Amazon Anaconda🐍💀Action Thriller Movie

Movie Time

#Blockbuster

Transcript

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00:00:24I am not willing

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00:12:45Is she in a

00:12:47I'm gonna fund you for a decade mood or

00:12:50this is your last

00:12:52exhibition mood

00:12:53Too soon to tell

00:12:55Although I'm optimistic

00:12:56she seems excited

00:12:58Well, yeah, it's her

00:13:00it's her last chance at joining an expedition before she pulls funding

00:13:06Oh, do you not know?

00:13:08Am I seriously the one breaking this news to you right now?

00:13:12Well, um

00:13:14I

00:13:15Ever since the White House

00:13:17pulled major federal grant programs

00:13:21trustees have been like

00:13:24skittish

00:13:25Donors and sponsors have been putting major pressure on Bella to secure another Tutankhamen sized exhibit

00:13:36Maybe you should get in touch with Dr. Stiglitz after all

00:13:39I already have

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00:22:12Before we found a rare, priceless Iheka, doodledackle, whatever you're calling it,

00:22:19in a lost temple that we haven't set foot in for six centuries.

00:22:23The first one sounds pretty good, but I'm kind of leaning towards the second one.

00:22:27The second one sounds good.

00:22:39Yes, hello, this is Dr. Augustine Stiglitz.

00:22:43I'm calling for Bella Jacobs.

00:22:45She reached out to me about a speaking engagement at your museum.

00:22:51Ah.

00:22:52Well, when do you expect her return?

00:22:57She is the curator of your facility, is she not?

00:23:03Do you mind if I ask the nature of this expedition?

00:23:08Chiapas?

00:23:09I know the area.

00:23:11Yes, quite well, in fact.

00:23:13Well, um, please let her know that I called.

00:23:21What's happened?

00:23:23Something the matter?

00:23:27She's going to southern Mexico.

00:23:30Dr. Potts.

00:23:32With financial backing from the World History Museum.

00:23:35Wait, but they pulled all the funding.

00:23:37Yes, yes, thank you, Peter.

00:23:38We don't need to get into that nonsense now.

00:23:42That birthday card.

00:23:45Lord knows I hate cheap sentimentality like that.

00:23:48She knows this.

00:23:50And Marlene would never dare directly tell me to my face what she was planning to do.

00:23:55Because of the museum?

00:23:56Yes.

00:23:57Yes, indeed.

00:23:59Hence the card.

00:24:02Just easier.

00:24:04So then what is she doing?

00:24:07Oh, Peter, don't you see?

00:24:09She's gone to Solanuska to find the airherkoskotl.

00:24:13The one she's always been planning to get.

00:24:15And the one that I could never find.

00:24:18But you proved it doesn't exist.

00:24:20No, I just proved that I couldn't find it.

00:24:25Reach out to the WHM.

00:24:27I've declined their kind offer on behalf of your employer.

00:24:31And send them a signed copy of my book for their silent auction.

00:24:36Oh, and Peter, perhaps you might read it before you do.

00:24:40Oh, yeah.

00:24:53Renting uncharted territory could be rougher terrain out there.

00:24:56So is this how all these go?

00:24:58Sometimes it's jungle.

00:25:00Sometimes it's desert.

00:25:01Desert's easier as long as you have enough water.

00:25:04Now give me this any day over the desert.

00:25:06Absolutely not.

00:25:07Have you been to the Arctic?

00:25:09Blinding, need I can deal with, but hold unforgiving.

00:25:13Look out!

00:25:25It is an omen.

00:25:29Quetzalcoatl, he does not want us to be here.

00:25:31I mean, we have to be here.

00:25:34I mean, we have to move on through.

00:25:37I don't know about you people, but I don't want to wait for another snake to show up.

00:25:42Bella, if Uretti says that it's too dangerous...

00:25:44Marlene, as the chief curator for the museum and the one funding this excursion,

00:25:51I need artifacts, so I say we press on.

00:25:56Marlene?

00:26:24Marlene, take a look at this.

00:26:26Oh, now this is what I'm talking about.

00:26:34I'm not gonna lie, I didn't think we'll find shit.

00:26:39The temple of Quetzalcoatl must not be approached with negligence.

00:26:47Marlene, take a look at this.

00:26:48You did it, you're at sea.

00:26:52Follow me.

00:26:54Stay close.

00:27:10Remember, we're in an ancient ruin.

00:27:13It's important to be cautious.

00:27:14Be careful, you must not disturb, Quetzalcoatl.

00:27:19To think this place has been left untouched for centuries.

00:27:23By anything other than Mother Nature.

00:27:29Wow, this is like a mine cell or a sub-zero.

