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00:00The Lion King.
00:00I think it's the perfect film.
00:02She's a film with Kristen Stewart.
00:04She's playing my girl in Panic Room.
00:06I don't really want to be actress.
00:08Team America.
00:08I've never heard of a rire.
00:10That's why I wanted to put her in the scene.
00:12Like everyone, I thought to do cinema
00:14was not what I wanted to do in my life,
00:16because it was a bit weird.
00:17I think that every person in the world
00:19should watch this film.
00:20My mother almost every day,
00:21she was in the cinema.
00:22Especially French films,
00:23because she wanted to improve my French.
00:38beam.
00:54So, welcome to the video club.
00:56There are two in Paris.
00:57That's great.
00:58You have frequent a lot of video clubs?
01:00Of course, but it doesn't exist now.
01:03There's no one at all?
01:04Not at all.
01:05It's not me.
01:05It's not me.
01:06I'm going to go somewhere to my bibliothèque and say,
01:10yes, I want to see the one.
01:12It's something we can't do.
01:13It's got to decide first in mind,
01:15then after it's not done in the machine.
01:17But I already see a lot of things.
01:20Just in watching it, there are a lot of films that I'm touching.
01:22The traffic was great.
01:24400 pesos.
01:26You too.
01:27400 pesos.
01:28400 pesos.
01:29I don't know.
01:35There are a lot of things.
01:36You have The Anatomy d'une Chute,
01:38your film that worked very well here in France.
01:40I found it on the ground,
01:43very early morning.
01:45You saw it?
01:45Of course, several times.
01:47You saw it?
01:48It's so good.
01:49It's so good.
01:51It's so beautiful.
01:52It's so beautiful.
01:53We hope he has so many Oscars than Everything Here We Were.
01:56Yes, we hope.
01:57Aftersun, also great.
01:59Very beautiful.
02:00I never heard of that.
02:03I'm dancing without you.
02:05I told you, I love to dance.
02:08I'm not going to watch this one because he's very scared.
02:17But my son loves it.
02:19He thought it was great.
02:20He's such a good film.
02:21This one.
02:23I think that every person in the world should watch this film.
02:26It's a sort of door to love.
02:31You, you have to try and eat healthier.
02:35You are getting fat.
02:43The first time I saw it, I saw it with my father-in-law.
02:46During the whole film, we were holding hands.
02:48We watched it.
02:49And at the end, we were pleading together for 45 minutes.
02:52We talked about our lives.
02:53And with my father-in-law, after the film,
02:56of course, we were pleading for 45 minutes.
02:58But he told me a lot of things that he never told me.
03:01You see, it's a sort of tunnel to love.
03:04It's one of my favorite films.
03:14I was wondering if you knew him,
03:16Boelguen, of Issa Lopez,
03:18the showrunners of Trois Detective.
03:19Ah, I'm not sure.
03:21In English,
03:22but the one I saw is called
03:23The Tigre's not fear.
03:31Issa Lopez,
03:32my favorite director,
03:35that I just filmed
03:36True Detective season 4 with her.
03:39Let's go back.
03:42It's here.
03:44I know it.
03:46Yes, I love it.
03:47Do you think it's because of her
03:48that there are many amazing elements
03:50and fantastic elements
03:50in the season 4 of Trois Detective?
03:52Certainly,
03:52because she wrote all the episodes.
03:59All the seasons
04:00of Trois Detective are different.
04:03It's an anthology.
04:04And this time,
04:06we turned it on the head
04:07a little bit.
04:08There's a reference,
04:09of course,
04:10to the first season,
04:11which is great.
04:12But like these two women,
04:14it's Alaska,
04:15instead of the Louisiana
04:16where it's very hot,
04:18it's very bright.
04:18There, it's somewhere
04:19where it's dark,
04:21sombre,
04:21cold.
04:23There's a lot of difference
04:24like that.
04:24But there's a horrific
04:26that may be more
04:28The Silence of the Agneous
04:29or Seven,
04:29for example,
04:30that in the first season.
04:31There's so many films
04:32italiens that I love it.
