- 5 hours ago
Young Sherlock S01E07 (2026)
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TVTranscript
00:03It's not your fault, Sherlock. It's not your fault.
00:30Find me Sherlock, and find me.
00:35Ones for sorrow, twos for joy,
00:41Threes for a girl, and fours for a boy,
00:51Fives for silver, six for gold,
00:55And fours for gold...
00:57To fall, to fall, to fall.
00:59No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:02no, no, no, no.
01:02Find me Sherlock Holmes, find me.
01:05Let us, let us, let us.
01:09Let us, let us, let us!
01:10John!
01:12John!
01:17John, you're all right.
01:20I got you.
01:21Man, oh, I'm getting shot, eh?
01:23It was a terribly stupid thing to do!
01:26Here, let's get your-
01:26No, no, no, no, no, doctor-
01:27Johann Jessie.
01:28Is actually she-
01:29She, you have to shoot her.
01:30We have to stop her.
01:32You're not leaving you don't, yeah.
01:33Sherlock!
01:35Oh, he's bleeding.
01:36Say, I think that had something to do with the bullet in his hand.
01:38Yes.
01:39I'm sorry to be a burden, brother, dear.
01:40No burden, brother, dear.
01:41Hey, come on. Let's get her.
01:42Turn on, wait, wait.
01:43If she gets to my father, we may never find Beatrice.
01:46Go, you'll get her-
01:47You have a go-
01:47Go, James, go!
01:49Now, if you listen to me, we are going to get this fixed up.
01:52Are you crying?
01:53No.
01:55Why not?
01:56One, two, three.
02:02He's been shot.
02:03Oh, my poor boy.
02:05We have to find a hospital.
02:07A dash of open would be greatly appreciated.
02:18This way.
02:19Why? How do you know?
02:20Because only one hospital is still open.
02:22Sadly, it's where the gunfire is coming from.
02:33Right, put him down.
02:35Take him, take him.
02:39I see him, see him.
02:41Oh, my God.
02:44Oh, my God.
02:53Hey!
02:55Hey!
02:56What are you doing?
02:57Give me that.
02:57I'm stopping you from shooting that man.
02:59Why?
02:59Because that's Sherlock's fighter.
03:02That's his fighter.
03:04I didn't know.
03:05Easy, easy.
03:06Easy.
03:09Oh, I'll be taken there.
03:12Thank you kindly.
03:16Off we go.
03:17Over the top.
03:21Right in the back.
03:22Where are we going?
03:23I'm afraid we're going to have to go the long way round, fella.
03:26All aboard.
03:27Off we go.
03:28You may be in my way, James.
03:30But I have no wish to see you dead.
03:32Am I the favorite one, huh?
03:34Because you shot Sherlock.
03:36Not intentional.
03:37Oh, right.
03:38It wasn't intentional.
03:38I suppose that makes it okay, then.
03:40I'll be sure to tell him.
03:43How is he?
03:44He's alive.
03:45You'll be glad to hear.
03:48His brother's looking after him.
03:50Is Sherlock looking for his father?
03:52Yes.
03:53Where are you going?
03:54To find Sherlock.
03:55He's looking for Silas.
03:57I'm looking for Silas.
03:58And Sherlock has a rather stubborn habit of finding people.
04:00There's only one hospital still open in Paris.
04:03That's where my crotter will take him.
04:06Come in.
04:07Hey, don't let me pass up.
04:08Don't let me pass up.
04:34You had no choice.
04:36There'll be more of them.
04:38James, we need to go.
04:45James, we need to go.
05:10James, we need to go.
05:27James, we need to go.
05:31James, we need to go.
05:33Look around you, ma'am.
05:35Everything is broken.
05:36Yes, but I beg you.
05:38Come on, I used to make my life bloody impossible.
05:40James, we need to go.
05:42And I, if you don't take care of it.
05:46It's gold, it's gold.
05:49Take it for the revolution.
05:51Yes, but you have to take care of it immediately.
05:56Quickly, quickly.
05:58Quickly, quickly.
