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00:00Over there, it's Gorillaz!
00:02Yeah!
00:05But first, let us hope for tonight.
00:08This actor shot the fame in the Italian season of The White Lotus
00:10before charming our punts off as Dexter in One Day
00:13and Rockstar in Bridget Jones Mad About The Boy.
00:16Now, he stars in the twisty drama Vladimir.
00:19It's Leo Woodall, everybody!
00:22There he is!
00:24Hello, sir. Nice to see you all.
00:26Hi, hi, hi.
00:27So far away, it's Leo Woodall right here.
00:29I know!
00:29I know!
00:30I know!
00:31It's Leo Woodall!
00:33This Olivier Award winning star played our favourite con man,
00:38Mickey Ricks in Hustle, helped John Travol to become president
00:41of Primary Colours and has wowed theatre audiences with everything
00:44from Shakespeare to Sondheim.
00:46Now, his acclaimed RSC production of Cyrano de Bergerac
00:48is heading to the West End.
00:50Please welcome Adrian Lester!
00:54Wow!
00:55With a knock!
00:57Hello!
00:58This is...
00:59There you go!
01:01Hey, Lester!
01:03For 12 years, this actor played Penny, the girl next door,
01:07in TV's longest-running and wildly popular sitcom,
01:11The Big Bang Theory.
01:13And more recently, she starred in the comedy thriller series
01:15The Flight Attendant.
01:16Now, she's unravelling a new mystery in Vanish.
01:19It's a first-time welcome to Kaley Cuoco!
01:24Oh, so shiny!
01:27Hey!
01:27It's a lovely handover.
01:29Hey!
01:30Hey!
01:30Hey!
01:31Hey!
01:32Hey!
01:33Oh, hello!
01:35And what a year this man has had.
01:38Not only was he the co-creator and star
01:40of last year's global phenomenon, Adolescents,
01:43picking up a Golden Globe and Emmy along the way.
01:46He still found time to star in Hits Like
01:48A Thousand Blows
01:49and to play Springsteen's dad in
01:51Deliver Me From Nowhere.
01:53His latest film is The Good Boy.
01:55Please welcome the great Steven Graham!
01:58Oh!
01:59Yay!
02:01I know.
02:13I know.
02:14I know.
02:14What a lovely couch.
02:17Before we do anything, Stephen Graham, congratulations on everything.
02:22It's been so lovely to see you travelling the world, picking up prizes wherever you go.
02:26I mean, and I was saying to you backstage, it's lovely that it's you, Aaron and Owen, you keep winning
02:32together.
02:33Which is nice.
02:34I know.
02:36As you say, you know, to be able to share it together is something else because you don't really get
02:41them kind of opportunities, do you?
02:42It's amazing.
02:43It's the gift that keeps on giving, as Aaron says.
02:45And tell me this, was it the Golden Globes?
02:47I mean, it's such a starry audience at the Golden Globes.
02:49Yeah.
02:49But you got distracted by a very specific person.
02:54Um, well, there was, yeah, there was a few.
02:57Do you know what I mean?
02:57I'm the only person I don't recognise sometimes in a room like that.
03:01We recognise you.
03:04But it was, I mean, I've known him for a long time and Leo just stood up and he was
03:07just looking at me and clapping and I felt, I don't know.
03:09Not this Leo, Leo DiCaprio.
03:11Yeah, Leo DiCaprio.
03:12Yeah, yeah, yeah.
03:12That was a very proud moment.
03:14It was, you know, it's strange, he's been remade for like over 20 years, so for him to see me
03:19in that situation was lovely for him and it was, it was an honour.
03:23It was weird.
03:23But actually, weirdly, Leo, you did meet Stephen, but it wasn't there, it was, where was it?
03:27Do you remember when we met?
03:29No, why would you?
03:30Why would you?
03:31Why would you?
03:31We met in a toilet.
03:33Oh, yes!
03:34Yeah, yeah, yeah.
03:35Yeah, yeah.
03:35It was at the Critics' Choice Awards.
03:36Yes, that's right.
03:38And Stephen, I'd finished my wee.
03:41And he went to shake my hands.
03:43Washed your hands.
03:44Yeah, well, I mean, I'd been like drying my hands for like three minutes because I was like, I have
03:49to say hello to Stephen Graham.
03:50I was just like drying him, wow, is he done yet?
03:54Big bladder, big bladder.
03:5652 lads, it takes a bit of time.
03:58Didn't you get over to see it in age?
04:00I was very impatient.
04:00I was very excited to meet you and then because I'd kind of already lost my mind, I'd just turn
04:04around when, as soon as he was done, he went, hi!
04:07He was like, oh mate, I've just had my knob in the hands.
04:09I've just had my knob in the hands.
04:11And then I washed my hands.
04:12You did.
04:13You very done.
04:14And then we shook hands.
04:15The etiquette of shaking hands, people.
04:17Make sure you don't have your knob in it.
04:20I like the little hands.
04:21I mean, it's not...
04:22Yeah.
04:22It's a safe space.
04:23I like that everyone's washing your hands, that's good.
04:27Yeah, it's good.
04:27That's the same night that you met Kaylee, is it?
04:30Yeah.
04:30That night too.
04:31It was a wild night for me.
04:32We were all fanning.
04:33I fanned over your girlfriend, my fiance fanned over you, everyone fanned over each other.
04:39It was a fanning moment.
04:40Sonia what?
04:41Oh, we were all fanning over each other.
04:43Oh, yeah.
04:44Fan girling, fanboying.
04:45Funny moment.
04:47I thought you said it was a funny moment.
04:49It was a fan, we were fanning over each other.
04:51We were like, you know.
04:52Yeah.
04:52It wasn't that kind of show.
04:54Yeah, yeah.
04:55Adrian, have you been in a toilet with anyone on this time?
04:59No, no, I haven't.
05:00I haven't.
05:00Good.
05:02Yeah, yeah, yeah.
05:04And Kaylee Cuoco, everyone loved you as Penny in the Big Bang Theory.
05:08Oh, thank you.
05:13A lot of years.
05:14A lot of years.
05:15A lot of hair.
05:16A lot of jeans.
05:17A lot of weird outfits.
05:19I knew The Big Bang Theory had been successful.
05:22I didn't realise there are more episodes of The Big Bang Theory than any other sitcom.
05:27Yes.
05:28Wow.
05:28Yeah.
05:30279.