00:27:33I don't know why.

00:27:36I don't know why.

00:27:45I'm not going to die.

00:27:46I don't know why I want to die.

00:28:03No!

00:28:03I don't know.

00:28:41This is where it happened.

00:28:46Oh, no!

00:28:50The cultists made the blood sacrifices right here in this very chamber.

00:28:58So, the murders happened in here?

00:29:02Sacrifices to Quetzalcoatl, the god of wind and creation.

00:29:09Here, take this.

00:29:18Hey, guys.

00:29:23The pit, it's been sealed shut.

00:29:26Well, maybe Quetzalcoatl was sick of all this blood and death.

00:29:34Okay, 3D conveying systems up and running.

00:29:38I'll have the Geovector online and ready to fly in five.

00:29:42Okay, Irv.

00:29:43You reading this?

00:29:45Yeah, data sets initiating.

00:29:48And data sets received.

00:29:51All right, we're good to go.

00:29:52Come on.

00:30:04Talk to Quetzalcoatl.

00:30:06Come on.

00:30:12Get up!

00:30:14Come on!

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00:31:31So, the artifacts, the relics, and scrolls, they just show up on this map here?

00:31:40Marlene?

00:31:44So, we've got everything on the schematics.

00:31:49Now what?

00:31:50Now what?

00:31:51What does now what mean, Marlene?

00:31:55Well, then, I don't know.

00:31:57We must not be in the right place.

00:31:59I hope the geovector can give us some more options here.

00:32:03You got all of our images.

00:32:04Everything's coming in here.

00:32:05Oh, I've got it all.

00:32:07Everything that's here.

00:32:07And what isn't.

00:32:13It's, um...

00:32:15Is this, this is it?

00:32:22I mean, don't get me wrong.

00:32:27It's, it's incredible.

00:32:29It's just that, um...

00:32:31Okay, okay.

00:32:32I was only able to secure funding for this, this little excursion of yours because I promised an entire board

00:32:43of trustees that I would return with a complete collection and exhibit of ancient artifacts.

00:32:51I cannot go back to L.A. without the, well, haha, we cannot go back to L.A. without the

00:32:59Ehekakotskado. You do realize that. Right?

00:33:02Are you being serious right now?

00:33:05Heads up, everybody.

00:33:06I'm bringing the drone back to base.

00:33:10The insurance alone on sending a crew out like this is staggering.

00:33:16Budgets are shrinking.

00:33:18Just loaning collections now is more profitable.

00:33:22Not as exciting, but budget-friendly.

00:33:27Marlene, I cannot have any more surprises the next time.

00:33:32Or there won't be a next time.

00:33:36Bala, you know as well as I do that history does not exist to be bought or sold.

00:33:41Those organizations, those people, they only see dollar signs.

00:33:44But you see what I see.

00:33:46Ancient history coming alive.

00:33:49Uniting us in our humanity.

00:33:51That's why we do what we do.

00:33:53We have to keep searching.

00:33:55Okay, well, let's bring back some artifacts.

00:34:00And this conversation never happened.

00:34:06Watch your heads, drone incoming.

00:34:24What the heck?

00:34:25Where did all this wind come from?

00:34:27Where's the drone?

00:34:28I'm losing it.

00:34:30I'm losing it.

00:34:33I can't see anything in this dust.

00:34:45I think we can't stay in here.

00:34:49Everyone, we need to get out of here.

00:34:51Go!

00:34:51Go, go.

00:34:52Go, go, go.

00:34:54Go.

00:34:54Keep moving.

00:34:56Keep moving forward.

00:34:58Go.

00:34:58Try it, go.

00:34:59Try it.

00:35:01Steve!

00:35:02It wasn't my fault, Marlene!

00:35:03Do you know what your careless mistake cost us?

00:35:05Marlene! Marlene! We're safe! We're safe!

00:35:08That is all that matters.

00:35:09Let's just set up camp

00:35:12before it gets dark.

00:35:13I guess that's when we have clearer heads.

00:35:16Come on.

00:35:17We'll figure this out.

00:35:30Hey, is it really true

00:35:31that the Aztecs were performing ritual sacrifice?

00:35:34Oh, yes.

00:35:35True indeed. In fact, the Aztec armies

00:35:38would capture their prisoners at war

00:35:39and sacrifice them to their gods.

00:35:44Wow.

00:35:46Dude, that's crazy.

00:35:47I mean, you read about stuff like this, but

00:35:50to think that those people actually did those things?

00:35:53And why?

00:36:03You enjoying retirement?

00:36:08Well,

00:36:09what else is there left to accomplish?