04:33When I was little,
04:34my mother,
04:35almost every day,
04:36to see the films
04:39foreign films,
04:39especially French,
04:41because she wanted
04:41to improve my French.
04:43I watched the films
04:43and at the end,
04:44she said,
04:44I didn't understand
04:45very well.
04:46Tell me a little bit
04:47about what happened.
04:48So I would explain.
04:49She thought that
04:50it was a way
04:51for me to practice
04:52my French.
04:53If you have much more
04:54than at the end,
04:55because we,
04:57it's rare
04:58that we have
04:58European films.
04:59You really have to try
05:00to find out.
05:00The films of Fellini,
05:03when I was little,
05:03everything I wanted to be
05:05as a member of the scene,
05:06it was like Fellini.
05:13So,
05:14you're very inspired
05:14by the Italian cinema.
05:16Allemands,
05:16also.
05:17I've made a film with you.
05:18I've made a film with you.
05:19But,
05:20that's all these films.
05:21That's all these films.
05:21Rocco et les Frères.
05:28The films,
05:29it's also made a souvenir.
05:30Every time we see a film,
05:31we say,
05:31I remember,
05:32I was here.
05:33And you're going to re-watch
05:35the films when you loved it
05:36or not really?
05:37More when I was young.
05:38Now I have less time,
05:39but when I was young,
05:40yes.
05:40And also,
05:41when I was young,
05:42we didn't have a video.
05:43So, we had to go to the cinema
05:44and see something
05:46three or four times.
05:46My mother also,
05:47she brought me to a festival.
05:48We had festivals,
05:49for example,
05:50French or Italian
05:52or German.
05:53We're going to go
05:54every day,
05:55for four days,
05:56to see a lot of films,
05:57three films per day.
05:58Okay.
05:59How are the cards?
06:00Now tell me,
06:01am I really the sort of enemy
06:02you want to make?
06:04Black Mirror.
06:05Oh, check it out.
06:12You watched me.
06:14Orange Is New Black.
06:15Turn it out.
06:17To the left.
06:19Take it back now, y'all.
06:21One hop this time.
06:23You've made some episodes
06:24of these series.
06:25It's a good thing
06:25when we're actors
06:27on the feuilletons.
06:28We can try things
06:29that aren't really
06:30in our genre.
06:31Orange Is New Black.
06:32It's not really my genre
06:33to make a comedy like that,
06:36but it was funny for me.
06:38Or even House of Cards.
06:39It's not normally what I do.
06:41It's a good thing
06:41to spend a month,
06:43a month and a half
06:43on something
06:44that we wouldn't have done.
06:45Last of Us.
06:46I loved it.
06:52It's me.
06:53It's really good.
06:54I had to see season 2.
06:55They are filming it.
06:57They just started.
06:58I think you really liked
06:59Bella Ramsey too.
07:00Yeah, great.
07:01And Pedro Pascal too.
07:03Super.
07:03I loved it.
07:04It's also a film
07:05or a feuilleton
07:06that makes it
07:08like a genre
07:09but in the same time
07:10it's also very profound.
07:13It's not just a genre.
07:16Oh.
07:17Oh.
07:17Oh, oh, oh.
07:18Oh, oh, oh.
07:18Oh, oh, oh.
07:19Oh, oh, oh.
07:19Oh, oh, oh, oh.
07:19Oh, oh, oh, oh.
07:19Oh, oh, oh.
07:19I was seeing her in the same kind of a trailer there.
07:28I thought it really well it was.
07:36Oh, oh, oh.
07:44Someone once told me that time is a flat circle.
07:48Time is a flat circle.
07:50The things that we're going to keep, and things that we're going to do all new.
07:53The big difference with the detectives women,
07:57is that with the detectives men,
08:01they have a different relationship with the victims.
08:03For them, it's, ah, it could be my sister,
08:06or it could be my daughter.
08:07With the female detectives, it could be me.
08:11And that, it gives a sort of difference between the investigators and the victims.
08:18I will shoot your sick fucking mouth right off your face.
08:23You want to go out there and die.
08:26You want to follow your ghosts and curl up in a ball and die out on the ice out there,
08:33you go ahead.