05:30We almost made it to 300.
05:31Yeah, we didn't hit, I don't think we hit 300.
05:34No, 279 according to my stats.
05:36I think you're right.
05:37Yeah.
05:37Yeah.
05:38And you must assume at some point that everyone has seen an episode of The Big Bang Theory.
05:43You know, I never assume that, but I do get a lot of knock knock knock pennies wherever
05:48I go.
05:48But then one person in your life not so familiar.
05:52Oh my, yeah, my fiance had no idea about the show when I met him.
05:56To me?
05:57No, he just had never seen it.
05:59He's not really, he had never seen it and he brought me, the first time he brought me
06:02home actually to meet his family, his mom's partner, they've been together forever.
06:06He's lovely, hi John.
06:08Anyway, the first time I met him, I got introduced and he kept going, oh, Penny, Penny.
06:13And he kept calling me Penny.
06:15And I never said anything about it because I thought, oh, that's so sweet, he loved the show.
06:18And I could see Tom like looking around like, I can't believe John thinks her name is Penny.
06:22And so the whole day goes on, but he noticed that I didn't, I wasn't bothered.
06:26I didn't say anything.
06:26And then we get in the car that night.
06:27He's like, I told John your name.
06:29I cannot believe he called you Penny.
06:31I don't know where he got that from.
06:32I'm like, I think he got it from The Big Bang Theory.
06:35And Tom was like, Tom was like, what?
06:37He's like, oh, he had no, he'd never seen the show.
06:40Wow.
06:40So he didn't know my name on the show.
06:42I know.
06:43He still hasn't seen it.
06:44But he's hurt.
06:45Yeah, he's hurt.
06:46So yeah, that's why I was okay with it.
06:48Well, I'm sure he'll enjoy you in your new show, Vanish, which we'll talk about later.
06:51But we get started tonight with Stephen Graham's latest.
06:55It's called The Good Boy.
06:57It's in cinemas from the 20th of March.
06:59And this is something kind of different for you.
07:01It's a genre film.
07:04So tell us who you play.
07:05It's a great premise.
07:07It's a really strange little film.
07:09The director, Jan, he made it.
07:11It is.
07:11It's a weird film.
07:13It's good weird.
07:14It's so weird, but it's very strange.
07:16It's kind of like it's northern with a European sensibility.
07:20And it's basically a family kidnap a young man and try to teach him some manners and try
07:31to give him some culture and, you know, open his eyes to the possibilities of what it would
07:38be to be a loving, caring human being.
07:40And the kind of trio, it's Anson Boone.
07:44Yes.
07:44And you're reunited with Andrea Riesberg.
07:46Andrea Riesberg, who's fantastic.
07:47She's absolutely amazing.
07:48And Anson is fantastic as well.
07:50But also, it is funny that the last time you were with Andrea Riesberg was in Matilda.
07:53Yeah.
07:54Yeah, we played Man and Wife.
07:56Oh, my God!
07:57That was the two, was it?
07:58And this is very different.
07:59Very different.
08:00She's kind of...
08:01I would say fans of Matilda mightn't enjoy it so much.
08:05Well, they kind of will, because it's also child cruelty, which is what was going on.
08:09Yes!
08:10It's a running theme.
08:11Yeah, it's got a running theme through it.
08:13Everything's linked.
08:13Everything's connected.
08:14But listen, we've got a clip.
08:15This is you as Chris and Andrea as Catherine.
08:19And you're going down to the basement to see Tommy, played by Anson Boone.
08:23Here we go.
08:25It's very terrifying.
08:26It's weird.
08:27Yeah.
08:28It's very strange.
08:29I don't think I sold it right.
08:32Thematically, it brings up a lot of issues about, you know, social identity, about what
08:37we're doing with the world these days, and also that kind of...
08:40Are you better with being in an imprisoned environment, what you know,
08:44or should you be free and be able to fly and see what's out there?
08:48Do you know what I mean?
08:49Thematically, it's quite deep.
08:50And it's obviously a different look.
08:51The wig, the glasses.
08:53The wig as well.
08:53And you've talked on this show before about finding walks.
08:57It is a very strong look.
08:59Did you find a walk?
09:00Did you find a walk for Chris?
09:01I did find a walk, yeah.
09:03As you know, in the house, when I create these kind of...
09:06I almost piss Hannah and the kids off so much, but I'd walk up and down the house
09:10until I get it right, do you know what I mean?
09:11I like to get the physicality of it.
09:13And you work with the costume department, she gives me the shoes
09:15and then I'll just play with it.
09:17But I found a really interesting...
09:19Yeah, it was a weird walk.
09:21And then I'd be walking the dogs and I'd go, right, all right.
09:23My bonnie clads would run off and I'd get into the...
09:26Yeah.
09:26And I'd just do the walking.
09:27It really changed my hips and everything.
09:29Yeah, it was a bit weird.
09:30Definitely get your steps in as well.
09:32Sorry.
09:32Yeah, don't be steps in.
09:33Your method steps.
09:34My method steps, yeah.
09:35And Adrian, you're playing Cyrano, and we'll talk about that later,
09:39but the physical, you know, defining physical thing about Cyrano is the nose.
09:43Yeah.
09:44So how do you go about kind of choosing the nose?
09:48Oh, wow.
09:48Oh, wow.
09:48Sorry, I mean...
09:50LAUGHTER
09:52Good response, Liam.
09:54Wow.
09:54It's like a proper...
09:55Yeah.
09:56Big...
09:57A schnoz.
09:57It's a schnoz.
09:58That's a big...
10:00You can smell the coffee in the next...
10:02And did you...
10:04Did you start bigger and go back, or did you start small and go out?
10:07I started very small.
10:08And I went in with a little prosthetic, very small nose,
10:10and we tried that for a bit and went, mmm, no, bigger.
10:12So we tried a little bit bigger, and we went, mmm, a bit bigger.
10:15So we tried it even bigger, and then I had to rail it in rehearsal
10:17when I was fighting, just to make sure that it wouldn't fall off.
10:20Oh, get in the way of things, yeah.
10:21Because we did all the choreography and everything and all of that.
10:23But, you know, sometimes I'm on stage and I turn.
10:26I can't turn too sharply.
10:28Like...
10:29It's a comedy, but when someone speaks...
10:31Yeah, I can't go, hmm, like that.
10:32Because it won't come off.
10:34Was it in the back of your head, thinking it was going to come off?
