- 7 hours ago
Your Friends and Neighbors S01E05
Category
📺
TVTranscript
00:10Say goodbye to your old-fashioned toilet and say hello to luxury.
00:16Introducing the Luxos MT, the world's most advanced luxury commode.
00:25It's going to change the way you think about the bathroom.
00:28Am I right, Cindy?
00:29That's right.
00:30It heats, it cleans, it deodorizes, it comes standard with Luxos' triple tornado flush system
00:37and it's smart home compatible.
00:39And here to tell us more about it is Luxos brand ambassador and three-time NBA All-Star Nick Brandon.
01:06Thank you, Cindy.
01:07Jim, my man.
01:08Please.
01:09It is a pleasure to be here.
01:10You're an NBA champion.
01:12You are rich, you're handsome, everybody loves you.
01:15I'm sorry.
01:16Is there a question in there?
01:17Because so far I can't argue with any of them.
01:20You have a string of successful businesses.
01:24Just tell us, why toilets?
01:26Oh, instead of sneakers or tequila?
01:28Exactly.
01:29Because they've been done before.
01:31See, I always say, why be late to the party when you can throw your own?
01:38Oh, speaking of party.
01:40Is that coming from there?
01:41It is.
01:42That's right.
01:43It's coming from the built-in Bluetooth speakers.
01:45Oh, no.
01:49Hey, hey, hey, hey, hey.
01:52Show me what you got.
01:56Oh, no, she did it.
02:01So bottom line, the Luxos MT is going to change the game.
02:05Sitting on one of these is like a little vacation you can book for yourself every day.
02:09Nick Brandes, everybody.
02:24Hey.
02:25Uh, what are you doing here?
02:29I really love toilets.
02:32I'm working.
02:33I know.
02:33Look, I just...
02:36The party, it was a lot.
02:39I acted like an asshole.
02:40Yeah, no argument here.
02:43Hey.
02:46I'm so sorry.
02:49It's the last time I throw you a party.
02:55I appreciate you trying to take care of me, even if sometimes I don't know what to do with it.
03:06Well, I can't say you didn't warn me.
03:09No, you can't.
03:11Look, uh, I know this.
03:14Us, we shouldn't have happened.
03:16Or at least not the way it happened.
03:19I'm sure you have your regrets.
03:21Nick, I...
03:22No, no, no, no, no.
03:23I feel them.
03:24Believe me, I wish it had gone down differently.
03:27But, uh, just because it didn't start right doesn't mean it isn't right.
03:33This is real for me, Mel.
03:35Just wish you didn't feel like you have to try so hard.
03:38Yeah, that's what happens when you fall to the second round of the draft.
03:40You spend the rest of your career and life trying to make up for it.
03:44You don't have to do that with me.
03:51Do you have, like, a dressing room?
03:54Yeah, a nice one.
03:57Show me.
04:01I've been waiting for a minute.
04:11I'm gonna go.
04:21Oh.
04:22Oh.
04:23Oh.
04:29A paper shadow in a house of stone
04:34The wooden flag of a drifting dreamboat
04:40I never knew how far the ride was gonna go
04:44Till I look back at the smoke
04:48You can't keep up with the Johnson
04:52Don't wanna run for the roses
04:57I got my pocket opposing
05:03Sometimes I wonder why
05:05Sometimes I wonder why
05:08I just don't have the Joneses
05:13Don't wanna smell the dying roses
05:18I got my pocket full of roses
05:23I don't keep up with the Joneses
05:45What am I looking at?
05:47I know it looks like somebody wiping off their brushes
05:50But this is a Lichtenstein
05:52I know who Lichtenstein is, you baron
05:54What I meant is why am I looking at a bad photo of it
05:57Because I want to steal it
05:58I don't mess with art, neither do you
06:00Come on, jewelry and watches can only get me so far
06:03A score like this, way more upside for the exact same risk
06:06Score? Who are you?
06:08James Caan all of a sudden?
06:10I'm sure you know someone that can move it
06:12Rocco, what's my policy on paintings?
06:14No paintings!
06:16These art guys, they're a different breed
06:18I'm telling you, they're savages
06:21The last time this sold at auction
06:24It went for over one million dollars
06:27That was seven years ago
06:29I've already been inside the house where it is
06:30I steal it, I replace it with a forgery
06:32Nobody knows the difference, easy
06:33How do you know it isn't already a fake?
