- 2 days ago
Doctor Who (2005) S03E08
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00:02KADAM!
00:05Did they see you?
00:06I don't know.
00:07But did they see you?
00:07I was too busy running.
00:08Martha, it's important. Did they see your face?
00:10No, they couldn't have.
00:12Off we go.
00:18They're following us.
00:19How can they do that? You've got a time machine.
00:21Stolen technology.
00:22They've got a time agent vortex manipulator.
00:24They can follow us wherever we go.
00:26Right across the universe.
00:27They're never gonna stop.
00:31Unless...
00:32I'll have to do it.
00:34Martha, you trust me, don't you?
00:35Of course I do.
00:36Because it all depends on you.
00:37What, Dad? What am I supposed to do?
00:39Take this watch.
00:40Because my life depends on it.
00:42This watch, Martha.
00:43This watch is...
01:00I'm in.
01:03Pardon me, Mr. Smith.
01:04You're not dressed yet. I can come back later.
01:05No, it's all right.
01:06It's my product.
01:10I was, um...
01:15Sorry.
01:15Sorry.
01:17Sometimes I have these extraordinary dreams.
01:20What about, sir?
01:21I dream I'm this...
01:24Adventurer.
01:27This daredevil, man.
01:29The doctor, I'm called.
01:31And last night, I dreamt...
01:34That you were there.
01:37As my...
01:38Companion.
01:39Teacher and housemate, sir.
01:41It's impossible.
01:42I'm just a man from another world.
01:45Well, then it can't be true.
01:46Because there's no such thing.
01:48This thing.
01:50The watch is...
01:56You know, it's funny.
01:57I dreamt to live away.
01:58But I do remember one thing.
02:00It all took place in the future.
02:03In the year of our Lord, 2007.
02:06I can prove that wrong for you, sir.
02:08Here's the morning paper.
02:10It's Monday, November 10th, 1913.
02:12And you're completely human, sir.
02:15As human as they come.
02:17Mmm.
02:17That's me.
02:19Completely human.
02:20Mmm.
02:44Oh, my God.
03:08Oh, my God.
03:21Oh, my God.
03:21Oh, my God.
03:27Oh, my God.
03:29Oh, my God.
03:32Oh, my God.
03:44Oh, my God.
03:54Oh, my God.
04:09Oh, my God.
04:12Oh, my God.
04:29Oh, my God.
04:51Oh, my God.
04:53Oh, my God.
05:01Oh, my God.
05:07Oh, my God.
05:09Oh, my God.
05:20Oh, my God.
05:21Oh, my God.
05:22Oh, my God.
05:23Oh, my God.
05:32Oh, my God.
05:41Oh, my God.
05:57Oh, my God.
06:22Oh, my God.
06:50He's right behind you.
06:56Stop it. I get boys calling this past them this.
06:58Why would it hurt?
07:00Is he all right?
07:01Excuse me, Martha. It's hardly good form to enter a master's study without knocking.
07:05Sorry. Right, yeah.
07:08But is he all right?
07:10I said you fell down the stairs, sir.
07:12No, just a tumble and sore.
07:14Have you checked for concussion?
07:15I have, and I dare say I know a lot more about it than you.
07:20Sorry. I'll just tidy your things.
07:25I was just telling Nurse Redfern, Matron, about my dreams.
07:30They are quite remarkable tales.
07:32I keep imagining that I'm someone else and that I'm hiding.
07:37Hiding? In what way?
07:40But once every night...
07:43This is going to sound silly.
07:44Tell me.
07:46I dream, quite often, that...
07:50that I have two hearts.
07:52Well, then I can be the judge of that.
07:53Let's find out.
08:09I can confirm the diagnosis.
08:12Just one heart.
08:13Singular.
08:15I have, um...
08:16I have written down some of these dreams in the form of fiction.
08:21Um...
08:21Not that it would be of any interest.
08:22I'd be very interested.
08:28Well...
08:28I haven't shown it to anyone before.
08:33Journal of impossible scenes.