10:36Yeah, this kind of constant fear.
10:38So when I turn, if somebody says something really surprising,
10:40I have to sort of go...
10:41Bam!
10:41Mmm!
10:43LAUGHTER
10:44Very good!
10:46It's a choice.
10:47It's a choice.
10:48And, uh, talking about transformations,
10:50uh, for you, Leo,
10:52how hard was it to make that switch from Jack and the White Lotus
10:56to playing, kind of, very posh in one day...
11:00..as Dexter?
11:01Um...
11:02I mean, it was...
11:03It was difficult purely because I had to do it within, like,
11:06two weeks.
11:06Because the chute was crossing over.
11:09Oh, OK.
11:09So I had to lose, I don't know, like, a stone and a half of weight,
11:14of muscle, I mean.
11:16LAUGHTER
11:17And, you know, kind of lose the walk,
11:21get rid of the tattoos, which...
11:23Harder to get off than I actually realised.
11:26LAUGHTER
11:26Did you...
11:27But you kind of...
11:28You liked the tattoos.
11:29Did you kind of miss them?
11:31I loved them.
11:32I loved them.
11:32Yeah?
11:33Yeah, I mean, it's actually...
11:34Well, it's not like if I'm getting them on,
11:36or getting them off.
11:37It takes a while.
11:37When they're on, I would just...
11:38I would walk around.
11:39I'd just sit in the chair and just have a little meditate on
11:41when they covered them up,
11:42or when you have to get the tattoos on.
11:44Do you have a lot of tattoos over there?
11:45I have a few, yeah.
11:46Oh, OK.
11:46So you've got to get them covered.
11:47Yeah.
11:48Do you have any tattoos?
11:49I do.
11:50I have a large one on my back.
11:51So I...
11:52And it's funny, the one on my back just shows above my shirt.
11:54I wish I would have, years ago, thought to just go an inch lower
11:58and never would have had to cover it.
12:00It's always just sticking out of the top.
12:02Yeah.
12:02Just annoying.
12:03Just a little bit.
12:04Is it rude to ask what it is?
12:05It's like, it covered an old one.
12:07It just got worse and worse.
12:08OK.
12:08Oh, wow.
12:09I covered that one, then I covered another,
12:12and now it's just...
12:14It's just all the way across.
12:16A big scribble.
12:18You know, think before you put one on your back, guys.
12:22It's interesting with them on your neck, though, isn't it?
12:24Yeah.
12:25Because you would probably never put one on your neck.
12:26Well, I don't know.
12:27I mean, I...
12:29It will be in the chair for ages, then.
12:31Yeah, yeah.
12:32I think, I mean, the neck was definitely extreme,
12:34but I just kind of liked being...
12:36I mean, some of them are so stupid, anyway.
12:38It says something about the characters, doesn't it?
12:39Yeah.
12:41I had, um...
12:42I had Wendy on my left butt cheek.
12:46Which doesn't actually make it into the show, so...
12:49It's not real.
12:49No, no, no.
12:50It's not real.
12:51OK.
12:51So you just had Wendy on your ass for no reason?
12:53No reason.
12:54No reason.
12:55Like, I...
12:56She means a name.
12:57Did you not know?
12:57We didn't want some future relationships.
12:59Excuse me.
12:59Are we going to see Wendy today?
13:01Trust me, there is a couple of bum scenes in that,
13:04and I tried to shift Wendy...
13:06You tried to meet Wendy in the show?
13:06I tried to shift Wendy into the shop,
13:08but she just didn't make it.
13:11And is it...
13:13Was it the name or the logo of the shop?
13:15It was...
13:16It was so...
13:18No, it wasn't Wendy's.
13:19No, it was just Wendy's.
13:20Oh, OK.
13:21So my...
13:21Who came up with Wendy?
13:22I did.
13:23My...
13:24There's a reason for Wendy.
13:25There's a reason for Wendy.
13:26I think there's some backstory here.
13:27So, I think I'd been like watching Breaking Bad,
13:29and there's a character called Wendy in that show.
13:32And for some...
13:34I just thought how this kid would have some memory
13:37of a woman called Wendy, and he'd just get it tattooed on his bum.
13:40So, Wendy's supporting you in some way.
13:42So, Wendy got me through that whole...
13:44I don't think you...
13:45Oh, I like...
13:45Oh, I was a little late for that.
13:46I was trying to...
13:47I don't think any woman...
13:48Any woman would see that as a compliment.
13:52That's so lovely you got my name there.
13:53Well, you haven't met Wendy.
13:55Yeah, yeah, yeah, yeah.
13:56Wendy would be very happy.
13:58That's so Wendy.
13:59Oh, it's all the Wendys.
14:00Now, you talked about the themes of the good boy, Stephen.
14:04Yeah, sorry.
14:04And in a way, it's all...
14:05It's like a kind of a weird, twisted,
14:07companion piece of Adolescence, isn't it?
14:09Presumably, you've all seen Adolescence.
14:11Oh, my God.
14:11Yeah, yeah.
14:12So, yes.
14:14Thank you very much.
14:20Because, beyond the, obviously, huge success of the show,
14:23I assume what's really gratifying is the response of audiences
14:28and people approaching you.
14:30And conversations.
14:31Look, don't get me wrong, you know, the awards and everything
14:33is wonderful, and to be respected by your peers
14:36and admired by your peers and people who...
14:38You know, I watched you when I was...
14:40You know, you're a wonderful actor and you're a huge inspiration
14:43to me, do you know what I mean?
14:44I remember the play you did with Lenny, Storm Damage,
14:47which was wonderful.
14:49Absolutely brilliant.
14:50And it was beautiful.
14:50Yeah, Lenny Jones.
14:51And that was raising social awareness back then,
14:53do you know what I mean?
14:53And it was a fantastic play, Ashley Walters as well.
14:56Yeah, yeah, yeah.
14:57And it was a brilliant play, brilliantly written,
14:58brilliantly acted and brilliantly...
14:59You know, it was a wonderful piece.
15:00So for me to be a part of work like this,
15:03which has a social conscience and can have an impact...
15:07Look, there's many supermarkets, but Tesco's...
15:10That's where I shop more regularly.
15:12You know, I'll be in Tesco's and just getting the shopping
15:14and bits and bobs, and a fella will come up and they'll just say,
15:17thank you, thank you for the conversation that I had with me lad
15:20the other day.