05:59Here, let me see.
06:02Inferno.
06:04Inferno.
06:05Prepare for a surgical operation.
06:07Come on, please.
06:09Please, please.
06:11Please, please.
06:23I didn't know, tell you what.
06:48I suppose no news is good news.
07:05How are you going?
07:07Well, I've done my best, but it's going to be tough now.
07:12Thank you for everything, sir.
07:13Thank you, sir.
07:17Darling.
07:51Come on, Sharo.
07:52Find him.
08:09Brother.
08:14My darling boy, Sherlock.
08:18Oh, there is my little brother.
08:21Luckiest Englishman alive.
08:24Can I give you some water?
08:29He's too stubborn to die.
08:31James, where on earth have you been?
08:33Are you all right?
08:35Are you all right?
08:41I'm fine.
08:43James.
08:44I'm fine.
08:46I'm fine.
08:47I'm fine.
08:48You're still lazing about, I see.
08:50Up you get.
08:51What?
08:52There's work to be done.
08:53Oh, I'm only messing, Mrs. Holmes.
08:57It's good to see you.
09:01Did you stop her?
09:05I did.
09:09And I brought her here.
09:10Now, don't piss your bedpan.
09:13She's on out.
09:19Hello, Sherlock.
09:20What on earth are you doing here?
09:22I need to speak with you.
09:23An inch to the left.
09:24My brother would be dead.
09:25I wasn't aiming at him.
09:27I was aiming at your father.
09:28Ah!
09:29Well, that is understandable.
09:31I've tried to shoot him twice myself.
09:33Missed both times.
09:34James?
09:35Why is she here?
09:37Because I think you need to hear what she has to say.
09:43My name is Xiaowei.
09:46I come from the village of Tai'an in Gansu.
09:50High in the hills.
09:55This is the effect of what the scientists in Oxford were working on.
09:59What you saw in that tunnel.
10:01They first tested on my village.
10:06On my parents.
10:10There's a mineral deep beneath my people's lands.
10:13Professor Malik found a way to transform that mineral into a creeping death.
10:18And turn it into a weapon.
10:20The program was paid for by your government and run by Becephalus Hodge.
10:24But Professor Malik betrayed him.
10:26Sold it to the highest bidder.
10:29A private buyer.
10:31My fault.
10:34Yes.
10:39I'm so profoundly sorry.
10:43It's not your pity I need, but your help.
10:46To ensure this can never happen again to anyone.
10:49Anywhere.
10:50You want to stop our father.
10:52And you want to find him.
10:53Yes.
10:54I propose we combine our talents.
10:56Double our chances of tracking him down.
10:59Yes.
11:00But on one condition.
11:03We have to find out where Beatrice is from Silas.
11:06So you cannot touch him until we have that information.
11:09And after that?
11:11Oh, after that you can do whatever you like to him.
11:13And provided my sons don't have any objection, of course.
11:16Given the circumstances, I do not intend to stand in your way.
11:19I find it difficult to condemn him to death so readily.
11:25What if that's what it takes to find Beatrice?
11:28That's what it takes.
11:30He's still in Paris.
11:32Or at least the man who works for him is.
11:34His name is...
11:35Esad...
11:36Kashkali.
11:37At the demonstration, the boys were told to follow the usual channels at the two corners.
11:42For those of you who wish to place an order, it's only fitting that we should meet at the famous
11:46two corners.
11:47Two corners.
11:50An intersection?
11:51Doesn't exactly narrow it down, Sherlock.
12:03Matchboxes.
12:05What do you mean, darling?
12:06On the table where Father was sat, they were matchboxes.
12:10With a design on the front of two corners.
12:15Is there an address in it?
12:20I wasn't close enough to get a good look.
12:23I can't be sure.
12:25Well, this is as good a place as I need to start.
12:28I'll get going.
12:31I'll go with him.
12:34Well, I'd be delighted to have your company.
12:42Hello.
12:43You're going to make you immensely rich.
12:49Yes, I'm not good.
12:55I'm not good.