08:42Look at these creatures.
08:45Such imagination.
08:46Oh.
08:47That's quite a hobby, isn't it?
08:55That's wonderful.
08:58And quite an eye for the pretty girls.
09:00Oh, no, no.
09:01She's, er...
09:01just an invention.
09:02This character, Rose, I call her Rose.
09:06She seems to disappear later on.
09:13Oh, that's the box.
09:15The blue box.
09:15It's always there.
09:16Um...
09:17It's like a...
09:18like a magic carpet.
09:19This fun little box that transports me to far away places.
09:23Like a doorway.
09:25Hm.
09:27I sometimes think...
09:28how magical life would be if stories like this were true.
09:31If only.
09:34Just a dream.
09:36Hm.
09:42Man!
09:44That book.
09:45Oh, I'll look after it.
09:46Don't worry.
09:46He did say I could read it.
09:47But it's silly.
09:49That's all.
09:50Just stories.
09:52Who is he, Martha?
09:54I'm sorry?
09:55It's like he's left the kettle on.
09:57Like...
09:57he knows he has something to get back to,
10:00but he can't remember what.
10:01That's just him.
10:03You arrived with him, didn't you?
10:04He found you employment here at the school.
10:06Isn't that right?
10:06I used to work for the family.
10:08He just sort of inherited me.
10:09Hm.
10:10Well, I'd be careful.
10:12If you don't mind my saying,
10:13you sometimes seem a little familiar with him.
10:15Best remember your position.
10:18Yes, ma'am.
10:23Ah, Latimer.
10:24Here you are.
10:24Well, Latin translation.
10:27Blaster Catullus.
10:28Want it done by morning.
10:29Yes, sir.
10:30No mistakes.
10:31Want it written in my best handwriting.
10:34But listen.
10:35Father says he's been promoted.
10:37That means more money.
10:38Might end up in a better school.
10:40Ah.
10:41You should enjoy it, sir.
10:42My uncle had a six-month posting in Johannesburg.
10:45Says it was the most beautiful countryside on God's earth.
10:47What are you talking about?
10:49Africa.
10:50Your father.
10:51You've been reading my post.
10:52What?
10:53Who said Africa?
10:55I've only just read the word myself.
10:57How did you know that?
10:59I haven't...
11:00Have you been spying on me?
11:02No.
11:03I just guessed.
11:04What's that supposed to mean?
11:05I'm good at guessing, that's all.
11:08Idiot.
11:14Sometimes I say things and they turn out to be correct.
11:17Just little things.
11:19Tiny things.
11:21I can't help it.
11:23It's just some sort of luck.
11:27Right.
11:28Well, never mind that little toad.
11:29Who's for beer?
11:30You've got beer?
11:31No, but Baxter's hidden a secret supply on Blackdown Woods.
11:34Well, what are you waiting for?
11:36Make sure the burst is down the pub before you go past his window.
11:40Wasn't for everyone, is it?
11:41None for the filth.
11:44Hurry back, Baines.
11:45I'm parched.
11:49Oh, it's freezing out here.
11:51Why can't we have a drink inside the pub?
11:53Don't be ridiculous.
11:54You do get these notions.
11:56It's all very well, those suffragettes, but that's London.
11:58That's miles away.
12:00But don't you just want to scream sometimes, having to bow and scrape and behave?
12:03Don't you just want to tell them?
12:04I don't know.
12:05Things must be different in your country.
12:07Yeah, well, they are.
12:08Thank God I'm not saying.
12:10You keep saying that.
12:11Just you wait.
12:12One more month and I'm as free as the wind.
12:15I wish you could come with me, Jenny.
12:17You'd love it.
12:18Where are you going to go?
12:18Anywhere.
12:20Just look up there.
12:22Imagine you could go all the way out to the stars.
12:26You don't know I'll say mad things.
12:29That's where I'm going.
12:30Into the sky all the way out.
12:37Did you see that?
12:39See what?
12:40Did you see it though?
12:41Right up there, just for a second.