06:35Because the guy that owns it probably bought it from Larry Gagosian
06:39He's an insecure narcissist whose entire self-worth is wrapped up in what he owns
06:43He doesn't care that it's beautiful, he cares that it's real
06:46I know the type
06:49Come on, I'll toss you an extra 10%
06:52You don't have to lift a finger, I just need the introduction
06:57I will have to lift a finger, and for that I'll take an extra 20
07:01And if it goes sideways, I don't know you
07:04But you have to hear me now, you do this
07:06You do it the way I say
07:08Pickpock, no improvising
07:10Yeah, I hear you
07:12Say it
07:13Pickpock
07:14Smartass
07:15No improvising
07:19Okay, get out of my store
07:21I'll let you know when it's set
07:25Rocko
07:28So, it looks like we hit a shale shelf
07:31And what does that mean?
07:33It means my guys are going to have to spend a few weeks breaking it up, pulling it out
07:37Well, can't you just dig around it?
07:40Yeah, sure
07:41If you want to move your entire house a hundred feet that way
07:44I'm kidding
07:45But I can't dig a foundation into solid rock, we gotta pull it out
07:49Hey, Phil, where do you want this loader?
07:51Yeah, I'll be there in a minute
07:52So, just, Phil
07:53So, how much is that gonna cost?
07:56Well, I can't give you an exact figure until we start demolition
07:59See how far down the shelf goes
08:01Oh
08:02It's gonna be heavy machinery, possibly some blasting
08:04You're gonna blow up my backyard?
08:05Well, not me, I'm gonna bring in some specials
08:08Ballpark, Phil
08:11How fucked are we?
08:15Two hundred grand, give or take
08:18Okay
08:20Okay, maybe we should just press pause, you know
08:22Get a surveyor out, you're checking with the architect
08:24We should maybe do that
08:25No, boy
08:26Hey, that's your call
08:27But if we stop work
08:29I gotta move my guys to the next project in line
08:32That won't be necessary, Phil
08:34Email us the quote, we'll work it out
08:37Will do
08:38Will do
08:46Yeah
08:47The world is so small
08:50Till it ain't
08:51Till it ain't
08:52Till it ain't
08:53Till it ain't
08:53Till it ain't
08:54I'm building up a
08:56Oh
08:57Hey
08:58Sorry I didn't see you
09:00Surprise
09:03I love this song
09:05I don't wanna keep you right
09:07I don't wanna keep you right
09:08I hope I never keep you right
09:19Where you headed?
09:20Chemistry
09:26Forget chemistry
09:27Forget chemistry
09:28Forget chemistry
09:28You're coming with me
09:39Yeah, fuck me harder
09:41God, your fucking dick is sick
09:44Harder, harder, harder
09:46I'm gonna come
09:47I'm coming
09:49God
09:53Yeah
10:06It's Henry's birthday on Saturday
10:08Oh, right
10:08What is he?
10:09Almost six?
10:12Five
10:12Yeah, well that's a fun age
10:14Is he having a party?
10:15I'm taking him to Boston to see my parents
10:18Nice
10:18When will you be back?
10:20I'm not sure
10:22I think I need to get away from everything for just a bit
10:27Well, when you get back, if you want, we can maybe go around the city, check in some place
10:32Get away from everything together
10:35It's fine, we don't have to do that
10:39I mean, I know we don't have to do that, we don't have to do any of this
10:42That's true
10:44And I'm thinking maybe we shouldn't
10:47What are you talking about?
10:49I think maybe we've taken this as far as it goes
10:51Let's not ride it till the wheels come off
10:54I like you, Coop
10:56A lot
11:00Maybe too much
11:03The thing is, I don't always like myself when I'm with you
11:06Hey, hey, Sam
11:07Look, I know I've been a bit preoccupied the last few days
11:11You're not ready for anything real, at least not with me
11:14I just can't be some wayward bachelor's midlife fling forever
11:18That is not what I think of you
11:20Come on, Coop, I'm giving you a guilt-free out
11:23Just take it
11:25God, sounds like I don't have much choice
11:27Wrong again
11:30Sam
11:41Hey
11:42Little afternoon delight with Sam, huh?
11:45Yeah, I'm afraid it might be the swan song for that
11:50Aw, that's too bad
11:53Right?