13:01I'm not good.
13:02Excusez-moi.
13:04Have you got this place?
13:06No.
13:07No.
13:10Impossible.
13:11Impossible is a word.
13:12Only found in the dictionary of fools.
13:16That's what Silas said.
13:19Why that quote?
13:20Maybe it means something.
13:22Originally, who said it?
13:25Napoleon Bonaparte.
13:28Napoleon?
13:38Napoleon's hat.
13:41Famous white corner.
13:42It has two corners.
13:44Leg l'olive.
13:45What?
13:46The eagle and the olive on the outskirts of Paris.
13:48It's a restaurant where Napoleon supposedly left his hat behind him.
13:52It's only fitting that we should meet at the famous two corners where you can contact Mr. Esad Kashgar.
13:59Tu es genial.
14:00You have no idea.
14:05I fear that I may have unwittingly set this all in motion.
14:09Why do you say that?
14:10About a year ago, father asked me what I was working on.
14:13Yes.
14:14Now, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
14:19I didn't know any details at the time, but I told him that I was working for the government.
14:22It was secret.
14:25He obviously set about making his own inquiries.
14:28The only person who can be blamed for what has happened is your father.
14:32Oh, let's let Mycroft torture himself, mother.
14:36At least for a while.
14:41Righto.
14:43Where are you going?
14:44I need to get a message to London and warn them that father has the weapon.
14:49Another nail in the coffin of what remains of my career.
14:54Try not to die in my absence, would you?
14:57Reasonable request, mother?
14:59Thank you, darling.
15:03No sign of Esad.
15:13You can ask me, you know.
15:16What you've been wanting to ask since you shot that soldier.
15:21You're not nearly as mysterious as you assume.
15:29When you killed for the first time.
15:34How did you feel?
15:36A great weight on my chest, pressing harder every day so I can hardly breathe.
15:43And now I live with it.
15:49Strange.
15:52I don't feel any of that.
16:20ì„ Kashkali has a regular table at a brasserie called The Eagats.
16:24and the Olive.
16:25Where he meets his potential customers.
16:27And tomorrow he is meeting a man called the Duke de Mont.
16:30Still no sign of silence?
16:32No, I'm afraid not, Mrs. Holmes.
16:35So we will need to lure him out of the shadows.
16:37But how, darling?
16:40By posing as customers.
16:45Please don't mind your stitches.
16:47I am all right.
16:52This is what we are going to do.
16:58Bonjour.
17:13Sorry, madame, it's occupied. I'm expecting something.
17:15Yes, yes, madame Dormand.
17:19Mother will explain the Duke never attends meetings.
17:22That's his wife's duty.
17:23Enchanté.
17:24What if he recognizes you?
17:26Well then we're sunk.
17:31Meanwhile, the actual buyer
17:33will be redirected by the Eagle and Olive's newest waiter to me.
17:38Excusez-moi monsieur, the Duke Dormand.
17:41Cecil Fillemont. I'll give him the sales pitch.
17:43Then, the Duke will duly hand over his money,
17:47which James will deliver to my mother,
17:49allowing us to finance stage two of the operation.
17:58What is stage two of the operation?
18:00I'm so glad you asked.
18:03I have something for you.
18:05You will ask to meet the bigwig himself.
18:08Excuse me, madame.
18:10It's seven hours of the morning.
18:12Unable to resist so intriguing an offer,
18:15Silas will then agree to meet with the madame.
18:17Well then, a little bit of music to get into it.
18:19I don't know, I have something like
18:21Talking about my generation.
18:26Keep moving.
18:27Well, it's not exactly like that.
18:29I'm going to put my breath in.
18:31Bonjour.
18:32And voila.
18:34Now tell us where Beatrice is.
18:35Yeah.
18:36That's it.
18:38What could possibly go wrong?
18:40The key to being successful confidence men...
18:42And women?
18:44The key to being successful confidence men and women
18:47is confidence.
18:51I love the eye patch.
18:56Welcome.
19:03Excuse me, Monsieur.