12:44Martha, there's nothing there.
12:45No...
12:50Huh.
12:53The��...
13:08The earth is gone.
13:27Matron, are you all right?
13:30Did you see that?
13:31There was something in the woods.
13:32This light.
13:34Nothing wrong, ladies.
13:35Not too cold to be standing around the dark.
13:37There, there.
13:38Look, in the sky.
13:40Oh, that's beautiful.
13:43Oh, all gone.
13:45Commonly known as a meteorite.
13:48It's just rocks falling to the ground, that's all.
13:51Came down in the woods?
13:53No, no, no.
13:54No, they always look close, but actually they're miles off.
13:57Nothing left but a cinder.
14:00Now, I should escort you back to the school.
14:03Ladies?
14:04No, we're fine, thanks.
14:06Then I shall bid you goodnight.
14:10Jenny, where was that?
14:11On the horizon where the light was headed.
14:14That's by Cooper's Field.
14:16You can't just run off.
14:18It's dark.
14:19You'll break a leg.
14:36No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
14:44no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
14:47no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
15:02I said hello.
15:07Was that some kind of aeroplane?
15:11The chat's alright.
15:20No, no, no, no, no.
15:31It's impossible more.
15:51Hello?
15:55Is anyone there?
16:11There you are. Nothing there. I told you so.
16:16And that's Cooper's Field?
16:17As far as the eye can see. And no falling star.
16:21Now come on, I'm frozen to the bone. Let's go.
16:23As your Mr. Smith says, nothing to see.
16:34But they don't understand. Who are you?
16:37We are the family.
16:39Far more important. Who are you, little thing?
16:43My name's Baines. Jeremy Baines. Please, can I go?
16:48I'm so sorry, Baines. Jeremy Baines.
16:51But I don't think you could ever leave.
16:55But who are you? Why can't I see you?
16:59Why would you want to see us?
17:03I want to know what you look like.
17:05Oh, that's easily answered.
17:07Because very soon, we will look so familiar.
17:16Where is he?
17:17He misses a beer, then vanishes into the night.
17:22There he is. Let him in.
17:37Come on, Baines, you dope.
17:38You've been caught by the Rosas.
17:43What?
17:45Where is it, man?
17:46It was the blessed beer.
17:47There was no beer. It was gone.
17:50Damn it all. I've been waiting.
17:52Pretty poor show Baines, I have to say.
17:57What's the matter with you?
17:58All the sniffles out there?
17:59Yes, it must have.
18:01It was cold.
18:03Very cold.
18:06I'm going to spread it about. I don't want your germs.
18:09Come on. Might as well get some sleep.
18:12Come on, chaps. Maybe tomorrow.
18:14Jackson's got some beer in the pavilion.
18:30There is a beer.
18:32It's okay.
18:32Something like a drink.
18:32At the same time, when the smell is a day,
18:34You can't put it on the floor on a table.
18:35You can't put it on the floor on the floor.
18:41It's a little bit.
18:41There's an air.
18:42You're in the floor.
18:45You're in the floor.
18:47You're out of the floor.
18:49You're in the floor.
19:07Hello.
19:11Talking to a machine.
19:33What do you think?
19:44They're following us.
19:46They can follow us wherever we go.
19:48Right across the universe.
19:50And they're never going to stop.
19:52Martha, you trust me, don't you?
19:53Of course I do.
19:54Because it all depends on you.
20:02Martha, this watch is me.
20:06Right, okay.
20:07Gotcha.
20:07No, hold on.
20:09I'm completely lost.
20:10Those creatures are hunters.
20:11They can sniff out anyone.
20:12And me being a time lord.
20:13Well, I'm unique.
20:14They can track me down across the whole of diamond space.
20:16Huh.
20:17Then the good news is?
20:18They smell me.
20:19They haven't seen me.
20:20And their life spans are running out.
20:22So we hide.
20:23Wait for them to die.
20:24But they can track us down.
20:27That's why I've got to do it.
20:29I have to stop being a time lord.