00:36:12You know, I've discovered ruins and relics

00:36:14the world had long thought lost forever.

00:36:17I've traveled to the four corners of the globe.

00:36:20I've written many books about these places,

00:36:22and some have been turned into some pretty decent movies.

00:36:26Others, eh,

00:36:27not so much.

00:36:29So,

00:36:30now I'm retired.

00:36:34Why do you ask about sacrifices?

00:36:38I went to something

00:36:39you wrote in your book.

00:36:41Ah.

00:36:42It was, uh,

00:36:43right here.

00:36:45Aztec religions

00:36:47became bloodthirsty.

00:36:49Human sacrifice became important

00:36:51in maintaining cosmic order.

00:36:52However,

00:36:54the high priests believed that

00:36:56the sun needed human blood just to rise inside.

00:37:00Well, yes, of course.

00:37:01Crazy.

00:37:02The sun has always been essential to human civilization.

00:37:05But the Aztecs also believed that Quetzalcoatl

00:37:08was the god of creation.

00:37:10And that he spilled his blood to bring humanity into life.

00:37:14But oddly,

00:37:15he was against the, uh,

00:37:17sacrifice of the unwilling.

00:37:18Really?

00:37:19And blood rituals in general.

00:37:22I wonder what it is that Marlene has found

00:37:24that makes her think that the Azteccoatl is in Chiapas.

00:37:27Hmm.

00:37:31The temple at Quetzalcoatl.

00:37:34Perhaps she's found it.

00:37:36Hmm.

00:37:36But then,

00:37:37why would the Aetzalcoatl be there?

00:37:41Well,

00:37:42maybe

00:37:44they wanted to hide it

00:37:45where they didn't think anyone would look.

00:37:47Why would you say that?

00:37:50Well,

00:37:52if Quetzalcoatl

00:37:53was against human sacrifice,

00:37:55then no one would be using

00:37:57the Ceremony of Breastblade

00:37:58in the place of worship, right?

00:38:01So maybe they hid it there

00:38:02because no one would look for it.

00:38:05Hmm.

00:38:07You know,

00:38:08that's not completely off base.

00:38:10Like I say,

00:38:11I've heard worse suppositions.

00:38:14Cheers.

00:38:31Luftwaffe.

00:38:33Boom.

00:38:46Tick.복!

00:38:49Whoo!

00:38:49Woo!

00:39:43Did you hear that?

00:39:45Did you guys hear that?

00:39:46Yeah.

00:39:48Where's Steve?

00:39:49Is everyone else?

00:39:49Steve!

00:39:50Steve!

00:39:51Steve!

00:39:52Steve!

00:39:54We should call Search and Rescue.

00:39:56They can do an aerial search.

00:39:57We need to find Steve or the experience is over.

00:39:59But we need to find him.

00:40:00Every moment counts.

00:40:02Alright, Jess and Bella, you stay here, we try and contact Air Rescue.

00:40:05Irv, Amy, take the gun, go back to where we came from, see if you can find Steve or his

00:40:09tracks.

00:40:10Anything, look.

00:40:12Birzy, Hector and I, we're gonna go west.

00:40:15Everyone meet back here in 15 minutes.

00:40:18You got it?

00:40:18Coffee.

00:40:19Yep.

00:40:36Air rescue!

00:40:38Come in!

00:40:39We have a missing person!

00:40:41Please!

00:40:42Come in!

00:40:44Air rescue!

00:40:45This is Dr. Bella Jacobs.

00:40:47We have a missing person emergency.

00:40:50I repeat, a missing person emergency!

00:40:53Over!

00:40:54I hope they find him.

00:40:56He seems like such a good guy.

00:41:15Steve!

00:41:17Are you hurt?

00:41:19Come on, buddy!

00:41:20Make a sound if you can hear us!

00:41:22Steve!

00:41:26Steve!

00:41:27Steve!

00:41:28Hide and seek's over, buddy!

00:41:31Steve!

00:41:32Answer us, please!

00:41:35Please!

00:41:42Just keep going.

00:41:44Steve!

00:41:46Steve!

00:41:48Steve!

00:41:54Air rescue!

00:41:57Sorry!

00:41:57Air rescue!

00:42:00Air rescue!

00:42:05Air rescue!

00:42:06Maybe your head sees right.

00:42:08Maybe there is bad energy here.

00:42:14Air rescue!

00:42:15Please, come in.

00:42:19We have a missing person.

00:42:22Please, we're in need of assistance.

00:42:34Steve!

00:42:35Steve!

00:42:41Steve, come on!

00:42:53Steve!

00:43:02God, I've never lost anyone on an expedition before.

00:43:05I haven't lost anyone just yet.