19:06Excuse me, Monsieur.
19:07The Duke Delmont.
19:11Cecil Fillemont.
19:15So...
19:17Where is Mr. Cascali?
19:19I do hope you understand, Duke.
19:21The unexpected events of our demonstration
19:24have forced us to change our plans.
19:26My instructions were to hand the money
19:29only to Mr. Cascali himself.
19:31I don't deal with the monkey.
19:33Only with the grinder of the organ.
19:35Speaking as a monkey,
19:37I concur.
19:39More common sense is what is needed
19:40in this topsy-turvy world of ours.
19:42But, if that is your instinct,
19:44you will have to come back another day.
19:46Understood?
19:47Understood.
19:47Then I shall take your advice.
19:51It would be remiss of me
19:53not to inform you
19:54that the incident in the tunnels
19:56has only, in fact,
19:57proven the potency of our product.
20:00We're selling out fast.
20:04If you delay,
20:05you would risk missing out altogether.
20:12Have a good day, sir.
20:18Let's go!
20:19Come and find yourself!
20:20I'm going get out of here!
20:22Please keep them out.
20:24Please keep them out,
20:25Come and find your patron!
20:27Come and find your patron!
20:27Look at him!
20:28Now you're a bad boy!
20:29This is ridiculous!
20:30It's dark.
20:32I'm sure I'm gone.
20:33I'm sorry.
20:42Permettez.
20:46Burgundy 57.
20:47Some people say that I have a 62,
20:50but for me, if I wanted that much oak,
20:52I would eat a tree.
20:56So, tell me what you think of my proposal.
20:59You introduce me to your boss,
21:02and in return, I furnish you with a finder's fee.
21:09Voila.
21:13You carry your money in a plant pot.
21:21Mr. Holmes is in the back.
21:25Perhaps Mr. Holmes could come here?
21:27You will be able to talk to him more freely and privately.
21:34If you wish to meet him, there it is.
21:48He's in here.
21:51Merci.
21:54I do not see Monsieur Silas Holmes.
21:59If you please.
22:03Monsieur.
22:09So...
22:12We both know you're not the Duke's wife.
22:16Who are you really, Madame?
22:20Do you doubt my monies?
22:24Pardon?
22:25Do you doubt the value of my money?
22:27Do you believe it's real?
22:29It looks real.
22:31You are correct.
22:32I am not Madame Dormand,
22:34and I do apologize for the deception.
22:37But now that I have your attention,
22:39I should like to inform you that I am working on behalf of a very prominent British investor,
22:46who wishes to make a significant purchase from Mr. Silas Holmes.
22:51And if you play your part in arranging this,
22:55I can assure you that the money in that pot is merely the tip of the iceberg.
23:01Purely for your own pockets, you understand.
23:04So, as I see it, you have two options.
23:09You can either continue to insult me,
23:12and let this golden opportunity slip through your fingers,
23:15or you can simply introduce me to Mr. Silas Holmes.
23:21This is taking too long.
23:26Patrona haber gönder.
23:30Baron, acil görüşmemiz gerekiyor.
23:32Yes, sir.
23:36Come back here tomorrow at the same time,
23:39and I will have an answer for you, Madame.
23:41Thank you, sir. I am much obliged.
24:05He's sending a telegram to Silas.
24:29He's sending a telegram to Silas.
24:31How about this time we don't do one of your clever little scams,
24:35or pickpocket dancers?
24:38Just let me try something.
24:45Good morning, sir.
24:46Good morning, sir.
24:46Good morning, sir.
24:47What do you want me to do?
24:47This man was here for a few minutes.
24:52I will see what he has sent you.
24:55Mr.
25:00For your opinion.
25:04Would you prefer that the rule is too bad?
25:09Mr.
25:09No?
25:10I guess so.
25:21Did you get it?
25:27This is Holmes.
25:29Your husband is in Constantinople.
25:40I need to see the Ambassador.
25:43My Croft Holmes.
25:45The point is, Ambassador, I now know who sabotaged our government's secret weapons program.