20:32I'm going to become human.
20:47I thought I'd use this.
20:49Huh.
20:51All the times I've wandered.
20:53What does it do?
20:55Chameleon arch.
20:57Rewrites my biology.
20:58Literally changes every single cell in my body.
21:00I've said it's human.
21:02Now, the TARDIS will take care of everything.
21:04If there's a life story for me, find me a setting and integrate me.
21:06Can't do the same for you.
21:07You'll just have to improvise.
21:09I should have just enough residual awareness to let you in.
21:11But, hold on.
21:12If you're going to rewrite every single cell, isn't it going to hurt?
21:15Oh, yeah.
21:17It hurts.
21:42It's working.
21:45Martha.
21:46Before I change, here's a list of instructions for when I'm human.
21:49One.
21:50Don't let me hurt anyone.
21:51We can't have that, but you know what humans are like.
21:53Two.
21:54Don't worry about the TARDIS.
21:55I'll put it on emergency powers that they can't detect it.
21:57Just let it hide away.
21:59Four.
21:59No.
22:01Wait a minute.
22:02Three.
22:02No getting involved in big historical events.
22:05Four.
22:06You.
22:07Don't let me abandon you.
22:09And father.
22:09I'm not sure if I were to leave.
22:12But, there was a meteor, a shooting star.
22:14What am I supposed to do then?
22:16And, 23.
22:18If anything goes wrong if they find us, Martha, then you know what to do.
22:23Open the watch.
22:24everything i am is kept safe in there now i'll put a perception filter on it so the human me
22:29won't
22:29think anything of it to him it's just a watch but don't open it unless you have to because once
22:35it's open then the family will be able to find me it's all down to you martha your choice
22:44oh and thank you
22:50i wish you'd come back
22:56you told me to come and collect that book sir good lad yes yes a definitive account of
23:03matheking by edgson price where did i put it and i wanted a little word your marks aren't quite
23:09good enough i'm top ten of my class sir now be honest timothy you shouldn't be the very top
23:15you're a clever boy you seem to be hiding it where is that and i know why keeping your head
23:22low
23:22avoids the mockery of your classmates but no man should hide himself don't you think yes sir
23:30clever be proud of it use it
23:35the power of a time
23:36the power of a time
23:37the secret lies within
23:42the secret lies within
23:43i'm trapped
23:44i'm caged inside the cold and the mecca and the dark but waiting
23:49always wanted
23:52fascinating details about the siege really quite remarkable you all right
23:56yes sir fine sir good and remember use that brain of yours power of a time
24:07you're really not looking yourself like i'm bothering you
24:11no sir thank you sir
24:33you are not alone keep me hidden
24:36keeping fire
24:37and infatifying the great
24:40brain
24:42yeah
24:43yes
24:44million
24:45yes
24:46yes
24:47yes
24:49yes
24:50yes
25:11There is a trace, but somehow scattered, the center's confused.
25:18Nevertheless, we'd best arm ourselves.
25:22Activate the soldiers.
25:40That is my property, and you are trespassing on my land.
25:45Come on, who's in there?
25:46Some of those idiot boys from the school, is it?
25:49Come on, let's play.
25:53How did you...
25:59No!
26:00No!
26:01Help!
26:01Help me!
26:02Help me!
26:04We're in there.
26:23Okay.
26:26Concentrate.
26:34Hutchinson, excellent work.
26:37He's fired.
26:39Good day, Headmaster.
26:40Your crew's on fine form today, Mr. Smith.
26:42Excuse me, Headmaster, we could do a lot better.
26:44Latimer's being deliberately shoddy.
26:46I'm trying my best.
26:48You need to be better than the best.
26:49Those targets are tribesmen from the Dark Continent.
26:52That's exactly the problem, sir.
26:54They only have spears.
26:56Oh, dear me.
26:57Latimer takes it upon himself to make us realize how wrong we all are.
27:01I hope, Latimer, that one day you may have a just and proper war in which to prove yourself.