15:21We watched your programme and, you know,
15:22we started to have a conversation about stuff
15:24and we've never opened up to each other like that.
15:27Yeah.
15:27And that, to me, you know, that's it.
15:29You've achieved more than you can even dream of.
15:32Yeah, I mean, what a gift to parents.
15:35Yeah.
15:35Because it's such a hard conversation to ever have.
15:38Of course, yeah, with any parent, you know what I mean?
15:39It's a very difficult conversation.
15:41And now it's inspired a book.
15:42I think I've got an advanced copy here.
15:44It was a lovely feed, that.
15:44That was a lovely feed.
15:45There you go.
15:46There you go.
15:47That's why you're brilliant at your job.
15:49This is letters to our sons.
15:52And these are real letters that you've collected from fathers.
15:56Yeah.
15:56It was an idea of, you know, a friend of mine, Judy,
15:59who I've known for years, she works for the publishing company
16:01and she came up with this idea and this concept
16:04through another woman called Ollie, who's got her son herself.
16:08And they approached me and I just thought it might be a really
16:10good opportunity for fathers to be able to write letters to their sons.
16:14Yeah.
16:14You know, sometimes it's difficult to talk about things, isn't it?
16:18But if you can write it down, you know, there's nothing better than the paper.
16:21Yeah.
16:21The pen and the paper to be able to express your feelings to your sons.
16:24And also, presumably, because of some really different experiences,
16:28different relationships.
16:29Yeah.
16:30Huge, huge.
16:30You know, the scale of it's massive.
16:32Some of them are really funny.
16:33We got quite a few from men in prisons, which was brilliant.
16:36You know, we reached out right across the board and I'd say it was from
16:39maybe bin men to barristers, do you know what I mean?
16:42Yeah.
16:42So, it's a huge collection of letters.
16:44Something I'm very proud of.
16:46Well, you can pre-order this now.
16:47And the book is Raising Money for Dad La Soul.
16:51And Man Up.
16:52And don't forget, you can see Steven in The Good Boy in cinemas from the 20th of March.
16:57Very good.
16:59Thank you, Dave.
17:01It's been safe.
17:02It's been fun.
17:06I know.
17:07What can't he do?
17:08I know.
17:08Well, now, Kenny Cuoco brings us a big glossy thriller.
17:13It's called Vanished.
17:14It's on Prime.
17:15All four episodes are out on Friday, the 27th of February.
17:18And here's a taste to get us in the mood.
17:22It's so weird to watch that in front of you.
17:27It is so twisty-turny.
17:30Wow.
17:30There's lots of, kind of, big reveals and stuff.
17:33So, you can't tell us too much about it.
17:35Okay.
17:35Tell us about your character and just how it starts.
17:39Well, it's a lot on a train.
17:41So, yeah.
17:41He disappears off the train.
17:43We spent some time in France.
17:45And I spend most of it looking for Tom.
17:48Which was...
17:49Vanished.
17:50I'm searching for him.
17:51Yeah.
17:51And she starts, kind of, unraveling some...
17:53Maybe she doesn't know her boyfriend as well as she thinks she does.
17:57And it's great, because it's just, it's four eps and you're in your life.
18:00I love a good four-episoder.
18:02In and out.
18:02You're in and out.
18:03You don't have to commit too much time.
18:05Yeah.
18:06It's fast.
18:06Not 12 years.
18:08Beautiful.
18:08No, not 12 years.
18:10Not that long of a commitment.
18:12Exactly.
18:13I'll change my hair.
18:14No one will care.
18:15Yeah.
18:15It's not so chaotic.
18:16Yeah.
18:16It's fast moving and it looks beautiful with France in the background.
18:19I was going to say.
18:20So, there's the plot, but then there's the settings.
18:23Yeah.
18:23It's just gorgeous.
18:24But you weren't that keen on going to France.
18:27I, it's no, no.
18:28I was, I was excited to go.
18:30I had just had, my child had just turned two.
18:32So, it was kind of like, it was the first time I left, you know.
18:34So, there was that.
18:35And then, you know, deciding do I bring her or my dog.
18:38A big decision.
18:39Brought the dog.
18:40Got that taken care of.
18:42No.
18:43It was fine.
18:44It was the best thing we could have done.
18:45So, I'm like a really weird eater.
18:49And so, I don't like French food.
18:51So, that was tough.
18:52Oh, God.
18:53I know.
18:53Good noise, everyone.
18:54Well done.
18:55We are European.
18:58The French make some beautiful food, you know.
19:01Listen, no one hates the way I eat more than me.
19:04It causes me a lot of struggle.
19:06Like, I wish I liked more things.
19:08But not just the food though, not keen on trains.
19:11What's the problem with trains?
19:12Well, it's not a great project for me.
19:17So, I am not fun, as you can see.
19:22I get very claustrophobic and very nauseous.
19:26So, I guess I didn't realize we'd be actually on a train.
19:31Did you read the script?
19:33I just kind of thought, you know, just sit there with...
19:36You know, AI, you know, whatever.
19:38So, but then, you know, and I also am not a big...
19:41This is another thing.
19:42I'm not a big preparer.
19:44This is why I could never do a show like Adolescence.
19:46I hate rehearsal.
19:47That was probably a lot of rehearsal, is what I'm thinking.
19:50Like a lot of...
19:51Like a play, yeah.
19:52Like a play.
19:53That takes a lot of...
19:54Three weeks rehearsal.
19:55Three weeks rehearsal?
19:55Oh, my dear God.
19:56Yeah, that's...
19:57That's a lot of work.
20:01And it's impressive.
20:02It's...
20:03So, you know, I realized when I had to get on the train
20:06and shoot these scenes on a moving train.
20:09And I'm very claustrophobic.
20:11It was very low.
20:11And I was running up and down the train.
20:13And I guess I just didn't...
20:15I didn't think about that before I got on there.
20:18But, you know, it helps to cause me to be very dizzy.
20:21And, you know...
20:23Where is Tom?
20:24You know.
20:25It was all very real.
20:27You were acting.
20:28No, I was really concerned.
20:29No, seriously.
20:30Where is Tom?
20:31Where is Tom?
20:32Get me off his train.
20:34It was just all I could think about.
20:36Are you going to do season two?
20:37Is there a season two?
20:40I want to stay on land.
20:42OK, mixed reviews for France.
20:45But I tell you who loves France.
20:47Adrian Lester.
20:48Because I didn't realize you are a French film star.