00:43:10Who is it?

00:43:12Get this size of this snakeskin.

00:43:16This is out here with us.

00:43:23What's up? Did you find Steve?

00:43:26No, we found this.

00:43:29Oh.

00:43:30Holy snakeskin.

00:43:31It's fresh.

00:43:33Recently shed.

00:43:35Let's see.

00:43:3512, 24 hours maybe.

00:43:37How can you tell?

00:43:38It's pliable.

00:43:40Supple.

00:43:41It's not dry and brittle.

00:43:43There's one massive snake.

00:43:45That's bigger than the one that almost got me.

00:43:49That's not funny.

00:43:52Yeah, I think we should, uh, go home.

00:43:56I hope.

00:43:58You should not.

00:44:00Why not?

00:44:01Evil energy will follow us wherever we go.

00:44:05Uh...

00:44:07I'm sorry, so we're just kinda stuck here?

00:44:10Forever, cause you're all too scared to just leave?

00:44:13Because of some religious superstition?

00:44:16We must find the evil energy.

00:44:20To feed it.

00:44:22Then and only then can we leave safely.

00:44:26How do you find that energy?

00:44:28Much less, um, destroy it?

00:44:31We head back to the temple.

00:44:34Okay, uh, may I remind you that the geovector scan didn't find anything.

00:44:39There is nothing undiscovered inside that temple.

00:44:42What about Steve? Maybe he's there.

00:44:45Bella's right. We can't leave without Steve.

00:44:49We all need to stick together.

00:44:52So then we head back to the temple to look for Steve.

00:44:55Yeah. Fine.

00:44:57Fine.

00:44:58If it were one of us, he wouldn't give up.

00:45:00Steve wouldn't give up. We have to keep going.

00:45:04Yeah.

00:45:08Great.

00:45:11We need to head out. Let's go.

00:45:15I'm gonna hang back for a second and try one more time to contact air rescue.

00:45:19Hector.

00:45:21Just hurry up. We can't wait for you.

00:45:30Okay.

00:45:40Air control, do you copy? Over.

00:45:44Air control, do you copy? Over.

00:45:47Air control, do you copy? Over.

00:45:50Who are you? Who are you?

00:45:53Air control, this is Hector Rojas. I'm part of the museum installation. We have lost one of our members.

00:45:59What is your location?

00:46:02My location?

00:46:06What is your location, sir?

00:46:09I'm locked.

00:46:13I'm locked.

00:46:18This is Hector Rojas that might be in the area.

00:46:21It hashes out.

00:46:25But, we have no room.

00:46:26No, no.

00:46:33I'm open to the museum.

00:46:34The museum is locked after that.

00:46:35This is Hector Rojas.

00:46:38I have an open room to go.

00:46:39You can see it.

00:46:39It's Hector Rojas.

00:46:45Steve?

00:46:51Steve?

00:46:53The pit.

00:46:55It's open.

00:47:02Okay, well, I don't think Steve's down there, so...

00:47:06Let's keep moving.

00:47:23We're good.

00:47:28It's totally empty in here.

00:47:32Guys, I don't think he came this way.

00:47:35It's the most obvious path,

00:47:37unless there are passages we have yet to discover.

00:47:54Wait, why would he come down this way?

00:47:57Steve being Steve.

00:47:58I don't think he's going to leave.

00:48:10Don't leave!

00:48:11Are you okay?

00:48:14Come on, we'll help get you out!

00:48:16What?

00:48:23Oh!

00:48:27Oh!

00:48:39Oh.

00:48:43No!

00:48:44No!

00:48:45No!

00:48:46You're dead.

00:48:50Jess!

00:48:52Bella!

00:48:56Orlean!

00:49:00Bella!

00:49:02Bella's gone!

00:49:06Okay.

00:49:07Okay.

00:49:08Alright.

00:49:10We need to get Heretzian and Jess out.

00:49:15We have some pulley ropes in the gear.

00:49:18I'll check it.

00:49:21Just hold on.

00:49:23We're coming.

00:49:24You think there's a way out over here?

00:49:28Let's go.

00:49:30Heretzian thinks he's found a way out!

00:49:34Okay.

00:49:35Be careful.

00:49:37If you find a way out, just meet us back at the camp.

00:49:54Okay.

00:49:56What do you want to do?

00:49:58Find an exit, too.

00:50:02Okay.

00:50:09What do you want to do?

00:50:12Find an exit, too.

00:50:13How do you know this is an exit?

00:50:16I don't!

00:50:25False corridor.

00:51:01Hey!

00:51:01I came as soon as you called.

00:51:03What's the emergency?