27:06Now, resume firing.
27:20One minute past the hour.
27:23It's now.
27:25Hutchinson, this is the time.
27:27It's now.
27:30Stoppage.
27:31Immediate action.
27:32Didn't I tell you, sir, the stupid boy's useless?
27:35Permission to give Latimer a beating, sir?
27:38Not past, Mr. Smith.
27:40Permission granted.
27:40Right.
27:41Come with me, you little boy.
27:50Anything the matter, Baines?
27:52I thought.
27:55No, sir.
27:56Nothing, sir.
28:00As you were, Mr. Smith.
28:03Uh, Pemberton, Smythe, Wickes, take post.
28:07Ah!
28:09Nurse Redfern.
28:11Um, I'll give you back your journal when next I see you.
28:14No, no, no.
28:15You don't have to.
28:17If you'll excuse me, Mr. Smith, I was just thinking about the day my husband was shot.
28:21What?
28:37His name was Oliver.
28:38He died at the Battle of Spy on Cop.
28:41We were childhood sweethearts.
28:45But you see, I was angry with the army for such a long time.
28:48You used to know.
28:50I found myself as part of that school, watching boys learn how to kill.
28:55Don't you think discipline is good for them?
28:57Does it have to be such military discipline?
28:59I mean, if there's another war, those boys won't find it so amusing.
29:02Well, I bet Britain's at peace long might rain.
29:07In your journal, in one of your stories, you wrote about next year.
29:121914.
29:13It was just a dream.
29:14All those images of mud and wire.
29:18Told of a shadow.
29:20A shadow falling across the entire world.
29:24Well, they're making me thankful it's not true.
29:26And I'll admit, mankind doesn't need warfare and bloodshed to prove itself.
29:31Everyday life can provide honor and valor.
29:34And let's hope that from now on this country can find its heroes in smaller places.
29:45In the most...
29:51...ordinary of...
29:53...of deeds.
30:01Now!
30:25Okay.
30:27That was luck.
30:30Nurse Redfern, might I invite you to the village dance this evening?
30:34As my guest.
30:36You're an extraordinary man.
30:42Oh, it's all becoming clear now.
30:44The doctor is the man you'd like to be,
30:47doing impossible things with cricket balls.
30:49Well, I discovered a talent, that's only true.
30:52But the doctor has an eye for the ladies.
30:53The devil.
30:54A girl in every fireplace.
30:56Ah, now, there I have to protest, Joan.
30:59That is hardly me.
31:00Says the man dancing with me tonight.
31:04That scarecrow's all skew.
31:11Ever the artist.
31:13Where did you learn to draw?
31:15Gallifrey.
31:15Is that in Ireland?
31:18Yes, it must be, yes.
31:20You're not Irish?
31:21Not at all, no.
31:22My father, Sidney, was a watchmaker from Nottingham.
31:26And my mother, Verity, was...
31:31Um, well, she was a nurse, I think.
31:33Oh, we make such good wives.
31:36Really, right?
31:37Yes.
31:40Well, my work is done, what do you think?
31:43Masterpiece.
31:44All sorts of skills today.
32:00Can I see?
32:08Oh, goodness.
32:09Do I look like that?
32:12Are you sure that's not me?
32:13No step in this page.
32:15I like it.
32:16You've made me far too beautiful.
32:19Well, that's how I see you.
32:22Your widows aren't supposed to be beautiful.
32:24I think the world would rather be stopped.
32:28Is that fair?
32:31That we stopped?
32:35That's not fair at all.
32:54I'm sorry.
33:05I'm...
33:06Martha, what have I told you about entering unannounced?
33:12I wasn't on the list.
33:22For you. Don't let me abandon you.
33:26That's no good.
33:27What about the stuff you didn't tell me?
33:29What about women?
33:31Oh, no, you didn't think of that.
33:34What the hell am I supposed to do, then?
33:41You had to, didn't you?
33:43I had to go and fall in love with a human.
33:47And it wasn't me.
33:51Darkness is coming.