20:52He is.
20:53A very early job I did was playing an American record producer in a film.
20:59French film.
21:00And the weird thing was I...
21:02I auditioned for this film in English.
21:04Met the director.
21:05And he said, very good.
21:06And I did my audition.
21:07And he said, when can you start?
21:08And he picked the date.
21:09And I'm ten days shooting.
21:11And I went over and I met the other actors.
21:13And we did this read-through and went through the scene.
21:17And I said my lines in English.
21:18And then he said, no, no, no.
21:20And someone came over with the script.
21:22Oh, no.
21:22And the...
21:23Oh, yes.
21:25And the lines were in French.
21:28That is a nightmare.
21:29And I...
21:29I can't believe we hadn't worked that out.
21:33Do you know what I mean?
21:33I thought...
21:33We're playing an American record producer.
21:35Of course.
21:35OK, you speak English.
21:36I got to the set.
21:38And it's French comedy.
21:40Like, Comédie Francaise.
21:41So they speak really fast.
21:43And we're in the scene.
21:44It's going...
21:48And then I went...
21:49And there was a gap.
21:53And then I went...
22:02And said my line.
22:06It was OK, but...
22:07Wow.
22:08Shooting.
22:09We've got a clip.
22:10There's a...
22:12I haven't seen this film.
22:14Have you never seen it?
22:15Have you never seen it?
22:16Have you never seen it?
22:16Have you never seen it?
22:16Have you never seen it?
22:17So, look, what I'll tell you...
22:20No, you're very good in it.
22:21So, it's called...
22:23Les Sœurs Soule.
22:24The son sisters.
22:25And the clip...
22:26The clip we're showing...
22:28It features...
22:29Adrian, as the American record producer.
22:31A woman doing some of the worst lip-syncing I've ever seen.
22:35Oh, my God.
22:36And keep your eyes peeled for one of the most surprising cameos.
22:43I don't know if it's a cameo, but it's...
22:45You do not expect to see this in a French film.
22:48First time.
22:48Here we go.
22:49This is Les Sœurs Soule, featuring Adrian Nestle.
22:53Can we...
22:55Can we...
22:56Can we...
22:56Can we...
22:56Can we just...
22:58Can we...
22:58Can we see the kangaroo again?
23:01Why?
23:02We need to talk about that.
23:03That is ridiculous.
23:05Why?
23:06Why is there a kangaroo?
23:08He's very invested.
23:09Yeah, he's...
23:10It's a really good...
23:11Look at him.
23:12He's really looking at me.
23:13He's really...
23:14Yeah.
23:15He's practised...
23:15He's practised his walk and everything.
23:18That's another thing you should ask.
23:20Apparently.
23:21Am I speaking French?
23:22He's got...
23:23He was a...
23:25For some reason, the husband and wife in the film, they had a pet kangaroo.
23:30And we were doing...
23:31We did a scene...
23:32In this...
23:33This...
23:33This scene.
23:34And we had to do retakes because the kangaroo jumped onto the mixing desk.
23:39There was a moment when it was...
23:41And I'd waited.
23:43And I went...
23:43BOOM!
23:46Cut!
23:46Coupe!
23:47It was...
23:47It was...
23:48Strange.
23:49And...
23:50I'm asking this restaurant and the answer could be yes.
23:53Kayleigh, do you own a kangaroo?
23:54Well, what's funny is I...
23:58I would love to...
23:59I have a lot of weird animals, but I would love to get a kangaroo.
24:02Yeah.
24:03Now that I just saw how focused and work-related he was.
24:06Still.
24:07He really is.
24:08Still and...
24:09No, I have a lot of strange animals.
24:10I have a farm at home.
24:11And we have all types of farm animals.
24:15We have some very unique animals too.
24:16Pigs and goats and cows.
24:17You've got something called a zonkey.
24:19We have a zonkey.
24:20Everyone thinks it's a myth.
24:21It's real.
24:21What?
24:22We have a picture of a zonkey.
24:24It's half zebra, half donkey.
24:27She's real.
24:27Is that an accident?
24:28Yes.
24:30You shouldn't do that.
24:31No, of course not.
24:33That has to be an accident.
24:34That's why I saved it.
24:34Yeah, yeah.
24:35No, I get it.
24:36Yeah.
24:36Now, is a zonkey...
24:39It's an accident between a zebra and a donkey.
24:40No, I get that, but is the zebra...
24:42Is the zebra the father?
24:44I was not part of that process.
24:47So, I just came in later.
24:49Well, no, because all I know is...
24:50A donkey in tights.
24:51I wondered what a zonkey was, so I looked it up.
24:53I looked it up.
24:53He's wearing tights.
24:54No, it does look like he's wearing tights.
24:55She does.
24:56She does.
24:57So, a zonkey...
24:59So, if the parenting is the other way round...
25:02Okay.
25:02They're called a Deborah.
25:05They're called a Deborah.
25:06They're called a Deborah.
25:08Not making it up.
25:09Not making it up.
25:10No.
25:11Someone Google that.
25:12No, it's true.
25:13It's true.
25:14Turn off your phones, but it's true.
25:16Why is that for a gentleman?
25:18Because if the donkey...
25:19So, if the donkey's a dad.
25:21Yeah.
25:22Or a mother.
25:23It's just a different parenting.
25:25Okay.
25:25This is a zonkey, though.
25:26This is a zonkey.
25:27Have you got two zonkeys?
25:28I have two zonkeys, yes.
25:29That's...
25:30Do they name?
25:31Like a horse.
25:32They...
25:32They donkey.
25:33You know, they...
25:34You know, they...
25:36You know...
25:36Like a donkey.
25:37It's like a...
25:38Yeah, yeah, yeah.
25:39Yeah.
25:40There's no horse.
25:42There's no horse, anyway.
25:43You know, they're kind of making a deep donkey sound.
25:45What do they sound like?
25:46Wow.
25:46How would that sound?
25:47Don't ask me.
25:48It's like a...
25:48You know, not a nay.
25:50It's a bray.
25:50It's like they're like...
25:51You know, they're eons.
25:53Yes.
25:53Yeah.
25:53You know.
25:54Okay.
25:55Yeah.
25:55He's so confused.
25:57He's like...
25:58Don't be the horse.
25:59They're not the same thing.
26:00They're not.
26:02Oh, they're different species.
26:03They're different.
26:03Very different.