00:51:03Marlene and her expedition.

00:51:05They've gone missing.

00:51:05Air Rescue received multiple distress calls from her team, but they've all since disappeared.

00:51:11I've been on the phone with Search and Rescue and the U.S. Embassy.

00:51:15They're apparently gathering information.

00:51:17Well, you know what?

00:51:18They can gather all the information they like.

00:51:20I'm going down there.

00:51:21Augie, you cannot seriously be considering going down to Mexico right now.

00:51:25What do you suggest I do?

00:51:26Just sit here on my hands and do nothing, my dear boy?

00:51:29I would argue that I'm indirectly responsible for her being down there.

00:51:32Now, come on.

00:51:34We have to leave.

00:51:35I've been to that area and that terrain can be extremely vicious.

00:51:38We haven't got a moment to waste.

00:51:40Air Rescue last heard from them seven hours ago.

00:51:43We can be on the ground in Chiapas in four.

00:51:45Now, come here.

00:51:47Now, get these.

00:51:57Come on, chop chop.

00:51:59We haven't got a moment to lose.

00:52:01Your boats are possible with you.

00:52:03It's in the car.

00:52:04Let's go.

00:52:11Be careful, we don't want to trigger any more traps.

00:52:15Do you think Hector was able to reach them?

00:52:18I hope.

00:52:20And that help arrives soon.

00:52:27What are we going to tell the museum?

00:52:30I don't know.

00:52:31We need to figure out how to get out first.

00:52:35It's colder down this hall.

00:52:38It could mean a tunnel or an exit.

00:52:47You hear that?

00:52:50It's...

00:52:51It's close.

00:52:54You gotta see others.

00:52:56Jess?

00:52:58Is that you?

00:52:59No.

00:53:00Shh.

00:53:01Do you feel that?

00:53:09Something's coming.

00:53:11Marlene.

00:53:14Who had the other radio?

00:53:21Hector.

00:53:22How could he be...

00:53:29Run!

00:53:36We need to fucking exit.

00:53:48No, no, no, no, no, no! Just go! Just go! Just go! Just go! Go! Go! I'll see you out

00:53:52there, okay?

00:53:53No, no, no, no!

00:54:09Swallow this, you drink some of it.

00:54:25Dry your tears.

00:54:30Wait, wait, wait, wait. What is that?

00:54:37I need to get out of here. It could be getting bigger.

00:54:43What? Come on!

00:54:53Come on! There has to be a way out!

00:54:56We can't just be stuck here until Marlene finds us.

00:55:00This tunnel, it was used for prisoners, right?

00:55:04There had to be a way for them to come in and get them out.

00:55:10There's something on the ground.

00:55:12Where?

00:55:15There's a tablet on the ground.

00:55:19It has an etching of Quetzalcoatl on it.

00:55:24Okay, okay, okay, I see it, I see it.

00:55:29If, if we press it, we may, may just be able to get out of here.

00:55:35How do you know?

00:55:37There are no skeletons in here.

00:55:41There has to be a way out.

00:55:43This is our only chance.

00:55:45Okay.

00:55:46We have to take it.

00:55:48Okay.

00:55:49Press the tile.

00:55:56Reach! Reach!

00:55:59You almost got it!

00:56:05Come on!

00:56:06Come on!

00:56:07Come on!

00:56:09Okay, okay.

00:56:09I got it.

00:56:10I'm gonna get it.

00:56:13Damn it!

00:56:15I lost the flashlight.

00:56:20I just need something to reach you.

00:56:23Try reaching under the bars!

00:56:31I think we lost.

00:56:34Perfect.

00:56:34We just, we just left him.

00:56:36We left him.

00:56:37Marlene, we left him.

00:56:37We got Ethan!

00:56:38We got Ethan!

00:56:38We don't have time for that.

00:56:40We've got to go warm chest in your head seat.

00:56:41Can you do that?

00:56:42Uh-huh.

00:56:43Okay, you got it?

00:56:44Uh-huh.

00:56:45Okay, let's go.

00:56:46Okay.

00:56:51Help!

00:56:53Help!

00:56:54We're down here!

00:56:55Somebody!

00:56:58They cannot hear us down here!

00:57:01This is a prison!

00:57:03The walls are too thick!

00:57:09Help!

00:57:14Help!

00:57:18Help!

00:57:19Help!

00:57:20Help!

00:57:23You said something!

00:57:25You said something and it opened!

00:57:26What did you say?

00:57:28It's not a bar.

00:57:30An ancient natural.

00:57:31It means to open.

00:57:34Why didn't you do that in the first place?

00:57:39Your bantering gave me the idea.

00:57:43Oh, come on.