25:50And indeed I know who stole the weapon.
25:53Yes, yes, well go on.
25:55Regretfully, sir.
25:59It was my father.
26:01Silas Holmes.
26:04Are you certain of those?
26:05I'm afraid so, sir.
26:07And it appears that the government's interests are now aligned with my own.
26:11We must find my father and bring him to justice.
26:14Yes.
26:16Well, quite.
26:17Quite.
26:19I shall wire the Foreign Secretary immediately.
26:21Yes, sir.
26:22Please wait here.
26:23Will do.
26:33Oh.
26:54Apologies for the wait.
26:55Not at all, sir.
26:57I have a reply from the Foreign Secretary.
26:59He informs me that you are in disgrace, and in fact no longer work for Her Majesty's government.
27:04Yes, well, it's a little more nuanced than that.
27:06There is, however, a path to redemption, if you are prepared to walk it.
27:11Hmm.
27:13Now listen.
27:14Carefully.
27:22Train leaves in an hour.
27:33It's not your injury that makes you weak.
27:36It's your insistence that your body is unchanged.
27:40My body has changed.
27:41It's changed because you shot me in the stomach.
27:45The details, are you relevant?
27:48Not to me.
27:52You think strength is something physical.
27:55It's body mass, and muscle, and reach.
28:03All of which you have over me, and yet I've bested you in every encounter.
28:08Why?
28:11Because the real strength comes from here.
28:16And here.
28:19Oh.
28:22James.
28:23Mother.
28:24You found him.
28:26I did.
28:29But he found his ornitoyer.
28:33Mother.
28:35Have you met with success?
28:36I was.
28:38The British government has offered her full support in helping to bring fathers to justice.
28:43Excellent.
28:45So this is what it's come to.
28:47It would certainly seem that way.
28:49Wonderful.
28:50Right, then.
28:52Constantinople.
29:07Where are we going, exactly?
29:09To meet a friend of mine.
29:16This is Emine.
29:18She has agreed to help us.
29:20Welcome to my city.
29:31Sherlock.
29:33Show her the photo.
29:35Show her the photo.
29:43No.
29:43Have you seen this man?
29:45No.
29:55Auntie.
29:56We could push your rest on the key.
29:57I'll let them open up.
29:59What's up?
30:03that small child is going to find our father is he the lowly status of the street urchin
30:07is what makes them the most useful of allies they can go anywhere they are invisible they're
30:40so they are looking for you
30:50thank you
30:53thankyou
30:54thankyou
30:54Hmm?
30:57I'm waiting for you.
31:24They have found your father.
31:27He knows you're here with me.
31:29How?
31:30It seems our street telegraph works both ways.
31:35He wants to see you alone.
31:38Well, darling, I have to come with you.
31:40He was quite specific.
31:43If you want to see your sister, you come alone.
31:47Very well.
31:52Sherlock.
31:54Good luck.
32:10Do you know why magic is so beguiling, Sherlock?
32:18No.
32:19When something seems to defy rational explanation,
32:27wonder.
32:29Wow.
32:30The impossible.
32:32Made possible.
32:46Is she still alive?
32:47Please sit.
32:48I'd rather not.
32:50But you did back in England, solving all this, finding me here.
32:54So clever.
32:56I'm proud of you, my son.
32:58Not natural for a father to leave his boy for dead now, is it?
33:01Sherlock, what are you talking about?
33:02In the tunnel.
33:04I was shot.
33:06You ran.
33:08I ran because that crazy woman was trying to kill me.
33:12I was the one under attack, remember?
33:15You really think I'd want any harm to come to you?
33:23Harm.
33:26You've done nothing but harm.
33:29Look at me.
33:30You broke my heart.
33:32You broke my mother's heart.
33:34And only God knows what you've done with my sister.
33:36So I ask you politely, please, tell me, is my sister still alive?
33:48Beatrice is fine.
33:51I made sure she was looked after.
33:57Where is she?
33:59I still love you, you know.
34:01I'm still the man who raised you.
34:03You're a monster.