11:53I mean, it's fine
11:55Okay, cool
11:56Well, I will not miss the play-by-play
11:59Oh, my God
12:01Oh, right there
12:02Yeah, that's the spot
12:03Oh, fuck yeah, Coop
12:06Please
12:07Fine
12:08What do you want to talk about?
12:11Anything else
12:11How's your new gig?
12:12It's good
12:13It was really good, actually
12:16They offered me a regular slot
12:17Four nights a week at the tap
12:19Prime time
12:20Poster in the window
12:21I mean the whole shebang
12:22It's amazing
12:23I'm so proud of you, congratulations
12:24Thanks
12:25Wow, now one of us actually has a job
12:29Well, for a guy who has no job, you, um
12:31You sure are busy
12:33I feel like
12:34I feel like I have this place all to myself, like, every day
12:38Yup, well, not today, baby
12:42TCM beckons
12:46Okay, excellent
12:49Can we watch something that was made
12:51After I was born?
12:52San Francisco
12:53Last night
12:55No
12:56Who was murdered?
12:58I was
13:04I let my friend live upstairs
13:07In the spare room for a minute
13:13We need space
13:15We need space
13:16We need space
13:16We need space
13:17We're still in the grief phase, you know?
13:20I'm sorry
13:20I'm sorry
13:21I'm sorry
13:22I'm sorry
13:23Yeah, I admit it
13:25We're losing the grace
13:27Look up
13:29It's only been a year
13:30We're still in the grief phase, you know?
13:32Imagining they'll get back together and everything will be like how it used to be
13:35Once you let go of that little fantasy,
13:37you'll see divorce has its upsides.
13:40Like what?
13:41With two parents, you're unnumbered.
13:42But with one, it's way easier to slip under the radar.
13:45The real trick is playing them off each other to get what you want.
13:48I used to do that when they were still married.
13:52There's more to you than meets the eye hunter, Cooper.
13:55God, I hope so.
13:57Who's in there?
13:58Shit.
13:59Unlock this door.
14:00Immediately.
14:05Skipping class and trespassing are cause for concern as it is, but...
14:09Okay, trespassing?
14:10Come on.
14:11You make it sound like you have a ski mask and a bolt cutter.
14:14He was messing around backstage with his friends.
14:16I'm afraid this goes way beyond that.
14:18Hunter was distributing drugs to his peers.
14:21Excuse me?
14:21What?
14:22They were snorting his Adderall in the dressing room.
14:24Mayfield has a zero-tolerance policy when it comes to drug dealing on campus.
14:28I cannot turn a blind eye.
14:30I'm afraid Hunter will be expelled.
14:32Wait, wait, wait.
14:32Just a second.
14:33Just a second, please.
14:34Look, our son is not a drug dealer, okay?
14:37He has ADHD.
14:38Now, do teenagers make bad decisions?
14:41Yes, it's baked into their DNA, but he's never gotten in trouble before.
14:44He deserves a second chance.
14:46Mr. Cooper, this isn't the first meeting we've had about Hunter's behavior this year.
14:49The absences, the missed assignments...
14:51What are you talking about?
14:52What is she...?
14:53Cooper.
14:54You had meetings without me?
14:55They were in your calendar.
14:57Why wouldn't you have called me and told me what was going on in these meetings?
15:00Okay, not now.
15:00Please.
15:05I understand the position our son has put you in.
15:09I see troubled kids every day in my practice.
15:12I always try to consider the mitigating circumstances.
15:15Maybe these older kids pressured him into sharing his prescription.
15:20Right?
15:20He wanted to impress them.
15:21He wasn't selling drugs.
15:22He was trying to fit in.
15:25But he will be punished.
15:26We will personally guarantee nothing like this ever happens again.
15:31I'm afraid my hands are tied.
15:38Okay, Leila, I saw the big thermometer downstairs in the hallway.
15:43This year's fundraiser for the new athletic center.
15:46You're short.
15:50How much is it going to take to put you over the top?
15:52Mrs. Cooper.
15:53No, Hunter's a good kid.
15:55You know it.
15:56We know it.
15:57And the school has needs.
15:59Everybody wins.
16:00So come on.
16:02What's the going rate for turning a blind eye these days?
16:06$240,000, Mel?
16:08Jesus Christ.
16:09Look, her son was about to get kicked out in one of the best schools in New York State.
16:14And that would have killed his chances of getting into a decent college.