00:57:44Watch where you walk.

00:57:45It could all be ring.

00:57:48Please.

00:57:55In roughly 24 hours,

00:57:57the solar cycle will reach its maximum phase or peak.

00:58:01Meaning what?

00:58:03Sorry, I'm a little lost.

00:58:04I haven't finished your book yet.

00:58:05Well, when the solar cycle reaches its peak

00:58:08is exactly when the Aztecs would increase their human sacrifice rituals.

00:58:12More blood spilled.

00:58:14The temple at Quetzalcoatl was infamous for the amount of blood shed there.

00:58:19If Marlene has in fact found this temple and something has been awakened inside,

00:58:24then it's very hard to prevent it from escaping the temple and frankly,

00:58:28putting the whole world in jeopardy.

00:58:30all because of the, uh, the solar cycle?

00:58:34Yeah.

00:58:36The cosmic imbalance has long had a devastating effect on civilization for centuries.

00:58:43Great.

00:58:43So we've got, what, like 24 hours?

00:58:48We got this.

00:58:49Fine.

00:58:50It's fine.

00:58:52So we've seen 24.

00:58:54They got a lot done.

00:59:02We're only getting deeper into this temple.

00:59:07A library.

00:59:14Serpents.

00:59:16They're everywhere.

00:59:17Look at this, Amy.

00:59:20Ancient iconography.

00:59:22It's the symbol for the cult.

00:59:24Early to mid 1400s.

00:59:271400s.

00:59:28It's the, it's the rise of the Aztec Empire under the ruler.

00:59:32Um, it's a Quattel.

00:59:38Wait, wait, wait. Look at this.

00:59:41It's not Quattel's script.

00:59:43It's just got the same phrase over and over and over again.

00:59:46You're right.

00:59:48Chosen.

00:59:49Chosen ones.

00:59:51Rulers.

00:59:52Chosen to lead.

00:59:53It's everywhere.

00:59:56But Emperor Itzik Quattel's rule was not dominated by this attitude.

01:00:01While it not at first.

01:00:03It was introduced later towards the end of his rule.

01:00:08Mid 1400s.

01:00:09The Aztec Empire became highly militarized.

01:00:11And human sacrifices were widely accepted.

01:00:16Under the rule of the royal advisor.

01:00:19Tlacolol.

01:00:22Tl-Tlacolol?

01:00:24As in...

01:00:25Yorezi Tlacolol.

01:00:28Okay, it's too dark.

01:00:30We have to be careful so we don't walk into another trap.

01:00:37This temple...

01:00:39The people who made it would not have many traps in here.

01:00:44Yeah?

01:00:45Why's that?

01:00:46They were protected in other ways.

01:00:50What do you mean other ways?

01:00:53They took measures.

01:00:55To appease the gods.

01:01:02They took forms on Earth.

01:01:05That represented their power absolute.

01:01:08What does that mean?

01:01:12Pray you never have to find out.

01:01:20What was that?

01:01:28We need to keep moving.

01:01:30It's not safe here.

01:01:35The temple housed what they believed to be Tlacolol in his earthly form.

01:01:40Feathered serpents.

01:01:41He would grow larger and larger with every sacrifice he was offered.

01:01:47There was another theory.

01:01:48The Tlacololol belief.

01:01:51And that means protector, right?

01:01:55This temple was not built to house but to imprison.

01:01:58As a way to protect the world from the danger and the havoc it would wreak if it was ever

01:02:03released from the sacred land.

01:02:05Yeah, but this temple, it's falling apart.

01:02:09Yeah.

01:02:09Thanks to us and the collapse, the sacrificial pit has been reopened and the danger reawakens.

01:02:19So, how are we gonna kill this thing?

01:02:23Kill it?

01:02:24In my experience, gods don't die that easily.

01:02:27So what are we gonna do?

01:02:28Are we just gonna let this, this, this thing become the dominant apex predator on the planet and destroy just

01:02:36everything?

01:02:50It's the same thing.

01:02:52Peter!

01:02:54Now listen, this area can be very unforgiving.

01:02:58So, stay close, listen to every word I say and whatever you do, do not stray apart.

01:03:05Okay?

01:03:06Give me the guns.

01:03:15Augie, I'm staying here.

01:03:17Okay, if this goes south, you need someone at base camp.

01:03:20Okay?

01:03:22Okay.

01:03:24Stay safe.

01:03:25I'll see you.

01:03:29Okay, we need to look and find something that's gonna help lead us to just near that sea.

01:03:34Okay.

01:03:34A map, maybe?

01:03:40Okay, wait, check this out.

01:03:43That looks like a drawing of the temple.