26:04Just a reminder, you can see Gayley in Vanished on Prime.
26:08And that's from the 27th of this month.
26:11Very good.
26:12Now...
26:15Good news, all.
26:17Adrian Lester is returning to the stage in Cyrano de Bergerac.
26:21It's the Royal Shakespeare Company's hit production.
26:24It's transferring to London's West End starting June the 13th
26:27and runs to September the 5th at the Noel Coward Theatre.
26:31So, this production...
26:32So, you did it...
26:33Was it last year you did it?
26:35Yeah, in the last year in Stratford.
26:36So, is everyone coming or is it just you?
26:39That's unconfirmed.
26:40Oh, okay.
26:41I won't pry.
26:43Susanna Fielding is coming back as Roxanne.
26:45Okay.
26:45So, that's confirmed too.
26:46Okay.
26:46The two of you.
26:47And if people, you know, don't know,
26:50tell us something about Cyrano de Bergerac.
26:53And also, is this a new translation or a new adaptation?
26:56It's a new adaptation,
26:58worked from the original by Simon Evans and Deborah Stevenson.
27:02And...
27:03So, it's a fresh one.
27:05And it's the story of...
27:07Cyrano de Bergerac is kind of...
27:08It's one of the most romantic stories ever written.
27:10Um...
27:11He's a poet, philosopher, fighter.
27:13He has a big nose.
27:14He's insecure about it.
27:16And he's in love with a childhood friend, Roxanne.
27:19Um...
27:20But she doesn't love him.
27:21He's in the friend zone.
27:23But she falls in love with his, um...
27:26soldier friend, Christian.
27:29And she wants Christian to write to her.
27:32But Christian can't write.
27:33He's terrible with poetry.
27:34He's terrible with language.
27:35So Cyrano writes love letters on Christian's behalf for Roxanne.
27:40And she falls in love with Christian
27:42because of his language and because of the letters.
27:45And that's the way the triangle works.
27:47So sad.
27:48It is actually very funny.
27:49There's funny bits too.
27:50Yeah.
27:50And the fights are kind of doubly difficult
27:54because you're not just fighting.
27:56No, I...
27:57There's a very famous bit in the play
27:59where someone insults Cyrano's nose
28:02and he says, that's not good enough.
28:03And he comes up with many insults himself.
28:06And they're all rhyming.
28:08Um...
28:08Some of the miambic pentameters are a kind of poem.
28:11Some of them are quatrains.
28:12And he...
28:13He's really, really quick.
28:14But in our production, I'm fighting another character
28:18while I'm delivering this poetry.
28:19Wow.
28:20So we've worked out on each beat, parry,
28:23where the line comes, when I dodge, when I duck.
28:25So we...
28:26I mean, we did a lot of rehearsal.
28:28And the guys back there, you can see, is Matt Mordech,
28:31who's a stunt-trained actor, and he is brilliant.
28:33And we have to be so...
28:35The weapons are real, you know, they're dangerous.
28:36And we have to be so exact with it.
28:38And every word I say is times to every movement he makes
28:41and my response to him.
28:43Wow.
28:43Have you ever hit him accidentally?
28:45Nearly.
28:46Yeah.
28:47Nearly.
28:48And he's nearly...
28:48So far.
28:50Nearly.
28:51We've never actually heard each other.
28:52Never actually made contact.
28:53No.
28:54And reading about your life, Adrian, you grew up in Birmingham.
28:57Yeah.
28:58And that idea of acting and the stage and the theatre,
29:02it did kind of change your life, having that available to you.
29:05Yeah, yeah, it did.
29:06I spent a lot of time at a place called the Midlands Arts Centre,
29:09where I could go...
29:10I didn't...
29:10We didn't really have drama or that music really at school at all,
29:14so the place I had to go to experience that was the Midlands Arts Centre.
29:17And every summer, I joined the Birmingham Youth Theatre,
29:20and every summer, every term break, I was just there.
29:24And the people there were amazing.
29:26This kid from a council estate up the road,
29:27and they would just open the doors and let me come in,
29:30and I could go to dance classes.
29:32I've done tai chi there, ballet, puppetry workshops,
29:35learnt the piano a little bit.
29:37You know, just everything to do with music and performance.
29:40And I...
29:41From that, I just had this sort of spark,
29:43and I just thought, I love this, I've got to keep doing it.
29:46Wow.
29:46Because, Stephen, you had a kind of similar experience in Liverpool,
29:48didn't you, starting young on the stage?
29:51Yeah, through school, but then with the Everyman Youth Theatre.
29:53You know, for me, that changed my life.
29:55Yeah. Absolutely.
29:56There was a wonderful man, and it is a real name,
29:58Gerry Pantomime.
29:59He...
30:00Is that really?
30:02It's not Gerry's true name, but that was the name,
30:04you know, he used that name, Gerry Pantomime.
30:06Yeah, yeah.
30:07I've said it often, do you know what I mean?
30:08Look, I was a kid in a little Adidas trackie
30:11in a pair of trainees and a Lacoste T-shirt,
30:13and there was kids with pink hair,
30:16there was lads with jeans on with a flower in the back pocket.
30:18There was a huge community of kids from all over the place.
30:22Do you know what I mean?
30:22And Gerry created this wonderful atmosphere
30:24where we could create stuff.
30:26Yeah.
30:26And it was a place to go and just be creative.
30:29And for me, it absolutely transformed my life.
30:32Yeah.
30:32In my new theatre.
30:33And I wonder, Leo, did you resist becoming an actor
30:36because your parents are, you come from a theatre family?
30:39Yeah, yeah, yeah.
30:40It was in my family, so I did, it was kind of the last thing
30:42I wanted to do for some reason.
30:44You know, even though I kind of grew up watching my dad on stage
30:46and my set that, it was, um...
30:50Yeah, I think they've kind of said,
30:53whatever you do, don't be a fucking actor.
30:57So what were you going to do?
30:58I mean, I was going to be a...
31:00I kind of wanted to be a PE teacher.
31:03My hero was always my PE teacher.
31:07Aw.
31:07And when did you decide not to do that?
31:09Jack Costello.
31:10Oh, Jack Costello.
31:10Yeah, real name.
31:12Real name.
31:12Yeah.
31:12Great name, innit?
31:14Um...
31:15I don't know, I just, I loved sport,
31:16and so I just kind of wanted to do that,
31:19but then I realised you need to be really,
31:21you need to get really good grades in science.