16:16And you know something?
16:17I didn't see you doing anything to fix it.
16:19We could have reasoned with her.
16:20We could have appealed to her.
16:21My God, she's only known us forever.
16:23She called him a drug dealer.
16:24And you rewarded her with a quarter million dollar pledge.
16:27Sorry, I really thought she was going to say, like, $20 or $30.
16:30Maybe leave with that instead of with a blank check.
16:32Okay, guess what?
16:33You're the big hedge fund guy.
16:35Why didn't you negotiate?
16:37Because when you negotiate, you need leverage.
16:38Leverage is what you immediately gave away when you opened your mouth.
16:41You know what?
16:41That's not fair.
16:41What is the going rate for turning a blind eye?
16:44My God.
16:45Are you done?
16:47Because I've already got one child to deal with today.
16:50You.
16:54So you're suspended.
16:56And grounded.
16:57Forever.
16:58Mom.
16:58And it would be really smart if you don't talk right now.
17:02Bowie, huh?
17:02I didn't know you were into him.
17:04He's all right.
17:06Wow.
17:07Read the room, Coop.
17:07It's not the time to play the cool dad.
17:12Good luck, buddy.
17:24Girls?
17:25Good luck.
17:27Good luck.
17:28Good luck.
17:31Good luck.
17:33Good luck.
17:33Nice to see you again, 어머니.
17:35Barney?
17:37So he's still not Korean.
17:40But he's still sleeping.
17:43A little bit.
17:44Mr. Pot, welcome.
17:46Oh, that's it.
17:47How are your parents, Barney?
17:49About the same, sir.
17:51Do you still drink scotch?
17:53Oh, from time to time.
18:02This one is for special occasion.
18:05Forty-year-old country gold.
18:08Thank you, sir.
18:16Yeah.
18:17Yeah.
18:20Yeah.
18:21Yeah.
18:21Yeah.
18:22Okay, girls.
18:23Do you want to show the harmony and Harabaji the side door?
18:25Sorry about the mess.
18:27Construction's moving a little slower than we expected.
18:37So what do you think?
18:40I don't know.
18:41I mean, with stuff like this, it seems like it's more provocative than meaningful in any real way.
18:47Who's gonna care about this stuff five years from now, right?
18:52I'm no expert.
18:54Well, we're all wrong answers.
18:56That's the beauty of art.
18:57Yeah?
19:00Who told you that?
19:03When I was little, my aunt was a docent at the Villavar de Santo Domingo.
19:07I used to spend the summers with her.
19:09Why don't you give tours?
19:11Hmm.
19:15Hey, are you sure you want to do this?
19:17For what?
19:20Any of it.
19:20All of it.
19:22Are you trying to call me out of this, all of you?
19:24No, no, not at all.
19:25Then what?
19:25Well, I'm just saying, if we get caught, I can talk my way out of it.
19:29I can lawyer up.
19:31What happens when you get caught?
19:35I don't need you to protect me.
19:36Well, good.
19:37Because I'd probably be pretty shitty at it.
19:40But aren't you putting kind of everything at risk?
19:43What are we putting at risk?
19:46What do you think I actually have to lose?
19:54Okay, partner.
19:57What about this thing?
20:03It's a lot to take in, isn't it?
20:06The artist was once an altar boy in Dusendorf.
20:11Likely molested.
20:13Definitely a prick.
20:17I'm Christian Thoroson.
20:19I'm the owner of the place.
20:20Oh.
20:20For better or worse.
20:21Of course.
20:22Nice to meet you.
20:22I believe we have a mutual friend.
20:25I believe you're correct.
20:26Yeah.
20:26Well, I have to say, she described you perfectly.
20:28Is that so?
20:29Yeah.
20:31And who's your date?
20:32Uh, his partner.
20:34Pleasure to meet you.
20:35Enjante.
20:38Partner.
20:40Excellent.
20:42I saw you looking at this piece.
20:45Yes, it's provocative.
20:48Yes, most of this shit is.
20:51But is it actually any good?
20:54That feels like a trick question.
20:57Come with me.
20:58Let's talk arts.
21:08This piece was difficult to acquire.
21:12Especially on such short notice.
21:14You mean someone already had this sitting around?
21:17I have a lesbian in Bushwick who sources all my pop abstracts.
21:21Impressive.