34:04Oh, Sherlock.
34:07Don't be so simple.
34:09Were all of us capable of good and evil, even if it helps to call it that, you included,
34:15whether you realize it or not?
34:16Tea?
34:17No.
34:18I acted in my best interests.
34:23Of course I did.
34:24But I also acted in yours.
34:27You think you would have become the man you have had you not been tested in the fire?
34:31I can't listen to this.
34:32And yet you can't leave, can you?
34:34I can't leave because you won't tell me where my sister is.
34:38Where is she?
34:41She's here.
34:43In Constantinople, with me.
34:46You can see her tomorrow if you like, but...
34:52I request something in return.
34:56So that's his price?
34:58That's his price.
35:00Sure.
35:01She wants me dead, and if she kills me, well, then you'll never find Beatrice.
35:06Our futures are intertwined.
35:10Bring Juan tomorrow, the square, same time, and I'll give you your sister.
35:16Well, then, the choice is not choice at all.
35:18You really find it that easy?
35:20Condemning someone to death?
35:21You owe Juan nothing.
35:23No, I don't find it easy, but if it was my sister, then I wouldn't have the slightest breath of
35:27hesitation.
35:27I don't think you should, either.
35:31Am I interrupting?
35:32Not at all.
35:34No cracks in a novel hat.
35:37Good night, sweet prince.
35:40And flights of angels sing thee to thy rest.
35:53I'm pleased for you.
35:55That your journey ends well.
35:57That you'll see your sister.
36:03Afterwards, your father is mine to do with, as I see fit.
36:07I realize this is hard for you, but we had an agreement.
36:10I want what's mine.
36:12And you shall have it.
36:14You have my word.
36:20The porter and the princess.
36:29Scout.
36:32Never made it to the illustrious position of porter.
36:35And I was never a princess.
36:37Only shall we.
36:50How do you feel?
36:51How am I supposed to feel?
36:52How do you want to feel?
36:53However I'm supposed to.
36:58You are a work in progress, Sherlock.
37:30I think there's me and Marathon here.
37:45He's there.
37:45There he is.
37:50She's not with him.
37:51Let me talk to him.
37:52I don't trust him.
37:53I'll be fine, mother.
37:54You wait with Michael.
37:55And I'll be fine.
38:11Silence.
38:13Why do you call me father?
38:17I can't see my sister.
38:20Do you know this city was built to rival the majesty of Rome?
38:25It had the most sophisticated defense fortifications in antiquity.
38:30It has survived foreign empires, brutal wars, disease.
38:38Just about anything human history could throw at it.
38:43This city has endured.
38:47A lovely lecture. Is it finished?
38:52She doesn't exactly look ready to surrender, Shirley.
38:55She is.
38:57She just doesn't know it yet.
39:00What are they talking about?
39:06You, I expect.
39:11Now, as you can see, I'm ready to deliver.
39:16So, where's my sister?
39:41Pea?
39:43Pea?
39:44Pea?
39:44Pea?
39:44Oh, mother!
39:45I'm back.
39:51My darling.
39:55Your move, Magdalene.
39:57I've missed you.
40:01Skylops.
40:02Son.
40:05You know what troubled me the most about killing that soldier?
40:09I might have got a dance for him.
40:12Move.
40:21Let me see your face.
40:23Sherlock!
40:30I find myself not lost for words, which will be a first.
40:37What's the matter, Mother?
40:39It's not her.
40:41Mother.
40:45Silas.
40:46Trust me.
40:48It's not Beatrice.
40:51How about him, Princess?
40:52Thank you, James.
40:53No!
41:01No!
41:02No!
41:03No!
41:06No!
41:07No!
41:09No!
41:12Finder!
41:14You! I knew you'd betray me, Sherlock.
41:19Are you not my son, after all?
41:24Hello, Mother.
41:28Me?
41:30Me?
41:39Sherlock.
41:41Mycroft.
41:43Raise your hands.
41:47If you'd be so kind.
41:51You too, brother, dear.
41:59Isn't this nice?
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