31:24Which I didn't get.
31:26Um...
31:26Because where did, Katie,
31:27you also chose between sport and acting, did you?
31:30Uh, I did.
31:31I really thought I was going to be a professional tennis player.
31:33That was, like, my dream.
31:35But not like a pipe dream.
31:36You were very good at tennis.
31:36No, I was good.
31:37I was good.
31:38I played very young and I played all through my juniors
31:40and travelled all over the nation
31:41and did all that, all that stuff when I was, when I was...
31:44Oh, serious then.
31:45Yeah, it was serious.
31:46Oh.
31:46Um, and then, uh, yeah, I kind of, I kind of had to decide,
31:50because I realised being a professional athlete
31:52is a lot of rehearsal.
31:54There's a lot of...
31:55You have to do a lot.
31:56A lot of practice.
31:57A lot of practice, yeah.
31:58It's a different kind of rehearsal.
31:59Um, so, yeah, I gave up on that dream.
32:02But, uh, yeah, I...
32:03But also, I found it interesting,
32:04when you gave up on that dream, you gave up on it.
32:06So, I, yeah, I'm kind of, I'm very all or nothing.
32:09I didn't want to touch a racket ever again.
32:11I was... I played a lot.
32:12Like, I travelled and I loved it
32:14and trained and all this stuff.
32:15And so, when I was done, I was done
32:17and I got my first TV show right after that
32:19and then I said, I'm not going to play tennis ever again.
32:22And I really didn't.
32:23And then I just recently, actually, when COVID happened,
32:25I was like, I'm kind of good at this.
32:28I should do this again.
32:29Yeah.
32:29Because everyone was playing tennis.
32:30Because you could, like, go outside, right?
32:31Yeah.
32:32So, I was like, I can do that.
32:33So, I started playing again.
32:35And I was like, I could be an adult player now.
32:38Yeah.
32:39You know.
32:39And was it like riding a bike?
32:40Were you just good again?
32:41I was very sore.
32:42Like, everything hurt after.
32:44But, you know, I could play.
32:46Yeah.
32:46But that's the problem.
32:48It's the competitiveness.
32:49Okay.
32:49I am so not fun to play anything with.
32:52I want to win everything.
32:54So, Ten, it's like, not fun.
32:56Yeah.
32:56No one wants to play anything with me.
32:57To play games, nothing.
32:59I will beat you down.
33:02I will ruin your life.
33:04I will ruin your family's life.
33:06I'm like, it will get so dark that you just have to really,
33:11I can't.
33:12And none of my friends want to play with me at game night.
33:15They're like, no one wants to be on my team.
33:17So, I want to win this right now.
33:20I don't even know how, but I'm going to.
33:22Oh, you're winning.
33:23You're winning.
33:23I'm going to win this somehow.
33:27Don't worry about it.
33:28True.
33:28You won.
33:29It's an addiction.
33:30Yeah, no.
33:31Especially by the way you can see Adrian Represe's role
33:34as Cyrano de Bergerac at the Noel Coward Theatre in London
33:37from June.
33:38Tickets are on sale now.
33:39Yeah.
33:43Right.
33:45I turn to Leo Woodall.
33:47There you are.
33:48His latest series is called Vladimir.
33:51It's coming to Netflix on March the 5th.
33:55That gives you some idea.
33:59Get it?
34:00Yeah.
34:01So, you, you, you...
34:03It honestly took me a minute to get that.
34:06There's a difference between a horse and a donkey.
34:09LAUGHTER
34:09You have to say it again.
34:11You have to bring that back.
34:12No.
34:13OK.
34:13So, you are Vladimir.
34:16Yes.
34:16So, who is he and why is that the poster?
34:21And I can't, I don't know why that is.
34:24But Vladimir, it's about an English professor at a university
34:30in, I think, on the East Coast.
34:33And, um, this younger professor joins...
34:38Vladimir.
34:38Vladimir.
34:39Um, and she kind of, she develops a bit of a fixation,
34:43a bit of a sort of, you know, a little mini crush,
34:47but it...
34:48It snowballs.
34:49Yeah.
34:50Um...
34:50You've got an obsession, really, couldn't you?
34:53I mean...
34:53Yeah, I didn't want to say obsession,
34:54but I'm glad you did.
34:55Yeah.
34:56And the older professor is played by Rachel Weisz.
34:59Yes.
35:00What a great actor.
35:01All, yeah, I mean, all the men in my life now hate me.
35:05LAUGHTER
35:05Most of the women as well.
35:06Yeah.
35:07I hate them.
35:08Yeah.
35:08She's wonderful.
35:09Yeah, that was a lot of fun.
35:10I mean, poor woman, she had to...
35:11They were like...
35:13This isn't really a spoiler.
35:14There's quite a lot of moments where she snaps into a sort of fantasy.
35:18And it's maybe like a part of my ear or my knee.
35:24And so, you know, this incredibly seasoned, respected woman
35:30is now just staring at my knee and, like...
35:33..gazing at it.
35:34And has to do it, sort of, 25 times.
35:38We've got a clip.
35:39This is you with Rachel Weisz and her husband,
35:42played by John Slattery.
35:44APPLAUSE
35:49Did your arms hurt in that scene?
35:51Dude, I wanted to say that.
35:52You know when you make a choice, you make a choice
35:53and you have to do it for, like, eight hours?
35:55It was so uncomfortable.
35:56Did you make that choice?
35:57Yeah, I thought so.
35:57I made that choice and I tried...
35:58That's what I was thinking.
35:59I was like, his arms can't feel good right here.
36:00And I was thinking, he must be really wrinkly now.
36:02LAUGHTER
36:03I mean, yes and yes.
36:05Yes and yes.
36:07All of the above.
36:08And in a lot of pain.
36:09Yeah.
36:09And in this, you're acting with the great Rachel Weisz.
36:12Yes.
36:13But in Tuner, a movie you have coming out in May,
36:16you work with a legend.
36:18You work with Dustin Hoffman.
36:19Yeah.
36:20Yeah, that was...
36:20Yeah.
36:21There he is.
36:22Oh, wow.
36:23That was actually a really funny day because we do these house calls
36:26and he...
36:27You play piano tuners.
36:29We play piano tuners.
36:30We go to these big houses and he...
36:32Whatever.
36:33So the camera's pointing at us and he...
36:35Obviously, there's no character behind the camera.