01:03:45What it must have looked like.

01:03:47Perfect, then, uh, where are we in all this?

01:03:53Well, we're probably three stories down to preserve the humidity of the scrolls.

01:03:57Okay, if we entered here.

01:03:59Uh-huh.

01:04:01Got separated here.

01:04:03Okay, then this is where they'd probably be.

01:04:06So you think the dress is here?

01:04:12You should wear this.

01:04:16It would be highly inappropriate.

01:04:19I insist.

01:04:22It will protect you.

01:04:27Protection from what?

01:04:28It is your destiny.

01:04:33The gods are watching.

01:04:35And I won't take no for an answer.

01:04:37Where?

01:04:39That's you.

01:04:43You're...

01:04:44You're scaring me.

01:04:51We're just a few hallways away.

01:04:54We're on the lookout for traps.

01:05:03Where is it?

01:05:09Where is it?

01:05:10Where is it?

01:05:30Where is it?

01:05:46Where are you going?

01:05:51Where is it going?

01:05:54How is it going?

01:05:55I hate it.

01:05:59You look perfect.

01:06:03This feels really inappropriate.

01:06:08I can assure you everything your cousin should be.

01:06:15I really think that, you know, I should take this off and we can just find an exit.

01:06:23That's not gonna happen.

01:06:26What do you mean?

01:06:31I have bigger plans for you.

01:06:37Yati, I really think that, you know, we could just go find the others and we could...

01:06:48What are you doing?

01:06:52What I shouldn't have done long ago.

01:06:58What my ancestors were too cowardly.

01:07:02You don't have to do that.

01:07:05You don't have to do that.

01:07:07You don't understand.

01:07:10I must!

01:07:12I must!

01:07:14No.

01:07:15Please, please.

01:07:16No.

01:07:17Please.

01:07:17No.

01:07:18No.

01:07:19No.

01:07:20No.

01:07:25How could go?

01:07:27Going right.

01:07:29Except we need to go left.

01:07:31Left?

01:07:33Isn't there another way?

01:07:37There is, but it's longer.

01:07:41Let's take it.

01:07:43Stay close.

01:08:11I'm sorry.

01:08:12I'm gonna help you.

01:08:13No, no, no, no, you need to go, no, I'm not leaving, I'm not leaving, you need to go!

01:08:28I'm so sorry, I'm so sorry.

01:08:52No, no, no, no, no, no, what are you doing?

01:09:13Get away from me!

01:09:14I have no idea how great an honor it is to be sacrificed.

01:09:21There will be stories written about you.

01:09:24I'd much rather be writing the stories than dying in them.

01:09:28It is an honor.

01:09:32It's such an honor, why don't you sacrifice yourself?

01:09:39No!

01:09:41No!

01:09:42No!

01:09:43No!

01:09:46My country, my people, they are lost, they don't know their history, the great and powerful

01:09:55empire that ruled this country for centuries.

01:10:01Dr. El El El, the first, it was his vision that brought the Aztec empire to great new heights,

01:10:12through sacrifice and destruction.

01:10:18That is not to lay the inevitable.

01:10:22I must appease our gods.

01:10:26No!

01:10:34Straight, left, right.

01:10:36Straight, left, right, right.

01:10:39Straight, left, right, right.

01:10:42Straight, right, right.

01:10:45No!

01:10:47No, no, no, no!

01:10:48I am the steward of my people.

01:10:52I have to.

01:10:54I have to!

01:10:56Jess, Jess, Jess, Jess, Jess.

01:10:59Are you okay?

01:11:00She's got me.

01:11:01You're okay.

01:11:02You're okay.

01:11:05You're okay.

01:11:06You're okay.

01:11:07We're gonna get out of here.

01:11:08You're okay.

01:11:10Okay.

01:11:11All right.

01:11:12Okay.

01:11:13We got it.

01:11:14We're ready.

01:11:15Okay.

01:11:16Let's go.

01:11:18Let's go.

01:11:19Let's go.

01:11:26We got it, please.

01:11:29Okay.

01:11:36With your rattan gone, I don't think that book is gonna help us.

01:11:38There's gotta be something here, otherwise you wouldn't have kept it.

01:11:45If the talagala line is ended, Ketapuotu'll grow until it devours the world.

01:11:51but we already knew that.

01:11:53The only way to kill Ketokotl

01:11:55is to pierce its heart with the ceremonial blade.

01:11:59How are we supposed to do that?

01:12:01That thing is enormous.

01:12:03If we leave here, it's going to kill us.

01:12:08Okay, you need to get down to the lower levels.

01:12:10Make a bunch of noise, grab its attention, distract it.