21:22Is she the one looking at us now?
21:26It is as close to perfect as it can be.
21:30Hmm.
21:31The Magna acrylic paint Lichtenstein used is nearly impossible to source.
21:36Most modern-day acrylic paint is water-soluble, but the Magna was miscible with turpentine.
21:42Golden artist colors comes closest to Magna's high-gloss finish, but it's not an exact match.
21:50It'll hold up to scrutiny, but not chemical analysis.
21:53Oh, it won't be analyzed.
21:56How can he be sure?
21:57You know your job, and I know mine.
22:00You've never done this before, have you?
22:02I'm a quick study.
22:03You're a tourist.
22:04Tourists make me nervous.
22:06And yet, here you are.
22:07Yes.
22:08I am here.
22:10Lou believes in you, and I believe in Lou.
22:13But I'm still not convinced you can deliver.
22:15Well, the fact that you called your lesbian in Bushwick makes me think that you think I can deliver.
22:21Okay.
22:22So, we swap out the fake, bring you the original, and then what?
22:27Oh, after I authenticate the piece, I have two buyers interested.
22:32One crypto-grove who wants to move into tangible assets.
22:38And the other is former employer.
22:41It's deliciously messy.
22:44I expect the bidding to be heated.
22:46Sounds promising.
22:51What the hell?
22:57I have decided to like you.
23:00I appreciate it.
23:03Now, if you'll excuse me, I have some psychedelics to procure for some clients.
23:10Oh.
23:13Have fun.
23:30I want you to get to work through the gym.
23:33I'm all busy.
23:35I'm going to wash the gym.
23:37I'm here.
23:40I'm going to wash the gym.
23:44I'm all going to wash the gym.
23:45But I have problems with children.
23:47That's what you're concerned about.
23:48The children, the fence, the fence, the tusk, and theストaies that are not knew that they're so bad.
23:51And I've been waiting for a couple of months.
23:55I've been talking about your mom and I've been talking to you
23:58but I've been working for a long time.
23:59Yeah.
24:03I'm grateful for you to think about it,
24:05but when I'm sleeping, I'm going to be more difficult.
24:09You're going to be working for a long time.
24:14Your father should take a different house.
24:18You and I are thinking about it.
24:21Hmm?
24:23We'll have a good time.
24:25Yeah.
24:26Is this good?
24:28Do you have dinner at Greenhouse?
24:41Why don't I get us some whiskey?
25:11Oh, my name, um, did you need anything?
25:14Grace tells me you're having some financial challenges.
25:18I'd like to help.
25:19Well, that's not necessary.
25:22I'd feel better knowing she didn't have to worry.
25:25I don't know what Grace told you,
25:28but there's nothing to worry about.
25:30I'm just trying to encourage some financial responsibility.
25:33Um, one of the hazards of marrying a wealth manager, I guess.
25:45My daughter is not a client.
25:47She's your wife.
25:49Don't worry.
25:51This will stay just between us.
25:55I have a personal account I keep just for these little emergencies.
25:59It's very generous of you, Mrs. Park, but there is no emergency, so...
26:08You know, you would do so much better working for Mr. Park.
26:11Ah, yeah.
26:14It's a shame you don't speak Korean.
26:26Shame you're such a fucking prick.
26:41Hey, Hunter, we still need to talk about what happened at school.
26:44Why?
26:46Because you almost got expelled. Does that not concern you?
26:49Not really.
26:49Have you seen the flaming hots?
26:51How about something that won't rot your guts?
26:52I can whip you up a smoothie.
26:54No, thanks.
26:55Hey, I just want to understand what happened.
26:58I cut class. It's not that complicated.
27:01What about the medication? Were you selling it?
27:04No. What?
27:05It's understandable for you to want to impress your peers.
27:10But Adderall's a serious drug. You can't just hand it out.
27:13Oh, my God. Can you stop?
27:14Wait a minute. Where are you going?
27:16Hey, I'm not done talking to you!
27:40Hey, I brought you your prezzy.
27:49So, uh, how's it feel being Mayfield's main character?
27:54Those sophomore hotties letting in your DMs or what?
27:57Yeah, totally.
28:14You make this?
28:16Yeah.
28:20Holy shit, Hunter. I think you might actually have a soul.
28:26Fuck off.
28:52Don't just walk.
28:55Run.
28:56Don't just talk.
28:59I need action.