08:33But you'll leave my kid out of it.
08:35Is there any duo of the cinema that you inspired for True Detective?
08:39Not necessarily the duo of the detectives, but the duo of the detectives.
08:42Yes, yes, yes.
08:42It's sometimes the question of the reference when it comes to the scene.
08:47And, well, it's the thing that comes back in the last.
08:50When I think about something, I try to find myself in my own experience,
08:56in the people I've met, in the tableau that I've watched,
08:59all the things that, for me, are my personal reference.
09:03And then, just before turning, I wonder what other films have gone through this path.
09:08But I think making a film, because we've seen the films of Kurosawa
09:13and tried to replicate it, for me, it's, I don't know, it's not my path.
09:19What else have we got there?
09:20Because you, you've got to call it differently.
09:24Oh, no, it's not that one.
09:26That's the other one, which was great.
09:29Babylon, Berlin.
09:30That was fantastic.
09:35You've watched a lot of series, on your own time?
09:38Not a lot.
09:39Not a lot, because the moment when I start, I have to finish it.
09:43So, I try not to start it if I don't finish it.
09:48You want to pass on the screen in French?
09:49D'accord.
09:50Un Prophète de Diar, film que j'ai adoré.
09:53On prend pour un corps, ça.
09:54Qu'est-ce qui t'arrive ? T'as pris la confiance, là ?
09:57Vas-y, va.
09:58Je vais voir ce que je peux faire.
10:01C'est un peu notre Français à l'International Time.
10:03Oui, il est génial.
10:04Et c'est incroyable comment il me parle bien l'anglais.
10:07What do they accuse you of during your interrogations ?
10:09I'm interrogated 18 hours.
10:11Every day.
10:12Three years.
10:13Pendant le tournage, il a eu un bébé.
10:15Il est arrivé à finir notre film et pouvoir aller rencontrer le bébé tout de suite.
10:21C'était génial.
10:23Yeah.
10:23Elle a un film avec Kristen Stewart, Personal Shopper.
10:32Oui, vous avez été avec elle sur son tout premier film, en fait, Panic Room.
10:37Oui, c'est vrai.
10:38Elle jouait ma fille dans Panic Room quand elle avait 11 ans.
10:48J'ai l'impression que c'est ma fille, en fait.
10:49Ça me fait toujours du bien de la voir.
10:51Vous vous souvenez d'un conseil que vous lui auriez donné pour un peu arriver à naviguer dans cette industrie
10:55?
10:57Je ne voulais pas vraiment qu'elle soit actrice.
10:59J'avais demandé à sa mère, j'ai dit qu'est-ce qu'elle veut faire dans la vie ?
11:01Elle a dit actrice.
11:03Aïe.
11:03Parce qu'elle n'avait pas vraiment la personnalité d'une actrice.
11:06Elle était, je ne dirais pas renfermée, mais elle était internelle.
11:12Elle internalisée.
11:13Internalisée.
11:14Et ce n'était pas quelqu'un qui vivait avec les émotions sur les manches.
11:17Comment dire en anglais ?
11:18Emotions on her sleeve.
11:19Je ne sais pas.
11:19J'étais protectrice.
11:21J'avais peur que ça la ruine.
11:22Et la voilà.
11:24Génial.
11:24Oui, tout va bien.
11:25Tout s'est bien passé.
11:28Ah oui, c'est un film de Claude Chabrol.
11:30C'est vrai que les films des metteurs en scène de Nouvelle Vague, c'était...
11:33Ma mère, elle m'a amené beaucoup.
11:35J'ai fait même un cours à l'université là-dessus.
11:38Par exemple, le film de Louis Malle, Souffle au cœur.
11:40Non, il y a Souffle au cœur.
11:42Tu sais mon père adorer l'avance.
11:44C'est vraiment triste que tu ne l'aies pas connu.
11:46C'était un peu mon inspiration pour mon premier film en tant que metteur en scène,
11:49Le Petit Amant.
11:58Ah, regarde tout ça.
12:00Regardez.
12:01Ça, c'est un de mes films préférés.
12:04Team America.
12:14C'est un film fou.
12:16C'est avec des...
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