01:12:13I'll go to the sacrificial pit

01:12:15and I'll grab the blade off of Uretzi's body.

01:12:18That's your plan?

01:12:19The temple is falling all around us

01:12:21and a snake is chasing us.

01:12:22Do you have a better idea?

01:12:26We just have to get out of here.

01:12:28No, we have to kill it.

01:12:29Otherwise, it's going to kill us.

01:12:32Jess.

01:12:36You have to go.

01:12:40Okay.

01:12:41Okay, okay, okay, okay, okay, okay.

01:13:03You want us so bad while I'm right here?

01:13:07Come and get me!

01:13:14Come and get me, you big legless freak!

01:13:30I'm right here, you want us so bad!

01:13:38Now I have your attention.

01:13:41I have your attention.

01:13:44I'm right here.

01:13:46Oh, my God!

01:13:50No!

01:13:50I don't know.

01:14:40I don't know.

01:14:55I don't know.

01:15:39Alright, jump it to me!

01:15:45What are you doing here?

01:15:46Time to run. Ask questions later, my dear.

01:15:54Wait, wait. Marlon is still in the temple. We have to help.

01:15:58In the temple? Then we need to go.

01:16:01You can't just leave her here.

01:16:04I'm not. We need to lure it away.

01:16:14Jess!

01:16:19Marlene.

01:16:28No.

01:16:36No! No!

01:16:39No!

01:16:40No!

01:17:11No!

01:17:14No!

01:17:17No!

01:17:19No!

01:17:21No!

01:17:22No!

01:17:23No!

01:17:26No!

01:17:41No!

01:17:42No!

01:17:56No!

01:18:01No!

01:18:02No!

01:18:03No!

01:18:03Let's go!

01:18:26No!

01:18:31No!

01:18:35No!

01:18:38No!

01:18:39No!

01:18:42No!

01:18:55Where did you find him?

01:18:57I'm afraid I found it around the neck of your dead guide in the chamber.

01:19:02Come on.

01:19:04We need to get to safety.

01:19:06We can't leave her.

01:19:09I assure you it's best that we leave immediately.

01:19:11Tell me, Jess, was there anyone else here with you?

01:19:14Just me.

01:19:16Everyone else is dead.

01:19:20Marlene, you are so close.

01:19:24I wish you could come back with me.

01:19:26Come on.

01:19:27Time to go.

01:19:29We'll come back.

01:19:30I'll send a team.

01:19:32We'll do a proper excavation.

01:19:38No.

01:19:40Wait.

01:19:41Look.

01:19:42Look.

01:19:43No way.

01:19:45No way.

01:19:59Jack.

01:20:09Marlene.

01:20:09You did it.

01:20:12You did it.

01:20:14I guess that ceremonial knife came in handy.

01:20:19Augustine.

01:20:20I got your birthday card.

01:20:22You couldn't let yourself be upstage.

01:20:26Marlene, this was a rescue mission.

01:20:29Besides, never upstage me.

01:20:33You found it.

01:20:36We've got to get this home.

01:20:38Where's the plane?

01:20:39Not more than ten miles away.

01:20:41Ten miles?

01:20:42Some rescue.

01:20:44Last time I looked, you were pretty much stranded.

01:20:49Peter, this is Augustine.

01:20:51Yes, come in.

01:20:52Read you live and clear.

01:20:53Over.

01:20:54Yeah, I have two survivors.

01:20:56Meet us at the rendezvous point.

01:20:57Copy that.

01:20:59Over.

01:21:00I suppose a thank you is in order.

01:21:03Oh, I don't know.

01:21:05In helping you, I found my white whale.

01:21:10And I've come to a profound realization about myself.

01:21:14Something that I will never do again.

01:21:17What?

01:21:18Bite a giant anaconda?

01:21:21No.

01:21:23Retire.

01:21:25Hated every minute of it.

01:21:28That's because we belong in the field.

01:21:31Hmm.

01:21:34What's next?

01:21:35Well, if I remember correctly,

01:21:37someone wrote a book about a giant Tomazote.

01:21:40A bat god that lured men to their deaths in the dead of night.

01:21:45Yes, indeed I did.

01:21:47But I still haven't found the caves that the myth is based on.

01:21:51I hear the Sistema Huatla, south of Mexico, has some leads.

01:21:56Hmm.

01:21:57Oh.

01:22:00What are we waiting for?

01:22:03Let's all go to Huatla.

01:22:05Hmm.

01:22:06Hmm.

01:22:10What are we waiting for?

01:22:13What are we waiting for?

01:22:16What are we waiting for?

01:22:17What are we waiting for?

01:22:18What are we waiting for?

01:22:18You

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