29:01Uh-huh.
29:02I need more pace.
29:05Go hard.
29:06I want to see the heart racing.
29:16Allie.
29:17Hey.
29:18I didn't know you joined.
29:20Oh, I'm just borrowing Andy's.
29:22He doesn't use it anymore.
29:23It seemed a shame to let it go to waste.
29:25Sorry, memberships aren't transferable.
29:27Neither are wives. And yet.
29:31I'll tell you what, why don't you take her for a test drive.
29:34If you decide to sign up, we're running a friends and family promotion all month.
29:37Thanks, Nick.
29:39I am neither.
29:59A reasonable person might have seen a close call with the police and a flesh wound from
30:03a large dog as a flashing neon sign from the universe telling them to find a new line
30:08of work.
30:09But that wasn't really an option for me.
30:11Know what you're doing?
30:12No particular role.
30:14Canvas.
30:17Stretch bars.
30:19Like this.
30:21I use these to square the corners.
30:24Back door open.
30:34When it comes to American pop art,
30:36Roy Lichtenstein is in a dead heat with Jeff Koons as the favorite for buyers who don't
30:40actually give a shit about art, but regard it as a sexy investment.
30:43They're coins.
30:44Collectors only in name.
30:46This piece here, Square, from 1983, was most likely purchased as an appreciating asset,
30:50rather than on its artistic merit.
30:52Which is a shame.
30:53I always kind of liked Lichtenstein's work.
30:55Especially the comic book paintings.
31:00It was becoming apparent that my expenses would always find a way to outpace me.
31:03So a few higher price scores, like this painting, would mean more money with fewer robberies.
31:08Higher risk, higher yield.
31:10Or maybe I was just starting to like it.
31:33So what about your razónly thought about?
31:42Because I never think about-
31:44I get a hundred more money.
31:46No, I get two chickens.
31:48I am not a chicken!
31:49Hey, guys, can you calm down just a little bit?
31:51We're almost to Grandma and Grandpa's.
31:54Dave!
31:55Dave!
32:02Oh, my God.
32:04Hey.
32:05Hey, honey.
32:08Hey.
32:09I hear it's someone's birthday tomorrow.
32:11You know anything about that?
32:12He's turning five.
32:13Really?
32:14We better go see if we can find some cake.
32:16I don't see him.
32:16Look at that table right there.
32:18Whose presents?
32:19Oh.
32:21Oh.
32:21Oh.
32:22Oh.
32:22Oh.
32:22Oh.
32:24Oh.
32:24Everything okay?
32:26Oh.
32:27Yeah.
32:27Just a long car ride.
32:29Come on, then.
32:31Come on.
32:32Dog?
32:33Yeah.
32:38Han.
32:51It's good to have you home.
32:58That's it.
32:59Okay.
33:00Activate those glutes.
33:00Squeeze at the top.
33:02I want to see it.
33:03Nice.
33:04Good.
33:05Great class, everybody.
33:08Don't forget to stretch.
33:10See you next week.
33:13Ali?
33:14Oh.
33:15Hey, Bruce.
33:18What are you doing here?
33:19Same as everyone else.
33:21Just trying to turn my ass into a lethal weapon.
33:27I'm not stopping you if that's what you're worried about.
33:30No.
33:31Of course.
33:32I've been staying with Andy.
33:34He had a couple of visitor passes.
33:36Hope that's not weird.
33:39You look good.
33:41Healthy.
33:42You mean, uh, not, uh...
33:47I guess the move's been good for me.
33:49I've been spending more time with Andy.
33:51I've actually been playing some gigs again.
33:53Oh, yeah?
33:54Yeah.
33:55At the Taff.
33:56It's mostly just...
33:58drunk locals talking over my songs.
34:01Heavy.
34:02Hey, you're out there doing your thing, playing music.
34:04Somewhere other than my lawn.
34:06Oh.
34:07Damn.
34:07You went there.
34:09Honestly, I kind of miss it.
34:11I bet you do.
34:12I bet your wife does, too.
34:15I don't know.
34:15Maybe I should come back and take requests.
34:21Sorry.
34:22Dad duty.
34:23It's good to see you.
34:25Maybe I'll swing by the Taff sometime.
34:26Cool.
34:28See you in ass class.
34:31See you in ass class.
34:46Oh, my God.
34:47I misjudged you, my friend.