33:53Keep me away from the false and empty man.
33:56The last of the Time Lords.
33:57The last of that wise and ancient race.
34:00What are the faces of men?
34:01Help!
34:36Who's that place? Silly beggars.
34:38Nearly broken up.
34:40Who's that, then?
34:41Is it you, Saul?
34:56I don't understand.
34:59It's Mr. Clark, isn't it?
35:02What have I done wrong?
35:07Nothing at all.
35:11In fact...
35:12You're just what we need, girl.
35:14She works at the school.
35:18Whatever's happening seems to be centered around that establishment.
35:22The faintest of traces, but they all lead back there.
35:26It's Baines, isn't it?
35:29This isn't very funny, sir.
35:31Just shut up! Stop talking!
35:33Season this is!
35:33There's a good girl!
35:36Mother of mine is dying to meet you.
35:41And here she is.
35:46Stop mocking me, sir!
35:48Stop!
35:49Mother of mine just needs a shape.
35:53We go through shapes so very fast.
35:56Yours is perfectly adequate.
35:59If a little grim.
36:02Mother of mine.
36:05Embrace her.
36:14You look wonderful.
36:16You best give me some warning.
36:19Um...
36:20Can you actually dance?
36:23Um...
36:24I'm not certain.
36:26There's a surprise?
36:28Is there anything you're certain about?
36:31Yes.
36:32Yes.
36:38There you are.
36:39Come and look what I've got.
36:41Mr. Paul didn't want his afternoon tea, so I could have it.
36:44And there's enough for two.
36:46What are you standing there for?
36:50Are you all right?
36:51I must have a cold coming on.
36:55Problem is, I keep thinking about them, but I don't know what to do.
36:57Thinking about who?
36:59Mr. Smith and Matron.
37:01Because it's never going to last.
37:02He's going to leave in a few weeks.
37:04Why?
37:06It's like his contract comes to an end.
37:08And she's going to be heartbroken.
37:09Leave for where?
37:11All sorts of places.
37:13I wish I could tell you, Jenny, but it's complicated.
37:16In what way?
37:17I just can't.
37:19It sounds so interesting.
37:21Tell me.
37:22Tell me now.
37:27Would you like some tea?
37:28Yes, thanks.
37:30I could put a nice bit of gravy in the pot.
37:33And some mutton.
37:34Or sardines and jam. How about that?
37:38I like the sound of that.
37:39Right.
37:41Hold on a tick.
38:07They found us. This is ridiculous.
38:08Martha, I've warned you.
38:09They found us, and I've seen them.
38:11They look like people, like us, like normal.
38:13I'm sorry, but you've got to open the watch.
38:18Where is it?
38:20Oh, my God, where's it gone?
38:22Where's the watch?
38:22What are you talking about?
38:23You had a watch.
38:25A fob watch.
38:26Right there.
38:26Did I? I don't remember.
38:27I can't think what concern it is of yours.
38:30But we need it.
38:31Oh, my God, Doctor.
38:32We're hiding from aliens, and they've got Jenny,
38:35and they've possessed her or copied her or something,
38:37and you've got to tell me where's the watch.
38:39Oh, I see.
38:42Cultural differences.
38:45It must be so confusing for you.
38:47Martha, this is what we call a story.
38:51Oh, you complete.
38:54This is not you.
38:56This is 1913.
38:58Good.
38:59This is 1913.
39:00I'm sorry.
39:01I'm really sorry, but I've got to snap you out of this.
39:04Martha!
39:04Wake up!
39:05You're coming back to the TARDIS with me!
39:07How dare you?
39:08I'm not going anywhere with an insane servant.
39:10Martha, you are dismissed.
39:11Leave these premises immediately.
39:13Now, get out!
39:15Nerve it.
39:16The absolute cheek.
39:17You think I'm a fantasist.
39:19What about her?
39:19The funny thing is, you did have a fob watch.
39:22Right there.
39:23Don't you remember?
39:27Oh, sorry!
39:30Sorry!
