53It's not enough to just show up, John.
31:55You have to actually be with me when we're together.
32:02What is it that you're waiting for?
32:05What is it that I haven't proved to you yet?
32:08No one is going to love you the way that I love you, John.
32:12Okay?
32:12No one is going to be able to put up with all the cameras
32:15and the tabloids in your family.
32:18And I mean, say what you will,
32:20but there's a reason the public is so invested in us.
32:22It's because they know we have something worth paying attention to.
32:26You know, we've talked about how I feel like work has been kind of drying up for me.
32:32Maybe that's just the universe making space for us.
32:35For me to be more to you in this next chapter of your life.
32:41Are you even still in love with me?
32:45Of course I love you.
32:55I'm done.
32:57Because I won't accept your marriage proposal
32:59when we're at each other's throats?
33:01This has been five years, John.
33:02If you wanted to marry me, you would have.
33:04If you really believed that,
33:05why'd your friends tell the press our engagement was imminent?
33:07What are you talking about?
33:09The convenient details of your wedding dress.
33:11What, did you think you could get through to me via the tabloids?
33:14See, this is where your family is fucked with your head.
33:18Not everything is a ploy, John, or an angle,
33:21or some machination of the Kennedy court.
33:30Where are you going?
33:32Back to L.A.
33:35I don't want you to leave.
33:36I want to work through this.
33:40We'll be back in a few days.
33:42What, are you just going to leave them?
33:47You need to ask yourself what it is you really want.
33:50Not your family.
33:52Not what you think people want.
33:54What you want.
34:07Can you confirm he's been submitted?
34:08It's the biggest modeling campaign in the world.
34:11My dad...
34:12Okay, just, um, do me a favor and flag his head, Trevor Calvin.
34:15Wow.
34:16Really done a 180 on this relationship, huh?
34:19I just think you'd be right for it.
34:20I mean, you said it yourself.
34:22He's gorgeous.
34:23Oh, so this is just strictly professional.
34:26Jules.
34:27What are you doing with this guy?
34:35You look very familiar.
34:37Where would I know you from?
34:41Uh...
34:43I'm not sure.
34:52Wow.
34:53Looks like you have quite a few notes there.
34:55Hi.
34:56Hi.
34:57Oh, some of them are just words of encouragement.
35:00Hmm.
35:01I don't recall getting any of those when you gave me notes on my book.
35:04Oh, that's because praise makes you horribly uncomfortable.
35:11Have you ever thought about writing one?
35:14A memoir?
35:16No.
35:17Absolutely not.
35:19Don't you tell the authors you work with it's an opportunity to make sense of the past
35:24and reclaim the narrative?
35:26Some of them, yes, but not everyone's past should be revisited.
35:32Do you ever think about what your life might have looked like if you married somebody else?
35:36I did marry somebody else.
35:38I know.
35:38You still have his last name.
35:41I wasn't talking about Ori.
35:44You know, you never called him that until after he died.
35:48Our entire marriage, you refused to call him anything other than Mr. Onassis.
35:53I already had a father who didn't parade us around the Greek islands like he won us at an auction.
35:58That was because I think we needed it.
36:00Whether you or the rest of the world liked it or not.
36:04Do you ever think about what if you had married somebody other than Dad?
36:08Just lived a normal life?
36:10I think we both know if anyone had offered me anything normal, I would have been bored to death.
36:16Even knowing what you know now about some of the choices he made?
36:26All relationships had their disappointments.
36:30It's just a matter of how you're let down.
36:34What, you don't think your relationship has drawbacks?
36:38No, I don't.
36:40You might, but I didn't need the same things that you did.
36:43I've been nothing but supportive of your relationship.
36:45You acquiesced to my relationship.
36:47What?
36:48That was because I wanted to make sure you were marrying for the right reasons.
36:53What possible ulterior motive could I have had marrying Ed?
36:57Well, exactly.
36:58You made a stable choice.
37:01God forbid I choose a man I could actually depend on.
37:05At any rate, your brother, he was more overt at pressing my buttons, but you?
37:14You weren't exactly an apple polisher.
37:17Not everything we do is in reaction to you.
37:19The same way your varied love life wasn't only a reaction to your mother.
37:26At the end of the day, your wounds informed your choices, just as mine did.
37:31And once I realized that Ed was the right one for you, I shot my mouth, didn't I?
37:38I think you failed to contextualize who I was raised by.
37:42I mean, you know your grandmother, but you don't know my mother.
37:46Her only dream for me was to become the most beautiful accessory to the most coveted man.
37:54And I think, well, I think I exceeded those expectations.
38:05But I do realize that I've, I have gone about it in the wrong way at times.
38:15But I did have your best interests in mind, sweetheart.
38:20I know.
38:24Do you?
38:28I know, Mom.
38:36I do need notes on my latest draft, by the way.
38:57Delivery guy, I didn't want them.
39:01White orchids.
39:07Hi.
39:08Hey.
39:09We're still good for lunch?
39:10Yeah.
39:12No, I'm starting.
39:15Those can stay on my desk.
39:21Come on, Hank.
39:22Come, this way.
39:23Can I get your autograph?
39:24No.
39:24Um, sure.
39:27Thanks, John.
39:28Hank.
39:29You won't.
39:30Hank!
39:31Hank!
39:32Hank!
39:34Hank!
39:35Hank!
39:36Oh!
39:44I'm so sorry.
39:45I, I understand.
39:51I, I'm on the next light out.
39:54Well, I had to wait for the ashes.
39:58All right, listen, my car's downstairs, okay?
40:01I'll see you soon.
40:03I'll see you soon.
40:06I'll see you soon.
40:22Oh, hello, sweetheart.
40:24It's Mommy.
40:26Well, I just, I'm checking in to see.
40:30Well, I haven't spoken to you since you left so abruptly the other night.
40:38Anyways, call me, all right?
40:45Very good.
40:46Bye.
40:49Bye.
41:03Hey, child, stay wilder than the wind and blow me into a cloud.
41:20Oh, who do you need?
41:23Who do you love?
41:26When you come on down.
41:31Who do you need?
41:34Who do you love?
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