34:49Yeah, I get that a lot.
34:50This tourist has balls!
34:53Yes!
34:53I love it!
34:55Okay.
34:56So, what happens now?
34:58Um...
35:00Give me a minute.
35:14What?
35:15You look really nice.
35:17That's because you're taking me to dinner after this.
35:20No.
35:20No.
35:24Okay.
35:25Okay.
35:26It'll take my people, uh, a few hours to authenticate.
35:31In the meantime, I see you're dressed to celebrate.
35:35So, let's celebrate!
35:37It's great!
35:40Don't stop the music.
35:44I have a feeling of fun.
35:47Don't stop the music.
35:50I have a feeling of fun.
35:55Don't stop the music.
35:58Don't stop the music.
35:59I get it.
36:02Yay!
36:06Hey!
36:08Woo-hoo!
36:09Here we go!
36:15Of course!
36:17Right on the table.
36:27Woo!
36:31Oh, uh, maybe later.
36:34I thought you Ivy League types love the nose candy.
36:37Yeah.
36:41Hey, what about you, beautiful?
36:43You in?
36:46Sure.
36:56What?
36:57We're celebrating, right?
36:58I guess so.
37:02Give it, give it, give it, give it!
37:05Oh.
37:07My goodness.
37:08Yeah, good.
37:09Yes, indeed.
37:11I think I need to dance.
37:12Yes.
37:14It's great.
37:19What a place.
37:20It's nice, huh?
37:23I'd love to come here, too.
37:26Huh.
37:28Yeah!
37:29I love it!
37:42Hey, so you and the girl.
37:44Oh, uh, no, we, we, we keep it professional.
37:48Ah, okay.
37:50That's probably for the best.
37:52I mean, you're a very handsome man, but maybe too old for some rides.
37:56Ha, ha, ha, ha, ha, ha, ha, ha.
37:58Whatever you say.
38:00Yeah.
38:01Ah.
38:03You want another bump?
38:04Oh, no, I'm, I'm good.
38:06Could always be better, though.
38:09Yeah.
38:11Woo!
38:14Ah, it's so good.
38:17Yeah, I'm gonna, I'm gonna go, uh.
38:20Here, bye.
38:22Ha, ha, ha, ha.
38:27Ha, ha, ha, ha, ha.
38:31Oh!
38:31What are you doing again?
38:32Yeah, I'm good.
38:34Hey!
38:36Oh, okay.
38:36Looks like you needed a break.
38:38Ha, ha, ha, ha, ha.
38:38Isn't that obvious?
38:43Maybe I just know you better than you think.
38:45Ha, ha, ha, ha, ha, ha, ha.
38:47Yeah, maybe.
38:48Come on, dance with me.
38:50Oh, I'm not much of a dancer.
38:52Well, a few weeks ago you were much of a thief.
38:55Maybe you're a good dancer, you just don't know yet.
38:58Okay.
39:16Hey.
39:17Okay.
39:19See, you got some moves.
39:21Yeah, I think that's pretty much the drugs talking.
39:24Oh.
39:25Don't be sad, Coop.
39:28What are you talking about? I'm not sad.
39:30You're always sad.
39:33I see it.
39:34Behind your eyes.
39:49Hey, I'm gonna get another drink.
39:52Do you want anything else?
39:53I'm just gonna stick with the bubbles.
39:55Okay.
39:56Yeah, I'll be right back.
40:16Hey, Elena.
40:19Hey.
40:22I started to worry you'd forgotten about me.
40:25Of course not.
40:26The whole reason we're here.
40:28I suppose I am.
40:29Yeah.
40:30But I'm thinking that maybe you and I are also here for a different reason.
40:37Oh, yeah?
40:37Yeah.
40:38What's that?
40:39Let me show you.
40:42Oh, no.
40:50Okay.
40:51Easy, Cho.
40:52Easy.
40:54Hey, hey.
40:56Easy is for kids.
40:57Guapa.
40:58I prefer heart.
41:03Hey.
41:05Hey.
41:06Hey.
41:06Hey.
41:06Everybody okay here, guys?
41:08Yeah, we just sat in a private moment.
41:10You okay?
41:11Yeah, I'm fine.
41:12You sure?
41:13I got it.
41:14Okay.
41:14I asked and answered, old man.
41:16I think, uh, maybe we should all just go back upstairs.