39:32Martha?
39:33Not now, Tim!
39:35Be there!
39:49Mr. Smith?
39:53No one home.
39:55The maid was definitely hiding something.
39:57A secret around this Mr. Smith.
40:00We both centered him, though.
40:02He was plain and simple human.
40:04Maybe he knows something.
40:07Where is he?
40:11She's infatuated.
40:12You're a dangerous man.
40:13You've taken my own in public.
40:15I'm very scared.
40:16Spare a penny for the veterans of the Crimea, sir?
40:20Yes, of course.
40:21Stay away.
40:34Ladies and gentlemen, please take your partners for a waltz!
40:52You can dance!
40:54I'll surprise myself.
40:57It's safe.
40:59Sorry.
41:10I think this might help.
41:14That makes it easy, son of mine.
41:16Because daughter of mine's already there.
41:19We've been invited to the dance.
41:28Oh, staff entrance, I think, ma'am.
41:31Yeah, well, think again, mate.
41:51Please don't. Not again.
41:54He's different from any other man you've ever met, right?
41:57Yes.
41:58And sometimes he says these strange things,
42:01like people and places you've never heard of, yeah?
42:03But it's deeper than that.
42:06Sometimes when you look in his eyes, you know.
42:08No. You just know that there's something else in there.
42:12Something hidden.
42:14Right behind the eyes, something hidden away.
42:17In the dark.
42:18I don't know what you mean.
42:21Yes, you do.
42:25I don't mean to be rude, but...
42:27the awful thing is it doesn't even matter what you think.
42:30But you're nice.
42:32And you're lucky.
42:34And I just wanted to say sorry for what I'm about to do.
42:36Oh, now, really, Martha, this is getting out of hand.
42:40I must insist that you leave.
42:42Do you know what this is?
42:45Name it.
42:47Go on.
42:48Name it.
42:49John, what is that, Seneffy?
42:51John?
43:01You're not John Smith.
43:04You're called the Doctor.
43:07The man in your journal, he's real.
43:10He's you.
43:13Either all spare a penny, sir.
43:17I didn't spare you.
43:39You will be silenced.
43:43All of you.
43:46I said silence.
43:48Mr. Clark, what's going on?
43:55Mr. Smith?
43:56Everything I told you, just forget it.
43:58Don't say anything.
43:59We asked for silence.
44:01Silence.
44:04Now then, we have a few questions for Mr. Smith.
44:09No.
44:11Better than that.
44:13The teacher.
44:14He's a doctor.
44:15I heard them talking.
44:17You took human form.
44:20Of course I'm human.
44:21I was born human as were you, Baines.
44:23And Jenny, and you, Mr. Clark.
44:25What is going on?
44:26This is madness.
44:28Oh, and a human brain, too.
44:31Simple, thick and dull.
44:33But he's no good like this.
44:35We need a time lord.
44:37Easily done.
44:43Change back.
44:44I don't know what you're talking about.
44:46Change back.
44:47I literally do not know.
44:50Excuse me.
44:51What is your friend, isn't she?
44:53Doesn't this scare you enough to change back?
44:56I don't know what you mean.
44:57Wait a minute.
44:59The maid told me about Smith and the matron.
45:02That woman there.
45:04Then let's have you.
45:09Have you enjoyed it, doctor, being human?
45:12Has it taught you wonderful things?
45:14Are you better, richer, wiser?
45:17Then let's see you answer this.
45:20Which one of them do you want us to kill?
45:24Maid or matron?
45:26Your friend or your lover?
45:30Your choice.
45:34Go, go.
45:44Yeah.
46:29We are the family of blood.
46:39Save us.
46:40I am not the doctor.
46:42He's like the night and the storm and the heart of the sun.
46:46He's ancient and forever.
46:47He burns at the center of time and he can see the turn of the universe.
47:12He burns at the center of time and he can see the turn of the sun.
47:13He burns at the center of time and he can see the turn of the sun.
47:14He burns at the center of time and he can see the turn of the sun.
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