36:40So he just kind of looks up and goes,
36:42Hello!
36:44And then realises that the camera is the sort of character
36:47and he kind of dips his head and goes,
36:49God, I would like one more.
36:50Yeah!
36:52It was really sweet.
36:54It was wonderful to work with.
36:55It was very...
36:56It was so surreal.
36:58Yeah.
36:58It was so surreal.
36:59Tuners out in May and Vladimir starring Nita Woodall
37:02is on Netflix from March the 5th.
37:05Excellent.
37:06OK.
37:08It is time for music.
37:10This Brit and Grammy award-winning band
37:12have sold over 40 million albums worldwide.
37:16Here performing Orange County,
37:17it is Gorillaz featuring Cara Jackson
37:21and Anoushka Shankar.
37:23Come on over.
37:24I think, Damon, you're coming over.
37:27Anoushka, Cara, come on over, guys.
37:31So beautiful.
37:33Hello.
37:34Congratulations.
37:35Very nice to meet you.
37:37Hello.
37:38It's been a minute.
37:38Come in, come in, come in.
37:40Nice to meet you.
37:41Cara, Anoushka, Damon, there's everybody else.
37:45Thank you so much for that beautiful performance.
37:47Sit yourselves down.
37:49And that gorgeous song is off the new album.
37:53It's called The Mountain and it's out on the 27th of February.
37:58Yay!
37:59Yeah, come on.
37:59Give it a applause.
38:03And Damon, welcome back.
38:04It's been a minute.
38:05Well, I mean, you know, you just haven't invited me back.
38:09Well, you're here now.
38:11I am.
38:11I remember the last time I came,
38:12I had to cajole you in a nightclub to get you...
38:15Do you remember that?
38:16I want to hear more about cajoling.
38:18I was in a nightclub.
38:19Yeah, I was in a nightclub with you and I was like,
38:21why am I never on your show?
38:24I have no recollection of that.
38:27It must be quite drunk.
38:28It was one of those nightclubs.
38:29Yes, it must be.
38:30How funny.
38:31Well, I may have blanked it from my mind, of course.
38:34It would be awkward or so.
38:35But listen, Anoushka, how did you get involved in this project?
38:38I tend to be a little mindful about the cross-cultural collaborations.
38:42Like, are we entering another, like, flying carpet incense LSD moment?
38:46You know, so when people reach out, it's a bit like,
38:48let's see what this is about, but it was gorillas
38:50and they've always approached collaboration a certain way,
38:54so I kind of knew that going into it.
38:56But then I was really, really, like,
38:58it was just a great recording day.
38:59I spent the day with you.
39:01You know that.
39:01You were there.
39:03I was kind of there.
39:05Not there, I was just kind of going on.
39:07Just looking at you.
39:08Well, no, but it was really from the ground up.
39:11Like, he was there for the whole day of recording,
39:13which sometimes you would think wouldn't happen.
39:15And I did.
39:15No, seriously, it was nice.
39:17And I just wondered, watching it, it's sitar.
39:19Yes.
39:20Because your dad, Ravi, was so famous.
39:22Just fall like that.
39:23Yeah.
39:23Was so famous.
39:24You can play like that.
39:25Did you resist, did you resist playing it,
39:27or did you start playing it from a very young age?
39:29My parents did that really brilliant South Indian thing,
39:32like, South Indian, South Asian, Indian thing of,
39:35no one's going to force you to play.
39:37You don't have to play if you don't want.
39:39Of course, we will be very disappointed if you don't.
39:43But it's totally your choice.
39:45So I was like, I'll keep trying, I guess.
39:47And so I kept playing, and luckily for me,
39:49I did it long enough that I fell in love with it.
39:51Yeah.
39:52And that was that.
39:53And Kara, am I right?
39:54You were, for R, a proper Gorillaz fan.
39:57Oh, yeah.
39:58I'm 26, so I grew up, you know, listening to Gorillaz and Blur,
40:03and I don't usually admit this,
40:06and I am now doing it on a very public scale.
40:08But when I was younger, I used to be on Tumblr.
40:11I grew up in the Tumblr era.
40:14And I had a whole blog dedicated to, like,
40:18classic rock and rock bands.
40:22And so, of course, like, you know,
40:24Blur was featured on my blog on Tumblr when I was, like, 12.
40:29Wow.
40:30Can I just ask you, where did Gorillaz come from?
40:33What was the concept?
40:34Because me dad introduced me to Gorillaz.
40:35Oh, really?
40:36And he said, you'll never guess who this is,
40:37and it blew my mind.
40:38I mean, I think you're a genius, I always have.
40:40But where did that concept come from for Gorillaz?
40:42Thank you for letting me ask that question.
40:44Yeah, no, no.
40:45No.
40:46It's an open forum, Stephen.
40:47It's an open forum.
40:48I was living with Jamie Hewlett, the cartoonist.
40:51Yeah.
40:52And literally, we were sitting on a sofa, not dissimilar to this one.
40:56And I'd bought this Panasonic eight-channel flat TV,
41:03like, maybe the first, second one in the country.
41:06And so we just had this empty flat and this huge crack television.
41:09We were just watching just endless stuff, you know, and we kind of came to the conclusion
41:15there was a lot of manufactured stuff out there.
41:17So let's do something really kind of interesting with manufacture, you know, and kind of the artificial, you know.
41:26And you created them characters and put them together in the band, yeah.
41:29And we should tell everyone, Gorillaz are going on tour.
41:32You're doing your biggest ever gig, I think, Tottenham Hotspur Stadium.
41:36A, a, a, a, a music, a large music venue in North London, yeah.
41:45There he is.
41:46He's not a fan.
41:49All right, well, listen, thank you so much for that performance.
41:52Good luck with the tour, good luck with the album,
41:55Kara, Anoushka and Damon.
41:57Give it up for Gorillaz, everybody!
42:01And that is it for tonight.
42:04No time for Red Chairs, I'm afraid.
42:05So please thank the rest of my guests.
42:07Leo Woodall!
42:10Averyan Lester!
42:14Kayleigh Corko!
42:17And Mr. Stephen Webb!
42:21Join me next week with Chef Gordon Ramsay,
42:24Brat Queen Charlie XCX,
42:26Hollywood star Jennifer Garner,
42:28Oscar winner Benicio Del Toro,
42:30and music from the mighty Foo Fighters.
42:32I'll see you then. Good night, everybody!
42:33Bye-bye!
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