41:19Jesus Christ.
41:19Oh.
41:21Oh.
41:22Ow.
41:24Goddamn.
41:26Okay.
41:28Okay.
41:29Okay.
41:30Okay.
41:31Okay.
41:31Okay.
41:31Take a deep breath.
41:32Hey!
41:33Ah!
41:35Ah!
41:36Ah!
41:37Come on!
41:37Ah!
41:39Ah!
41:42Ah!
41:42Ah!
41:42Ah!
41:43You're drowning me!
41:44You're drowning me!
41:45You're drowning me!
41:46Ow!
41:46It hurts!
41:46Okay, don't rub them.
41:47It's only gonna make it worse.
41:48Ah!
41:49Ah!
41:50Ah!
41:51Is that better?
41:53Yeah, a little, I guess.
41:54I don't know.
41:54What the fuck were you thinking?
41:56Huh?
41:57You're welcome.
41:58I had him under control.
42:00Well, it didn't look like that to me.
42:01Do you know how many times I've had a guy press his dick up against me in a place like
42:04that?
42:05No, you don't.
42:06Of course not.
42:06Because you're a man.
42:07Look, I was trying to help you.
42:08Okay, do me a favor.
42:09The next time you try to defend me, how about you wait until after we get paid?
42:13What?
42:13That's what you're mad at?
42:14Are you kidding me?
42:15It's not that big a deal.
42:16We can steal something else.
42:17I needed that money!
42:22You know what?
42:24You're just a rich guy who lost his money, and now you think you're fucked, but you have
42:28no idea.
42:29You've never gone hungry.
42:30Your kids will never go hungry.
42:33You just want what they took from you because all you know how to be is rich.
42:36Elena.
42:37You have no idea what real struggle is, Coop.
42:40The shit that you complain about, most people would kill for it.
42:47I'll make it up to you.
42:49Yeah, you fucking better.
42:52You're really just gonna leave me here?
42:54I really am.
42:55Well, I forgive you for the mace.
43:00Fuck you.
43:01It was pepper spray.
43:03Fuck you.
43:06You're right.
43:14I will take all your money.
43:15You're a little, you're a little more.
43:16I'll take you off.
43:17Cause I didn't want some money.
43:22It's a big yacht.
43:23I'm not sure I'll do it.
43:23It's too big.
43:25You're a big yacht.
43:26It's too big.
43:53Sam being away left me with a choice.
43:57I could drink too much scotch and fall asleep watching the Criterion collection in my house.
44:06Or I could go make some money in hers.
44:54I could go make some money in my house.
44:56This one is for special occasions.
45:53I could go make some money in my house.
46:05Shit!
46:13I could go make some money in my house.
46:45I know that breaking into your ex-lover's house is problematic on many levels.
46:50All of them, really.
46:53But when you've done some blow for the first time in over a decade, drunk your weight in whiskey, and
46:57been pepper sprayed all in the span of an hour, it's safe to say that making good choices isn't really
47:02on the agenda.
47:04All I knew was that Sam was out of town.
47:06I was out 150 grand and change thanks to the painting snafu.
47:09And Sam's French doors never locked properly.
47:24You remember this part.
47:29There was a lot of blood on the floor and I'd taken a pretty nasty whack to the head, so
47:33it took me a moment to realize that the dead guy next to me was Paul Levitt, Sam's ex.
47:42If there was ever a moment in all of this that I truly considered giving up, this was it.
47:46I was tired.
47:47Tired in a way I'd never been before.
47:50Tired in a way that makes you seriously consider just closing your eyes, opening your mouth, and letting the water
47:54fill your lungs.
47:55And if I'd known everything that was about to happen, I think I probably would have done just that.
48:01But the truth is, and I think this has been made painfully clear, I didn't know shit.
48:06Tom, Tom.
48:08Tom.
48:10Tom.
48:20Tom.
48:48All right.
48:51All right.
49:18All right.
49:19Nice one.
49:20Thanks.
49:22So what'd you get up to last night?
49:25Oh, uh, you know, not much.
49:32How about you?
49:35Same.
49:38There you go.
49:39All right.
49:42All right.
49:44All right.
49:47All right.
49:50All right.
49:51All right.
50:18All right.
50:20All right.
50:22All right.
50:31All right.
50:39All right.
50:40All right.
50:40All right.
50:54Transcription by CastingWords
Comments